Podcasts about chicago orchestra

Welcome to our yearly miniseries on the Brandenburg Concertos of J. S. Bach!  Here we jump into Brandenburg 6, delighting in the weirdness that results when Bach decides to omit violins, preferring a dark, low sound of violas, violas de gamba, cello, and violone.  This brings us to some more examples across Bach's oeuvre, as well as some others by Brahms, Bruce Broughton, and John Williams.  As any creative person knows, setting limitations for yourself -- "no violins", for example -- is actually a good strategy for stimulating creativity, and results in a more unique creative output.  How fortunate for us, then, that Bach seems to agree. Brandenburg 6 - movement 1 - Netherlands Bach Society Other pieces that were used as audio examples: BWV 18 (cantata with 4 violas and no violins) - Netherlands Bach Society BWV 80 (Ein feste burg), middle movement (unison chorale) - Netherlands Bach Society Brahms - A German Requiem - movement 1: University of Chicago Orchestra, University Choir, Motet Choir, Members of the Rockefeller Chapel Choir, James Kallembach, conductor (recording used under Creative Commons Attribution Non-commercial No Derivatives 3.0 license) - refer to the first entry on this IMSLP page Other pieces that we talked about, but did not play as examples: Bruce Broughton - score from Tombstone (1993) - Gunfight at the O. K. Corral (4 bassoons can be heard in the first minute of this scene) John Williams - score from Harry Potter and the Sorcerer's Stone (2001) - Hogwarts Forever (French horn quartet) (can be heard from 0:00 - 1:50)

This Day in Legal History: The Incorporation of the City of New AmsterdamOn this day in legal history, February 2nd marks a significant moment with the incorporation of the City of New Amsterdam in 1653 by the Dutch Republic. This historic event laid the groundwork for what would become one of the most influential cities in the world. Situated on the southern tip of Manhattan Island, New Amsterdam served as a pivotal trading and administrative center of the Dutch colony of New Netherland. Its strategic location played a crucial role in the burgeoning trade network between the New World and Europe.However, the city's Dutch identity was not to last. In 1664, following the British conquest, New Amsterdam underwent a profound transformation, symbolized by its renaming to New York in honor of the Duke of York. This change marked a significant shift not just in governance but in the cultural and legal fabric of the city. The British takeover introduced English legal practices and administrative structures, which would influence the development of New York and, by extension, the emerging United States.Today, as we reflect on the incorporation of New Amsterdam, we recognize it as a moment of convergence between Dutch and English legal traditions that would shape the character of New York City. The legacy of this transformation is still evident in the city's diverse cultural tapestry, its role as a global economic powerhouse, and its legal system, which continues to influence international law and commerce. The story of New Amsterdam's incorporation and its subsequent renaming to New York serves as a reminder of the dynamic and ever-evolving nature of legal and urban history.Proskauer, a prominent Big Law firm, has successfully reached a confidential settlement with its former chief operating officer, Jonathan O'Brien, concluding a legal battle over allegations of trade secret theft. This dispute centered on O'Brien's accused misappropriation of sensitive electronic files detailing the firm's finances, business strategies, and billing rates. Proskauer initiated the lawsuit following O'Brien's sudden resignation in December 2022, amid claims he intended to utilize these files for a prospective position at competing firm Paul Hastings—a move that ultimately did not transpire. O'Brien has contested these accusations, arguing his actions were merely to facilitate work related to his departure while on vacation in a remote location. The settlement, detailed in a court submission, seeks a permanent injunction preventing O'Brien from retaining or employing the disputed confidential materials. Despite the resolution, representatives for both parties have yet to publicly comment on the matter. Before this legal fray, O'Brien, a UK national non-lawyer, had contributed five years of service as Proskauer's COO.Proskauer Reaches Settlement with Ex-COO in Trade Secrets RowThe verdict in the $370 million civil fraud case against former U.S. President Donald Trump, overseen by Justice Arthur Engoron, is now expected to be delivered in early to mid-February, following a three-month trial last year. Initially, Justice Engoron aimed to conclude by the end of January, but this timeline has been extended. The lawsuit, filed by New York Attorney General Letitia James, accuses Trump and his family businesses of inflating his net worth by up to $3.6 billion annually over ten years to obtain favorable loan conditions. Trump has rebutted these claims, denouncing the lawsuit as a politically motivated attack by James, a Democrat.If found liable, Trump could face significant consequences, including monetary penalties and a permanent ban from the New York real estate sector, significantly impacting his business operations within the state. This legal battle unfolds as Trump campaigns for the Republican nomination to run against President Joe Biden in the upcoming election. Engoron had previously determined in September that Trump committed fraud, leading to an order to partially dissolve his business empire, a decision Trump is appealing. The final arguments were made on January 11, with Trump criticizing Engoron directly in court for alleged bias, prompting a call for decorum from the judge.Trump civil fraud verdict now expected by mid-February | ReutersActivist investors at Tesla are poised to leverage a recent Delaware court ruling against CEO Elon Musk's $56 billion stock compensation package to push for corporate governance reforms. The court's decision, which criticized Tesla's board for its deference to Musk, has emboldened these investors, who have struggled in the past to secure significant changes at shareholder meetings. They argue that the ruling could sway major index funds and investors to support their resolutions, such as altering the voting threshold for corporate changes to a simple majority. Tesla has not yet scheduled its annual shareholder meeting, typically held in May, where only a few directors, including Musk's brother Kimbal and James Murdoch, are up for re-election. Both directors previously faced opposition from proxy advisers over concerns related to executive compensation, and activist investors expect advisory firms like ISS and Glass Lewis to bolster their case against Tesla's board this year. Additionally, a new shareholder resolution proposes annual re-elections for all directors, challenging the current staggered board system. With Musk holding a significant voting stake, critics will need support from major mutual fund holders to effect change. The Delaware judge's scathing review of the board's negotiation process for Musk's compensation plan may also prompt Tesla's top investors to reconsider their stance on governance issues.Tesla activist investors to seize on Elon Musk pay ruling | ReutersTexas Supreme Court Justice John Devine has been notably absent from more than half of the court's oral arguments since the current term began in September, opting instead to campaign for re-election. Despite the critical nature of the cases being heard, including those concerning Texas' abortion ban and laws regarding medical treatment for transgender children, Devine has missed 28 of the 50 argued cases. His absence from these proceedings, while not violating the state's elections code, has sparked debate about his ability to fulfill his judicial responsibilities. Devine, who is running for a third term and faces a primary challenge, defends his campaign activities as part of his duties, asserting that he remains informed by reviewing case briefs and watching archived video of the proceedings he misses. However, this approach prevents him from directly questioning lawyers during arguments, potentially impacting his grasp of complex legal issues. Critics, including his primary opponent Justice Brian Walker, argue that Devine's priorities may not align with the judicial code of conduct, which emphasizes the precedence of judicial duties over other activities. Despite the controversy, Devine's campaign has been financially successful, raising significant funds and outpacing his opponent in the lead-up to the primary. This situation underscores the tension between the demands of electoral politics and the expectations of judicial office, highlighting the unique challenges faced by elected judges in balancing these roles.Justice Misses Half of Texas Supreme Court Arguments to CampaignThis week's closing music features the vibrant Allegro from Felix Mendelssohn Bartholdy's Violin Concerto in E minor, Op. 64, a masterpiece that has captivated audiences and performers alike with its lyrical beauty and innovative structure. It was Mendelssohn's final concerto before his untimely death due to illness at the age of 38. Born on February 3, 1809, in Hamburg, Germany, Mendelssohn was a musical prodigy who made significant contributions to the Romantic era, both as a composer and conductor. This weekend marks the anniversary of his birth, and if he were alive today, Mendelssohn would be celebrating his 215th birthday. His Violin Concerto, premiered in 1845, stands as one of the most important and beloved works in the violin repertoire, admired for its emotional depth and technical brilliance. Mendelssohn's ability to blend classical forms with the expressive power of the Romantic era is exemplified in this concerto, particularly in the seamless flow from the first movement into the second, a departure from traditional concerto form that was innovative at the time. This recording, a testament to Mendelssohn's enduring legacy, is made available through the generosity of the University of Chicago Orchestra and under a Creative Commons license, allowing us to appreciate and share the genius of Mendelssohn's compositions. As we listen to the Allegro from his Violin Concerto, we highlight not only Mendelssohn's contribution to music but also the spirit of innovation and expression that defines the Romantic era. If you're looking for more Mendelssohn, and who among us is not, I highly recommend the performance by Ray Chen, available on YouTube and linked in the shownotes.  Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

Travel back to gangland Chicago with our story, "Attorney for the Damned." It's a lovely little tale of ghostly revenge. We'll take a little tour through some places haunted by gangster in the Windy City, and discover which ghost had Al Capone so frightened. MusicFesliyan Studios, "Ghost Stories," "Sad Music"Audio Jungle: "Halloween Waltzes"Spirit of Chicago Orchestra: "Chicago"Sly and the Family Stone: "Thank You for Lettin' Me"Tim Kulig: "Children Eating Corn"Tim Kulig (timkulig.com)Licensed under Creative Commons: By Attribution 3.0Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become a patron of the Cemetery Hill Library, or (even better!), jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                                           Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal PodcastEmail: afterwordsstories@gmail.com

Travel back to gangland Chicago with our story, "Attorney for the Damned." It's a lovely little tale of ghostly revenge. We'll take a little tour through some places haunted by gangster in the Windy City, and discover which ghost had Al Capone so frightened. MusicFesliyan Studios, "Ghost Stories," "Sad Music"Audio Jungle: "Halloween Waltzes"Spirit of Chicago Orchestra: "Chicago"Sly and the Family Stone: "Thank You for Lettin' Me"Tim Kulig: "Children Eating Corn"Tim Kulig (timkulig.com)Licensed under Creative Commons: By Attribution 3.0Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become a patron of the Cemetery Hill Library, or (even better!), jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                                           Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal PodcastEmail: afterwordsstories@gmail.com

A night at the opera reveals much to, and of, our investigators. But the train will not wait and their purpose is not to set all that is wrong, right again. Music Der fliegende Holländer, WWV 63 – Overture performed by University of Chicago Orchestra. Creative commons attribution, noncommercial license You can support us byContinue reading "Horror on the Orient Express: Part 17"

Always With Christ is pleased to present a series of meditations on the Seven Last Words of Christ, which He spoke forth from His Cross. Each of these meditations is given by one of the clergymen of the parishes in Virginia of the Diocese Central States of the Reformed Episcopal Church. Meditation 1: "Father Forgive Them," Fr. Bart Gingerich, Rector, St. Jude's, Richmond Meditation 2: "Today, You Will Be With Me," Dcn. Bill Barto, Holy Trinity, Fairfax Meditation 3: "Woman, Behold Your Son," Fr. Damien Grout, Rector, St. Andrew's, Appomattox Meditation 4: "My God, my God, Why Hast Thou Forsaken Me," Dr. Eric Parker, Rector, St. Paul's, Lexington Meditation 5: "I Thirst," Fr. Josiah Jones, Rector, Holy Trinity, Fairfax Meditation 6: "It is Finished," Fr. Davidson Morse, Rector, All Saints, Lynchburg Meditation 7: "Father, Into Thy Hand I Commend My Spirit," Ven. Scott Thompson, Archdeacon, Diocese Central States The Music is Johannes Brahms, "A German Requiem, to Words of the Holy Scriptures," as recorded by the university of Chicago Orchestra. Used with permission. https://musopen.org/music/43152-a-german-requiem-op-45/

Hey, remember us? Irene and Jacob is back, and we have made a very special episode for you. We talk about stories we like, including the ones about tiny witches born from eggs, magical rings forged from cursed gold, land-walking septipodes, love, passion and death. We also discover why you should not bring flightless birds on a raft. We want to ask you listeners for a big favour: if you have any ideas or tips about how to make this podcast reach out to a bigger audience, by some wacky gerilla advertising or insane PR stunt, please send in your ideas and we will talk about them the next episode! The wonderful music in the episode was performed by the University of Chicago Orchestra, conducted by Barbara Schubert and recorded 2004-10-31. Follow us on Facebook: https://www.facebook.com/VerilyPodcast/ And Twitter: https://twitter.com/VerilyPodcast

Interviewing Chicago Orchestra Leader Joe Vito

Interviewing Chicago Orchestra Leader Joe Vito

Greg Sarchet considers himself fortunate to have had an array of musical experiences and training, from studying with his first teacher, jazz luminary Rufus Reid, to receiving degrees from the Juilliard School (where he was a student of Michael Morgan), to hundreds of television/radio commercial recordings. His strong interest in researching the double bass and ongoing international exchange efforts were recognized by a 1996 Chicago Artists International Program award which sent him to the Czech Republic, Germany, and Austria for performances, masterclasses, and archival research. These and other exchange activities have allowed him to build an extensive library of unpublished, out-of-print, and contemporary double bass works, as well as a first-hand understanding of Europe's leading teaching methods. Since 1986, he has been a member of the Lyric Opera of Chicago Orchestra. Additionally, he frequently serves as Principal Bass with Chicago Opera Theater and the Chicago Chamber Orchestra. He maintains a limited private studio for high school and adult pupils. Briefly, his musical foundation was laid by his first double bass teachers, Rufus Reid and Todd Coolman. The musical values and priorities they, among others, instilled in him have led him to a wide variety of professional opportunities ranging from recordings with the Chicago Symphony Orchestra, Mannheim Steamroller, Smashing Pumpkins, and hundreds of television and radio commercials.

Greg Sarchet considers himself fortunate to have had an array of musical experiences and training, from studying with his first teacher, jazz luminary Rufus Reid, to receiving degrees from the Juilliard School (where he was a student of Michael Morgan), to hundreds of television/radio commercial recordings. His strong interest in researching the double bass and ongoing international exchange efforts were recognized by a 1996 Chicago Artists International Program award which sent him to the Czech Republic, Germany, and Austria for performances, masterclasses, and archival research. These and other exchange activities have allowed him to build an extensive library of unpublished, out-of-print, and contemporary double bass works, as well as a first-hand understanding of Europe's leading teaching methods. Since 1986, he has been a member of the Lyric Opera of Chicago Orchestra. Additionally, he frequently serves as Principal Bass with Chicago Opera Theater and the Chicago Chamber Orchestra. He maintains a limited private studio for high school and adult pupils. Briefly, his musical foundation was laid by his first double bass teachers, Rufus Reid and Todd Coolman. The musical values and priorities they, among others, instilled in him have led him to a wide variety of professional opportunities ranging from recordings with the Chicago Symphony Orchestra, Mannheim Steamroller, Smashing Pumpkins, and hundreds of television and radio commercials.

Andrew Anderson performs in nearly 150 concerts every year and teaches over a dozen students of all levels each week. Andrew Anderson is a member of the Grant Park Symphony Orchestra and the Lyric Opera of Chicago Orchestra, the Chicago Philharmonic, and performs regularly with Music of the Baroque.  He has performed with the Minnesota Orchestra, Detroit Symphony, Fort Worth Symphony, Columbus Symphony, American Ballet Theater, and New World Symphony.  He has held positions in twelve different orchestras across seven states, serving as principal bass in four of them.  Andrew has performed recitals at Wheaton College, radio broadcasts on WDCB Jazz, and at the Chicago Cultural Center with the Chicago Bass Ensemble and also with bass voice, Andrea Silvestrelli.  Andrew served both as Principal Bass and as a Soloist with the National Repertoire Orchestra in 2003.  Andrew has presented at the Chicago Bass Festival every year since its inception. Andrew enjoys teaching positions at the Chicago College of Performing Arts at Roosevelt University and The Wheaton Conservatory in addition to his private studios in Northwest Indiana and at the String Academy of Chicago in downtown Wheaton, Illinois.  Information on Andrew's studios can be found on his website www.andersonbassworks.com. Andrew has a Bachelor of Music Degree from the University of Michigan, a Master of Music Degree from Indiana University, and served as a doctoral teaching fellow at the University of North Texas.  Andrew's teachers include Stuart Sankey, Lawrence Hurst, Jeff Bradetich, Larry Zgonc, Bill Clay,Steve Molina, and his father Dave Anderson.  Andrew studied string pedagogy with Robert Culver at the University of Michigan, and low string pedagogy at Indiana University with Helga Winolt.  Andrew often appears as a sectional coach at DePaul University, the Elgin Youth Symphony, the Chicago Youth Symphony and Midwest Young Artists, and for nearly a decade has been a coach for the Elgin Youth Symphony’s Chamber Music Institute.  Andrew has supported public school music programs with benefit recitals in and around his hometown of Portland, Oregon.  From 2011 to 2014 Andrew started a before school string ensemble at Westminster Christian School in Elgin, Illinois where he volunteered as the director. Andrew moved to Lowell, Indiana in 2014 where he now lives with his wife Rose, and their three sons.

Andrew Anderson performs in nearly 150 concerts every year and teaches over a dozen students of all levels each week. Andrew Anderson is a member of the Grant Park Symphony Orchestra and the Lyric Opera of Chicago Orchestra, the Chicago Philharmonic, and performs regularly with Music of the Baroque.  He has performed with the Minnesota Orchestra, Detroit Symphony, Fort Worth Symphony, Columbus Symphony, American Ballet Theater, and New World Symphony.  He has held positions in twelve different orchestras across seven states, serving as principal bass in four of them.  Andrew has performed recitals at Wheaton College, radio broadcasts on WDCB Jazz, and at the Chicago Cultural Center with the Chicago Bass Ensemble and also with bass voice, Andrea Silvestrelli.  Andrew served both as Principal Bass and as a Soloist with the National Repertoire Orchestra in 2003.  Andrew has presented at the Chicago Bass Festival every year since its inception. Andrew enjoys teaching positions at the Chicago College of Performing Arts at Roosevelt University and The Wheaton Conservatory in addition to his private studios in Northwest Indiana and at the String Academy of Chicago in downtown Wheaton, Illinois.  Information on Andrew's studios can be found on his website www.andersonbassworks.com. Andrew has a Bachelor of Music Degree from the University of Michigan, a Master of Music Degree from Indiana University, and served as a doctoral teaching fellow at the University of North Texas.  Andrew's teachers include Stuart Sankey, Lawrence Hurst, Jeff Bradetich, Larry Zgonc, Bill Clay,Steve Molina, and his father Dave Anderson.  Andrew studied string pedagogy with Robert Culver at the University of Michigan, and low string pedagogy at Indiana University with Helga Winolt.  Andrew often appears as a sectional coach at DePaul University, the Elgin Youth Symphony, the Chicago Youth Symphony and Midwest Young Artists, and for nearly a decade has been a coach for the Elgin Youth Symphony’s Chamber Music Institute.  Andrew has supported public school music programs with benefit recitals in and around his hometown of Portland, Oregon.  From 2011 to 2014 Andrew started a before school string ensemble at Westminster Christian School in Elgin, Illinois where he volunteered as the director. Andrew moved to Lowell, Indiana in 2014 where he now lives with his wife Rose, and their three sons.