Podcast appearances and mentions of dylan keefe

What happens when a voice emerges? What happens when one is lost? Is something gained? A couple months ago, Lulu guest edited an issue of the nature magazine Orion. She called the issue “Queer Planet: A Celebration of Biodiversity,” and it was a wide-ranging celebration of queerness in nature. It featured work by amazing writers like Ocean Vuong, Kristen Arnett, Carmen Maria Machado and adrienne maree brown, among many others. But one piece in particular struck Lulu as something that was really meant to be made into audio, an essay called “Key Changes,” by the writer Sabrina Imbler. If their name sounds familiar, it might be because they've been on the show before. In this episode, we bring you Sabrina's essay – which takes us from the beginning of time, to a field of crickets, to a karaoke bar – read by the phenomenal actor Becca Blackwell, and scored by our director of sound design Dylan Keefe. Stay to the end for a special surprise … from Amy Ray of the Indigo Girls!Special thanks to Jay Gallagher from UC Davis.EPISODE CREDITS: Reported by - Sabrina ImblerProduced by - Annie McEwen and Pat Walterswith help from - Maria Paz GutiérrezOriginal music from - Dylan KeefeFact-checking by - Kim Schmidtand Edited by  - Tajja Isen and Pat WaltersEPISODE CITATIONS:Articles - Check out Queer Planet: A Celebration of Biodiversity, Orion Magazine (Spring 2025)Read Sabrina Imbler's original essay, “Key Changes,” Orion Magazine (Spring 2025)Read Lulu Miller's mini-essay, “Astonishing Immobility,” Orion Magazine (Spring 2025)Check out Sabrina Imbler's Defector column Creaturefector all about animalsAudio - Listen to Amy Ray's song “Chuck Will's Widow” from her solo album If It All Goes SouthBooks - How Far the Light Reaches: A Life in Ten Sea Creatures, by Sabrina ImblerSignup for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Simons Foundation and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

This week's episode comes to us from our friends at Radiolab! Close your eyes and imagine a red apple. What do you see? Turns out there's a whole spectrum of answers to that question, and producer Sindhu Gnanasambandan is on one far end. In this episode, she explores what it means to see — and not see — in your mind. This episode was reported and produced by Sindhu Gnanasambandan with help from Annie McEwen. Original music and sound design contributed by Dylan Keefe. Mixing help from Jeremy Bloom and Arianne Wack. Mixing for Science Vs by Sam Bair. Fact-checking by Natalie Middleton. Edited by Pat Walters.  Special thanks to Kim Nederveen Pieterse, Nathan Peereboom, Lizzie Peabody, Kristin Lin, Jo Eidman, Mark Nakhla, Andrew Leland, Brian Radcliffe, Adam Zeman, John Green, Craig Venter, Dustin Grinnell, and Soraya Shockley. Science Vs is a Spotify Studios Original. Listen for free on Spotify or wherever you get your podcasts. Follow us and tap the bell for episode notifications. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Close your eyes and imagine a red apple. What do you see? Turns out there's a whole spectrum of answers to that question and Producer Sindhu Gnanasambandan is on one far end. In this episode, she explores what it means to see – and not see – in your mind.Special thanks to Kim Nederveen Pieterse, Nathan Peereboom, Lizzie Peabody, Kristin Lin, Jo Eidman, Mark Nakhla, Andrew Leland and Brian Radcliffe.We have some exciting news! In this “Zoozve” episode, Radiolab named its first-ever quasi-moon, and now it's your turn! Radiolab has teamed up with The International Astronomical Union to launch a global naming contest for one of Earth's quasi-moons. This is your chance to make your mark on the heavens. Submit your name ideas now through September, or vote on your favorites starting in November: https://radiolab.org/moonEPISODE CREDITS: Reported by - Sindhu GnanasambandanProduced by - Sindhu Gnanasambandanwith help from - Annie McEwenOriginal music and sound design contributed by - Dylan Keefe (?)with mixing help from - Jeremy Bloom and Arianne WackFact-checking by - Natalie Middletonand Edited by - Pat WaltersSign up for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

Dylan Keefe from Marcy Playground stopped by the shop in December 2021 to talk about his Chelsea Hotel bass and his new band The Back-alley Dolls.Theme music by Freaky WildernessSongs from Marcy Playground and Back-alley Dolls

The Bones of Old New York is a new podcast from Carmine Street Guitars, a guitar shop in New York's iconic Greenwich Village which opened in 1990. The podcast is hosted by Rick Kelly and Cindy Hulej, two world renowned luthiers who make guitars from repurposed wood found in historic New York City buildings. Rick Kelly has been making guitars for over 50 years and has made Instruments for some of the world's most legendary artists including Bob Dylan, Lou Reed, Motley Crue, Jim Jarmusch, Allen Woody and Lenny Kaye. Cindy started working for Rick 11 years ago as his apprentice and has quickly become one of the premier guitar builders in New York making instruments for artists like Jackson Smith, Michael Imperioli and Kurt Vile. In 2018 a documentary about the shop directed by Ron Mann (Altman, Tales of Rat Fink, Grass) premiered to critical acclaim bringing international attention to Rick and Cindy. This is when they met the producer of the Bones of Old New York, Mike Guggino, who was the sound mixer on the film. They began recording at the end of 2021 and continued sporadically throughout the last 2 years having various guests come by and talk about music, art, life, New York and of course, guitars. The idea behind the podcast is simple. The listener gets to hang out in the back of the shop with Rick, Cindy and Mike while they have conversations with artists and shop regulars. It's a window into a time when Greenwich Village was full of painters, musicians, beat poets, coffee shops and counterculture freak-niks. A place where many of today's most influential artists got their start. Some of the guests in the first season include Captain Kirk Douglas of the Roots, Steve Gunn, Dylan Keefe of Marcy Playground and Lenny Kaye and many more. The Bones of Old New York Premiers February 14th.

We continue the story of a covert smuggling operation to bring abortion pills into Ukraine, shortly after the Russian invasion. In this episode, reporters Katz Laszlo and Gregory Warner go to Ukraine, landing on a fall night during a citywide blackout, to pick up the trail of the pills and find out about the doctors and patients who needed them. But as they follow the pills around the country, what they learn changes their understanding of how we talk about these pills, and how we talk about choice, in a war.  This episode is the second of two done in collaboration with NPR's Rough Translation. You can find the first episode here (https://zpr.io/CnmNVFQ6X5gc). Special thanks to the Rough Translation team for reporting help. Thanks also to Liana Simstrom, Irene Noguchi, and Eleana Tworek. Thanks to the ears of Valeria Fokina, Andrii Degeler, Noel King, Robert Krulwich and Sana Krasikov. And to our interpreters, Kira Leonova and Tetyana Yurinetz. Thanks to Drs Natalia, Irna & Diana. To Yulia Mytsko, Yulia Babych, Maria Hlazunova, Nika Bielska, Yvette Mrova, Lauren Ramires, Jane Newnham, Olena Shevchenko, Marta Chumako, Jamie Nadal, Jonathan Bearak, and the many others who we spoke with for this story. Thank you to NPR's International Desk and the team at the Ukraine bureau. Translations from Eugene Alper and Dennis Tkachivsky. Voice over from Lizzie Marchenko and Yuliia Serbenenko. Archival from the Heal Foundation. Legal guidance provided by Micah Ratner, Lauren Cooperman, and Dentons.  Ethical guidance from Tony Cavin.  EPISODE CREDITS: Guest hosted by - Gregory Warner and Molly Webster Reported by - Katz Laszlo, Gregory Warner  Produced by - Tessa Paoli, Daniel Girma, Adelina Lancianese w/ production help from - Nic M. Neves Mixer - James Willetts and Robert Rodriguez w/ mixing help from - Jeremy Bloom Fact-checking by - Marisa Robertson-Textor and Edited by - Brenna Farrell Music: John Ellis composed the Rough Translation theme music.  Original music from Dylan Keefe.  Additional music from Blue Dot Sessions and FirstCom Music.     CITATIONSPhotos -  See a Lviv blackout through host Gregory Warner's eyes – he posted photos from his time in Lviv on Twitter (https://zpr.io/egzpZZw7xPKk). Podcasts - To understand Ukraine's president, it helps to know the training ground of his youth: the competitive comedy (https://zpr.io/ympqrikgCkE3) circuit, in this Rough Translation episode.  Listen to “No-Touch Abortion” (https://zpr.io/5SB6bpNzUs6r) from Radiolab for more on the science and use of abortion pills  Articles -  Further reading: a study on medical abortion (https://zpr.io/f8h5WNfKaMtk) by Galina Maistruck, one of the main sources in our piece Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.  

Tuck your napkin under your chin.  We're about to serve up a tale of love, loss, and lamb chops - with a side of genetic modification. Several years ago we told a story about Amy Pearl. For as long as she could remember, Amy loved meat in all its glorious cuts and marbled flavors. And then one day, for seemingly no reason, her body wouldn't tolerate it.  No steaks. No brisket. No weenies. It made no sense: why couldn't she eat something that she had routinely enjoyed for decades?  It turned out Amy was not alone. And the answer to her mysterious allergy involved maps, a dancing lone star tick, and a very particular sugar called Alpha Gal.  In this update, we discover that our troubles with Alpha Gal go way beyond food. We go to NYU Langone Health hospital to see the second ever transplant of a kidney from a pig into a human, talk to some people at Revivicor, the company that bred the pig in question, and go back to Amy to find out what she thinks about this brave new world. The original episode was reported by Latif Nasser, and produced by Annie McEwen and Matt Kielty. Sound design and scoring from Dylan Keefe, Annie McEwen, and Matt Kielty. Mix by Dylan Keefe with Arianne Wack. The update was reported and produced by Sarah Qari. It was sound designed, scored, and mixed by Jeremy Bloom.  Support Radiolab by becoming a member today at Radiolab.org/donate.   

It has now been 20 years since September 11th, 2001. So we're bringing you a Peabody Award-winning story from our archives about one sentence, written in the hours after the attacks, that has led to the longest war in U.S. history. We examine how just 60 words of legal language have blurred the line between war and peace. In the hours after the attacks of Sept. 11, 2001, a lawyer sat down in front of a computer and started writing a legal justification for taking action against those responsible. The language that he drafted and that President George W. Bush signed into law - called the Authorization for Use of Military Force (AUMF) -  has at its heart one single sentence, 60 words long. Over the last decade, those 60 words have become the legal foundation for the "war on terror." In this collaboration with BuzzFeed, reporter Gregory Johnsen tells us the story of how this has come to be one of the most important, confusing, troubling sentences of the last two decades. We go into the meetings that took place in the chaotic days just after 9/11, speak with Congresswoman Barbara Lee and former Congressman Ron Dellums about the vote on the AUMF. We hear from former White House and State Department lawyers John Bellinger & Harold Koh. We learn how this legal language unleashed Guantanamo, Navy Seal raids and drone strikes. And we speak with journalist Daniel Klaidman, legal expert Benjamin Wittes and Virginia Senator Tim Kaine about how these words came to be interpreted, and what they mean for the future of war and peace. Finally, we check back in with Congresswoman Lee, and talk to Yale law professor and national security expert Oona Hathaway, about how to move on from the original sixty words. Original episode produced by Matt Kielty and Kelsey Padgett with original music by Dylan Keefe. Update reported and produced by Sarah Qari and Soren Wheeler. Special thanks to Brian Finucane. Support Radiolab by becoming a member today at Radiolab.org/donate. 

With the recent passing of Ruth Bader Ginsburg, there's been a lot of debate about how much power the Supreme Court should really have. We tend to think of the Supreme Court justices as all-powerful guardians of the constitution, issuing momentous rulings from on high. They seem at once powerful, and unknowable; all lacy collars and black robes. But they haven’t always been so, you know, supreme. On this episode of More Perfect, we go all the way back to the case that, in a lot of ways, is the beginning of the court we know today. Also: we listen back to a mnemonic device (and song) that we created back in 2016 to help people remember the names of the justices. Listen, create a new one, and share with us! Tweet The key links: - Akhil Reed Amar's forthcoming book, The Constitution Today: Timeless Lessons for the Issues of Our Era- Linda Monk's book, The Words We Live By: Your Annotated Guide to the Constitution The key voices: - Linda Monk, author and constitutional scholar- Akhil Reed Amar, Sterling Professor of Law at Yale- Ari J. Savitzky, lawyer at WilmerHale The key cases: - 1803: Marbury v. Madison- 1832: Worcester v. Georgia- 1954: Brown v. Board of Education of Topeka (1)- 1955: Brown v. Board of Education of Topeka (2) Additional music for this episode by Podington Bear. Special thanks to Dylan Keefe and Mitch Boyer for their work on the above video. Support Radiolab by becoming a member today at Radiolab.org/donate.      

The Other Latif Radiolab’s Latif Nasser always believed his name was unique, singular, completely his own. Until one day when he makes a bizarre and shocking discovery. He shares his name with another man: Abdul Latif Nasser, detainee 244 at Guantanamo Bay. The U.S. government paints a terrifying picture of The Other Latif as Al-Qaeda’s top explosives expert, and one of the most important advisors to Osama bin Laden. Nasser’s lawyer claims that he was at the wrong place at the wrong time, and that he was never even in Al-Qaeda. This clash leads Radiolab’s Latif into a years-long investigation, picking apart evidence, attempting to separate fact from fiction, and trying to uncover what this man actually did or didn’t do. Along the way, Radiolab’s Latif reflects on American values and his own religious past, and wonders how his namesake, a fellow nerdy, suburban Muslim kid, may have gone down such a strikingly different path.   Episode 6: Washington, D.C. Despite being cleared for transfer back to his family in Morocco in 2016, Abdul Latif Nasser remains stuck at Guantanamo Bay. Why? Latif talks to some of the civil servants actually responsible for Abdul Latif’s transfer and they tell him a dramatic story of what went on behind the scenes at some of the highest levels of government.  It’s a surprisingly riveting story of paperwork, where what’s at stake is not only the fate of one man, but also the soul of America.   This episode was produced by Sarah Qari, Annie McEwen, Suzie Lechtenberg, and Latif Nasser, and reported by Sarah Qari and Latif Nasser. Fact checking by Diane Kelly and Margot Williams. Editing by Jad Abumrad and Soren Wheeler. Original music by Jad Abumrad, Dylan Keefe, Alex Overington, and Amino Belyamani.  Support Radiolab today at Radiolab.org/donate. 

Despite being cleared for transfer back to his family in Morocco in 2016, Abdul Latif Nasser remains stuck at Guantanamo Bay. Why? Latif talks to some of the civil servants actually responsible for Abdul Latif’s transfer and they tell him a dramatic story of what went on behind the scenes at some of the highest levels of government.  It’s a surprisingly riveting story of paperwork, where what’s at stake is not only the fate of one man, but also the soul of America.   This episode was produced by Sarah Qari, Annie McEwen, Suzie Lechtenberg, and Latif Nasser, and reported by Sarah Qari and Latif Nasser. Fact checking by Diane Kelly and Margot Williams. Editing by Jad Abumrad and Soren Wheeler. Original music by Jad Abumrad, Dylan Keefe, Alex Overington, and Amino Belyamani.  Support Radiolab today at Radiolab.org/donate. 

This hour we pull apart one sentence, written in the hours after September 11th, 2001, that has led to the longest war in U.S. history. We examine how just 60 words of legal language have blurred the line between war and peace. Last weekend President Trump authorized a strike that killed Iranian General Qasem Soleimani in Iraq. The news had us thinking about an episode we produced in 2014. We pulled apart one sentence, written in the hours after September 11th, 2001, that has led to the longest war in U.S. history. We examine how just 60 words of legal language have blurred the line between war and peace. In the hours after the attacks of Sept. 11, 2001, a lawyer sat down in front of a computer and started writing a legal justification for taking action against those responsible. The language that he drafted and that President George W. Bush signed into law - called the Authorization for Use of Military Force (AUMF) -  has at its heart one single sentence, 60 words long. Over the last decade, those 60 words have become the legal foundation for the "war on terror." In this collaboration with BuzzFeed, reporter Gregory Johnsen tells us the story of how this has come to be one of the most important, confusing, troubling sentences of the last two decades. We go into the meetings that took place in the chaotic days just after 9/11, speak with Congresswoman Barbara Lee and former Congressman Ron Dellums about the vote on the AUMF. We hear from former White House and State Department lawyers John Bellinger & Harold Koh. We learn how this legal language unleashed Guantanamo, Navy Seal raids and drone strikes. And we speak with journalist Daniel Klaidman, legal expert Benjamin Wittes and Virginia Senator Tim Kaine about how these words came to be interpreted, and what they mean for the future of war and peace. Finally, we check back in with Wittes, to see how the AUMF has trickled into the 2020s. Produced by Matt Kielty and Kelsey Padgett with original music by Dylan Keefe.  Watch Congresswomen Barbara Lee's speech here. 

At 28 years old, Annie Dauer was living a full life. She had a job she loved as a highschool PE teacher, a big family who lived nearby, and a serious boyfriend. Then, cancer struck. Annie would come to find out she had Stage 4 non-Hodgkin's lymphoma. It was so aggressive, there was a real chance she might die. Her oncologists wanted her to start treatment immediately. Like, end-of-the-week immediately. But before Annie started treatment, she walked out of the doctor’s office and crossed the street to see a fertility doctor doing an experimental procedure that sounded like science fiction: ovary freezing. Further ReadingA medical case report on Annie’s frozen ovariesWhat’s primordial germ cells got to do with it? This episode was reported by Molly Webster, and produced by Pat Walters. With original music and scoring by Dylan Keefe and Alex Overington. The Gonads theme was written, performed, and produced by Majel Connery and Alex Overington. Additional production by Rachael Cusick, and editing by Jad Abumrad. Radiolab is supported in part by Science Sandbox, a Simons Foundation initiative dedicated to engaging everyone with the process of science. And the Alfred P. Sloan Foundation, enhancing public understanding of science and technology in the modern world. More information about Sloan at www.sloan.org. Support Radiolab today at Radiolab.org/donate.

At two weeks old, the human embryo has only just begun its months-long journey to become a baby. The embryo is tiny, still invisible to the naked eye. But inside it, an epic struggle plays out, as a nomadic band of cells marches toward a mysterious destiny, with the future of humanity resting on their microscopic shoulders. If you happened to have caught this show on air, you can find the second half of our broadcast version here.  This episode was reported by Molly Webster, and produced by Jad Abumrad. With scoring and original composition by Alex Overington and Dylan Keefe. Additional production by Rachael Cusick, and editing by Pat Walters. The “Ballad of the Fish” and “Gonads” was composed and sung by Majel Connery, and produced by Alex Overington. Special thanks to Ruth Lehmann and Dagmar Wilhelm. Radiolab is supported in part by Science Sandbox, a Simons Foundation initiative dedicated to engaging everyone with the process of science. And the Alfred P. Sloan Foundation, enhancing public understanding of science and technology in the modern world. More information about Sloan at www.sloan.org. Support Radiolab today at Radiolab.org/donate.

This story comes from the second season of Radiolab's spin-off podcast, More Perfect. To hear more, subscribe here. On a fall afternoon in 1984, Dethorne Graham ran into a convenience store for a bottle of orange juice. Minutes later he was unconscious, injured, and in police handcuffs. In this episode, we explore a case that sent two Charlotte lawyers on a quest for true objectivity, and changed the face of policing in the US.     The key voices: Dethorne Graham Jr., son of Dethorne Graham, appellant in Graham v. Connor Edward G. (Woody) Connette, lawyer who represented Graham in the lower courts Gerald Beaver, lawyer who represented Graham at the Supreme Court Kelly McEvers, host of Embedded and All Things Considered    The key case: 1989: Graham v. Connor   Additional production for this episode by Dylan Keefe and Derek John; additional music by Matt Kielty and Nicolas Carter. Special thanks to Cynthia Lee, Frank B. Aycock III, Josh Rosenkrantz, Leonard Feldman, and Ben Montgomery. Leadership support for More Perfect is provided by The Joyce Foundation. Additional funding is provided by The Charles Evans Hughes Memorial Foundation. Supreme Court archival audio comes from Oyez®, a free law project in collaboration with the Legal Information Institute at Cornell.

This episode features a great conversation about the ins and outs of sound design in radio and podcasting. Our guest are Dylan Keefe, (Director of Sound Design for RadioLab), Jeff Emtman (Co-Producer of KCRW's Here Be Monsters), Ann Jones (host and producer of Off Track for Australian Broadcasting Corporation), Dan Powell (Sound Designer for Archive 81 podcast) and Jeremy Bloom (Sound Designer / Technical Producer for WNYC Studios). Between them all, we have a very wide swath of the kinds of radio and podcast content out there. They do everything from audio drama to journalism to documentary to storytelling. We dig in deep on gear, mixing levels, where to get started and lots more.

This episode features a great conversation about the ins and outs of sound design in radio and podcasting. Our guest are Dylan Keefe, (Director of Sound Design for RadioLab), Jeff Emtman (Co-Producer of KCRW's Here Be Monsters), Ann Jones (host and producer of Off Track for Australian Broadcasting Corporation), Dan Powell (Sound Designer for Archive 81 podcast) and Jeremy Bloom (Sound Designer / Technical Producer for WNYC Studios). Between them all, we have a very wide swath of the kinds of radio and podcast content out there. They do everything from audio drama to journalism to documentary to storytelling. We dig in deep on gear, mixing levels, where to get started and lots more.

We tend to think of the Supreme Court justices as all-powerful guardians of the constitution, issuing momentous rulings from on high. They seem at once powerful, and unknowable; all lacy collars and black robes. But they haven’t always been so, you know, supreme. On this episode of More Perfect, we go all the way back to the case that, in a lot of ways, is the beginning of the court we know today. Speaking of the current court, if you need help remembering the eight justices, we've made a mnemonic device (and song) to help you out. Listen and share below!  Tweet // The key links: - Akhil Reed Amar's forthcoming book, The Constitution Today: Timeless Lessons for the Issues of Our Era- Linda Monk's book, The Words We Live By: Your Annotated Guide to the Constitution The key voices: - Linda Monk, author and constitutional scholar- Akhil Reed Amar, Sterling Professor of Law at Yale- Ari J. Savitzky, lawyer at WilmerHale The key cases: - 1803: Marbury v. Madison- 1832: Worcester v. Georgia- 1954: Brown v. Board of Education of Topeka (1)- 1955: Brown v. Board of Education of Topeka (2) Additional music for this episode by Podington Bear. Special thanks to Dylan Keefe and Mitch Boyer for their work on the above video.