Podcast appearances and mentions of Barbara Kruger

Zihin Koleksiyoncusu Aslı Kotaman'ın Kara Karga Yayınları'ndan çıkan Sanatın Erkeksiz Tarihi, kadın sanatçıların tarih boyunca karşılaştığı engelleri, erkek egemen yapının onları nasıl gölgede bıraktığını ve bu görünmezliği aşma mücadelelerini anlatıyor. Kotaman'la sohbet ederken en çok aklımda kalan cümlesi şu oldu: “Sanat tarihine bakarken sadece ‘Kadın sanatçılar nerede?' diye sormak yetmez, ‘Neden yok sayıldılar?' sorusunu da sormalıyız.”Linda Nochlin'in o meşhur sorusu, “Sanatta büyük kadın sanatçı yok mu?” da temel tartışmalarından biri. Kitapta Mihri Müşfik, Hale Asaf, Artemisia Gentileschi, Frida Kahlo, Georgia O'Keeffe, Lee Krasner, Louise Bourgeois, Barbara Kruger ve Tracey Emin gibi pek çok güçlü kadın sanatçının hikâyesini okuyorsunuz. Ama itiraf etmeliyim ki tüm bu etkileyici anlatıya rağmen, daha derin bir içerik beklentim tam olarak karşılanmadı. Kotaman da bu eleştirime hak veriyor ve kitabın daha kapsamlı olabileceğini kabul ediyor. Yine de onun bilgisi, donanımı ve samimi anlatımı, sanatın eksik yazılmış tarihini sorgulamak için çok önemli bir kapı aralıyor. Aslı Kotaman ile sanatın erkeksiz tarihini tüm detaylarıyla ve en gerçekçi haliyle konuştuk...Söyleşi: Ebru D. DedeoğluVideo

In this episode of The Art Bystander, host Roland-Philippe Kretzschmar engages in a captivating conversation with Cristina Ljungberg, founder of the Firestorm Foundation—a non-profit organization based in Stockholm that was established in 2021 to support female and nonbinary artists while fostering inclusivity in the art world. Cristina opens up about the foundation's mission to champion underrepresented voices through impactful acquisitions, collaborations, and partnerships.The Firestorm Foundation's impressive collection features works by groundbreaking artists including Louise Bonnet, Louise Bourgeois, Arvida Byström, Ann Böttcher, Lena Cronqvist, Cecilia Edefalk, Marie-Louise Ekman, Dame Tracey Emin, Marisol Escobar, Leyla Faye, Edith Hammar, Katrine Helmersson, Sigrid Hjertén, Josefina Holmlund, Tove Jansson, Gittan Jönsson, Barbara Kruger, Lotte Laserstein, Martina Müntzing, Cindy Sherman, Monica Sjöö, Ylva Snöfrid, Paloma Varga Weisz, Ambera Wellmann, Ulla Wiggen, Kennedy Yanko, Lynette Yiadom-Boakye, Hilma af Klint, and Barbro Östlihn. Each artist represents a unique perspective and contributes to the foundation's mission of showcasing art that challenges conventions and sparks meaningful dialogue.Cristina also shares insights into the foundation's partnerships with leading institutions such as Moderna Museet, the Guggenheim, the Swedish Institute in Paris, and the Stockholm School of Economics. These collaborations focus on research, exhibitions, publications, and artist dialogues that amplify the foundation's impact on the cultural landscape.Join us for an inspiring discussion on the transformative power of art, the importance of diversity and representation in the creative sector, and the stories behind some of the most influential artists shaping contemporary culture. Hosted on Acast. See acast.com/privacy for more information.

We're students of the creative process, and so is Adam Moss, author of The Work of Art: How something comes from nothing. Formerly the editor-in-chief of New York magazine, these days Moss is on a quest in his studio to understand painting and through it the mysteries of the act of creation.  Questions about why people create—and the diversity of process across mediums—led Adam to write his book, which features interviews with a host of inspiring folks. Kara Walker, Tony Kushner, Sofia Coppola, Stephen Sondheim, Barbara Kruger, Ira Glass, Samin Nosrat, Marc Jacobs, David Simon, and many more share their approach to the work they do in the book.  We talk with Adam about the red threads that run through such varied creative expressions, finding the right creative partners, how to feed creativity, and how his own work has been influenced by his investigation into how creativity unfolds.  Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/adam-moss Bio Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to our monthly AMAs with former guests, ad-free episodes, early and discounted access to workshops, and our new enhanced newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show.   Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Wix Studio: With Wix Studio, agencies and enterprises can create, develop and manage exceptional web projects with hyper efficiency. And if you're worried about the learning curve eating into time you don't have, don't be. Wix Studio is intuitive by design, so your entire team can hit the ground running. For your next project, check out wixstudio.com. Wine Access: We love wine, but often feel overwhelmed by the options out there. But we recently joined Wine Access who not only ship to your door some of the world's most inspiring wines, they also educate subscribers with full color information cards that accompany each bottle. You should totally join The Waitlist Wine Club. Just visit wineaccess.com/waitlist and use Promo Code: DESIGNBETTER for $25 off your first shipment. Learn more about your ad choices. Visit megaphone.fm/adchoices

in this episode I read author Gary Indiana's essay on artist Barbara Kruger "The War at Home" from his collection of essays UTOPIA'S DEBRIS (2008) published by Basic Books. --- Support this podcast: https://podcasters.spotify.com/pod/show/caridad-svich/support

In this episode of Locust Radio we are flipping the script a bit. Instead of Tish, Laura and Adam interviewing someone, Tish and Adam are interviewed by Locust's own Alexander Billet. They discuss, among other things, the Born Again Labor Museum, Adam and Tish's ongoing sited conceptual art and installation project in southern Illinois. An edited and abridged transcript of the interview is available on Alexander Billet's substack. A note: The interview was recorded the weekend before President Joe Biden quit the presidential race and endorsed Vice-President Kamala Harris. Artworks, artists, concepts, histories, and texts discussed in this episode: Jean Baudrillard, America (1989); Walter Benjamin, “Theses on History” (1940); John Berger, Ways of Seeing (documentary and book) (1972); Joseph Beuys; Claire Bishop, Disordered Attention: How We Look at Art and Performance Today (2024); Nicolas Bourriaud, Relational Art (1998); Bertolt Brehct, “A Short Organum for the Theater” (1949); Bertolt Brecht, War Primer (1955); “Carbondale Starbucks Employees Vote to Unionize” (2022); Anna Casey, “Museum examines workers rights through art” (2022); Class and Social Struggle in southern Illinois; Andrew Cooper; Kallie Cox, “Born Again Labor Museum Offers Free Communist Manifestos” (2022); Ben Davis, Art in the After-Culture: Capitalist Crisis and Cultural Strategy (2022); Mike Davis and Hal Rothman, The Grit Beneath the Glitter: Tales from the Real Las Vegas (2002); Marcel Duchamp; R. Faze, “I Live an Hour from My Body” (2021); Mark Fisher, Capitalist Realism: Is There No Alternative? (2008); Eirc Gellman and Jarod Roll, The Gospel of the Working-Class: Labor's Southern Prophets in New Deal America (2011); Francisco Goya, Disasters of War (1810-1820); Boris Groys, “The Weak Universalism” (2010); Jenny Holzer; Barbara Kruger; Michael Löwy, Fire Alarm: Reading Walter Benjamin's ‘On the Concept of History' (2005); Frances Madeson, “At the Born Again Labor Museum, Art is a Weapon for the Working Class” (2022); Karl Marx, The German Ideology (1846); Karl Marx and Freidrick Engels, The Communist Manifesto (1848); Pablo PIcasso, Guernica (1937); Russian Cosmism; Penelope Spheeris, The Decline of Western Civilization (1981); Stop Cop City; Leon Trotsky, Their Morals and Ours (1938); Adam Turl, “Against the Weak Avant-Garde” (2016); Adam Turl, “The Art Space as Epic Theater” (2015); Adam Turl, “Outsider Art is a Lie” (2019) and Adam Turl, “We're All Outsiders Now” (2019); Tish Turl, “Class Revenge Fanfiction” (2022); Tish Turl, “Toilet Key Anthology” (2020); Tish Turl and Adam Turl, Born Again Labor Museum; Tish Turl and Adam Turl, Born Again Labor Tracts; The Wanderers/Peredvizkniki  In other news, the call for submissions for Locust Review 12 is available on our website, check it out.  Locust Radio is produced by Omnia Sol, Alexander Billet and Adam Turl. Its hosts include Adam Turl, Laura Fair-Schulz, and Tish Turl.

Today I am joined by Catherine Casalino to talk about the life and work of the incredible graphic designer and artist, Barbara Kruger. From her graphic design background, how that influenced her art, to the meaning and impact of her collaged artwork. We even dive into the ironic cycle of her regurgitated work being regurgitated by the skateboard brand, Supreme, and their head-scratching lawsuit story.____Barbara Kruger was born in 1945 in Newark, New Jersey. Kruger briefly attended Syracuse University, then Parsons School of Design in New York City, where she studied with artists and photographers Marvin Israel and Diane Arbus. Kruger worked in graphic design for Condé Nast Publications at Mademoiselle magazine, and was promoted to head designer within a year, at the age of twenty-two. Kruger has described her time in graphic design as “the biggest influence on my work…[it] became, with a few adjustments, my ‘work' as an artist.”In the early 1970s, Kruger started showing artwork in galleries in New York. At the time, she was mainly working in weaving and painting. However, she felt that her artwork lacked meaning, and in 1976, she quit creating art entirely for a year. She took a series of teaching positions, including at University of California, Berkeley. When she began making art again in 1977, she had moved away from her earlier style into photo and text collages. In 1979, Kruger developed her signature style using large-scale black-and-white images overlaid with text. She repurposed found images, juxtaposing them with short, pithy phrases printed in Futura Bold or Helvetica Extra Bold typeface in black, white, or red text bars. In addition to creating text and photographic works, Kruger has produced video and audio works, written criticism, taught classes, curated exhibitions, designed products, such as T-shirts and mugs, and developed public projects, such as billboards, bus wraps, and architectural interventions.Kruger addresses media and politics in their native tongue: sensational, authoritative, and direct. Personal pronouns like “you” and “I” are staples of Kruger's practice, bringing the viewer into each piece. “Direct address has motored my work from the very beginning,” Kruger said. “I like it because it cuts through the grease.” Kruger's work prompts us to interrogate our own positions; in the artist's words, “to question and change the systems that contain us.” She demands that we consider how our identities are formed within culture, through representation in language and image.______Thank you Catherine for joining me!catherinecasalino.com@cat.casalino Catherine Casalino is the principal and creative director of Casalino Design, an independent design company in New York City, focusing on book design and branding.Prior to founding Casalino Design in 2016, Catherine worked in-house as an art director and designer at Simon & Schuster, Random House, and Hachette Book Group, and she began her career at Rodrigo Corral Design.Over the past two decades, Catherine's work has been recognized by numerous international design organizations and publications. She has served as a competition chair and judge for The Type Directors Club, The One Club, The Art Directors Club, and the Association of American University Presses.She frequently speaks about design at art schools and organizations, is an instructor on Domestika.com, and volunteers as a mentor for Alphabettes—a community that supports women in type. 

Icono del arte posmoderno y del feminismo del siglo XX. Barbara Kruger es una de las artistas más importantes del siglo pasado, ya que utilizó sus conocimientos sobre diseño gráfico y publicidad para promover ideas políticas y propuestas artísticas radicales.

This is a free preview of a paid episode. To hear more, visit www.thegallerycompanion.comShortlisted for the Independent Podcast Awards 2023. Subscribe to receive exclusive weekly content at www.thegallerycompanion.comIn this week's episode I consider what it means to have something ‘useful' to say in a world saturated with visual and textual information, with some words of wisdom from a stranger, the art of Barbara Kruger, and something very lovely that one of you said to me.Kruger has been making art since the 1970s, and is known for her bold text-based images, which address mechanisms of power, gender, class and capital. Through her provocative slogans and images appropriated from mass media, Kruger challenges viewers to critically examine societal norms and values.If you'd like to access the full podcast you can subscribe to it on my Substack publication at thegallerycompanion.com. A subscription gets you a podcast and email from me every Sunday and access to a lovely community of artists and art lovers from around the world.The Gallery Companion is hosted by writer and historian Dr Victoria Powell. It's a thought-provoking dive into the interesting questions and messy stuff about our lives that art explores and represents.

The Face Podcast is your weekly cultural digest, rounding up the stories that you should care about in film, fashion and music. This week, we discuss what happened the night before at Amelia Dimoldenberg's Valentines party, talk NYSW with a focus on Marc Jacobs, Miley Cyrus at The Grammys and explain TikTok's dramatic battle with the music biz. We also call up the curator Hans Ulrich Obrist to chat about the first Barbara Kruger show in London for 20 years. 

In unserer 40. Folge - unserer Folge zur Berlinale - sprechen Felix von Boehm und Charlotte Paulus mit der Leiterin der Sammlung Grafikdesign der Kunstbibliothek Christina Thomson über Filmplakate. Auch in dieser Folge steht zu Beginn unseres Podcasts ein Werk aus der Sammlung der Nationalgalerie im Fokus: Diesmal ist es das Werk „Untitled (Meine Leute sind besser als Ihre Leute)“ von Barbara Kruger aus dem Jahr 1994/2016. Dieses wurde 2023 von den FREUNDEN ermöglicht durch den Nachlass von Marianne Schmidt für die Sammlung der Nationalgalerie angekauft. Die US-amerikanische Künstlerin Barbara Kruger ist bekannt für ihre großformatigen Plakate und Installationen und war 2022 in einer großen Einzelausstellung in der Neuen Nationalgalerie zu sehen.

This week: Adriano Pedrosa, the artistic director of the 60th Venice Biennale, on his exhibition, Foreigners Everywhere. As he announces the themes, concepts and the list of artists in the show, we speak to the Brazilian curator about his plans. Hugely popular immersive art experiences are popping up across the world from London to Las Vegas, Tokyo and Abu Dhabi, and we discuss this phenomenon and its implications for museums and galleries with Chris Michaels—an art and technology consultant and former director of digital, communications and technology at the National Gallery, London. And this episode's Work of the Week is Barbara Kruger's Untitled (Forever), an installation first made in 2017 and now on view in the Serpentine South gallery in London, where Kruger's career survey arrived this week after spells in Chicago, Los Angeles and New York. Hans Ulrich Obrist, the Serpentine Galleries' artistic director, explores the installation.The 60th Venice Biennale: Foreigners Everywhere, Giardini and Arsenale, Venice, Italy, 20 April-24 November.Barbara Kruger: Thinking of You. I Mean Me. I Mean You, Serpentine South, London, until 17 March.Offer: you can still buy The Art Newspaper's magazine The Year Ahead 2024, an authoritative guide to the world's must-see art exhibitions and museum openings—many of which were discussed on our podcast from 12 January. Get a print and digital subscription to The Art Newspaper at theartnewspaper.com before the 15th of this month to receive a copy of The Year Ahead with your next printed issue. Or you can buy the magazine on its own on the website for just £9.99 or $13.69. Hosted on Acast. See acast.com/privacy for more information.

This week, Wes and Todd talk with A.L. Lummus, a.k.a. Amy Lummus. Lummus discusses the pandemic & how it affected her and her work, timing, Barbara Kruger, Mettle Martyr I & II, being an Advocate Artist, lessons learned in doing the work, “dog with a bone” syndrome, work/life balance, the thread that runs through the work, stories/narrative, art & carpentry, the genesis for Mettle Martyr, telling the story that's hers to tell, asking the question “is it breathing?”, research & statistics, process, the Ft. Collins Mural Project, working big, kinetic sculptures, Firehouse Art Center, her show “Spit and Splinters”, her residency, and her motto.Join us for a compelling and educational conversation with A.L. Lummus!Check out A.L. Lummus' work at her website: www.amyleelummus.comFollow A.L. Lummus on social media:Instagram - www.instagram.com/alummusart/@alummusart Facebook - www.facebook.com/AmyLeeLummus Check out Amy's solo exhibition, “Spit and Splinters” at the Firehouse Art Center, February 9th from 6pm-9pm in the Main Gallery.Firehouse Art Center667 4th AvenueLongmont, CO 80501www.firehouseart.org

THIS WEEK on the GWA Podcast, @katy.hessel interviews is one of the world's most influential artists: Barbara Kruger. Hailed for her distinctive poster-style language, Kruger merges text and image to bring attention to urgent political concerns. Bold, loud and readily available, her tabloid-esque works confront everyday issues. And, evocative of advertising, have the ability to bring meaning to often meaningless signage.  Born in Newark, NJ, and educated at Syracuse then Parsons, where she was taught by the late great Diane Arbus, Kruger began as an art director for Condé Nast, where she shaped her visual language. As she has said, “I had the luxury of working with the best technology ... I became attached to sans serif type, especially Futura and Helvetica, which I chose because they could really cut through the grease.” Fast forward to the 1970s and 80s – a highly political moment in America: especially for the control over one's body – and Kruger is culminating text/images that speak to Laura Mulvey's landmark 1975 essay on the male gaze, “Visual Pleasure and Narrative Cinema", and that protest anti abortion laws. Her work defined a new type of art that directly addressed power and control, championing the rights we should have over our bodies, life and world.  Today, she is still at the forefront with her work – immersive and on the wall – that feels familiar due to its evocation of the machine we know as capitalism, that both drives us and that we drive. For those lucky enough to be in London, Kruger is very excitingly having her first institutional show in London in over 20 years, at Serpentine Galleries: Thinking of You. I Mean Me. I Mean You. Opening TODAY, until 17 March 2024. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Right now, Montclair Art Museum has a huge show featuring some of the most well-known women in the artworld such as Barbara Kruger, Carrie Mae Weems, Alice Neel, Betty Parsons and Jaune Quick-to-See Smith. It's called Taking Space: Contemporary Women Artists and the Politics of Scale. Gail Stavitsky, the museum's chief curator, joins us to talk about the exhibition on display through Jan. 7.  

Hey y'all! Join us as we discuss the My Hero Academia episode "Deku vs. Kacchan, Part 2", including Aizawa's slutty clavicle, Barbara Kruger quotes, and plenty of Feelings about Katsuki's immense gay angst. You can find spoilers and TWs on our website, myheroanalysis.com. Thanks for listening!

Shortlisted for the Independent Podcast Awards 2023. In this episode, I talk about Naomi Klein's new book Doppelganger, which takes the reader on a journey into conspiracy culture. I consider the power of storytelling in the spread of misinformation, and I think about the work of artists who interrogate the media and who question how power circulates in our world including the great Barbara Kruger, the photographer Cassandra Zampini and the South African artist William Kentridge.The Gallery Companion is hosted by writer and historian Dr Victoria Powell. It's a thought-provoking dive into the interesting questions and messy stuff about our lives that art explores and represents.To see the images and watch the videos discussed in the podcast visit www.thegallerycompanion.com. This is where you can subscribe to The Gallery Companion email list, which goes out to accompany each new podcast episode, and is packed full of links to more info. That's where you can share your thoughts and join the conversation too. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thegallerycompanion.com/subscribe

This week Marcus and Sam discuss the use of black and white photography. Marcus did a poll on LinkedIn and found that (from the sample of people who responded) people preferred colour for a head shot, but like black and white photography in their homes. William Eggleston a famous photographer did an exhibition in the Museum of modern art, New York in the mid 1970s and he used colour. At the time the critics said his use of colour was “vulgar”. Marcus thinks that using actual film, black and white film, and developing it yourself will expand your understanding of black and white photography. Now the software we use for photography still uses many of the terms that come from those original dark room techniques. And they will make more sense once you have experienced developing actual film. There are photography clubs all over the country that have dark rooms you will be able to use.   Marcus also think photography books are also a great way to learn about black and white photography. Also go and look at photographic exhibitions and how those photographers use black and white photography.   Sam and Marcus then talk about the use of black and white commercially. Black and white is great for headshots. Also, for some businesses black and white can really match their brand. Some brands need some bright colours, but for others black and white can work really well for their brand. Barbara Kruger is a famous photographer who used red text against black and white photography which was a great look and could work really well for a brand. At weddings black and white can be used. It's used often when the weather is bad as it helps deal with poor light. But black and white can also be used for effect on any wedding. But as the shots will be digital these can be made black and white after the event. Don't forget to sign up to the podcast newsletter to get the lastest episodes direct to your inbox, get bonus extra content past episodes to try and more.

In April 1989, Barbara Kruger - an artist, activist, and former magazine layout editor - created a flyer for a pro-choice women's march in Washington, DC to protest the Supreme Court's potential overturning of Roe vs. Wade. This flyer, though, was never meant to be a picket sign. Instead, it has become a timeless artwork all its own: directly addressing any viewer from any era, demanding they confront their own politics, and drawing the battle lines between all the external - and internal - tensions that exist not only within the parameters of the abortion debate, but within women themselves. See the images: https://bit.ly/45wNrSb Music used: Django Reinhardt, “Django's Tiger” The Blue Dot Sessions, “Thread Indigo,” “Monder,” “Tall Journey,” “Stephi,” “Morning Glare” Helen Reddy, “I Am Woman” (performed at the Mobilize for Women's Lives Rally in Washington in 1989) Support the show: www.patreon.com/lonelypalette Episode sponsors: Jay Handy Financial Services (for artists!) https://www.signalpointinvest.com/team/jay-handy/ Altenew www.altenew.com Discount code: TAMAR10%OFF

GREENFINGERS, 16min., UK, Documentary Directed by Max Hayes Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this? Get to know the filmmaker: I knew throughout my Middlesex University Film BA that I wanted my final year project to be a documentary. Climate activism is a subject that I'm existentially tied to but I didn't think I was well connected enough to make a film on it. When I fully considered how I wanted to use my time in education I decided to go for it, commit to researching environmentalism and hope that the experience could make a story. I found that media coverage is set up to make activists defend their actions; whilst this is an important question to ask, I found this necessitates the activists to be combative towards the interviewer and I wanted to use my film to show their genuine humanity that may not be captured on the news. I've studied Berthold Brecht and believe that addressing the audience directly and taking them out of the illusion of a film is important to communicate a political message. Barbara Kruger and Shepard Fairey's bold work appealed to me as something that is both political, visually captivating and could be used to break my project up into chapters. They all motivated me to add a more experimental artistic side to the documentary. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Barbara Kruger is a contemporary artist well known for her use of text and images. She started off in the late 1960s and 70s creating work reclaiming "craft" as a part of the feminist movement using materials that had long been marginalized. After she went to teach at UC Berkley, she started to gravitate toward words. In the late 1970s, she self published a book juxtaposing text and images. She would put a photo on one page and write a small poem or phrase on the page next to it. Her work really started to take off in the 1980s as she created bold graphic works in black, white and red overlaying text on found images. Her work speaks to how labels can define who we are and who we aren't as well as confronting the viewer very directly. The next evolution of her work came in the 1990s as she shifted from creating loud images to immersive installations that were viewers could not escape these messages. The text and image were no longer just out there in the gallery space, the text and images were the space. Some related episodes: Barabara Kruger | Don't Be a Jerk (full episode with Jen Leban) Bisa Butler | The Safety Patrol Faith Ringgold | Dancing at the Louvre Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (I'll send a $50 Amazon gift card to the teacher who gets the most shoutouts on this form by Feb 27) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

QUESTION PRESENTED:Whether a work of art is “transformative” when it conveys a different meaning or message from its source material (as the Supreme Court, U.S. Court of Appeals for the 9th Circuit, and other courts of appeals have held), or whether a court is forbidden from considering the meaning of the accused work where it “recognizably deriv[es] from” its source material (as the U.S. Court of Appeals for the 2nd Circuit has held).Date                  Proceedings and Orders (key to color coding)Dec 09 2021 | Petition for a writ of certiorari filed. (Response due January 12, 2022)Dec 29 2021 | Motion to extend the time to file a response from January 12, 2022 to February 11, 2022, submitted to The Clerk.Dec 30 2021 | Motion to extend the time to file a response is granted and the time is extended to and including February 11, 2022.Jan 10 2022 | Brief amici curiae of Copyright Law Professors filed.Jan 10 2022 | Brief amici curiae of Barbara Kruger and Robert Storr filed.Jan 12 2022 | Brief amici curiae of Art Law Professors filed.Jan 12 2022 | Brief amici curiae of The Robert Rauschenberg Foundation, Roy Lichtenstein Foundation, and Brooklyn Museum filed.Feb 04 2022 | Brief of respondents Lynn Goldsmith, et al. in opposition filed.Feb 23 2022 | DISTRIBUTED for Conference of 3/18/2022.Feb 23 2022 | Reply of petitioner The Andy Warhol Foundation for the Visual Arts, Inc. filed. (Distributed)Mar 21 2022 | DISTRIBUTED for Conference of 3/25/2022.Mar 28 2022 | Petition GRANTED.Apr 18 2022 | Motion for an extension of time to file the briefs on the merits filed.May 02 2022 | Blanket Consent filed by Respondent, Lynn Goldsmith, et al.May 02 2022 | Blanket Consent filed by Petitioner, The Andy Warhol Foundation for the Visual Arts, Inc.May 04 2022 | Motion to extend the time to file the briefs on the merits granted. The time to file the joint appendix and petitioner's brief on the merits is extended to and including June 10, 2022. The time to file respondents' brief on the merits is extended to and including August 8, 2022.Jun 10 2022 | Brief of petitioner The Andy Warhol Foundation for the Visual Arts, Inc. filed.Jun 10 2022 | Joint appendix (Volumes I and II) filed. (Statement of cost filed)Jun 14 2022 | ARGUMENT SET FOR Wednesday, October, 12, 2022.Jun 15 2022 | Brief amicus curiae of Royal Manticoran Navy: The Official Honor Harrington Fan Association, Inc. filed.Jun 16 2022 | Brief amicus curiae of Art Law Professors filed.Jun 17 2022 | Brief amici curiae of Electronic Frontier Foundation, et al. filed.Jun 17 2022 | Brief amicus curiae of Floor64, Inc. d/b/a The Copia Institute filed.Jun 17 2022 | Brief amici curiae of Authors Guild, Inc., et al. in support of neither party filed.Jun 17 2022 | Brief amicus curiae of The Motion Picture Association, Inc. in support of neither party filed.Jun 17 2022 | Brief amici curiae of Art Institute of Chicago, et al. in support of neither party filed.Jun 17 2022 | Brief amicus curiae of Authors Alliance filed.Jun 17 2022 | Brief amici curiae of Library Futures Institute, et al. in support of neither party filed.Jun 17 2022 | Brief amicus curiae of New York Intellectual Property Law Association in support of neither party filed.Jun 17 2022 | Brief amicus curiae of American Intellectual Property Law Association in suppoprt of neither party filed.Jun 17 2022 | Brief amicus curiae of Art Professor Richard Meyer in support of neither party filed.Jun 17 2022 | Brief amici curiae of Artists, et al. filed.Jun 17 2022 | Brief amicus curiae of Copyright Alliance in support of neither party filed.Jun 17 2022 | Brief amici curiae of Copyright Law Professors filed.Jun 17 2022 | Brief amici curiae of Documentary Filmmakers filed.Jun 17 2022 | Brief amici curiae of The Robert Rauschenberg Foundation, et al. filed.Jun 22 2022 | Record requested from the 2nd Circuit.Jun 27 2022 | The record from the U.S.C.A. 2nd Circuit has been electronically filed.Jul 21 2022 | CIRCULATEDAug 08 2022 | Brief of respondents Lynn Goldsmith, et al. filed. (Distributed)Aug 11 2022 | Brief amici curiae of Professors Peter S. Menell, Shyamkrishna Balganesh, and Jane C. Ginsburg as Amici Curiae in Support of Respondents filed. (Distributed)Aug 12 2022 | Brief amici curiae of Graphic Artists Guild, Inc. and American Society for Collective Rights Licensing, Inc. filed. (Distributed)Aug 12 2022 | Brief amicus curiae of Philippa S. Loengard filed. (Distributed)Aug 15 2022 | Motion of the Solicitor General for leave to participate in oral argument as amicus curiae, for divided argument, and for enlargement of time for oral argument filed.Aug 15 2022 | Brief amicus curiae of Jeffrey Sedlik, Professional, Photographer and Photography Licensing Expert filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Digital Media Licensing Association filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Prof. Zvi S. Rosen filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Senator Marsha Blackburn filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Professor Guy A. Rub filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Dr. Seuss Enterprises, L.P. filed. (Distributed)Aug 15 2022 | Brief amici curiae of Institute for Intellectual Property and Social Justice and Intellectual-Property Professors filed. (Distributed)Aug 15 2022 | Brief amici curiae of Photographers Gary Bernstein and Julie Dermansky filed. (Distributed)Aug 15 2022 | Brief amici curiae of American Society of Media Photographers, Inc., et al. filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Screen Actors Guild-American Federation of Television and Radio Artists filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Association of American Publishers filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Professor Terry Kogan filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Committee for Justice filed. (Distributed)Aug 15 2022 | Brief amici curiae of California Society of Entertainment Lawyers, et al. filed. (Distributed)Aug 15 2022 | Brief amici curiae of The Recording Industry Association of America and The National Music Publishers Association filed. (Distributed)Aug 15 2022 | Brief amicus curiae of Phoenix Center for Advanced Legal & Economic Public Policy Studies filed. (Distributed)Aug 15 2022 | Brief amicus curiae of United States filed. (Distributed)Sep 07 2022 | Reply of petitioner The Andy Warhol Foundation for the Visual Arts, Inc. filed. (Distributed)Sep 28 2022 | Motion of the Solicitor General for leave to participate in oral argument as amicus curiae, for divided argument, and for enlargement of time for oral argument GRANTED.Oct 12 2022 | Argued. For petitioner: Roman Martinez, Washington, D. C. For respondents: Lisa S. Blatt, Washington, D. C.; and Yaira Dubin, Assistant to the Solicitor General, Department of Justice, Washington, D. C. (for United States, as amicus curiae.)

Season 14 continues with VERY special episode with one of our all-time ART WORLD ICONS!!!! We meet the legendary gallerist MAUREEN PALEY. Inspiration to many of today's international contemporary galleries, Maureen was in fact the reason our co-host Robert Diament became inspired to change careers to work full-time in a gallery!We discover how she began her gallery programme in 1984 in a Victorian terraced house in London's East End. Initially named Interim Art, the gallery changed its name to Maureen Paley in 2004 as a celebration of its 20th anniversary. Since September 1999 the gallery has been situated in Bethnal Green, and in September 2020 relocated to Three Colts Lane. In July 2017 Maureen Paley opened a second space in Hove called Morena di Luna. In October 2020 a third space was opened in Shoreditch, London called Studio M. From its inception, the gallery's aim has remained consistent: to promote great and innovative artists in all media.-Maureen Paley was one of the first to present contemporary art in London's East End and has been a pioneer of the current scene, promoting and showing a diverse range of international artists. Gallery artists include Turner Prize winners Lawrence Abu Hamdan, 2019; Wolfgang Tillmans, 2000 and Gillian Wearing, 1997 as well as Turner Prize nominees Rebecca Warren, 2006; Liam Gillick, 2002; Jane and Louise Wilson, 1999 and Hannah Collins, 1993. Represented artists also include AA Bronson, Felipe Baeza, Tom Burr, Michaela Eichwald, Morgan Fisher, General Idea, Anne Hardy, Peter Hujar, Michael Krebber, Paulo Nimer Pjota, Olivia Plender, Stephen Prina, Maaike Schoorel, Hannah Starkey, Chioma Ebinama, Oscar Tuazon, and James Welling.Maureen Paley, the gallery's founder and director, was born in New York, studied at Sarah Lawrence College, and graduated from Brown University before coming to the UK in 1977 where she completed her Masters at The Royal College of Art from 1978–80.Together with running the gallery, Maureen Paley has also curated a number of large-scale public exhibitions. In 1994 she organised an exhibition of works by Felix Gonzales Torres, Joseph Kosuth and Ad Reinhardt at the Camden Arts Centre. In 1995 Wall to Wall was presented for the Arts Council GB National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery and Leeds City Art Gallery showing wall drawings by international artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner. Maureen Paley also selected an exhibition of work by young British artists in 1996 called The Cauldron featuring Christine Borland, Angela Bulloch, Jake & Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing for the Henry Moore Sculpture Trust which was installed in their Studio space in Dean Clough, Halifax.Follow @MaureenPaley on Instagram. Visit the gallery's official website at https://www.maureenpaley.com/Maureen Paley are exhibiting at Frieze London art fair next week in Regent's Park, Stand C9, 12th-16th October 2022. See works from her booth at Frieze's website: https://viewingroom.frieze.com/viewing-room/1750 Hosted on Acast. See acast.com/privacy for more information.

Back in 2019, R.K. Russell came out as bisexual and found his job chances in the NFL evaporate. We hear from him. And, artist Barbara Kruger reworked some of her pieces and included new works with text from the web in exhibits at the Museum of Modern Art and the David Zwirner Gallery in New York City. Karen Michel reports.

This week on the show we are visiting the one and only Stuart Comer, chief curator of Media and Performance at the Museum of Modern Art. Stuart is not only prolifically active as a curator at MoMA doing all of the things curators do: building exhibitions, building collections, building relationships with artists, the public, and patrons, etc – but as a department head at a museum the scale of MoMA, Stuart is also very much a leader. The department of media and performance art at MoMA comprises a whole team of professionals, and the work that Stuart and his colleagues have been doing over the years to build upon the legacy left by their predecessors, and the ways in which they've expanded and branched out into new arenas has been nothing short of incredible. In our chat with Stuart this week, we hear all about his department's leading work in shaping what it looks like for art museums to exhibit, collect, and conserve performance art and dance, as well as Stuart's origins as a curator, including serving as the Tate Modern's first-ever curator of film. Tune in to hear Stuart's story!Links from the conversation with Stuart> https://www.moma.org/about/senior-staff/stuart-comer> Barbara Kruger's Thinking of You. I Mean Me. I Mean You. https://www.moma.org/calendar/exhibitions/5394> Studio Residency: Okwui Okpokwasili https://www.moma.org/calendar/exhibitions/5226> Simone Forti: https://www.moma.org/calendar/performance/866Get access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

For the 59th International Art Exhibition – La Biennale di Venezia, The Milk of Dreams (Il Latte dei Sogni), the ...

In this episode, Noah and Vivian discuss privacy in the world of NFTs and web3, a space that is inherently transparent. Is it uncomfortable to be publicly yourself online all the time? What if you could escape yourself? How do artists create work that speaks to privacy or invert the transparency of the blockchain? Noah and Vivian receive a voicemail from Jesse, who leads design at Context, to share information about a new product from Context called Mint.fun. Mint.fun aggregates trending projects that are currently minting, as well as trending projects that are free to mint. Noah and Vivian peruse Mint.fun and mint a project called My Fucking Egg, because Noah loves chickens and by proxy he loves eggs. Anyway, don't forget to call the JPEG2000 Hotline at 845-377-3484. CALL NOW!A feature of web3 and crypto is that your actions are visible and documented on chain. If you buy something that doesn't fit your aesthetic and vibe, are you embarrassed that it's publicly visible to everybody? In essence, you can always spy on people's wallets. Do we already live in a world where privacy is low-key dead? Content creators on Youtube, Tiktok, and Instagram share content of mundane elements of their lives ranging from their skincare routines, what they eat in a week, and "haul videos" showcasing things they bought during shopping sprees. Vivian recalls a piece by conceptual artist Barbara Kruger, which has text that says I Shop Therefore I Am. During Collection Time™️ Noah and Vivian collect "Point-And-Shoot Camera" from artist Stardrop's project called Everything I Own. Stardrop photographs all 1026 items that they own (including love letters, vaccination card, tax returns, drivers license), and the project is intended as an "exploration of ownership, consumerism, privacy, and identity in the world of crypto." Stardrop is an anonymous person who uses a pseudonym online, but simultaneously shares everything they own, including things that would be considered sensitive and private. Through seeing all of a person's belongings, can we paint a picture of who they are? You can view a feed of the project activity on Context on the project's collection page, and see all of the items that Stardrop owns.This leads to a conversation about the flattening of identity on social media, and how audiences think of new art made by artists is often influenced by their previous artworks and personal histories. Is being anonymous online a solution and a way to break away from that cycle? Next, Noah and Vivian collect a piece titled 2022-06-20 from Mars Maiers, a year-long daily art project created by Allan Yu and Jacob Bijani. In the first iteration of Mars Maiers, artist Allan Yu donned the pseudonym Mars Maiers to maintain his privacy (and protect his ego) and started doing an art piece a day, inspired by Taiwanese artist Tehching Hsieh (an artist that both Noah and episode 4 guest Robert Gallardo are inspired by). In the current iteration of Mars Maiers, daily artworks created by Allan are sold as NFTs in a blind auction format, introducing privacy and secrecy to the NFT space, inverting the inherent openness and transparency of the ethereum blockchain. Do you want to know how Allan and Jacob do this? Sorry, you will have to listen to the episode to get that info

Two clips of Barbara Kruger discussing works she has made that address abortion. The first work(s) is from 1991 and 1992; the second addresses Kruger's recent engagements with her 1989 masterpiece "Your Body is a Battleground." Nota bene: This mini-episode is available *only* via feed, including at Apple Podcasts, Spotify, etc. 

This week we're breaking the first two rules and talking about Fight Club with the amazing veteran podcaster Elana Levin. Raz was getting over COVID so their voice is a little rough, but we had a great time talking about this classic movie, which actually has some decent lessons for organizing. And a lot of very powerful anti-lessons too. We got into the queerness of this film (happy Pride Month!), how it's been embraced by the manosphere and evangelical Christians, how to keep your movement from turning into a death cult, and Brad Pitt's power over straight men (we even got Elana's husband, a certified Straight Man, to weigh in on the latter). Elana's podcast is Graphic Policy Radio. You can also follow us on Twitter and Instagram at @thelcapod. Things we mention in this episode: Vice Article: https://www.vice.com/en/article/paeg89/how-fight-club-became-the-ultimate-handbook-for-mens-rights-activists Evangelical fight clubs: https://mensfight.club/  Elana's tweet: https://twitter.com/elana_brooklyn/status/1218562941982773249 Lit Hub article: https://lithub.com/everyone-misunderstands-the-point-of-fight-club/ Barbara Kruger piece: https://knowyourmeme.com/memes/intricate-rituals This episode was produced by Raz Pollex and edited by Ross West. 

Nearly 50 Starbucks shops nationwide have voted to unionize this year. Now LA County's Starbucks baristas are brewing up change. The University of California is waiving tuition for Native American students, but only if they're members of federally recognized tribes. At LACMA, Lee Alexander McQueen's designs are paired with museum objects in a new show. And separately, Barbara Kruger plays with text and pop culture. 

This episode is also available as a blog post: https://thecitylife.org/2022/04/30/moma-announces-a-space-enveloping-new-commission-by-artist-barbara-kruger/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Probst, Carstenwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Jäger, Joachimwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Heading south from Honolulu today to Australia---like most places, a land still reckoning with its history. In 1972, four aboriginal Australian men set up umbrellas outside the old Parliament House in Canberra. They called it the Aboriginal Tent Embassy because they felt treated like aliens in their own homeland and were demanding land rights. That protest mushroomed, footage was viewed in 86 countries, it is the longest running continuous protest for indigenous land rights in the world. 50 years this year. In 2013, artist Richard E. Bell created a traveling "Aboriginal Embassy." Every time it goes up around the world, discussions about land rights and sovereignty are held inside. Material from previous iterations is incorporated at each new location. Bell is also a painter. His muscle-y paintings jump off the walls. Arresting colors in a patchwork, often with text, kind of Barbara Kruger meets Rauschenberg. With words like: "Pardon me for being born into a land of racists." And "You can go now." Also, "We know how to wait." Richard was due in Honolulu soon, so I caught him on a Zoom recently. I think youʻll enjoy him, I know I learned enough to need to know more. Richard Bellʻs "Embassy" is coming to Honolulu May 6 and 7. It's part of the Hawaiʻi Triennial 2022, "Pacific Century: E Hoʻomau no Moananuiakea" through May 8, 2022 at seven venues in Honolulu. This "Embassy" has gathered steam already in Moscow, New York, Jakarta, Jerusalem and Sydney. We will gather to add our manaʻo from Hawaiʻi on Friday, May 6, 5-6pm and Saturday May 7, 2-3 pm at the Hawaiʻi State Art Museum. Issues of land and sovereignty could not be more pressing, as we bleed with the resistance in Mariupol. We send these Brolga Bird Clan Songs to the resistance. By Dabulu and Magern, hear Australian aboriginal sounds on Smithsonian Folkways. We offer this chant from the Pacific in solidarity with Ukrainian resistance. Next up on fresh pacific, the fabulous girls from toqa.

Roxane on the pleasures and perils of collecting art, and a conversation with one of the artists whose work she collects. Barbara Kruger came up through the magazine industry, where she applied her editorial design skills in the making of provocative, conceptual images, films and sculptures. She talks about her belated success, and how there's not just one art world anymore.  Mentions: ●     Barbara Krugers LACHMA exhibit https://www.lacma.org/art/exhibition/barbara-kruger   Credits: Curtis Fox is the producer. Our researcher is Yessenia Moreno. Production help from Kaitlyn Adams and Meg Pillow. Theme music by Taka Yasuzawa and Alex Sugiura. See omnystudio.com/listener for privacy information.

Named “one of the most creative people in business” by Fast Company, and “one of the most influential designers working today” by Graphic Design USA, Debbie Millman is also an author, educator, curator and host of the podcast Design Matters. As the founder and host of Design Matters, one of the world's first and longest running podcasts, Millman has interviewed nearly 500 artists, designers and cultural commentators over the past 14 years. Design Matters won a 2011 Cooper Hewitt National Design Award, in 2015 Apple designated it one of the best overall podcasts on iTunes, and in 2018 the show was honored by the Webby (WEB-BI) Awards. In addition, Design Matters has been listed on over 100 “Best Podcasts” lists, including one of the best podcasts in the world by Business Insider. The show is about how some of the world's most creative people design the arc of their lives, and Debbie has interviewed guests including Tim Ferriss, Malcolm Gladwell, Marina Abramovic, Steven Pinker, Shepard Fairey, Laurie Anderson, Barbara Kruger, Amanda Palmer, Alain de Botton, Brene Brown, Hamilton Director Thomas Kail, and many, many more. Thanks for tuning in, be on the lookout for our next podcast! Send us a DM or email at hello@advdes.org to provide us with your thoughts and comments on our dialogue with designers!

"Another" is in the vast atrium of the UC San Diego Price Center East. The large interior wall bears a massive double image of clocks which is punctuated by terrazzo-like areas that contain phrases. Two LED displays show live current news, adding another level of interest, as well as meaning, and suggesting how our lives are, to some degree, culturally inflected, constructed and contained. This combination of graphic image and moving text creates a space which functions on both a pictorial and a time-based level. The visual motif of the wall is extended to the floor by the use of terrazzo rectangles placed throughout the area, containing quotes from prominent figures in both the arts and sciences. The expansiveness of the wall and floor anchor the area with powerful images and, with the texts, create a space of visual pleasure, and relevancy. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37822]

"Another" is in the vast atrium of the UC San Diego Price Center East. The large interior wall bears a massive double image of clocks which is punctuated by terrazzo-like areas that contain phrases. Two LED displays show live current news, adding another level of interest, as well as meaning, and suggesting how our lives are, to some degree, culturally inflected, constructed and contained. This combination of graphic image and moving text creates a space which functions on both a pictorial and a time-based level. The visual motif of the wall is extended to the floor by the use of terrazzo rectangles placed throughout the area, containing quotes from prominent figures in both the arts and sciences. The expansiveness of the wall and floor anchor the area with powerful images and, with the texts, create a space of visual pleasure, and relevancy. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37822]

"Another" is in the vast atrium of the UC San Diego Price Center East. The large interior wall bears a massive double image of clocks which is punctuated by terrazzo-like areas that contain phrases. Two LED displays show live current news, adding another level of interest, as well as meaning, and suggesting how our lives are, to some degree, culturally inflected, constructed and contained. This combination of graphic image and moving text creates a space which functions on both a pictorial and a time-based level. The visual motif of the wall is extended to the floor by the use of terrazzo rectangles placed throughout the area, containing quotes from prominent figures in both the arts and sciences. The expansiveness of the wall and floor anchor the area with powerful images and, with the texts, create a space of visual pleasure, and relevancy. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37822]

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This week, we enlisted a lotta help from CoinOps' longtime buddy: Daemon. There's more to this Ep than a mere review of The Matrix Resurrections. We go beyond the film to discuss what's beneath it, around it, and inside it. No one can tell you what that is. You have to hear it for yourself.Daemon's notes:Barbara Kruger's profile on the MoMA's websiteCáel Keegan's 2019 talk on the Matrix's aesthetics"Lana and Lilly Wachowski: Sensing Transgender""all about love”"Love and Living""The Matrix Sequels Are Good, Actually,”"But She Said: Feminist Practices of Biblical Interpretation."Here is the interview with Lana Wachowski on the red carpet with IGNHit us up here:patreon.com/neondystopiahttps://twitter.com/neondystopiahttps://twitter.com/L0wl1f3Thehttps://www.neondystopia.com/https://mixlr.com/coinops-mcgillicuttyhttps://discord.gg/M6fGZERb7Zl0wl1f3crapshop.com

A focus on Barbara Kruger, the word-and-caption-centric conceptual artist whose familiar images and texts have been a part of our culture for decades.

Barbara Kruger's images and texts have been a consistent source of cultural commentary for decades. Her new exhibition, THINKING OF YOU. I MEAN ME. I MEAN YOU, dominates several spaces in the Art Institute of Chicago. On this episode we chat with the exhibition's co-curator, Robyn Farrell about the artist, the show, and why it's definitely NOT a retrospective.

This is an encore of last season's episode about Barbara Kruger and her piece, Don't Be a Jerk.  As with previous seasons, I will be taking a bit of a break for December. I will continue to put out new fun fact mini episodes on Fridays, but the Monday episodes will be encore presentations for a few weeks. New full episodes will resume on Monday, January 17.  

News at 6 on WNUR News – October 25, 2021 MARS and Masculinity, Dear Evan Hansen, and Barbara Kruger’s Anti-Retrospective WNUR News broadcasts live at 6 pm CST on Mondays, Wednesdays, and Fridays on WNUR 89.3 FM

Today we're talking about Heathers, a 1988 movie starring Winona Ryder as Veronica Sawyer and Christian Slater as J.D., as well as artists Barbara Kruger, who's work is featured in the film (inside Heather Chandler's locker). Timestamps: Heathers - (0:00) Barbara Kruger - (18:07) Listen to the podcast: https://podcasts.apple.com/us/podcast/ugh-as-if-contemporary-art-podcast/id1585533802 https://open.spotify.com/show/06lq2IUaaBkR3iWJgLBWyT https://soundcloud.com/lisa-fevral Lisa Fevral: https://www.youtube.com/channel/UCJdvK5wMriowQqbGC7G0lDA https://twitter.com/LisaFevral https://www.instagram.com/lisafevral/

Catherine is here today with Debbie Millman. Named “one of the most creative people in business” by Fast Company, and “one of the most influential designers working today” by Graphic Design USA. Debbie Millman is an author, educator, curator and the host of the award-winning podcast Design Matters, one of the first and longest running podcasts in the world. The show is about how some of the world's most creative people design the arc of their lives, and Debbie has interviewed guests including Tim Ferriss, Malcolm Gladwell, Marina Abramovic, Steven Pinker, Shepard Fairey, Laurie Anderson, Barbara Kruger, Amanda Palmer, Alain de Botton, Brene Brown, Hamilton Director Thomas Kail, and many, many more. She is also co-founder and chair of the world's first graduate program in branding at the School of Visual Arts; editorial director of Print magazine; and the author of six books on design and branding. She has worked on the design and strategy of over 200 of the world's biggest brands and is currently Chair of the Board of Directors for Law & Order SVU actor and activist Mariska Hargitay's Joyful Heart Foundation. Find Out More About Debbie Millman Visit Debbie's Website Connect with Debbie Millman on Facebook Follow Debbie on Instagram @debbiemillman It's now time to tune into this one very inspirational human being. Enjoy!

Former arts editor and founding member of iconic 90's magazine Dazed & Confused, art curator, writer and consultant Mark Sanders played a key role in identifying the artistic revolution that was happening in London at the time and collaborated closely with Jake and Dinos Chapman, Barbara Kruger and Paul McCarthy.Here he takes time out to talk openly and frankly about his experiences with the sacred plant medicine Ayahuasca, fresh from a retreat in the UK this conversation was recorded just a few days after the two night ceremony.  Mark has drunk Ayahuasca more than 20 times in Brazil, but this was his first time working with this amazing teacher outside of the jungle.If you're interested in exploring this powerful medicine, hopefully this discussion will inform you and either turn you on...  Or turn you off.   https://www.leadingculturedestinations.com/ambassadors-jury/marksanders https://www.living-rooms.co.uk/the-edit/in-our-living-room-with-mark-sandersTitle track composed by Jerry Hyde and Nick Van Gelder, produced by Nick Van Gelder, keyboards by Kenny Dickenson, brass by Noel Langley, vocals by Sian O'Gorman.     Audio Engineering by Sam Williams at  Right Royal Audio  

Samira Ahmed discusses feminism with American artist Barbara Kruger and journalist Laurie Penny;and cartoonist Posy Simmonds talks about the role of cartoonists responding to politics and international affairs