Podcasts about disney's the little mermaid

The Secret Movie Club team (Connor Lloyd Crews, Edwin Gomez, Daniel Ott, Craig Hammill) discusses Disney's return to the major leagues with 1989's THE LITTLE MERMAID and Disney's subsequent animation renaissance (BEAUTY & THE BEAST, ALADDIN, MULAN, TARZAN, etc). We discuss how key the music and songs are to the movies' success as well as how we all became more open to animation as cinema as we get more comfortable with our tastes in adulthood.  

A little mermaid falls in love with a human. --- This episode is sponsored by · Music + Talk: Got an idea for a Music + Talk show? Get started by downloading the free Anchor app or going to anchor.fm/musicplustalk anchor.fm/musicplustalk

This episode – about Disney's The Little Mermaid – includes the boys trying to talk about misogyny, Nava's fear of strong women and oh yeah, [WARNING] an Avenger's Endgame spoiler. Sorry for our awful sound quality but we already knew we were kind of the worst.

Join us as we dive into a whole new world... wrong movie... a kingdom under the sea and talk about the history and impact of Disney's The Little Mermaid. We also spend some time talking about what's got us most excited about Disney+. Intro: Intro / Spoiler Alert [0:00] The Toys That Made Us [3:27] Scorcese vs. Marvel [6:41] The Soundtrack Show [10:56] WDW Radio Episode #511 [15:13] Disney+ [18:03] The Movie: The Little Mermaid info/trailer [51:15] The Little Mermaid discussion [56:03] Wrap-Up [1:37:35] Trailer(s): https://www.youtube.com/watch?v=Oz0H4UHd2J4 

Hey folks,We begin a celebration of Disney's The Little Mermaid with a slight prologue about Bullet Journaling.This joyful profane segment was followed by a rant disguised as a discussion on impeachment (Also #yanggang shoutout). Because we hadn't talked about it in a while. Also, a shoutout to Halloween and candy coma.Have a great week, friends.J&MFind out more at https://oka.pinecast.co

In this episode, we catch up with Arlie Kidd (neé Honeycutt) and talk about why the performing arts matter so much to a community--in particular, its young people. We also discuss The Towne Players of Garner's upcoming production of Disney's "The Little Mermaid." More about that show at https://www.etix.com/ticket/e/1009246/disneys-the-little-mermaid-garner-garner-performing-arts-center.

The Moon conjunct Neptune at 21° in Pisces.  Join us as we discuss the full moon and learn about how to find out what it illuminates in your personal chart.  Featuring: @sey_heartbeats, @astroccult and @p0wer0fw0w.  References: Time Passages App, Astrology King, Disney's The Little Mermaid.  FULL MOON - Los Angeles: 13 September 21:32, New York: 14 September 00:32, London: 14 September 5:32, Delhi: 14 September 10:02, Sydney: 14 September 14:32.Art: @astroccult.Conducere: @space.court, https://linktr.ee/spacecourt.  *Created with Zoom H6 or zoom.us, Speakline and GarageBand.

Here's our two cents (or would it be three cents?) on the live-action updates of DISNEY'S THE LITTLE MERMAID and DISNEY'S MULAN.

Happy July! It's a chattier chat than usual as we dig into some book news from around Twitter and the business pages. Angie Thomas kicks off Twitter controversy by ... asking not to be tagged in reviews? Microsoft shut down its ebook service, meaning customers who bought books through that service lost them. This is a good reminder to us all that we don’t actually own our ebooks. Loud, ignorant people on the internet are mad that Halle Bailey got a job as Ariel in Disney's The Little Mermaid remake. We also asked you all what upcoming releases you're most looking forward to. You gave us some great titles to add to our TBR. Thanks to @curvyblackgeek, @almost_esq, @IamTammiJ and @charelliam for sending us their picks! As always, thanks for listening and be sure to check out our next episode when we read and discuss They All Fall Down by Rachel Howzell Hall.

In the tenth episode of the Outcry Theatre Podcast, guest host Jason Johnson-Spinos sits down with several of the actors from Disney's The Little Mermaid JR.: Sienna Lawson, Jane Landrum, Alex Gray, Zara Lone, and Samantha Stratton. They discuss their characters, the challenges they faced, and what they enjoyed about the fast-paced rehearsal process.

This week the gals discuss getting their futures told, have a debate about whether Yesterday was actually a good movie, discuss new Instagram updates (as well as the Bottle Top Challenge) and Disney's The Little Mermaid casting controversy.

This week, Dahlia and Amy talk about the live-action casting for Disney's "The Little Mermaid." Halle Bailey was announced as Ariel in the upcoming film and many racists cried it would be inaccurate to have Black mermaid in this classic story. Why is it so important for viewers to see a young Black woman be cast as a Disney princess? Plus we're taking a break from Amy vs Dahlia, but leave a rate & review to let us know what you'd like us to argue about in the future. 

(4:21) Hot Takes: Spencer Paysinger has a must-hear controversial take on the Mulan teaser trailer and the crew debates the casting of Halle Bailey as Ariel in Disney's "The Little Mermaid". (15:27) Saquon Barkley Interview: He discusses his favorite movies set in his hometownNew York, how his dad tried to name him Tupac and which movies made him shed a tear. (42:07) Review: A spoil heavy review of Spider-Man: Far From Home including the movie's highlights and the future of the franchise. Hosted by Super Bowl champ Spencer Paysinger and his Hollywood producing partner, Dane Morck, "Film Study" preps you on the things you need to know about the biggest upcoming blockbusters. New episodes drop every Wednesday on WRTS. Follow @FilmStudyPod on social. 

Hello Theatre Family! This week's episode, I sat down with Travis to get all the juicy deets on how he feels as a first time director and a Disney Musical at that! (I mean, if you haven't heard; he's directing Disney's The Little Mermaid for PLCT). So if you are looking for tips on organization, THIS IS THE PODCAST FOR YOU!Wanna see the Little Mermaid? Buy you tickets now!: www.glapa.org (click the big red button at the top of the page)Visit our website: www.icantihaverehearsalpodcast.comWanna wear your love of the podcast? Grab some merch!: www.icantihaverehearsalpodcast.com/merchSubscribe on iTunes: https://apple.co/2GsGe9QDon't forget to rate the podcast and leave a review!Follow on Spotify: https://spoti.fi/2SKfoBpFollow Us on Social Media: Twitterwww.twitter.com/icihrpodcastFacebookwww.facebook.com/icantihaverehearsalpodcastInstagramwww.instagram.com/icantihaverehearsalpodcast

Look at this stuff, isn't it neat? Wouldn't you say our trivia's complete? There's nothing fishy about these thirteen things that you probably didn't know about The Little Mermaid, and were confident that you'll make them a part of your world. In the opening scene when King Triton arrives at the arena, Mickey Mouse, Goofy, Donald Duck and Kermit the Frog can be briefly seen in the crowd of sea-people as mermen when he passes over them. Originally, Sebastian was to have an English accent. It was lyricist/producer Howard Ashman who suggested he speak with a Caribbean accent. This opened the door to calypso-style numbers like "Under the Sea", which won the Academy Award. The character of Ursula was based on drag performer and John Waters regular Divine. Her personality and some of her actions were also largely inspired by a previous Disney villain, Madame Medusa from Disney's The Rescuers. It's possible that Prince Eric could be related to Prince Phillip and Princess Aurora from Sleeping Beauty. In the dining room in Eric's castle on Ariel's first evening on land, there is a painting hanging on the wall. Ariel was quite deliberately made a redhead in order to distinguish her from Daryl Hannah's character in Splash. "Part of Your World" was nearly cut; Jeffrey Katzenberg felt that it was "boring", as well as being too far over the heads of the children for whom it was intended. At a test screening, children were restless during the song which did not have finished animation - in particular one child sat in front of Katzenberg, spilled his popcorn, and was more interested in picking it up than watching the sequence. After trying with an adult audience, the song was considered a greater success and so the song was left in the film. The Little Mermaid had been a Disney property since 1941. Walt Disney planned to include the much darker Hans Christian Andersen version of the tale in a planned anthology film of the fantasy author's works. After a bitter strike by the animators that same year and the increasing focus on wartime propaganda shorts, the initial version of The Little Mermaid was shelved in 1943. Ariel's rendition of "Part of Your World" set a precedent for subsequent Disney animated musicals where the protagonist would vocalize his or her desires early in the film. The song was referred to by Howard Ashman as the "I Want" song. Deleted scenes: An extended "Fathoms Below" sequence in which it is revealed that Ursula is Triton's sister; alternate version of "Poor Unfortunate Souls" explaining why Ursula was banished by Triton; a scene just before the concert in which Sebastian finds out Ariel is missing; extended scene of Sebastian lost in Eric's castle; Sebastian giving additional advice to Ariel at bedtime; and the fight with Ursula to the ending with no dialogue. This was the first Disney film to receive an Academy Award since Bedknobs and Broomsticks (1971), though other films had been nominated. Ariel's body type and personality were based on Alyssa Milano. The effect of her hair underwater was based on footage of astronaut Sally Ride in weightless conditions. This was the last Disney animated feature to use hand-painted cels and analog camera and film work. 1,000 different colors were used on 1,100 backgrounds. Over one million drawings were done in total. Several elements from the original Hans Christian Andersen story were kept in the movie, including: Ariel being the youngest of many sisters, the secret white marble statue, the polypi along the entrance to Ursula's cavern, and Ariel asking what she'll have left without her voice and the sea-witch's response. However, in the original story, Ariel doesn't turn back into a mermaid at the end. When the sun rises on the last day she turns to foam and dies. Later editions included her becoming a daughter of the air and rising to heaven. The Little Mermaid (1989) G | 1h 23min | Animation, Family, Fantasy | 17 November 1989 (USA) A mermaid princess makes a Faustian bar

Jason Eksuzian is a Director of Photographer and Camera Operator. He's worked on reality shows like Little People Big World, Rich Kids of Beverly Hills, Vanderpump Rules and The Hills: New Beginnings. He also has written and directed several of his own projects. Kincaid Walker is an actress who has a recurring role on Speechless on ABC starring Minnie Driver. Kincaid also created, wrote and starred in the award winning digital series Hug It Out.  Jason and Kincaid tell their stories of how they got into the entertainment industry, and we also discuss the short film they are producing called The Grown Up Mermaid, which is a live action spoof of Disney's The Little Mermaid.  Here are links to The Grown Up Mermaid's IndieGoGo campaign as well as the various other projects Jason and Kincaid discuss in the episode: Grown-Up Mermaid on IndieGoGo: https://igg.me/at/grownupmermaid Hug it Out: https://www.hugitouttheseries.com/ DINKS: https://vimeo.com/74139975 I Miss Drugs: https://vimeo.com/43421525   Follow the podcast on Instagram or Facebook Follow Jeremiah on Instagram or Twitter

Fictional characters inspire some of us to be better people. Others inspire people to fight through a difficult time. In the case of my guest today, she was inspired with a love of travel that has lead her all the way around the world. Caleigh Gilfillan has loved Ariel from The Little Mermaid from a very young age. And, from that love, grew a love of travel and a love of adventure that lead her all the way to Shanghai, China!

A bonus episode about Ursula the sea witch from Disney's The Little Mermaid. We share a short story sent to us by Inés Alegre. Connect with us on Facebook or Twitter at @NextDoorVillain or send an email to nextdoorvillain@gmail.com

Jamie Loftus and Caitlin Durante visit a sea witch so they can transform into humans and travel to the surface to chat with special guest Clara Pluton about Disney's The Little Mermaid, recorded live at the Jewelbox Theater in Seattle! (This episode contains spoilers) For Bechdel bonuses, sign up for our Patreon at patreon.com/bechdelcast. Follow @clarapluton on Twitter.  While you're there, you should also follow @BechdelCast, @caitlindurante and @jamieloftusHELP Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

This week we begin our Official Two-Part episode on the classic nostalgia fest...Disney's The Little Mermaid. IT'S FINALLY TIME! Episode 1 of 2 focuses on the source material and studio information. So, of course, Aly starts us off with information about the original source material - Hans Christian Andersen's The Little Mermaid. We hear a little bit about his life, and then a breakdown of the original tale (and how it is VERY DIFFERENT from the movie). She also gives us a breakdown on where the whole mermaid deal came from and when and how it became so popular. Sarrah steps in with some information regarding the massive changes at the Disney Studio moving into the renaissance, as well as some particulars about how this movie was made. Together we discuss where we are with mermaids today, what's popular? Where can we find mermaid stuff? Where can we find Little Mermaid stuff? We shall tell you! Please check out our blog and our full episode at Cartooninin.com/episodes/littlemermaid So let us dive down deep with our mermaid friends and hear the tale of Triton!

Welcome to another episode of the Black N Animated Podcast! This week we interview veteran animator Dan Haskett. Dan has worked in animation for 50 years, and has work on films such as Disney's The Little Mermaid, and Beauty and the Beast. He's is very kind and we hope you learn plenty from his animation journey! And don't forget, you can subscribe to the podcast at  blacknanimated.podbean.com And be sure to follow us on Instagram and Twitter @blacknanimatedSee yah later, alli-gaitah!!

Disney's The Little Mermaid - presented by the Des Moines Community Playhouse. recorded 11/20/2017.

We at She Who Persisted strongly oppose luring people into huts and eating them. We do, however, support dancing naked in woods.So, grab your chocolate and listen to Heather, Liz, and Bea talk about witches from folklore and myth. No matter if it's Hekate, Baba Yaga, or Ursula from Disney's "The Little Mermaid", we've got you covered with all your witchy needs.Because, as you all know: b/witches get stuff done. 

Scott, Andrea, and Arvin discuss recent headlines including Ed Skrein turning down the HELLBOY reboot, Diana Huey in a touring production of Disney's THE LITTLE MERMAID, and Susan Johnson's movie adaptation of Jenny Han's novel TO ALL THE BOYS I'VE LOVED BEFORE.

Vorige week hadden we veel nieuws van Disney's D23 Expo en deze week is het de beurt aan San Diego Comic Con 2017 waar we veel nieuws te horen kregen over de nieuwe DC en Marvel films. Verder hebben we het over Lin-Manuel Miranda die de muziek gaat schrijven voor Disney's The Little Mermaid. DC's Shazam zal de volgende film worden na Aquaman. En 20th Century Fox herevalueert de Alien franchise. We geven een spoilervrije review van Dunkirk en sluiten af met Valerian and the City of a Thousand Planets en Girls Night Out. Veel plezier met de tweede aflevering van Film Fans Podcast!

Marshall and Laura invite special guest Zoë Rose Moacanin to be part of their world to discuss following your dreams, the merits of dating a mute, and whether this movie sends a good message to young people.The trio re-watch Disney's "The Little Mermaid" and try to determine if they still love it. Special Guest: Zoë Rose Moacanin - actress and comedianFounding member of the all-female sketch comedy group "OBGY-Not?", graduate of the Second City Conservatory

Capcom and Disney, a match made in 8-bit heaven. The guys swim like pretty fishes in Disney's The Little Mermaid for the Nintendo Entertainment system. Will they marry a handsome prince or be turned into canned fish? Tuna in to find out!

There were exactly 364 days separating the theatrical releases of Disney's The Little Mermaid and this week's film. What a difference a year can make - specifically, the difference between a film that would jumpstart a flailing company and launch them to new, dizzying heights, and one that would take eight years to get released on home video. It's not hard to see why Disney may have wanted to sweep this movie under the rug. Aside from one very catchy song, this film is a mess of lazy animation, stunt voice casting that rarely works out, and a story so loosely based on Dickens' Oliver Twist  that the only similarities are four of the characters' names. This week on We Want The D, Vicky, Nolan and Jill watched OLIVER & COMPANY - and for all the savoir faire the characters claim to have, this movie has none. 

Strap on your floaties because we're going out to sea. Marinate on these marvelous marine morsels of trivia: the history of the first ever submarine and its very silly name, what exactly made Disney's The Little Mermaid a complete hit and turning point for the studio, handy/horrible mnemonics for memorizing bodies of water, and the Great Pacific Garbage Patch. Anchors aweigh in a nautical term quiz, and find out what happens to aquariums when abandoned.

Dave Parfitt interviews Jodi Benson, the voice of Ariel from Disney's The Little Mermaid.

Pulitzer Prize and Tony Award honored playwright Doug Wright discusses his virtually genetic passion for theatre and how that matched up with his conservative Texas childhood; his escape to New Haven and later New York for college and grad school; his early work at the O'Neill Theatre Center and the Yale Repertory Theatre; why he describes his early plays, including "Interrogating the Nude" and "Watbanaland", as having been fueled by rage; how "Quills" was inspired in part by the political culture wars of the mid-90s; where he found inspiration for the macabre and comic one-acts collected as "Unwrap Your Candy"; how he feels about having personally revealed himself in his writing, both as a character in "I Am My Own Wife" and in his essay for the book "The Play That Changed My Life"; why he signed on to collaborate with Scott Frankel and Michael Korie on the musical of "Grey Gardens" after the failure of his only prior musical, "Buzzsaw Berkeley" with Michael John LaChiusa; what drove him to actively lobby for the position of bookwriter on Disney's "The Little Mermaid"; and whether he plans to do more directing after adapting and staging Strindberg's "Creditors" at the La Jolla Playhouse in the summer of 2009. Original air date - January 25, 2010.

Pulitzer Prize and Tony Award honored playwright Doug Wright (2004 Tony Award winner for Best Play for “I Am My Own Wife”) discusses his virtually genetic passion for theatre and how that matched up with his conservative Texas childhood; his escape to New Haven and later New York for college and grad school; his early work at the O'Neill Theatre Center and the Yale Repertory Theatre; why he describes his early plays, including “Interrogating the Nude” and “Watbanaland”, as having been fueled by rage; how “Quills” was inspired in part by the political culture wars of the mid-90s; where he found inspiration for the macabre and comic one-acts collected as “Unwrap Your Candy”; how he feels about having personally revealed himself in his writing, both as a character in “I Am My Own Wife” and in his essay for the book “The Play That Changed My Life”; why he signed on to collaborate with Scott Frankel and Michael Korie on the musical of “Grey Gardens” after the failure of his only prior musical, “Buzzsaw Berkeley” with Michael John LaChiusa; what drove him to actively lobby for the position of bookwriter on Disney's “The Little Mermaid”; and whether he plans to do more directing after adapting and staging Strindberg's “Creditors” at the La Jolla Playhouse in the summer of 2009.

Pulitzer Prize and Tony Award honored playwright Doug Wright discusses his virtually genetic passion for theatre and how that matched up with his conservative Texas childhood; his escape to New Haven and later New York for college and grad school; his early work at the O'Neill Theatre Center and the Yale Repertory Theatre; why he describes his early plays, including "Interrogating the Nude" and "Watbanaland", as having been fueled by rage; how "Quills" was inspired in part by the political culture wars of the mid-90s; where he found inspiration for the macabre and comic one-acts collected as "Unwrap Your Candy"; how he feels about having personally revealed himself in his writing, both as a character in "I Am My Own Wife" and in his essay for the book "The Play That Changed My Life"; why he signed on to collaborate with Scott Frankel and Michael Korie on the musical of "Grey Gardens" after the failure of his only prior musical, "Buzzsaw Berkeley" with Michael John LaChiusa; what drove him to actively lobby for the position of bookwriter on Disney's "The Little Mermaid"; and whether he plans to do more directing after adapting and staging Strindberg's "Creditors" at the La Jolla Playhouse in the summer of 2009. Original air date - January 25, 2010.

In this first session we have 2 great songs from Disney's The Little Mermaid info on the worlds stage of Musical Theatre and other great numbers from Wicked - Les Mis - The Last 5 Years - and much more.

Look at this stuff, isn't it neat? Wouldn't you say our trivia's complete? There's nothing fishy about these thirteen things that you probably didn't know about The Little Mermaid, and were confident that you'll make them a part of your world. 13. In the opening scene when King Triton arrives at the arena, Mickey Mouse, Goofy, Donald Duck and Kermit the Frog can be briefly seen in the crowd of sea-people as mermen when he passes over them. 12. Originally, Sebastian was to have an English accent. It was lyricist/producer Howard Ashman who suggested he speak with a Caribbean accent. This opened the door to calypso-style numbers like "Under the Sea", which won the Academy Award. 11. The character of Ursula was based on drag performer and John Waters regular Divine. Her personality and some of her actions were also largely inspired by a previous Disney villain, Madame Medusa from Disney's The Rescuers. 10. It's possible that Prince Eric could be related to Prince Phillip and Princess Aurora from Sleeping Beauty. In the dining room in Eric's castle on Ariel's first evening on land, there is a painting hanging on the wall. 9. Ariel was quite deliberately made a redhead in order to distinguish her from Daryl Hannah's character in Splash. 8. "Part of Your World" was nearly cut; Jeffrey Katzenberg felt that it was "boring", as well as being too far over the heads of the children for whom it was intended. At a test screening, children were restless during the song which did not have finished animation - in particular one child sat in front of Katzenberg, spilled his popcorn, and was more interested in picking it up than watching the sequence. After trying with an adult audience, the song was considered a greater success and so the song was left in the film. 7. The Little Mermaid had been a Disney property since 1941. Walt Disney planned to include the much darker Hans Christian Andersen version of the tale in a planned anthology film of the fantasy author's works. After a bitter strike by the animators that same year and the increasing focus on wartime propaganda shorts, the initial version of The Little Mermaid was shelved in 1943. 6. Ariel's rendition of "Part of Your World" set a precedent for subsequent Disney animated musicals where the protagonist would vocalize his or her desires early in the film. The song was referred to by Howard Ashman as the "I Want" song. 5. Deleted scenes: An extended "Fathoms Below" sequence in which it is revealed that Ursula is Triton's sister; alternate version of "Poor Unfortunate Souls" explaining why Ursula was banished by Triton; a scene just before the concert in which Sebastian finds out Ariel is missing; extended scene of Sebastian lost in Eric's castle; Sebastian giving additional advice to Ariel at bedtime; and the fight with Ursula to the ending with no dialogue. 4. This was the first Disney film to receive an Academy Award since Bedknobs and Broomsticks (1971), though other films had been nominated. 3. Ariel's body type and personality were based on Alyssa Milano. The effect of her hair underwater was based on footage of astronaut Sally Ride in weightless conditions. 2. This was the last Disney animated feature to use hand-painted cels and analog camera and film work. 1,000 different colors were used on 1,100 backgrounds. Over one million drawings were done in total. 1. Several elements from the original Hans Christian Andersen story were kept in the movie, including: Ariel being the youngest of many sisters, the secret white marble statue, the polypi along the entrance to Ursula's cavern, and Ariel asking what she'll have left without her voice and the sea-witch's response. However, in the original story, Ariel doesn't turn back into a mermaid at the end. When the sun rises on the last day she turns to foam and dies. Later editions included her becoming a daughter of the air and rising to heaven. The Little Mermaid (1989) G | 1h 23min | Animation