Podcasts about art and technology

In this episode of Seeing Them Live, host Charles Berman interviews Giuliana Funkhauser, a transdisciplinary artist known for her innovative blend of digital code and synthesized audio to create immersive art installations. Giuliana, based on the U.S. East Coast, completed her graduate studies at the San Francisco Art Institute, concentrating on art and technology, with a particular interest in sound synthesis. Besides her artistic endeavors, she teaches courses on data sonification and video game development. Her collaborative projects include working with musical artist Elizabeth Verosa and visual artist Alison Tannenhaus, performing excerpts from their EP '2021' in events such as the 2022 New England Synthesizer Festival. Additionally, Verosa and Funkhauser's track is featured in the Rewoven Transmissions collection, a remix of Cathode Raytube's works.Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastesGiuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah HeepVENUES: Club X, Radio 104 Fest PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Send us a textJoin us for an exciting conversation with the incredibly talented digital artist, Hayden Clay, as he shares his journey from a curious child to a full-time digital artist. Listen to Hayden's humorous tale of a memorable encounter with a cuttlefish and his deep appreciation for cultural diversity through food, especially curry. We'll explore the intersection of art and technology, discussing the transformative power of NFTs and how Hayden's experiences in biochemistry and software development have enriched his artistic journey.Get ready to explore the world through a photographer's lens as we discuss Hayden's passion for photography and how it has revolutionized his view of the world. With a fondness for vibrant global cultures, Hayden talks about his dream of living in places like Hong Kong and California. As Hayden prepares for his upcoming trip to Japan, he shares his excitement about visiting camera shops and the challenges of capturing moments on the move, whether with professional equipment or a smartphone.The excitement continues as we delve into Hayden's upcoming art show in Seoul, South Korea, set to open on March 29th. Discover the popularity of his suburban art pieces and the challenges collectors face in acquiring them. The conversation highlights our shared love for art and crypto, and wraps up with Hayden's eagerness to meet in New York and indulge in some homemade biscuits. Tune in for an inspiring chat that showcases the intersection of art, technology, and a vibrant community.https://x.com/haydclaySupport the show

Send us a textLos Angeles-based digital artist Post Wook joins our podcast to share her fascinating artistic journey and how she found her niche in surreal landscape collage art. Transitioning from traditional mediums like painting and drawing to collage in 2007, she discovered a new realm of self-expression that was both liberating and transformative. Post Wook candidly discusses her initial skepticism toward the NFT market, a skepticism that quickly turned into curiosity after witnessing a friend's success. Her story highlights the importance of community, as she found camaraderie and inspiration on platforms like Clubhouse, where art and technology enthusiasts converge.In our conversation, Post Wook opens up about the personal routines that keep her grounded, including her unique approach to stress-free mornings and the practicalities of managing crypto assets with hardware wallets. She shares her thoughts on the future of digital art, decentralization, and the intriguing challenges of copyright and open-source content in the evolving web three landscape. As we explore her artistic evolution, it's clear that Post Wook's journey is marked by a harmonious blend of art and tech, underscored by a genuine commitment to authenticity and meaningful connections in the crypto art space.We also explore the deeper aspects of building relationships within the NFT community and beyond. Post Wook emphasizes the importance of distinguishing genuine connections from transactional interactions, drawing parallels to a collaborative startup culture where shared visions foster lasting bonds. Her love for California's diverse beauty and her aspirations for sustainable homesteading add a personal touch to the episode. Meanwhile, her adventurous involvement in space-themed projects, including sending personal audio files into space, showcases her innovative spirit. Join us for an inspiring conversation that paints a vivid picture of a life where art, technology, and dreams intersect.https://x.com/POSTWOOKSupport the show

Two exhibitions have just opened that look at art and tech: in London, Tate Modern's Electric Dreams: Art and Technology Before the Internet celebrates the pioneers of kinetic, programmed and digital art, and offers a kind of origin story of contemporary immersive installation. Ben Luke speaks to Val Ravaglia, the co-curator of the show, amid the blinking lights and bleeping sound. In California, meanwhile, Digital Witness at the Los Angeles County Museum of Art (Lacma) looks at how new software and hardware shaped the worlds of design, photography, and film between the 1980s and now. We speak to the exhibition's curators, Britt Salvesen, the department head and curator of prints and drawings at Lacma, and Staci Steinberger, the curator of decorative arts and design at the museum. And this episode's Work of the Week is the Harmonia Macrocosmica (1661) by Andreas Cellarius, a celestial atlas made in the Netherlands. Rebecca Feakes, the librarian at the Blickling Estate, a 17-century mansion in Norfolk, UK, run by the National Trust, tells our associate digital editor, Alexander Morrison, about the book.Electric Dreams: Art and Technology Before the Internet, Tate Modern, London, until 1 June 2025.Digital Witness: Revolutions in Design, Photography, and Film, Los Angeles County Museum of Art, until 13 July.The Harmonia Macrocosmica is the centrepiece of Journey Through the Stars, Blickling Estate, UK, until 5 January. Hosted on Acast. See acast.com/privacy for more information.

Art develops and expands thanks to technology, and in turn, inspires innovators to visualize more beautiful creations.

Beta Festival, Ireland's art and technology festival was on Friday, 1st November, featuring a robot that rolls its eyes at live social media algorithms, the opportunity to reduce emissions by distracting fossil fuel companies, and digital tools that investigate real-life conspiracies, Beta runs until Sunday, November 17th at The Digital Hub and wider Dublin 8 area. Beta Festival of art and technology Co-founded and supported by The Digital Hub, Beta has announced a full line-up of artists, exhibitions, installations, and workshops that will focus on the key theme of the relationship between technology and power, with specific focus areas including artificial intelligence and facial recognition technology. In addition, a first-of-its-kind Assembly on AI and Art will bring together leading experts in technology and culture to discuss critical areas in the arts industry that are impacted by AI and should be considered for future policy developments. AI Ambassador for Ireland Patricia Scanlon will be among the facilitators leading discussions. Cannes Film Festival winner Noire, the Unknown Life of Claudette Colvin will make its Irish debut at this year's Beta Festival at the Samuel Beckett Theatre from Thursday, November 7th to Sunday, November 10th. Noire tells the real-life story of 15-year-old Claudette Colvin, who refused to give up her bus seat to a white passenger in a segregated 1950s Alabama. The production uses virtual reality to provide viewers with an immersive digital experience. Tickets for Noire are limited and range from €15 - €22. Beta will also host an international exhibition Unsettling the Algorithm: Seeds of Resistance, which will explore how digital systems and algorithms shape, influence, and govern our daily lives. Curated by Aisling Murray and Nora O' Murchú, the exhibition will feature artists including Basil Al-Rawi, Tega Brain and Sam Levigne, Firas Shehadeh, Winnie Soon, and Tzu-Tung Lee among others. Separately, the Local Artists Network will spotlight emerging Irish artists with new work from Conan McIvor and new commissions from Aisling Phelan and Cailean Finn. Both exhibitions are free of charge and will run from Friday, November 1st to Sunday, November 17th. Additional workshops covering digital democracy, facial recognition technology, and artist networking events are taking place over the two weeks and will be free of charge to attendees. Events and exhibitions will take place predominantly in buildings across The Digital Hub campus, including iD8 Studio, The Bank, and wider Dublin areas including Pallas Projects Studios, Fire Station Artists Studio, and the Samuel Beckett Theatre. Beta will officially launch on Friday, November 1st with events including the Assembly on AI and Art, keynote from Abeba Birhane as well as free workshops and panel discussions. The conference over the opening weekend will cover topics from digital activism to immersive storytelling, algorithmic resistance, and future archives. Tickets for the conferences are available to purchase from the Beta website from €15 - €25. Key highlights from the weekend will include: Samuel Beckett Theatre will host performances from Noire, an immersive virtual reality performance that tells the story of Claudette Colvin who refused to give up her bus seat to a white passenger in the 1950s segregated Alabama. Directed by Stéphane Foenkinos and Pierre-Alain Giraud. The Ethics Studio is a space for members of the public to engage with real ethical concerns and potential real-world impacts of new and emerging technologies developed with the festival research partner ADAPT Research Centre. This will include The Bigger Picture - an exhibition of new commissions that challenge outdated tropes and offer a more grounded, realistic portrayal of AI. Keynote talks from Kay Watson, Head of Arts Technologies at London's Serpentine Gallery, and Abebe Birhane, who is a member of the United Nations Secretary-General's AI Advisory Body and was featured ...

In this Le Random discussion we are so pleased to speak to a scholar of art history in Dr. Nancy Perloff from the Getty Research Institute. She joins Le Random's editor-in-chief Peter Bauman. Perloff recently curated Sensing the Future: Experiments in Art and Technology (E.A.T.), showing at the Getty Center as part of PST Art. The pair explores E.A.T.'s influential role in merging art, technology and engineering, a movement founded in 1966 by Bell Labs engineer Billy Klüver and artists like Robert Rauschenberg and John Cage. Dr. Perloff shares insights on E.A.T.'s success, including as an early digital art network, as well as its collaborations between artists and engineers (mostly from Bell Labs). This included performances like Nine Evenings: Theatre and Engineering and immersive experiences at the 1970 Osaka World Expo's Pepsi Pavilion. They touch on curatorial challenges, EAT's experimental nature, its role in building interdisciplinary networks, and its lasting, yet underappreciated, impact on art and technology.

Send me a messageIn this episode of the Climate Confident podcast, I had the pleasure of chatting with Elizabeth Thompson, the director of Visions 2030. Elizabeth dives into the importance of artistic imagination in addressing climate change and how her organisation is leveraging creativity to foster optimism and action. We explore the Lumisphere experience, a unique project designed to counteract climate anxiety by engaging people in visualising positive futures through immersive art and technology.Elizabeth shares her insights on how pop culture and storytelling can shape public perception, the significance of the Earth Optimism movement, and the role of education in driving systemic change. We also touch on the challenges of inspiring young people to take up the mantle of climate action and how initiatives like Visions 2030 are providing tools to empower individuals at the community level.If you're curious about how art and innovation can intersect to create tangible solutions for our planet's future, this episode is a must-listen. Don't miss the chance to explore how we can all contribute to a brighter, more sustainable world.Support the Show.Podcast supportersI'd like to sincerely thank this podcast's amazing supporters: Lorcan Sheehan Hal Good Jerry Sweeney Andreas Werner Devaang Bhatt Stephen Carroll Marcel Roquette Roger Arnold And remember you too can Support the Podcast - it is really easy and hugely important as it will enable me to continue to create more excellent Climate Confident episodes like this one.ContactIf you have any comments/suggestions or questions for the podcast - get in touch via direct message on Twitter/LinkedIn. If you liked this show, please don't forget to rate and/or review it. It makes a big difference to help new people discover the show. CreditsMusic credits - Intro by Joseph McDade, and Outro music for this podcast was composed, played, and produced by my daughter Luna Juniper

Join us for an engaging episode on Edge of NFT featuring Trevor Jones to dive into his journey from traditional art to the world of Web3 and NFTs. Trevor shared insights on how he blended traditional techniques with modern tech, leading to groundbreaking projects like the Bitcoin Angel NFT and his transition from canvas to crypto and his legendary castle parties. Learn about Trevor's upcoming projects, including the Steampunk series, and gain valuable advice for artists looking to break into the Web3 space. Don't miss this engaging conversation on the Edge of NFT podcast.Support us through our Sponsors! ☕

Video - https://youtu.be/lD_TfAB3_Zw Explore the captivating fusion of art and technology in our latest video! Discover how digital paintings, AI-generated art, VR galleries, and interactive installations are revolutionizing the creative world. From robot Picassos to dancing murals, see how modern artists are using technology to push the boundaries of imagination. Watch now and dive into the vibrant, dynamic intersection of tech and artistry. I used GPT-4o and Pictory.ai to put this information together. If you're interested in trying Pictory.ai please use the following link. https://pictory.ai?ref=t015o --- Support this podcast: https://podcasters.spotify.com/pod/show/norbert-gostischa/support

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

For the Venice Biennale Edition of CHANEL's flagship arts and culture podcast, Andrew Durbin, author and Editor-in-Chief of Frieze magazine, connects with Kimberly Drew, author, critic and Curatorial Director at Pace Gallery. Kimberly has developed a huge online following for the way she uses emerging platforms to communicate about art. And, as the editor of Frieze, Andrew is one of the most influential writers on art in the world. Together, they discuss the evolution of art in the digital age and explore how the Venice Biennale came to be the centrepiece of the global art community.

In this episode, we welcome Damien Gilley, a visionary visual artist and designer known for his innovative work in branding, environmental design, and digital products. Damien's journey showcases his unique blend of contemporary art and immersive design experiences, spanning globally recognized exhibitions and high-profile client projects.Damien shares his insights on integrating art with technology, exploring how his creative process transforms spaces and experiences. He delves into his approach to design education, fostering creativity, and the future of visual art in digital landscapes.Join us as we explore Damien Gilley's artistic vision, leadership in design, and the dynamic intersection of art and technology. This episode is a must-listen for creatives, designers, and anyone intrigued by the power of visual storytelling.

In this episode, host Guy Kawasaki interviews Janet Echelman, an acclaimed sculptor known for her swooping, volumetric artworks made of fiber and suspended at an architectural scale over streets, parks, plazas, and waterways. Echelman traces her journey from studying painting to a turning point where she started working with sculpture using found materials, overcoming numerous obstacles with persistence to create never-before-seen floating artworks that provide peaceful, inspiring havens in the hustle of daily urban life. She also discusses her creative process of developing harmonious, site-specific installations that physically embody her belief that "art can serve as an inspiring voice to bring people together across boundaries of difference. In this episode, Guy also shares the release of his new book, Think Remarkable!---Guy Kawasaki is on a mission to make you remarkable. His Remarkable People podcast features interviews with remarkable people such as Jane Goodall, Marc Benioff, Woz, Kristi Yamaguchi, and Bob Cialdini. Every episode will make you more remarkable. With his decades of experience in Silicon Valley as a Venture Capitalist and advisor to the top entrepreneurs in the world, Guy's questions come from a place of curiosity and passion for technology, start-ups, entrepreneurship, and marketing. If you love society and culture, documentaries, and business podcasts, take a second to follow Remarkable People. Listeners of the Remarkable People podcast will learn from some of the most successful people in the world with practical tips and inspiring stories that will help you be more remarkable. Episodes of Remarkable People organized by topic: https://bit.ly/rptopology Listen to Remarkable People here: https://podcasts.apple.com/us/podcast/guy-kawasakis-remarkable-people/id1483081827 Like this show? Please leave us a review -- even one sentence helps! Consider including your Twitter handle so we can thank you personally! Thank you for your support; it helps the show!

A new art exhibit about art in the era of social media and the internet transforms the Charles Allis Museum.

Sydney and Ariane showcase two groups of artists leading the way in combining technology with the performing arts. Sydney talks with choreographer Bill T. Jones, while Ariane chats with dancers Alice Sheppard and Laurel Lawson. See featured guests, read the transcript, and more in our archives at https://www.are.na/choreographicinterfaces Like, subscribe, and review here: https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152 The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.

Join us on the frontier of creativity and innovation as Adobe compensates artists for their contributions to Firefly AI training. Discover how this collaboration bridges art and technology, empowering creators and advancing AI-driven design. Get on the AI Box Waitlist: AIBox.aiJoin our ChatGPT Community: Facebook GroupFollow me on Twitter: Jaeden's Twitter

We're re-releasing a wonderful episode about the positive impact art has on individual and societal health. Guest Deborah Cullinan, vice president for the arts at Stanford, shares how including just 10-20 minutes of art in your day — whether through drawing or dancing to your favorite song — can contribute to improved health. Her insights remind us, and hopefully will remind you as well, that art plays a valuable role in both individual and societal well being. Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads or Twitter/XConnect with School of Engineering >>> Twitter/XChapters:(00:00:00) Introduction(00:02:04) The Power & Appreciation of ArtDiscussion on the societal shift and increased appreciation and demand  for art activities.(00:05:30) Expansive Definition of Art Discussion on potential pushback and challenges in defining art boundaries.(00:07:55) Art and Health The intersection of art and health, emphasizing its significance and the book “Your Brain on Art” and some of the neuroscience based benefits.(00:11:33) Art in Healthcare Highlighting some of the programs integrating art and healthcare at Stanford including, Stanford Medicine's program "Medicine in the Muse" art programs for healthcare providers, and supporting mental health services for students.(00:13:30) Micro Art Moments The potential benefits of small doses of art and demand for art programs (00:15:19) Fluidity in Creating and Consuming Art The symbiotic relationship between creators and consumers of art and the way creating makes you appreciate art more.(00:18:04) Technology and the Arts (00:22:44) Exciting Art Collaborations at Stanford(00:25:53) The Importances of Art Spaces as safe spaces and community hubs(00:28:27) Conclusion Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads or Twitter/XConnect with School of Engineering >>> Twitter/X

Essay, Deck and Transcript can be found at https://www.letusthinkaboutit.com/step-82-art-and-ai/The Future of Art and AI: Promises and PerilsArtificial intelligence (AI) has exploded onto the cultural scene, raising pressing questions about the role of technology in art and society. Artist and thinker Ryder Richards recently gave a lecture analyzing AI through a philosophical lens, exploring its potential promises and perils.Understanding AI AdoptionRichards began by taking the pulse of AI adoption, finding about a quarter to a third of attendees actively using AI for creative pursuits. With hype swirling, many came curious to know more. Richards set forth to report his findings from the AI landscape.Weaving history, art, and philosophy, Richards traced how we arrived at this crossroads. He discussed early 20th-century visions of fusing humans and machines, driven by the worship of progress, machinery, and speed. Richards questioned assumptions of human rationality and effectiveness, asking if AI necessarily leads to worse outcomes.The Allure and Alienation of AIRichards suggested that while AI promises to democratize creativity, it may also distance us from the personal touch of craft. He demonstrated how artists employ AI to generate variations and select results. While convenient, this process mediates the human-object bond. Richards pondered if submissions lack an imprint of humanity itself.Reckoning with BiasExamining racial and gender bias in AI datasets, Richards noted the need to peer inside “black box” algorithms. He considered whether language models actually “think” creatively. While founders exude optimism, their infighting hardly inspires confidence. With AI infiltrating emotional resonance and politics, vigilance seems vital.The Sentient Machine?Richards explored speculation that glitches enable AI creativity, just as neurological differences may have sparked human innovation. He discussed AI's potential for independent evolution, questioning our ability to discern machine consciousness. If the future remains opaque, Richards suggested artists' role is to absorb and share cultural truths.Owning Our CreationsLawsuits against AI companies form growing resistance. But will profit motives trump ethics? How do we balance an accelerating economy with human dignity? As the lines blur between creator and creation, now is the time to ponder what kind of future we want to code.

In this episode of Sci-Fi Talk, host Tony Tellado sits down with animatronics expert Lee Romaire to discuss the intricacies of animatronics in movies and theme parks. Lee Romaire shares insights on working at the Jim Henson Creature Shop, the challenges of creating animatronic figures, and the integration of practical effects and CGI in film production. The conversation delves into the technical aspects of animatronics, the evolution of robotics in theme park attractions, and the future of animatronic technology. From Five Nights at Freddy's to working on theme park attractions, this episode offers a fascinating look at the world of animatronics and its influence on the entertainment industry. Subscribe To Sci-Fi Talk Plus Free For A Lifetime

Sydney Skybetter and producer Kamal Sinclair chat about the intersection of the cultural sector, emerging technologies, and the vintage hardware that shaped their childhoods. Are we all complicit in these complex cultural systems? Oh, and also, can we please bring back the Filofax? About Kamal: Kamal Sinclair supports artists, institutions, and communities working at the convergence of art, media, culture, and technology. Currently, she serves as the Senior Director of Digital Innovation at The Music Center in Los Angeles, which is home to TMC Arts, Center Theatre Group, Los Angeles Master Chorale, LA Opera, and LA Phil. Additionally, she serves as an advisor or board member to  Peabody Awards interactive Board, For Freedoms, NEW INC.'s  ONX Studio, Civic Signals, For Freedoms, MIT's Center for Advanced Virtuality, Starfish Accelerator, Juvenile Bipolar Research Foundation, and Eyebeam. Previously, she was the Director of Sundance Institute's New Frontier Labs Program, External Advisor to Ford Foundation's JustFilms and MacArthur Foundation's Journalism & Media Program, Adjunct Professor at USC's Media Arts + Practice program, and Executive Director of the Guild of Future Architects. She is the co-author of Making a New Reality. Sinclair got her start in emerging media as an artist and producer on Question Bridge: Black Males, where she and her collaborators launched a project with an interactive website and curriculum; published a book; exhibited in over sixty museums/festivals. Read the transcript, and find more resources in our archive: https://www.are.na/choreographicinterfaces/dwr-ep-4-fierce-on-the-palm-pilot-a-conversation-with-kamal-sinclair Like, subscribe, and review here: https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152  What We Discuss with Kamal (Timestamps): 0:00:00: Introduction to Kamal Sinclair 0:01:32: Discussion on the influence of Minority Report on technology and body interfaces. 0:04:56: Personal experiences with early mobile devices and anticipation of smartphones. 0:07:10: Exploring the cyclical nature of technology and imagining the future. 0:08:10: The role of a curator in identifying and bridging new forms of art and technology. 0:09:18: The importance of following the artist and supporting their vision. 0:10:38: Balancing the promise and ethics of technology in art. 0:12:29: Exciting emerging art in storytelling, aesthetics, and movement. 0:15:18: The power of imagination and action in shaping the future. 0:17:43: The relationship between bodies and technologies. 0:18:53: The influence of disability and otherly abled experiences on technology. 0:19:41: Dance historical perspectives on the bodies of the future. 0:21:26: The need to consider nature and relationships in future designs. 0:23:25: The negative impact of militarized surveillance technologies on marginalized groups 0:25:39: Discussion on the immersive VR experience of Birdly 0:27:02: Healing and altered states through immersive experiences 0:28:30: Managing complicity and the future of work for artists 0:30:41: Closing with the acknowledgement of not knowing 0:31:19: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.  

Octavia Reese is a Chicago-based cellist, author, artist, digital strategist and mother. With many hats in her repertoire, the Logan Square resident works to create multi-disciplinary works that move listeners to a place of healing. As a digital health strategist by day and all-around-artist any time after, Reese combines her scientific background with her classical training to shape her artistic identity. This is what her Chicago sounds like. This segment of “This Is What Chicago Sounds LIke” was produced by Ari Mejia. To stay tuned on more from Octavia Reese, follow her on Instagram at @octaviaaivatco, and keep up to date with her events at @celloandchill.

All tools of the artist are technology at work.The “Daily Dose of Disney with Ray Keating” podcast serves up a Disney or Disney-related quote each day, with DisneyBizJournal's Ray Keating offering brief, additional thoughts on how each dose ties in to life, career, business, entrepreneurship, creativity, storytelling, work, or just plain fun. Each week, the podcast focuses on a particular person, character or theme.Please check out www.DisneyBizJournal.com.Consider books by Ray Keating…• The Pastor Stephen Grant thrillers and mysteries. Get the signed books here, or paperbacks and Kindle editions right here.• Cathedral: An Alliance of Saint Michael Novel. Signed paperbacks and/or paperbacks, hardcovers and the Kindle edition at Amazon. • The Weekly Economist II: 52 More Quick Reads to Help You Think Like an Economist. Signed books here.  And Kindle edition and paperbacks here.• The Weekly Economist: 52 Quick Reads to Help You Think Like an Economist. Signed paperbacks at RayKeatingOnline.com or paperbacks, hardcovers and Kindle editions at Amazon.com.• The Lutheran Planner: The TO DO List Solution combines a simple, powerful system for getting things done with encouragement, inspiration and consolation from the Christian faith.• Behind Enemy Lines: Conservative Communiques from Left-Wing New York  –  signed books  or at  Amazon.•  Free Trade Rocks! 10 Points on International Trade Everyone Should Know is available at  Amazon  in paperback or for the Kindle edition, and signed books at  www.raykeatingonline.com. Listen to Ray's other podcasts – the Free Enterprise in Three Minutes podcast and the PRESS CLUB C Podcast.Have Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com. 

Saliha Nelson is the CEO of Urgent Inc, a youth center in Overtown whose mission is to educate the next generation of creative leaders in Miami. Their annual youth film festival is being held on Thursday and Friday at Miami Dade College North Campus.

Hear more from Serpentine Arts Technologies curators Tamar Clarke-Brown & Eva Jäger about their upcoming exhibition “Third World: The Bottom Dimension” featuring Gabriel Massan, how emerging technologies are changing the working conditions of artists and ideas of collective ownership, differentiating between the current use of technologies and their potential, how artists can play a crucial role in shaping their development, and findings from Serpentine's Future Art Ecosystems.   beyondthe.studio Listener Spotlight @beyondthestudio  Intro and Ad Music by: Suahn Branding by: David Colson

It is my great pleasure today to introduce you to a conversation that I recently had with the brilliant Dr Karl Sebire. He is a researcher, educator, author and speaker in the field of digital dependence, screen time and attention spans. With over 15 years of experience in the creative and education industries, Karl has researched the way in which teaching and learning have evolved (or struggled at times) to adapt to an audience that consumes media in new and exciting ways. As the ability to focus will be the new differentiator for individuals, Karl consults on how one can harness the myriad powers of technology, whilst attenuating the many challenges it presents. I hope that you get as much out of our discussion as I did. The Art of Teaching Podcast resources:  Facebook Group: https://www.facebook.com/groups/artofteaching Here is the link to the show notes: https://theartofteachingpodcast.com/ Instagram: https://www.instagram.com/theartofteaching

On this episode we interview Seattle based abstract artist Nino Yuniardi. We talk about finding creative inspiration at your day job, balancing being a full time artist with a full time day job, finding your unique style, and layering meaning within abstract paintings. Stay Connected with Nino: Website: https://www.nino.studio Instagram: https://www.instagram.com/ninoyuniardi YouTube: https://youtube.com/@ninoyuniardi LinkedIn: http://linkedin.com/in/ninoy Episode Blog Link: https://www.jaclynsanders.com/blogpodcastepisodes/podcast109 Sign up for our studio newsletters at: https://www.AmeighArt.com https://www.JaclynSanders.com https://www.levelupartists.com Connect with us on Instagram: https://www.instagram.com/AmeighArt https://www.instagram.com/JSandersStudio https://www.instagram.com/LevelUpArtists Music by: https://www.coreyclaxton.com Watching or listening to one of our earlier episodes? In 2022, the Art Studio Insights podcast was renamed the Level Up Artists podcast!

Christos Makridis is the COO of Living Opera, an art and technology startup at the intersection of technology, fine arts, classical music, and philanthropy. Why you should listen Technology is a vehicle for creating transformative, immersive experiences that empower and inspire people at scale. By combining the timeless beauty of fine art, especially opera, with technological tools, Living Opera is building a flourishing worldwide community. The NFTs are a funding mechanism for giving: Living Opera provides free training and mentoring experiences for aspiring artists otherwise unable to receive resources, including providing them with world-class voice lessons in Italy. Living Opera views blockchain technology as a catalyst for positive change in the arts. Using revenues from the Magic Mozart collection, they will launch a decentralized autonomous organization (DAO) for grant-making, community-building, and education in the arts, starting with and specializing in opera, to award micro-grants to young artists and promote skill acquisition.  Supporting links Living Opera Andy on Twitter  Brave New Coin on Twitter Brave New Coin If you enjoyed the show please subscribe to the Crypto Conversation and give us a 5-star rating and a positive review in whatever podcast app you are using.

In this episode of the Artmatcher podcast, Michael Goodman speaks with Joshua Hashemzadeh about Web3 and the future of art and technology. They discuss famous figures like Logan Paul and the Liver King and the projects they leverage, which impacts the NFT art market.About Joshua HashemzadehJoshua H. Hashemzadeh (b. 1993), has a BFA from the San Francisco Art Institute and lives and works in Los Angeles. His work, often derived from collected objects and typographies is built around an investigation of language and its link to art-historical pedagogy, socio-economic critique, and cultural iconicism. As a mixed-race first-generation American, both his curatorial and artistic practices reflect on ideas of belonging and ideological systems of value & classification. Recent work has been featured in several exhibitions with recent highlights including Nomad, Torrance Art Museum, CA; Semblance | Sunshine, Torrance Art Museum, CA; Office Hours, Main Museum, Los Angeles; FIVE, Baik Art, Los Angeles; Poster, Black Ball Projects, Brooklyn; and Our little Angle, Diego Rivera Gallery, San Francisco. Notable curatorial projects also include Semblance | Sunshine, Torrance Art Museum, Torrance; 2020 Armory Show Presents, New York; Re-Verb, Baik Art, Los Angeles; and Henosis, Baik Art Seoul, South Korea.About ArtmatcherArtmatcher is a social community platform for art lovers, artists, galleries, museums, and events. It connects people with curated social communities, art experiences, and gamified education based on their interests and actions. Using a patent-pending machine learning model, Artmatcher builds a profile for users and recommends tailored content, including art, social experiences, and educational opportunities.Recommended LinksJoshua Hashemzadeh's website Joshua's previous Artmatcher podcast episode

As artists, many of us honor the age-old tradition of creating our work with nothing more than our hands, a few tools, and materials that have stood the test of time. Yet we also live in a high-tech world, and that impacts all of us. How artists view technology ranges from a necessary evil to a full embrace of its creative possibilities. But we should all understand that technology itself is not a new factor in making art. Today we'll look at some of the ways technology has been used over time in art and ways to think about it in our current world. Dealing with technology can feel daunting and unnatural to the way you approach your work or it may be something you embrace enthusiastically. But it impacts all of us in life as well as in art. For artists, technology represents an intersection of scientific knowledge and creative output. It means knowledge that expands the known boundaries of what can be done in the name of creativity. But thinking of technology as something only relevant to artists today does not consider the long history of technical advances that aid in creative production. A good example is the use of the camera obscura during the Renaissance by artists like Leonardo da Vinci to understand and depict perspective in painting. In addition, there have been countless advances in art materials, tools, and equipment that make our creative lives more expansive today. Many artists today embrace new forms of technology in their work, including digital media, 3-D printing, and Artificial Intelligence. Yet traditional forms of art in which we see the hand of the artist will always have human appeal, and it's important to not feel pushed into technology to feel your art is relevant. But whatever approach is right for you, being open to the changes in art that result from technology, being curious and appreciative of its place in the flow of art ideas over time is important. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick What's new At Cold Wax Academy? Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library. As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. It's never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. Please visit http://www.coldwaxacademy.com for more information. Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a Tick Digital Media Production.

Get ready for a wild ride into the brainy world of gaming with Asst. Professor Diego Saldivar! With a unique combination of artistic, neuroscience, and programming skills, Diego is a true master of virtual brain experiences. In this episode, you'll hear about his journey from digital artist to Neuro Game developer and learn about the neuroscience behind his work. Whether you're a gamer, a neurotech enthusiast, or just curious about discovering new possibilities through gamification, this episode is sure to captivate and inspire. So join us and let Diego and podcast host Dr. K take you on a journey that's equal parts entertaining and educational! About the podcast guest: Asst. Professor Diego Saldivar, a digital art wizard and Neuro Game development guru, is a one-of-a-kind master of virtual experiences. With a background in 3D animation and modeling and a Master's degree in game development and research, Diego brings his unique blend of artistic flair and technical know-how to Noroff University College in Norway, where he's always ready to share his passion for the intersection of gaming and neuroscience. From the mathematics behind his art to his operatic interludes, Diego is guaranteed to make you learn and fall in love with the amazing world of Neuro Gaming. Discover more and connect with Diego by following these links: https://www.neurogamedev.com/ https://www.linkedin.com/in/desaldivar/ https://discord.com/invite/dW7hUdtnCU https://www.youtube.com/@neurogamedev   About the podcast host: The Neurocareers podcast is brought to you by The Institute of Neuroapproaches (https://www.neuroapproaches.org/) and its founder, Milena Korostenskaja, Ph.D. (Dr. K), a neuroscience educator, research consultant, and career coach for students and recent graduates in neuroscience and neurotechnologies. As a professional coach with a background in the field, Dr. K understands the unique challenges and opportunities facing students in this field and can provide personalized coaching and support to help you succeed. Here's what you'll get with one-on-one coaching sessions from Dr. K: Identification and pursuit of career goals Guidance on job search strategies, resume and cover letter development, and interview preparation Access to a network of professionals in the field of neuroscience and neurotechnologies Ongoing support and guidance to help you stay on track and achieve your goals You can always schedule a free neurocareer consultation/coaching session with Dr. K at https://neuroapproaches.as.me/free-neurocareer-consultation Subscribe to our Nerocareers Newsletter to stay on top of all our cool neurocareers news at updates https://www.neuroapproaches.org/neurocareers-news  

View the transcript of this episode. Follow UCF on social! Instagram: @ucf.edu Facebook: @UCF Twitter: @UCF TikTok: @ucf.edu

 An exploration of the history and transformation of the arts thanks to the implementation and advancement of technology and its relation to artistic practices.Aleksandra Jovanic | Artist & ProgrammerBaptiste Crespy (@ciphrd) | Generative Artist | Founder, (fx)hashMarcel Schwittlick | ArtistModerator: Johnny Dean Mann | Writer/Artist

Guest post by Alison Hackett, founder of 21st Century Renaissance and author of The Visual Time Traveller Chicken or egg? Alison Hackett Technology has been around since early humans began knocking flints off stones and turning them into tools around 2.6m years ago. Whereas the earliest artworks we know about are cave paintings. Experts have dated the oldest as between 35,000 and 73,000 years ago. So we can safely say that technology predates art. Obvious when you think about it. Getting food into your belly and defending yourself from predators will take precedence over dreaming in your downtime (if you have it). The evolution of our large complex brains enabled the development of all human endeavour: tools, culture, language. In writing this article I sit on that magnificent intersection: using my mind to think creatively, searching for English words in as sophisticated a way as I can, fingers touching the keyboard converting thoughts to screen. And above it all the umbrella of technology: electricity, laptop, internet, ones, zeros, on-off switches. Here, my mind is just one tool of many. Does technology change how a poet writes? As a poet, I always start out handwriting — using the technology of a pencil and paper — to know the kernel of what I want to say, albeit in scribbles. Later, when I decide to make the poem public, I start to get ‘technical' and put manners on it. Turn the form into a font. Delete a word, swap it for another (the Thesaurus is handy), see what it looks like as cold neutral unemotional text. Swap fonts. Change line endings, make one stanza three stanzas. Save a couple of different versions. Leave it for a month. Come back and look again. Fresh eyes. Then, as a self-publisher (aren't we all?) publish it as a blog or on social media. Cut. Paste. Publish. Immediately after posting check it online and inevitably want to make small changes. Edit, republish, edit, republish, edit republish. My creativity interacts with the technology in real time as I try to ‘finish' the work I have created. Eventually I need to let it go, accept it is good enough for publication, stop aspiring for a creative perfection that doesn't exist. Paul Valéry had it right. “A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.” Digital photography replacing analogue art Moving from poetry to image, in the modern world digital photography is ubiquitous. Global communication won't be registered these days unless it is tagged with an image to tease us with our short attention spans. More, more, faster, faster. Click, click, click. It doesn't make the photography any less creative, but it does mean a speeding up the process. I miss the old analogue 35mm single reflex camera (a fabulous technology) with its softer feel where expression and nuance is valued over sharpness; messing with the depth of field, changing focus, aperture, thinking about light, feeling the weight of the camera against your face, having a gut instinct when a picture is going to be good. In the 17th century artists aimed for the exact representation of their subjects with the help of lenses being developed at the time. It peaked in the magnificent artworks painted by Caravaggio et al. The advance from canvas to photograph was the beginning of the end as exact representation was no longer needed from an artist when a camera could do it so perfectly and so quickly. Without paint in tubes, there would be no impressionism In the same era another technology was patented which changed the practise of the artist: the collapsible metal tube for oil paint patented by John Rand in 1841. These tubes replaced the earlier technologies of breakable glass vials and leaky animal bladders. Suddenly, outdoor painting was possible. And so the creative practice of the artist changed. Less definition. Blurrier. An im...

As an artist I am particularly interested in the tension between nature and culture, between tradition and innovation. I try to push the limits of digital possibilities, while maintaining respect for the (art) historical legacy. When creating a work I investigate the possibilities between the organic and the digital, between the virtual and the physical. I explore classical themes such as man (with a focus on the anatomy and the emergence of cyborgs), plants (especially their genetic manipulation), masks and animals, always starting from an (art) historical background that I cut with contemporary pop and sci-fi culture. Nick Ervinck

This episode is also available as a blog post: https://thecitylife.org/2022/06/02/lg-and-guggenheim-establish-research-initiative-and-award-for-art-and-technology/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

In this episode of Founded and Funded, Madrona is launching a special series to highlight some of its IA40 winners, starting with RunwayML, which offers web-based video editing tools that utilize machine learning to automate what used to take video editors hours if not days to accomplish. Madrona Investor Ishani Ummat speaks with Co-founder and CEO Cristobal Valenzuela all about where the idea came from, how he decided to launch a company instead of joining Adobe – and even how TikTok fits into all of this. Listen now to hear all about it. 

Following her incredibly popular NOW Conference presentation, Khadesia Latimer joins Candido today for a discussion of all things tech-related in the art room. Listen as they discuss their favorite apps for artmaking, how we can make technology more accessible, and how digital art can empower students to find their voice.  Resources and Links Follow Khadesia on Instagram Listen to Art Ed Radio with Lauren Yates-Jones from Procreate Easy Ways to Get Started with Procreate

This week, Soonish presents Part 2 of The Persistent Innovators, a miniseries I've been guest-producing and guest-hosting for Innovation Answered, InnoLead's podcast for people with creative roles inside big companies. You can think of Persistent Innovators as the corporate equivalent of human super-agers—meaning they don't settle into a complacent old age, but manage to keep reinventing themselves and their products decade after decade. Two weeks ago I republished the miniseries' debut episode about Apple, and now I want to bring you the next episode, about The Walt Disney Company. As you'll hear, I focused on how the rise of new technologies like computer graphics and smartphones forced Disney to rethink both of its core businesses: feature animation and theme parks. Enjoy!"What Makes Disney a Persistent Innovator?" was first published at Innovation Answered on January 31, 2022. You can hear the entire miniseries at innovationleader.com or in your podcast player of choice.A full episode transcript is available at https://www.soonishpodcast.org/503-art-and-technology-at-disneyLogo photo by Benjamin Suter on Unsplash.

Steve Giralt is a director, photographer, visual engineer, and tabletop storytelling is his passion. He is driven by a simple challenge: how can tabletop stories be told differently? He started his career as a photographer but his obsession with image-making led to his transition to motion. As part of his process, he uses robotics, 3D motion capture, pneumatics, Phantom cameras, and lots of engineering. Check out his work and more here. My online Commercial Directing Masterclass has received 100% 5 star reviews. Plus we do a free filmmaker consultation call. We're closing in on 1000 filmmaker globally that have enrolled.    The inaugural NFT from my etchings is live. Comes with a one hour filmmaker consultation call, so you can sell it can pass along a new free call to the next buyer. This Orca NFT comes with my Masterclass, so take the course and sell the etching to a filmmaker pal.   My next in-person Bootcamp is Saturday, March 5th, 2022 in Los Angeles. Must be vaxxed. Check out the new Commercial Director Mega Bundle for serious one-on-one mentoring and career growth.    Join Jake Brady's Patreon - his entry level to join starts at $2/month gets you BONUS content you'll love. Go to https://www.patreon.com/respecttheprocess and show your love for the show.   Thanks,   Jordan   This episode is 66 minutes and is sponsored by Oso Delicious Hot Sauce, the hot sauce made by bears. Flavorseeker Fun Pak's ship Friday's at 3pm. SOLD OUT!!   My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital.

“I think one of the biggest things that I feel like kids could learn is how to work well with others, how to collaborate, how to be able to listen to their teammates, and also how to accept constructive feedback because that will go very, very, very, very far no matter what field that you are in and what industry because it's so important.” - Grace Hsiu   In this episode, we talk with Grace Hsiu, Senior Manager of Artist Strategy at Platoon, an artist-centric record label owned by Apple. Learn how Grace applied her fine arts degree, as well as her creative and collaborative skills learned in high school, to land one of the coolest jobs at one of the world's largest tech companies.   In this week's episode, we ask you to start your DI team for the 21-22 season. Click here to learn about ways to get started. Music Attributions: Wallpaper by Kevin MacLeod  Link: https://incompetech.filmmusic.io/song/4604-wallpaper  License: https://filmmusic.io/standard-license   Happy Alley by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3851-happy-alley License: https://filmmusic.io/standard-license   Danse Macabre - Big Change by Kevin MacLeod  Link: https://incompetech.filmmusic.io/song/3588-danse-macabre---big-change  License: https://filmmusic.io/standard-license   Carefree by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3476-carefree License: https://filmmusic.io/standard-license 

Lilli, Mychael, & Henry talk about their influential artists (Billy Joel & Billie Eilish). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dr-tony-behan6/message Support this podcast: https://anchor.fm/dr-tony-behan6/support

برنامه سینما و تکنولوژی پادکسته صوتی و تصویری است که به بررسی سیر تکامل تکنولوژی در صنعت سینما از روزهای اغاز تا به امروز میپردازد. این برنامه توسط کمپانی دیالوگ حمایت میشود.

The buzz: According to Engineering the Future of Creativity: How Technology is Revolutionizing Art (techspective.net 2019, technology has created more accessible tools for the production of art, changed the arena of self-expression, and accelerated the process of art funding and distribution. The artist's palette now includes 3D printers. Eyal Gever is working with NASA scientists to create visualizations of human laughter that will be 3D printed on the International Space Station. Technology is redefining the canvas. The Bjork Digital traveling exhibition uses virtual reality and music to create a personalized experience that connects people to art. Via the Internet, art now can be produced and distributed all over the world, beyond the realm of the elite or the exceptionally talented. We'll ask artist Dr. Lucie Marlo, gallery owner Jason Horejs, sculptor Philip Payne and art consultant Lynn Marks for their take on Draw Me A Picture: The Future of Art and Technology.

The buzz: According to Engineering the Future of Creativity: How Technology is Revolutionizing Art (techspective.net 2019, technology has created more accessible tools for the production of art, changed the arena of self-expression, and accelerated the process of art funding and distribution. The artist's palette now includes 3D printers. Eyal Gever is working with NASA scientists to create visualizations of human laughter that will be 3D printed on the International Space Station. Technology is redefining the canvas. The Bjork Digital traveling exhibition uses virtual reality and music to create a personalized experience that connects people to art. Via the Internet, art now can be produced and distributed all over the world, beyond the realm of the elite or the exceptionally talented. We'll ask artist Dr. Lucie Marlo, gallery owner Jason Horejs, sculptor Philip Payne and art consultant Lynn Marks for their take on Draw Me A Picture: The Future of Art and Technology.

Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can flatten evaluative distinctions in favor of zealotry for invention.  “Criticism of a tool that's presented as neutral when it really is a piece of social engineering is incredibly hard to do, and there really isn't a model for criticism in this space,” says Khan. In this far-ranging discussion that touches on the critical distance and yet humanism required of writing on the internet, surveillance, and AI, Khan and Pepi assert that tools aren't divorced from their makers, and artwork is never post-human - nor post-critique. “Criticism in Conversation” is a series by Momus: The Podcast, and is co-produced and co-hosted by Lauren Wetmore and Sky Goodden. This episode of Momus: The Podcast is edited by Jacob Irish, features original music by Kyle McCrea, and production assistance by Mitra Shreeram. It's brought to you with the help of the Canada Council for the Arts “New Chapter” grant, and is syndicated by NTS Radio.

TheSparkAndTheArt.com/90 – Chelsea is a User Experience Designer at Amazon and leads a team of designers working on the comments and other user engagement tools of the site. But she's also a co-founder of a fashion and technology group where fashion designers and technologists collaborate. **- Links for this episode -** Amazon - https://www.amazon.ca/ref=as_li_ss_tl?_encoding=UTF8&camp=15121&creative=390961&linkCode=ur2&tag=spynoh-20Poynt - http://www.newswire.ca/news-releases/sprylogics-poynt-search-now-available-in-kik-app-515802171.htmlBeauCoo - http://mashable.com/2013/09/03/beaucoo/#uD0rpA_UsPqrMake Fasion - http://www.makefashion.ca/EndevorArts Calgary/Archeloft http://www.endeavorarts.com/MakerFaire - http://makerfaire.com/