Podcast appearances and mentions of david zwirner gallery

Episode Notes Bibliography "Equal (2015)" - Dia Art Foundation. https://www.diaart.org/visit/visit/dia-beacon-beacon-new-york-usa/artwork/equal-2015-richard-serra "Equal (2015) by Richard Serra" - Artsy. https://www.artsy.net/artwork/richard-serra-equal "Equal" - Wikipedia. https://en.wikipedia.org/wiki/Equal_(sculpture) "Richard Serra: Sculpture, Prints, Drawings" - Gagosian. https://gagosian.com/artists/richard-serra/ "Richard Serra" - The Museum of Modern Art (MoMA). https://www.moma.org/artists/5345 "Richard Serra's ‘Equal' at David Zwirner, London" - Blouin ArtInfo. https://www.blouinartinfo.com/news/story/1251698/richard-serras-equal-at-david-zwirner-london "Richard Serra: Equal" - David Zwirner Gallery. https://www.davidzwirner.com/exhibitions/2015/richard-serra-equal "Equal by Richard Serra" - The Broad. https://www.thebroad.org/art/richard-serra/equal "Richard Serra" - Guggenheim Museum. https://www.guggenheim.org/artwork/artist/richard-serra "Equal" - Public Art Archive. https://www.publicartarchive.org/work/equal Find out more at https://three-minute-modernist.pinecast.co

David Zwirner Gallery in Los Angeles is hosting an exhibition of American artist John McCracken’s works on the ninetieth anniversary ...

A conversation with artist Wolfgang Tillmans. Tillmans is one of only two artists listed on Time Magazine's 100 Most Influential People of 2023 and his work was recently featured in a major retrospective at Museum of Modern Art in New York. He took time out from installing his latest work at David Zwirner Gallery to discuss his creative process, the importance of installation and the necessity of play.https://www.davidzwirner.com/exhibitions/2023/wolfgang-tillmans-fold-mehttps://tillmans.co.uk/

One of the clear trends visible in last year's auction data is a renewed interest in abstract painting. Bidders are pursuing a range of overlooked artists from the 1940s and 1950s. Into that trend, David Zwirner Gallery has opened a new show, Roma New York, 1953-64. The exhibition more than 50 works by 23 different artists highlights the connection between some of the giants of mid-century art like Willem de Kooning, Robert Rauschenberg, Franz Kline and Cy Twombly , as well as lesser known names like Conrad Marca-Relli, and a group of Italian artists in Rome like Carla Accardi, Afro, Alberto Burri, Piero Dorazio, Luigi Boille, Gastone Novelli, Jannis Kounellis and Mario Schifano. The show is filled with discoveries. That may be why one obsessive gallery-goer on Instagram called it, “the most magnificent gallery show in New York right now.” In this podcast, the show's curator David Leiber, who is also a partner at David Zwirner Gallery, explains the origins of the show and what he hopes to it will provoke.

Frieze Masters presents this conversation with Andra Ursuţa & Jeremy Deller in partnership with David Zwirner Gallery (@davidzwirner). Their conversation explores Ursuţa's new exhibition at David Zwirner as well as her inclination towards using clichés and the ‘lowest' regarded forms of artistry, her embrace of spirituality and the influence of the ancient on her work.  "I look at a lot of ancient sculpture. I think, at least in my opinion, that if you try to make something that answers too perfectly to the sort of visual demands of today, your work will look very dated, very quickly." – Andra Ursuţa  Andra Ursuţa was born in 1979 in Salonta, Romania, moved to New York in 1999 and has gained recognition for her inventive sculptural work that mines the darker undercurrents of contemporary society. Jeremy Deller (@jeremydeller) is an English conceptual, video and installation artist.  About the Frieze Masters Podcast  Exploring themes of identity, originality, geopolitics and Blackness through a historical lens, the new Frieze Masters Podcast is now available. Bringing together some of today's most celebrated artists, art historians and curators, the podcast launches with the Talks programme from the 2022 edition of Frieze Masters – one of the world's leading art fairs – and offers compelling insight into the influence of historical art on contemporary perspectives and creativity.     www.frieze.com  @friezeofficial

Back in 2019, R.K. Russell came out as bisexual and found his job chances in the NFL evaporate. We hear from him. And, artist Barbara Kruger reworked some of her pieces and included new works with text from the web in exhibits at the Museum of Modern Art and the David Zwirner Gallery in New York City. Karen Michel reports.

Frank Walter's rarely seen work is being exhibited at David Zwirner Gallery on the Upper East Side of Manhattan until July 29th. He was an agriculture expert from the island of Antigua in the Caribbean. After a multi-year sojourn in Europe, Walter returned to Antigua where he spent the rest of his life making art. Few saw these works until the 2017 Venice Biennale. There Walter was featured at the first ever pavilion for Antigua and Barbuda. Hilton Als is a writer for the New Yorker. He is also a frequent curator of art exhibitions. Als happened to be in Venice in 2017 and came upon Walter's work by chance. In this podcast, we talk about Frank Walter and his art. We also discuss Hilton Als's career as a curator. He was involved in the seminal Black Male show staged at the Whitney in 1994. Since then he has put on shows for Victoria Miro Gallery, David Zwirner and the Yale Center for British Art. Als next show is an exhibition on the life and work of Joan Didion. It will be the latest in a number of innovative shows he has created around literary figures. In these shows, he has found a new way to present ideas in gallery spaces.

Lauryn-Ashley Vandyke is a recent graduate of New York University who has made a fast and furious name for herself in the New York art scene. She has become downtown Manhattan's party planner, headlining the top DJs, venues and emerging artists. Lauryn-Ashley is a regular contributor to The Drunken Canal, a print-only newspaper for the exclusive downtown crowd. In this episode of The Art Career Podcast, Lauryn-Ashley shares her journey to her recent role as David Zwirner Gallery's event coordinator. Follow us: @theartcareer Podcast Host: Emily McElwreath @emilymcelwreath_art Lauryn-Ashley Vandyke - @tastyhandpullednoodles Podcast Director: Morgan Everhart @morgan_everhart Sound editing: Aaron Stoner Music: Chase Johnson www.theartcareer.com Enjoy 10% off your first month of affordable, private therapy by visiting BetterHelp.com/tac

My practice varies from project-to-project, and is sometimes collaboration-based and at other times the result of my personal art making practices in diverse media, including site-specific installations, sculptures, performances, works on paper, films and audio pieces. My work has been exhibited at galleries in New York and elsewhere, including David Zwirner Gallery, Postmasters, Ronald Feldman Gallery, Xavier Hufkens (Brussels), Studio 10, and Pierogi 2000. In 1999 and 2000, a grant from Phillip Morris Foundation in conjunction with the Künstlerhaus Bethanien, Berlin allowed me to live and create work in Berlin. I had a major exhibit at the Brooklyn Museum in 2013, as part of its Raw/ Cooked series. It featured multi-media installations in several parts of the museum, and a film program. In addition, I have done many projects abroad, including shows/installations/projects in Germany, Scandinavia and Ramallah. 1990 till 2000, I hosted and co-directed the Four Walls art space in Williamsburg, Brooklyn, a project space whose function was something between a clubhouse and laboratory. It was a place where exhibitions, panel discussions, performances and projects took place, creating a nexus of cultural exchange for artists. In 1989, I received a National Endowment for the Arts grant which became seed money for the Four Walls project. My intent was to create a condition for the exchange of ideas. From1993 to 2011, I directed, curated and organized The Slide and Film Club. I invited artists—and non-artists— to show Super8 films , 35mm slideshows and videos. A house band played improvised music to programs that lacked soundtracks, should someone request it. The project brought together hundreds of visual artists, writers and musicians such as Brian Dewan, Christian Marclay, Joy Garnett, Jim Torok and Carla Pearlman among others. It fostered the work of many artists, as well as my own Super 8 film work. My studio practice over the past five years has primarily been object based. I have often relied on processes based on coincidence, or cues that I receive from my life in order to generate works which perform a useful function, or at least an approximation of one. For example, “Weathervane” at Pierogi Gallery in 1997, fulfilled its metrological role, as well as a quasi-metaphorical one: it took the form of an abstracted Pinocchio head. “Moo-Moo” (2010), was a giant, sculptural cow head on the roof of the Brooklyn restaurant, Diner. It was a portrait of one of the locally-sourced animals being served. “Billboard” in Hudson, New York played with the nature of what billboards are, using them to present subtly disorienting landscape images in unlikely places. Since March of 2020, the world, and certainly my world, has been circumscribed by COVID, making it more difficult to present art in the usual ways. One piece I did in early 2021 was a guerrilla installation in a local park. In the tangle of branches of bushes and trees near the entrance of Cooper Park, one might find two blue rope-like sculptural forms weaving around the forms of the trees. Those pieces are called “Jay” and “Pea” and, in addition to bringing visual play to the local park, they commemorate my friend, the artist Joyce Pensato, who passed away the year before. It was the park she used to frequent with her dog. Another recent project had a commemorative aspect, this year's “Word of Bird is Cured” shown at Studio 10, Bushwick. My friend, the artist and writer Matt Friedman had passed away after a long illness. My piece covered the windows of the gallery with blue paper, with thousands of silhouettes of birds cut into the paper by hand. The gallery faced west, and as days grew long, projections of the birds flooded the room. In the room I created a series of cellophane bags, based on the forms of boulders. The bags were inflated by fans from below, precariously erect and quick to wither when the fans were turned off.

Stephen, who worked until recently at David Zwirner Gallery, discusses the differences in the audience experiences in a gallery as opposed to a museum, arguing that museums give people a greater diversity of experiences. RP Flores asks the fundamental question: why should people go to museums? Stephen points out that they are re-designing themselves and that there is a thought-shift in museums about what to give audiences, but there is the fact that when you see something in front of you on the wall it is a different sensory experience than when you see it online. They both agree that the notion of Art as Cognition requires an embodied experience. But, as RP Flores points out, perhaps in the future it might shift how we engage in art, and perhaps people might want less information. Stephen points out that even now, with VR tours, that already cuts down on information and also cuts out certain demographics. Support the show (https://www.patreon.com/talkpopc)

In this week's episode of the ArtTactic Podcast, we speak with Mike Steib, CEO of Artsy, the leading online platform for discovering, buying and selling fine art. First, Mike shares what happened on Artsy's platform during the pandemic, including how it impacted the behavior of collectors and galleries. Also, he reveals what specific actions the company took to help galleries during this difficult period. Then, Mike tells us what he thought of select galleries, such as David Zwirner Gallery, establishing online platforms that hosted other galleries' exhibitions. Additionally, he answers if we really witnessed a transformation of the online art space during the pandemic.

Today, we have Hilton Als, Pulitzer Prize winning theater critic in the studio talking on James Baldwin. He curated theexhibition God Made My Face: A collective portrait of Baldwin at the David Zwirner Gallery in Chelsea. And we haveopera composer Andrea Clearfield on her new opera Mila, the Great Sorcerer. Clearfield tells the tale of a Buddhistpriest and his transformation from a violent past to peace and enlightenment.

Those falsettos, those white suits, those toothy smiles: You think you know the Bee Gees. But their story goes back much further than the ’70s, and it’s full of twists. From their roots as an eclectic harmony band in Australia and their first wave of Beatlesque fame, through their domination of the disco revolution and their years as an punchline, the Bee Gees stayed alive because of the Gibb brothers’ harmonies and especially their impeccable songs. This month, Hit Parade traces the influence of the brothers Gibb on virtually every popular genre, from pop to R&B, rock to easy-listening, country to…yes, even hip-hop.  Email: hitparade@slate.com   This episode is brought to you by the following advertisers: American Express. Don't do business without it. Dialogues, a new podcast from David Zwirner Gallery. Subscribe and listen wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Those falsettos, those white suits, those toothy smiles: You think you know the Bee Gees. But their story goes back much further than the ’70s, and it’s full of twists. From their roots as an eclectic harmony band in Australia and their first wave of Beatlesque fame, through their domination of the disco revolution and their years as an punchline, the Bee Gees stayed alive because of the Gibb brothers’ harmonies and especially their impeccable songs. This month, Hit Parade traces the influence of the brothers Gibb on virtually every popular genre, from pop to R&B, rock to easy-listening, country to…yes, even hip-hop.  Email: hitparade@slate.com   This episode is brought to you by the following advertisers: American Express. Don't do business without it. Dialogues, a new podcast from David Zwirner Gallery. Subscribe and listen wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode Savona talks with Mr. Als after he won the Pulitzer, the first theater critic to win in 40 years. And we talk about the exhibition he curated for the David Zwirner Gallery in Chelsea on Alice Neel. Known for her portraits of family, friends, writers, poets, artists, students, singers, salesmen, activists, neighbors, and more, Alice Neel (1900-1984) created forthright, intimate, and, at times, humorous paintings that have both overtly and quietly engaged with political and social issues. In this exhibition, Als brings together a selection of Neel’s portraits of African Americans, Latinos, Asians, and other people of color. Highlighting the innate diversity of Neel’s approach to portraiture, the selection looks at those often left out of the art historical canon and how the artist captured them; as Als writes, “what fascinated her was the breadth of humanity that she encountered.”

I spoke with Los Angeles' finest daughter: comedian, artist, and animator Casey Jane Ellison.  She told me about going to art school at SAIC, how she managed to host Touching the Art for the Ovation Network, living a V-Files lifestyle, and how everyone is a conceptual artist. This week's episode is sponsored by Tillamook Cheese and David Zwirner Gallery.