Podcasts about new world symphony

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Dr. Brittany Lasch, trombone soloist and professor at Indiana University.   About Brittany: A winner of the S&R Foundation Washington Award and Astral Artists National Auditions, trombonist Brittany Lasch brings authenticity and unshakeable commitment to all aspects of her music-making. Increasingly in demand as a soloist with orchestras and brass bands alike, Brittany balances an intensive performance career with her role as a sought-after educator and newly appointed Assistant Professor of Trombone at the renowned Jacobs School of Music at Indiana University. As a serial collaborator and commissioner of composers, Brittany is a musical explorer creating new repertoire for her instrument from some of today's most compelling voices, and true ambassador in expanding recognition for the trombone as a powerful solo voice for today. Brittany has appeared as a soloist with ensembles ranging from the U.S. Army Band “Pershing's Own”, Rodney Marsalis Philadelphia Big Brass, and for concerto performances with the Queens Symphony, National Repertory Orchestra, Bucks County Symphony, Bowling Green Philharmonia, Manhattan School of Music Philharmonia, and others across the country. With playing described as “masterful” (Syracuse Post-Standard), American Record Guide recently hailed Brittany as an "excellent soloist" across a diverse range of repertoire.  Brittany has been a featured guest artist at numerous festivals, including the International Trombone Festival, the International Women's Brass Conference, and the American Trombone Workshop. She was a winner of the National Collegiate Solo Competition hosted by the U.S. Army Band, the Eisenberg-Fried Brass Concerto Competition at the Manhattan School of Music, the Zulalian Foundation Award in Boston. Her trombone quartet Boston Based won the 2017 International Trombone Association's Quartet Competition. In 2018, Brittany was awarded 2nd place in The American Prize Solo Instrumentalist competition. A prizewinner in numerous other competitions, she received the coveted John Clark Award upon graduation from the Manhattan School of Music for outstanding accomplishment in brass performance. For six seasons, Brittany was the Principal Trombone of the Detroit Opera Orchestra at the Detroit Opera House. She has performed with orchestras nationwide, including the San Francisco Symphony, Los Angeles Philharmonic, Indianapolis Symphony, St. Louis Symphony, Detroit Symphony, Nashville Symphony, The Florida Orchestra, Toledo Symphony Orchestra, ProMusica Chamber Orchestra, Rhode Island Philharmonic, the Oregon Bach Festival Orchestra, the Vermont Symphony, Albany Symphony, Syracuse Symphony, and the New World Symphony in Miami Beach. She participated in the Verbier Festival Orchestra for two summers, and has also appeared at the Spoleto USA Festival, the Pacific Music Festival in Sapporo, Japan, the Castleton Festival, and the Aspen Music Festival. An active presence in the global trombone community, Brittany's performances for the current and past seasons include Argentina's Trombonanza, Portugal's Gravíssimo Festival, as well as appearances in Japan and Korea. As an advocate for new music, Brittany has commissioned and performed several new pieces for the trombone, including acclaimed composer Reena Esmail's major Sonata for Trombone and Piano, which she commissioned for her Astral Artists recital in Philadelphia. Brittany gave the premiere of the orchestrated version of Martin Kennedy's Theme and Variations for Trombone and Orchestra with the BGSU Philharmonia under the direction of Dr. Emily Brown. She also recorded the work with the BGSU Philharmonia, which was recently released on the Albany Records label. Other recent projects include collaborations with composers Inez McComas, Adam Har-zvi, and David Miller. Her debut solo album Dark Horse features works by Samuel Adler, Tony Plog, Reena Esmail, Shawn Davern, and the album's pianist, Thomas Weaver. A native of Park Ridge, Illinois, Brittany earned her Doctor of Musical Arts degree from Boston University, where she received the Brass Department Award. She also holds a Master of Music degree from Yale School of Music. With a deep commitment to education, she has previously served as faculty at the College of Musical Arts at Bowling Green State University and the Boston University Tanglewood Institute. She has also been a featured teacher and performer at summer festivals, including the Sewanee Music Festival and the DC Trombone Workshop. Recent residencies include those at the University of Central Arkansas, James Madison University (Tromblow'in), University of Iowa, Oklahoma State University, Stetson University, the University of Florida, and as the guest artist at the 2023 Frühling Posaunen hosted at Ithaca College. She has presented masterclasses at universities across the country and internationally. Brittany Lasch is an Edwards Trombone Performing Artist. She also proudly uses and endorses ChopSaver Lip Care. Outside of music, Brittany has recently completed her eleventh full marathon and loves spending time with her cats, Clove and Poppyseed.

(S4 EP23) Moody Blues - “Days of Future Past” (Derem Records)Released November 17, 1967. Recorded May 9-Nov 3, 1967 Days of Future Passed (1967) by The Moody Blues is a landmark concept album that fused rock with orchestral music, marking a pivotal moment in the evolution of progressive rock. Initially commissioned by Decca Records to showcase stereo sound with a rock adaptation of Dvořák's New World Symphony, the band instead created an original work that follows a symbolic day from dawn to night. Featuring the London Festival Orchestra and pioneering use of the Mellotron by Mike Pinder, the album blends lush orchestration with introspective songwriting. Highlights include Justin Hayward's “Nights in White Satin” and “Tuesday Afternoon,” both emotionally resonant and enduringly popular. The album's innovative structure, poetic lyrics, and seamless integration of classical elements redefined the LP as an artistic format. Days of Future Passed remains a foundational piece in the history of progressive music, influencing bands like Genesis and Yes, while solidifying The Moody Blues' legacy as sonic visionaries.Signature Songs: "Dawn: Dawn is A Feeling", "The Afternoon: Forever Afternoon" "The Night: Nights In White Satin" Full Album: YouTube, Spotify Playlist: YouTube, Spotify

How do local theater companies shape the communities they call home? What role does art play in building connections, sparking creativity, and enriching our lives? In this Cut to the Chase: Podcast, we're joined by Stephanie Demos, President and Co-Founder of Zoetic Stage, Miami's not-for-profit, professional theater company. We invited Stephanie to showcase the beauty of Miami's theater scene and share how fostering local arts can transform neighborhoods, inspire individuals, and create lasting cultural impact. Besides her significant role in the Miami theater scene, Stephanie is also an accomplished civil litigator! But even more fascinating—her theater company's productions have roots in original talents like her husband, Christopher Demos Brown, whose play 'American Son' debuted on Broadway, featuring Kerry Washington (and now streams on Netflix)! Join us as Stephanie shares insights on founding a theater company, supporting local talent, and the unique challenges and triumphs of keeping the arts alive in Miami. What to expect in this episode: Supporting Local Theater Talent: Learn about Zoetic Stage's mission to nurture and showcase Miami's local theater talent. Reimagining Classics: 'Fiddler on the Roof' at Zoetic Stage – Explore the creative process behind Zoetic Stage's fresh take on classic plays like Fiddler on the Roof, opening in March 2025. The Impact of Professional Theater on Miami's Arts Scene: How Zoetic Stage and other professional theaters contribute to Miami's cultural landscape. Upcoming Productions at Zoetic Stage: Get a sneak peak into Zoetic Stage's exciting new productions and their approach to fresh, compelling storytelling. Key Actionable Takeaways: Diversify Team Interests to Enrich Workplace Culture: Foster a more dynamic and inclusive workplace by encouraging diverse interests and passions among your team. Support Local Arts to Strengthen Community Ties: Build deeper connections with your community by supporting local arts and cultural initiatives. Collaborate with Creative Sectors to Expand Networks: Explore opportunities for collaboration with the creative industry to broaden your influence and network. Leverage Personal Passions to Boost Innovation: Tap into employees' personal passions to drive innovation and enhance your company's approachability.   Stay tuned for more updates, and don't miss our next deep dive on Cut to The Chase: Podcast with Gregg Goldfarb! Subscribe, rate, review, and share this episode of the Cut to the Chase: Podcast to stay ahead in your legal practice!   Resources: Get tickets to Fiddler on the Roof & The Comeuppance (hurry, tickets are going fast!): https://www.zoeticstage.org/tickets.php Learn more about Zoetic Stage: https://www.zoeticstage.org Follow Zoetic Stage on Instagram: https://www.instagram.com/zoeticstagemia New World Symphony: https://www.nws.edu New World School for the Arts: https://nwsa.mdc.edu Stephanie's firm - Beasley, Demo, & Brown LLC: https://www.beasleydemos.com/stephanie-demos   This episode was produced and brought to you by Reignite Media.

In the book Typewriting Behavior, August Dvorak discusses what he calls intelligent behavior, referring to the adoption of new technologies and techniques in place of previous de facto traditions—a call for adapting to the ever-changing circumstances of our New World. Check out this episode to learn more, and hear a story about we can learn from keyboards, steamships, and the Pot Roast Principle. Enjoy! #positivity, #mindset, #purpose, #relationships, #change, #typewriting, #steamships, #potroast  This Volume 7 Issue 11 positivity essay originally appeared on the Hashtag Positivity website on November 25, 2024. Retrieved from https://www.hashtagpositivity.com/blog/keyboards-steamships-the-pot-roast-principle  ABOUT THE HOST Jonas Cain, M.Ed. is a storyteller, magician, musician, and facilitator of fascination. Through his company, Hashtag Positivity, he assists individuals, teams, and communities in “Being Well By Living Well” to experience abiding joy. Connect with Jonas today to discuss your challenges, goals, and obstacles: jonas@hashtagpositivity.com Connect with Jonas today to discuss your challenges, goals, and obstacles: jonas@hashtagpositivity.com WEBSITE www.hashtagpositivity.com   MUSIC “Dolphin-esque” by Doomed “Song of Sadhana” by Jesse Gallagher “New World Symphony” by Antonín Dvořák (Performed by The Hallé Orchestra, conducted by Hamilton Harty, 1923) “New World Symphony” by Antonín Dvořák (Performed by Berliner Philharmoniker, conducted by Herbert von Karajan, 1966) “Lightning Bugs” by Geographer

In this episode of One Symphony with conductor Devin Patrick Hughes, Devin has an inspiring conversation with bass virtuoso and composer Kebra Seyoun Charles. From their early exposure to African drumming and gospel music to becoming a celebrated classical musician, Charles shares their unique journey and vision for the future of classical music through their "Counter Classical" style. Charles's work embodies a fresh perspective on classical music's future, one that honors tradition while embracing innovation and inclusivity. Their approach shows that classical music's evolution doesn't require abandoning its foundations, but rather expanding its boundaries to embrace diverse influences and experiences. As they put it, "Classical music is so beautiful and so ephemeral and it can't be contained." Charles explores growing up in a musical household and how that led to their disvoery of the film composer, Erich Woflgang Korngold. They also discuss the autobiographical ballet project, Enby, that's based on their experience as a nonbinary person developing in the world.  Kebra-Seyoun Charles is able to give prominence to the dance qualities in all forms of music. Kebra-Seyoun has performed alongside esteemed improvisers and composers such as Jon Batiste, at Carnegie Hall, and Tyshawn Sorey, at the New England Conservatory. Kebra-Seyoun was also featured in “Slugs' Saloon” at the Institute of Contemporary Art in Boston, an interactive installation created by famed jazz musician and composer Jason Moran. Kebra-Seyoun Charles is also a passionate chamber musician. Playing with groups like East Coast Chamber Orchestra, A Far Cry, Palaver Strings, and the Sphinx Virtuosi afford Kebra the opportunity to showcase virtuosity while still playing within an ensemble. A prime example of this is their tenure on the 2019 Emmy award-winning Broadway production “Hadestown”. Thank you for joining us on One Symphony. Thanks to Kebra-Seyoun Charles for sharing their amazing spirit and music-making. You can find  more info at https://www.kscharles.com. Recordings from the episode include:  Koussevitsky: Concerto for Double Bass, First Movement. Featuring Kebra-Seyoun Charles on Double Bass. Performed with the Boston Philharmonic Youth Orchestra, Benjamin Zander conducting. Dating in NY. Composed by Kebra-Seyoun Charles. Featuring Charles on bass and musicians from the Juilliard School.  The third movement from Andres Martin's Bass Concerto. Performed by Charles with the New World Symphony under the direction of Chad Goodman. First movement from Erich Korngold's Piano Quintet, op. 15. Performed by the ARC Ensemble from the Royal Conservatory, Toronto.  Erich Korngold's Cello Concerto in One Movement. Featuring Victor Julien-Laferrière on cello performing with the Frankfurt Radio Symphony. Conducted by Marie Jacquot. “Another Breakup Song.” Composed by Kebra-seyoun Charles. Featuring Charles on bass. Kayla Williams on viola, Joseph Brent on mandolin, Sommer Alteir on violin, and Kabir Adiya-Kumar on percussion.  “Galaxy,” composed by Xavier Foley. Featuring Kebra-seyoun Charles and Xavier Foley on bass accompanied by the Sphinx Virtuosi.  Holdberg Suite. Composed by Edvard Grieg. Performed by the Palaver Strings featuring Kebra-Seyoun Charles on bass.  You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music.   

Thank you for enjoying Dvorak Autumn with us! That's right, it's coming to a close this week with the final movement of The New World Symphony. Be sure to like, and share with a friend! Music: https://imslp.org/wiki/Symphony_No.9,_Op.95_(Dvo%C5%99%C3%A1k,_Anton%C3%ADn) https://imslp.org/wiki/IMSLP:Creative_Commons_licenses  

It's round three with Dvorak, of course with the 3rd movement of the New World Symphony. As always, like and share with a friend! Music: https://imslp.org/wiki/Symphony_No.9,_Op.95_(Dvo%C5%99%C3%A1k,_Anton%C3%ADn) https://imslp.org/wiki/IMSLP:Creative_Commons_licenses

Dvorak Autumn continues with the New World Symphony, mvt 2! We hope you are enjoying this work as much as we are, and be sure to stick around for movements 3 and 4 upcoming as well. Be sure to like and share with a friend! Music: https://imslp.org/wiki/Symphony_No.9,_Op.95_(Dvo%C5%99%C3%A1k,_Anton%C3%ADn) https://imslp.org/wiki/IMSLP:Creative_Commons_licenses

On today's episode we have an inspiring conversation with Author, Musician, and Coach for High-Performing Creatives Kate Kayaian. In this special dual episode, recorded in collaboration with Kate's podcast "Tales from the Lane," we dive deep into themes of self-doubt, imposter syndrome, and the ever-evolving nature of personal and professional growth. Kate shares her journey from a busy freelance cellist in Boston to making the brave decision to pivot her career towards coaching and entrepreneurship. We discuss the importance of setting aside personal time, even amidst the hustle, and how creative problem-solving can be boosted by shifting from a "no because" to a "yes if" mindset. We'll also touch on the challenges and emotions surrounding career pivots, the value of self-care, and the necessity of adaptability in the arts. You will hear about how the pandemic forced diversification but also the change in our artistic social circles. Ultimately this episode is about shifting your mindset, aligning with your personal goals, and blooming where you are planted. Let's dive in.  A graduate of the prestigious New England Conservatory of Music, and a New World Symphony fellow,  Kate has performed in the world's top concert halls, including Carnegie Hall, the Musikverein, Concertgebouw, and London's Barbican and Royal Albert Halls. She has performed extensively as a soloist, chamber musician, and conductor, and was a member of the Grammy-award-winning group Boston Modern Orchestra Project for 20 years. She has worked with contemporary artists Jay-Z, Beyoncé, Alicia Keys, John Mayer, Josh Groban, and Peter Gabriel and can be heard on over 75 recordings, including her award-winning 2016 release, The French Cello.   Having pivoted into the online coaching space in 2019, she now helps other creatives expand their artistic vision and roles through her 9-month coaching program, The Creatives Leadership Academy as well as in 1:1 client work. She is the writer and host of the Podcast, Tales from The Lane, and was a contributing author to the 2023 best-selling book Business on Purpose. While she still occasionally performs as a cellist, she has taken up her baton again as Music Director of the Bermuda Philharmonic. She has been working this year to complete the manuscript for her first full-length book, Beyond Potential–due out in March of 2025. She lives with her husband Paul and their menagerie of cats, dogs, lizards, and tree frogs on the beautiful island of Bermuda.  Podcast Instagram  Podcast Patreon Podcast Merch  Podcast Youtube Channel   Kate Kayaian Website Instagram  Ayana Major Bey  Website  Instagram  Show Sponsors:  WeAudition: Get 25% off your membership when you use the code PIVOT, join at https://www.weaudition.com/ Host & Exec. Producer: Ayana Major Bey  Editor: Kieran Niemand  Theme Song: Lyrics co-written by Ayana Major Bey and Melissa Victor, with performance by Ayana Major Bey   Part of the Atabey & Co Network  Learn more about your ad choices. Visit megaphone.fm/adchoices

Moira Smiley refers to herself as a song collector; she's also a singer, multi-instrumentalist (banjo, accordion, piano, and hand & body percussion), and songwriter. Smiley has sung in arenas, cathedrals, kitchens, back porches, sound stages, and on glaciers with the likes of Ladysmith Black Mambazo, Tune-Yards, Tim O'Brien, Eric Whitacre, Los Angeles Master Chorale, New World Symphony and Solas. But she's spent a good portion of her career collecting, arranging and performing traditional songs from Appalachia, The Balkans, The Republic of Georgia, Wales, and more. Her latest album is called The Rhizome Project, and features a string quartet along with many guests. Moira Smiley and a string quartet perform in-studio. Set list: 1. Go Dig My Grave 2. Mourning Dove 3.Now Is The Cool Of The Day The Rhizome Project by Moira Smiley

Back again, as promised with one of our friends of the show: Dvorak. We're looking at his New World Symphony (finally), and we'll be making a whole 4 part series about it. Be sure to subscribe, and like and share with a friend! Music: https://imslp.org/wiki/Symphony_No.9,_Op.95_(Dvo%C5%99%C3%A1k,_Anton%C3%ADn) https://imslp.org/wiki/IMSLP:Creative_Commons_licenses

In December of 1884, Dvorak wrote to a friend about the composition of a new symphony: "I am now busy with this symphony for London, and wherever I go I can think of nothing else. God grant that this Czech music will move the world!!" He was in the midst of working on what would become his 7th symphony, and even though it is nowhere near as popular as his 9th symphony(The New World Symphony) or even the sunny 8th symphony, it is often thought of as Dvorak's greatest symphony, and for the record, I agree. This symphony is Dvorak at his most serious, most passionate, and most intense. Throughout the symphony, a kind of darkness pervades the work that is very unusual for Dvorak, though it also is full of so many of the things that make Dvorak's music so beloved today: gorgeous melodies as far as the eye can see, glorious orchestral writing, and more. But what it lacks, unlike the 8th symphony for example, is the kind of simplicity and naivete that marks much of Dvorak's music, and this lack of “innocence” has led scholars, musicians, and audience members to try to find an extra musical “meaning” for this music. Is the music an expression of Czech nationalism? Is it an expression of grief after the loss of his mother and eldest daughter? Was Dvorak trying to impress Brahms with his seriousness? What could have caused Dvorak to suddenly embrace such darkness in his music? Well, as we'll find out, it could be a combination of all of those reasons, but also it could be none of them at all. In the end, what is most important is the remarkable music that Dvorak wrote for this 7th symphony, and so today on the show we'll go through the symphony, trying to illuminate just what makes this, perhaps, Dvorak's greatest symphony. Join us!

"Once Was Gleaming" The California-born Tanner Porter is a composer, arranger, performer, vocalist and songwriter. Her voice is otherwordly and wonderful, and set against her complex orchestral arrangements, it evokes everyone from Kate Bush to Tori Amos. Her debut album The Summer Sinks was a stone cold stunner and her new album Once Was Gleaming picks up where Summer left off, offering a stirring and moving song-cycle that's filled with breathtaking musical finesse, and almost cinematic compositional scope. Tanner's orchestral music has been commissioned by the Louisville Orchestra, Albany Symphony Orchestra, the New York Youth Symphony, and Nu Deco Ensemble, among others. She's collaborated on ballets that were premiered by the Boston Ballet and the San Francisco Ballet, had short operas commisioned by Barnard College and Columbia University's New Opera Workshop and she's been busy on Broadway in ILLINOISE, with music by Sufjan Stevens as a vocal/guitar understudy for two roles. Tanner has been a composer-in-residence with the Louisville Orchestra's 2023-2024 Creators Corps, a fellow of the Aspen Music Festival,and her works have been presented at Carnegie Hall, the New World Symphony's New World Center, and the Prototype Festival. She was a 2019 recipient of the American Academy of Arts and Letters Charles Ives Scholarship. Tanner holds degrees in composition from the University of Michigan and the Yale School of Music. Once Was Gleaming is as sweeping as it is dramatic, punctuated by strings and electronica and a voice that soars through it all with inexplicable beauty. It's revelatory work. www.tannerporter.com (http://www.tannerporter.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com) Twitter: @emberseditor IG: @emberspodcast

The 2023/24 season marked Chad Goodman's inaugural year as music director of the Elgin Symphony Orchestra—only the fifth leader in the orchestra's prestigious seven-decade history. Chad also serves as artistic director of IlluminArts, Miami's art song and chamber music concert series.  He curates site-specific classical music programs in collaboration with the leading museums, art galleries, and historic venues of Miami. From 2019 to 2023, he was the Conducting Fellow of the New World Symphony, where he was the assistant conductor to Michael Tilson Thomas. In addition to leading the orchestra in more than fifty performances, Chad created the educational program “SPARK: How Composers Find Inspiration,” which blended engaging audience participation with captivating light design and videography.He has served as an assistant conductor to the San Francisco Symphony, working alongside Michael Tilson Thomas, Esa-Pekka Salonen, Manfred Honeck, Daniel Harding, Elim Chan, Simone Young, and James Gaffigan, among others.As you will hear, Chad also leads workshops that teach young musicians the business skills needed to navigate successfully the music world. Forbes praised his bold strides both on and off stage and hailed him as “An entrepreneur bringing innovation to classical music.” Last year, he published the book, You Earned a Music Degree. Now What?

On today's show, we explore a new childcare facility that is up and running on the Walmart Home Office campus. Also, the new national tour of "Hamilton" will launch from Fayetteville. Plus, one musician goes from Springdale to the New World Symphony

Warning! If you are a Millennial or younger, you may be shocked at just how weird Boomers can be. Laura and Jean recommend that you DO NOT listen to this episode while driving or operating heavy equipment.  On with our “exciting” lives. Jean was summoned for jury duty, but did not have to serve. So with that new-found free time, she reorganized her Death Notebook.Jean also voluntarily shared that she has a special talent involving Dvorak's New World Symphony and her electric toothbrush.Not to be outdone, Laura shared the perils of driving too slowly, a revealing calamity that her OH experienced, and the Gaga Game. And of course, there's even more, so we encourage you to please listen to this “exciting” podcast episode.We would love to hear from you on Instagram, X, and Facebook: @OK_BoomerPod. Find out more at OKBoomerPod.com or any podcast app and YouTube. Check out SpeakUpTalkRadio.com- the perfect site for authors and podcasters!

For over a decade, the French-Brazilian music producer, pianist, and live act Ella Romand has been lighting up the electronic music scene, combining the ethnic rhythms of her home country Brazil with Deep and Melodic House in a unique way. Ella has been consistently delivering outstanding sets wherever she performs, whether at intimate clubs like Do Not Sit On The Furniture or at major festivals such as Ultra, Electric Zoo, III Points, SXM Festival, or Cityfox Live. In addition, Ella has graced the stages of top clubs across the world including Superior Ingredients (NY), Vagalume (Tulum), The Great Northern (San Francisco), Gardens of Babylon (GE) and Brooklyn Mirage (NY). Her passion for music started early on as she is a classically trained pianist. She went further with her career and moved to the U.S. to pursue a degree in Music, specializing in Music Technology at Florida International University. Her background as a pianist led her to perform live during her DJ sets, taking the crowd on a melodic journey with her keys and synths, first with her electronic trio Dsided in 2015, and later on her solo career. One of Ella's highlights as a producer was when she co-produced, composed, and performed with the acclaimed New World Symphony, working with over 80 musicians for a one-of-a-kind encounter of Classical and Electronic music. Ella's international performances have reached countries like Mexico, Australia, France, Jamaica, Germany, and Costa Rica to name a few. She is now based in Miami, where her moody melodies blended with ethnic sounds have allowed her to play alongside DJs like Bob Moses, Sébastien Léger, Lee Burridge, Marsh, Bedouin, Rodriguez Jr, Eli & Fur, Nick Warren, Damian Lazarus, Who Made Who and many more in her 12+ years of career. Her newest endeavor is her radio show called Ellaments, featuring new and upcoming artists and labels of Deep, Melodic & Afro House, reaching more than 300K plays in the last three years. Some of her most recent releases were signed with Go Deeva, Manual Music, Minds Alike, and others. 2024 will be a promising year as Ella is working on several upcoming releases with artists such as Aaron Pfeiffer (Defected, Cross Town Rebels, and has recently reached over 2 million plays with the track Rabbit Hole) DaBotero (10 million views this year alone with the track Cama y Mesa); Lesys Flores (former The Voice participant) and Arymé (Deep Root Tribe), as well as remixes for Paige and Mai Lawson. Enjoy this Deep Afro Melodic Journey with ELLA ROMAND including La Santa & G.Zamora Mi Tierra's Remix on Redolent! 01. Manu Dibango, Nhii, Harji - Bessoka 02. Liva K My - Lover 03. Ella Romand feat Emi Garth - Insatiable 04. Rockin Moroccin - Always On Time 05. Adriatique, Eynka, Alex Wann - Beyond Us (Extended Hatshepsut Version, Alex Wann Remix) 06. Ella Romand ft. Aaron Pfeiffer - Unforgettable 07. FNX Omar, Enzo Siffredi - Kiswahili Feat. BAQABO (Enzo Siffredi's Mix) 08. Sinego, Angélica García - El Ritmo (La Noche) (Xinobi Remix) 09. Oliver Heldens, Ian Asher, Sérgio Mendes - Mas Que Nada 10. Local Singles - Hotsteppa 11. Vooz Brothers - Oh Sheep [Redolent] 12. Fiin, Pezlo MD, Vikina - Mi Tierra (La Santa, G.Zamora Remix( [Redolent] 13. Joyia, Pablo Fierro - Our Love This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Jader Bignamini has conducted the Detroit Symphony Orchestra (DSO) since their 2020-2021 season. He and DSO musicians are at Interlochen this weekend for two concerts, including a side-by-side concert with the World Youth Symphony Orchestra. Saturday's program opens with "Don Juan" by Richard Strauss and includes Ludwig van Beeethoven's "Eroica" Symphony. Sunday's program features Dvorak's "New World" Symphony and the overture to "Nabucco" by Giuseppe Verdi.

Date: Sunday, May 12, 2024 Title: God's New World Symphony–Opening Movement Scripture: Revelation 21:1-8 Series: The Revelation of Jesus Christ By: Sinclair Ferguson

Conversation with Rob Knopper, percussionist with the Metropolitan Opera Orchestra and audition expert, creator of Audition Hacker. You'll hear about how he painstakingly developed his process (through trials and errors, and lots of reflection), his method to prepare for an audition, and the specifics of how to record yourself for maximum results.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE     MORE ABOUT ROB KNOPPER Website: www.robknopper.com   YouTube channel: https://www.youtube.com/@robknopperstudio   Facebook: https://www.facebook.com/robknopperpercussion/ Instagram: https://www.instagram.com/robknopper/ LinkedIn: https://www.linkedin.com/in/rob-knopper-98998aa7/ Spotify: https://open.spotify.com/artist/7ipoC3frMoO4AtG2KvP8Zv   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Today is a very special episode for me because we have with us, the inimitable Dr. Renee-Paule Gauthier, Violinist, Performance & Life Coach for Musicians, Host of the Mind Over Finger Podcast She is a passionate performer, teacher, and high-performance coach whose career has taken her across the United States and Canada as a soloist, recitalist, chamber musician, orchestral leader, and clinician.  Dr. Gauthier performs with some of Chicago's finest ensembles, including the Chicago Symphony and the Chicago Lyric Opera orchestras, Music of the Baroque, and the Chicago Philharmonic. She blogs about creating a meaningful practice at her website, Mind Over Finger, and hosts the Mind Over Finger podcast.  One of the most popular classical music shows, The Mind Over Finger Podcast offers discussions on mindful music-making, efficient practice, and building a purposeful career with the performers, pedagogues, and innovators who are shaping the classical music world today.  Dr. Gauthier presents masterclasses and clinics on the topics of mindful practice, audition preparation, and anxiety management to audiences across the world.   An accomplished concert artist, Renée-Paule Gauthier was mentioned as “one of the best violinists of her generation" in the book Violin Virtuosos, from Paganini to the 21st Century.  Dr. Gauthier has won awards in several competitions, including the exclusive three-year loan of the Taft Stradivari violin through the 2009 edition of the Canada Council for the Arts' Musical Instrument Bank Competition.  She made her Kennedy Center solo debut in April 2014.  She was Concertmaster of the New World Symphony, in the first violin section of the National Arts Centre Orchestra in Canada, Assistant Concertmaster of the Calgary Philharmonic, and is the Founder and former Artistic Director of the Rendez-vous Musical de Laterrière, a chamber music festival in the province of Québec.  Download your free Quarterly Retreat Planning Guide.  Book a free 30-minute discovery call with Kate.   If you enjoyed today's episode, please don't forget to subscribe, rate, review, and share it with your friends!  Want more Tales From The Lane content? Check out the TFTL Blog, with 6+ years of past articles and interviews!  Let's hang out! IG: https://www.instagram.com/kkayaian FB: https://www.facebook.com/groups/Talesfromthelane Twitter: https://twitter.com/kkayaianwright Website: KateKayaian.com  

When the symphony of life hits a dissonant chord, how does a musician find harmony again? This is just one of the soul-stirring questions Russell Rybicki answers as he joins us for a rich tapestry of tales on personal transformation, mental health, and the art of self-discovery in the demanding world of classical music. From playing horn and arranging to finding silence in meditation, Russell unveils the intricate journey of an artist seeking balance amid professional peaks, personal trials, and the quest for inner peace.SPECIAL EVENT: On April 21st, Sound Mind will be hosting its very first in-person panel event at the New World Center in Miami Beach, FL titled “between the notes: exploring identities as artists”. Join us to explore the multifaceted career path as musicians and the diverse identities that shape the art and artists within it. Register now at this link.Russell Rybicki is currently acting third/assistant horn in the San Antonio Philharmonic and is the hornist and arranger for the Monarch Chamber Players. He's previously held positions with the San Antonio Symphony, the Vancouver Symphony, and the New World Symphony. Russell is also a certified Holistic Life Coach passionate about deep personal work involved in self-acceptance and self-compassion through a holistic process.

Karen Birch Blundell is a New York City based performer and teaching artist. She is English horn of the Northeastern Pennsylvania Philharmonic and the Associate Principal Oboe/English horn of the Eastern Music Festival. She performs with ensembles throughout the Northeast including; the American Symphony Orchestra, Albany Symphony, Hartford Symphony, New Jersey Festival Orchestra, Norwalk Symphony and Springfield Symphony Orchestra.​Prior to her time in NY, Karen was Second Oboe/English horn with the Sarasota Orchestra. While in Florida, she regularly performed with neighboring orchestras including the Florida Orchestra and the Naples Philharmonic. She has been a guest musician with The Houston Symphony, The Houston Ballet Orchestra and the Cincinnati Symphony Orchestra. Beyond the Classical realm, Karen has toured the US with the New Sousa Band and performed with mega stars including Bernadette Peters, Idina Menzel, Mannheim Steamroller and The Who.Karen holds a Bachelor of Music from Oberlin Conservatory where she studied with James Caldwell. She completed her Master of Music at the Hartt School of Music with Humbert Lucarelli. She also studied with Robert Atherholt, Alex Klein and John Mack. She also held a fellowship at the New World Symphony under the direction of Michael Tilson Thomas. To learn more about Karen, and follow her journey, visit the link https://www.karenbirchblundell.com/ Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire https://www.bonfire.com/store/creative-peacemeal/Redbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate Dachshund Rescue of Houston here Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order! Looking for custom orthotics? Foot and Shoe Solutions is your answer. Click here for more.

Harvey Brownstone conducts an in-depth Interview with Leonard Bernstein's daughter, Jamie Bernstein About Harvey's guests: Today's guest, Jamie Bernstein, is an author, narrator, director, broadcaster and filmmaker who also happens to be the daughter of one of the greatest legendary composers and conductors the world has ever known, Leonard Bernstein.   He's been immortalized by the genius of his many iconic compositions.  His Broadway shows: “On the Town”, “Wonderful Town”, “Candide” and “West Side Story”; the film score to the movie, “On the Waterfront”; and his magnificent, timeless operas, symphonies, ballets and theatre pieces including “Trouble in Tahiti” and the sequel, “A Quiet Place”, “Prelude, Fugue and Riffs”, Symphony Number 1: Jeremiah; “Mass: A Theatre Piece for Singers, Players and Dancers”, Symphony Number 3: Kaddish, Dybbuk, Songfest, Divertimento, and Arias and Barcarolles.  And his renowned, groundbreaking Young People's Concerts turned all of us into music lovers.   Our guest writes and narrates educational concerts all around the world, not only about her father in “The Bernstein Beat”, but also about Mozart, Aaron Copland, Stravinsky, and other great composers.   She's produced and hosted the New York Philharmonic's live national radio broadcasts, as well as many summer broadcasts from Tanglewood, and educational concerts for the New World Symphony in Miami.   She also narrated the highly acclaimed podcast “The NY Phil Story: Made in New York.”   And she co-directed the multi-award winning documentary film entitled, “Crescendo: the Power of Music”, which celebrates the amazing social transformation that happens when children from disadvantaged urban communities, participate in youth orchestra programs.   Our guest has dedicated her career to perpetuating and honoring her father's legacy.  In addition to presenting the “Bernstein Beat” concerts, she created and edits a newsletter called “Prelude, Fugue & Riffs,” to keep the international community of Leonard Bernstein fans connected.    In 2018 our guest released her highly compelling, fascinating and poignant book entitled, “Famous Father Girl: A Memoir of Growing Up Bernstein”.    And she and her 2 siblings Alexander and Nina, provided much input into the making of the brand new film about their father called, “Maestro”, starring Bradley Cooper, which is now showing on Netflix. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Jamie Bernstein, go to:http://jamiebernstein.net/https://www.facebook.com/jamie.bernstein.16/https://twitter.com/Jthesavage https://www.instagram.com/jamie_bernstein_music/  #JamieBernstein   #LeonardBernstein   #Maestro   #harveybrownstoneinterviews 

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Megumi Kanda, Principal Trombone of the Milwaukee Symphony Orchestra.  About Megumi Kanda Megumi Kanda, Principal Trombone of the Milwaukee Symphony Orchestra since 2002, is an internationally acclaimed performer, teacher, and author.    Megumi has performed as a soloist across the United States, Europe, and Asia, including with the Milwaukee Symphony Orchestra, Pershing's Own Army Band, the US Army Field Band, and the Prague Chamber Orchestra. She has been a featured guest artist at many trombone workshops and festivals, including the International Trombone Festival and the American Trombone Workshop. Megumi has appeared as guest faculty at numerous music institutions, including the New World Symphony, National Youth Orchestra of the USA, and Interlochen Arts Academy, and has given master classes and recitals across the US, Europe, and Asia. In April 2006, Megumi was recognized by the Arion Foundation in Tokyo, Japan as one of the most influential Japanese classical artists. She has also received a Certificate of Commendation from the Consul General of Japan at Chicago in recognition for distinguished service contributing to the friendship between the United States and Japan. Megumi was named a 2017 Woman of Influence in the category of education by the Milwaukee Business Journal. In 2020, she was named the recipient of the International Trombone Association Award, which recognizes the highest level of creative and artistic output. Megumi's first book, The One Hundred, a collection of orchestral trombone excerpts with accompanying commentary, was published in August 2015 and is a resource widely used by aspiring young trombonists around the world. Her second book, Trombone Unlimited, a comprehensive method book, was published in 2020. As a JVC/Victor Entertainment artist, Megumi recorded three solo albums: Amazing Grace, Gloria, and Mona Lisa. She also can be heard on Magnifique Live, a live recording of Megumi and other JVC artists in the August 2005 performance at Takemitsu Hall in Tokyo's Opera City. Megumi is proud to be a Greenhoe performing artist. Podcast Credits Theme Music: The Trombone Choir Arrangements of Jay Friedman, Vol. 1 Audio Engineer – Preston Shepard  Cover Art – Frank Gladstone Podcast Hosts - Noah Gladstone & John Snell

Bill Williams is a musician who has had a stellar career as a symphony musician, chamber musician, and soloist. But in addition to his performing, he is also a consultant with a wide range of clients, including elite performers and institutions, focusing on the tools needed to perform well consistently. On his website The Path to Optimal Performance, Bill deals with subjects such as stress and performance, practice, centering, and mental rehearsal. A great deal of our conversation revolves around the concept of how to deal with the vitally important mental aspects of performance.

SynopsisParents are not supposed to have favorite children. By analogy, maybe composers aren't supposed to love some of their pieces more than others — but they often do.In the case of Czech composer Antonín Dvořák, his little Sonatina for violin and piano was one of his proudest creations. He wrote it for two of his older children, 15-year-old Otilie and 10-year-old Antonin Junior.The Sonatina was composed in 1893 while Dvořák and his family were living in America. In the fall of that year, Dvořák had paid a visit to the Czech community in St. Paul, Minnesota, and while there had visited Minnehaha Falls, a local tourist attraction. After viewing the picturesque little waterfall, Dvořák jotted down a musical idea, a bit of rippling water music that found its way into the Sonatina's slow movement.The Sonatina was finished in New York City on today's date in 1893 — less than two weeks before the premiere of Dvořák's New World Symphony at Carnegie Hall. Despite the tremendous success of that symphony, Dvořák liked to say his proudest premiere was when his children played the Sonatina for him in the family parlor.Music Played in Today's ProgramAntonin Dvořák (1841 – 1904) Sonatina in G; Ivan Zenaty, violin; Antonin Kubalek, piano; Dorian 90171

In this episode of the Immersive Audio Podcast, Monica Bolles is joined by musicians and audio engineers John Henry Dale and Merijn Royaards from Miami, US. John Henry Dale is an immersive media artist, musician and entrepreneur focused on live spatial audio and video performance, based between Miami and New York. He holds an MSc in Digital Composition and Performance from the University of Edinburgh and composes, performs, and produces music across a range of genres from electronica, jazz, funk, Latin, global bass and ambient, to avant-garde and serialist composition projects. He has also worked extensively in the confluence of IT, Web, AV, Live Streaming, and Immersive Media technology at The Regional Arts and Culture Council, New World Symphony, Hive Streaming and Linkedin.  Most recently in July of 2023, he worked with Merijn Royaards and the Sonic Sphere project to help create custom spatial audio mixes in SPAT, Reaper and Ableton Live of selected works for the Sonic Sphere residency at the Shed and also created a personalised spatial audio mix and listening session for Mike Bloomberg and Marina Abramovic. John Henry performed his live music for his “In Viridi Lux” spatial audio performance project inside the Sonic Sphere as part of a 2023 Miami Individual Artist grant funded by the National Endowment for The Arts and the Miami-Dade Cultural Affairs Department. Merijn Royaards is a sound architect, researcher, and performer guided by convoluted movements through music, art, and spatial studies. The interaction between space and sound in cities with a history/present of conflict has been a recurring theme in his multimedia works to date. His 2020 awarded doctoral thesis explores the state-altering effects of sound, space, and movement from the Russian avant-garde to today's clubs and raves. He is one part of a critical essay film practice with artist-researcher Henrietta Williams and teaches sound design for film and installation art at the Bartlett School of Architecture. JH and Merijn talk about the evolution of Sonic Sphere as a concept, playback system and performance space. They talk about the practical aspects of crafting and experiencing different spatial audio content within the spherical structures. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to immersiveaudiopodcast.com/episode-89-john-henry-dale-merijn-royaards-sonic-sphere/ If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

I had the great joy to do my first ever live edition of Sticky Notes last month with the Aalborg Symphony in Denmark. For this concert, I chose a piece that is extremely close to my heart, Dvorak's New World Symphony. The story of the New World Symphony is a fascinating one. The symphony was the result of an extraordinary series of events, with Dvorak coming to America in 1892, meeting the great singer Harry Burleigh, and falling in love with a totally new, to him, genre of music: Black American and Native American folk music. Listening to Burleigh and other voices around America, Dvorak had discovered a new “American” sound for his music, and even though he would end up staying in the US for just three years, in that time he composed two of his most popular pieces, the American String Quartet, and the New World Symphony But of course, the New World Symphony isn't really an American piece. It is a piece written in America by a Czech composer, which means it embodies traits from both sides of the Atlantic.  Moments of Black American influence elide into Czech Slavonic Dances and back again with incredible ease.  All along the way, Dvorak infuses his highly traditional symphonic style with this "American" sound, a sound that enraptured the public from the very first time they heard it, and remains both incredibly popular and incredibly moving, today. Join myself and the Aalborg Symphony for this exploration of the symphony, followed by a complete performance. I'm extremely grateful to the Danish Radio for allowing me to use this performance for the show. 

It's time for us to begin the second half of season 4 and today for our guest, we have the amazing Myles Blakemore! Myles serves as trombonist in the US Navy Band and is also the Professor of Trombone at Howard University. Prior to those positions he has held a position with New World Symphony, was the inaugural Minnesota Orchestra fellow, and participated in National Repertory Orchestra, Aspen Music Festival and Brevard Music Center. Performing on international stages such as Baltimore Symphony, Dallas Symphony, Malaysian Philharmonic, International Trombone Festival, American Trombone Workshop and many more, he has an incredibly rich story for us today, and its nowhere near the end! We naturally talk about his beginnings as a trombonist, exploring his earliest starts to being a fellow at New World Symphony, and his current life in the US Navy Band. We even discuss his process of making his album that is out now and is entitled "Bach-Ish," we highly recommend checking out after this interview to show your love for this terrific musician! -- Transition Music #1: The Gift of Little G for Trombone and Piano, featuring Myles Blakemore Transition Music #2: Hommage a Bach pour Trombone et Piano, featuring Myles Blakemore Instagram: @8thposition @dbaldwin903 @_mehurst_

We begin Part 2 by talking about his time with the San Francisco Ballet and how conducting ballet is so different from conducting orchestras. From there we move on to the New World Symphony and the studying of scores in preparation for rehearsals and concerts, how much time is involved, and the strategy he has for score analysis.

Chad Goodman is, to quote Christina Wallace from Forbes Magazine, "an entrepreneur bringing innovation to classical music." In his young life, Chad has started his own ensemble, the Elevate Ensemble, worked with the San Francisco Symphony and San Francisco Ballet as a conductor, and is currently a Conducting Fellow of the New World Symphony. So how did he do all of this at such a young age? He gives a lot of clues and practical advice in his book: "You Earned a Music Degree. Now What?" It was a pleasure to speak with him about the many aspects of his career and life.We begin by going back to the start of Chad's career, learning music and also learning the business of music. At a very young age, he founded the Elevate Ensemble. He talks about many of the different aspects of planning concerts, paying musicians, arranging concert venues, and the like. We trace his career to working with the San Francisco Symphony, assisting guest conductors, and how Manfred Honeck was such a profound influence on him.

Stéphane Denève is the artistic director of the New World Symphony. His journey there started with hiding in the back of a chapel. He tells us his story and what we can expect from the orchestra this season.

SynopsisToday's date in 1899 marks the birthday of the famous African-American composer, choir director, and teacher, William L. Dawson, in Anniston, Alabama. After musical studies in Kansas City and Chicago, from 1931 to 1956 Dawson taught at the Tuskegee Institute, where he developed the Institute's Choir into an internationally-renowned ensemble.Dawson's arrangements of African-American spirituals, which he preferred to call folksongs, are justly famous, but in 1934 he produced his masterwork, a Negro Folk Symphony, modeled on Dvorak's New World Symphony, but exhibiting Dawson's own distinctive mastery and development of his themes. His goal, he said, was for audiences to know that it was "unmistakably not the work of a white man.""The themes,” wrote Dawson, “are taken from what are popularly known as Negro Spirituals. In this composition, the composer has employed themes … over which he has brooded since childhood, having learned them at his mother's knee."Dawson's symphony was successfully premiered by Leopold Stokowski and the Philadelphia Orchestra, who took the new work to Carnegie Hall, where its 35-year old composer was repeatedly called to the stage. The symphony was revised in 1952 with added African rhythms inspired by the composer's trip to West Africa.Music Played in Today's ProgramWilliam L. Dawson (1899 – 1990) Negro Folk Symphony Symphony of the Air; Leopold Stokowski, cond DG 477 6502

Today's episode is the second half of my conversation with a long-time friend, Kevin Fitzgerald, current Associate Conductor of the Jacksonville Symphony.Last week we spoke about preparing for job applications and auditions, and today we will continue the conversation and hear all the behind the scene stories of navigating the business.As 2021 Tanglewood Music Center Conducting Fellow and four-time recipient of Career Assistance Grants from The Solti Foundation U.S., Kevin Fitzgerald is at the forefront of the next generation of conductors. Recently, Kevin was invited as one of the twenty conductors to participate live in the 2023 Mahler Competition with the Bamberg Symphony.In addition to his post as Associate Conductor of the Jacksonville Symphony, Fitzgerald has recently guest conducted the Rochester Philharmonic, North Carolina Symphony and the Chamber Orchestra of Pittsburgh. In his commitment to uplifting communities through music, Fitzgerald conducted Beethoven's Ninth Symphony in 2017 with musicians from the Detroit, Lansing and Grand Rapids Symphonies to raise over $10,000 for the International Rescue Committee and Freedom House Detroit. In 2016, he also co-organized and conducted an impromptu performance called “Requiem for Orlando,” which featured over 400 volunteer musicians in a dedicated performance for victims of the Pulse Nightclub shooting in Orlando, Florida.Since then, he has participated in masterclasses with Michael Tilson Thomas and the New World Symphony, Andris Nelsons and Alan Gilbert at Tanglewood among many others. Kevin is based in Raleigh, NC, with his husband, violist Kurt Tseng, and their two dogs Bennie and Chipper. Kevin also teaches and coaches conductors privately online and in person.All About Chaowen Ting & The Conductor's Podcast (Website)

Find Adam!Instagram: http://www.instagram.com/adamhappyberryAbout Adam Sadberry Named one of The Washington Post's 23 for ‘23, flutist and educator Adam W. Sadberry is paving a distinctive career with his citizenry, creativity, and vibrancy both on and off stage. As a winner of Concert Artists Guild's 2021 Victor Elmaleh Competition, he is making debuts in the 22/23 season with Chamber Music Detroit, Newport Classical, Scottsdale Performing Arts, Macon Concert Series, Strings Music Festival, Pro Musica: San Miguel de Allende, Northeast Kingdom Classical, Glema Mahr Performing Arts Center, Dumbarton Concerts, and more. Adam is tremendously excited to make his Merkin Hall debut in NYC during March 2023 where he will premiere a composition by Dameun Strange that is inspired by Adam's late grandfather and unsung hero of the Civil Rights Movement, L. Alex Wilson. Adam's commitment to citizenry is reflected through his collegiate work. He is on faculty at the University of Minnesota (Twin Cities) for the spring 2023 semester, and he has given residencies at Lawrence University, Northern Michigan University, South Carolina Governor's School for the Arts and Humanities, and Wesleyan College (GA). Adam has had performance engagements at Indiana University (Bloomington), Pepperdine University, and Georgia Southwestern State University, and he has given masterclasses at New York University, Oakland University, University of Memphis, Rhodes College, and the Harmony Project (Los Angeles). Adam's work revolves around identity, his grandfather's legacy, and mindfulness that is informed by Alexander Technique. His most popular lectures are Using Your Identity to Create a Relevant Voice in Music and Musical Journalism: Continuing a Legacy Through the Flute.Along with his solo and educational work, Adam has a strong foundation in orchestral playing. He is the principal flutist of the Cabrillo Festival of Contemporary Music in Santa Cruz, CA, he has played principal flute with the St. Louis and Detroit Symphony Orchestras, and he has previously held positions with orchestras including acting principal flute with Memphis Symphony Orchestra, flute and piccolo with the Des Moines Metro Opera, and orchestra fellow with the Detroit Symphony Orchestra. He has also performed with the Minnesota Orchestra, Seattle Symphony Orchestra, Sphinx Symphony Orchestra, and the New World Symphony. Adam can be heard playing on the soundtrack of Disney's The Lion King (2019) and in the Hollywood Bowl's Juneteenth Celebration (2022) that included artists such as Chaka Khan, Ne-Yo, Billy Porter, Questlove, and Earth, Wind, and Fire.Adam is currently enrolled in the Training Course at the Minnesota Center for The Alexander Technique as a 2023 Judith Leibowitz Scholar, and he holds a Bachelor of Music and Performer's Certificate from the Eastman School of Music. Outside of music, Adam finds joy in rollerskating, listening to podcasts, reading, playing video games, and spending time outdoors. Everyone's Music School Creating positive and lasting change in people's lives with music!Twdcc's Black health Matters Initiative Promotes equity to improve the quality of life for Black residents in Santa Cruz CountyDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

In today's episode, you will hear the first half of my conversation with a long-time friend, Kevin Fitzgerald, current Associate Conductor of the Jacksonville Symphony. We went way back to my years at the Eastman School of Music, and it's such a pleasure to speak with him on the topic of preparing for job applications and auditions.As 2021 Tanglewood Music Center Conducting Fellow and four-time recipient of Career Assistance Grants from The Solti Foundation U.S., Kevin Fitzgerald is at the forefront of the next generation of conductors. Recently, Kevin was invited as one of the twenty conductors to participate live in the 2023 Mahler Competition with the Bamberg Symphony.In addition to his post as Associate Conductor of the Jacksonville Symphony, Fitzgerald has recently guest conducted the Rochester Philharmonic, North Carolina Symphony and the Chamber Orchestra of Pittsburgh. In his commitment to uplifting communities through music, Fitzgerald conducted Beethoven's Ninth Symphony in 2017 with musicians from the Detroit, Lansing and Grand Rapids Symphonies to raise over $10,000 for the International Rescue Committee and Freedom House Detroit. In 2016, he also co-organized and conducted an impromptu performance called “Requiem for Orlando,” which featured over 400 volunteer musicians in a dedicated performance for victims of the Pulse Nightclub shooting in Orlando, Florida.Since then, he has participated in masterclasses with Michael Tilson Thomas and the New World Symphony, Andris Nelsons and Alan Gilbert at Tanglewood among many others. Kevin is based in Raleigh, NC, with his husband, violist Kurt Tseng, and their two dogs Bennie and Chipper. Kevin also teaches and coaches conductors privately online and in person.All About Chaowen Ting & The Conductor's Podcast (Website)

As an advocate of historically marginalized composers, musicologist Douglas Shadle is a leading voice in public discussions about the role of symphony orchestras and orchestral music in American life. His first book, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford, 2016), explores the volatile relationships between composers, performers, critics, and audiences throughout the 19th century and demonstrates why American composers rarely find a home on concert programs today.   Shadle is also a highly-regarded expert on fellow Little Rock native Florence Price, the first African American woman to win international acclaim as a composer. His research on Price has been featured in The New Yorker, New York Times, and NewMusicBox. Shadle's second book recontextualizes Antonín Dvořák's iconic New World Symphony within the complex landscape of American culture at the end of the nineteenth century.   Shadle's publications have won two ASCAP Deems/Taylor Virgil Thomson Awards, the Society for American Music Irving Lowens Article Award, the inaugural American Musicological Society H. Robert Cohen/RIPM Award, and the Vanderbilt Chancellor's Award for Research. Shadle joined the Blair School faculty in 2014 and has served as the chair of the Department of Musicology and Ethnomusicology since 2019.   Thank you for joining us on One Symphony. Thanks to Douglas Shadle for sharing his knowledge and insights, you can find Antonin Dvorak's New World Symphony where you get your books. Works on the show today included Dvorak's American String Quartet performed by the Prague Quartet and his Ninth Symphony with Charles Mackerras and the London Philharmonic, Myun-Wun Chung and the Vienna Philharmonic, and Paavo Jarvi and the Cincinnati Symphony.   You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music! https://www.pricefest.org/about/douglas-shadle https://devinpatrickhughes.com onesymphony.org    

Kenneth Thompkins was appointed Principal Trombone of the Detroit Symphony Orchestra by Neeme Jarvi. Prior to this appointment he held positions in the Buffalo Philharmonic and The Florida Orchestra and New World Symphony Orchestra.  He has also performed with the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and Chicago Symphony Orchestra. Thompkins enjoys working with young musicians and has performed masterclasses and recitals at many universities including the Curtis Institute of Music, University of Michigan, and the Eastman School of Music. In 2017 Thompkins recorded Sonatas, Songs and Spirituals featuring the music of Alec Wilder, William Grant Still and Philip Wharton. Sonatas, Songs and Spirituals was the winner of The American Prize in Instrumental Performance for 2018-2019. He has performed as a soloist with the Detroit Symphony Orchestra, Chineke! Orchestra and New World Symphony.  He also premiered “Troubled Water” trombone concerto by Carlos Simon with the Detroit Symphony Orchestra in 2023.  

1.Stop downplaying the skills you have learned through the arts. Meaning if you're an artist who is looking to pivot or have a parallel career in something artistic or not, stand on the skills you've learned as an artist. Don't negate them!  2. Money is a neutral tool, we are the ones who ascribe an emotion to it and for a lot of artists that emotion is fear, but we can choose to ascribe another emotion to it or no emotion at all.  3. Give yourself permission. Permission to take chances, permission to be good with money, permission to build the life you want as an artist.  These are my key take aways from my conversation with Singer, Financial Educator & Advisor Tiffany Soricelli.  Tiffany Soricelli is an award-winning financial advisor and the owner of Virtuoso Asset Management LLC,  the first Registered Investment Advisory firm in the country dedicated to serving Artists and Supporters of the Arts through financial planning and asset management services. She is also the founder and CEO of Virtuoso Advising for Artists, a company dedicated to coaching and educating artists about the business and financial aspects of building a thriving career in the arts. As a sought-after national speaker, Tiffany currently serves as the business & financial coach to emerging artists at The Metropolitan Opera, Washington National Opera, Houston Grand Opera, Minnesota Opera, and San Francisco Opera. During the summer, she works with artists at Wolf Trap Opera, Glimmerglass Opera, Seagle Music Colony, the Mostly Modern Festival and regularly serves as a speaker for national organizations including Opera America, The Recording Academy, and Chamber Music America. She has led educational seminars for New World Symphony, LA Opera, Opera Philadelphia, Atlanta Opera and several prestigious music conservatories across the country.  Prior to her financial career, Tiffany earned her BM and MM from SUNY Potsdam's Crane school of Music. She lives in upstate New York outside of Saratoga Springs, NY with her husband and two children. Get in touch:  Tiffany Soricelli Website: https://www.virtuosoadvising.com/ Instagram: @virtuosoadvisingforartists Ayana Major Bey  Website: www.ayanabey.com Instagram: @ayanambey, @theartistpivot  Monthly Newsletter: https://www.ayanabey.com/podcast Show Sponsor: Get 10% off your first month with BetterHelp at https://betterhelp.com/artistpivot  ******* Host & Exec. Producer: Ayana Major Bey  Editor: Kieran Niemand  Part of the Boundless Audio Network 

Synopsis At London's St. James's Hall on today's date in 1885, the Czech composer Antonin Dvorak conducted the London Philharmonic Society's orchestra in the premiere of his Seventh Symphony, a work they had commissioned. The Society had also commissioned Beethoven's Ninth Symphony decades earlier, a fact of which Dvorak was quite aware, and just before starting work Dvorak heard and was bowled over by the brand-new Third Symphony by his friend and mentor Johannes Brahms.  In other words… “No pressure!”Dvorak felt he must do his very best, and, judging by the warm reception at its London premiere, the new work was a success, with one reviewer calling it “one of the greatest works of its class produced in the present generation.”But not all reviews were glowing. Another wrote, “the entire work is painted grey on grey: it lacks sweetness of melody and lightness of style.” And Dvorak's German publisher complained that big symphonies were not profitable and advised Dvorak write only shorter piano pieces that had a ready market.But subsequent performances helped establish the new symphony as the masterwork it is, and although not as often-played as his “New World” Symphony, today Dvorak's Seventh ranks among his finest creations. Music Played in Today's Program Antonin Dvorak (1841-1904) Scherzo (3rd mvt), from Symphony No. 7 in d, Op. 70 Berlin Philharmonic; Rafael Kubelik, conductor. DG 463158-2

Do we know when we're living through history? In 1893, New Yorkers gathered outside Carnegie Hall to hear the ground-breaking premiere of composer Antonín Dvořák's Symphony No. 9, better known as the “New World Symphony.” One of the most hotly anticipated premieres in musical history, it was delivered in the midst of a national debate over what a distinctly “American” classical music should sound like — and it was destined to become one of the most beloved works in Western classical repertoire. Over a century later, the NY Phil performed the same work a world away in Pyongyang, North Korea, once again making history, and revisiting those same questions of what it means to perform American music — and how music, regardless of its origin, can serve as a bridge between peoples.The NYPhil Story: Made in New York production team includes Lauren Purcell-Joiner, Helena de Groot, Sapir Rosenblatt, Laura Boyman, Elizabeth Nonemaker, Eileen Delahunty, Christine Herskovits, Natalia Ramirez, and Ed Yim. Our engineering team includes: George Wellington and Ed Haber. Production assistance from: Ben James, and Jac Phillimore and Mary Mathis. Special thanks to Monica Parks, Adam Crane, Gabe Smith, and the New York Public Radio Archives. A transcript of this episode is available on our website: nyphilstory.com

On this episode of The Accutron Show, Bill, David and Scott meet with an eclectic and fascinating personality, Alex Ott. Biochemist, author, molecular biologist, flavor scientist and healer, Alex has traveled the world and has been consulting and inventing for health science and biotech companies in the fields of phytology, biochemistry, and olfactory neuroscience in food & beverage projects, revolutionizing a whole new field in plant science-based product developments. After surviving a harrowing plane crash that killed 101 people, Alex gained a new sense of life and dedicated himself to multiple professions. Tune in to discover the incredible life journey of Alex Ott.Episode Highlights9:00 Preparing drinks in bars made me the "shrink" of Manhattan, trying to help clients with their problems without having anything to do with mixology. I simply applied flavor chemistry and olfactory neuroscience to drinks and added vitamins to it the natural way. That caught on to people.31:00 I was a lucky guy that switched the ticket with another guy to get on an earlier flight. I was living in Thailand working on storyboarding for a movie; I was dating an actress that was working on that movie. We broke up, so I bought a ticket for the following day, and the flight I was on crashed. That experience changed my life again. 35:36 On May 5th I will be part of the "Once Upon a Kitchen" event in Miami with Chef, Massimo Bottura. In the previous edition, I set up a little rain forest on the rooftop of The New World Symphony in Miami where people were picking herbs that went into special drinks I crafted for them and for their mood.  Learn more about the Accutron watch here, and follow @AccutronWatch:InstagramTwitterFacebookSubscribe to this podcast on Apple Podcasts and Spotify to hear new episodes as soon as they're released.Follow our hosts on social media:Bill McCuddy: Facebook  / TwitterDavid Graver: Instagram  / TwitterAlex Ott: Instagram 

Musicologist Douglas W Shadle on Antonín Dvořák's ‘New World Symphony'

Synopsis Composers and publishers don't always see eye to eye. Simrock, the German publisher of Dvorak's music, irritated the patriotic Czech composer by issuing his scores with his first name printed in its Germanic form “Anton” rather than its Czech form “Antonin.” They finally came up with a compromise: Simrock abbreviated Dvorak's first name, printing it as “A-N-T-period” on the music's title page: Germans could read that as “Anton” and Czechs as “Antonin.” Everyone was happy. Simrock would also have liked Dvorak to stick to writing small-scale chamber works — which sold well— rather than large-scale symphonic works — which didn't. “You counsel me that I should write small works,” writes Dvorak in 1891, “but this is very difficult . . . At the moment my head is full of large ideas and I will have to do as dear Lord wishes.” A few years later, Dvorak would make Simrock very happy by sending them some large- and small-scale works that would sell tremendously well, including his New World Symphony and American Quartet . . . plus this music — an American quintet published by Simrock as Dvorak's Op. 97. Dvorak's Quintet was composed in Spillville, Iowa, in the summer of 1893 and was first heard at Carnegie Hall in New York on today's date in 1894. Music Played in Today's Program Antonin Dvořák (1841 - 1904) String Quintet in Eb, Op. 97 Smetana Quartet; Josef Suk, vla Denon 72507

Happy 2023! In this episode Katie shares the top ten things she learned this year. She also shares a great strategy for how to approach new years resolutions (and not get discouraged). We'll also hear a beautiful New Years blessing from John O'Donohue, lovely Irish fiddle, some quotes from the late, great Pope Benedict XVI, a beautiful rendition of In the Bleak Midwinter, and Dvorak's triumphant New World Symphony. This is an episode of solidarity, openness, new beginnings, hope, and fresh starts. Wishing you nothing but good things in 2023 - cheers!    THANK YOU to everyone for listening and making Season 4 of Born of Wonder such a success!    ----------- www.bornofwonder.com  Leave a review for the podcast on iTunes and leave a star rating on Spotify!  Support the podcast on Patreon: https://www.patreon.com/bornofwonder?fan_landing=true   -------------   https://youtu.be/nRNjJ09T-VE  John o Donohue - blessing for a new year   https://youtu.be/564wydZgcos  Florie brown - best of Irish fiddle Hunters purse    RIP Pope Benedict XVI --   "Just as the believer knows himself to be constantly threatened by unbelief, which he must experience as a continual temptation, so for the unbeliever faith remains a temptation and a threat to his apparently permanently closed world. In short, there is no escape from the dilemma of being a man.”   "Each of us is the result of a thought of God. Each of us is willed. Each of us is loved. Each of us is necessary."   Pibroch by Ted Hughes https://www.poetrygrrrl.com/pibroch-by-ted-hughes/    Alice Oswald on Ted Hughes https://www.youtube.com/watch?v=vop3NOGMExs    https://youtu.be/-spMWkZ-cFA  Bert jansch - in the bleak mid winter    New world symphony - 4th final movement https://youtu.be/89jO PAGJq-M 

Synopsis On today's date in 1893, Anton Seidl conducted the New York Philharmonic in the first performance of Antonin Dvořák's Symphony No. 9, a work subtitled From the New World. This was an afternoon concert, meant as a public dress rehearsal for the work's "official" premiere the following evening. Among the Dec. 15th audience was Dvořák's eight-year old son, Otakar, who had a special interest in the success of his father's new symphony. In the preceding weeks, Otakar had accompanied his father to a New York café, where Dvořák met Anton Seidl to go over the new score. Young Otakar amused himself at a nearby toyshop, where a seven-foot long model of the ocean liner Majestic was on display, complete with its own miniature steam-chamber and working propellers. It cost a whopping $45—a HUGE amount of money in those days, and the answer from papa was always: NO! Seeing that the boy's heart was set on having the toy, Anton Seidl suggested to Otakar that he wait until after the premiere and then ask his father again. Seidl told Otakar that if all went well at the premiere, Dvořák would be in a generous mood. The premiere was a great success, and, as Otakar recalled: "When Seidl offered to pay half the cost of the Majestic, Father could not say no. So that is how the three of us celebrated the success of the first performance of the New World Symphony." Music Played in Today's Program Antonin Dvořák (1841-1904) Symphony No. 9 (From the New World) New York Philharmonic; Kurt Masur, cond. Teldec 73244

Train Your Own Hero with Dr. Don Greene In this episode Dr. Don and I cover all things Shadow, what it is, how to identify it and how to turn it into your biggest ally.  Don is the author of a book that inspired me and helped me win multiple world titles - Performance Success. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. Purchase Train your Own Hero here - https://www.trainyourownhero.comWatch Don's webinars on Shadow Work here - https://www.trainyourownhero.com/webinars----Full Transcript, Quote Cards, and a Show Summary are available here: https://www.jjlaughlin.com/blog

Train Your Own Hero with Dr. Don Greene In this episode Dr. Don and I cover all things Shadow, what it is, how to identify it and how to turn it into your biggest ally.  Don is the author of a book that inspired me and helped me win multiple world titles - Performance Success. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. Purchase Train your Own Hero here - https://www.trainyourownhero.comWatch Don's webinars on Shadow Work here - https://www.trainyourownhero.com/webinars----Full Transcript, Quote Cards, and a Show Summary are available here: https://www.jjlaughlin.com/blog

Heralded as "[one] of the most powerful voices of our time" by the Los Angeles Times, bass-baritone Davóne Tines has come to international attention as a path-breaking artist whose work not only encompasses a diverse repertoire but also explores the social issues of today. As a Black, gay, classically trained performer at the intersection of many histories, cultures, and aesthetics, Tines is engaged in work that blends opera, art song, contemporary classical music, spirituals, gospel, and songs of protest, as a means to tell a deeply personal story of perseverance that connects to all of humanity. Davóne Tines is Musical America's 2022 Vocalist of the Year. During the 2022-23 season, he continues his role as the Philharmonia Baroque Orchestra & Chorale's first-ever Creative Partner and, beginning in January 2023, he will serve as Brooklyn Academy of Music's first Artist in Residence in more than a decade. In addition to strategic planning, programming, and working within the community, this season Tines curates the “Artist as Human” program, exploring how each artist's subjectivity—be it their race, gender, sexuality, etc.—informs performance, and how these perspectives develop throughout their repertoire. In the fall of 2022, Tines makes a number of important debuts at prominent New York institutions, including the Park Avenue Armory, New York Philharmonic, BAM, and Carnegie Hall, continuing to establish a strong presence in the city's classical scene. He opens his season with the New York premiere of Tyshawn Sorey's Monochromatic Light (Afterlife) at the Park Avenue Armory, also doubling as Tines' Armory debut. Inspired by one of Sorey's most important influences, Morton Feldman and his work Rothko Chapel, Monochromatic Light (Afterlife) takes after Feldman's focus on expansive textures and enveloping sounds, aiming to create an all-immersive experience. Tine's solo part was written specifically for him by Sorey, marking a third collaboration between the pair; Sorey previously created arrangements for Tines' Recital No. 1: MASS and Concerto No. 2: ANTHEM. Peter Sellars directs, with whom Davóne collaborated in John Adam's opera Girls of the Golden West and Kaija Saariaho's Only the Sound Remains. Tines' engagements continue with Everything Rises, an original, evening length staged musical work he created with violinist Jennifer Koh, premiering in New York as part of the Brooklyn Academy of Music's Next Wave Festival. Everything Rises tells the story of Tines' and Koh's artistic journeys and family histories through music, projections, and recorded interviews. As a platform, it also centers the need for artists of color to be seen and heard. Everything Rises premiered in Santa Barbara and Los Angeles in April 2022, with the LA Times commenting, “Koh and Tines' stories have made them what they are, but their art needs to be—and is—great enough to tell us who they are.” This season also has Tines making his New York Philharmonic debut performing in Beethoven's Symphony No. 9, led by Jaap van Zweden. Tines returns to the New York Philharmonic in the spring to sing the Vox Christi in Bach's St. Matthew Passion, also under van Zweden. Tines is a musician who takes full agency of his work, devising performances from conception to performance. His Recital No. 1: MASS program reflects this ethos, combining traditional music with pieces by J.S. Bach, Margaret Bonds, Moses Hogan, Julius Eastman, Caroline Shaw, Tyshawn Sorey, and Tines. This season, he makes his Carnegie Hall recital debut performing MASS at Weill Hall, and later brings the program to the McCarter Theatre in Princeton, Baltimore's Shriver Hall, for the Philadelphia Chamber Music Society, and as part of Boston's Celebrity Series. Concerto No. 1: SERMON is a similar artistic endeavor, combining pieces including John Adams' El Niño; Vigil, written by Tines and Igée Dieudonné with orchestration by Matthew Aucoin; “You Want the Truth, but You Don't Want to Know,” from Anthony Davis' X: The Life and Times of Malcolm X; and poems from Langston Hughes, James Baldwin, and Maya Angelou into a concert performance. In May 2021, Tines performed Concerto No. 1: SERMON with Yannick Nézet-Séguin and the Philadelphia Orchestra, and with the BBC Symphony Orchestra. He recently premiered Concerto No. 2: ANTHEM—created by Tines with music by Michael Schachter, Caroline Shaw, Tyshawn Sorey, and text by Mahogany L. Browne—with the Los Angeles Philharmonic at the Hollywood Bowl. Also this season, Tines performs in El Niño with the Cleveland Orchestra, conducted by composer John Adams; a concert performance of Adams' Girls of the Golden West with the Los Angeles Philharmonic also led by Adams; and a chamber music recital with the New World Symphony.Going beyond the concert hall, Davóne Tines also creates short music films that use powerful visuals to accentuate the social and poetic dimensions of the music. In September 2020, Lincoln Center presented his music film VIGIL, which pays tribute to Breonna Taylor, the EMT and aspiring nurse who was shot and killed by police in her Louisville home, and whose tragic death has fueled an international outcry. Created in collaboration with Igée Dieudonné, and Conor Hanick, the work was subsequently arranged for orchestra by Matthew Aucoin and premiered in a live-stream by Tines and the Louisville Orchestra, conducted by Teddy Abrams. Aucoin's orchestration is also currently part of Tines' Concerto No. 1: SERMON. He also co-created Strange Fruit with Jennifer Koh, a film juxtaposing violence against Asian Americans with Ken Ueno's arrangement of “Strange Fruit” — which the duo perform in Everything Rises — directed by dramaturg Kee-Yoon Nahm. The work premiered virtually as part of Carnegie Hall's “Voices of Hope Series.” Additional music films include FREUDE, an acapella “mashup” of Beethoven with African-American hymns that was shot, produced, and edited by Davóne Tines at his hometown church in Warrenton, Virginia and presented virtually by the Philharmonia Baroque Orchestra & Chorale; EASTMAN, a micro-biographical film highlighting the life and work of composer Julius Eastman; and NATIVE SON, in which Tines sings the Black national anthem, “Lift Ev'ry Voice and Sing,” and pays homage to the '60s Civil Rights-era motto “I am a man.” The latter film was created for the fourth annual Native Son Awards, which celebrate Black, gay excellence. Further online highlights include appearances as part of Boston Lyric Opera's new miniseries, desert in, marking his company debut; LA Opera at Home's Living Room Recitals; and the 2020 NEA Human and Civil Rights Awards.Notable performances on the opera stage the world premiere performances of Kaija Saariaho's Only the Sound Remains directed by Peter Sellars at Dutch National Opera, Finnish National Opera, Opéra national de Paris, and Teatro Real (Madrid); the world and European premieres of John Adams and Peter Sellars' Girls of the Golden West at San Francisco Opera and Dutch National Opera, respectively; the title role in a new production of Anthony Davis' X: The Life and Times of Malcolm X with the Detroit Opera (where he was Artist in Residence during the 2021-22 season) and the Boston Modern Opera Project with Odyssey Opera in Boston where it was recorded for future release; the world premiere of Terence Blanchard and Kasi Lemmons' Fire Shut Up In My Bones at Opera Theatre of Saint Louis; the world premiere of Matthew Aucoin's Crossing, directed by Diane Paulus at the Brooklyn Academy of Music; a new production of Stravinsky's Oedipus Rex at Lisbon's Teatro Nacional de São Carlos led by Leo Hussain; and Handel's rarely staged Aci, Galatea, e Polifemo at National Sawdust, presented in a new production by Christopher Alden. As a member of the American Modern Opera Company (AMOC), Tines served as a co-music director of the 2022 Ojai Music Festival, and has performed in Hans Werner Henze's El Cimarrón, John Adams' Nativity Reconsidered, and Were You There in collaboration with composers Matthew Aucoin and Michael Schachter.Davóne Tines is co-creator and co-librettist of The Black Clown, a music theater experience inspired by Langston Hughes' poem of the same name. The work, which was created in collaboration with director Zack Winokur and composer Michael Schachter, expresses a Black man's resilience against America's legacy of oppression—fusing vaudeville, opera, jazz, and spirituals to bring Hughes' verse to life onstage. The world premiere was given by the American Repertory Theater in 2018, and The Black Clown was presented by Lincoln Center in summer 2019.Concert appearances have included John Adams' El Niño with the Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski, Schumann's Das Paradies und die Peri with Louis Langrée and the Cincinnati Symphony, Kaija Saariaho's True Fire with the Orchestre national de France conducted by Olari Elts, Beethoven's Ninth Symphony with Michael Tilson Thomas leading the San Francisco Symphony, Stravinsky's Oedipus Rex with Esa-Pekka Salonen and the Royal Swedish Orchestra, and a program spotlighting music of resistance by George Crumb, Julius Eastman, Dmitri Shostakovich, and Caroline Shaw with conductor Christian Reif and members of the San Francisco Symphony at SoundBox. He also sang works by Caroline Shaw and Kaija Saariaho alongside the Calder Quartet and International Contemporary Ensemble at the Ojai Music Festival. In May 2021, Tines sang in Tulsa Opera's concert Greenwood Overcomes, which honored the resilience of Black Tulsans and Black America one hundred years after the Tulsa Race Massacre. That event featured Tines premiering “There are Many Trails of Tears,” an aria from Anthony Davis' opera-in-progress Fire Across the Tracks: Tulsa 1921.Davóne Tines is a winner of the 2020 Sphinx Medal of Excellence, recognizing extraordinary classical musicians of color who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities. In 2019 he was named as one of Time Magazine's Next Generation Leaders. He is also the recipient of the 2018 Emerging Artists Award given by Lincoln Center for the Performing Arts and is a graduate of The Juilliard School and Harvard University, where he teaches a semester-length course “How to be a Tool: Storytelling Across Disciplines” in collaboration with director Zack Winokur.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★