Podcasts about Butthole Surfers

The Butthole Surfers started way back in 1981 with Gibby Haynes and Paul Leary started a band. They quickly grew a reputation in Texas and throughout the country as one of the most provocative and outlandish bands in the country. They had a massive influence on contemporary artists like Kurt Cobain, White Zombie, and Flea of the Red Hot Chili Peppers. They hit massive success with their album electriclarryland and the single Pepper. After the success of their album they had a follow album After the Astronaut, but because of disputes with their record label and problems with their manager they never were able to release it until now. The band is planning on releasing it June 26th 2026. Before the album is released Paul was nice enough to come on the show! Paul and Doc talk about starting Butthole Surfers, going on Capital records, working with John Paul Jones, Paul getting invited to produce for the Meat Puppets and Sublime, recording with Stone Temple Pilots, touring with Nirvana, recording electriclarryland, recording After the Astronaut and so much more! Meanwhile on the rest of the show Doc and Mike roll through the top 3 classic country songs, and Mike gets a little behind the music. Introduction: 0:00:22 Birthday Suit 1: 13:02 Ripped from the Headlines: 16:01 Shoutouts: 39:57 Paul Leary Interview: 44:57 Mike C Top 3: 1:39:41 Birthday Suit 2: 1:54:39 Birthday Suit 3: 1:56:57

Ben and Ione are fresh off Ben's Tasmanian tour — and they have opinions. They break down their first encounter with actual Tasmanian devils (terrifying, zombie-like, cannot be explained), rave about Woolworths Flu Shot (a six-piece punk band from Hobart who just might be the best new band in Australia), and dissect the Butthole Surfers documentary The Whole Truth and Nothing But — asking the bigger question: is transgressive art always rooted in personal trauma?Plus: Richard Pryor's bisexuality and what it meant to be that openly queer as a Black performer in the 70s, Phoebe Bridgers' no-phones tour as a stroke of marketing genius, and a full decode of the Charli XCX Music Fashion Film album cover — what does choosing John Cale, Martin Scorsese, and Marc Jacobs actually say about where she's headed?Also: Ione reveals the four fictional characters she most identifies with (one of them is Woodstock from Peanuts), and Ben has early intel on Folk Bitch Trio, the Australian band about to blow up internationally.Take a deeper dive into our world at https://weirdertogether.substack.com

Butthole Surfers' Paul Leary and King Coffey trace the band's unlikely major label journey — from America's top-grossing indie act to MTV hitmakers to a lost album finally resurrected after nearly three decades. Preorder "After the Astronaut" LP here Topics Include: After the Astronaut releases June 26 after sitting unreleased for 28 years. Capitol signed Butthole Surfers when they were America's top-grossing indie band. Label president Hale Milgram believed in them; his firing changed everything. Pepper was written on the spot after a producer demanded one more song. Pepper won radio call-in polls for a month and played MTV hourly. The hit turned them into a "follow-up band," which was never their thing. John Paul Jones produced Worm Saloon and taught Paul Leary how to produce. Jones and the band shared a Lagavulin obsession, running up a $20,000 scotch bill. Capitol's big budgets contrasted sharply with Touch and Go's approach. After the Astronaut was a deliberate return to experimental, art-school Butthole Surfers DNA. Mark Ryden painted the original cover; getting dropped handed it to Marcy Playground. Declining a Hellraiser soundtrack placement created the first real rift with Capitol. Their manager's heroin relapse coincided with the band getting dropped mid-promo cycle. Promo cassettes already pressed now sell for $800–$1,000 on the secondary market. Hollywood Records funded Weird Revolution; Rob Cavallo showed up once a week for ten minutes. Finding two-inch master tapes in a storage locker triggered the After the Astronaut remix. Documentary The Whole Truth and Nothing But took director Tom Stern five years to make. Rob Reiner called it one of the best music docs ever — hours before his murder. A potential box set looms, but Paul prefers naps, his cat, and his bicycle. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

brianturnershow.com, eastvillageradio.comBUTTHOLE SURFERS - Human Cannonball / Too Parter - Live at the Leather Fly (Sunset Blvd, 2025)INTERVIEW WITH TOM STERN AND THE BUTTHOLE SURFERS' PAUL LEARYBUTTHOLE SURFERS - Jet Fighter - After the Astronaut (Sunset Blvd, 2026)BUTTHOLE SURFERS - American Woman / Waiting For Jimmy To Kick - Rembrandt Pussyhorse (1986, re: Matador, 2023)BUTTHOLE SURFERS - Sweat Loaf - Locust Abortion Technician (1987, re: Matador, 2023)BOOGIE WITCH - Boogie Hole - s/t (Maize-Y, 2026)BAHODUR NEMATOV / GULSHAN - Dunyo Javoni -V/A:  Digging Central Asia: Musical Archaeology Along the Silk Road (Death Is Not The End, 2026)MICHAEL YONKERS BAND - Kill the Enemy - Microminiature Love (Sub Pop, 2006)RORO PERROT'S LOST ROCK - Get You Anything - Anything Inferior EP (Decimation Sociale, 2026)MARS - 3E (live) - Live at the Village Gate 1977 (HoZac, 2026)THE TAIGABAUER -  Schenk Mir Doch Ne Bombe - V/A: Du Darfst (cs, Pissende Kuh Kassetten, 1987)LEROY SE MEURT - Evasion - La Chute EP (Enfant Terrible/Gooiland Elektro, 2020)F/I - Untitled III - Invisible Men (1984, re: Birdman, 2026)ONNA -  Just Because I'm Your Mother - Last Live 1983 (An'Archive, 2026)

On this week's show, we spend quality time with superlative new records by Parlor Greens and Robyn, spin fresh tracks from Massive Attack with Tom Waits, S.G. Goodman and Angine de Poitrine, and commemorate the 50th anniversary of The Ramones' iconic self-titled debut. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

For April's episode we discuss our favourite songs of 1987, including a lot of goth, some sparkly pop, industrial, thrash metal, hip hop, indie, and even a bond theme.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order. She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - a-ha, Anthrax, Rick Astley, Big Black, Black, Butthole Surfers, The Cure, Dead Can Dance, Death, Def Leppard, Dinosaur Jr, Faith No More, Fleetwood Mac, Front Line Assembly, Guns N Roses, Lubricated Goat, Negativland, The Pastels, Penguin Cafe Orchestra, Pixies, Pop Will Eat Itself, Prince, Public Enemy, R.E.M., Sisters Of Mercy,  Skinny Puppy, The Smiths, U2, Suzanne Vega, & The Wedding Present.Find all songs in alphabetical order here - https://open.spotify.com/playlist/7H6ir9yRUIOmg1hrAhKtwu?si=423f30e293904a4fFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

Jungle turning up in the darndest places tonight, as is… saxophone? Jazz stretched to its limits, and electronica during wartime… LISTEN AGAIN in the darndest places – stream on demand from fbi.radio, podcast here. Butthole Surfers – Imbuya [Sunset Blvd] Never thought I’d be playing Butthole Surfers on Utility Fog. Not that they weren’t an impeccably experimental punk/noise band in their earlier days. Not that Gibby Haines didn’t do the greatest impromptu guest spot ever on Ministry’s “Jesus Built My Hotrod“. Not that “Pepper” isn’t a classic ’90s alt.rock/trip-hop crossover hit. But still, they haven’t been active for a long while, so it’s altogether a surprise that they’ve decided to release their “long lost” follow-up to Electric Larryland, the album that featured “Pepper”. For various reasons – label shenanigans etc – it wasn’t released in the form they wanted, with some songs reworked on the eventual next album Weird Revolution. Fans have known about The Last Astronaut, and heard leaked copies for decades, but now we’re getting it proper-like, and whaddayaknow, the second song they give us is alt rock/industrial punk with amen breaks, because jungle will never die. The break gets pretty nicely tweaked in the middle 8, while the guitar chugs along like a sped-up track from that Ministry album. Picastro – Fell The Family Tree [We Are Busy Bodies/Bandcamp] Liz Hysen’s band Picastro has been going for a very long time – since 1998 – with a changeable lineup that’s usually left-of-centre, featuring viola or cello (Hysen herself plays violin), with various luminaries of the Toronto scene involved, including Owen Pallett and Nick Storring. Hysen’s songs are often dark & creepy, often uncomfortably intimate, and the strings may be used atonally as often as they’re beautiful. It’s true to say that while every Picastro song sounds like Picastro, every Picastro album is different, and their forthcoming Double On Time may be more electronic, based on this lovely – and yes, creepy – first single “Fell The Family Tree”. Notable for us here at Utility Fog, the album is co-produced by Tim Condon of Fresh Snow, whose debut as Mirrored Silver Sea was a UFog fave in 2008, and who moved from Melbourne to Toronto not long after it was released. It’s great to hear his many contributions here alongside Liz Hysen’s singular vision. Carl Gari – Swim feat. Polygonia [Molten Moods/Bandcamp] Most of us know German band Carl Gari from their incredibly strong albums made with Egyptian singer/trumpeter/poet/composer Abdullah Miniawy, on AD93 and Amphibian Records. Between those two releases, the band & singer released a live album on Molten Moods, and it’s to that label that Carl Gari now return for their self-titled album, forthcoming in June. This choppy beats of the second single are joined by multi-tracked vocals from Munich-based Polygonia, herself a producer of bass & other dancefloor music. james K – On God (Roza Terenzi Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Roza Terenzi is Katie Campbell, originally from Perth, then Melbourne, now Europe, also one third of trip-hop band trickpony. She takes the jangly indie song “On God” and dubs it out with vocal delays and chunkier beats – one of the best remixes of the set. Lyra Pramuk – Ending (Djrum Endless Rework) [7K/Bandcamp] The remix has in a sense always been at the heart of the work of operatically & classically-trained composer & producer Lyra Pramuk, whether it’s sampling and processing her own voice, or commissioning huge remix compilations as on 2021’s Delta. Last year she started her own label pop.soil, but simultaneously joined 7K (!K7‘s classical/ambient imprint that they’re back-referencing as 7Klassik), releasing the beautiful Hymnal in June. In June this year comes Hymnal (Resung), in which her voice and the strings of Sonar Quartett are remixed by seven of her colleagues – and who better than the classical-tuned beatmaster Djrum as the first to be released? dgoHn – I Couldn’t Remember So I Made Something Up [Planet µ/Bandcamp] Here are two tastes that sure go well together – the first release by drumfunk genius dgoHn (aka John Cunnane) on Planet µ! All signs point to Tessares being vintage dgoHn, with the melodic focus of label boss µ-Ziq – and dgoHn did have an album with Macc on Aphex Twin’s Rephlex label (digital available here), so IDM isn’t exactly foreign to his style of drum’n’bass. I’m certain this will be a joy. SPECIAL REQUEST – Uncanny Valley (gyrofield remix) [Timedance/Bandcamp] When techno/tech house mainstay Paul Woolford unveiled his Special Request alter ego in 2012 with a series of 12″s and remixes, it was revolutionary not just for Woolford but for the nascent jungle revival, representing a new take on the ’90s jungle revolution, and pre-empting the still-current jungle revival by at least a couple of years (well it depends how you count it – Sully’s Blue double EP was 2014, despite the Bandcamp date). As you know, Woolford has used Special Request for all music of the hardcore continuum by now, but for Batu’s Timedance he’s dropped a piece of hardcoreish drum’n’bass. It’s backed by two remixes: Metrist‘s bass heavy slow-fast take and gyrofield‘s more abstracted weird-jungle. Weird dancefloors unite! los pulpitos – ii ii ii [Crammed Discs/Bandcamp] los pulpitos – Archipelago [Crammed Discs/Bandcamp] Since the early ’80s Belgian label Crammed Discs has been the home for postpunk and world music of all sorts as well as quite a lot of electronica. Techno & electronica producer Dirk Leyers here teams up with Felipe Salmon of Peruvian duo Dengue Dengue Dengue under the name los pulpitos (the little octopuses). Their debut EP Octopean Union from last year was a lovely piece of underwater electronica, combining techno & acid vibes with friendly drum’n’bass/jungle and those South & Central American percussive forms that Dengue Dengue Dengue nurtured. The new album Tentacletek is similarly-formed and both are absolutely lovely, just the right combo of dreamy & danceable. Appleblim – Thunderstorm [Sneaker Social Club/Bandcamp] Laurie Osborne as Appleblim was a key figure in the outward dissemination of dubstep with the Skull Disco label he ran with Sam Shackleton, twisting dubstep’s template to include technoid rhythms. Since then both artists’ oeuvres have turned sideways into other realms, but Appleblim’s always cleaved closer to the dancefloor. Here he’s joined with Sneaker Social Club for a third time, with melodic, hardware-driven rave tracks that float somewhere between drum’n’bass, 2-step, dubstep, weightless and some kind of acidic disco. Always brilliant. Rob Smith – Revolve (feat Tony Wrafter) [RSD Bandcamp] Here’s an unusual project for Rob Smith of Bristol trip-hop originals Smith & Mighty and junglists More Rockers. As RSD, Smith has also made forays into dubstep, indeed since early in the genre’s nascence, as well as dub more broadly. The makers of the underground film Urtobēn – Vienna’s illegal Artforms (more about graffiti and parkour activities than music itself) clearly felt RSD’s urban music styles suited the film’s aesthetic, and now he’s released the soundtrack on his Bandcamp, with tracks from many of his projects and a few fellow travellers. The previously-unreleased (I think!) jungle track I played tonight features trumpeter Tony Wrafter, a longtime Smith & Mighty fellow traveller, who’s also worked a lot with the On-U Sound stable. Ital Tek – Kill Switch [Planet µ/Bandcamp] I first played Alan Myson’s music as Ital Tek in 2007, pretty early in the dubstep’s expansion out from East London. He’d made a bit of breakcore/IDM before this, but his dubstep was quickly picked up by Mike Paradinas’ Planet µ, with all four tracks on the Blood Line EP certified bangers. He moved into a more purple phase, and via various other styles – some more ambient, some more industrial – we arrive at Mind Abandon. Here Myson is taking a bit more of a hardware approach, and again is mixing ambient with some more post-industrial expression, not exactly IDM or dubstep but not entirely separate either – especially the track I played tonight goes from punishing industrial bass into cyberpunk ambient synthesis. I’ve found for years now that Ital Tek albums don’t initially grab me, then I come back to them after a bit and I’m like What? This is fucking great. And yeah, this is great. An underrated talent, honestly. Jensen Interceptor – Flux Entrance [Peder Mannerfelt Produktion] Sydney-born producer Jensen Interceptor now finds himself based in Stockholm, so it makes sense that his last couple of EPs have been released by Pedder Mannerfelt‘s Produktion. Synthetic Seduction is definitely “future bass”, aimed squarely at the dancefloor; straightforward enough, but melodic and super bouncy. Rodja – Ajam (Version) [XCPT/Bandcamp] Pietro De Ruggieri is a producer from Mantera in Italy, releasing music as Rodja, which suggests a particularly Aussie pronunciation of “Rodger”, but presumably isn’t. De Ruggieri has spent some time in Tehran, and some of the music on his new album Third Force was produced there. It’s a phenomenal set of dub techno and other dubby bass music, with slippery production but emphatic beats, beautifully textured. Recommended. Paperclip Minimiser – TT A1 [Blank Mind/Bandcamp] Speaking of pitch-perfect updated dub techno, John Howes’ Paperclip Minimiser has the goods. This is far more ascetic than Rodja, a sound that will be familiar if you checked out Howes’ second album on Peak Oil a few weeks ago. Brilliant. Ptastvo – Bowls With Souls [I Shall Sing Until My Land Is Free/Bandcamp] Ukrainian label I Shall Sing Until My Land Is Free (based, with its progenitors, in Berlin since Russia’s war) here brings an album from Volodymyr Ponikarovskyi aka Ptastvo, who uses found sounds along with electronics and musical instruments to evoke the feeling of imbalance and the heightened emotions of living in wartime. It’s impressively varied music, and even at its most electro-acoustic (e.g. the literal metal bowls sampled on “Bowls With Souls”) it retains a connection to dance music, or at least music with beats. Quite an epic journey, one to listen to on a nighttime drive perhaps – or lie back and listen on headphones wherever you are. Bobby Ingham – Easy Mush [Sneaker Social Club/Bandcamp] Bobby Ingham – I Feel So Good I Swear I Could Fly [Sneaker Social Club/Bandcamp] On Angel of the North, released on Low End Activist‘s Sneaker Social Club, Leeds-born interdisciplinary artist Bobby Ingham echoes the label boss’s excavation of his Oxford council estate origins, featuring Ingham’s grandmother and Ingham’s own spoken word, with spookily discordant synths and fragmented rhythms tracing a skeleton of UK bass music, from grime to r’n’b-laced trip-hop. Berndt / Schmidt – Gecko Lazzaro [Thrill Jockey/Bandcamp] Drew Daniel, one half of Matmos, is quite prolific outside of the beloved duo, with a varied solo career as The Soft Pink Truth as well as various collaborations. It’s less common to hear solo or other non-Matmos music from Drew’s partner Martin M.C. Schmidt, so the new album Cloud Machines, which finds Schmidt working with Baltimore experimental mainstay John Berndt, should make us sit up and listen. The humour and weirdness of Matmos is very much present, but its exploratory sound – from the first couple of singles – takes in Krautrock studio experimentation, postpunk out-rock and any other leftfield musical non-traditions. Harrington, Jaffe, Shiroishi – FRACTAL HASH [AKP Recordings/Bandcamp] Via LA label AKP Recordings, Making Colors is the second improvised wonder from three talented musicians who work comfortably across genres. Dave Harrington may be best known for his collaboration with Nicolas Jaar, Darkside, Max Jaffe for the art rock/avant-pop of JOBS and drumming in Amirtha Kidambi’s Elder Ones, and Patrick Shiroishi for his solo saxophone & sound-art as well as hardcore punks The Armed, contemporary music ensemble Wild Up and much more. This spontaneous music can sound like postrock at one time, then free jazz or psychedelic noise, or ambient, all filtered through electronic processing. Rad. Adam Schatz – A Voice Screaming All Aboard (feat. Carmen Quill) [Jealous Butcher Records/Bandcamp] Speaking of jazzers in smudged genres, Adam Schatz is a saxophonist and keyboard player who’s played with prominent indie artists like Japanese Breakfast, This Is The Kit and many others, and his Civil Engineering Vol. 1 is an enjoyable selection of melodic jazz made even better with the double bass of Carmen Quill on most tracks, and Dawn of Midi drummer Qasim Naqvi on a couple too. Purelink & Rainy Miller – Barrons Hotel (I, To, Thee.) [Fixed Abode] Arriving with no fanfare or explanation is this 2-tracker from Manchester producer/singer/iconoclast Rainy Miller, on his Fixed Abode imprint, collaborating with US electronica trio Purelink. Gorgeous smeared electronics with Rainy Miller’s typically morose, yet cutting, work. Listen again — ~222MB

Guy Bahir - 220422 Aviv Mark Guest The Beatles - Revolution 9 Pink Floyd - See Emily Play The Brian Jonestown Massacre - Cabin Fever אריק איינשטיין - היה היה Nirvana - Aneurysm Black Angels - Sniper At The Gates Of Heaven Mclusky - To Hell With Good Intentions Ram Orion - On Mclusky Mclusky - There Ain't No Fool In Ferguson Melvins - Sacrifice אביב מארק והבוסתן החשמלי - איפה הכוח בהופעה 2011, באדיבות נעמה גולד Butthole Surfers - 22 Going On 23 Beak - Kidney משינה - בנות הים Nirvana - Serve The Servants The Jesus Lizard - Puss Kurt Cobain - And I Love Her The Beatles - Tomorrow Never Knows Portishead - Magic Doors Low - Drag The Fall - Blindness Melvins - A History Of Bad Men PJ Harvey - Meet Ze Monsta Sonic Youth - Hits Of Sunshine (For Allen Ginsberg) רמי פורטיס - פריז בלהבות Shellac - Dog And Pony Show Big Black - Jordan, Minnesota Jesus Lizard - Pastoral Mudhoney - Touch Me I'm Sick Sebadoh - Rebound Mark Lanegan - Bombed The Beatles - If I Fell Melvins - Boris Boris - Farewell Bobby Solo - Golden Slumbers

“Me he atrincherado en un poema y el mundo que me espere fuera, que cuando haya bandera blanca volveré (…) “. Estos versos forman parte de "Troya", la nueva canción de Veintiuno que, además de un estribillo tremendo y una melodía que te envuelve, contiene una de las letras más espectaculares y bonitas de la banda de Toledo. Escuchamos a Renee Fleming & Bela Fleck con la inmensa "My Epitaph", a Rata con una de las canciones de "No me quiero morir nunca", un debut que está poniendo patas arriba el panorama musical español y a la cantautora estadounidense, S.G. Goodman, con "Pepper", su espectacular versión de la original de Butthole Surfers.  BECK - Ride LonesomeRENEE FLEMING & BELA FLECK - My EpitaphTEMPER CITY - Self AwareBRUNO MARS - Something SeriousJAMES - LaidGUITARRICADELAFUENTE ft TROYE SIVAN - Midsummer Piper DreamVEINTIUNO - TroyaREPION - XXOEL LÓPEZ - La BatallaS.G. GOODMAN - Pepper (versión De Butthole Surfers)VENUS GRRRLS - EveFOO FIGHTERS - Your Favorite ToyRATA - Yo De Mayor Quiero Ser YoBARRY B ft CAROLINA DURANTE - Yo Pensaba Que Me Había Tocado DiosKIM PETRAS - Need For SpeedTRICKY - Out of Place (ft - Marta)Escuchar audio

This week, I'm joined by John Flansburgh of They Might Be Giants to look at their incredible body of music video work (481 videos and counting on their YouTube page!), and get treated to so many incredible mind-bending stories directly from the source!We discuss TMBG's track and video they made for my Hedwig covers charity album, the fascination with death and aging in their lyrics, the moment when both Johns first realized they were connecting with an audience of strangers, borrowing expensive drum machines when they started, foolish life decisions, the East Village scene of the 80s, playing on the same bills as Butthole Surfers & Steve Buscemi, Jon Spencer Blues Explosion, long-distance collaborations, the multitudes of songs written for their Dial-A-Song answering machine service, the John Updike world the band came from, having architectural dads, the pros of being ultra-prolific, the different ways they would record their songs, microtones, the children's records era for TMBG, working with their first director Adam Bernstein, TMBG being accepted by early MTV, using left-over film from Jonathan Demme movies and windup 16mm cameras for their early videos, where they got the 6ft. head props used in their stage shows, John getting music video fatigue, the parameters the band set early in their career (no solos, not a lot of intros, no fadeouts), Spike Jonze, the epic tale of TMBG playing on The Tonight Show with Doc Severson, & more.THEY MIGHT BE GIANTS:theymightbegiants.comhttps://www.youtube.com/channel/UCTZ0pVJExw6z0XjqEzchX8gREVOLUTIONS PER MOVIE: Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Transmissions is back with a special episode: Tyler Wilcox in conversation with underground music lifers Thurston Moore and Kramer. On May 1, the duo release their new album together, They Came Like Swallows - Seven Requiems for the Children of Gaza, out on Ethan Miller's Silver Current Records, and ahead of their appearance this week at Big Ears Music Festival in Knoxville, Wilcox caught up with them to discuss the new collaboration, their storied history together, and that time the Butthole Surfers freaked out Alex Chilton. Speaking of Big Ears, Aquarium Drunkard Transmissions will be there too, with our Aquarium Drunkard Transmissions morning show livestream. Broadcasting March 27, 28, and 29 from Old City Java and Wild Love Bakery 9-11 AM EST, we'll be discussing highlights from the previous evening, acts we plan on catching that day, as well as drop-ins from special guests. We hope you will tune in via Instagram and YouTube in collaboration between Aquarium Drunkard, Big Ears, and Talkhouse.

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For most of his career, Bonner Kramer has been known in underground music circles by only his surname, as his imprint has been deep and wide enough that only that sobriquet has been necessary. Starting in New York City in the late 70’s and into the 80’s, he was a member of several seminal bands of the era including New York Gong and Bongwater, and played in the Butthole Surfers, Ween, Half Japanese, The Fugs, and with John Zorn. As a producer, he has worked with Galaxie 500 (whose entire catalog he produced), Low, Half Japanese, Gwar, Will Oldham, Daniel Johnston, and Urge Overkill, and founded the Shimmy Disc label. He’ll perform at this year’s Big Ears Festival both by himself, as well as with Thurston Moore and Mark Nelson of Pan-American, respectively, in March of 2026. On this episode, hear how songs sung by Billie Holliday, Gavin Bryars, and Robert Wyatt informed his work.See omnystudio.com/listener for privacy information.

My guest this week is musician David Pajo (Slint, Papa M, Gang Of Four), who picked the Louisville, Kentucky indie music film Half-Cocked to discuss. BUT…there was so much to talk about that this is only part one of the conversation before we even got to talking about the film! We discussed his Papa M compositions, how Slint songs were made to sound like they were improvised but were actually meticulous in their structure, how his new album was all one-take performances done without a computer, needing a cheat sheet for Slint reunion songs, the concept of "through" composing, the humor within Slint, Andy Gill of Gang Of Four playing his guitar without touching it, joining GO4 and how it opened him up as a live performer, the challenges of learning and playing the song "He'd Send In The Army", is the guitar a friend/foe/tool, Big Black, the Slint documentary Breadcrumb Trail, breaking your parents' will using the Butthole Surfers, David playing in Stereolab & Interpol, aging in indie rock, and David asks me questions about my wild times in Guided By Voices.So let's play with our backs to the audience on this episode of Revolutions Per Movie.DAVID PAJO:papam.bandcamp.com/instagram.com/cestcadavidpajoHALF-COCKED: vimeo.com/ondemand/halfcockedREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

The time has come. This week, Chris and Ethan chronicle the beginning of their Butthole Surfers era and meander through the band's discography. Support the show on Patreon! Becoming a Patron is the most effective way to support the show: https://www.patreon.com/grunge_bible  Support the show, buy some merch! https://grungebible.creator-spring.com/  

This week I'm joined by author/photographer Pat Blashill (Texas Is The Reason; Someday All The Parents Will Die) to talk about the Texas punk community he documented, including Scratch Acid, Butthole Surfers & Big Boys, as well as the 2014 documentary The Dicks From Texas.We also discuss punks living in Texas and how the bands from there pushed back hard against it, was Cheap Trick punk rock, which music freaked us out when we were younger, DEVO making your friends cry in fear, Pat getting invited to his first punk show by Big Boys in 1979 when he started taking photos of the scene that night, Pat's artistic influences, The Huns riot, early bands like Sharon Tate's Baby, the band Terminal Mind getting mad at people for dancing to their music, singing with a British accent, Raul's being the centerpiece club of the punk scene, Buxf of The Dicks, Sister Double Happiness, Gary Floyd's singular vocals in punk, The Torn Panties, how Gary upstaged Lou Reed, Poison 13, Pat befriending David Yow and David Sims before they started Scratch Acid, Jesus Lizard, watching the evolution of Butthole Surfers and their work ethic, Pat being at the Rembrant Pussyhorse recordings, The Residents' Hardy Fox, Kurt Cobain, Big Boys playing the Austin Chronicle Award Show and the fight that ensued, Flipside VHS Tapes, the lack of local press support for punk rock, IRS's The Cutting Edge coming to Austin, Daniel Johnson and more.So let's get lost in the pit together on this episode of Revolutions Per Movie!PAT BLASHILL: patblashill.comTEXAS IS THE REASON book: www.bazillionpoints.com/books/texasSOMEDAY ALL THE PARENTS WILL DIE book: utpress.utexas.edu/9781477332474THE DICKS FROM TEXAS doc: www.youtube.com/watch?v=GYSNWLY5iEMBIG BOYS live: https://www.youtube.com/watch?v=HsVjMx0JDHMBUTTHOLE SURFERS live film: www.youtube.com/watch?v=BW0mXU2mkgoSCRATCH ACID live: https://www.youtube.com/watch?v=ZdG1OALNSFIREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

In this episode Charles interviews the core members of the Chicago-based punk band Horace Pinker, consisting of guitarist and vocalist Scott Eastman, drummer Bryan Jones, and bassist and vocalist Greg Mytych. Charles delves into the history of the band, which was originally formed in Tempe, Arizona. Horace Pinker has toured extensively, performing in over 20 countries and sharing stages with renowned acts such as Green Day, The Offspring, and Blink 182. They have released eight studio albums, including their latest, 'Now and the Future.'The interview touches upon their musical journey, personal concert experiences, and the influence they had on other bands and their fanbase. Bryan recounts a memorable story of loading in gear for the band MDC, while Scott shares his experience of seeing Bad Brains live in the late '80s. The band members also discuss some of their weirdest and most disappointing shows, including an incident involving a ceiling fan in Germany and a lackluster performance by Texas is the Reason.The highlight of the interview is when Bryan describes the time, he had dinner with David Grohl of Foo Fighters and John Paul Jones of Led Zeppelin but missed an opportunity to start a conversation with John Paul Jones.The conversation also highlights the impact of their music, with accounts of fans reaching out and young musicians covering their songs. They reflect on the longevity of their career, the experience of touring, and their continued passion for music. The episode concludes with the band expressing their gratitude to fans and mentioning that more information can be found by Googling 'Horace Pinker.'BANDS: Agent Orange, All Systems Go, At the Drive-In, Bad Brains, Bad Religion, Blink-182, Bulimia Banquet, Butthole Surfers, Dag Nasty, Descendents, DI, Doughboys, Duran Duran, Firehose, Fugazi, GBH, Green Day, Guns N' Roses, Horace Pinker, Hüsker Dü, Jawbreaker, Jimmy Eat World, KISS, Led Zeppelin, MDC, Meat Puppets, Metallica, Minutemen, Monster Magnet, NOFX, NRA, Queens of the Stone Age, Seven Seconds, SNFU, Texas Is the Reason, Them Crooked Vultures, The Cult, The Offspring, Yellowcard.VENUES: Aragon, Boat on the Rhine River (festival performance in Cologne, Germany), Bobby's Eastside, Burlington, Fireside Bowl, Fitzgerald's, House of Blues, Living Room, Reggie's, Riot Fest, Riviera, Silver Dollar Club, UIC Pavilion. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

no inserted ads: www.patreon.com/dopeypodcastThis Week on a super classic episode of Dopey! Dave is visited by local Long Islander - Will P. AKA Hairy Tongue Will. Dave opens the show drinking Ryze mushroom coffee while talking about how cold his recording room is. He announces that Dopey will be releasing five episodes per week throughout December, including replays, Patreon teasers, deep cuts, and new interviews.He gives sobriety shoutouts — notably Lauren's three-year milestone and Maddie Veitch from Leftover Salmon celebrating her own recovery marker. He encourages listeners to email in clean-time milestones for future episodes.Dave then goes through a lengthy run of Spotify comments left on the Darrell Hammond episode. The comments range from people complaining about the “This or That” game, others defending it, jokes about possums, encouragement about psychedelics, questions about whether Darrell is truly sober, praise for the episode, frustration with the interview pacing, random remarks about Lime Drive and “Mike's Amazing Stuff,” plus multiple requests for stickers. Dave reads each comment and jokes along, sometimes offering to send merch.Ads for Mountainside and Link Diagnostics follow. Dave talks about how Mountainside is central to the history of Dopey and how Link Diagnostics offers drug testing services that help people “stay positive and test negative.”Dave then plays an LSD voicemail from Henry in San Francisco, who took two hits of acid alone in college. Henry becomes one with his bicycle, panics at a house fumigation tent he interprets as a circus, fears he'll be mutated by pesticides, runs home, listens to the Butthole Surfers, sees Aztec gods appearing from shifting ceiling patterns, and eventually rides it out. He is now 15 months sober and credits Dopey Nation for support.Next he reads an email from Jerry, who describes crazy addiction history including fighting cops on PCP, overdoses, ventilators, and robbing heroin dealers. Jerry discovered Dopey by typing “heroin” into the podcast search bar while newly out of rehab in 2018. His biggest complaint is that Dave has never watched Joe Dirt.The episode opens with your intro, then the bulk of the show is Hairy Tongue Will's massive, chaotic, detailed telling of his addiction, near-death runs, arrests, relapse cycles, dead friends, and eventual recovery.Will describes the early Long Island chaos with Richie, Mike, and Lenny—everyone strung out on heroin, crack, coke, and whatever they could get. He recalls the first serious turn: showing up to a house where Lenny was passed out after a three-day crack run, realizing “the demons are taking over.” Mike and Richie spiral deeper, and Will keeps managing to “hold it together” thanks to jobs, work ethic, and a strange electrical-job stabilizer that kept him semi-functional.He details years of DUIs, probation, manipulating drug tests, smoking crack constantly while still working 16-hour electrician shifts, and thriving socially because coworkers lived vicariously through him. He normalized chaos, missing only “one no-call/no-show every two weeks,” which he considered acceptable.Will then dives into his first short attempt at stability, living in a basement apartment. His probation officer surprises him the day after a holiday: the apartment is filled with beer cans, bongs, baggies. He fails the test, is sent back to rehab/jail cycles, and explains why Long Island addicts often choose jail over treatment. He describes his surreal time in jail—being sent to the Montauk Lighthouse on work crews, eating egg sandwiches and black-and-milds with the guards, becoming “the useful guy,” actually feeling respected and purposeful.Back outside, he tries again, fails again, collects DUIs, cycles through companies, loses jobs, hustles side work, and repeatedly relapses. A wedding night leads to another DUI. COVID hits while he's in jail. He gets out, starts working nonstop, earns money, piles cash in a closet, stacks crypto, reads self-help books, sleeps on a mattress on the floor, becomes obsessed with success and control.Then he meets a girl in Tennessee. He drinks again “successfully” only when he flies there. He builds a double life—working himself numb, drinking out of state, convincing himself he's different.Eventually, on a work trip, he gambles, wins big, drinks an old fashioned, and secretly cooks his boss's cocaine into crack. This reignites the obsession. Will starts traveling the Northeast and Midwest, repeatedly pulling crack-seeking missions: gas stations, high-crime neighborhoods, asking strangers, “I'm looking for some hard.” He builds drug contacts in Bridgeport, Dayton, Maine, Virginia, wherever the job sends him. He smokes in hotels, hallucinates blood on floors, changes rooms repeatedly.He recounts the deaths of friends:Mike, whose father turned their home into a sheet-walled trap house with dealers and bikers living inside.How Mike died with his father selling sneakers off his dead son's body.Richie, who got sober then died of fentanyl after nearly two years clean.Will's life collapses further—obsession, resentment toward God, jealousy, terminal uniqueness. He becomes a “demon,” wanting to die like his friends. He terrifies his girlfriend with delusional FaceTimes, nine-day runs, psychosis. She moves in without knowing the truth and becomes trapped in codependency.He stays high for 26 straight days, manipulates her with antihistamine allergy episodes to cover his psychosis, hides crack pipes around the house with ring cameras everywhere. He finally admits some truth, gives her $5,000 to escape, but she stays another nine months.He tells insane stories:Pretending he's a trust-fund baby to get free crackGetting shot at by a dealer after a misunderstanding over “two grams” vs “two ounces”Driving through wooded roads barefoot at gas stationsDealers trying to jump himBecoming a mule for a recently-released dealer (Ace)Near misses, violence, and pure street insanityEventually, during a pickup, he gets chased, prays for police lights, and his car breaks down. Cops descend. He gets a mountain of charges (“five decades worth”). He thinks he'll die in prison. Bail reform gets him released. He immediately uses again for 17 more days.A sober lawyer tries pushing him toward St. Christopher's. Will resists, manipulates LICR, relapses again, cancels his own insurance, tries to die, and after weeks of chaos his mother gets him re-approved. He enters St. Chris, still delusional, still dangerous.There he breaks. He admits suicidal thoughts, gets a guard stationed outside his door, hears the blunt truth—you're the worst-off guy here and you did this to yourself. It lands. Will begins working the program: spiritual direction, grief groups, codependency, meetings, kitchen duty, everything. He reconnects with his mother in sobriety. He attends court in suits provided by the facility and ultimately receives an unexpectedly generous plea deal.He comes home early, tries to run his own program, stays sober for months, but on Mother's Day runs into an old acquaintance who shows him a Newport box with a pipe inside. He relapses immediately for three days, misses Mother's Day entirely.That night, suicidal again, he receives a series of calls: first from Jordan, then from his tough sponsor, who gives him clear direction—go to a sober house, go to daily groups, go to nightly meetings, call people, build structure. Will frauds his urine to get in, but once inside, follows every instruction. He stabilizes.He recounts being 18 months sober now, having been at meetings nearly every night, with a recent slip in commitment due to chasing an “intimate partner godshot” that didn't work out. You reassure him that it's fine and that balance is part of recovery.More or less thats the whole thing! On a brand new fucko, crackead episode of that good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Every year WXPN puts out a "Greatest" prompt for the listernship community to chew on and submit their Top 10 list.  The station then compiles, calculates and computes the highest ranking 885 from those submissions.  This year, we are determining the Greatest Cover Songs of all-time.Here's how WXPN is defining a cover: A cover is when an artist performs or records a song created and released by someone else. Full stop. I'll once again be joined by my fav Pod Pals Dan Drago from 25 O'Clock Pod and Nate Runkel from Yo! That's My Jawn to analyze and provide our commentary on the list as it's being released, share our predictions for the ultimate Top 10, and provide the painstaking detail that went in to our own Top 10 lists.In this first half of the livestream, we spend time running through the list thus far (with only 1 day to go!) and we are also joined by special guests, WXPN on-air talen Wendy Rollins and Raina Douris, who both share what this list means to them and the station each year, and what was on their Top 10.Wendy's List"Hazy Shade of Winter" covered by The Bangles"(What's So Funny 'Bout) Peace, Love & Understanding" covered by Elvis Costello"Love Is Blindness" covered by Jack White"With A Little Help From My Friends" by Joe Cocker"Thank You" covered by Tori Amos"Feeling Good" covered by Muse"All Along The Watchtower" covered by Jimi Hendrix"Hallelujah" covered by Jeff Buckley"Success Has Made A Failure of Our Home" covered by Sinead O'Connor"Alone Again Or" covered by The DamnedRaina's List"The Chauffer" covered by Deftones"Common People" covered by William Shatner"Lake of Fire" covered by Nirvana"Tainted Love" covered by Soft Cell"Mad World" covered by Gary Jules"The Hurdy Gurdy Man" covered by Butthole Surfers"Faith" covered by Limp Bizkit"Pursuit of Happiness" covered by Lissie"Log Driver's Waltz" covered by The Hidden Cameras, Feist, Rufus Wainwright, and Mary Margaret O'Hara"Changes" covered by Charles BradleyPlease share your picks for Greatest Cover Songs of All-Time!Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band". If you tuned in today because you already knew this musician - thank you very much! We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future. And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better! Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival

In the Rocker Death series, Tessa continue in part 7 with a new lineup of rockers who left us too damn soon. From MS to murder and more, it all starts now. ROCKER LINEUP: Clive Burr, Teresa Nervosa, John Lennon and Felix Pappalardi CREDITS & LINKS  MUSIC COURTESY OF: Fading Point "Gasoline” Alien Manner "Listen Official” Destined to Fail "The Sin is Enough” Liars Handshake "Stockholm” Alien Manner "Green Dragon” Fading Point "Trigger” Destined to Fail "Dead Man's Orgy” CITY SHOUT OUT:

Saddle up with one of the wildest bands to ever emerge from the Texas underground: The Butthole Surfers. Sit down with filmmakers Tom Stern and Simon Weinstein and learn how they peered beyond the crazy and into the true heart of the band for their new shock-doc The Butthole Surfers: The Hole Truth and Nothing Butt. It's an everything butt edition of WASTOIDS TV.Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

Fruno vuelve a los Estudios Romanones para presentarnos su última aventura editorial, la colección Micro Bio, una serie abierta de biografías sencillas y económicas de artistas o fenómenos musicales poco tratados en la literatura divulgativa. Hablamos de los cuatro primeros títulos, "De puntillas por los tulipanes", una biografía del inigualable Tiny Tim escrita por Fruno, "Butthole Surfers: mal café tejano", un recorrido sobre el grupo escrito por Félix Frog 2000, "La música se celebra a sí misma: muro de ideas sonoro a propósito del Shegaze", de Guillermo Lorenzo y Protohistoria del videoclip musical (1894 - 1980), un ensayo histórica sobre el origen y transformación de los videoclips musicales hasta la llegada de la Mtv. Reserven rápido sus ejemplares en libritosjenkins.bigcartel.com, que a Fruno se los quitan de las manos!

I do think of my formative years a lot – and I think this started to happen more when my parents died in 2022. Music started to become huge for me around 1976 when I was 8 and started playing the cello…but I did have some music differences of opinion let's say as I got a bit older and started to  listen to “bang and thump music” as my dad used to call it  – I really struggled to reconcile what I now know is a beautiful instrument with the Ramones, who were changing my life and pulling me in the other direction – it was like I had an alter ego. I mean, it's not a big deal in the whole scheme of things, but you know, each to their own.  Anyway, I just devoured more and more music – bands like Killing Joke, Siouxsie, Au Pairs, Minutemen, Husker Du - and as I found more and more stuff through, mainly listening to Peel and other local radio – like Steve Barker's On The Wire and Tony Michaelides on Piccadilly or just taking a chance based on whether I liked the sleeve, I started to get into more of the avant garde, off kilter, skrunky, weird – Neubauten, Alien Sex Fiend, Bush Tetras, The Fall, Butthole Surfers and then there was a bit of a lightbox moment with Tackhead's Hard Left around 86, I think before Public Enemy came along and changed things again. There was also another band who completely flummoxed, intrigued and excited me - and that was Fini Tribe. There was the underground and there was Fini Tribe. I had no idea how to describe them. They didn't sound like anyone else. I had no idea what they looked like. And I didn't know much about them. And I had no idea what to expect. And of course, we lived in an age of genre obsession – still do - so they were real genre party poopers. So, by the time I was listening to Splash Care or Detestimony, there were frequent shouts of “turn that shit off”. I was very used to this. Especially from the fella that liked Dire Straits. But Fini Tribe awakened an excitement in me – listening to them was like Alice Through The Looking Glass stepping into another world that felt as distant and exciting to me as when I got those first Killing Joke records… I never got to see them live so to now have a wonderful compilation of their 1982-1987 years called The Sheer Action of Fini Tribe, diligently and lovingly brought to life by the band with tracks I've never heard before including some live tracks, well, it's well worth the wait. This is such an exhilarating and fascinating insight with Christopher Connelly and Davie Miller.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Leonardo DiCaprio almost went by a different stage name, we go over some dating advice from each generation and the Butthole Surfers are back after eight years.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're talking Buttholes, Kimmel, Windy City Heat and many other things with director of the forthcoming documentary "Butthole Surfers: The Hole Truth and Nothing Butt" Tom Stern in the hot seat, the long-awaited return of our good pal comedian Megan Koester in the Doug seat, and longtime Abso Lutely costume designer Abigail Whitney who brought us cookies! Other topics covered included Mark Zuckerberg's failing Facebook AI glasses, a zoomer with shingles and Tim's red carpet look at the "Him" premiere.Support Office Hours, watch or listen to another hour of today's episode including the soul death of Oscar Nunez from "The Paper" on live tv and a last minute check-in with Doug with OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehoursliveGet the latest news about Tom's Butthole Surfers doc at buttholesurfersmovie.com.Check out Megan's podcast Grifthorse at podcasts.apple.com/us/podcast/grifthorse/id1476465709.Dig into all 100 tracks from Doug's Jingles Vol. 1 & 2 on Bandcamp at douggpound.bandcamp.com.Check out Marion's Wish: The Endless Threads of Gregg, Mark and Tim at marionswish.com.Find everything else including the merch store at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠officialofficehours.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textThe Mastermind Behind Couch: A Conversation with GusJoin hosts Brian Michael Day and Thomas Graham in this thrilling episode of "The Day is Grim" as they sit down with Gus, the creative force behind the band Couch.Gus, originally from Evansville, Indiana, dives into the band's origins, starting with his own musical journey. He shares how his parents, a guitarist and a drummer, influenced him from a young age, leading him to pick up the guitar in fourth grade and drums in sixth. Learn about the band's early days, including the formation with friends Braden, Josh Raj, and later, Shepherd. Gus reveals the surprisingly simple story behind the band's name—suggested by his brother while sitting on a couch.Get an inside look at the chaotic and DIY spirit of Couch. Gus explains their unique approach to recording, using his father's 8-track recorder for all their albums, including the upcoming 2025 release, "Sick of the Antics". Discover the legendary story of Thompson, a mannequin brought to life as a band member, who has been destroyed, pieced back together, and filled with dog food. Gus also talks about the band's dream of touring with eccentric bands like Ween and the Butthole Surfers and how they hope to one day make enough from shows to not need other jobs.This episode is a must-listen for anyone interested in indie music, DIY recording, and the sheer, beautiful chaos of a band that puts on a truly unforgettable show.Note: This episode contains mature language and content.[The Days Grimm Podcast Links]- YouTube: https://www.youtube.com/c/TheDaysGrimm- Our link tree: linktr.ee/Thedaysgrimm- GoFundMe account for The Days Grimm: https://gofund.me/02527e7c [The Days Grimm is brought to you by]Sadness & ADHD (non-medicated)

On this episode, Marc talks with Pat Blashill, author of "Someday All the Adults Will Die!: The Birth of Texas Punk," released in September of 2025. It's a narrated oral history of the early days of punk in Texas, exploring the many bands and figures who created a distinct strain of punk rock in Austin, Dallas, Houston, and San Antonio, including Big Boys, the Dicks, MDC, and Butthole Surfers. Pat weaves the voices of musicians, journalists, venue runners, fans, and more to paint a picture of a scene that used punk to break punk's rules.As Pat writes, "If punk gave many of us a way to understand the word, it also became a way for us to explain Texas and Texans to the rest of the planet. Punk didn't flourish in the Lone Star State in spite of local conditions but because of them."You can buy Pat's book here.We hope you enjoy Marc's conversation with Pat Blashill!

Um texto inteiro do Steve Shearer traduzido para o deleite e irritação do ouvinte resiliente e fiel.Faz parte da nossa curadoria, sabida(eba!) e sapeca(Opa!), reconhecer e contextualizar aquilo que ainda respeita a técnica ancestral de escrever resenhas sobre eventos desimportantes como campeonatos de surfe.Dessa feita, João Valente está de volta, reunido com Bruno Bocayuva e Julio Adler para tentar resumir em menos de duas horas dois dias inteiros de surfe em Teahupoo.Ozzy reencarna no Imagem Falada!Trilha por conta do Fuzzy Duck com A Word From Big D, Planet Hemp com Biruta e Butthole Surfers com Sweat Loaf.

This week, an old enemy of Desmond and Tom returns in their review of 2025's The Pope's Exorcist. Then, in case you were worried there wouldn't be another review of a movie where Russell Crowe plays an exorcist, Des goes solo on a review of The Exorcism from 2024! Songs included: "Bar-B-Q Pope" by Butthole Surfers, "The Exorcist" by The Hellacopters, "Blank Generation" by Richard Hell & The Voidoids, and "Throw Yourself to the Sword" by Die Spitz. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, an old enemy of Desmond and Tom returns in their review of 2025's The Pope's Exorcist. Then, in case you were worried there wouldn't be another review of a movie where Russell Crowe plays an exorcist, Des goes solo on a review of The Exorcism from 2024! Songs included: "Bar-B-Q Pope" by Butthole Surfers, "The Exorcist" by The Hellacopters, "Blank Generation" by Richard Hell & The Voidoids, and "Throw Yourself to the Sword" by Die Spitz. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Gibby Haynes discusses his upcoming EU/UK tour, the completed Butthole Surfers documentary, early punk memories, near-death stage experiences, vinyl reissues and lots more. EU/UK Tour Tickets here  Topics Include: Gibby discusses upcoming European & UK tour with Scott Thunes and musical kids Tour dates are limited, zero chance of expansion beyond Europe/UK Scott Thunes was Frank Zappa's former bassist and "clone meister" Gibby confirms he's a Frank Zappa fan, particularly loved "Apostrophe" album Lost interest in Zappa after "Apostrophe" due to scatological humor focus Initial confusion about Scott Thunes - Gibby doesn't know who he is Clarifies he works with Paul Green's School of Rock for 20 years Scott Thunes may be coming on tour, is friend of Paul Green Gibby has no direct connection to Scott Thunes, only knows Paul Green Sometimes tours individually with kids, different kids each time Butthole Surfers once toured Europe with School of Rock as opener Kids' performance quality varies - sometimes really good, sometimes not Gibby lost entire record collection when engineer sold it during tour Collection was 3-4 feet of curated vinyl, mostly punk and hardcore Had valuable Buzzcocks singles collection among other rare records Met record dealer in San Antonio mall who introduced great albums Dealer showed him Devo's first album when it came out Key collection moment was hitchhiking trip to LA in summer 1979 Saw early LA punk shows including Go-Gos opening for Fear LA was only US city where audience spit at bands Witnessed massive amounts of phlegm on Belinda Carlisle during show John Belushi was standing next to him at the Go-Gos show Almost saw the Dickies' "last show" but it was cancelled Dickies are apparently still performing, contrary to expectations Gibby wrote memoir "Me and Mr. Cigar," wants to do sequel Criticizes most musician memoirs as ghostwritten, prefers authentic voices Cites Bob Dylan and Patti Smith as examples of self-written memoirs Discusses looking at legacy, mentions end being closer than beginning Still painting but doesn't do regular gallery shows or solo exhibitions Questions whether rockers are musicians or entertainers, favors entertainment label Believes rockers make better actors than actors make musicians Cites Childish Gambino and Lady Gaga as successful crossover examples Mentions Russell Crowe's band "50 Odd Foot of Grunts" dismissively Did artwork for several album covers including "P" and other releases Sold all artwork at LA gallery show while Sonic Youth members sold none David Yow pointed out his success, making him particularly happy Maintains friendships with successful musicians like Red Hot Chili Peppers Gets VIP access to major shows, brings 15-year-old son along Son says he loves Gibby but frequency might be concerning Kids don't appreciate backstage access until they can drink alcohol Mentions Dwarves show where son enjoyed the beer more than music Discusses Eagles of Death Metal and Queens of Stone Age name quality David Crosby once asked why they chose "Butthole Surfers" as name Responded that "Haynes, Walthall, Pincus and Coffey were already taken" Band appeared on Beavis and Butthead with respectful introduction Used different band names for every show, including outrageous ones Paul Leary nearly died from electrical shock at CBGB performance Sound engineer failed to warn about dangerous electrical outlet Butthole Surfers documentary "The Hole Truth" is completed, seeking distribution Twenty percent of documentary viewers cry during screenings, usually same moment Band controls all their catalog rights across different labels Potential vinyl box set in works, discusses remastering philosophy 50+ Minutes Extra-Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

We discuss a Cavalry power move used in the wild by a loyal listener! Then Andrew needs backup on companies awarding rewards points for basic decency. Johnny needs backup that when women moon someone it's not really a prank. Enjoy! Remember to sign up for the Patreon for Post-Show Banter! https://patreon.com/thecavalrypodcast?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink

The filmmakers behind the great new documentary about the Butthole Surfers, Tom Stern and Simon Weinstein are on the clip today. We got into writing for the documentary, getting closer to Gibby, "Tired Eyes", Tom's career after Freaked, and a lot more.

Butthole Surfers' Paul Leary joins Ralph Sutton and James Mattern and they discuss staying cool with the band for around 40 years, turning down Steven Drozd from Flaming Lips because they didn't like his name, how the Butthole Surfers' broken down van got them their first record deal, coming up with a song title by throwing a sock at a keyboard, Paul Leary meeting Prince, Erik Estrada starring in their music video, The Butthole Surfers Movie, meeting the late Geoge Wendt, Paul Leary's first concert, first drug and first sexual experience and so much more!(Air Date: May 24th, 2025)To advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!You can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for discount on your subscription which will give you access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Butthole SurfersTwitter: https://twitter.com/ButtholeSurfersInstagram: https://instagram.com/ButtholeSurfersRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/James L. MatternTwitter: https://twitter.com/jameslmatternInstagram: https://instagram.com/thejamesmatternShannon LeeTwitter: https://twitter.com/IMShannonLeeInstagram: https://instagram.com/ShannonLee6982The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

05-06-25 - Hot Releases - Forever Netflix - Poker Face S2 - 100 Foot Wave S3 - Walking Dead Dead City S2 - Octopus - Butthole Surfers - Behemoth - Viagra Boys - MammothSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

05-06-25 - Hot Releases - Forever Netflix - Poker Face S2 - 100 Foot Wave S3 - Walking Dead Dead City S2 - Octopus - Butthole Surfers - Behemoth - Viagra Boys - MammothSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're back to bring you up to speed on all the latest and greatest in the hard rock world with Geekwire! Here's what we're yacking about this time! Bad Company, Soundgarden, and Outkast get the Hall of Fame treatment. We have thoughts. Sammy Hagar, despite zero acknowledgment in his book, wants Alex Van Halen to leave him alone. We have thoughts. Faster Pussycat has a full-length offering coming your way. Metallica open to a Las Vegas Sphere residency. Korn's Jonathan Davis to chase ghosts on TV. Lorraine Lewis unveils the future of Femme Fatale. Surviving Alice Cooper band wows with 'Black Mamba.' Alice and Judas Priest to dominate North America this summer. Judas Priest to continue strong run of original material in 2026. Metallica wants to drop a giant Load on you. DeLeo brothers reveal to Billy Corgan how Butthole Surfers affected Scott Weiland's life and trajectory. Matt Pinfield continues to be an inspiration for the power of rock n' roll. It's a solid block of rock talk for your ears. We hope you enjoy Geekwire for the week of 05.05.25 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to bring you up to speed on all the latest and greatest in the hard rock world with Geekwire! Here's what we're yacking about this time! Bad Company, Soundgarden, and Outkast get the Hall of Fame treatment. We have thoughts. Sammy Hagar, despite zero acknowledgment in his book, wants Alex Van Halen to leave him alone. We have thoughts. Faster Pussycat has a full-length offering coming your way. Metallica open to a Las Vegas Sphere residency. Korn's Jonathan Davis to chase ghosts on TV. Lorraine Lewis unveils the future of Femme Fatale. Surviving Alice Cooper band wows with 'Black Mamba.' Alice and Judas Priest to dominate North America this summer. Judas Priest to continue strong run of original material in 2026. Metallica wants to drop a giant Load on you. DeLeo brothers reveal to Billy Corgan how Butthole Surfers affected Scott Weiland's life and trajectory. Matt Pinfield continues to be an inspiration for the power of rock n' roll. It's a solid block of rock talk for your ears. We hope you enjoy Geekwire for the week of 05.05.25 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Baxie talks with guitarist Paul Leary from the legendary Butthole Surfers! One of the most notorious bands of all time—Paul talks about upcoming live album “Live at the Leather Fly” and about their new documentary “Butthole Surfers: The Hole Truth and Nothing Butt” which premiered this year at SXSW! He talks about the band, signing with Capital Records, and about playing live! On top of that we also get into his incredible resume of production work for bands like U2, Sublime, Weezer, Jane's Addiction, and the Meat Puppets. And if that wasn't enough, we also talk working with John Paul Jones of Led Zeppelin! This was an amazing interview that you will not want to miss! Listen on Apple Podcasts, Spotify, YouTube, and on all Rock102 digital platforms! Brought to you by Metro Chrysler Dodge Jeep Ram

Radiohead! Everclear! Garbage! The Cardigans! Des'ree! Kym Mazelle! Butthole Surfers! The Romeo + Juliet (1996) soundtrack rules and Mark and Zanandi have a great time talking about their favorite songs from the triple-platinum selling album. Enjoy!

On this week’s episode of The Cobain 50, Dusty Henry digs deep into the two Butthole Surfers albums from Kurt’s list – Pee Pee The Sailor (also known as their self-titled debut EP) and Locust Abortion Technician. In one of the more expletive ridden artists on the list, we hear about the band’s story from underground legends to surprising mainstream success. Butthole Surfers pushed the envelope from just their name alone through their storied live performances and some of the most fiercely experimental and artistically free music of their era. Hosts: Dusty Henry and Martin DouglasAudio producers: Matt Martin and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr. Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

This week we're discussing every album by Tragic Mulatto. Truly one of the strangest and most unique punk bands who can't even be described as punk music. Led by saxophonist, tubist, and vocalist Gail Coulson and bassist Alistair Shanks, Tragic Mulatto is dirty, silly, deranged, and shockingly talented. Any fan of the Butthole Surfers should seek them out ASAP.Closing track: “The Suspect” from The Suspect/No Juice 7” (1983)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Mike on Instagram @pandermonkeyAlex on Bluesky @octatron3030Tom on Instagram @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteMike's Picks:Locos por el Sexo (1987) — Best Album, Personal FavoriteChartreuse Toulouse (1990) — Worst Album, Least FavoriteAlex's Picks:Chartreuse Toulouse (1990) — Best Album, Personal FavoriteJudo for the Blind EP (1984) — Worst Record, Least FavoriteAlbums we discussed this episode…Judo for the Blind EP (1984)Locos por el Sexo (1987)Hot Man P*ssy (1989)Chartreuse Toulouse (1990)

Blag Dahlia of the Dwarves returns to the show to talk about the upcoming release of the 1989 Dwarves album Sunshine, Lollipops and Rainbows for Record Store Day 2025 (unreleased until now!)BLAG/DWARVEShttp://www.thedwarves.comhttps://www.blagdahlia.comhttps://thedwarves.bandcamp.comhttps://www.instagram.com/thedwarveshttps://www.instagram.com/blag_dahliahttps://www.facebook.com/TheDwarvesPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

En este episodio final de El Cancionero de Kurt, Albina Cabrera cierra la serie con tres artistas esenciales para entender la sensibilidad más cruda, caótica y honesta del universo Cobain: Butthole Surfers, Half Japanese y Daniel Johnston. Desde los orígenes universitarios y desquiciados de Butthole Surfers, pasando por el arte amateur convertido en bandera de los hermanos Fair con Half Japanese, hasta la fragilidad convertida en himno del inolvidable Daniel Johnston, este episodio es una despedida que suena más a aprendizaje que a cierre. Albina traza conexiones con América Latina que atraviesan décadas, desde Café Tacuba y Babasónicos hasta tributos recientes en Uruguay, México y Argentina. Con testimonios exclusivos como el de Ernesto Tabárez de Eté & Los Problems, revivimos uno de los últimos shows de Johnston en vida. Quince episodios. Cincuenta discos. Una lista que Cobain dejó como herencia y que hoy nos vuelve a unir. El Cancionero de Kurt es una producción original de KEXP en español, donde la música importa. Escuchá todos los episodios en tu plataforma favorita y suscribite al feed El Sonido: Cancioneros para estar notificado de la nueva temporada que comienza dentro de muy poco. Equipo: Host: Albina Cabrera Editor: Dusty Henry Productor de audio: Vlack Media irector editorial: Larry Mizell Jr. Apoya este podcast: kexp.org/donate ENGLISH TRANSLATION: In this final episode of El Cancionero de Kurt, Albina Cabrera closes the series with three essential artists for understanding the rawest, most chaotic, and honest side of Cobain’s universe: Butthole Surfers, Half Japanese, and Daniel Johnston. From the unhinged college beginnings of Butthole Surfers to the amateur art turned emblem of the Fair brothers with Half Japanese, to the fragile brilliance that became the anthem of the unforgettable Daniel Johnston—this farewell sounds more like a lesson than a goodbye. Albina draws connections to Latin America that span decades, from Café Tacuba and Babasónicos to recent tributes in Uruguay, Mexico, and Argentina. With exclusive insights from artists like Ernesto Tabárez of Eté & Los Problems, we revisit one of Johnston’s final performances.Fifteen episodes. Fifty records. A list Cobain left behind as a legacy—one that brings us together again today. El Cancionero de Kurt is an original KEXP production in Spanish, where music matters.Listen to all episodes on your favorite streaming platform, and subscribe to the El Sonido: Cancioneros feed to be notified when the new season begins—coming very soon. Team:Host: Albina CabreraEditor: Dusty HenryAudio Producer: Vlack MediaEditorial Director: Larry Mizell Jr. Support this podcast: kexp.org/donateSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Butthole Surfers - "100 Million People Dead" - Peace War v/a Cecil Leuter - "Crazy Sounds No.2" - Cecil Leuter & George Teperino Tomonari Higaki - "Arc-en-ciel, nocturne" - Higaki-Mahoroba Les Baxter & His Orchestra - "Somehwere in the Hills" - Colors of Brazil Amina - "End Theme" - Kidnap in Rome Wire - "Small Electric Piece" - 154 Christian Clozier - "La Discordatura (1970) excerpt" - La Discordatura Roland Kayn - "Cyber Panoramical Music (excerpt)" - Cyber Panoramical Music Enrique Belloc - "Tripitico de Bahla Blanca" - CMJ Sound Anthology Vol.25 Luis Bacalov - "Diamanti Rossi (Titoli di Testa)" - Virus OST Headboggle - "Woodpecker Setting" - Polyphonic Demo Claudio Simoetti - "Dolphin" - Conquest OST Simon Park - "Stoned Out" - Electric Bird Dustin Wong - "Morning Roses" - Gloria Miharu Koshi - "Decadence 120" - Parallelisme The Residents - "Fingertips" - The Commercial Album https://www.wfmu.org/playlists/shows/150065

In this episode of Seeing Them Live, host Charles Berman interviews Giuliana Funkhauser, a transdisciplinary artist known for her innovative blend of digital code and synthesized audio to create immersive art installations. Giuliana, based on the U.S. East Coast, completed her graduate studies at the San Francisco Art Institute, concentrating on art and technology, with a particular interest in sound synthesis. Besides her artistic endeavors, she teaches courses on data sonification and video game development. Her collaborative projects include working with musical artist Elizabeth Verosa and visual artist Alison Tannenhaus, performing excerpts from their EP '2021' in events such as the 2022 New England Synthesizer Festival. Additionally, Verosa and Funkhauser's track is featured in the Rewoven Transmissions collection, a remix of Cathode Raytube's works.Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastesGiuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah HeepVENUES: Club X, Radio 104 Fest PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In recognition of Kurt Cobain's February birthday (he would have been 58 on 2/20/25), and 30 years since the release of Garbage's first album with the hits songs Stupid Girl and Only Happy When It Rains, we're bringing back our epic conversation with fellow Packers fan Butch Vig. Catch the VIDEO with Butch recalling a raucous night at the Hollywood Palladium with the Butthole Surfers and L7 where he lost Nirvana, and Kurt Cobain took a long walk home. WATCH HERE: https://youtube.com/shorts/ObnU5pTK9gk This episode includes stories about how Garbage was once forced to play a gig middle of the night in a Serbian castle; why the band's lead singer Shirley Manson nearly didn't pass her audition; and the fact that band members ALWAYS lose 20 IQ points when they go on tour. See IG: @garbage Website: https://www.garbage.com --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective welcomes back DISTROKID as a sponsor in 2025. Musicians, Songwriters, Producers, DJs: You deserve VIP treatment. Get your original music into Spotify, Apple, TikTok, and all the major platforms...AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

JD Pinkus, who set a Georgia Boy's State 100-meter freestyle relay record in 1980, left swimming behind in 1985 to tour with the Butthole Surfers, later playing bass for Melvins, Helios Creed, and others. He took up the 5-string banjo, releasing albums like Keep On The Grass (2018), Fungus Shui (2021), and Grow A Pear (2024). JD splits his time between the road, the studio, and the mountain he now calls home.

This week it's another installment in "Tribute: A Tribute to Tributes," where we discuss another tribute album. This time it's one of the most 90's tributes ever made- featuring Liz Phair, Sublime, Sponge, Matthew Sweet and the Butthole Surfers, "Saturday Morning Cartoons' Greatest Hits."