Podcasts about commercial editor

Editor Chris Salters launched Sawtooth, his own freelance-driven editorial house. Chris and I talk about how he's providing an all-in-one post solution for agencies and brands. We unpack the evolving role of AI in post-production, and we dive into his work in spots obviously. I love his work on the Pinocchio documentary by Guillermo del Toro, where managing massive amounts of footage was key. Of course we must about the future of AI in filmmaking, from LED walls to ethical concerns, and why respecting the edit process still matters. And so much. Great chat! LIVE BENEFIT FOR LA FIRE VICTIMS - FEB. 18th MAKE YOUR PASSION PROJECT NOW. Writer/Director/Producer Micheal Patrick Jann ("Drop Dead Gorgeous", "The State", "The Good Doctor") and I are holding a live webinar called "Make Your Passion Project Now" on Feb. 18th. 6pm Pacific. Live with a spirited Q&A and VIP pop ins. Sign up here. 100% of the ticket sales go to Red Cross LA to help the victims of the LA fires. Graciously hosted by our dear friends at the Filmmakers Academy. COMMERCIAL DIRECTING BOOTCAMP 04.05.2025 We're donating 50% of your Bootcamp tuition to charities and GoFundMe's to help the fire victims. Filmmakers learn how to win jobs and craft better work that leads to more opportunities. Agency creatives will learn how the flow goes on-set before the shoot. Limit 10 filmmakers. Includes one-on-one onboarding call.  Enroll now to direct with confidence. FILMMAKER RETREAT JOSHUA TREE '25 Thursday, September 25th – Sunday, September 28th, 2025. Limit 15 Filmmakers. This will be our 4th year and it's so special, I'd prefer to jump on the phone with you and tell you more. Every year since our first, filmmakers have come back. Pretty much says it all. SIGN UP! ONLINE FILMMAKING COURSES - DIRECT WITH CONFIDENCEEach of my online courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details. Want to level up your commercial directing game? MAGIC MIND - MY MENTAL PERFORMANCE EXILIR - 48% OFF w BRADY20Save hugely on Magic Mind with this link. — This link is the way.  Thanks, Jordan My cult classic mockumentary, “Dill Scallion” is online so I'm giving 100% of the money to St. Jude Children's Hospital. I've decided to donate the LIFETIME earnings every December, so the donation will grow and grow annually. Thank you. “Respect The Process” podcast is brought to you by Commercial Directing FIlm School and True Gent, aka True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.

On this week's episode - the first of The Publisher Podcast by Media Voices - we speak to Simon Kurs, Commercial Editor at the Evening Standard. The publisher won Best Commercial Strategy at this year's Publisher Podcast Awards for The Standard's Sustainable Travel campaign with Iberostar, a podcast-led multimedia series exploring how to travel the world without wrecking it. We discussed the Evening Standard's approach to podcast monetisation, from choosing clients that align with their values to having the podcast at the heart of a 360 degree media campaign. We also explore why publishers are at such an advantage when it comes to podcast campaigns, and why utilising multiple channels can help drive record-breaking podcast performance. This season is sponsored by BlueConic, the operating system that puts data into action for marketing and growth doers. The industry-first solution empowers doers with an unmatched range of capabilities to access relevant customer data, create resonant customer experiences, and drive maximum returns for their business. More than 500 businesses worldwide rely on BlueConic to unlock their full customer data potential, including Forbes, Heineken, Mattel, Michelin, Telia Company, and VF Corp. blueconic.com

Susan Munro (on the right) of Hybrid Collective and more recently of her sister company Session City, (seen above with co-founder Starr Session Varga, left) has consistently impressed me with her passion and dedication to the craft. As longtime friends who have worked together for over a decade, I've always admired her ability to blend technical expertise with a deep understanding of how to maximize emotional resonance. We chat Hybrid Collective's innovative pandemic productions, advice on how directors can best work with the editor, Susan's commitment to elevating diverse voices. At the helm of Hybrid Collective, she exemplifies the company's focus on blending business acumen with a creative vision that makes her a true force in our industry. A real treat to finally get Susan on the podcast! FILMMAKER RETREAT JOSHUA TREE 2024 - SIGN UP NOW Our 3rd annual Filmmaker Retreat Joshua Tree is Thursday, September 26th – Sunday, September 29th, 2024. I always use the word "transformational" in describing the past two years - because our tribe of like-minded filmmakers express that the retreat truly changed their lives. Both professionally and personally. Reserve your spot before the end of the year to take advantage of that last minute 2024 write-off. Limit 20 Filmmakers. FLOW Use the link plus code JB20 when you try https://www.magicmind.com/jordanbrady chug it daily after your coffee. If you follow me on Instagram you know my geniune endorsment of this mighty mind power juice. Check out my Masterclass or Commercial Directing Shadow online courses. (Note this link to the Shadow course is the one I mention in the show.) All my courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details. How To Pitch Ad Agencies and Director's Treatments Unmasked are now bundled together with a free filmmaker consultation call, just like my other courses. Serious about making spots? The Commercial Director Mega Bundle for serious one-on-one mentoring and career growth. Here's the Lbb Director's Playbook article sharing my pitch secrets. And my follow up that came out this week, How To Write Winning Treatments.  4+ NEW BEHIND-THE-SCENES I've uploaded more raw behind-the-scenes, with dailies, agency interaction, directing top talent and collaborating with my crew, all at Commercial Directing Masterclass. And you'll wanna check out the new courses, like Behind The Beard and Winning Director Treatments. Thanks to our editor Jake Brady We could not do the show without him and love this guy behind words. Need your pod spruced up? Check out his Podcast Wax. Thanks, Jordan This episode is just about 80 minutes. My cult classic mockumentary, “Dill Scallion” is online so I'm giving 100% of the money to St. Jude Children's Hospital. I've decided to donate the LIFETIME earnings every December, so the donation will grow and grow. Thank you. Respect The Process podcast is brought to you by Commercial Directing FIlm School and True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.

The Darlington Economic Campus is rapidly establishing itself as the civil service's flagship office outside of London – and has been described by chancellor Jeremy Hunt as moving “decision makers and advisers closer to the communities we serve.” So how has the Darlington Economic Campus changed the way policy is made? What difference has it made to the local area and is it contributing to the levelling up agenda? What are the factors behind the campus's success and should it be used as a blueprint for future relocations? And what are the next steps in the government's plan to relocate the civil servants from London? A recent IfG report has evaluated the impact of the Darlington Economic Campus on the civil service and the local area and set out recommendations for current and future relocations. At this event, which was held in Darlington, there was a welcome from Nigel Robinson from PA Consulting, and a short presentation from Jordan Urban, the report's lead author. Baroness Penn, Treasury Lords Minister, responded to the IfG's research. An expert panel discussion followed, featuring: • Jo Crellin, Director General, Trading Systems at the Department for Business and Trade • Mike Hughes, Business and Commercial Editor at The Northern Echo • Baroness Penn, Treasury Lords Minister • Andrew Perkin, Business Growth and Investment Manager at Darlington Borough Council • Beth Russell, Second Permanent Secretary to the Treasury   The event was chaired by Alex Thomas, Programme Director at the Institute for Government.

The Darlington Economic Campus is rapidly establishing itself as the civil service's flagship office outside of London – and has been described by chancellor Jeremy Hunt as moving “decision makers and advisers closer to the communities we serve.”  So how has the Darlington Economic Campus changed the way policy is made? What difference has it made to the local area and is it contributing to the levelling up agenda? What are the factors behind the campus's success and should it be used as a blueprint for future relocations? And what are the next steps in the government's plan to relocate the civil servants from London?  A recent IfG report has evaluated the impact of the Darlington Economic Campus on the civil service and the local area and set out recommendations for current and future relocations.  At this event, which was held in Darlington, there was a welcome from Nigel Robinson from PA Consulting, and a short presentation from Jordan Urban, the report's lead author. Baroness Penn, Treasury Lords Minister, responded to the IfG's research. An expert panel discussion followed, featuring: Jo Crellin, Director General, Trading Systems at the Department for Business and Trade Mike Hughes, Business and Commercial Editor at The Northern Echo Baroness Penn, Treasury Lords Minister Andrew Perkin, Business Growth and Investment Manager at Darlington Borough Council Beth Russell, Second Permanent Secretary to the Treasury The event was chaired by Alex Thomas, Programme Director at the Institute for Government. This event was kindly supported by PA Consulting.

Little Farm is Erwin Fraterman's editorial boutique in Los Angeles, where he and his team can do everything under one barn roof. He and I, along with Thom Reimerink, just did a successful mad dash for RAM Trucks and Razorfish Pubicis to deliver a fully cut, mixed and colored film, with VFX no less, in a mere 29 hours.  We talk about the process, the editor-director-agency relationship and so much more. We met on a Buick campaign back in 2018, but now that we've been to war together, the bond is extra special.  Check out Little Farm.    EVENTS & COURSES Check out my Masterclass and Commercial Directing Shadow online courses. All my courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details.   So excited for our Second Annual Filmmaker Retreat in Joshua Tree. Join us Sept. 28th to Oct. 1st in the desert for a transformational experience. "Define Your Voice is our theme and you'll emerge knowing what you want and how better to achieve it.   How To Pitch Ad Agencies and Director's Treatments Unmasked are now bundled together with a free filmmaker consultation call, just like my other courses. Serious about making spots? The Commercial Director Mega Bundle for serious one-on-one mentoring and career growth.   Tubi!! Jeannette Godoy's hilarious romcom “Diamond In The Rough” streams FREE on Tubi with commercials and on the Amazon Prime! Please support my wife filmmaker Jeannette Godoy's romcom debut. It's “Mean Girls” meets “Happy Gilmore” and crowds love it. Here's the trailer.   Thanks,   Jordan    This episode is 35 minutes.   My cult classic mockumentary, “Dill Scallion” is online so I'm giving 100% of the money to St. Jude Children's Hospital. I've decided to donate the LIFETIME earnings every December, so the the donation will grow and grow. Thank you.   Respect The Process podcast is brought to you by True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc. 

Little Farm is Erwin Fraterman‘s editorial boutique in Los Angeles, where he and his team can do everything under one barn roof. He and I, along with Thom Reimerink, just did a successful mad dash for RAM Trucks and Razorfish Pubicis to deliver a fully cut, mixed and colored film, with VFX no less, in a mere […]

In this episode of The Video Editing Podcast from Unsplice, we are joined by multi award winning commercial video editor, David Gesslbauer. You'll hear the career path he took to becoming one of Berlin's most sought-after agency-represented commercial editors. This is a fun episode; David is a funny guy. This is part 1 of the conversation, all about his journey to where he is now. In part 2 coming next, the subject turns to effects and transitions and where they belong in award-winning editing. To watch the video version of this podcast head to https://youtu.be/utEA5P-fMvg These are the awards that David has won for his editing: CLIO Gold - Film Craft: Editing Student for “BORN GUILTY” 2022CLIO Silver - Film Craft: Editing for “WE WILL BECOME BETTER” 2022NEXT EDITOR - Wooden Pencil, D&AD Awards 2019EDITOR OF THE YEAR Silver - shots Europe Awards 2021EDITOR OF THE YEAR Silver - shots Europe Awards 2019YOUNG DIRECTOR AWARD Gold - Video Art for “UNUM”YOUNG DIRECTOR AWARD Gold - Filmschool & Charity Commercial for “DARK RED”YOUNG DIRECTOR AWARD Gold - Filmschool & Charity Commercial for “BORN GUILTY”UK Music Video Award - Best International for “WE WILL BECOME BETTER” 2021EUROBEST Silver - Editing for “WE WILL BECOME BETTER” 20218 x Vimeo Staff Picks This podcast is from Unsplice – The online mentor for freelance video editors looking to improve their editing and career. To receive weekly video editing tips in your inbox, head to https://www.unsplice.com Would you like to have a mentoring session on the podcast? Head to https://www.unsplice.com/ask to submit your question. It can be related to the art of editing or about career progression. It's up to you. If you took anything away from this episode, it would be super appreciated if you subscribed and left a 5* review. This helps other video editors like yourself find and learn from the podcast. Thank you for listening. Support this podcast at — https://redcircle.com/the-video-editing-podcast/donations

Stories New coffee shop in Bree St  Anchovies, love or hate?  Kowse Indian pasta   Guest: Lauren Goldman | Commissioning and Commercial Editor of Eat Out and Food24 See omnystudio.com/listener for privacy information.

David (@dzorn) talks about day to day details of working in different offices, strategy in setting your day rate (with actual prices!), the hold and challenge system, not getting too comfortable, keeping your skills sharp, and the importance of a good kick in the ass. ----- venicebeachpost.com

Guest - Adam Bonsib - Film and Commercial Editor - Ving Rhames, don’t hurt us - John Singleton talk & resumeCast - yet another American Gods plug - Tupac the actor - Tyrese, stunning man of multiple talents - the bicycle kid crew - giving each other the Joe Pesci treatment - stop showing off in your Venmo comments - Ving Rhames appreciation - tracking down Lemonheads - funeral fashion talk - model carCast - coming around to the Baby Boy - evil step parents - Snoop Dogg talk - true life stories from the mean streets - gentrifying the crime away - garden envy - timing your tomatoes - Malcolm and Freaks talk - Ving Rhames, the biggest of dick energy - smell it - Ready 2 Rumble talk  - getting ready to win big/crumble/bundle - Bruce Buffer getting paid - talking filters - everyone in the movies all waving their guns around - Lost in Translation cinematography appreciation 

Marcus Teague is an editor, freelance writer, songwriter and musician. His contribution to Australian music journalism during the last decade has been significant. After co-founding a magazine and website devoted to independent music named Mess+Noise, Marcus went on to work as music editor at The Vine for six years from 2008. Under his editorial guidance, this pop culture-centric website became one of the most popular and respected outlets for music writing in the country. It also provided a regular home for thoughtful, longform journalism and criticism for many freelance writers, myself included. Writing for Marcus at The Vine was an incredibly important aspect of my development as a journalist and music critic, and I have many fond memories of my time writing for the site for four years from 2010. Since he left The Vine in 2014, Marcus has freelanced for the likes of Rolling Stone and Guardian Australia, while copywriting and working on artist bios on the side, in addition to his day job as commercial editor at Broadsheet. One evening in April, I met Marcus at a studio in Fitzroy, and our conversation touches on why he thinks suspicion is an essential character trait for music journalists; how he developed resilience as a fledgling musician who dreamed of making it in Melbourne; how he started writing songs in tandem with publishing a magazine that was a precursor to Mess+Noise; why he now finds it harder to write songs as he becomes more invested in journalism, and what happened when the drummer of Metallica read a concert review on The Vine and decided to give Marcus a call.  Marcus Teague is an editor, freelance writer, songwriter and musician based in Melbourne. He formed the band Deloris in the late 1990s, and wrote and recorded four albums until the band split in 2008. While in Deloris, he began writing about Australian music, first in the self-made, small-run zine Poolside with friend and bandmate Leigh Lambert, then as co-founder of magazine and website Mess+Noise. In 2008, Marcus was hired as full-time Music Editor for new website The Vine, a pop-culture offshoot of Fairfax Digital. Writing daily about music, it was there many of his formative experiences as a music journalist occurred: covering CMJ in New York, becoming a panelist and guest on the likes of Bigsound, triple j, and Face the Music, filing reviews for The Age and The Sydney Morning Herald, and being asked to tour with Metallica after the band read Marcus's review of their live show. After leaving The Vine in 2014 Marcus freelanced, becoming a regular contributor to Rolling Stone and Guardian Australia, among others. He also began a sideline in writing copy for music industry clients and artist bios. Marcus is currently the Commercial Editor for Broadsheet, and continues to freelance as a music writer. He also writes and releases music under the solo moniker of Single Twin, as well as in the band Near Myth, whose debut album, Idiot Mystic, was released in late 2016. Show notes and links to what was discussed in this episode: http://penmanshippodcast.com/episode-38-marcus-teague/ Marcus Teague on Twitter: @MarcusTeague Penmanship on Twitter: @PenmanshipAU penmanshippodcast.com

If you think your deadlines are tight, think again. Imagine waking up Wednesday morning knowing you have a 2-3 minute piece airing on national television in 3 days...and it hasn't even been shot yet. This is the life of SNL editor Adam Epstein who routinely turns around amazing trailers, spoof commercials, music videos, and parodies for SNL week after week under insane deadlines. In this episode Adam and I talk about his rise to being the senior film editor at Saturday Night Live, how he manages incredibly short turnarounds, and most importantly his ninja tricks for being as efficient as humanly possible to ensure his cuts never miss an air date (but he's definitely come close). Adam was kind enough to even provide screenshots of his digital workspace, bins and timelines. In the bonus guide for this episode you can learn how Adam: • Organizes his media to access it fast and efficiently • Lays out the different windows in his digital workspace • "Pancakes" multiple timelines in Adobe Premiere Pro to edit infinitely faster than working with a single timeline. Click here to download the bonus guide with all the screenshots Want to win a 1-year subscription to either Boris Continuum Complete, Mocha Pro, or Sapphire? All you have to do is take 2 minutes and Leave a review for the podcast in iTunes. We're drawing 3 random winners on December 1st, so don't wait too long! These prizes courtesy of our brand new sponsor Boris FX. Show Sponsor: G-Technology Topics of Conversation: Adam's early experiences with filmmaking and his career trajectory toward editing SNL How successful movie-making requires good relationships Cutting with Video Toaster Swinging between short-form and long-form editing The SNL weekly workflow Why Adam edits SNL pieces chronologically, integrating sound and graphics as he goes Avoiding being pigeon-holed into one genre of work Choosing the editing software that works for you Learning to start projects with "confidence keystones" How a history in short-form editing informs long-form work The importance of having a consistent workflow Zack's "hit-by-the-bus theory" Stacking timelines to increase efficiency How Adam's renders can keep up with SNL's crazy pace Useful Links: Enjoying The Show? Leave A Rating And Review HERE To Enter Our BorisFx Sweepstakes FiP Question Submission Athletic Greens FiP Facebook Group Adam's Site Guest Bio: Senior Film editor at SNL (8th season at the show) Documentary Now! editor Commercial Editor at PS260 Currently cutting Why We're Killing Gunther 32 city post-production tour "The Cutting Edge" Made of some carbon. Show Credits: This episode was edited by Curtis Fritsch, the show notes were prepared by Jakin Rintelman, and this show is executive produced by Kanen Flowers. We are a member of theTHAT STUDIO podcast network. The music in the opening and closing of the show is courtesy of Dorian Cheah from his brilliant album ARA.

My friend Editor Shira Ankori has edited some of the best comedy spots on my reel for over ten years now. We discuss working with the advertising agency creatives and why directors need to actually cut. Timing and collaboration are themes we agree on, so have a listen and share with a filmmaker you love. Thanks, Jordan This episode is one hour.

My friend Editor Shira Ankori has edited some of the best comedy spots on my reel for over ten years now. We discuss working with the advertising agency creatives and why directors need to actually cut. Timing and collaboration are themes we agree on, so have a listen and share with a filmmaker you love. Thanks, Jordan This episode is…

Rae Johnston is a Journalist for Gizmodo Australia, and was previously the Commercial Editor for Gizmodo, Kotaku, and Lifehacker.She has done PR work for Surprise Attack and Flat Earth Games, Co-ordination and hosting for EB Games Expo, co-created and presented for Tech Space, was the Lifestyle Editor for TechLife Magazine, was an original presenter/reviewer for Save Point TV, and has been working professionally as an actor/voice actor for over a decade.She is a high profile advocate for the games industry, regularly appearing on morning TV shows, is heavily involved with the cosplay community, and regularly MC's at events from Oz Comic-Con to Haven.

Editor Rob Watzke has cut many of your favorite tv spots over the years, but on nights and weekends, he teaches improvisation. We saw his show the night Helen Hunt played along with Rob and his troupe. The 100% riffed show was amazing. Back in the editing bay, Rob deftly cuts on any tool invented, and works with his agency clients to bring out the best in the footage. We chat improvisation, editing and discuss the birth of the Frankensteinization of multiple versions of edits in one cut. Is it really better? You'll enjoy this episode. Admittedly, I babbled too much. Two cool things: my pal launch the Maserati of iPhone Cases" called IOM Cases. Buy one. Super cool, stainless steel. And I'm offering all currently enrolled Film Students and those in Ad School a whopping $75 discount on my Bootcamp. My next Commercial Directing Bootcamp will be in Dallas, Texas on Saturday, December 19th, 2015 - so sign up today! You're worth it. thanks, Jordan This episode is 85 minutes, give or take, of our banter. Please like the show on iTunes.

This March we welcomed superstar chef Raymond Blanc in conversation with Anne Shooter, food writer and Commercial Editor of Mail Online, to discuss his new book and BBC2 TV series, 'Kew on a Plate'. An impassioned, charismatic speaker, Blanc is one of the world's most highly regarded chefs, proudly sporting two Michelin stars and mentoring many of today's other leading chefs. Amid the gardeners' tips and expertise, 'Kew on a Plate' features Raymond's detailed tasting notes and 40 mouth-watering recipes that make the best of produce at its freshest. Learn the perfect variety of apple for his Tarte Tatin or pick the perfect potato for the Sunday roast.