Podcasts about Ago

Où est le bon ? présente l'épisode 135 du podcast Agoécologie Voyageuse !Dans cette série de 4 épisodes, Opaline a souhaité mettre en lumière la puissance de la régénération de rivière basée sur les processus (ou régénération low tech), encore plus forte lorsqu'elle intègre la dimension du faire ensemble. C'est ce qu'elle a pu vivre pendant le stage auquel elle a participé aux Fermes de Ségur. Ce stage a été bouleversant et elle a voulu ici vous transmettre un peu de ce que j'ai vécu. Les participant·es sont repartie.s avec une envie frénétique de mettre les mains dans la boue, manier les branches et les feuilles et se déguiser en castor pour redonner leur liberté à des cours d'eau, et réhydrater la terre.Dans cette première partie, vous allez découvrir le contexte agricole corrézien dans lequel a eu lieu le stage et remontez aux origines de la régénération de rivière basée sur les processus. C'est ainsi que des américains ont nommé il y a une dizaine d'années un processus fortement inspiré de ce que fait le castor depuis 8 millions d'années. Considérez cet épisode comme une FAQ sur la castor et la santé des rivières.Cette série fait partie de la saison 5 du podcast Agroécologie Voyageuse, dans la thématique Rendre l'Eau à la Terre. Cet épisode a pu être réalisé grâce au soutien de donatrices et donateurs du podcast Agoécologie Voyageuse et Opaline souhaite remercier aujourd'hui Perrine, Cédric, Helene, Françoise, Corinne, Hannah, Flora, Kristell, Maria et Martin.~~~~~~ Pour aller plus loin ~~~~~~

50 episodes! Imagine that! We are back again with our dear friend Agostino Simonetta in the second part of our two part interview. This time with Fernando taking the lead for a deeper one-on-one since Shams had to go and spread some democracy across the galaxy (as he should). Fernando and Ago is immediately getting in to familiar territory with conference season, industry rituals, and the strange push and pull of showing up (or not). From there, it drifts into bigger questions about the usual suspects as growth and consolidation, but more importantly - what really happened during the acquisition rush of the past few years? Expect perspective shaped by experience, a few (unexpected?) analogies, and the kind of side paths that make us rethink how stable the industry really is. Oh yeah, also expect banter. Of course. Follow Agostino on LinkedIn here as well as GSC Game World here

SAISON 5 – EPISODE 2 : L'entreprise est-elle une société comme une autres ?Un épisode présenté par Marlène MOROT et Cassandre GRANDIERES, avec Dominique CAU-BAREILLE et Gérald LE CORRE.Cet épisode a été enregistré à Travaillorama 2025 à la MGI (Maison du Geste et de l'image)Merci à nos sponsors d'avoir soutenu la première édition de Travaillorama : Ergonova, Norea Consulting, Anthropie, Card, Ago conseil et ErgotechLa captation vidéo et streaming de cet épisode a été possible grâce à PayeTaprod !Merci à vous, les patréotes sur PATREON, de nous aider à financer cette saison de Parlons peu, Parlons Ergo !

A Cooperativa de Eletrificação Lauro Müller (Coopermila) realiza nesta sexta-feira (30) a Assembleia Geral Ordinária (AGO), momento considerado o principal espaço de decisão da cooperativa. O encontro acontece na sede da Coopermila e reunirá associados para deliberar sobre temas administrativos, financeiros e estratégicos da instituição. A assembleia terá primeira convocação às 17h e terceira e última convocação às 19h, conforme previsto em estatuto. Entre os principais objetivos da AGO estão a garantia da transparência na gestão, o fortalecimento da participação democrática dos cooperados e a definição de diretrizes para o futuro da cooperativa. Durante a reunião, o Conselho de Administração fará a prestação de contas referente ao exercício de 2025, acompanhada do parecer do Conselho Fiscal e de auditoria externa independente. Também está prevista a eleição dos membros do Conselho Fiscal para o período de 2026. Outro ponto importante da pauta será a apresentação do plano de investimentos para o exercício de 2026, além do plano de aplicação dos recursos do Fundo de Assistência Técnica, Educacional e Social (Fates), que visa apoiar ações voltadas ao desenvolvimento social e à capacitação dos cooperados. Para participar da assembleia e ter direito a voto, o associado precisa estar em dia com suas obrigações junto à Coopermila até a véspera da AGO. Tanto pessoas físicas quanto representantes de empresas ou entidades devem apresentar documentos comprobatórios no momento do credenciamento. Em entrevista ao programa Cruz de Malta Notícias, o presidente da Coopermila, Alcimar Damiani de Brida, reforçou o convite aos associados, destacando a importância da presença dos cooperados na Assembleia Geral Ordinária. Segundo ele, a AGO é fundamental para a tomada de decisões coletivas e para o fortalecimento da cooperativa.

SAISON 5 – EPISODE 1 : L'IA va-t-elle remplacer le travail ?Un épisode présenté par Thibaud MARCOU et Gaëlle PLADYS, avec Moustafa ZOUINAR et Adrien TALLENTCet épisode a été enregistré à Travaillorama 2025 à la MGI (Maison du Geste et de l'image)Merci à nos sponsors d'avoir soutenu la première édition de Travaillorama : Ergonova, Norea Consulting, Anthropie, Card, Ago conseil et ErgotechMerci à vous, les patréotes sur PATREON, de nous aider à financer cette saison de Parlons peu, Parlons Ergo !

Existem variados tipos de assembleia? O que significa a sigla AGO? É assim que normalmente se fala? Por que a AGO é tão importante? Ela só acontece uma vez no ano, é isso? Como que as pessoas são chamadas pra essa reunião? 5. ⁠o período pra que ela aconteça é quando? Quais são os assuntos da AGO? E tem que ter quantas pessoas presentes? Quem falta, tem que obedecer e pagar o que foi discutido? O valor do condomínio sempre aumenta? E se não tiver AGO ? Qual a dica do dia? Para responder essas e outas questões sobre condomínios, o âncora Jota Batista conversa com o advogado especialista em Direito Condominial, Yuri Oliveira.

Dans cet épisode spécial, je reçois une icône absolue du monde moto : Giacomo Agostini.Une discussion rare, intime et inspirante où “Ago” partage ce qui l'a construit, ce qui l'a porté, et ce que signifie réellement vivre en pilote.Pas de nostalgie figée : ici, on parle d'aventure, d'instinct, d'émotions brutes et de cette énergie qui pousse à se dépasser, sur la piste comme dans la vie.Au programme :• Son rapport unique au pilotage• Les moments qui l'ont marqué• Ce que la moto représente vraiment pour lui• Une philosophie de vie façonnée par l'adrénaline et la discipline• Des messages précieux pour les passionnés.Un épisode fort, humain et vibrant… une rencontre qui ne s'oublie pas.

日曜日の夕方、あるいは連休最終日の夜。カレンダーを見た瞬間に襲ってくる、あの重苦しい気持ち。「明日から仕事か。。」というため息とともに、胸が締め付けられるような感覚。連休明けの朝、目覚まし時計を止めながら「会社に行きたくない」と強く思ってしまう。この感情を抱いているのは、あなただけではありません。多くの働く人が、連休明けに同じような憂鬱を経験しています。なぜ連休明けに「会社に行きたくない」と感じるのでしょうか。予防法は？ 実際にその状態になったときの対処法を、AGO global株式会社・湯山 卓先生が解説します。なぜ連休明けは会社に行きたくないのか？連休明けに会社に行きたくない気持ちは、単なる「怠け」や「甘え」ではありません。心理学的・生理学的なメカニズムが働いています。生活リズムの乱れにより体内時計のズレが起きている連休中は、平日とは異なる生活リズムで過ごすことが多くなります。夜更かしをしたり、朝寝坊をしたり、食事の時間が不規則になったりと、体内時計が平日モードから休日モードへとシフトします。3連休以上になると、体内時計が完全に休日リズムに適応してしまいます。そこから再び平日の早起きリズムに戻すのは、想像以上に身体への負担が大きいのです。これは軽度の「時差ボケ」に似た状態で、「ソーシャル・ジェットラグ（社会的時差ボケ）」と呼ばれています。朝起きるべき時間に体が「まだ休息が必要」と判断しているため、強い倦怠感や眠気を感じ、「会社に行きたくない」という気持ちが増幅されます。心理的な切り替えができていない連休中、仕事から解放されて自由に過ごせる時間は、心にとって貴重なリラックス期間です。好きなことをして、ストレスから離れ、自分のペースで生活できる。この快適な状態から、再び仕事モードに切り替えることは、心理的な抵抗を生みます。仕事にストレスを感じている場合、連休は「避難場所」のような役割を果たします。その避難場所から再びストレスフルな環境に戻ることへの抵抗感が、「会社に行きたくない」という強い感情として現れるのです。

Episode 4981: Remembering Pearl Harbor 84 years Ago; Tina Peters Letter To President Trump

Welcome to my monthly FLOW (aka food, listening to/reading, obsessed with + wellness), where I share my current favourites in health, wellness & lifestyleMentioned in the episode:Food & nutrition:-Flourless Brownies https://ohsheglows.com/ultimate-flourless-brownies-for-two-cookbook-news/-Ambitious Kitchen Cookbook-Cookie + Kate Healthy Pumpkin Muffins https://cookieandkate.com/healthy-maple-pumpkin-muffins/Listening to & reading:-The Mountain is You + Stronger Ground-⁠My Goodreads⁠-⁠Brene Brown on Diary of a CEO-Dr. Dawn Mussallem on Mel Robbins Podcast-Gabby appObsessed:-Gabby Bernstein live event, Fortnite, AGO + free museumsWellness/workout:-Eversio mushrooms (15% off ⁠⁠⁠⁠Eversio ⁠⁠⁠⁠with code: ALEXKING) & Rainbo 11:11 mushrooms-Ladder appConnect with me:- Free call: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠work with me here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Have period cramps? Check out my online course⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠DUTCH test⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (hormone test)- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GI Map test⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (gut test) - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Free resources⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@nutritionmoderation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@nutritionmoderation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nutritionmoderation.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DISCOUNTS:- 15% off ⁠⁠⁠Eversio ⁠⁠⁠with code: ALEXKING - 15% off at ⁠⁠⁠⁠⁠⁠⁠MUDWTR⁠⁠⁠⁠⁠⁠⁠ using code: ALEXADELE- 10% off at ⁠Pascoe⁠ using code: ALEXKING10- Discount on Canadian Supplements: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ca.fullscript.com/welcome/aking⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Discount on US Supplements: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://us.fullscript.com/welcome/aking1654616901⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For podcast inquiries, email: ⁠⁠⁠⁠⁠⁠⁠⁠holisticwomenshealthpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠

Since its introduction five years ago, the Washington-grown Cosmic Crisp apple has proven itself to be the next big variety as its popularity grows.

(The Center Square) – Washington State Bar Association investigated Gov. Bob Ferguson when he was attorney general in 2023 for his office's handling of a lawsuit that cost taxpayers $3 million, new documents obtained by The Center Square show. The confidential investigation found insufficient evidence to prove wrongdoing, but the WSBA probe has never been reported, according to the records obtained for the AGO's office through an open records request. The Center Square also obtained records showing other complaints were filed against Ferguson while he was serving as attorney general, but they were dismissed without further investigation or directed to Ferguson's private attorneys. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

(The Center Square) – Washington State Bar Association investigated Gov. Bob Ferguson when he was attorney general in 2023 for his office's handling of a lawsuit that cost taxpayers $3 million, new documents obtained by The Center Square show. The confidential investigation found insufficient evidence to prove wrongdoing, but the WSBA probe has never been reported, according to the records obtained for the AGO's office through an open records request.Support this podcast: https://secure.anedot.com/franklin-news-foundation/ce052532-b1e4-41c4-945c-d7ce2f52c38a?source_code=xxxxxx Read more: https://www.thecentersquare.com/washington/article_3926b410-b549-4c07-9328-a750b2d5325f.html     Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

(The Center Square) – Newly obtained records reveal further details of the Washington State Bar Association investigation into Attorney General Nick Brown that ended hours after The Center Square reached out for comment. WSBA rules dictate that bar complaint investigations into private attorneys are to be kept confidential, but The Center Square obtained records of the investigation through a public records request to the AGO. The office acted as defense counsel for Brown and AGO employees and resources were used to prepare the response. Among the new details revealed is that Solicitor General Noah Purcell sought and obtained two separate extensions of deadlines set by the WSBA, albeit the first one was after two deadlines had not been met. The Center Square has previously inquired with the WSBA whether extensions were granted but did not receive any response. The AGO has also never responded to The Center Square's requests to confirm the information. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

(The Center Square) – Newly obtained records reveal further details of the Washington State Bar Association investigation into Attorney General Nick Brown that ended hours after The Center Square reached out for comment. WSBA rules dictate that bar complaint investigations into private attorneys are to be kept confidential, but The Center Square obtained records of the investigation through a public records request to the AGO.Support this podcast: https://secure.anedot.com/franklin-news-foundation/ce052532-b1e4-41c4-945c-d7ce2f52c38a?source_code=xxxxxx Read more: https://www.thecentersquare.com/washington/article_4825822f-b3e9-4b3d-9706-3e35e849ea40.html Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What are the origins of AGO and how has the organisation developed within the National Intelligence Community? How does AGO contribute to the broader remit of Australian statecraft, the work done by other NIC agencies, and the Five Eyes partnership? What are some of the biggest challenges in Australia's immediate region that AGO is working towards? What role do emerging technologies play in this? What makes innovation in the geospatial intelligence space key to building resilience? In this episode Kathryn McMullan joins Sally Bulkeley to discuss the importance of geospatial intelligence, how it contributes to statecraft, and how the Australian Geospatial-Intelligence Organisation (AGO) works with other partners to enhance national security and resilience. Kathryn McMullan is the Director of AGO. Sally Bulkeley is Deputy Head of the ANU National Security College. TRANSCRIPT Show Notes: AGO | National Intelligence Community Five Eyes wide shut: now is the wrong time to pause in shaping Australia's intelligence agenciesWe'd love to hear from you! Send in your questions, comments, and suggestions to NatSecPod@anu.edu.au. You can tweet us @NSC_ANU and be sure to subscribe so you don't miss out on future episodes.  Hosted on Acast. See acast.com/privacy for more information.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

This was a fine Thursday crossword by Aidan Deshong -- his 6th for the NYTimes. Jean tore through it, Mike ... did not. The theme, discussed within, was great. The clues were also fine -- 20A, Leveled the playing field, say?, MOWED (awesome!); 55A, Pin number, TEN (

Hey guys, I know it's been a while since I did a monthly market stat breakdown for Halifax, but here I am back again!Few things to note. Average home price was $597,168.00 which is only the second time this year that the average home price in Halifax dropped below $600,000.00 (the only other time was July 2025.) So that means 2 times in the last 3 months has the average home price dropped below $600k. Something worth noting!To me, the important things to note in this months market stats are the number of homes for sale in Halifax (1320), and the months of inventory in Halifax (3.2 months.)Why?Halifax has not had 1320 units for sale since April 2020!! That's the start of the COVID-19 pandemic, when home prices in Halifax started increasing rapidly. Now since the start of January 2025, Halifax has increased it's number of units for sale every single month, starting from 792 units in January to 1320 units inSeptember. Now in real estate, we live and die by the rule of supply and demand. Ff there are no homes for sale and strong demand, prices go up, and if there are homes for sale and no demand, prices go down. Simple, right? Well if that's the case here, than home prices should be starting to cool off in Halifax becuase we're starting to get supply (number of homes for sale) back. And you can tell, because we are gaining units for sale every month. Days on market is up, Halifax is seeing more price adjustments, and homebuyers are starting to be able to negotiate price adjustments on purchases. So, something is starting to happen in Halifax. The next thing would be the months of inventory at 3.2 months. So this is a real estate mathematical equation we use to see how much inventory is in a real estate market at any given time. The equation is simple, we assume if Halifax receives no new listings, how long does Halifax have, based on rate of consumption by buyers, until it runs out of listings? 3.2 months. Why is this important? Halifax has not had 3.2 months of inventory since October 2019!! Just think about that for a second, Halifax now has as much inventory for sale as we did back in October 2019. 6. Years. Ago. Before the real estate market went crazy!! Now another thing to note, the real estate industry has 3 different real estate markets. Sellers market, balanced market, and a buyer's market. A sellers market is defined by 0-4 months of inventory, a balanced market is 4-6 months of inventory, and a buyers market is 6+ months of inventory. (This is defined by CREA, the Canadian Real Estate Association.) So if that's the case, Halifax is actually 0.8 months of inventory away from a balanced market. A balance market by definition states that a buyer is paying fair market value for a home.So what does this all mean? I'm taking it as signs in the water that the Halifax real estate market might be starting to cool off... But Halifax home prices seem to be sticking to their all time highs throughout all of 2025. So are home prices the last things to come down? Or will buying demand come back now that the Bank of Canada is cutting interest rates again?Who knows, something to think about. Last thing to note, September 2025 received 654 new listings, September has not received that many new listings since September 2020 when everyone was chasing the red hot real estate market and all time high home sale prices... So are sellers still chasing these all time high prices, or are people selling their homes because mortgage renewals are here and the change in interest rates are too much for them to bear?Food for thought!Jason Paul902-220-7357jason@infinityrealestategroup.ca@jasonpaulhalifaxrealtor

C'est encore une pause dej au coworking qui m'a mise sur une nouvelle piste. Un collègue me demande si j'utilise ChatGPT pour promouvoir le podcast. Et là, je réalise : on est de plus en plus à poser nos vraies questions business à des IA. Dans cette Minute Marine, je te parle de cette prise de conscience un peu vertigineuse, des différences entre SEO classique et SEO “LLM” (ou AGO), et de pourquoi il devient urgent de s'intéresser à la découvrabilité… via les IA. Tu me diras : – Tu t'y intéresses, toi, au référencement pour les IA ? – Tes prospects, ils demandent quoi à ChatGPT ? (Pour me répondre, envoie-moi un mp sur Linkedin

Cosa Publica 2.0 - Vi. 29 Ago 2025 1. Ciudad neoliberal 2. Entrevista con • Henry Jiménez Guanipa (Instituto Max Planck de Derecho Público Comparado y Derecho Internacional) 3. Entrevista con Indira Navarro, vocera de Guerreros Buscadores de Jalisco Conducción y producción por: Rubén Martín: / rmartinmar Jesús Estrada: / jestradax Asistencia de producción y realización: Alejandro Coronado: / soyelcoronado

28 Ago. 25 - Bolsa Bateu 142,2 mi, Vai Mais? Olá, sejam bem-vindo a mais um Fechamento de Mercado, comigo Flávio Conde, hoje é 5a. feira, dia 28 de agosto, o programa de hoje falará da máxima histórica de 142,2 mil e e bom volume de R$ 23 bilhões. Além disso, focaremos nas altas de Ultrapar +8%, Raízen +3% e Vibra +5%.Assista o programa e descubra o que comprar e vender no Fechamento do Mercado.

Cosa Publica 2.0 - Ju. 28 Ago 2025 1. Desaparecidos 2. Luis Sánchez Castillo, presidente de la Organización de Invidentes Unidos de Jalisco, AC y José Antonio García Casal abogado y coordinador del Sindicato de Inquilinos de Guadalajara 3. Luis Sánchez Castillo, y José Antonio García Casal: en cabina 4. Poderes + Gaza Conducción y producción por: Rubén Martín: / rmartinmar Jesús Estrada: / jestradax Asistencia de producción y realización: Alejandro Coronado: / soyelcoronado

27 Ago. 25 - Ibovespa 139,2 mil +1%Olá, sejam bem-vindo a mais um Fechamento de Mercado, comigo Flávio e Ricardo, hoje é 4a. feira, dia 27 de agosto. O Ibovespa voltou a subir bem +1,04%, aos 139.205 pontos e volume fraco. O dólar comercial recuou 0,32% frente ao real a R$ 5,416. Já os juros futuros caíram pouco com o Tesouro Prefixado 2032 a 13,84% de 13,89% ontem e IPCA+ 2029 a 7,75% de 7,79%.

Cosa Publica 2.0 - Ma. 26 Ago 2025 1. Dr. Eduardo Santana, director del Museo de Ciencias Ambientales 2. Narco-Estado 3. Desaparecidos - Guerra informal 4. Ciudad neoliberal - Gaza Conducción y producción por: Rubén Martín: https://x.com/rmartinmar Jesús Estrada: https://x.com/jestradax Asistencia de producción y realización: Alejandro Coronado: https://x.com/SoyelCoronado Operador de audio: Emanuel Candelas

Cosa Publica 2.0 - Lu. 25 Ago 2025 1. Desaparecidos 2. Héctor Flores, colectivo Luz de Esperanza 3. Ciudad neoliberal 4. Poderes - Gaza Conducción y producción por: Rubén Martín: https://x.com/rmartinmar Jesús Estrada: https://x.com/jestradax Asistencia de producción y realización: Alejandro Coronado: https://x.com/SoyelCoronado Operador de audio: Emanuel Candelas

Cosa Publica 2.0 - Vi. 22 Ago 2025 1. Desaparecidos 2. Florian Huber, representante de la Fundación Heinrich Böll 3. Florian Huber, representante de la Fundación Heinrich Böll 4. Gaza - Globales Conducción y producción por: Rubén Martín: https://x.com/rmartinmar Jesús Estrada: https://x.com/jestradax Asistencia de producción y realización: Alejandro Coronado: https://x.com/SoyelCoronado Operador de audio: Emanuel Candelas

(The Center Square) – Washington State Attorney General Nick Brown was threatened with an interim suspension of his license to practice law for failing to respond to allegations made in response to an exclusive story by The Center Square about the AGO's amicus brief filed in support of Perkins Coie. Support this podcast: https://secure.anedot.com/franklin-news-foundation/ce052532-b1e4-41c4-945c-d7ce2f52c38a?source_code=xxxxxx Read more: https://www.thecentersquare.com/washington/article_9509c048-6932-421f-a28b-ba2a698c11ad.html

Cosa Publica 2.0 - Ju. 21 Ago 2025 1. Desaparecidos 2. Adriana Ornelas, colectivo Madres Buscadoras de Jalisco 3. Desigualdad 4. Gaza -Globales Conducción y producción por: Rubén Martín: https://x.com/rmartinmar Jesús Estrada: https://x.com/jestradax Asistencia de producción y realización: Alejandro Coronado: https://x.com/SoyelCoronado Operador de audio: Emanuel Candelas

Lugar Comun - Ma. 19 Ago 2025 ¡Ya comenzó con Diana y Meche! Hoy hablamos del teatro en Guadalajara… ¿Podemos decir que nuestra ciudad es realmente teatral?Sintoniza el 104.3 FM

19 Ago. 25 - Bancos Despencam com Dino x MagnitskyOlá, sejam bem-vindo a mais um Fechamento de Mercado, comigo Flávio, hoje é 3a. feira, dia 19 de agosto, após a alta de ontem e -2,10%, aos 134.432,26 pontos, em função dos temores de que os bancos brasileiros saiam do sistema financeiro internacional por descumprirem a Lei Magnitsky. BB (BBAS3) caiu 6,03%, Bradesco (BBDC4) caiu 3,43%, Itaú Unibanco (ITUB4) desceu 3,05% e Santander (SANB11) cedeu 4,88%.Veja o que fazer assistindo o vídeo acima do Fechamento de Mercado.

Washington State Attorney General Nick Brown was threatened with interim suspension of his law license after failing to respond to an ethics complaint tied to undisclosed AGO contracts with Perkins Coie and an amicus brief supporting the firm's legal battle with Donald Trump. Brown eventually replied through Solicitor General Noah Purcell after missed deadlines. This report was first published by The Center Square Washington. https://www.clarkcountytoday.com/news/wa-ag-nick-brown-threatened-with-suspension-of-license-to-practice-law/ #NickBrown #WashingtonState #AttorneyGeneral #PerkinsCoie #EthicsComplaint #WSBA #NoahPurcell #DonaldTrump #TheCenterSquare #LegalEthics

14 Ago. 25 - Fechamento de Mercado

13 Ago. 25: Bolsa -0,89% e BRAVA +1,2%Olá, sejam bem-vindo a mais um Fechamento de Mercado, comigo Flávio Conde e Ricardo Afonso, hoje é 4a. feira, dia 13 de agosto, o programa de hoje é dedicado aos 2mil investidores que assistem diariamente o Fechamento.Veja no vídeo a análise do Flávio Conde de Taurus e Porto e quais ações comprar depois das quedas de hoje.

12 Ago. 25 - BPAC11 +13% e Sabesp +10%Olá, sejam bem-vindo a mais um Fechamento de Mercado, comigo Flávio Conde e Ricardo Afonso, hoje é 3a. feira, dia 12 de agosto, o programa de hoje é dedicado aos investidores que assistiram o Mata-Mata de BB Seguridade – Comprar ou Vender? Vc não assistiu ainda? Assista agoraIbovespa forte alta de +1,69% a 137.914 depois de uma semana de alta de quase 3 mil pontos e com volume bom de R$ 24,2 bi quase da média de R$ 25 bi. O dólar comercial recuando 1,06%, a R$ 5,385, menor valor desde 14 de junho de 2024, quando fechou em R$ 5,376. Os DIs (juros futuros) recuaram por toda a curva. Saiba mais assistindo o vídeo do Fechamento de Mercado de hoje e descubra quais ações comprar e quais vender com os analistas Flávio Conde e Ricardo Afonso.

07 Ago. 25 - Eletrobras +9% É para Comprar?

(The Center Square) – Costs of renting office space for hundreds of employees in the Washington State Attorney General's Office has more than doubled in the last decade, according to an analysis of fiscal data by The Center Square.The largest recipient of AGO spending, according to fiscal.wa.gov, for the past several biennia has been BPP 800 Fifth REIT LLC, which operates 800 Fifth Avenue in downtown Seattle. Support this podcast: https://secure.anedot.com/franklin-news-foundation/ce052532-b1e4-41c4-945c-d7ce2f52c38a?source_code=xxxxxx Read more: https://www.thecentersquare.com/washington/article_3e771521-d159-441f-845a-8da00eb07e0e.html

06 Ago. 25 - Itaú é Top, Compre maisOlá, sejam bem-vindo a mais um Fechamento de Mercado, comigo Flávio Conde e Ricardo Afonso, hoje é 4a. feira, dia 6 de agosto, o programa de hoje é dedicado aos 2mil investidores que assistiram ontem o Fechamento e os que comentaram como CJMQ dec Cambuí MG, Marcos de Londres, Ortega, Morgana dívida da Klabin, Valdecy, Munhol, Elvis José Raízen não deve se recuperar, Mauricio Moura e Fernando Pereira fiz um MM para esse domingo de BBSE3, Eduardo Bruda, Carlos Arp, Gilson, Sarkis, JPDornelles trocar Taesa por Eletrobras?, Nicoletti. Veja no vídeo a análise de Itaú, RADL, PCAR e PRIO

05 Ago. 25 > Brava +5,7% e Klabin -2,5%Olá, sejam bem-vindo a mais um Fechamento de Mercado, comigo Flávio Conde e Ricardo Afonso, hoje é 3o. feira, dia 5 de agosto, o programa de hoje é dedicado aos 2 mil investidores que nos acompanham diariamente e os que escreveram comentários como o JMSarkis, Gilson, Malvesti, Sandro Maurício, HortaCozinha, Izabel, Nicoletti e Fabiano.Ibovespa subiu apenas 0,14% a 133.151 depois de atingir 134.193 às 10h40 e dólar fecha a R$ 5,506 praticamente estável.Saiba mais assistindo o vídeo do Fechamento de Mercado de hoje

Fantastic Four: First Steps Is this, the 4th attempt at bringing the Marvel Universe‘s “First Family” to the big screen actually as fantastic as it purports to be? Well, we have finally settled on a look and feel that best suits the classic super hero squad: and it’s ‘60s Retro-futurism all the way for one and all!!! It’s a whole new universe of Marvel stories starring Omni-daddy Pedro Pascal, serving C&%t Vanessa Kirby, Joseph “i’m on fire!” Quinn and Ebon Moss Bacharach (or baccarat as Quinny thinks he’s called) as the truly Fantastic Four! In this film we kick of Marvel‘s Phase 6 and usher in a new style and direction of storytelling, but is it actually good?  Listen in and find out! These fantastic four reviewers are here for this one, so it’s all hands on deck as we hit this faster than light! https://youtu.be/ZkJszcpuQwQ A huge shout-out to the fantastic flexible friends and their robot helpers who join in with our moderated live-chat during the Twitch stream, each Tuesday night at 7:30pm AEST. And especially to those who have decided to drop some crushed up planet juice in the tip jar. Thanks for supporting us directly via our Ko-Fi jar and now also by subscribing on Twitch! You ALL rock! If you like what we do, drop us a sub!  Every bit of your support helps us to (hopefully) keep entertaining you and making more emotes! (there may need to be some for the rating system soon!) Don’t fret if you can’t be there for the recording though as you can catch them on Youtube usually later that very night. Make sure to subscribe so you don’t miss them! https://youtu.be/18QQWa5MEcs?si=ZuzrC0i80qHjiz4n https://youtu.be/cLFDV72pa-s?si=VHolgiDlJZWBk0I0 https://youtu.be/_rRoD28-WgU?si=nISYKo7MGY4MpUE9 https://youtu.be/WEhgwDqYqWM?si=Tx-FIPgv23qichZv ERRATA: It seems Quinny’s HERBIE history lesson was incorrect and entirely apocryphal… https://youtube.com/shorts/KHyTOUSk6Rw?si=FCmt1FKY-Grdhs7D   WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We’re on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/   Full text transcript Dion  Ohh hello and welcome to the pairing Table of Awesome. It is time for a foursome of a different kind on today. The Tuesday. What time? What time is it?  Speaker 3  What time is it?  Speaker 6  Blame on us? Yeah, it’s it’s.  Speaker 3  Fun it’s it’s podcasting time.  Dion  Butter in time. Wait, that doesn’t quite work. I don’t know. And right now, Pete, which she was invisible. Yeah. Yeah, well done.  Speaker 6  oh  Speaker 3  Sorry.  Quinny  Very well done. I love the feeling now, really. She’s.  Dion  Hold on. Yeah, yeah, yeah. Embrace hope. She’s yeah, probably. Still there. Can you hear?  Jill  Really gone. Just gone.  Dion  Us in the void.  Peta  I’m invisible. I’m not silent.  Speaker  Yeah. Yes.  Dion  That’s true. They didn’t use that enough in the film. I don’t think they’re just having Sue just kind of being like, what are you guys talking about and freaking people out because, you know, I do, if I were the Invisible Man.  Jill  Yeah, she’s not seen, not heard woman.  Dion  Yeah, not seen, not heard. Wow. Hello. Back after a week. Off. Off. Yeah, yeah. Small, small break.  Quinny  Wow. Hey, I said, everybody feeling enthused and like, upbeat and stuff.  Jill  It was nice. To have a little break to be honest.  Dion  Yeah, yeah, I hate those months with the five Tuesdays. What? What weirdness is that ********? And now? Ohh, it’s it’s gone. You’ve gone all glowy and.  Peta  Yeah, I’ve, I’ve. I’ve smudged the camera so.  Quinny  And ohh well. Yeah, I know. She’s she’s actually doing the exact effect from the movie where it’s just a little.  Jill  Yeah, yeah. The Vaseline lens. Yeah.  Speaker 3  Bit of.  Quinny  Now, now pets. No.  Dion  Can I stretch my hand over here?  Quinny  Pun. Serve absolute can’t with your face while you.  Jill  Do that. Yeah, there it is.  Dion  There you go. Perfect.  Speaker 3  And now I’m going to do some cooking, OK?  Dion  Ohh dear and you know what I hope for everyone. Hello to everyone in the chat mainly for. I hope you all got to do the home.  Speaker  Hey.  Dion  Work.  Jill  Yeah. Did everyone enjoy the movie? I.  Dion  This particular day.  Quinny  Mean I could. See it? Yeah, Tari looks like that. She hasn’t seen it yet. She’s saying that she that please be good. Ohh. Interesting.  Speaker  Oh.  Speaker 6  Ohh.  Dion  Fascinating. What?  Jill  Yeah.  Dion  Look. Yeah, we Fantastic Four has been out since last Thursday. Officially, we saw it last week which? Was quite fun.  Jill  Yeah, there’s even some early screenings on Wednesday for the public.  Dion  Yeah. Yeah, yeah, yeah. It’s out. It’s part of Marvel’s Phase 266.  Quinny  Yep. First film of Save 6. First film of, say Phase 6. God, that’s.  Speaker 6  Dion  Why couldn’t have made it the first film of Phase 4?  Quinny  Because that was quite some time.  Dion  And then it. Would have been. Ago. Right. OK. Look, the fourth attempt at the Fantastic Fours and I I include in that the the 1994. 1. Which was never released except IS is is hovered around. Yes, there was a 1994 one.  Jill  That would make this the 5th 1 then.  Dion  Yeah. No, no, it’s it’s, it’s, I say this as in the fourth go at it because there were two with the same cast. So you have the, yeah.  Speaker 6  Ohh OK.  Dion  What are you talking about? This is. Our fourth thing. We have had, yes, it’s the fourth thing, you know, Michael Chiklis did a great job getting covered in rubber.  Quinny  That is true, Yep.  Peta  Yeah.  Dion  You know, and then you know, we’re up to this one.  Jill  Can’t remember the other guy.  Quinny  That’s gonna get off in the life. And remember who played the thing in Fan 4? Stick. Ohh my.  Dion  God fan 4 stick.  Jill  I know.  Quinny  That was, that’s what it’s called.  Jill  Fan Fant Fant 4 stick.  Quinny  I don’t know, but I I just.  Jill  Yeah, I think that a was in the. Middle not at the start.  Quinny  Ohh OK, I just call it fan 4 stick because it’s it’s easier to say.  Dion  Ohh, that’s right, it’s Jamie Bell.  Quinny  Ohh God that’s.  Dion  Right, you remember.  Speaker 2  Whoops.  Quinny  He was the young.  Dion  Billy Elliot.  Speaker 3  Yes.  Quinny  And and the young, chipper guy out of of the first king or the the King Kong movie that Peter Jackson did.  Dion  And he was also tin tin. But that was who made.  Quinny  It so not really who you would think. Yeah, would fit in a giant thing.  Jill  Memorable.  Dion  That he was the. Thing, yes.  Quinny  And Karina makes a good point, a arresting piece to Julian McMahon, who was the 1st Doctor Doom actually. Sorry, 2nd Doctor Doom.  Speaker  Yeah. Yeah.  Dion  Yes, because there was a doom.  Jill  I did rewatch the 2005 version on the weekend just for a bit of nostalgia. Yeah, I like those trashy ones. They’re great. They’re so campy and stupid.  Speaker  Did you?  Quinny  What did you think of it?  Speaker  Yeah.  Jill  And I look back on them. And I’m like, wow, the simpler times where we did comic book films. And we really, really did make them comic bookie.  Speaker  Yeah, man. Yeah.  Dion  And finally.  Jill  Well, we weren’t going. For all of the realism and stuff.  Quinny  Yeah. And they didn’t have to fit in with some. Gigantic *******. Thing.  Jill  I will tell you practical effects. Thing I don’t know I like. Yeah, CGI 1 is like that, feels like. A cheap cop out.  Quinny  Right. OK. OK. Fine, no suit.  Jill  With balls on it and not put in. Any effort and? Just animate it.  Quinny  You know what?  Dion  Wait, do you mean wait?  Peta  The fine effort.  Jill  Hey, it’s a different kind of effort. I’m like, let’s get our hands dirty and make a ******* stinky suit out of foam expanding. Foam or something like that and. Of course, some lung disease. Let’s get into.  Dion  I’m I’m going to like, I’m just going to take it on part of the actors there. Sometimes I’m just going to be like, yeah, maybe they don’t.  Jill  It.  Quinny  This is Jeff.  Dion  Want that? Maybe they don’t want to spend 16 hours in a makeup chair to to to do. Yeah.  Speaker 6  As a cosplayer, I I would agree, but I would also disagree because I think it would be fun to make it.  Dion  Sure. I mean ultimately it’ll be that great thing of like they make someone do that and then they just go oh.  Quinny  I’m. I’m just.  Dion  We’re just gonna CGI it.  Quinny  Well, The thing is, there was a there was a lot of the thing in this one that was actually practical. Like there’s quite believe it or not, there’s there’s shots that they hired a a pretty big wrestler to be the body for it. So on set. A lot of the time there was a practical suit, dude of roughly the right size. Is.  Jill  So we’re not talking about a guy that’s just standing in there in a green zentai.  Quinny  No, I mean when when they’re doing it with Evan Moss, Baccarat, then he was in the uh, whatever the **** he said. Backup, backup, backtrack.  Dion  Doctor rap. No. Baccarat. That’s a.  Quinny  Alright.  Dion  Game I know.  Quinny  Dion  Know you’re in a casino in Monte. Carlo yes, guys.  Quinny  Anyway, when he was on set, yeah, they they had this entire certain stuff like that. But there were quite a lot of it that was shot any time they needed, like a wide shot and everything. They actually had a dude in a suit with the. Ohh head and everything. Cool. Alright. Yeah, I’ve I’ve seen the the pictures of that, but I’ve also in the chat just put a link to the 1994 one and the thing in that Jill, you would love that one because the the suit actually looks more like the comic book character than any of the others have.  Jill  I love the terrifying dead. Eyes.  Speaker 3  I know.  Dion  I mean, it’s great. It’s yeah, it’s very thingy.  Jill  That’s. Yeah, that’s.  Speaker 6  Look at that thingy over there. That thingy.  Dion  Yeah, that, that, that is definitely something I’d go. What is that thing? If I saw it in a in a thing?  Jill  With that young man with fake grey sideburns.  Quinny  I know, right?  Dion  Yeah. Hey guys. I’m trying hard here, Joe. What?  Quinny  Honestly, if you could find that film. Like this. This is I love this one because my my thing with Fantastic Four it it started with this film because I was one of those ******* nerds who heard that there was a film that got made and was never released. So I then went and hunted.  Speaker  For.  Quinny  It and I, you know, back in the days of VHS trading, got somebody to send me a *******. VHS of this film that had never been released, and I’ve watched it. It’s terrible, but it’s actually got a lot of, like, it’s trying really hard.  Jill  And. Nice.  Quinny  To do all of the things that are fantastic, four movie should do just with no budget. Hmm. So yeah, like it’s got Doctor Doom. It’s got the mole, man. It’s it’s got them all doing their powers. But like Reed, stretchy arms are like pool noodles with a with a *******. A glove on the end.  Jill  I mean that’s still image alone is giving vibes of like 70s Italian Spiderman.  Dion  Yes, got a bit of that. I mean, you’ve gotta. What’s what’s the what’s the the crossover slash league like the Marvel Group, you know, secret wars thing. It’s the 1989 Punisher. Dolph Lundgren. It’s the the Captain America film. It’s the Fantastic Four film.  Quinny  Hmm.  Dion  You know, it’s all of those ones Pre Marvel Universe. Mashed together. And you’re like, what is this strain? ******* place, but we don’t. Here, we’re in a different, strange place this time. We’re in much more budget, some bigger names and some.  Quinny  Yeah.  Dion  Finally, they sort of kind of got people who give a ****. Quinny  Yeah, yeah.  Dion  About doing something fun.  Quinny  Yeah.  Jill  And that’s nice. Surprising what you’re going to accomplish when you put in some time and effort.  Speaker  Yeah, isn’t it?  Dion  Isn’t it’s kind of like oh.  Quinny  And when you? And when you’ve had three goes at it before and gotten it wrong three times. You kind of go. Well, **** it. We’re gonna hold off on this one because, I mean, Fantastic Four has always been seen as Marvel’s first family. Like, you know, they’re they’re one of the very earliest Marvel superhero groups. And you know, we’re what, 40, you know, 39 films in now something.  Speaker 5  Sure.  Dion  More, I don’t know 112 where 112 films in now. That’s how many there are. I I won’t be fact checked.  Quinny  And we’ve, yeah, and now we’ve just introduced the very first Fantastic Four stuff. So yeah, it’s it’s an interesting one. I mean, obviously they were tied up in rights for. A long time.  Dion  But yeah, I mean. Look, it’s fine. We’re just going to ignore the rest of those fan 4 test. Stick, whatever it is.  Quinny  Can’t ignore them.  Dion  We have to stick, then forget stick. That’s what I. Yeah, we’re gonna ignore that.  Quinny  Not. The autistic fans.  Dion  We’re going to, we’re going to ignore that. Michael B Jordan, he’s also Johnny Storm. Yes, I know, right. No, he’s not Killmonger. He’s definitely Johnny storm. We’re also going to ignore that Captain America.  Quinny  Ohh yeah yeah, he was one of them.  Speaker  Yeah.  Jill  Was also Johnny Storm and Captain America.  Dion  Was also. Stone. Yeah. Yes, exactly. We’re going to ignore all of those things and focus very.  Speaker  Yeah.  Dion  Much in Comic Daddy and his family and Pedro Pascal’s not not happy just being space Daddy, Apocalypse Daddy and General General Daddy.  Jill  Yeah. Thanks, daddy.  Dion  Now he’s also comic Daddy.  Quinny  Hmm.  Speaker  Yeah.  Dion  Yeah, along with.  Quinny  Is there anything he can’t, daddy?  Dion  You know what? Hollywood will not let him. Not daddy something. He’s in there now forever. Like. Yeah, he will just. He will just keep doing it until everyone collectively gets sick of him. And I’ll be able to return to an anonymity.  Quinny  Hmm. I just realized it is the summer of Pedro, it’s.  Jill  Summer picture.  Dion  Yeah.  Speaker  Been just realized.  Dion  Multiple summers.  Quinny  It was another ******* attempted Fantastic Four.  Dion  Oh. Have you? Yes, grey tailed.  Quinny  Well, technically. There was another Reed Richards. Ohh John Krasinski but that.  Jill  Yes. Yeah, that’s right.  Dion  That’s in Multiverse of Madness, which is so the. But that’s not the Fantastic Four.  Quinny  Yes, from. Marvel Universe. He’s one of the breeds.  Jill  He was. He’s Mr. fantastic.  Dion  Is he though?  Jill  Yes.  Quinny  He’s Mr. spaghetti by the end of. It but anyway.  Dion  Yeah, like I mean, yeah, that’s just on film, but it it, it wasn’t the Fantastic Four and this is what we want to focus on. It’s about these group of people and. How they’re represented in cinema? Yeah. What you’re not.  Jill  Capturing in the audio is our eye rolls.  Quinny  Massive massive eye roll.  Dion  Come on.  Quinny  Beyond wiping away John Krasinski from the from the entire multiverse of of anything, and we’re all going. No, no, no.  Jill  Yeah, that’s because they don’t. Can’t do a convincing cosplay of John Krasinski’s Mr. Fantastic. You can only do the Pedro.  Dion  No, I cannot.  Jill  Dion  Yeah, yeah, yeah. Yeah, and if you squint, the Ian Crawford one.  Speaker 6  You’re clean shaven for that one.  Quinny  I’ve just had an eye. Yeah, my eyes are not that ******* blind.  Dion  OK, then fine. I’ll go with this one if this. If he’s part of the Fantastic Four Canon, you need to cast the other three members of the Fantastic Four in those universes. Who is it going?  Jill  That’s true. OK. Oh my God. Yeah. Can we come back to this at the?  Dion  No immediate. OK. We’ll give you time. Time. Yeah, time.  Jill  End of the show. We’ll be here for 15.  Dion  Minutes. Yeah. Yeah. So if if if John Krasinski’s Mr. Fantastic and chat go and throw some something we.  Quinny  Man. Need to sleep? Yeah.  Speaker 6  ******* Emily Blunt. I would go. Emily Blunt force.  Jill  Storm.  Quinny  **** yeah. Yep, Yep. You down to?  Dion  That yeah, Karina, just like gonna get to the. Synopsis yet guys.  Speaker  Yeah.  Peta  You know, keep getting pushed.  Speaker  Push.  Speaker 6  Push by the chat. Let’s go.  Speaker 2  Yeah, that’s a wow.  Quinny  I’m being bullied by the test.  Peta  This film about.  Quinny  What is this film about it? No, I’m not gonna. I’m not gonna do the synopsis now because I’ve been told. I have to.  Jill  No. Ohh yes.  Speaker 6  Jesus.  Dion  Christ.  Jill  That sounds like me energy.  Dion  Peta  Settling into that demand avoidance there.  Dion  Come on. Tony, have you got? Have you got some synopsis?  Peta  Yeah.  Quinny  For us it is. I have got a. Synopsis for everyone but Karina.  Peta  To be fair to Karina, it’s been 20 minutes.  Jill  Can you do it in a Brooklyn accent? OK.  Speaker 3  Forced ohh. Forced to balance their roles as heroes with the strength of their family bond, the Fantastic Four must defend Earth from a ravenous space God called Galactus and his enigmatic herald the Silver Surfer. And guess what? It’s clubber and die this.  Quinny  Ohh, cool, that’s it. That’s the whole book. Was an opposite. Trust me, there was an even shorter one.  Speaker  Is that it?  Speaker 6  Yeah. Wow.  Dion  I love sofas, yeah.  Speaker 6  Silvers, soyfer yeah, soyfer.  Dion  Some some more continents and vowels in there that I remember from.  Speaker 3  Hey, I’m going down the street and I’m going to start some some flights. Yeah, yeah, yeah.  Dion  Yeah, that’s about it.  Quinny  Hey, get that man some cookies. Thank you. I.  Dion  Would love some cookies. That’s kind of what the movie is about and I’m, I’m I’m with it like this isn’t one of those films that you went and saw and you’re like, oh, great, we get to have an origin story of how did they get their powers, how did. They do this like how do we go through that? They were like, no, you know what?  Quinny  Ohh thank God.  Jill  Yes, we just got a tidy. Little vignette, and that’s all we needed.  Dion  Yep. Quite a long vignette really explaining like how they fit into the world and how suddenly the the brokers of World Peace and everyone looks up to them and they’re the world’s family.  Quinny  Yep.  Jill  Yeah, I kind of love it.  Dion  I mean, OK.  Jill  They’re. They’re paragons.  Quinny  Yeah. And we, the the important thing to note is that we’re in a different world here we are in. We’re not in the regular Marvel Universe. We are in a weird kind of quasi 60s future pop, yeah, different reality.  Speaker  Mm-hmm.  Speaker 3  It’s.  Dion  It’s 60s futurism, so it’s just it’s there’s a divergent.  Speaker  Hmm.  Dion  From our history to where it has ended up in this Earth history, and I’m I dig it, I dig the style, imagine in the 60s if four people got shot into space and came back and had all these powers and solved a bunch of problems.  Speaker  Hmm.  Dion  And a bunch of other things happen. That’s how that kind of goes. It’s like, yeah, well, you know.  Quinny  Yeah. And the difference.  Speaker  I mean.  Quinny  Not actually stated what year this is, is it?  Dion  No, no, it’s just the different earth.  Quinny  Yeah, right.  Dion  And what that is. But people don’t have.  Jill  Yeah, it could be current day 2. 616 Earth we don’t.  Quinny  Yeah, yeah.  Jill  Know that’s just what this earth.  Dion  Yeah. Looks like there’s big. There’s big kind of LED screens, but no cell phones.  Speaker  Slide.  Peta  Yep, well, it’s kind of like they’ve kind of gone. We don’t need to put energy into making TV screens flat. We’ll just have giant non flat TV screens and faster than light space travel. Yeah, yes. But we’re gonna do with that extra energy.  Dion  There’s there’s like.  Quinny  No.  Dion  You know. Yeah.  Peta  We don’t need to put energy into like inventing MP threes. We’ll just keep records. Yeah, yeah, yeah, yeah. And teleporting.  Dion  Yeah. Yeah, yeah, yeah, yeah.  Peta  Think of what we could have done as humanity.  Quinny  I didn’t know.  Dion  Exactly all of our computerisation goes on tape.  Jill  Yeah, I mean. Yeah, we invented cassettes and then CD’s and then digital format music. And now we’re back to ******* records again.  Quinny  So yeah, but they just didn’t bother leaving the the records. Yeah, because they realized it was the the superior format from the start, especially if you print them in.  Dion  Yes. Gold. And if you haven’t got a troop of players in your lounge room. You know, yeah. Eventually we’ll get to there, won’t we, like? Oh, this is my 9 musicians that follow me around and. Play music to me.  Speaker  Yeah.  Quinny  Yeah. I mean, yeah. Karina and Casper both kind of make the point. It’s very jetsons.  Dion  Yeah. And that’s kind of great because that’s very familiar to the people who knew fantastic for for when they were growing up based on the cartoon, which is the the sort of.  Peta  So jetsons.  Dion  The carry over of where people would sit from the Saturday morning kind of cartoon and. You know it it it sets the tone that everyone could easily get into and I went, I’m here. I immediately know what’s going on. It has a different Marvel logo, it has a different kind of a soundtrack. It’s setting itself in a in a particular period and I was like, I’ll go with this. This is totally different to every ******* thing else. This isn’t a dark and gritty reboot. This isn’t. Anything really to do with the rest of the Marvel Universe? Yeah, kinda. Which makes me happy. And I was like, I’ll go with this. I’m immediately just going to be like, all right, what do you got?  Jill  Yeah. I think the thing that’s so immersive about it is the visual language that they’ve lent into so strongly and so thoroughly like the the set design and production. All the set pieces, the costumes, everything like that was like. Beautiful, like there was such attention to detail and there was not like a wasted moment on screen. It was so interesting that we’re talking about like, how like futuristic retro it is but. Like the. Costuming wasn’t futuristic. That was still like grounded in 60s fashion.  Speaker  Hmm yeah.  Dion  I had a really good time just watching the sets and the costumes. I was like they have actually paid a lot of detail to the costuming, not only of the signature folk, but the people around them too. Looked sharp as ****, I gotta say.  Quinny  And.  Jill  Yeah, like the the space suits and their hero suits were were still like. Grounded within like that 60s, like retro futuristic style, but had like the the strong 60s fashion elements as well in terms of like the textures of the fabrics and things that they used but the the colour theory throughout was fantastic and yeah just the the visual language that they. Used in this film was just so Cohen.  Peta  It’s a joy for. The arts, hmm.  Dion  Joy for the eyes until we get to the failure of the film.  Quinny  Wow. Jesus. OK, so, so just a reminder folks, the deal also sat through Superman and huffed.  Speaker  Go further on.  Dion  I did. I did half. He did half I wanna also. Caveat that I did see Fantastic Four, but beforehand I had.  Speaker 6  So.  Dion  To watch. Beforehand I had to win. The Avatar trailer 17 times. I don’t. I don’t know how to explain that in terms of everything else, but I had to sit through the Avatar trailer. Too many ******* times, and that may have influenced my decision. And how I enjoyed that film slightly too many times.  Jill  Anyway, yeah, it’s almost like they strapped you to that chair and made you watch them 17 times.  Dion  They kind of did. Yeah. You know, because you know, as we all know, in those kind of cinema things, the seats are gold. And if you leave one, you’re done. It’s going coming back but anyway.  Speaker 3  Yeah.  Dion  OK, enough of that. Fantastic for what? What are your first four impressions?  Quinny  I just wanna know why you’re getting ready to throw it.  Speaker 2  Hello.  Quinny  Under the bus. To you ohh.  Speaker 2  No, no.  Quinny  Like there have been a couple of times that you’ve already kind of started. Coming out of. Swinging. I wanna know why the big.  Speaker  There is.  Dion  Rubber punches out. Well, first, I mean, we all hate John Krasinski. And. No, I’m just joking. That’s. Three just threw that out there for.  Peta  Come on for John Krasinski. And he’s not like.  Jill  He can’t even defend himself.  Quinny  He’s such a nice guy. Everybody talking.  Dion  About, I’m talking about how effusively I love the costuming, the design, the aesthetic, the way that it just kind of moves the story along really, really quickly. It throws in some amazing nods and references to the historical stuff, like there’s covers of famous Fantastic Four issues thrown in very quickly. I know you’ve got.  Quinny  Oh my God, that made me so happy.  Dion  Classic villains like Mole Man and the Red Ghost. Yeah. Ish red. Red ghost off.  Speaker 3  Well, sort of.  Dion  Like all of that stuff is kind of great. Herbie is amazing. The fantastic car, which I think often gets ignored. Quinny  Yeah.  Jill  Uh-huh.  Dion  In, in a lot of, this is part of the fun about the Fantastic Four is all of the bits and pieces that Reed comes up with. That’s all kind of themed Herbie, as I said. Yeah. And he was.  Quinny  Great. OK. Does everybody know the history of why Herbie exists?  Jill  No.  Quinny  OK, this is my my favorite stupid piece of ******* history. So in the 60s, when the Fantastic Four was being turned into a cartoon, they went OK we’re going to do the Fantastic Four and the standards people of America went hang on. One of the characters is on fire.  Speaker  Tell.  Quinny  We can’t have a children’s TV show where the children want to emulate the heroes and have a character be on fire. Why not so? In the 60s cartoon of Fantastic Four. Johnny Storm is removed entirely and is replaced by Herbie. This is where Herbie came from. Wow.  Speaker  Oh. Yeah.  Quinny  So the fact that, like the fact that he’s in the movie is ******* hilarious. But his history is even better.  Jill  That’s wild.  Quinny  And I’m pretty sure he actually talked in the animated series, but yeah, and didn’t just make bleeps and.  Speaker 6  Wheels. I like the Droid vibe it was.  Dion  Didn’t. Yeah, it didn’t sound like. Yeah, it didn’t sound like a 60s frickin B.  Speaker  Yeah.  Dion  I just. I just remembered something. Thing when we get this Sue storm into the proper Marvel Universe, she’s going to have to come up against Namor, yes.  Quinny  Hmm.  Dion  And and that’s a lot of that’s a that’s a whole. Jean Grey, Wolverine, Cyclops thing going to happen right there anyway. That’s right.  Jill  That’s something we can work on.  Dion  Later. Yeah, there’s a lot of smart in that one anyway, yeah.  Speaker  Yes.  Quinny  And apparently on on the set all the time, Vanessa Kirby is like, So what? What’s going on with Namal? Pedro’s like, for ***** sake, right?  Dion  Here she knows what’s going on. She gets all the cast members.  Quinny  Mm-hmm.  Speaker 3  Yeah.  Dion  Yeah. Look, I. Had a great time with it, like, you know, really good introductions to quick introductions to characters. Everyone got a little bit of ability to show who they were as characters very rapidly. Like, you didn’t have to pay to. Much there, but I also really appreciated how much they felt like a family and they felt caring and it was showing them in a particular way, which it wasn’t like, oh, these are conflicted people. They don’t know how to, you know, where’s the drama? I mean, the drama isn’t in the family. The drama is external forces. And I think they got that really well because there was a really cool vibe to sort of be like ohh this is, this is cool kind of family like like I I would take children to watch it and be like see, this is how you’re nice to each other. You don’t have to hit each other. You know.  Quinny  Don’t set each other on fire.  Dion  Don’t set each other on fire. Try stop working so hard.  Quinny  Pete Jew talk to me.  Jill  Oh my God. Ohh feels like so long ago but it was only Friday.  Dion  Four days ago that you saw it.  Jill  Ohh my goodness, I really liked the film. I had a good time. I saw it well. I mean, all the things that I said about the costume and set design and all that stuff was just fabulous. I thought like the story pacing was good. Like they they got to the point and they, you know they executed ABC. You know, here’s what’s happening. Here’s our problem. And here’s how we overcome. It, like they did that. UM. I thought the action bats were good. But again, I’m just not getting my **** blown off. Guys. The jet film. We’re back to the **** rating scale. OK0 **** means it was ******* amazing because they blew them both off, but two **** is bad because it doesn’t mean that I didn’t like the movie.  Quinny  Back to. Rating system.  Jill  It just didn’t **** **. Way and it made me start to think that there was something wrong with me. Like am I not finding enjoyment out of these movies anymore? Like is it becoming passe? Is it like over saturation? Like what’s the issue? I think what the issue is is that too many movies. Are just safe. They’re in a safe zone. They do what they do on the box and they do no more than that.  Speaker  Hmm.  Jill  I’m not getting any like thrill, danger, excitement from these movies anymore. It feels really middle of the road and pedestrian and that’s not to say that Fantastic Four was a bad movie. It was a good movie because it did its job, but it didn’t go above and beyond. And become an exceptional film. And I just, I feel that way about Superman as well. That was not exceptional to me, and it just kind of feels like every time we go and see a big blockbuster, I come out like feeling it was it was middling level.  Speaker  Yes.  Quinny  I agree, but I want to keep Pete’s. Take on it? Sure.  Peta  I think it’s very well constructed, beautifully made. Film, I mean, we’ve talked about the production design and the look of it already, which is great. You know, we’ve talked about the the structure which is logical and probably better constructed than Superman. And and I do think it’s funny that I’ve kind of liked the exposition. Free tool here that I hated so much and electric state, same tool, different vibe. It’s it’s easy to get into and you want it to be because there are some plot points that that, that require a very high level of suspension of disbelief. Even for a comic book movie, you know, usually I I I I try to give the the Budweiser and the ********* like. A bit of a break in in certain genres, but I struggled a bit with a couple of the plot points that very much drove some parts of the story. Because it was a bit wibbly wobbly. Sciency want see? Yes. Yeah, like, don’t.  Jill  Get into the proton stream, but get into the proton stream, yeah.  Dion  Yeah, you’re Superman.  Peta  That was and, and I think the issue is I I I get I I have a tendency to get a little bit distracted if I can’t. If that suspension of disbelief gets interrupted, and I think that these particular plot points were distracting enough that even though I was enjoying the film, I still. Got kind of. Kicked out of this story a. Little bit by thinking? Yeah, but Nah.  Quinny  Are these things that need to be talked about in spoilery territory or?  Peta  Ohh, everything needs to be talked about in spoiler territory. It’s it’s just and if they weren’t plotted drivers.  Dion  OK, alright, fair enough.  Peta  It would have felt a little bit different as well, but it it did kind of feel like as well constructed and entertaining and beautiful as the film is. I kind of agree with Jill that you kind of I didn’t personally come out of the end of it going like. **** yeah. Amazing superhero film. It was just kind of like, ohh, that was like really well constructed and good looking and entertaining. And yeah, Pedro.  Quinny  I I have, I agree very much with with everything you guys have said. My biggest problem with it is that. The movie didn’t have its next gear up like all the way through it puddled along at an enjoyable kind of pace. It was doing what was needed, you know, things were kind of getting, you know, you had your action beats and stuff like that. But then when you get to your climax. It doesn’t have the next gear, it can’t shift it back a cog. And really. Go ****. Let’s go. It didn’t have that it, you know, the the climax I kind of was like and oh, OK, right. We’re done. ****. OK. Huh. And that’s. Kind of implementing of the whole film that it’s really well made as as we’ve all said, well made, well shot, lovely costumes, lovely everything.  Jill  Great performances, everybody was on their a game.  Quinny  But nothing that made me go ****. That was a moment. Like, you know, there was nothing. There was no moment like.  Speaker  Yeah.  Quinny  The thors hammer. With that, America, there was no kind of really emotional beat of.  Speaker  Yeah.  Quinny  Vision saying you know that love is just pain. You know, whatever. I can’t even remember the quote. But you know those those those really like deep seated moments that make you go ohh. That got me right in the heart.  Speaker  Hmm.  Peta  Which Thunderbolts did for me, and that, you know, I. I guess if if if you’re going to hold it up against superhero films we’ve seen this year from a.  Speaker  Hmm.  Peta  Is it a good movie?  Speaker  Hmm.  Peta  Mm-hmm. You know, well-rounded perspective, I would still put Thunderbolts ahead of this, regardless of how beautifully. Thought out the world was.  Quinny  Yeah, like there, there were lovely moments and their lovely ideas. I love the idea of the whole world pulling together to go **** we’ve got. Eight months to build something or, you know, and we’re all going to pull in this together and we’re all going to come together over something. It’s a great concept, but it just never felt like it had those that, that personal danger of what we saw in Thunderbolt and. A lot of people who are doing the, which one did you like more, Superman or or fantastic? 4. I personally thought the Superman took more risks. You know, it was weirder. It was.  Peta  Well, it was more. It was more current in in its messaging and the. The risks that it. Was taking in that messaging as well, and I think also you kind of.  Dion  Hmm.  Peta  This is a bit of an imbalance, I suppose in the rate that one escalates because you can kind of attempt to escalate the stakes to the highest possible point and the escalate them so high that the audience cannot believe. That. That jeopardy is going to come to pass in that context, which actually, which actually kind of destroys that moment, is kind of gotta be like a believable, worst case scenario that they’re facing. Not like, well, of course, they’re trying to find a way to avert that. There’s gonna be a little part of you that’s like.  Quinny  Hmm.  Peta  Ohh, they might fail, which I kind.  Speaker  Hmm.  Peta  Of felt in this.  Quinny  Yeah, yeah. Yeah, like.  Peta  Otherwise, you don’t feel the jeopardy, you know, the way that you should.  Speaker  Hmm.  Quinny  Yeah, and and I don’t know, I feel like something like Superman has has more of a an alter kind of vision behind it. Like, you know, that felt like James Gunn saying something and his whole thing about found family and his whole thing about being outsiders and, you know, he. He has a particular thumbprint that is all over that. This one I couldn’t tell you. A thumbprint it was.  Peta  Which is funny because it is tonally and structurally much more consistent.  Quinny  Absolutely.  Jill  Yeah, it’s a. Package. Yeah, it has an aesthetic and it, you know, executes that, but yeah.  Quinny  Yeah. And and like.  Jill  There’s there’s special sauce.  Quinny  Yeah. And and I don’t. Know what it is because. I was wanting to get excited. I was super wanting to get excited and it just never quite hit me. And even when big things happened, I was like.  Jill  Karina made a good point that she thought we were going to see them fail. Based on what we saw in the post credit scene of Thunderbolts and I want to make a point where I kind of wish that that scene never existed because it coloured my expectations.  Speaker  Hmm.  Jill  This film I was going in.  Quinny  Yes, I’m.  Peta  I forget what that scene.  Jill  Was ohh that’s actually it was it was there. There was like ohh we can. We’re picking up something on our radar and then they zoom into space and they see the Fantastic Four ships flying through space and that bit. Yeah. Yeah. So I had a different expectation of what I was expecting in this film. And so I’m like.  Speaker 6  It’s just.  Dion  Just a a rocket ship in the sky. Kind of, or if it is, we don’t know.  Jill  Just on the edge of my seat the whole time, thinking. Well, how are they gonna get to our earth? When are we gonna see that? When are we gonna see that? And. And I’m like, so I wasn’t in the moment with everything else that was happening because I was anticipating something else to.  Quinny  Yeah. Yeah. And and maybe that’s that, that other cog that.  Speaker  Happen.  Quinny  I was expecting. Maybe that’s the the the next thing up is that you know, they do like, fail or they do something that that then took it to a different level.  Speaker  Yeah.  Jill  That causes them to and then this is how we get to this moment. But like now that we’re not going to have The Avengers doomsday film until another 18 months.  Quinny  Jill  I’m like, wow, how are they going to get our butts in the seats for that one?  Quinny  Yeah.  Jill  Because after watching this movie, I’m like. Ah, I don’t really know where we’re going.  Quinny  Neller.  Peta  At the end, do you feel safe now with your opinion to share?  Dion  I mean, my opinion is based on Fantastic Four and how I enjoyed this movie or didn’t.  Quinny  Which is a really difficult thing to do to to take the movie entirely on its own. Yeah, been its own value and.  Speaker 2  What?  Quinny  So aside from my expectation, aside from the other movie I watched a week and a half before, yeah, aside from.  Dion  Yeah.  Quinny  All of that, yeah.  Dion  Look there. This is the thing. Like I I really like to to throw this through. I really enjoyed Thunderbolts because it broke expectations that I had. I was there for it to say, what are you gonna do with this? And I was. Like wow, that is a great movie. I had certain expectations about Superman or I was wondering what was going to go, and I felt it wasn’t as good as I thought. It’s going. And I went to Fantastic Four. Saying how is this going to go? And I thought, yeah, I had a little bit of the same thing the the ending. Thing towards the end and some of the reasoning and stuff I was a bit like oh, this doesn’t make sense and I don’t understand where it does or doesn’t fit and I feel like they’re going to have to for some reason do another one in that universe for some reason. And I’m just a bit confused. I feel like it just kind of didn’t. You’re right, had that. Where’s that gear? Where’s the gear? Range. Where does it go up? Where do the stakes get bigger? Where does it become really important? But really I liked it because it. Was you can see across the entire movie from start to finish. It was a love letter to the time of the original Fantastic Four. Like all of the Kirby, all of the weird stories are just written into it. So it is made with a lot of reverence and a lot of love. And I really liked that because there was good messaging that was in there.  Speaker  Hmm.  Dion  The execution or some of the reasoning is just I don’t know how this fits. In the rest, like I love that it’s an outsider film, but I also don’t then. But what’s are we are we going to follow these people? Is that the point or is it just having a second one? Like I don’t. Know like it’s another Fantastic Four is like.  Quinny  Yeah.  Dion  Will we see him?  Jill  Yeah. Are we making this movie just to make a sequel? Just so we can make? Money.  Quinny  Yeah. Well, or are we making this one just because we needed to have a really good bad guy for the MCU. We’ve already announced who that bad guy. So we really had to have this film before doomsday could happen.  Jill  Yeah. There’s a lot of very upset people in. Our screening at the end of this movie.  Quinny  Yeah, yeah, there was.  Dion  Yeah, Speaking of bad guys, how do we feel about the villain aspects of this one?  Speaker  Hmm.  Jill  I was curious to how I would ever see Galactus executed on film, and I think it. Up to a point, it was well done.  Dion  Is it? Is it better than the giant cloud?  Speaker 6  Ohh yeah, we don’t need.  Dion  So the.  Jill  Some amorphous cloud like I want to see an actual Galactus and like how?  Dion  So.  Jill  Do you do? That I mean, especially after we had the Eternals where, you know, we have things God like beings in space, it’s like, OK, well now how do we make a Galactus?  Speaker  Hmm.  Jill  That was really cool, but then there was a moment where I thought it was. Not cool. Maybe I’ll talk about that in sport.  Dion  How? How did you feel about Charlotte Owl?  Jill  I thought it was sick. I’m like, yeah, let’s go back to the original Silver Surfer. Yeah. People will be surprised to know the original Silver Surfer was not a dude.  Quinny  I I knew that Michelle label was an alternate, but I didn’t realize that. Jill  I think the original Silver Surfer was a woman, and then it was her lover that begged Galactus to trade places with her.  Quinny  Yeah, yeah. Entry.  Dion  Interesting, yeah.  Jill  And disappointed we didn’t get the what if Aunt May was the Herald for Galactus and we didn’t get the golden oldie.  Dion  What are you talking about? Marisa? To me, isn’t that old?  Quinny  I I think.  Speaker 3  No.  Quinny  I think there were there were sequences in there watching the the Silver Surfer surfing through.  Speaker  Ohh.  Quinny  Like Kirby Crackle, ******* cosmic power surfing through black holes where I was like, **** yeah, this is cool. You know, surfing around curving laser beams and ****. I was like.  Dion  Well, grab. Yeah.  Speaker 3  Yes.  Dion  ******* hell yeah, that’s that’s the weird success stuff. That was the bitter.  Speaker  Hmm.  Dion  Was like, oh, this is great. Like, how do you put the Silver Surfer in? Why does it doesn’t even make sense. And it’s like, yeah, it does. If you lean into that. Crazy kind of 60s vibe that it originally was about. It’s like, yeah, I’m just gonna surf, like, through cosmic waves, man, it’s. Like. Cool. That’s fun. Yeah, it helps if you take LSD.  Quinny  Hmm.  Speaker  Yeah.  Dion  You know.  Quinny  Like there was something so ******* cool with all of that visual stuff. Yeah, that up until now, we’ve never really gotten because the only other time we’re seeing the Silver Surfer, he was on Earth, so it didn’t have that real cosmic kind of.  Dion  Maybe. He was the T1000 man.  Jill  Thing, yeah.  Speaker  Hmm.  Dion  He just kind. Of morphed around as needed for the plot.  Quinny  Your thoughts on on the Silver Surfer?  Peta  Neutral. Cool. I I don’t have a lot of feelings about the Silver Surfer as a character, but I thought she was. I thought it it was cool execution.  Dion  Yeah.  Quinny  Hmm. Yeah, look cool. And I like the the human eyes too. I thought that was kind of cool. Yeah, cause you I feel like you still need something to latch onto for a motion, yeah.  Speaker  Mm-hmm.  Quinny  I thought that was smart.  Speaker  And. Look, there’s look.  Dion  There’s lots of fun stuff in there. Standouts for me. I I I need to say I really annoyed that they didn’t rename it the fantastic six because to be honest, there are 6 characters in this movie. By the end of it, you’re watching it like there’s not just four, there’s more. Who you’re following through with, which was a bit of a surprise because I was like, OK, right. You’re just going to lean very heavily into the entire thing. Sure. I really. Kirby, I love that they went into galactic space because that’s kind of that’s that kind of that’s really fun. Like Reed Richards is that kind of character who, you know, is your prototypical 50s, you know, American Americanized painting, you know, of, like, it’s a pipe and slippers and, you know. Dad’s home.  Jill  Yeah. The Norman Rockwell. Yes. Please looking forward.  Dion  Yeah, absolutely. 100% The Rockwell and it it. But presented in that very conservative way, but he’s not a conservative. Like you know, it’s kind of like I’m just going to learn how to fold matter and bend this, and then we’re going to space. All right, everyone, safety third. Let’s go. That’s kind of Reed riches. Like he built a thing called the Ultimate Nullifier. And it kills anything in the known Marvel Universe. And then he’s just like ohh someone.  Quinny  He’s.  Dion  Like.  Speaker  Like.  Dion  ******** Reed, you know like.  Quinny  One thing you you said to me afterwards too.  Jill  Yeah, I mean. He just casually solved teleportation in this.  Dion  Yeah, yeah.  Jill  Film or whatever.  Quinny  Whatever. Whatever one thing you said to me too, and I agreed like they’ve always struggled to get Reed Richards powers looking good on screen. Like it’s very hard to do stretchy guy without it looking dumb, but one of the things that is kind of sad is that in the.  Dion  Yes.  Quinny  The comics and everything. Quite often you’ll see him, and that stretchiness of his body is a. Is. A all about echoing who he’s mentally. Yeah. So his arms are over here. You know, riding on the blackboard and his other arms over here, smoking a pipe and his head is, you know, stretched out over here, looking at the, you know, out the window or something like that. And there wasn’t much of that. It was very much like, this is traditionally handsome Pedro.  Peta  Yeah.  Jill  It’s it’s tiny. Yeah, it’s a tiny bit like he was doing. A little bit of the blackboard. Stuff and the catching things, but.  Speaker 6  Yeah, I don’t.  Jill  I don’t think we really got to see him actually use his powers much in the film as a whole.  Quinny  Nope. Nope.  Dion  It’s very, very expensive to animate Pedro Pascal.  Peta  It’s it’s a dump power.  Speaker 3  Pete. Pete, in there, it’s true.  Jill  I mean, it might be a time you. Would change your mind.  Speaker  Yeah.  Speaker 3  Blubbering time, no.  Quinny  Should we rate it because we are, we’re going on a.  Peta  Yes, yes.  Quinny  Long time. Ohh good.  Jill  Oh my goodness. I don’t know. I’m gonna pick a number.  Dion  How many tips off Jim?  Speaker 6  Yeah, the tip scale. Yeah, yeah, yeah.  Jill  Yeah. The two tip film, but.  Quinny  I mean, I’m gonna. I will change the rating system if I have to, but it’s gonna really.  Dion  I had some I had some issues with it, but I did enjoy. I had a fun time. I’m gonna give it a 75. No 70. I’m gonna go 70. Sorry. I’m. I’m back down a little bit mainly because I really loved.  Quinny  On the website.  Dion  The scenic I love the the the characters together. They didn’t quite mesh as much and I felt like some of them were lost like I think Ben Grimm’s the thing.  Speaker 6  Hmm.  Dion  Totally kind of lost in the hole as much to do. No, I I didn’t get enough of that thing because one of the most important things I know about Ben Grimace, he’s the real heart of the team. And while that was great, like I loved, you know, uncles, you’ve got uncles going on there. I loved it. You know, Johnny and and Ben are totally down for, you know, being uncles. I just thought he got a little bit lost and I have big issues with some of the purple headed warrior of the lactose, which I’ll talk about in spoilers, but yeah, overall fun time. Not a long time.  Quinny  Fair enough, Pete. Number.  Peta  I’m going to say I’m going to say I’m going to say 76 because I do think that it was. Really well put together but. The the I mean I’ll have some stuff to say when we spoil some things. Yeah, I’ll try to keep it brief. Actually, there was one point I think I said to you guys that I’d nearly walked out of there with more tips. Than I started with.  Quinny  I’m still wanting to know how that works.  Peta  Luckily, luckily I I didn’t have to go full rage out on it.  Quinny  So I’m very impressed.  Peta  Umm. But yeah, it’s just those kinds of like those those plot points that that just didn’t quite work for me were just a little bit kind of too conveniently driving the plot. And I didn’t quite buy even in the world of the story, that really kind of helped me back from from. Losing any tips at all?  Quinny  So so number of tips is 2. Hmm but. Peta  Ohh, also the young Kelly’s Uncanny Valley baby was distressed.  Quinny  Though apparently that they had a live baby on set 99% of the time.  Peta  In some shots, I was gonna say you, but you can tell the. Shots that aren’t, yeah.  Dion  Yeah, yeah. Babies don’t look like babies on screen. You gotta pay. They yeah.  Peta  I mean, either it was a fully uncanny valley baby or they were doing something to kind of make the baby look like it was looking, but there was something. Yeah. And whenever whenever Ben Grimm’s holding the baby, it’s like. That ain’t no real.  Jill  Baby, what number did you give it, Pete, 7676.  Dion  Yeah, we all know.  Quinny  And Dion, still at 70, isn’t.  Dion  He. Yes, I’m still there.  Quinny  Yeah, Dan, how many tips have you got left by?  Dion  The way? Yeah, just one tip.  Quinny  Wanted.  Jill  Only go off 1.  Dion  I only want it. Yeah, I mean, well. I mean, I don’t know. It’s moved. Maybe the **** moved like it. It’s not in the same place it started out, but it hasn’t gone completely off. It’s around the side visiting the armpit.  Jill  You can’t. But I gave Superman.  Quinny  I can probably look it up if you want.  Jill  Yeah.  Peta  See, I just kind of take it on a mood basis. It’s on a day by day basis.  Dion  Briefly.  Quinny  Hmm.  Dion  Phil was right. I mean, I think. One of the telling things long rated.  Peta  Never compare my ratings for one movie to another movie.  Quinny  Superman 65.  Speaker  Oh.  Dion  While while Jill is thinking, I mean it’s fair enough. Remember, she only saw it like 4 days ago and it feels like.  Jill  OK, here’s the weird thing though. Like after I watched Superman, I kind of wanted to see it again, but I don’t know if that was to try and enjoy it more or like to get the things that I didn’t really get about it. But this one I’m not really like in a rush to go back. To the movie for it.  Quinny  Hmm.  Jill  But. I did like it more than Superman. Then. I think I’m going to give it. 69.  Speaker 3  Nice.  Dion  Nice.  Jill  It was just a nice movie.  Quinny  Yeah, 69 and still 2 tips.  Peta  Yeah.  Dion  Quinny, what have you.  Quinny  Yeah. Got. I’m very similar to you know, I’m I’m probably I’m probably more in line with the pizza like. Yeah, 70. I’m going to go 77. I don’t know why. Yeah. Actually.  Peta  Just feels like a 77.  Speaker  Vibe.  Quinny  Like I I was a bit more warm on Superman whereas this. Like it’s it’s a perfectly fun, pleasant film. Like there’s nothing wrong with it, but it also just to me, felt like it. Was. Didn’t have much, particularly to say. Other than you know, wouldn’t it be nice if we could all work together and yeah. But also, maybe that’s what we needed at the moment is something that wasn’t too dangerous or whatever and. I don’t know. Yeah, it’s it’s 77 for me, but I just find it so.  Dion  Weird. We’ve, we’ve, we’ve, we’ve focused a lot on the non spoilery side and we’re running rapidly running out of time. So let’s go to the dinner clip to find out why they’re all such a nice blending together, then come back and see how much we. Can jam pack into spoil it section?  Peta  Leave if you haven’t seen it, because I’m going to spoil the very, very, very end of the film.  Speaker  Dion  Pete is thrown down. Here you go, alright?  Speaker 5  What are you doing? You mean what am? I. Doing and then you’re gonna ruin your appetite. I’m hungry, but never late for Sunday dinner. Should we wait?  Speaker  I guess you’re late. What I what do you?  Speaker 5  Mean. What do you mean? What do I mean?  Speaker  You’re late for dinner. Ohh yes we are. We’re late for. By single minute.  Speaker 5  Dinner. Yes, we were just just had to.  Speaker  Some aloe iodine on my shoulder. We got. Do his shoulder and.  Speaker 5  Why is that breakfast cereal in the dinner table? Why are you being?  Speaker  Weird. Not not being. Acting. Weird. Well, I’m doing that weird thing with your face, so. Oh, we don’t know what you’re talking about.  Speaker 5  Are you pregnant?  Speaker  Jimmy at the pregnant.  Speaker 5  Yes, yes.  Speaker  You know, I know he just cannot.  Speaker 1  That have you looked at your husband’s face?  Speaker  Keep his secret.  Speaker 5  What, really, yeah.  Speaker 2  What you are going to be the best mom? Oh, my God.  Speaker  And you are going. To be the best dad. Just kidding. You are out of your depth, but we. We’re going to be the best uncles ever. OK, we should eat.  Dion  Oh, there you go. Yes, that is exactly the kind of thing that we loved about the film. It’s really nice. Spoiler logos up, Pete. Destroy away. Oh, wait. Sorry. She has been there at the beginning. She will be there at the end. We here. Peter.  Quinny  ETA.  Peta  It’s not even my biggest complaint. It’s just that there was a moment at the end where I was like, I am going to have to have another full on rant about killing off female characters via self sacrifice and doing it to two female characters in one scene. UM.  Quinny  Thank God.  Peta  They recovered. They did recover. They recovered from it a bit and it didn’t really feel like it wasn’t going to recover. But for a moment there I was like, oh, oh, we are going to throw down.  Jill  I don’t believe you didn’t realise the magic baby was gonna save the day.  Speaker 3  Sacrifice.  Peta  I did. It did, but there was a part of me that was kind of like you better ******* not.  Dion  Yeah, yeah, there was a little bit of that was it? It’s like, don’t you ******* dare? Jesus Christ, he’s not a. Defibrillator. He’s a baby.  Jill  I mean, you don’t have a. Magic mcguffin. The whole time and then not? Yeah.  Speaker 3  Yeah.  Dion  True, although, but as as we all.  Peta  My biggest my my bigger complaints.  Dion  Know Franklin Richards. The monster.  Peta  My bigger complaints were were the iffy plot points like I’m like, correct me. I’m not a linguist, but I’m pretty sure you cannot translate an entire language with three words like I don’t. I don’t know that that’s possible. The Rosetta Stone had more than than than 3 words.  Speaker 3  Yeah. Hmm.  Dion  Now.  Peta  I I don’t see how I don’t see how.  Dion  Important to understand that this is in the Universe 8 to 8 where things can exist a little differently and they are not this bog standard and it was one of those.  Peta  Oh.  Speaker 6  But it’s it’s.  Jill  Things are like super.  Peta  It’s not the kind of plot point that you can explain away in your brain with that kind of reasoning like it’s not, but.  Dion  It has to be because that’s why I was. I was ******** about it and I yelled at Quinney until it came up to the thing. It’s like, but it’s not the real Galactus. And I’m like. Oh yeah, **** everything in this movie is not the real one from our universe. What? I’m getting angry at can easily be retconned by an executive who doesn’t like the feedback form.  Speaker  Yeah. Yeah, yeah. Yeah.  Jill  But this is also a universe where Reed is a super genius that can solve teleportation and like, move a planet. That’s.  Speaker  Hmm.  Peta  It just like the jump between ohh, I’ve managed to do it to an egg.  Jill  Come on.  Peta  Let’s do it to a planet. Nothing will go wrong. I actually, I almost thought that, like, that’s where it was gonna get interesting. Like, that was gonna be this universe is snap moment when they, like, accidentally. Left half the people behind or something.  Quinny  That that’s what I that’s. What I was kinda hoping for like.  Jill  Yeah, there weren’t really many stakes.  Quinny  No, I ******* love the idea of them actually going *******. We’re gonna teleport the whole planet and.  Dion  And ******* it.  Quinny  Up what? Could something goes wrong like they they go to the wrong place or they find themselves in the ******* negative zone.  Jill  Like that ******* DC convergence where the two planets had to merge together.  Peta  Or and that’s the thing.  Dion  They do. How did they do faster than life travel, but. Not work out how radar. Exists stop the fact that Silver Surfer was coming to blow up all of their teleportation machines that that shaped.  Quinny  Me. She’s very fast.  Peta  And in your hand it just kind of looked like a regular size spaceship. I don’t know why they couldn’t have just muted it or something like it’s like felt like a lot of like ohh The thing is coming very slowly. This is the only thing we can think of.  Dion  That was my big ***** point that I will get my big boy britches on and have a whinge about. Galactus’s ******* world eating ship is just a giant space grinder and. And I didn’t like that because if you’re gonna go to, like the extent that they went to, which was really curvy, whole super 60s kind of thing.  Speaker  Right.  Dion  Make the spaceship ******* weird. Make it the giant machines that don’t. You don’t understand the purpose of what they do like. Have something that’s in there.  Speaker 3  Hmm.  Jill  Yeah. What happened to like the? Big straw that he just shoves in the. Planet and like sucks it up like.  Dion  Yeah, all of that. But I mean, just like have the weird like, Kirby was great for drawing like. Contraptions that you love on the contraption, and they don’t. You don’t know why or how they work, or they have like extra bits that go off and they crackle with energy that you don’t understand how it sort of goes. He didn’t care about making it look well built. He cared about making something cool and stupid. And then they put Galactus. Fair enough, looked pretty good, you know, for a big.  Quinny  I look I. Liked big man collectors. I was down.  Jill  For that, yeah. I didn’t like how his. Height fluctuated with convenience.  Peta  Say he wasn’t that big in the end. Though was he he? He looked.  Jill  The lost, yeah.  Dion  A bit of juice out the back of the tube and then he got a bit.  Quinny  Maybe.  Speaker 6  So then he went and shrunk a bit.  Dion  Yeah. Yeah, yeah. Yeah, yeah, yeah, yeah, yeah.  Quinny  OK, let’s go with that, yeah.  Jill  He’s like ohh, now he can fit in this big circle on the ground that he like, would have Godzilla crushed the moment ago.  Dion  Crush. Sure.  Peta  Confused if planet size or if Godzilla size.  Dion  Yeah. Also how would sue push if 2?  Quinny  Because her push is not based on size, it’s based on willpower.  Dion  No, but push, baby. Ohh no. OK, recover. Push, galactus. Big baby. Oh, no much.  Peta  Is is based on magic mummy power?  Quinny  Yeah, yes, yeah. Like that. That big kind of finale stuff. I was like when he started to climb back out. I was like, ohh. OK now.  Dion  No. Well.  Quinny  We’re gonna get some shoes.  Jill  Yeah, I was like. Oh ****, I jumped.  Quinny  Yeah. Yeah. I was like, ******* sweet. Great. OK, now we’re gonna really ******* now, now we’re gonna wrap it up, but Nope. That’s just that’s it. Cool. Everybody get home. I would love to have seen them do something real. ******* ballsy. I would have loved to have seen them lose the earth, you know? Yeah. So that that’s why this Fantastic Four, like instead of. Yeah, that’s the run like this.  Jill  On the run on the. Sleeper on.  Peta  I’m not sure that Marvel is doing its answer to the trolley problem properly.  Quinny  Why not teleport the ******* baby and the family to another end of the universe, or to a different ******* dimension or whatever?  Jill  Because they answered that in the slack with pocket holes does.  Speaker  Yeah. Yes.  Dion  I mean. I look I I I I really got that like I enjoyed the bit where they were like, no, this is it honestly. Like we we we may be the people that everyone looks up to on the Earth and that’s a bit problematic to put that much. Responsibility. On four people who were there, but at least they always did it with heart, honesty, integrity and overall admission of failure. To the world.  Speaker  Hmm.  Dion

O senador Flávio Bolsonaro criticou a PGR após as alegações finais apresentadas pelo órgão no caso da trama golpista. “O PGR deve ter tomado altas doses de Diazepam, que causam confusão mental e alucinações. No nosso dicionário não existe a palavra medo, existe a palavra FÉ!A democracia foi sequestrada no Brasil e vamos lutar para resgatá-la!Isso está muito acima de Bolsonaro ou da direita. Diz respeito à liberdade e ao futuro do nosso Brasil!O remédio é forte e amargo, mas necessário para acabar com o câncer em metástase que atingiu os órgãos vitais da nossa Nação!‘Na há remédio eficaz no Brasil para cessar violações a Direitos Humanos.' (07/Ago/2016, Cristiano Zanin, advogado de lula).”A deputada Bia Kicis (PL), que, em 2019, fez elogios a Paulo Gonet, agora falou em “perseguição implacável” contra Jair Bolsonaro e aliados do ex-presidente. Felipe Moura Brasil e Ricardo Kertzman comentam:Papo Antagonista é o programa que explica e debate os principais acontecimentos do   dia com análises críticas e aprofundadas sobre a política brasileira e seus bastidores.     Apresentado por Felipe Moura Brasil, o programa traz contexto e opinião sobre os temas mais quentes da atualidade.     Com foco em jornalismo, eleições e debate, é um espaço essencial para quem busca informação de qualidade.     Ao vivo de segunda a sexta-feira às 18h.    Apoie o jornalismo Vigilante: 10% de desconto para audiência do Papo Antagonista  https://bit.ly/papoantagonista  Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

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In the latest episode of Unlocking Academia, Tarin Ahmed, the host, is joined by guest, William Jennings, a senior lecturer in French at the University of Waikato in New Zealand, and author of Dibia's World.: Life on an Early Sugar Plantation (Liverpool UP, 2023). William discusses the importance of names, voice and the community life of a hundred slaves on an early sugar plantation. Dibia's World follows the story of Dibia, an educated man in Africa, stolen across the sea and sold into slavery. He spent the rest of his life on a sugar plantation, where he worked with Agoüya, drank Aboré's rum, married Izabelle and had a son named Paul. This book tells the story of the community he lived in with a hundred others in a colonial outpost of the Caribbean. It depicts the everyday life of enslaved Africans and Native Americans in remarkable detail, showing their names, relationships, skills, health and interactions, as they contended with and resisted their enslavement. Most studies of plantation life examine well-established colonies in the century before abolition.  This work provides a counterpoint by depicting the founding population of an African-American community in the early years of the industrial sugar plantation complex. Drawing on a planter's manuscript, shipping records, missionary accounts and seventeenth-century scraps of paper, Dibia's World will appeal to specialists as well as general readers interested in the early Atlantic world, Creole societies, slavery and African-American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the latest episode of Unlocking Academia, Tarin Ahmed, the host, is joined by guest, William Jennings, a senior lecturer in French at the University of Waikato in New Zealand, and author of Dibia's World.: Life on an Early Sugar Plantation (Liverpool UP, 2023). William discusses the importance of names, voice and the community life of a hundred slaves on an early sugar plantation. Dibia's World follows the story of Dibia, an educated man in Africa, stolen across the sea and sold into slavery. He spent the rest of his life on a sugar plantation, where he worked with Agoüya, drank Aboré's rum, married Izabelle and had a son named Paul. This book tells the story of the community he lived in with a hundred others in a colonial outpost of the Caribbean. It depicts the everyday life of enslaved Africans and Native Americans in remarkable detail, showing their names, relationships, skills, health and interactions, as they contended with and resisted their enslavement. Most studies of plantation life examine well-established colonies in the century before abolition.  This work provides a counterpoint by depicting the founding population of an African-American community in the early years of the industrial sugar plantation complex. Drawing on a planter's manuscript, shipping records, missionary accounts and seventeenth-century scraps of paper, Dibia's World will appeal to specialists as well as general readers interested in the early Atlantic world, Creole societies, slavery and African-American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the latest episode of Unlocking Academia, Tarin Ahmed, the host, is joined by guest, William Jennings, a senior lecturer in French at the University of Waikato in New Zealand, and author of Dibia's World.: Life on an Early Sugar Plantation (Liverpool UP, 2023). William discusses the importance of names, voice and the community life of a hundred slaves on an early sugar plantation. Dibia's World follows the story of Dibia, an educated man in Africa, stolen across the sea and sold into slavery. He spent the rest of his life on a sugar plantation, where he worked with Agoüya, drank Aboré's rum, married Izabelle and had a son named Paul. This book tells the story of the community he lived in with a hundred others in a colonial outpost of the Caribbean. It depicts the everyday life of enslaved Africans and Native Americans in remarkable detail, showing their names, relationships, skills, health and interactions, as they contended with and resisted their enslavement. Most studies of plantation life examine well-established colonies in the century before abolition.  This work provides a counterpoint by depicting the founding population of an African-American community in the early years of the industrial sugar plantation complex. Drawing on a planter's manuscript, shipping records, missionary accounts and seventeenth-century scraps of paper, Dibia's World will appeal to specialists as well as general readers interested in the early Atlantic world, Creole societies, slavery and African-American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In the latest episode of Unlocking Academia, Tarin Ahmed, the host, is joined by guest, William Jennings, a senior lecturer in French at the University of Waikato in New Zealand, and author of Dibia's World.: Life on an Early Sugar Plantation (Liverpool UP, 2023). William discusses the importance of names, voice and the community life of a hundred slaves on an early sugar plantation. Dibia's World follows the story of Dibia, an educated man in Africa, stolen across the sea and sold into slavery. He spent the rest of his life on a sugar plantation, where he worked with Agoüya, drank Aboré's rum, married Izabelle and had a son named Paul. This book tells the story of the community he lived in with a hundred others in a colonial outpost of the Caribbean. It depicts the everyday life of enslaved Africans and Native Americans in remarkable detail, showing their names, relationships, skills, health and interactions, as they contended with and resisted their enslavement. Most studies of plantation life examine well-established colonies in the century before abolition.  This work provides a counterpoint by depicting the founding population of an African-American community in the early years of the industrial sugar plantation complex. Drawing on a planter's manuscript, shipping records, missionary accounts and seventeenth-century scraps of paper, Dibia's World will appeal to specialists as well as general readers interested in the early Atlantic world, Creole societies, slavery and African-American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies