Podcast appearances and mentions of robert heinlein

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast. ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a 🚀lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 🚀PLAYLIST TODOS LOS AUDIOS PARA FANS AQUÍ: https://go.ivoox.com/bk/791018 🚀PLAYLIST HIJA DE MARTE: https://go.ivoox.com/bk/11217844 📚 ¡Mi primer libro ya está disponible en Amazon! 📚 Lo puedes encontrar en formato bolsilibro tapa blanda e Ebook Crónicas Vampíricas de Vera 👉 https://amzn.eu/d/1Q4PWUY Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast. ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a 🚀lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 🚀PLAYLIST TODOS LOS AUDIOS PARA FANS AQUÍ: https://go.ivoox.com/bk/791018 🚀PLAYLIST HIJA DE MARTE: https://go.ivoox.com/bk/11217844 📚 ¡Mi primer libro ya está disponible en Amazon! 📚 Lo puedes encontrar en formato bolsilibro tapa blanda e Ebook Crónicas Vampíricas de Vera 👉 https://amzn.eu/d/1Q4PWUY Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast. ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a 🚀lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 🚀PLAYLIST TODOS LOS AUDIOS PARA FANS AQUÍ: https://go.ivoox.com/bk/791018 🚀PLAYLIST HIJA DE MARTE: https://go.ivoox.com/bk/11217844 📚 ¡Mi primer libro ya está disponible en Amazon! 📚 Lo puedes encontrar en formato bolsilibro tapa blanda, Ebook, y muy pronto también en tapa dura y un tamaño más grande.❣️ Crónicas Vampíricas de Vera 👉 https://amzn.eu/d/1Q4PWUY Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In the first part of this new column about the alt-right and Speculative Fiction fandom, we get to know the author of the groundbreaking discussion, Speculative Witeness. Alan and Jordan discuss gateway genre authors, JRR Tolkien, transgressive science fiction, how SF fans experience time differently, how Jordan started studying the alt-right in conjunction with Speculative Fiction, Jordan's relationship to fandom, becoming a Hugo finalist, the treatment of genre in acadamia, the history of fascism in Speculative Fiction, neo-nazis relationship to fandom, Alan also continues his feud with Diane over Robert Heinlein vs. Phillip K Dick, and much more.  Geek Temporalities and the Spirit of Captial can be found here. You can find a copy of Speculative Whiteness here.

Karson was creating a superman to fight the weird super-monsters who had invaded Earth. But he was forgetting one tiny thing—like calls to like. The Avenger by Damon Knight. That's next on The Lost Sci-Fi Podcast.The very first Grand Master Award from the Science Fiction and Fantasy Writers Association was presented to Robert Heinlein in 1975. Today's featured author, Damon Knight, received the honor twenty years later, in 1995. Following his death in 2002, the award was renamed the Damon Knight Memorial Grand Master Award, in recognition of Knight's legacy as the founder of the Association.The Spring 1944 issue of Planet Stories has already delivered two tales featured on The Lost Sci-Fi Podcast—The Monster Maker by Ray Bradbury and Fredric Brown's And the Gods Laughed. Today, we bring you another gem from that same issue, this time by an author named Stuart Fleming—though that wasn't his real name. Turn to page 31 for, The Avenger by Damon Knight…Next on The Lost Sci-Fi Podcast, There is an infinite number of paths through a lens between an object point and its image point-and no matter how many changes of path you make, have you changed anything? Try and Change the Past by Fritz Leiber.☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsV===========================

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast. ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a 🚀lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 🚀PLAYLIST TODOS LOS AUDIOS PARA FANS AQUÍ: https://go.ivoox.com/bk/791018 🚀PLAYLIST HIJA DE MARTE: https://go.ivoox.com/bk/11217844 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

"The noblest fate that a man can endure is to place his own mortal body between his loved home and the war's desolation." Robert Heinlein, Starship Troopers I think the military science fiction milieu provides a great tool for forecasting and predicting possible conflict futures. It may be yet another tool to take this magnificent US 20th century fighting machine and make it a peer combat competitor in the 21st century. Speculative fiction provides a means to extrapolate what possible war futures are peering over the horizon. Books: Military Fiction Eric Frank Russell The Wasp Karl Marlantes Matterhorn: A Novel of the Vietnam War James Jones From Here to Eternity James Gould Cozzens Guard of Honor Anton Myrer Once an Eagle Paul Avallone Tattoo Zoo Military Science Fiction Michael Z. Williamson The Weapon (Freehold Series) Joe Haldeman The Forever War (The Forever War Series) Robert A. Heinlein Starship Troopers Kali Altsoba Invasion!: The Orion War Jerry Pournelle and Larry Niven Legacy of Beowulf Jerry Pournelle and Larry Niven Footfall Jerry Pournelle and SM Stirling West of Honor (CoDominium Future History Book 1) My Substack Email at cgpodcast@pm.me

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Marte es un tópico en la ciencia ficción (en el mejor sentido de la palabra), pero cuando un ser humano nacido y educado en Marte desciende a la Tierra de la mano de Heinlein, podemos prepararnos para una crítica mordaz, imaginativa y poco indulgente con los prejuicios de la sociedad terrestre, y más cuando la protagonista, Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast: Predestination: https://go.ivoox.com/rf/69330975, un relato de R. Heinlein 🎙 ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 🚀PLAYLIST TODOS LOS AUDIOS PARA FANS AQUÍ: https://go.ivoox.com/bk/791018 🚀PLAYLIST HIJA DE MARTE: https://go.ivoox.com/bk/11217844 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Nuestra Lolita interplanetaria sigue su viaje. HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Marte es un tópico en la ciencia ficción (en el mejor sentido de la palabra), pero cuando un ser humano nacido y educado en Marte desciende a la Tierra de la mano de Heinlein, podemos prepararnos para una crítica mordaz, imaginativa y poco indulgente con los prejuicios de la sociedad terrestre, y más cuando la protagonista, Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast: Predestination: https://go.ivoox.com/rf/69330975, un relato de R. Heinlein 🎙 ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos. 🖤Aquí te dejo el link directo para apoyarme: 🍻 Recuerda que ahora también todos los fans pueden escuchar los episodios desde Spotify vinculando su cuenta de Ivoox. https://www.ivoox.com/support/552842 ¡¡Mención especial a los taberneros galácticos por todos vuestros comentarios y por el apoyo recibido!! GRACIAS! 🚀 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 disponible también en Spotify para los Fans. ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 📚 ¡Mi primer libro ya está disponible en Amazon! 📚 Lo puedes encontrar en formato bolsilibro tapa blanda, Ebook, y muy pronto también en tapa dura con un tamaño más grande. Crónicas Vampíricas de Vera 👉 https://amzn.eu/d/1Q4PWUY Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

“A pessimist is correct oftener than an optimist, but an optimist has more fun, and neither can stop the march of events,” Robert Heinlein. (00:14) Jim Gillies Ricky Mulvey and discuss: - Fund managers cutting their positions in US stocks. - How long-term investors should react to fear in the markets. - If Abercrombie & Fitch's stock deserves to be in the bargain bin. (19:02) Then, Robert Brokamp joins Ricky to discuss what your tax return reveals about your finances. Companies and tickers discussed: ASO, ANF, XRT Learn more about the Range Rover Sport at www.rangerover.com/us/sport Host: Ricky Mulvey Guests: Jim Gillies, Robert Brokamp Producer: Mary Long Engineer: Rick Engdahl Learn more about your ad choices. Visit megaphone.fm/adchoices

Gabriel Custodiet speaks for a second time with James Wesley, Rawles, creator of the Survival Blog. They discuss hyperinflation, guns, how to prevent future civilizational collapse, pre-1899 guns, Rhodesia and the Portuguese Colonial War, Robert Heinlein   GUEST  → https://survivalblog.com/  → https://www.amazon.com/stores/James-Wesley-Rawles/author/B001K8HTVE  https://odysee.com/@WatchmanPrivacy:1/JamesWesleyRawles (Previous episode 80) WATCHMAN PRIVACY → https://watchmanprivacy.com (Including privacy consulting) → https://twitter.com/watchmanprivacy → https://escapethetechnocracy.com/ CRYPTO DONATIONS →8829DiYwJ344peEM7SzUspMtgUWKAjGJRHmu4Q6R8kEWMpafiXPPNBkeRBhNPK6sw27urqqMYTWWXZrsX6BLRrj7HiooPAy (Monero) →https://btcpay0.voltageapp.io/apps/3JDQDSj2rp56KDffH5sSZL19J1Lh/pos (BTC) TIMELINE 00:00 – Introduction 1:30 – Rawles' views of the threats facing the world today 2:55 – Tariffs ever a good idea? 4:50 – Weapons of war that Rawles fears 6:08 – What are the economic indicators Rawles looks at? 8:00 – How would people react in a hyper-inflationary event? 11:30 – US dollar is the best leper in the leper colony 13:03 – How to stave off societal collapse in the future 15:20 – Revolver vs semi-automatic 18:05 – Pre-1899 guns 25:05 – Constitutional carry vs. carry permit 27:55 – Consequences of traditional gun purchase with background check 29:30 – Fall of Spanish Empire comparisons to declining USA 32:40 – Rawles' thoughts on Portuguese Colonial War and Rhodesia 37:00 – Robert Heinlein 38:30 – Marbury v. Madison 40:30 – Individualism vs military hierarchy 43:45 – Rapid Fire Questions 44:55 – How important is belief in God in morality? 45:55 – Some favorite prepping tools 48:11 – Final Thoughts   Music by Karl Casey @ White Bat Audio

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Marte es un tópico en la ciencia ficción (en el mejor sentido de la palabra), pero cuando un ser humano nacido y educado en Marte desciende a la Tierra de la mano de Heinlein, podemos prepararnos para una crítica mordaz, imaginativa y poco indulgente con los prejuicios de la sociedad terrestre, y más cuando la protagonista, Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast: Predestination: https://go.ivoox.com/rf/69330975, un relato de R. Heinlein 🎙 ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos. 🖤Aquí te dejo el link directo para apoyarme: 🍻 Recuerda que ahora también todos los fans pueden escuchar los episodios desde Spotify vinculando su cuenta de Ivoox. https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 disponible también en Spotify para los Fans. ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 📚 ¡Mi primer libro ya está disponible en Amazon! 📚 Lo puedes encontrar en formato bolsilibro tapa blanda, Ebook, y muy pronto también en tapa dura con un tamaño más grande. Crónicas Vampíricas de Vera 👉 https://amzn.eu/d/1Q4PWUY Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Marte es un tópico en la ciencia ficción (en el mejor sentido de la palabra), pero cuando un ser humano nacido y educado en Marte desciende a la Tierra de la mano de Heinlein, podemos prepararnos para una crítica mordaz, imaginativa y poco indulgente con los prejuicios de la sociedad terrestre, y más cuando la protagonista, Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast: Predestination: https://go.ivoox.com/rf/69330975, un relato de R. Heinlein 🎙 ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 disponible también en Spotify para los Fans. ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Apologies for skipping an episode release last week—there's a point at which even a pooka must throw in the towel for a day or two to recover from the wheel of reading, preparing, recording, editing. Now that things are a bit settled, we're back on track as we delve into the Changeling-adjacent library again today to talk about Sorcerer[s]! The hedge magicians of the World of Darkness haven't made many inroads into the game line, but today we're talking about a few groups that might be relevant, a few fae-impacting powers they possess, and a few tips for including them in your chronicle. (How many fews does it take to make a several? or a many?) Scattered across a number of books all somewhat titled "Sorcerer", these unexpectedly powerful mortals provide potential antagonists and allies for any motley. The three books in question, should you wish to snag them for your own: World of Darkness: Sorcerer (the original) is at https://www.storytellersvault.com/product/339?affiliate_id=3063731 Sorcerer for Mage Revised is at https://www.storytellersvault.com/product/263?affiliate_id=3063731 Sorcerer for Mage 20th Anniversary Edition is at https://www.storytellersvault.com/product/401413?affiliate_id=3063731 And you too can start your journey on the sorcerous Path of Podcasting by getting in touch at: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Josh Hillerup (any pronoun) advocates for more dank eldritch grimoires on audiobook and in readable EPUB format. Pooka G (any pronoun/they) sold their soul to learn the Path of Rock and Roll.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HIJA DE MARTE, escrita por ROBERT HEINLEIN. Una novela de 14 episodios que entregaré semanalmente en exclusiva para los Fans de la nave. 🚀 Marte es un tópico en la ciencia ficción (en el mejor sentido de la palabra), pero cuando un ser humano nacido y educado en Marte desciende a la Tierra de la mano de Heinlein, podemos prepararnos para una crítica mordaz, imaginativa y poco indulgente con los prejuicios de la sociedad terrestre, y más cuando la protagonista, Podkayne, es una especie de Lolita interplanetaria, de inteligencia precoz y sin pelos en la lengua. Si no conoces a Robert A. Heinlein, estás perdiendo a uno de los escritores de ciencia ficción más importantes del siglo XX, junto a Isaac Asimov y Arthur C. Clarke. Considerado uno de los «tres grandes» de la edad de oro del género, su obra abarca clásicos indiscutibles como 'Tropas del espacio' , 'Forastero en tierra extraña' o 'La luna es una cruel amante' , entre otras. Además, su historia corta 'Todos vosotros, zombies' fue llevada al cine con el título 'Predestination', dirigida por Michael y Peter Spierig. Si lo desean, pueden escuchar el relato completo en este mismo podcast: Predestination: https://go.ivoox.com/rf/69330975, un relato de R. Heinlein 🎙 ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos por solo 1,99 € al mes! Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, música epidemic sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 🚀PLAYLIST TODOS LOS AUDIOS PARA FANS AQUÍ: https://go.ivoox.com/bk/791018 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

As Elon recently explained at the unveiling of Grok 3.0, the word Grok was coined by Robert Heinlein in his book A Stranger in a Strange Land. Grok means to profoundly understand a concept beyond mere recitation of facts, it is to absorb the context of the idea's existence, to embody it so physical and emotional sensations are connected to the deeper meaning of that concept.These are all things that humans perform quite well. There is irony to naimg an AI Syste Grok, essentially a human trait.  It is an inversion.This episode of the Severed Conscience Podcast is a reading of a recently published article titled "Elon, That's a Grok of ... Understanding the Grok, ChatGPT and Tech Lord AI Hype Cycles" in Curtural Courage.  You can find the article here:https://culturalcourage.substack.com/p/elon-thats-a-grok-of-understandingWe have been manipulated. Severed Conscience is a prison of the mind.To access our documentary, join our community on https://severedconscience.com. We have released our first book titled Severed Conscience as a companion to our documentary.  You can find our book on Amazon.  Severed Conscience on Amazon.comWant solutions for Severed Conscience and return to life where you derive values from living offline while giving tech and social media a rest?  We invite you to sign up at https://culturalcourage.substack.com

“Often people that really know what's going on are the ones that say, ‘Who knows?' Something my dad's not saying is that, he's had he's had 15 kids.”In this episode of the Sovereign Man Podcast, we dive into a powerful father and son relationship with Cameron and Brunson Smith. Cameron drops some dad-level wisdom, reflecting on his own fatherhood journey and why showing up, dishing out life advice, and sticking to timeless principles is the ultimate dad trifecta. Meanwhile, Brunson takes us behind the scenes of growing up as one of 15 siblings (yes, 15!)—explaining why his dad deserves a medal. Together, they prove that masculinity isn't just a buzzword—it's an art form in action.Guest Bios: Cameron Smith: A father of 15 and a man of wisdom, Cameron embodies dedication, resilience, and a passion for teaching life's lessons through actions and analogies. Brunson Smith: The second oldest of 15 siblings, Brunson brings perspective on navigating life as part of a large family and shares insights from his father's influence and his own journey.Books and Links Mentioned:1. The 7 Habits of Highly Effective People by Stephen R. Covey:https://www.amazon.ca/Habits-Highly-Effective-People-Anniversary/dp/B086D4R6ZD2. The Book of Mormon:https://www.amazon.ca/Book-Mormon-Another-Testament-Christ/dp/038551316X3. Loving What Is by Byron Katie:https://www.amazon.ca/Loving-What-Four-Questions-Change/dp/14000453714. The Last Law of Attraction Book You'll Ever Need by Andrew Kap:https://www.amazon.ca/Last-Law-Attraction-Book-Youll/dp/19483360825. The 3% Man by Corey Wayne:https://www.amazon.ca/How-Be-3-Man-Winning/dp/06925526696. Stranger in a Strange Land by Robert Heinlein:https://www.amazon.ca/Stranger-Strange-Land-Robert-Heinlein/dp/04417903487. The Great Patriot Buycott Book by Wayne Allyn Root and Nicky Billou:https://www.amazon.ca/Great-Patriot-Buycott-Book-Companies/dp/195210699XYou're invited to come to a Sovereign Circle meeting to experience it for yourself. To learn more, go to https://www.sovereignman.ca/. While you're there, check out the Battle Ready program and check out the store for Sovereign Man t-shirts, hats, and books.

Is “THE GREEN HILLS OF EARTH” by Robert Heinlein the Best Science Fiction Short Story of all time? The answer: probably not, but this episode explores why it's in the running! It also presents the episode of X-Minus One that adapted the story to a radio play format. “The Green Hills of Earth” by Robert […]

THE FOLLOWING RESTRICTED PODCAST HAS BEEN APPROVED FOR APPROPRIATE AUDIENCES BY THE COMIC BOOK ADAPTATION ASSOCIATION OF AMERICA, INC. Rated R for sci-fi violence, bloody images, language and some sexuality/nudity. Robert Heinlein's Starship Soldier (1959) 00:00:54 Insect Touch (1997) by Gordon Rennie, Warren Ellis, Paolo Parente, & Davide Fabbri 00:10:09 Brute Creations (1997) by Jan Strnad & Tommy Lee Edwards 00:15:51 Starship Troopers #1 (1997) by Bruce Jones, Mitch Byrd, Art Adams, & Andrew Pepoy 00:18:59 Starship Troopers #2 (1997) 00:26:19 “Flashback”/TPB (1997) by Jan Strnad & Tommy Lee Edwards 00:32:01 Dominant Species (1998) by Jan Strnad & Davide Fabbri 00:34:09 Starship Troopers 2: Hero of the Federation (2004) 00:39:09 Markosia Mongoose (2005-2007) 00:43:41 Starship Troopers 3: Marauder (2008) 00:54:21 Starship Troopers: Invasion (2012) 01:00:54 Starship Troopers: Traitor of Mars (2017) 01:01:24 MU/TH/UR 4600 01:23:01 episode art gallery blog post TriStar Pictures, Starship Troopers, Aliens Podcast, Comic Books, Dark Horse Comics, Dark Horse Presents

In this book-centric episode of the Only Human with Dr. Tony Kern podcast, Tony uses the central themes from Robert Heinlein's Stranger in a Strange Land to draw modern lessons that are applicable to our personal and professional lives. From the protagonist's journey to adapt within a strange new culture (ours) to bridging gaps with clear communication and practicing both self-awareness and empathy, fans of both classic scifi and human performance improvement will be educated and entertained.

The guys make a oliphaunt-sized announcement -- the 1977 animated Hobbit is now streaming on Canon+ (along with the cartoon Return of the King!). Naturally, it's our next LAMPC pick (Look At Moving Pictures Club, for those of you who don't know). The discussion of the Rankin-Bass cartoon Hobbit leads to a discussion of Family Movie Night, and how all fiction is fantasy, really. In process Nate pokes fun at one of the sci-fi greats, Robert Heinlein, for his definition of sci-fi, and the guys turn their attention to discussing the movie I Am Legend. Get The Things of Earth today: https://canonpress.com/products/the-things-of-earth-treasuring-god-by-enjoying-his-gifts-2nd-ed

This is the first episode of my review of Robert Heinlein's longest work, NO TIME FOR LOVE. We are reintroduced to an old friend, Lazarus Long, as he reflects on his life (but maybe not enough reflection for this reader).

Robert Heinlein's Tunnel in the Sky kicks off our 4th year of continuous podcasting. One of Heinlein's juvenille series, this is a fast-paced page-turner about a group of high school students accidentally marooned on an alien world, left to survive on their own. One of Tony's favorites, this was a first-read for Tom.TTYpodcast.comThumbingthroughyesterday.com

This week we speak to multidisciplinary independent researcher William Sarill, whose life has traced a high-dimensional curve through biochemistry, art restoration, physics, and esotericism (and I'm stopping the list here but it goes on). Bill is one of the only people I know who has the scientific chops to understand and explain how to possibly unify thermodynamics with general relativity AND has gone swimming into the deep end of The Weird for long enough to develop an appreciation for its paradoxical profundities. He can also boast personal friendships with two of the greatest (and somewhat diametrically opposed) science fiction authors ever: Phil Dick and Isaac Asimov. In this conversation we start by exploring some of his discoveries and insights as an intuition-guided laboratory biomedical researcher and follow the river upstream into his synthesis of emerging theoretical frameworks that might make sense of PKD's legendary VALIS experiences — the encounter with high strangeness that drove him to write The Exegesis, over a million words of effort to explain the deep structure of time and reality. It's time for new ways to think about time! Enjoy…✨ Support This Work• Buy my brain for hourly consulting or advisory work on retainer• Become a patron on Substack or Patreon• Help me find backing for my next big project Humans On The Loop• Buy the books we discuss from my Bookshop.org reading list• Buy original paintings and prints or commission new work• Join the conversation on Discord in the Holistic Technology & Wise Innovation and Future Fossils servers• Make one-off donations at @futurefossils on Venmo, $manfredmacx on CashApp, or @michaelgarfield on PayPal• Buy the show's music on Bandcamp — intro “Olympus Mons” from the Martian Arts EP & outro “Sonnet A” from the Double-Edged Sword EP✨ Go DeeperBill's Academia.edu pageBill's talk at the PKD Film FestivalBill's profile for the Palo Alto Longevity PrizeBill's story on Facebook about his biochemistry researchBill in the FF Facebook group re: Simulation Theory, re: The Zero-Point Field, re: everything he's done that no one else has, re: how PKD predicted ChatGPT"If you find this world bad, you should see some of the others" by PKDThe Wyrd of the Early Earth: Cellular Pre-sense in the Primordial Soup by Eric WargoMy first and second interviews with William Irwin ThompsonMy lecture on biology, time, and myth from Oregon Eclipse Gathering 2017"I understand Philip K. Dick" by Terence McKennaWeird Studies on PKD and "The Trash Stratum" Part 1 & Part 2Weird Studies with Joshua Ramey on divination in scienceSparks of Genius: The Thirteen Thinking Tools of the World's Most Creative People by Robert & Michele Root-BernsteinDiscovering by Robert Root-Bernstein✨ MentionsPhilip K. Dick, Bruce Damer, Iain McGilchrist, Eric Wargo, Stu Kauffman, Michael Persinger, Alfred North Whitehead, Terence McKenna, Karl Friedrich, Mike Parker, Chris Jeynes, David Wolpert, Ivo Dinov, Albert Einstein, Kurt Gödel, Erwin Schroedinger, Kaluza & Klein, Richard Feynman, Euclid, Hermann Minkowski, James Clerk Maxwell, The I Ching, St. Augustine, Stephen Hawking, Jim Hartle, Alexander Vilenkin, Pierre Teilhard de Chardin, Timothy Morton, Futurama, The Wachowski Siblings, Gottfried Wilhelm Leibniz, Leonard Euler, Paramahansa Yogananda, Alfred Korbzybski, Frank Herbert, Robert Heinlein, Claude Shannon, Ludwig Boltzmann, Carl Jung, Danny Jones, Mark Newman, Michael Lachmann, Cristopher Moore, Jessica Flack, Robert Root Bernstein, Louis Pasteur, Alexander Fleming, Ruth Bernstein, Andres Gomez Emilsson, Diane Musho Hamilton This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit michaelgarfield.substack.com/subscribe

The OTRNow Radio Program 2024-013The Shadow Of Fu Manchu. June 19, 1939. Program #19. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The ghastly fungoid cellar. Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. June 21, 1939. Program #20. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The battle on the river. Hanley Stafford, Gale Gordon. Curtain Time April 17, 1948. NBC net, Chicago origination. "Miss Snoring Sleepwalker". Sponsored by: Mars Candy. A light comedy about a woman who wins a Holywood movie contract and her statistically inclined beau. This is a network, sponsored verson of cat. #17049. George Cisar, Sidney Ellstrom, Harry Holcomb (director), Patrick Allen (host), Sumner Love, Michael Romano, Bert Farber (music arranger, conductor), Harry Elders, Nannette Sargent, Mike Wallace (commercial spokesman, billed as Myron Wallace), Edna MacGregor (writer)The New Swan Show. October 19, 1948. NBC net. Sponsored by: Swan Soap. Doris sings "Sentimental Journey". Hy Averback announces the Los Angeles Giants football game. Bob experiences some Southern Hospitality,& Bill Veeck visits.  Marvin Fischer (writer), Al Schwartz (writer), Mort Lachman (writer), Cy Rose (writer), Al Capstaff (producer), Doris Day, Les Brown and His Orchestra, Bill Farrell, Irene Ryan, Four Hits and A Miss, Jack Kirkwood, Hy Averback, Larry Marks (writer), Larry Gelbart (writer), The Cisco Kid. August 18, 1953. Program #113. Mutual-Don Lee net, KHJ, Los Angeles origination, Ziv syndication. "The Madwoman Of Desolation House". Sponsored by: Commercials added locally. Jack Mather, Harry Lang.Cloak and Dagger. July 30, 1950. NBC net. "The Swastika On The Windmill". Sustaining. 4:00 P. M. An O. S. S. operative enters Nazi occupied Holland to stay with his uncle and radio troop information to the Allied forces. Lester Fletcher, Harvey Hayes, Jared Burke, Gordon Stern, Francois Grimar, Basil Langton, Patricia Courtleigh, Beulah Garrick, Victor Chapin, Percy Hoskins (research), Wyllis Cooper (writer, director), Murray Ross (organist while John Gart is on vacation)Beyond Tomorrow. April 5, 1950. CBS net. "Requiem". Sustaining. The first show of the series, which evolved from the series "Beyond This World." The story old man who wanted to die on the moon. Robert Heinlein (author), Everett Sloane, William N. Robson (producer), Mitchell Grayson (director), Henry Sylvern (music), John Campbell Jr. (host). 

Seriah is joined by Tillie Treadwell. Topics include Tillie's contributions to a new anthology “Weird Time: Exploring the Mysteries of Space and Time”, a personal set of experiences with disappearing/reappearing objects, a cat emerging from pavement, alternate timelines, the Mandella Effect, Jane Roberts's Seth material, dual (different) memories, “The Invisible Gorilla” book, a study revealing inaccurate memories of 9/11, the dangers of tribalism, non-human people, objectivity vs bias, conflict generated for profit, life on Earth as a learning experience, Nikola Tesla and his ideas, Scott Westerfeld and his “Uglies” book series, planned obsolescence, the power of wealth, the story of a virtuous restaurant owner, “Stranger in a Strange Land” by Robert Heinlein and a portion explaining human nature, the TV series “Counterpart”, “The Pretzel Logic of Time” by Tillie, the Men in Black movie franchise, the ”Andromeda” TV series, probabilities and alternate timelines, the questions of free will, various concepts of time, the relativity of the perception of time, a youthful senior citizen, attitude and aging, the “suspiciousobservers” youtube channel, the butterfly effect, the importance of minor events, quantum entanglement, a video game analogy for reincarnations, the danger of viewing people as NPCs, “The Weird Walk Home” youtube videos by Tillie, sentience of animals (including bees and fish), plant consciousness, Reddit, a vision of a car crash that prevented it from happening, Seriah's changes in driving and a seemingly fateful incident, the process of moving between possible realities, “maqic”, and much more! Tillie is a rapid-fire, fascinating guest!

Seriah is joined by Tillie Treadwell. Topics include Tillie's contributions to a new anthology “Weird Time: Exploring the Mysteries of Space and Time”, a personal set of experiences with disappearing/reappearing objects, a cat emerging from pavement, alternate timelines, the Mandella Effect, Jane Roberts's Seth material, dual (different) memories, “The Invisible Gorilla” book, a study revealing inaccurate memories of 9/11, the dangers of tribalism, non-human people, objectivity vs bias, conflict generated for profit, life on Earth as a learning experience, Nikola Tesla and his ideas, Scott Westerfeld and his “Uglies” book series, planned obsolescence, the power of wealth, the story of a virtuous restaurant owner, “Stranger in a Strange Land” by Robert Heinlein and a portion explaining human nature, the TV series “Counterpart”, “The Pretzel Logic of Time” by Tillie, the Men in Black movie franchise, the ”Andromeda” TV series, probabilities and alternate timelines, the questions of free will, various concepts of time, the relativity of the perception of time, a youthful senior citizen, attitude and aging, the “suspiciousobservers” youtube channel, the butterfly effect, the importance of minor events, quantum entanglement, a video game analogy for reincarnations, the danger of viewing people as NPCs, “The Weird Walk Home” youtube videos by Tillie, sentience of animals (including bees and fish), plant consciousness, Reddit, a vision of a car crash that prevented it from happening, Seriah's changes in driving and a seemingly fateful incident, the process of moving between possible realities, “maqic”, and much more! Tillie is a rapid-fire, fascinating guest! - Recap by Vincent Treewell of The Weird Part PodcastOutro Music is Ghazm with Big Star Hosted on Acast. See acast.com/privacy for more information.

In the 23rd century Johnny Rico enlists in the Mobile Infantry, the heart of the human military. As he nears completion of an intensely rigorous training program to learn how to fight and use his power armor, war breaks out between humanity and the bugs. The bugs are aliens with a hive mind, who attack and destroy Buenos Aires, and Johnny and his friends must strive to survive and defend humanity through the brutal war. It's also full of deeply interesting (and controversial) ideas about duty, service, crime and punishment, and so much more. If you like military sci-fi this is a must-read, and if you are into philosophical SF you are going to be pleasantly surprised how much it will stick with you and make you think.Join the Hugonauts book club on discord!Or you can watch the episode on YouTube if you prefer videoSimilar books we recommend:The Forever War by Joe Haldeman (listen to our interview with Joe)Columbus Day by Craig AlansonThe Parafaith War by L. E. Modesitt, Jr.

Skype of Cthulhu presents a Trail of Cthulhu scenario. The Big Hoodoo by Bill White. June 20, 1952 Monrovia, CA The investigators discover the sinister plan of the cultist but not everyone will surivive the experience. Dramatis Persone: Randall as the Keeper Max as Tony Boucher, Editor/Reviewer Gary as Robert Heinlein, Author Jonathan as Ginny Heinlein, Engineer Jim as Phil Dick, Record Store Clerk Download Subcription Options Podcast statistics

Lisa Yaszek, John Kessel, and Robby Soave join us to discuss Robert Heinlein's classic novel Stranger in a Strange Land, about a human being raised by Martians. Learn more about your ad choices. Visit megaphone.fm/adchoices

Skype of Cthulhu presents a Trail of Cthulhu scenario. The Big Hoodoo by Bill White. June 19, 1952 Monrovia, CA The team finds itself in a ceremony with robed figures and later on things get weird. Dramatis Persone: Randall as the Keeper Max as Tony Boucher, Editor/Reviewer Gary as Robert Heinlein, Author Steve as Ginny Heinlein, Engineer Jim as Phil Dick, Record Store Clerk Download Subcription Options Podcast statistics

BFRH 2024 07 25: Robert A. Heinlein Roundtable Discussion Encore; and Tinker by Wen Spencer, Part 62. View the podcast in video form at https://www.baen.com/podcastfiles/mp3/video-baen-free-radio-hour-Robert-Heinlein-Roundtable-Encore-Tinker-Part-62.mp4 and the Baen YouTube Channel.

Today we imagine a future where the entire transit system is made up of gigantic conveyer belts, where you can have breakfast and a cup of coffee in a café on your way to work. But what happens when the engineers have a labor strike? Robert Heinlein is the author of this famous short story, as we continue our journey exploring the world of great sci-fi stories on radio. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Skype of Cthulhu presents a Trail of Cthulhu scenario. The Big Hoodoo by Bill White. June 19, 1952 Monrovia, CA Tony receives an odd invitation while the rest of the team heads out to the desert with Jack's ashes. Dramatis Persone: Randall as the Keeper Max as Tony Boucher, Editor/Reviewer Gary as Robert Heinlein, Author Steve as Ginny Heinlein, Engineer Jim as Phil Dick, Record Store Clerk Download Subcription Options Podcast statistics

Skype of Cthulhu presents a Trail of Cthulhu scenario. The Big Hoodoo by Bill White. June 19, 1952 Monrovia, CA A group of science fiction writers and fans gather for the funeral of a friend. Dramatis Persone: Randall as the Keeper Max as Tony Boucher, Editor/Reviewer Gary as Robert Heinlein, Author Steve as Ginny Heinlein, Engineer Jim as Phil Dick, Record Store Clerk Download Subcription Options Podcast statistics

Welcome to Dev Game Club, where this week we're both unavailable, but we catch you up on the mailbag! Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Issues covered: a review prompting discussion of Majora's Mask, some discussion of time loop games, a very difficult to find character, hard to find stuff in older games, Easter Eggs in games we've put in or in games we knew, the Jar-Jar model, the hidden command-line, keeping the love alive, teaching a bit of a design course, should have gone into film, starting our own company, being inspired by GDC, being reminded of the passion, getting the gang back together, green Tahoma, bringing in marketing, comparative marketing, tapping into the lizard brain, a title having to be many things, legal search for copyright/trademark, why is it called Europa, whether or not it's possible not to grind, the mental state required, the time pressure of the podcast, a place to play for elite players, the relative ease of critical paths in later games, completionist vs main-line content, the requirement to broaden games' appeal, how many people finish games as a percentage, making 30% of the end of the game, the Deep Dungeon of Final Fantasy Tactics, rescuing the dragon, fighting the high end critters, Cloud Strife and his headache, diving into the Deep Dungeon, lighting and the dark dungeon, how to unlock the calculator, the strategy for finding the dungeon exits, Brett's theory about Cloud, connections with Viet Nam, localization issue?, deciding on a post-credits sequence. Games, people, and influences mentioned or discussed: _Iceboy_, Ocarina of Time, Majora's Mask, Groundhog's Day, Super Time Force Ultra, PlayStation, Housemarque, Returnal, Deathloop, Outer Wilds, Ashton Herrmann, Pokemon Red/Blue, Street Fighter 2, DB Weiss, Lucky Wander Boy, Jamie Fristrom, Adventure, Mortal Kombat, Republic Commando, Force Unleashed, Greg Knight, Greg Land, Harley Baldwin, Star Wars: Starfighter, Dave K, Diablo, Far Cry 2, Thief, Bethesda Game Studios, Brainy Gamer/Michael Abbott, This War of Mine, Call of Duty, Ian Milham, Tim-mento, Trespasser, Baldur's Gate 3, Dungeons & Dragons, Michael #1, Hero of the Circinus Galaxy, Tacoma, John Feil, Halo (series), Disney Infinity, Medal of Honor, Call of Duty, Robert Heinlein, 2010, Tomb Raider, Michael #2, Tactics Ogre/Ogre Battle, Space Quest/King's Quest, Plundered Hearts, Larian Studios, BioWare, The Witcher III,  Kirk Hamilton, Aaron Evers, Mark Garcia, Metal Gear, Final Fantasy Tactics, Final Fantasy VII, Kingdom Hearts, Square Enix, Apocalypse Now, Ladyhawke, The Doors. Errata: Lucky Wander Boy was written by D. B. Weiss (which admittedly, is German for white). We regret the error. Next time:  TBA Twitch: timlongojr, Twitter/Threads/Insta: @devgameclub Discord DevGameClub@gmail.com

The Constitution Study with Host Paul Engel – Reflecting on Robert Heinlein's "Stranger in a Strange Land," I ponder if one must be raised by aliens to feel like a stranger at home. A 96-year-old D-Day veteran recently expressed feeling like a foreigner in his own country. Do you ever feel this way, as if the America you knew has vanished, replaced by something unfamiliar and foreign?

TENE pod watches two Moon films co-written by Robert Heinlein, the big-budget 'hard sci-fi' George Pal film, Destination Moon (1950), and Heinlein's cheaply made and horrible labor of love, Project Moonbase (1953). Subscribe to patreon.org/tenepod and twitter.com/tenepod.

Get the COMMERCIAL-FREE VERSION by joining the Darkness Syndicate at https://weirddarkness.com/syndicate! *** Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience. It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run. Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = The Parade (January 25, 1956)00:30:54.070 = The Cave of Night (February 01, 1956)01:00:04.761 = The C-Chute (February 08, 1956)01:29:22.699 = Skulking Permit (February 15, 1956)01:58:50.451 = Junkyard (February 22, 1956)02:27:51.015 = Hello, Tomorrow (February 29, 1956)02:52:41.472 = A Gun For A Dinosaur (March 07, 1956)03:21:17.387 = Tunnel Under The World (March 14, 1956)03:49:56.913 = Thousand Dollars A Plate (March 21, 1956)04:18:30.168 = A Pail of Air (March 28, 1956)04:47:34.238 = How-To (April 03, 1956)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-013

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience. It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run. Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = Dwellers In Silence (November 10, 1955)00:25:39.232 = The Outer Limit (November 16, 1955)00:53:40.316 = Zero Hour (November 23, 1955)01:07:54.802 = The Vital Factor (November 30, 1955)01:36:54.438 = Nightfall (December 07, 1955)02:05:38.741 = To The Future (December 14, 1955)02:34:25.759 = Marionettes Inc. (December 21, 1955)03:03:27.465 = A Logic Named Joe (December 28, 1955)03:30:30.208 = The Roads Just Roll (November 04, 1956)03:58:09.807 = Time And Time Again (January 11, 1956)04:26:24.683 = Perigi's Wonderful Dolls (January 18, 1956)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-012

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience. It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run. Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = The Embassy (July 28, 1955)00:25:49.998 = The Veldt (August 04, 1955)00:49:44.039 = Almost Human (August 11, 1955)01:13:13.099 = Courtesy (August 18, 1955)01:36:44.580 = Cold Equation (August 25, 1955)02:00:18.990 = Shanghaied (September 01, 1955)02:23:11.605 = The Martian Death March (September 08, 1955)02:46:33.950 = The Castaways (September 15, 1955)03:08:36.379 = The Moon Be Still As Bright (September 22, 1955)03:32:25.135 = First Contact (October 06, 1955)03:55:03.177 = Child's Play (October 20, 1955)04:18:08.170 = Requiem (October 27, 1055)04:41:50.103 = Hello, Tomorrow (November 03, 1955)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-011

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience. It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run. Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = Target One (December 26, 1957)00:22:22.573 = Prime Difference (January 02, 1958)00:42:03.386 = Gray Flannel Armor (January 09, 1958)01:03:12.770 = The Parade (May 01, 1955)01:31:19.548 = Mars is Heaven (May 09, 1955)01:58:34.700 = Universe (May 15, 1955)02:26:24.507 = Knock (May 22, 1955)02:54:32.460 = The Man In The Moon (May 29, 1955)03:22:12.064 = Perigi's Wonderful Dolls (June 05, 1955)03:50:05.753 = The Green Hills of Earth (July 07, 1955)04:13:30.368 = Dr. Grimshaw's Sanatorium (July 14, 1955)04:36:48.555 = Nightmare (July 21, 1955)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-010

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience. It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run. Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = Volpla (August 29, 1957)00:22:16.469 = Saucer of Loneliness (September 05, 1957)00:50:51.099 = The Old Die Rich (September 12, 1957)01:18:08.541 = Tsylana (September 19, 1957)01:37:40.666 = The Native Problem (September 26, 1957)01:58:10.558 = The Wind Is Rising (October 03, 1957)02:18:40.709 = Death Wish (October 10, 1957)02:39:22.511 = Point of Departure (October 17, 1957)02:58:45.672 = The Light (October 24, 1957)03:18:16.277 = Lulu (October 31, 1957)03:39:15.628 = The Coffin Cure (November 21, 1957)04:00:05.957 = Shocktroop (November 28, 1957)04:19:45.671 = The Haunted Corpse (December 12, 1957)04:39:36.634 = Double Dare (December 19, 1957)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-009

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience. It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run. Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = Martian Sam (April 03, 1957)00:23:05.410 = Something For Nothing (April 10, 1957)00:44:10.355 = Discovery of Morniel Mathaway (April 17, 1957)01:05:48.183 = Man's Best Friend (April 24, 1957)01:28:03.208 = Inside Story (June 20, 1957)01:48:25.455 = The Category Inventor (June 27, 1957)02:08:54.377 = Skulking Permit (July 04, 1957)02:30:10.133 = Early Model (July 11, 1957)02:51:34.432 = The Merchants of Venus (July 18, 1957)03:12:40.934 = The Haunted Corpse (July 25, 1957)03:33:34.689 = End As A World (August 01, 1957)03:53:15.073 = The Scapegoat (August 08, 1957)04:14:27.700 = At The Post (August 15, 1957)04:35:52.542 = Drop Dead (August 22, 1957)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-008

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience. It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run. Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = The Moon Is Green (January 02, 1957)00:30:16.613 = Saucer of Loneliness (January 09, 1957)00:59:01.789 = The Girls From Earth (January 16, 1957)01:21:18.452 = Open Warfare (January 23, 1957)01:42:35.282 = Caretaker (January 30, 1957)02:04:13.830 = Venus Is A Man's World (February 06, 1957)02:25:06.654 = The Trap (February 13, 1957)02:47:00.728 = Field Study (February 20, 1957)03:08:36.066 = Real Gone (February 27, 1957)03:30:43.375 = The Seventh Victim (March 06, 1957)03:52:48.201 = The Lights on Precipice Peak (March 13, 1957)04:13:48.162 = Protection (March 20, 1957)04:36:00.300 = At The Post (March 27, 1957)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-007

"Blowups Happen" is a 1940 science fiction short story by American writer Robert A. Heinlein. The story describes the tensions among the staff of a nuclear reactor. SOURCES AND REFERENCES FROM THE EPISODE…“Blowups Happen” by Robert Heinlein, from the book “The Astounding Science Fiction Anthology”:https://amzn.to/3BsZ2mUWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: July 22, 2021CUSTOM WEBPAGE: https://weirddarkness.com/blowups-happen-by-robert-heinlein-full-audiobook-weirddarkness/

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience.It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run.Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = Soldier Boy (October 17, 1956)00:30:54.946 = Pictures Don't Lie (October 24, 1956)00:59:20.861 = Sam This Is You (October 31, 1956)01:28:26.609 = Appointment In Tomorrow (November 07, 1956)01:55:58.404 = The Martian Death March (November 14, 1956)02:19:23.562 = Chain of Command (November 21, 1956)02:47:52.054 = The Castaways (November 28, 1956)03:09:54.177 = There Will Come Soft Rains (December 05, 1956)03:38:36.019 = Hostess (December 12, 1956)04:06:50.861 = The Reluctant Heroes (December 19, 1956)04:35:29.652 = Honeymoon In Hell (December 26, 1956)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-006

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!By the mid 1950s, science fiction had largely fallen into a familiar pattern, regardless of medium. When fans tuned into the radio or caught the latest science fiction movie, they either encountered space opera adventures or fare aimed largely at a juvenile audience. Only in magazines such as Astounding Science Fiction and Galaxy were stories grounded firmly in science fiction being told with mature themes aimed at character development, true literature taking off to the stars. The debut of X Minus One in April 1955 changed that on radio, making this program not only the best of its type, but in many ways one of the only shows from Radio's Golden Age to present science fiction for a well-rounded adult audience.It is an often debated point among experts and fans as to whether or not X Minus One was simply a new season of Dimension X, a program that ran on NBC in 1950-51, or a revival of sorts of this previous show. The latter is probably more accurate since the first 15 episodes of X Minus One were new productions of Dimension X episodes. What makes X Minus One stand out, however, is the fact that the remaining programs were actually adaptations of works from two of the best science fiction magazines of the period. NBC staff writers, primarily Ernest Kinoy and George Lefferts, scoured the pages of Astounding Science Fiction and then later Galaxy Magazine for tales that would thrill and chill their listeners, aiming most assuredly at the more sophisticated science fiction fans. Stories penned by noted science fiction and genre authors such as Philip K. Dick, Robert Heinlein, Frederik Pohl, and Isaac Asimov, and many others found themselves expertly adapted for radio over the program's nearly three-year run.Listen to X Minus One and rocket to new heights of top-notch science fiction old time radio!00:00:00.000 = INTRODUCTION00:01:54.470 = The Old Die Rich (July 17, 1956)00:29:53.682 = Stars Are The Styx (July 24, 1956)00:58:49.731 = Student Body (July 31, 1956)01:26:43.327 = The Last Martian (August 07, 1956)01:55:23.093 = The Snowball Effect (August 14, 1956)02:18:49.235 = Surface Tension (August 28, 1956)02:47:21.482 = Tunnel Under The World (September 04, 1956)03:16:05.504 = The Lifeboat Mutiny (September 11, 1956)03:44:20.539 = The Map Makers (September 26, 1956)04:13:02.085 = Protective Mimicry (October 03, 1956)04:40:56.609 = Colony (October 10, 1956)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/xminusone-marathon-005

With all of the hullabaloo surrounding Arrowhead's hit PS5 and PC game Helldivers 2, we figured we'd delve into its most obvious inspiration: Starship Troopers. Most people know Starship Troopers as the 1997 Paul Verhoeven sci-fi flick, but it's actually much more than that. It all started as an award-winning novel written back in 1959 by an author named Robert Heinlein, and strangely, the film and book couldn't possibly be more different in many respects. But because the book (which is awesome) is a quick read, and the film (which is good, but not nearly as good as the book) is comparatively short, too, so we figured we'd digest both, take lots of notes, and compare and contrast the two. The result is an interesting conversation, one that asks questions like: Is the book really fascist-aligned, as often claimed? Are the bugs the victims of human aggression, and could we ever come to terms with such a race? Does the idea of earning one's citizenship actually not sound that crazy, after all? Could every human have a deathwish, deep down inside? Clearly, we've much to discuss. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For those who haven't heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a multi-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode on "My World Fell Down" by Sagittarius. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud at this time as there are too many Byrds songs in this chunk, but I will try to put together a multi-part Mixcloud when all the episodes for this song are up. My main source for the Byrds is Timeless Flight Revisited by Johnny Rogan, I also used Chris Hillman's autobiography, the 331/3 books on The Notorious Byrd Brothers and The Gilded Palace of Sin, For future parts of this multi-episode story I used Barney Hoskyns' Hotel California and John Einarson's Desperadoes as general background on Californian country-rock, Calling Me Hone, Gram Parsons and the Roots of Country Rock by Bob Kealing for information on Parsons, and Requiem For The Timeless Vol 2 by Johnny Rogan for information about the post-Byrds careers of many members. Information on Gary Usher comes from The California Sound by Stephen McParland. And this three-CD set is a reasonable way of getting most of the Byrds' important recordings. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript When we left the Byrds at the end of the episode on "Eight Miles High", they had just released that single, which combined folk-rock with their new influences from John Coltrane and Ravi Shankar, and which was a group composition but mostly written by the group's lead singer, Gene Clark. And also, as we mentioned right at the end of the episode, Clark had left the group. There had been many, many factors leading to Clark's departure. Clark was writing *far* more material than the other band members, of whom only Roger McGuinn had been a writer when the group started, and as a result was making far more money than them, especially with songs like "She Don't Care About Time", which had been the B-side to their number one single "Turn! Turn! Turn!" [Excerpt: The Byrds, "She Don't Care About Time"] Clark's extra income was making the rest of the group jealous, and they also didn't think his songs were particularly good, though many of his songs on the early Byrds albums are now considered classics. Jim Dickson, the group's co-manager, said "Gene would write fifteen to twenty songs a week and you had to find a good one whenever it came along because there were lots of them that you couldn't make head or tail of.  They didn't mean anything. We all knew that. Gene would write a good one at a rate of just about one per girlfriend." Chris Hillman meanwhile later said more simply "Gene didn't really add that much." That is, frankly, hard to square with the facts. There are ten original songs on the group's first two albums, plus one original non-album B-side. Of those eleven songs, Clark wrote seven on his own and co-wrote two with McGuinn. But as the other band members were starting to realise that they had the possibility of extra royalties -- and at least to some extent were starting to get artistic ambitions as far as writing goes -- they were starting to disparage Clark's work as a result, calling it immature. Clark had, of course, been the principal writer for "Eight Miles High", the group's most experimental record to date: [Excerpt: The Byrds, "Eight Miles High"] But there he'd shared co-writing credit with David Crosby and Roger McGuinn, in part because that was the only way he could be sure they would agree to release it as a single. There were also internal rivalries within the band unrelated to songwriting -- as we've touched on, Crosby had already essentially bullied Clark off the guitar and into just playing tambourine (and McGuinn would be dismissive even of Clark's tambourine abilities). Crosby's inability to get on with any other member of any band he was in would later become legendary, but at this point Clark was the major victim of his bullying. According to Dickson "David understood when Gene left that ninety-five percent of why Gene left could be brought back to him." The other five percent, though, came from Clark's fear of flying. Clark had apparently witnessed a plane crash in his youth and been traumatised by it, and he had a general terror of flying and planes -- something McGuinn would mock him for a little, as McGuinn was an aviation buff. Eventually, Clark had a near-breakdown boarding a plane from California to New York for a promotional appearance with Murray the K, and ended up getting off the plane. McGuinn and Michael Clarke almost did the same, but in the end they decided to stay on, and the other four Byrds did the press conference without Gene. When asked where Gene was, they said he'd "broken a wing". He was also increasingly having mental health and substance abuse problems, which were exacerbated by his fear, and in the end he decided he just couldn't be a Byrd any more. Oddly, of all the band members, it was David Crosby who was most concerned about Clark's departure, and who did the most to try to persuade him to stay, but he still didn't do much, and the group decided to carry on as a four-piece and not even make a proper announcement of Clark's departure -- they just started putting out photos with four people instead of five. The main change as far as the group were concerned was that Hillman was now covering Clark's old vocal parts, and so Crosby moved to Clark's old centre mic while Hillman moved from his position at the back of the stage with Michael Clarke to take over Crosby's mic. The group now had three singer-instrumentalists in front, two of whom, Crosby and McGuinn, now thought of themselves as songwriters. So despite the loss of their singer/songwriter/frontman, they moved on to their new single, the guaranteed hit follow-up to "Eight Miles High": [Excerpt: The Byrds, "5D (Fifth Dimension)"] "5D" was written by McGuinn, inspired by a book of cartoons called 1-2-3-4 More More More More by Don Landis, which I haven't been able to track down a copy of, but which seems to have been an attempt to explain the mathematical concept of higher dimensions in cartoon form. McGuinn was inspired by this and by Einstein's theory of relativity -- or at least by his understanding of relativity, which does not seem to have been the most informed take on the topic. McGuinn has said in the past that the single should really have come with a copy of Landis' booklet, so people could understand it. Sadly, without the benefit of the booklet we only have the lyrics plus McGuinn's interviews to go on to try to figure out what he means. As far as I'm able to understand, McGuinn believed -- completely erroneously -- that Einstein had proved that along with the four dimensions of spacetime there is also a fifth dimension which McGuinn refers to as a "mesh", and that "the reason for the speed of light being what it is is because of that mesh." McGuinn then went on to identify this mesh with his own conception of God, influenced by his belief in Subud, and with a Bergsonian idea of a life force. He would talk about how most people are stuck in a materialist scientific paradigm which only admits to  the existence of three dimensions, and how there are people out there advocating for a five-dimensional view of the world. To go along with this mystic view of the universe, McGuinn wanted some music inspired by the greatest composer of sacred music, and he asked Van Dyke Parks, who was brought in to add keyboards on the session, to play something influenced by Bach -- and Parks obliged, having been thinking along the same lines himself: [Excerpt: The Byrds, "5D (Fifth Dimension)"] Unfortunately for the group, McGuinn's lyrical intention wasn't clear enough and the song was assumed to be about drugs, and was banned by many radio stations. That plus the track's basically uncommercial nature meant that it reached no higher than number forty-four in the charts. Jim Dickson, the group's co-manager, pointed to a simpler factor in the record's failure, saying that if the organ outro to the track had instead been the intro, to set a mood for the track rather than starting with a cold vocal open, it would have had more success. The single was followed by an album, called Fifth Dimension, which was not particularly successful. Of the album's eleven songs, two were traditional folk songs, one was an instrumental -- a jam called "Captain Soul" which was a version of Lee Dorsey's "Get Out My Life Woman" credited to the four remaining Byrds, though Gene Clark is very audible on it playing harmonica -- and one more was a jam whose only lyrics were "gonna ride a Lear jet, baby", repeated over and over. There was also "Eight Miles High" and the group's inept and slightly-too-late take on "Hey Joe". It also included a third single, a country track titled "Mr. Spaceman": [Excerpt: The Byrds, "Mr. Spaceman"] McGuinn and, particularly, Hillman, had some country music background, and both were starting to think about incorporating country sounds into the group's style, as after Clark's departure from the group they were moving away from the style that had characterised their first two albums. But the interest in "Mr. Spaceman" was less about the musical style than about the lyrics. McGuinn had written the song in the hopes of contacting extraterrestrial life -- sending them a message in his lyrics so that any aliens listening to Earth radio would come and visit, though he was later disappointed to realise that the inverse-square law means that the signals would be too faint to make out after a relatively short distance: [Excerpt: The Byrds, "Mr. Spaceman"] "Mr. Spaceman" did better on the charts than its predecessor, scraping the lower reaches of the top forty, but it hardly set the world alight, and neither did the album -- a typical review was the one by Jon Landau, which said in part "This album then cannot be considered up to the standards set by the Byrds' first two and basically demonstrates that they should be thinking in terms of replacing Gene Clark, instead of just carrying on without him." Fifth Dimension would be the only album that Allen Stanton would produce for the Byrds, and his replacement had actually just produced an album that was a Byrds record by any other name: [Excerpt: Gene Clark, "So You Say You've Lost Your Baby"] We've looked at Gary Usher before, but not for some time, and not in much detail. Usher was one of several people who were involved in the scene loosely centred on the Beach Boys and Jan and Dean, though he never had much time for Jan Berry and he had got his own start in the music business slightly before the Beach Boys. As a songwriter, his first big successes had come with his collaborations with Brian Wilson -- he had co-written "409" for the Beach Boys, and had also collaborated with Wilson on some of his earliest more introspective songs, like "The Lonely Sea" and "In My Room", for which Usher had written the lyrics: [Excerpt: The Beach Boys, "In My Room"] Usher had built a career as a producer and writer for hire, often in collaboration with Roger Christian, who also wrote with Brian Wilson and Jan Berry. Usher, usually with Christian, and very occasionally Wilson wrote the songs for several of American International Pictures' Beach Party films: [Excerpt: Donna Loren, "Muscle Bustle"] And Usher and Christian had also had bit parts in some of the films, like Bikini Beach, and Usher had produced records for Annette Funicello, the star of the films, often with the Honeys (a group consisting of Brian Wilson's future wife Marilyn plus her sister and cousin) on backing vocals. He had also produced records for the Surfaris, as well as a whole host of studio-only groups like the Four Speeds, the Super Stocks, and Mr. Gasser and the Weirdoes, most of whom were Usher and the same small group of vocalist friends along with various selections of Wrecking Crew musicians making quick themed albums. One of these studio groups, the Hondells, went on to be a real group of sorts, after Usher and the Beach Boys worked together on a film, The Girls on the Beach. Usher liked a song that Wilson and Mike Love had written for the Beach Boys to perform in the film, "Little Honda", and after discovering that the Beach Boys weren't going to release their version as a single, he put together a group to record a soundalike version: [Excerpt: The Hondells, "Little Honda"] "Little Honda" made the top ten, and Usher produced two albums for the Hondells, who had one other minor hit with a cover version of the Lovin' Spoonful's "Younger Girl". Oddly, Usher's friend Terry Melcher, who would shortly produce the Byrds' first few hits, had also latched on to "Little Honda", and produced his own version of the track, sung by Pat Boone of all people, with future Beach Boy Bruce Johnston on backing vocals: [Excerpt: Pat Boone, "Little Honda"] But when Usher had got his version out first, Boone's was relegated to a B-side. When the Byrds had hit, and folk-rock had started to take over from surf rock, Usher had gone with the flow and produced records like the Surfaris' album It Ain't Me Babe, with Usher and his usual gang of backing vocalists augmenting the Surfaris as they covered hits by Dylan, the Turtles, the Beach Boys and the Byrds: [Excerpt: The Surfaris, "All I Really Want to Do"] Usher was also responsible for the Surfaris being the first group to release a version of "Hey Joe" on a major label, as we heard in the episode on that song: [Excerpt: The Surfaris, "Hey Joe"] After moving between Capitol, Mercury, and Decca Records, Usher had left Decca after a round of corporate restructuring and been recommended for a job at Columbia by his friend Melcher, who at that point was producing Paul Revere and the Raiders and the Rip Chords and had just finished his time as the Byrds' producer. Usher's first work at Columbia was actually to prepare new stereo mixes of some Byrds tracks that had up to that point only been issued in mono, but his first interaction with the Byrds themselves came via Gene Clark: [Excerpt: Gene Clark, "So You Say You've Lost Your Baby"] On leaving the Byrds, Clark had briefly tried to make a success of himself as a songwriter-for-hire in much the same mould as Usher, attempting to write and produce a single for two Byrds fans using the group name The Cookie Fairies, while spending much of his time romancing Michelle Phillips, as we talked about in the episode on "San Francisco". When the Cookie Fairies single didn't get picked up by a label, Clark had put together a group with Bill Rinehart from the Leaves, Chip Douglas of the Modern Folk Quartet, and Joel Larson of the Grass Roots. Just called Gene Clark & The Group, they'd played around the clubs in LA and cut about half an album's worth of demos produced by Jim Dickson and Ed Tickner, the Byrds' management team, before Clark had fired first Douglas and then the rest of the group. Clark's association with Douglas did go on to benefit him though -- Douglas went on, as we've seen in other episodes, to produce hits for the Turtles and the Monkees, and he later remembered an old song by Clark and McGuinn that the Byrds had demoed but never released, "You Showed Me", and produced a top ten hit version of it for the Turtles: [Excerpt: The Turtles, "You Showed Me"] Clark had instead started working with two country singers, Vern and Rex Gosdin, who had previously been with Chris Hillman in the country band The Hillmen. When that band had split up, the Gosdin Brothers had started to perform together as a duo, and in 1967 they would have a major country hit with "Hangin' On": [Excerpt: The Gosdin Brothers, "Hangin' On"] At this point though, they were just Gene Clark's backing vocalists, on an album that had been started with producer Larry Marks, who left Columbia half way through the sessions, at which point Usher took over. The album, titled Gene Clark with the Gosdin Brothers, featured a mix of musicians from different backgrounds. There were Larson and Rinehart from Gene Clark and the Group, there were country musicians -- a guitarist named Clarence White and the banjo player Doug Dillard. Hillman and Michael Clarke, the Byrds' rhythm section, played on much of the album as a way of keeping a united front, Glen Campbell, Jerry Cole, Leon Russell and Jim Gordon of the Wrecking Crew contributed, and Van Dyke Parks played most of the keyboards. The lead-off single for Gene Clark with the Gosdin Brothers, "Echoes", is one of the tracks produced by Marks, but in truth the real producer of that track is Leon Russell, who wrote the orchestral arrangement that turned Clark's rough demo into a baroque pop masterpiece: [Excerpt: Gene Clark, "Echoes"] Despite Clark having quit the band, relations between him and the rest were still good enough that in September 1966 he temporarily rejoined the band after Crosby lost his voice, though he was gone again as soon as Crosby was well. But that didn't stop the next Byrds album, which Usher went on to produce straight after finishing work on Clark's record, coming out almost simultaneously with Clark's and, according to Clark, killing its commercial potential. Upon starting to work with the group, Usher quickly came to the conclusion that Chris Hillman was in many ways the most important member of the band. According to Usher "There was also quite a divisive element within the band at that stage which often prevented them working well together. Sometimes everything would go smoothly, but other times it was a hard road. McGuinn and Hillman were often more together on musical ideas. This left Crosby to fend for himself, which I might add he did very well." Usher also said "I quickly came to understand that Hillman was a good stabilising force within the Byrds (when he wanted to be). It was around the time that I began working with them that Chris also became more involved in the songwriting. I think part of that was the fact that he realised how much more money was involved if you actually wrote the songs yourself. And he was a good songwriter." The first single to be released from the new sessions was one that was largely Hillman's work. Hillman and Crosby had been invited by the great South African jazz trumpeter Hugh Masekela to play on some demos for another South African jazzer, singer Letta Mbulu. Details are sparse, but one presumes this was for what became her 1967 album Letta Mbulu Sings, produced by David Axelrod: [Excerpt: Letta Mbulu, "Zola (MRA)"] According to Hillman, that session was an epiphany for him, and he went home and started writing his own songs for the first time. He took one of the riffs he came up with to McGuinn, who came up with a bridge inspired by a song by yet another South African musician, Miriam Makeba, who at the time was married to Masekela, and the two wrote a lyric inspired by what they saw as the cynical manipulation of the music industry in creating manufactured bands like the Monkees -- though they have both been very eager to say that they were criticising the industry, not the Monkees themselves, with whom they were friendly. As Hillman says in his autobiography, "Some people interpreted it as a jab at The Monkees. In reality, we had immense respect for all of them as singers and musicians. We weren't skewering the members of the Monkees, but we were taking a shot at the cynical nature of the entertainment business that will try to manufacture a group like The Monkees as a marketing strategy. For us, it was all about the music, and we were commenting on the pitfalls of the industry rather than on any of our fellow musicians." [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] The track continued the experimentation with sound effects that they had started with the Lear jet song on the previous album. That had featured recordings of a Lear jet, and "So You Want to be a Rock 'n' Roll Star?" featured recordings of audience screams. Those screams were, according to most sources, recorded by Derek Taylor at a Byrds gig in Bournemouth in 1965, but given reports of the tepid response the group got on that tour, that doesn't seem to make sense. Other sources say they're recordings of a *Beatles* audience in Bournemouth in *1963*, the shows that had been shown in the first US broadcast of Beatles footage, and the author of a book on links between the Beatles and Bournemouth says on his blog "In the course of researching Yeah Yeah Yeah: The Beatles & Bournemouth I spoke to two people who saw The Byrds at the Gaumont that August and neither recalled any screaming at all, let alone the wall of noise that can be heard on So You Want To Be A Rock 'n' Roll Star." So it seems likely that screaming isn't for the Byrds, but of course Taylor had also worked for the Beatles. According to Usher "The crowd sound effects were from a live concert that Derek Taylor had taped with a little tape recorder in London. It was some outrageous crowd, something like 20,000 to 30,000 people. He brought the tape in, ran it off onto a big tape, re- EQ'd it, echoed it, cleaned it up and looped it." So my guess is that the audience screams in the Byrds song about the Monkees are for the Beatles, but we'll probably never know for sure: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] The track also featured an appearance by Hugh Masekela, the jazz trumpeter whose invitation to take part in a session had inspired the song: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] While Hillman was starting to lean more towards folk and country music -- he had always been the member of the band least interested in rock music -- and McGuinn was most interested in exploring electronic sounds, Crosby was still pushing the band more in the direction of the jazz experimentation they'd tried on "Eight Miles High", and one of the tracks they started working on soon after "So You Want to be a Rock 'n' Roll Star?" was inspired by another jazz trumpet great. Miles Davis had been partly responsible for getting the Byrds signed to Columbia, as we talked about in the episode on "Mr. Tambourine Man", and so the group wanted to pay him tribute, and they started working on a version of his classic instrumental "Milestones": [Excerpt: Miles Davis, "Milestones"] Sadly, while the group worked on their version for several days -- spurred on primarily by Crosby -- they eventually chose to drop the track, and it has never seen release or even been bootlegged, though there is a tiny clip of it that was used in a contemporaneous documentary, with a commentator talking over it: [Excerpt: The Byrds, "Milestones (TV)"] It was apparently Crosby who decided to stop work on the track, just as working on it was also apparently his idea. Indeed, while the biggest change on the album that would become Younger Than Yesterday was that for the first time Chris Hillman was writing songs and taking lead vocals, Crosby was also writing more than before. Hillman wrote four of the songs on the album, plus his co-write with McGuinn on "So You Want to be a Rock 'n' Roll Star?", but Crosby also supplied two new solo compositions, plus a cowrite with McGuinn, and Crosby and McGuinn's "Why?", the B-side to "Eight Miles High", was also dug up and rerecorded for the album. Indeed, Gary Usher would later say "The album was probably 60% Crosby. McGuinn was not that involved, nor was Chris; at least as far as performing was concerned." McGuinn's only composition on the album other than the co-writes with Crosby and Hillman was another song about contacting aliens, "CTA-102", a song about a quasar which at the time some people were speculating might have been evidence of alien life. That song sounds to my ears like it's had some influence from Joe Meek's similar records, though I've never seen McGuinn mention Meek as an influence: [Excerpt: The Byrds, "CTA-102"] Crosby's growing dominance in the studio was starting to rankle with the other members. In particular two tracks were the cause of conflict. One was Crosby's song "Mind Gardens", an example of his increasing experimentation, a freeform song that ignores conventional song structure, and which he insisted on including on the album despite the rest of the group's objections: [Excerpt: The Byrds, "Mind Gardens"] The other was the track that directly followed "Mind Gardens" on the album. "My Back Pages" was a song from Dylan's album Another Side of Bob Dylan, a song many have seen as Dylan announcing his break with the folk-song and protest movements he'd been associated with up to that point, and his intention to move on in a new direction: [Excerpt: Bob Dylan, "My Back Pages"] Jim Dickson, the Byrds' co-manager, was no longer on speaking terms with the band and wasn't involved in their day-to-day recording as he had been, but he'd encountered McGuinn on the street and rolled down his car window and suggested that the group do the song. Crosby was aghast. They'd already recorded several songs from Another Side of Bob Dylan, and Fifth Dimension had been their first album not to include any Dylan covers. Doing a jangly cover of a Dylan song with a McGuinn lead vocal was something they'd moved on from, and he didn't want to go back to 1964 at the end of 1966. He was overruled, and the group recorded their version, a track that signified something very different for the Byrds than the original had for Dylan: [Excerpt: The Byrds, "My Back Pages"] It was released as the second single from the album, and made number thirty. It was the last Byrds single to make the top forty. While he was working with the Byrds, Usher continued his work in the pop field, though as chart pop moved on so did Usher, who was now making records in a psychedelic sunshine pop style with acts like the Peanut Butter Conspiracy: [Excerpt: The Peanut Butter Conspiracy, "It's a Happening Thing"] and he produced Chad and Jeremy's massive concept album Of Cabbages and Kings, which included a five-song "Progress Suite" illustrating history from the start of creation until the end of the world: [Excerpt: Chad and Jeremy, "Editorial"] But one of the oddest projects he was involved in was indirectly inspired by Roger McGuinn. According to Usher "McGuinn and I had a lot in common. Roger would always say that he was "out of his head," which he thought was good, because he felt you had to go out of your head before you could really find your head! That sums up McGuinn perfectly! He was also one of the first people to introduce me to metaphysics, and from that point on I started reading everything I could get my hands on. His viewpoints on metaphysics were interesting, and, at the time, useful. He was also into Marshall McLuhan; very much into the effects of electronics and the electronic transformation. He was into certain metaphysical concepts before I was, but I was able to turn him onto some abstract concepts as well" These metaphysical discussions led to Usher producing an album titled The Astrology Album, with discussions of the meaning of different star signs over musical backing: [Excerpt: Gary Usher, "Leo"] And with interviews with various of the artists he was working with talking about astrology. He apparently interviewed Art Garfunkel -- Usher was doing some uncredited production work on Simon and Garfunkel's Bookends album at the time -- but Garfunkel declined permission for the interview to be used. But he did get both Chad and Jeremy to talk, along with John Merrill of the Peanut Butter Conspiracy -- and David Crosby: [Excerpt: Gary Usher, "Leo"] One of the tracks from that album, "Libra", became the B-side of a single by a group of studio musicians Usher put together, with Glen Campbell on lead vocals and featuring Bruce Johnston of the Beach Boys prominently on backing vocals. "My World Fell Down" was credited to Sagittarius, again a sign of Usher's current interest in astrology, and featured some experimental sound effects that are very similar to the things that McGuinn had been doing on recent Byrds albums: [Excerpt: Sagittarius, "My World Fell Down"] While Usher was continuing with his studio experimentation, the Byrds were back playing live -- and they were not going down well at all. They did a UK tour where they refused to play most of their old hits and went down as poorly as on their previous tour, and they were no longer the kings of LA. In large part this was down to David Crosby, whose ego was by this point known to *everybody*, and who was becoming hugely unpopular on the LA scene even as he was starting to dominate the band. Crosby was now the de facto lead vocalist on stage, with McGuinn being relegated to one or two songs per set, and he was the one who would insist that they not play their older hit singles live. He was dominating the stage, leading to sarcastic comments from the normally placid Hillman like "Ladies and gentlemen, the David Crosby show!", and he was known to do things like start playing a song then stop part way through a verse to spend five minutes tuning up before restarting. After a residency at the Whisky A-Go-Go where the group were blown off the stage by their support act, the Doors, their publicist Derek Taylor quit, and he was soon followed by the group's co-managers Jim Dickson and Eddie Tickner, who were replaced by Crosby's friend Larry Spector, who had no experience in rock management but did represent Peter Fonda and Dennis Hopper, two young film stars Crosby was hanging round with. The group were particularly annoyed by Crosby when they played the Monterey Pop Festival. Crosby took most lead vocals in that set, and the group didn't go down well, though instrumentally the worst performer was Michael Clarke, who unlike the rest of the band had never become particularly proficient on his instrument: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star (live at Monterey)"] But Crosby also insisted on making announcements from the stage advocating LSD use and describing conspiracy theories about the Kennedy assassination: [Excerpt: David Crosby on the Warren Commission, from the end of "Hey Joe" Monterey] But even though Crosby was trying to be the Byrds' leader on stage, he was also starting to think that they maybe didn't deserve to have him as their leader. He'd recently been spending a lot of time hanging out with Stephen Stills of the Buffalo Springfield, and McGuinn talks about one occasion where Crosby and Stills were jamming together, Stills played a blues lick and said to McGuinn "Can you play that?" and when McGuinn, who was not a blues musician, said he couldn't, Stills looked at him with contempt. McGuinn was sure that Stills was trying to poach Crosby, and Crosby apparently wanted to be poached. The group had rehearsed intensely for Monterey, aware that they'd been performing poorly and not wanting to show themselves up in front of the new San Francisco bands, but Crosby had told them during rehearsals that they weren't good enough to play with him. McGuinn's suspicions about Stills wanting to poach Crosby seemed to be confirmed during Monterey when Crosby joined Buffalo Springfield on stage, filling in for Neil Young during the period when Young had temporarily quit the group, and performing a song he'd helped Stills write about Grace Slick: [Excerpt: Buffalo Springfield, "Rock 'n' Roll Woman (live at Monterey)"] Crosby was getting tired not only of the Byrds but of the LA scene in general. He saw the new San Francisco bands as being infinitely cooler than the Hollywood plastic scene that was LA -- even though Crosby was possibly the single most Hollywood person on that scene, being the son of an Oscar-winning cinematographer and someone who hung out with film stars. At Monterey, the group had debuted their next single, the first one with an A-side written by Crosby, "Lady Friend": [Excerpt: The Byrds, "Lady Friend"] Crosby had thought of that as a masterpiece, but when it was released as a single, it flopped badly, and the rest of the group weren't even keen on the track being included on the next album. To add insult to injury as far as Crosby was concerned, at the same time as the single was released, a new album came out -- the Byrds' Greatest Hits, full of all those singles he was refusing to play live, and it made the top ten, becoming far and away the group's most successful album. But despite all this, the biggest conflict between band members when they came to start sessions for their next album wasn't over Crosby, but over Michael Clarke. Clarke had never been a particularly good drummer, and while that had been OK at the start of the Byrds' career, when none of them had been very proficient on their instruments, he was barely any better at a time when both McGuinn and Hillman were being regarded as unique stylists, while Crosby was writing metrically and harmonically interesting material. Many Byrds fans appreciate Clarke's drumming nonetheless, saying he was an inventive and distinctive player in much the same way as the similarly unskilled Micky Dolenz, but on any measure of technical ability he was far behind his bandmates. Clarke didn't like the new material and wasn't capable of playing it the way his bandmates wanted. He was popular with the rest of the band as a person, but simply wasn't playing well, and it led to a massive row in the first session: [Excerpt: The Byrds, "Universal Mind Decoder (alternate backing track)"] At one point they joke that they'll bring in Hal Blaine instead -- a reference to the recording of "Mr. Tambourine Man", when Clarke and Hillman had been replaced by Blaine and Larry Knechtel -- and Clarke says "Do it. I don't mind, I really don't." And so that ended up happening. Clarke was still a member of the band -- and he would end up playing on half the album's tracks -- but for the next few sessions the group brought in session drummers Hal Blaine and Jim Gordon to play the parts they actually wanted. But that wasn't going to stop the bigger problem in the group, and that problem was David Crosby's relationship with the rest of the band. Crosby was still at this point thinking of himself as having a future in the group, even as he was increasingly convinced that the group themselves were bad, and embarrassed by their live sound. He even, in a show of unity, decided to ask McGuinn and Hillman to collaborate on a couple of songs with him so they would share the royalties equally. But there were two flash-points in the studio. The first was Crosby's song "Triad", a song about what we would now call polyamory, partly inspired by Robert Heinlein's counterculture science fiction novel Stranger in a Strange Land. The song was meant to portray a progressive, utopian, view of free love, but has dated very badly -- the idea that the *only* reason a woman might be unhappy with her partner sleeping with another woman is because of her mother's disapproval possibly reveals more about the mindset of hippie idealists than was intended. The group recorded Crosby's song, but refused to allow it to be released, and Crosby instead gave it to his friends Jefferson Airplane, whose version, by having Grace Slick sing it, at least reverses the dynamics of the relationship: [Excerpt: Jefferson Airplane, "Triad"] The other was a song that Gary Usher had brought to the group and suggested they record, a Goffin and King song released the previous year by Dusty Springfield: [Excerpt: Dusty Springfield, "Goin' Back"] Crosby was incandescent. The group wanted to do this Brill Building pap?! Hell, Gary Usher had originally thought that *Chad and Jeremy* should do it, before deciding to get the Byrds to do it instead. Did they really want to be doing Chad and Jeremy cast-offs when they could be doing his brilliant science-fiction inspired songs about alternative relationship structures? *Really*? They did, and after a first session, where Crosby reluctantly joined in, when they came to recut the track Crosby flat-out refused to take part, leading to a furious row with McGuinn. Since they were already replacing Michael Clarke with session drummers, that meant the only Byrds on "Goin' Back", the group's next single, were McGuinn and Hillman: [Excerpt: The Byrds, "Goin' Back"] That came out in late October 1967, and shortly before it came out, McGuinn and Hillman had driven to Crosby's home. They told him they'd had enough. He was out of the band. They were buying him out of his contract. Despite everything, Crosby was astonished. They were a *group*. They fought, but only the way brothers fight. But McGuinn and Hillman were adamant. Crosby ended up begging them, saying "We could make great music together." Their response was just "And we can make great music without you." We'll find out whether they could or not in two weeks' time.