American film director and producer
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PENDENTE: Rubrica su Cinema, letteratura, fumetto ed esperienze culturali
E' giunto il momento di trattare una filmografia...folle. Con protagonista un regista...folle.Si possono dire tante cose sulla lunga e variegata carriera di Robert Rodriguez e qui proverò a dire la mia sullo scatenato e imprevedibile cinema del nostro folle cineasta.Raggiunto il successo e una discreta fama, Rodriguez decide di lavorare su commissione e cambiare genere. Il risultato di questo esperimento fu lo sfortunato ma poi rivalutato "The Faculty", film fantascientifico-horror con protagonisti degli adolescenti molto turbati.
Kettle Chips: Cameron Healy. The Wild Bet That Made a BrandMost founders expand the “right” way: local → regional → national → international.Cameron Healy totally skipped the “national” part. When Kettle Chips was still an upstart regional brand, Cameron made a move that seems almost reckless: he launched his thick-cut, kettle-cooked chips to the United Kingdom — one of the most competitive “crisps” markets on earth — before conquering the U.S.And that wasn't his first risky move. Before Kettle, Cameron was a turban-wearing Sikh entrepreneur in 1970s Salem, Oregon, building a natural foods business…until he was abruptly fired. He started again from scratch with a $10,000 bank loan. Inspired by the extra thick, crunchy potato chips that he sampled on a trip to Hawaii, he taught himself how to fry sliced potatoes through trial-and-error. Then, just as Kettle started taking off overseas, another trip to Hawaii sparked a second act: Kona Brewing — a craft beer brand that initially lost $20K a month — for years — before Cameron was able to make it work.Meanwhile, buoyed by its UK success, Kettle chips eventually spread across the US, becoming the top-selling natural chip in the country. What you'll learnThe hidden details (like cooking-oil quality control) that can make or break a chipHow curiosity about British “crisp” culture fueled a risky UK rolloutThe decision that turned Kona Brewing from a money pit into a scalable brandTimestamps07:21 — “You had to get up at 3 a.m.”: building a life in a Sikh community in Salem10:11 — Fired with four kids and no severance: the moment Cameron is forced to rebuild12:04 — The $10K loan (helped along by the offer of ski passes)14:06 — The 1980 peanut crop gamble that suddenly capitalized Cameron's business23:14 — “Pot Chips” was the original name…until friends told him how bad it was24:48 — Hand-feeding potatoes into vats of oil: inventing a process with zero playbook29:10 — The Safeway disaster: rancid oil, a rejected order, and demand evaporating overnight31:52 — The car crash that jolted Cameron out of despair46:35 — UK word-of-mouth “switches on”--with an extra boost from Lady Di56:03 — Kona Brewing bleeds money…until one decision turns things around***Hey—want to be a guest on HIBT?If you're building a business, why not get advice from some of the greatest entrepreneurs on Earth?Every Thursday on the HIBT Advice Line, a previous HIBT guest helps new entrepreneurs work through the challenges they're facing right now. Advice that's smart, actionable, and absolutely free.Just call 1-800-433-1298, leave a message, and you may soon get guidance from someone who started where you did, and went on to build something massive.So—give us a call. We can't wait to hear what you're working on.***This episode was produced by Casey Herman with music composed by Ramtin Arablouei. It was edited by Neva Grant with research help from Rommel Wood. Our engineers were Robert Rodriguez and Kwesi Lee.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
PENDENTE: Rubrica su Cinema, letteratura, fumetto ed esperienze culturali
E' giunto il momento di trattare una filmografia...folle. Con protagonista un regista...folle.Si possono dire tante cose sulla lunga e variegata carriera di Robert Rodriguez e qui proverò a dire la mia sullo scatenato e imprevedibile cinema del nostro folle cineasta.Reduce del successo di "Desperado" e deciso a spingersi oltre, Rodriguez si affida a un nuovo amico ovvero il collega Quentin Tarantino. I due inaugurarono un solido e creativo sodalizio che portò alla realizzazione di questo divertente e sanguinolento omaggio al cinema (e non solo) di serie B amato da entrambi."Dal tramonto all'alba", un viaggio sulla strada di America tra rapine e pericolosi criminali che dovranno poi confrontarsi con dei vampiri del c****!
Most entrepreneurs think the hardest part of building a company is the product.For Jim McKelvey — co-founder of Square — the hardest part was the system around the product.Because Square wasn't just competing with other startups …It was competing with regulations, middlemen, entrenched networks, and monopolies designed to keep outsiders out.In this episode, Jim shares the mindset and tactics that helped Square go from a tiny card reader that processed credit card payments … to a company—now known as Block— that generates over $10 billion in gross profit.What You'll Learn:Why the market is often “locked” on purposeHow a simple hack can solve a seemingly complex problemHow candor can sway investors more than confidenceHow Square survived by building something Amazon couldn't copyTimestamps:00:12:26 – Engineering and art: Balancing an IBM job with glassblowing00:15:46 – The family trauma that rewired Jim00:36:26 – Losing a $2,000 sale — the moment Square was born00:43:06 – Breaking into the credit card club: “We were violating 17 rules”00:48:31 – The headphone jack hack that sidestepped Apple's control00:58:03 – The “140 reasons we might fail” pitch that won over investors01:06:26 – The taxi ride that convinced Jim he had product-market fit01:09:28 – Amazon attacks, and why copying doesn't always work01:13:18 – The founder's job after success: choosing hard problems***Hey—want to be a guest on HIBT?If you're building a business, why not get advice from some of the greatest entrepreneurs on Earth?Every Thursday on the HIBT Advice Line, a previous HIBT guest helps new entrepreneurs work through the challenges they're facing right now. Advice that's smart, actionable, and absolutely free.Just call 1-800-433-1298, leave a message, and you may soon get guidance from someone who started where you did, and went on to build something massive.So—give us a call. We can't wait to hear what you're working on.***This episode was produced by Alex Cheng with music composed by Ramtin Arablouei. It was edited by Neva Grant with research help from Katherine Sypher. Our engineers were Patrick Murray and Robert Rodriguez.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome to the 290's of the WR? Podcast Universe! Welcome back to the show! This week's open discussion covers some "shooting the shit" and more physical media film talk. Then, George A Romero's "The Final February" continues. This week we take a look at his unique 2000 thriller, "Bruiser". The "Icon Month" continues as the guys FINALLY tell the story of the night of the "Land of the Dead Pittsburgh World Premiere"! A crazy night spent with their close friend Runk, running amok with the likes of Quentin Tarantino, Robert Rodriguez, Jeremy Roenick, and Michael Jordan?! Our traditional trip to the world of "Goofs R' Goofs" closes out the ep!Please enjoy responsibly!PRESENTED by CHURCHILL PICTURESTimestamps:00:00:00 - Intro: The Guys Talk Physical Media00:27:27 - George A Romero's Final February: 00:41:19 - George A Romero's Final February: Land of the Dead Story 01:05:25 - Goofs R GoofsThanks for Listening!
Book tour and ticket info here.Greenland has said it is not for sale. Denmark has said it can't even legally sell Greenland. And at a security conference in Munich over the weekend, U.S. lawmakers spent a lot of time trying to walk back some of President Trump's recent threats to try to buy, or even take over, the territory. But whether Trump can or will or should try to control or purchase a territory that doesn't want to be sold is not the interesting question. What is interesting is how we got to this moment. And, how we might gracefully get out of it. Greenland is valuable for its minerals and because of its physical location in the world. (It's easy to keep an eye on other countries from Greenland).Our latest: How the U.S. dropped the ball on the rare earths race. And one way the U.S. gets strategic locations without threatening to buy or take over an entire territory.Further listening: - Is Greenland really an untapped land of riches?- Add to cart: GreenlandPre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was produced by Willa Rubin with help from Sam Yellowhorse Kesler. It was edited by Marianne McCune. Fact-checking help from Sierra Juarez. It was engineered by Kwesi Lee and Robert Rodriguez. Alex Goldmark is our executive producer.Music: Universal Music Production - "The Attraction,” “Carnivore,” and “Walls Come Out.” Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
PENDENTE: Rubrica su Cinema, letteratura, fumetto ed esperienze culturali
E' giunto il momento di trattare una filmografia...folle. Con protagonista un regista...folle.Si possono dire tante cose sulla lunga e variegata carriera di Robert Rodriguez e qui proverò a dire la mia sullo scatenato e imprevedibile cinema del nostro folle cineasta.Dopo il successo inaspettato di "El Mariachi" e avendo dimostrato di essere un professionista capace di strizzare ogni singolo centesimo anche di budget modesti, Rodriguez ebbe la sua grande occasione. Più soldi, più mezzi e più volti noti per portare avanti la storia del Mariachi con "Desperado", il film che consacrò Antonio Banderas e che diede un'ulteriore spinta alla carriera del nostro.
This week, Bri and special guest Maria Felix (Bloody Podcast, Surprise Bitch) tell Cozi all about the 1996 genre-blending crime drama/horror/dark comedy From Dusk Till Dawn.Two criminal brothers take a family hostage and head to Mexico to flee their crimes. They arrive at the Titty Twister bar, only to face enemies far more dangerous and violent than themselves.Will Cozi be convinced to watch this Robert Rodriguez classic? Listen and find out!Recommendations:Maria – Follow Community Defense Coalition on IGBri – Follow @highland_park_nela (Highland Park community support) on IGCozi – Go see some of the weird movies and horror movies out right now!
PENDENTE: Rubrica su Cinema, letteratura, fumetto ed esperienze culturali
E' giunto il momento di trattare una filmografia...folle. Con protagonista un regista...folle.Si possono dire tante cose sulla lunga e variegata carriera di Robert Rodriguez e qui proverò a dire la mia sullo scatenato e imprevedibile cinema del nostro folle cineasta.Dopo una lunga esperienza come cavia umana e appassionato di cinema, Rodriguez esordì prima con un cortometraggio e poi con quello che ancora oggi viene definito uno dei film fondamentali per l'allora cinema indipendente americano.Tutto iniziò con "Bedhead" e "El Mariachi" e il meglio doveva ancora giungere.
Netflix shouldn't have survived.In 1997, Blockbuster owned home entertainment—9,000 stores, a business fueled by late fees, and a brand that felt untouchable. Netflix was a scrappy DVD-by-mail experiment that almost sold itself off to stay alive.So how did Netflix win?In this conversation, Reed Hastings breaks down the behind-the-scenes decisions that helped the business thrive: the uncomfortable leadership choices, the culture blueprint that surprised corporate America, and a near-catastrophic misstep that could have blown the whole thing up.Reed also talks about what shaped him long before Netflix: being a late-bloomer, teaching in the Peace Corps, learning humility from a former boss, and the painful management mistakes he made while building his first company.This is a masterclass in: challenging the status quo, choosing a culture on purpose, and making big bets without pretending you're always right.What you'll learn: Why Netflix's early “obvious” advantages weren't enough—and how close it came to dyingThe leadership lesson Reed learned from a CEO who was admirable… but strategically wrongWhy Reed says the best companies are like championship sports teams: if you can't perform at peak, leaveThe “keeper test” and how it changed corporate cultureThe Qwikster fiasco: what went wrong, and how Netflix moved to prevent future misstepsBuilding a House of Cards: How Netflix made the leap to original contentReed on the media landscape: The remote-control moment of truth, rival streamers, and the rise of AITimestamps:00:08:06 — “I was a late bloomer.” Reed on why no one saw greatness coming00:09:30 — Peace Corps in Swaziland, and the moment he nearly quit00:11:23 — An unforgettable lesson learned from the CEO who washed Reed's coffee cups00:14:39 — Building his first company in a cold cabin—no internet, just obsession and proof of concept00:16:48 — Reed's early struggles as a manager: “Too busy chopping wood to sharpen the axe.”00:24:11 — Blockbuster's late-fee pain and an early bet on DVDs00:44:47 — The dot-com crash… and the $50M LVMH round that saved Netflix (barely)00:47:12 — A possible Blockbuster buyout: “We probably would've taken any offer.”00:56:18 — The Netflix culture deck: “We're not a family,” and why that shook people up01:05:07 — The Qwikster crisis, and the backlash that humbled Reed01:19:33 — The competition: Netflix is just
In this episode of 'Horror Joy,' Jeff and Brian delve into Robert Rodriguez's 1998 film 'The Faculty.' The episode explores the film's portrayal of high school alienation, the nineties cultural backdrop, and the use of alien parasites as a metaphor for societal issues. We discuss the film's all-star cast, its nostalgic nineties aesthetic, and its underlying themes related to drugs, authority figures, and football culture. The episode also highlights the anti-lesbianism strain evident in late nineties teen movies and the joy found in the film's tongue-in-cheek horror elements.
There are many dedicated individuals working behind the scenes to keep Avondale ESD running smoothly and safely every day. In this episode, listeners will hear from Robert Rodriguez, a maintenance lead at the district office, who plays an important role in supporting district operations. Robert shares his passion for his work, his commitment to service, and what being "All In for Avondale" means to him. His story highlights the vital contributions of team members whose efforts help create safe, orderly, and effective learning environments for students and staff across the district. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Plus, Mark on his most challenging venture yet: revolutionizing the prescription drug market in America.First we meet Lucy from Washington DC, considering an opportunity to bring her upside-down peanut butter brand into a big box retailer. Then Macy from Utah, wondering if her youth-safe skincare products are better marketed to kids or their parents. Then Dan from North Carolina, looking to reboot his pre-pandemic business selling hand-crafted wooden razors. And finally Kristen from Michigan, questioning if she should expand her children's winter wear brand with gear for other seasons.Thank you to the founders of One Trick Pony, Girlyish Skincare, Imperium Shaving, and Northern Classics for being a part of our show.If you'd like to be featured on a future Advice Line episode, leave us a one-minute message that tells us about your business and a specific question you'd like answered. Send a voice memo to hibt@id.wondery.com or call 1-800-433-1298.And be sure to listen to Mark Cuban's original episode on the show from back in 2016.This episode was produced by Casey Herman with music by Ramtin Arablouei. It was edited by John Isabella. Our audio engineers were Robert Rodriguez and Jimmy Keeley.You can follow HIBT on X & Instagram and sign up for Guy's free newsletter at guyraz.com or on Substack.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This past weekend, Winter Storm Fern struck the States. Sleet, snow and ice battered Americans all the way from New Mexico to New York. Scientists predicted its arrival in mid-January, and in anticipation of the storm, more than 20 state governors issued emergency declarations. But how did scientists know so much, so early, about the approaching storm? NPR climate reporter Rebecca Hersher says it has to do with our weather models… and the data we put into them. Which begs the question: Will we continue to invest in them?Interested in more science behind the weather? Check out our episodes on better storm prediction in the tropics and how the Santa Ana winds impact the fire season this time of year. Have a question we haven't covered? Email us at shortwave@npr.org. We'd love to consider it for a future episode! Listen to every episode of Short Wave sponsor-free and support our work at NPR by signing up for Short Wave+ at plus.npr.org/shortwave.This episode was produced by Hannah Chinn. It was edited by our showrunner Rebecca Ramirez. Tyler Jones and Rebecca Hersher checked the facts. The audio engineer was Robert Rodriguez. News clips were from CBS Boston, Fox Weather, Fox 4 Dallas-Fort Worth, and PBS Newshour.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Mark and Zanandi discuss the 1998 sci-fi horror film The Faculty. Directed by Robert Rodriguez and starring Josh Hartnett, Clea DuVall, Elijah Wood, Jordana Brewster, and hundreds of water-loving aliens, the movie focuses on what happens when a space parasite infiltrates an Ohio high school. In this episode, they also talk about drug tests, water jugs, and the excellence of Robert Rodriguez. Enjoy!
There's an ongoing, near-total blackout of the internet in Iran. The shutdown is part of a response by the government to ongoing protests against rising inflation and the value of the nation's currency plummeting. Since protests began more than two weeks ago, only an estimated 3% of Iranians have stayed online through the satellite internet system Starlink. Doing so is a crime. So, today on the show: Iran offline. We get into how the internet works, how a government can shut it down and how scientists are monitoring the nation's connectivity from afar. Check out more of NPR's coverage of Iran: - Iran Protests Explained- There's an internet blackout in Iran. How are videos and images getting out?- Iran blocked the internet amid deadly protests. Some voices are still getting throughInterested in more science behind the headlines? Email us your question at shortwave@npr.org – we may tackle it in a future episode!Listen to every episode of Short Wave sponsor-free and support our work at NPR by signing up for Short Wave+ at plus.npr.org/shortwave.This episode was produced by Berly McCoy, edited by Rebecca Ramirez and fact checked by Tyler Jones. Robert Rodriguez was the audio engineer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Book tour dates and ticket info here.Just as every market has its first movers, every religion has its martyrs — the people willing to risk everything for what they believe. Pastor Dave Hodges just might be a little bit of both. He's the spiritual leader of the Zide Door Church of Entheogenic Plants, in Oakland, California which places psilocybin mushrooms at the center of their religious practice.Today on the show, like its 130,000+ members, we're going to take a trip through the psychedelic mushroom megachurch. We'll meet one of the lawyers trying to keep psychedelic religious leaders like Pastor Dave from running afoul of the law, and get a peek into how the government decides whether a belief system counts as sincere religion.This episode was reported with support from the Ferris-UC Berkeley Psychedelic Journalism Fellowship. Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was hosted by Alexi Horowitz-Ghazi. It was produced by Sam Yellowhorse Kesler and edited by Eric Mennel. It was fact checked by Sierra Juarez and engineered by Kwesi Lee with help from Robert Rodriguez. Alex Goldmark is Planet Money's executive producer. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Rahm Emanuel has held many political jobs, and he's considering a run for President. In a wide-ranging interview with NPR's Steve Inskeep, he critiques democrats and offers advice for the upcoming midterms.Want more comprehensive analysis of the most important news of the day, plus a little fun? Subscribe to the Up First newsletter.This bonus episode of Up First was edited by Reena Advani. It was produced by Barry Gordemer and Kaity Kline. We get engineering support from Robert Rodriguez. Our Deputy Executive Producer is Kelley Dickens and our Executive Producer is Jay Shaylor.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Send us a textThis week we talk about predators from 2010! Our creator profile this week is Walton Goggins!https://www.instagram.com/thebonsaimoviecrew/https://twitter.com/bonsai_crewhttps://www.tiktok.com/@thebonsaimoviecrewhttps://discord.gg/8jCPe8T2kT#moviereview #podcast #moviefan #filmpodcast #moviepodcast #film #nostalgia #cultclassic #predator #waltongoggins #chatgpt #horror
Gretchen Whitmer is in her final year as governor of the swing state of Michigan. The Democratic governor sat for an interview with NPR's Steve Inskeep and talked about tariffs, the prospects of a female president, and the security of upcoming elections.Want more comprehensive analysis of the most important news of the day, plus a little fun? Subscribe to the Up First newsletter.This bonus episode of Up First was edited by Reena Advani. It was produced by Adam Bearne, Kaity Kline and Ziad Buchh. We get engineering support from Robert Rodriguez. Our Executive Producer is Jay Shaylor.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
“Everybody be cool.” Join Ian & Liam for our 314th episode as we cross the border, miss the last turn-off to sanity, and crash headlong into Robert Rodriguez and Quentin Tarantino's genre-shredding cult classic From Dusk Till Dawn (1996). Megs isn't with us this week — she took a job managing the Titty Twister and immediately exercised her right to not be around for what happened next. Kev? Last seen arguing with a biker about tequila and quietly backing away when things started growing fangs. This week we discuss: The hard genre pivot — crime thriller to vampire splatterfest. Is this one of cinema's boldest structural swings or an act of deliberate sabotage? The first half vs. the second half — which film do we actually prefer, and should they ever have been stitched together in the first place? George Clooney's breakout performance — cool, controlled, and shockingly confident. Did this film secretly create a movie star? Quentin Tarantino the actor — indulgent, uncomfortable, and deeply divisive. Does his presence add anything, or actively derail the film? Ian questions the film's tonal discipline — is chaos the point, or does excess eventually become exhaustion? Liam explores the film's grindhouse DNA — exploitation homage, midnight-movie energy, and why this works better at 11:30pm than 2:00pm. Salma Hayek's iconic sequence — empowerment, objectification, or pure genre spectacle? We unpack why this moment still sparks debate. The violence escalation — gleeful, grotesque, and increasingly cartoonish. Where does fun end and numbness begin? The rules of the vampires and the timing of when characters turn — clear, flexible, or completely improvised depending on the scene? You won't believe the piece of literature that Ian wants to compare this to The ending — aftermath, absurdity, and the sudden return to moral quiet after absolute carnage. And finally, whether From Dusk Till Dawn is the Best Film Ever — or simply the wildest left turn ever taken by a mainstream '90s movie. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/
Wanna know where tech is headed this year? MIT Technology Review has answers. They compile an annual list called "10 Breakthrough Technologies". Today, host Regina G. Barber speaks with executive editor Amy Nordrum about the list, and they get into everything from commercial space stations and base-edited babies to batteries that could make electric vehicles even more green. We also do a lightning round of honorable mentions you won't want to miss out on!Check out the full list from MIT Technology Review.Interested in more science? Check out our episode on last year's top 10 technologies to watch and our episode on building structures in space.Email us your questions at shortwave@npr.org.Listen to every episode of Short Wave sponsor-free and support our work at NPR by signing up for Short Wave+ at plus.npr.org/shortwave.This episode was produced by Berly McCoy. It was edited and fact-checked by Rebecca Ramirez. The audio engineer was Robert Rodriguez.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Before President Donald Trump's first term, he was in a “tight spot” financially, according to New Yorker writer David Kirkpatrick. At the start of his second term, David says, Trump was in an “even tighter” spot. But after just six months into his second term, Trump's financial situation started looking really good.David has done a full accounting for what the family has been up to, and even using conservative estimates, David says Trump and his family have made almost $4 billion dollars “off of the presidency,” in just about a year.Today on the show: we look at every new business and business deal and financial transaction that David says likely would not have happened if Trump wasn't the president of the United States. And we stop at the most innovative ways Trump and his family have made all that.Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts. ??Listen to our playlist on Federal Reserve independence here.Facebook / Instagram / TikTok / Our weekly Newsletter.Today's episode of Planet Money was hosted by Sarah Gonzalez and Mary Childs. It was produced by James Sneed, edited by Jess Jiang, and fact checked by Sierra Juarez. Robert Rodriguez engineered it. Alex Goldmark is our executive producer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Today we are talking about Robert Rodriguez's first film El Mariachi, which he self funded for 7000 dollars! In addition to the movie we also talk about how he raised the money, some filmmaking stuff he did to pull it off and of course how cool the movie is!
Microbes are little alchemists that perform all manner of chemical reactions. A team of microbiologists co-founded a non-profit to try to harness those abilities to solve some of the world's big problems — from carbon capture to helping coral reefs to cleaning up waste. Recently, the team turned their attention to the microbes living in people's homes — on and in shower heads, drip pans, and hot water heaters. These rather extreme environments may have pressured microorganisms into surviving in ways that could be advantageous to humans. Science reporter Ari Daniel takes us on a treasure hunt in miniature.This episode was produced by Hannah Chinn. It was edited by Rebecca Ramirez. Tyler Jones checked the facts. The audio engineer was Robert Rodriguez.Interested in learning more about the weird and wonderful world of microbes? Email us your question at shortwave@npr.org.Listen to every episode of Short Wave sponsor-free and support our work at NPR by signing up for Short Wave+ at plus.npr.org/shortwave.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Are we in an AI bubble? That's the $35 trillion dollar question right now as the stock market soars higher and higher. The problem is that bubbles are famously hard to spot. But some economists say they may have found some telltale clues.On our latest: How do economists detect a bubble? And, how much should society be worried about bubbles in the first place? Related shows:- How to make $35 trillion ... disappear-What is a bubble? (featuring Nobel prize winning economics Eugene Fama and Robert Shiller)-What AI data centers are doing to your electric billPre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was produced by Willa Rubin and edited by Marianne McCune. It was fact-checked by Sierra Juarez and engineered by Cena Loffredo and Robert Rodriguez. Alex Goldmark is our executive producer.Music: NPR Source Audio - “The best is yet to come,” “Marsh mellow,” and “Sunshine beat”Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Ben Leonberg is the writer and director of Good Boy, the breakout indie horror film told entirely from the point of view of a dog. Shot over three years with a crew of three people and made for under seventy thousand dollars, Good Boy became a theatrical and streaming success, earning over $8 million at the box office, mostly due to its inventiveness, emotional depth, and commitment to a single, bold idea.In this episode, Ben tells us the whole story behind Good Boy, from humble beginnings to box office breakout. He also gets into the details behind shooting horror from a dog's point of view, the critical importance of sound design in horror, and the practical lessons he learned while shooting more than four hundred days with his dog Indie.Here are some key takeaways from this conversation with Ben Leonberg.Limitations can be a feature, not a bugBen's process making Good Boy was a masterclass in embracing creative limitations. From directing a dog who couldn't take cues, to shooting without a traditional crew, all while working within a $70,000 budget, Ben built the film around his constraints instead of fighting them. He followed the classic Robert Rodriguez rule: write the movie around what you already have. In Ben's case, that meant a dog and an old cabin.He and his wife shot most of the movie themselves, structuring the entire production around their available resources. The mindset of designing a film around what you can uniquely do is a powerful model for indie filmmakers. In Ben's case, those constraints led to a strikingly original idea: a horror movie told entirely from the perspective of a dog. That single choice shaped every creative decision; camera height, lensing, blocking, editing, sound, and pacing. What began as a limitation became the film's identity.Sound is vital for horrorAs we've covered many times, in horror, sound goes a long way, and Jennifer Kent, Director of The Babadook, even says it's just as important as your visuals. In Good Boy, which had minimal traditional exposition or visual cues, sound became essential—not just for scares, but for tone, tension, and atmosphere. Composer Sam Boutilier went so far as to build a custom instrument to create the film's signature eerie, otherworldly tones that had never been heard before. For horror filmmakers working with limited budgets, sound design isn't just a finishing touch but an opportunity to elevate the entire film.A long production timeline can be an advantageThe film was shot over three years, across more than 400 shoot days. With such a small team and total control over gear and scheduling, Ben was able to work slowly and deliberately, testing ideas, reshooting scenes, refining edits, and evolving the movie over the course of years. In most productions, time is the scarcest and most expensive resource. But when you own the entire timeline, time becomes your biggest asset because it gives you the space to problem-solve creatively, discover better choices, and polish your film beyond the limits of its budget.Show NotesMovies MentionedGood BoyPoltergeistThe ShiningPsychoJawsRaiders of the Lost ArkDuelDrag Me...
In this NPR investigation, we take a close look at the brutal violence that took place on Jan. 6, 2021, the investigation that followed, and the campaign Trump has waged to whitewash it.For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.Email us at considerthis@npr.org.This episode was produced by Monika Evstatieva, with audio engineering by Robert Rodriguez.It was edited by Barrie Hardymon.Our executive producer is Sami Yenigun.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
In this NPR investigation, we take a close look at the brutal violence that took place on Jan. 6, 2021, the investigation that followed, and the campaign Trump has waged to whitewash it.For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.Email us at considerthis@npr.org.This episode was produced by Monika Evstatieva, with audio engineering by Robert Rodriguez.It was edited by Barrie Hardymon.Our executive producer is Sami Yenigun.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
November 7, 1997. New York City. 54-year old Michael Sullivan and his 36-year old girlfriend, Camden Sylvia, vanish without explanation from their loft in Manhattan and are reported missing six days later. Suspicion falls upon the couple's landlord, Robert Rodriguez, who was involved in a dispute with them prior to their disappearances and refuses to cooperate with the investigation. It turns out that Rodriguez is connected to the unsolved disappearance of another man named David King which took place six years earlier and he eventually winds up going to prison on fraud charges. What happened to Michael Sullivan and Camden Sylvia? Was Robert Rodriguez responsible for their disappearances? On this week's episode of “The Path Went Chilly”, we cover a puzzling case involving a missing couple who seemingly vanished into thin air in downtown Manhattan.If you have any information about this case, please call the New York Police Department at (646) 610-6914.Support the Show: Patreon.com/thetrailwentcoldPatreon.com/julesandashleyAdditional Reading:https://charleyproject.org/case/camden-anne-sylviahttps://charleyproject.org/case/michael-sullivanhttps://charleyproject.org/case/david-kinghttps://www.nytimes.com/1997/11/15/nyregion/a-couple-are-missing-and-friends-are-baffled.htmlhttps://www.nytimes.com/1997/11/18/nyregion/2-are-missing-now-landlord-is-also-gone.htmlhttps://www.nytimes.com/1997/11/19/nyregion/police-copters-scan-property-of-landlord.htmlhttps://www.nytimes.com/1997/11/20/nyregion/search-blocked-in-case-of-3-who-vanished.htmlhttps://www.nytimes.com/1997/11/25/nyregion/in-disappearance-case-landlord-s-vehicle-is-found.htmlhttps://www.nytimes.com/1997/12/12/nyregion/body-seen-as-potential-clue-to-missing-3.htmlhttps://www.nytimes.com/1999/01/06/nyregion/missing-couple-s-landlord-arraigned-in-fraud-case.htmlhttps://www.nytimes.com/2002/07/27/nyregion/landlord-of-missing-manhattan-couple-to-be-paroled-in-month.htmlhttps://www.nytimes.com/2012/05/29/nyregion/for-camden-sylvia-and-michael-sullivan-who-disappeared-in-1997-still-some-hope.htmlhttps://pix11.com/news/local-news/manhattan/mom-still-wants-truth-about-mystery-of-missing-tenants-20-years-later/https://www.newyorker.com/magazine/1997/12/08/housing-departmenthttps://www.recordonline.com/article/20010217/news/302179983https://www.nydailynews.com/news/crime/decade-no-answers-camden-sylvia-disappearance-article-1.259577https://www.nydailynews.com/news/crime/archives-missing-manhattan-couple-article-1.259538https://www.thefreelibrary.com/Anatomy+of+a+building+in+distress.-a020189711https://www.villagevoice.com/1998/08/04/birthday-wishes/https://www.newspapers.com/image/709587296/https://www.newspapers.com/image/709587377/https://www.newspapers.com/image/709587261/https://www.newspapers.com/image/408784163/https://www.newspapers.com/image/408528760/https://www.newspapers.com/image/485305814/
A new year is almost upon us, but you know what they say: the holiday season isn't officially over until you've listened to part two of "Failure to Franchise presents Trev & Chris-tmas." This time, Trev gifts Chris the long-in-the-works passion project of legendary filmmaker James Cameron, the cyberpunk manga adaptation Alita: Battle Angel. But, wait...if this was Cameron's passion project, why the heck is it directed by Robert Rodriguez? We discuss that and more, including the unique marriage of Cameron and Rodriguez's sensibilities, the eclectic but sometimes wasted cast, and the strengths and weaknesses of the film's worldbuilding. It's a movie that James Cameron still insists will get a sequel, and as the recent Avatar: Fire & Ash box office proves once again, you can never count Big Jim out. But do we really believe him about this one? And do we even want a sequel? Listen on and find out. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
Join Nick and Sonja as they ring in the New Year the best way they know how - by going back to the 1990s. In this episode, we visit '90s New Year's films!We start with the 1999 MTV Films production of 200 Cigarettes. Sure, it takes place in 1981, but the film is still oozing with all of the '90s tropes and charm you can't get enough of. Second, we visit the anthology film by Quentin Tarantino, Robert Rodriguez, Alexandre Rockwell, and Allison Anders, in which Tim Roth stars. Four Rooms.Finally, we look at the dystopian action thriller that's co-written by James Cameron and directed by Kathryn Bigelow: the underappreciated masterpiece, Strange Days. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.
For decades, snack companies believed Americans wanted everything sweeter.More sugar. More chocolate. More indulgence.But what if that assumption was wrong?In this episode, a mother-daughter team set out to make a sleeker version of a chocolate almond— and nearly lose everything in the process.Val Griffith was a longtime TV producer in Seattle. Her daughter Breezy was bouncing between failing business ideas in Miami and New York. When a family tragedy brought Breezy back home, the two began talking about food, snacking, and why chocolate-covered almonds were always so… overdone.Their insight was deceptively simple: what if you used less sugar, not fake sugar — and a thin coating of chocolate instead of a fat one? Turning that idea into SkinnyDipped meant years of failed experiments, dipping almonds by hand, manufacturing out of a converted chicken coop, and demoing almonds one by one. When they finally got a breakthrough order from Target, they faced a near-disaster: 40,000 pounds of rancid almonds. What followed was a frantic race to save the deal — and later, a far more dangerous question: is this business ever going to make it?WHAT YOU'LL LEARN: How failing at micro-businesses quietly builds founder skillWhy manufacturing is often the biggest obstacle in food startupsThe nail-biting risk of saying yes to Target too earlyHow growth can mask deeply broken economicsWhat it takes to fix a business when funding disappearsTIMESTAMPS: 00:07:25 - How Breezy's early forays into the food business failed — and why they mattered.00:11:00 - How a family loss brought Breezy and her mom together — and changed the direction of their lives 00:21:07 - Reinventing a stale bulk-bin snack: The road-trip conversations that sparked a new recipe: 00:31:20 - The Home Depot paint sprayer experiment: A brilliant idea that failed spectacularly.00:38:56 - SkinnyDipped's first “facility:” one oven, no heat, no hot water 00:49:28 - How a chance meeting in a bar changed the company's trajectory00:55:41 - Target takes the plunge and SkinnyDipped nearly drowns: how a chain-wide launch almost breaks the business01:7:47 - Growth without profit: How the founders recover after hitting rock bottom01:21:44 - The mother-daughter equation: wisdom + jet fuel01:26:13 - Small Business Spotlight —-----------------------Hey—want to be a guest on HIBT?If you're building a business, why not get advice from some of the greatest entrepreneurs on Earth?Every Thursday on the HIBT Advice Line, a previous HIBT guest helps new entrepreneurs work through the challenges they're facing right now. Advice that's smart, actionable, and absolutely free.Just call 1-800-433-1298, leave a message, and you may soon get guidance from someone who started where you did, and went on to build something massive.So—give us a call.We can't wait to hear what you're working on.—-----------This episode was produced by Kerry Thompson with music composed by Ramtin Arablouei. It was edited by Neva Grant with research help from Chris Maccini. Our engineers were Robert Rodriguez and Kwesi Lee.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Blind Rage Podcast sinks its fangs into the blood-soaked chaos of FROM DUSK TILL DAWN (1996), where a pair of fugitive brothers, a faithless preacher, and his unsuspecting family make a pit stop at a strip club from hell—literally. What begins as a tense crime thriller explodes into a frenzied vampire massacre drenched in tequila, neon, and arterial spray. Directed by Robert Rodriguez from Quentin Tarantino's script, it's the cinematic equivalent of a double shot of whiskey followed by a stake through the heart.
Eight years after producer Robert Rodriguez had Adrien Brody went and fought the Predator -and Predator dogs, and bigger Predators, and Lawrence Fishburne- original Predator co-star Shane Black decided to take the reigns and see if he could make something a little more universally successful. The result, 2018's The Predator. Yet, once again, 20th Century Fox stepped in and decided to make life a living hell for all involved. Scenes were switched, a friend of Black's had a small scene cut due to Olivia Munn finding out the other man in the scene -who was also a friend of Black's- had a checkered past. And the ending ended up getting completely reworked. So what do Garrett, Matt, and Adam have to say? This, was the podcast Matt and Garrett had been looking forward to since they started this series due to Adam once again having reservations to watching a movie in a franchise again due to an utter hatred for the film. It happened with Alien Covenant. Yet, unlike that 2017 film, Adam hadn't finished watching The Predator until this viewing. Did he warm up to it? Well, let's just say this is one of those podcasts where Garrett and Matt just kind of stand back and let Adam go. The result, is one of the most one sided hatred ladened shows the guys have done since 2017's The Last Jedi. Listen in to see how the others feel!
November 7, 1997. New York City. 54-year old Michael Sullivan and his 36-year old girlfriend, Camden Sylvia, vanish without explanation from their loft in Manhattan and are reported missing six days later. Suspicion falls upon the couple's landlord, Robert Rodriguez, who was involved in a dispute with them prior to their disappearances and refuses to cooperate with the investigation. It turns out that Rodriguez is connected to the unsolved disappearance of another man named David King which took place six years earlier and he eventually winds up going to prison on fraud charges. What happened to Michael Sullivan and Camden Sylvia? Was Robert Rodriguez responsible for their disappearances? On this week's episode of “The Path Went Chilly”, we cover a puzzling case involving a missing couple who seemingly vanished into thin air in downtown Manhattan.If you have any information about this case, please call the New York Police Department at (646) 610-6914.Support the Show: Patreon.com/thetrailwentcoldPatreon.com/julesandashleyAdditional Reading:https://charleyproject.org/case/camden-anne-sylviahttps://charleyproject.org/case/michael-sullivanhttps://charleyproject.org/case/david-kinghttps://www.nytimes.com/1997/11/15/nyregion/a-couple-are-missing-and-friends-are-baffled.htmlhttps://www.nytimes.com/1997/11/18/nyregion/2-are-missing-now-landlord-is-also-gone.htmlhttps://www.nytimes.com/1997/11/19/nyregion/police-copters-scan-property-of-landlord.htmlhttps://www.nytimes.com/1997/11/20/nyregion/search-blocked-in-case-of-3-who-vanished.htmlhttps://www.nytimes.com/1997/11/25/nyregion/in-disappearance-case-landlord-s-vehicle-is-found.htmlhttps://www.nytimes.com/1997/12/12/nyregion/body-seen-as-potential-clue-to-missing-3.htmlhttps://www.nytimes.com/1999/01/06/nyregion/missing-couple-s-landlord-arraigned-in-fraud-case.htmlhttps://www.nytimes.com/2002/07/27/nyregion/landlord-of-missing-manhattan-couple-to-be-paroled-in-month.htmlhttps://www.nytimes.com/2012/05/29/nyregion/for-camden-sylvia-and-michael-sullivan-who-disappeared-in-1997-still-some-hope.htmlhttps://pix11.com/news/local-news/manhattan/mom-still-wants-truth-about-mystery-of-missing-tenants-20-years-later/https://www.newyorker.com/magazine/1997/12/08/housing-departmenthttps://www.recordonline.com/article/20010217/news/302179983https://www.nydailynews.com/news/crime/decade-no-answers-camden-sylvia-disappearance-article-1.259577https://www.nydailynews.com/news/crime/archives-missing-manhattan-couple-article-1.259538https://www.thefreelibrary.com/Anatomy+of+a+building+in+distress.-a020189711https://www.villagevoice.com/1998/08/04/birthday-wishes/https://www.newspapers.com/image/709587296/https://www.newspapers.com/image/709587377/https://www.newspapers.com/image/709587261/https://www.newspapers.com/image/408784163/https://www.newspapers.com/image/408528760/https://www.newspapers.com/image/485305814/
After a set of Alien vs Predator films that failed to ignite any sort of passion from a hugely passionate set of fan bases, the pressure was on producer Robert Rodriguez to make a film that at least satisfy the Predator fan base. So after finally getting the green light to produce a script he'd started back in the mid 90s, Rodriguez found himself doing what he'd been wanting to do his entire career, which was make a Predator film. But by the late 2000s, Rodriguez was also a very busy producer. He had had just made the flop Grindhouse with his buddy Quentin Tarantino, and was directing a spinoff from said flop called Machette. So he cast recent Oscar winner Adrien Brody in the lead and put Nimrod Antal (Frequency) in the director's chair for the passion project of all passion projects. The result was a 2010 film that was once again heaped with mixed reviews upon release, with some calling it a return to Predator glory and others calling it a mediocre misfire. Where do the co-hosts stand? With longtime Predator fan Adam Bunch finally getting to tell people what he thinks about Predators, gear up as the Three Men and a Retrospective Podcast reviews the film scene by scene. And if you'd like to hear the guys review the two previous Alien vs Predator films, be sure to check out the Percolated Media archives. Next week, another review Adam has been waiting to do for quite some time, a review of 2018's The Predator!
In 2008, Chicago's budget was in a bad place. The city needed money. One way to raise money was to increase property taxes, but what politician wants to do that? So instead, Mayor Richard M. Daley's administration looked around at the resources the city had, and thought, ‘Any of this worth anything?' They opted to lease out the city's metered parking system — to privatize all 36,000 of its parking meters. The plan: have private companies bid on operating the meters, modernizing the system, and keeping the profits for a certain number of years. In exchange, they would give Chicago a big lump sum payment. The winning bid was $1.16 billion dollars for a 75-year lease. Today's episode is the story of how that bid got put together, and how it came to be hated. There are kidnapped parking meters, foot chases through City Hall, and trashbags filled with secret documents. Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was produced by Willa Rubin with help from Luis Gallo and Sam Yellowhorse Kesler. It was edited by Jess Jiang, fact-checked by Vito Emmanuel and engineered by Cena Loffredo and Robert Rodriguez. Alex Goldmark is our executive producer.Music: NPR Source Audio - “Smoke Rings,” “Reverend,” and “Sniffin Glue.” Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
From nuclear fission to GPS to the internet, it's common knowledge that many of the most resource intensive technologies of the last century got their start as military R&D projects in government-funded labs. But as Avery Trufelman explains in her fashion history podcast, Articles of Interest, the influence of the US military is, in many ways, even more intimate than that, shaping much of the clothing we all wear everyday. On today's show, a tale of Army surplus economics. How military designs trickled down from the soldiers on the front lines to the hippies on the war protest line to the yuppies in line at Banana Republic. And why some of your favorite outdoor brands may just be moonlighting as U.S. military suppliers, while keeping it as under the radar as they can.Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode of Planet Money was produced by Luis Gallo, edited by Jess Jiang, fact checked by Yasmine Alsayyad, and engineered by Robert Rodriguez. Alex Goldmark is Planet Money's executive producer.Articles of Interest is produced by Avery Trufelman, edited by Alison Beringer, fact checked by Yasmine Alsayyad, and engineered by Jocelyn Gonzalez.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Vote for us in NPR's People's Choice Awards: npr.org/peopleschoice AI is already reshaping how people find work. Fewer entry-level jobs, robot recruiters, and ever-changing new skill requirements all add up to a new, daunting landscape for humans trying to find dignified work.Today on the show: two stories from the edges of a changing labor market. First we'll assess claims that AI is causing a white collar job apocalypse. What does the data actually say? We meet an economist who has found one small but fascinating way to measure the impact of AI on workers. Then, we go face-to-face, or at least voice-to-voice, with AI. We meet a robot recruiter for a job interview and find cause to ask, ‘When might that actually be preferable to a human recruiter?'Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.The original Indicator episodes were hosted by Wailin Wong, Darian Woods, and Adrian Ma. They were produced by Cooper Katz McKim and engineered by Robert Rodriguez and Debbie Daughtry. They were fact checked by Sierra Juarez. They were edited by Paddy Hirsch and Kate Concannon. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Givewell is a nonprofit organization that gives money to “save or improve the most lives per dollar.” Part of their whole thing is a rigorous research process with copious and specific datapoints. So, in the chaotic wake of USAID's gutting, they scrambled to figure out if they could fund the kind of projects USAID used to.Today on the show: GiveWell let us in on their decision-making process, as they try to reconcile the urgency of the moment with their normal diligence. We get to watch as they decide if they can back one project, to support health facilities in Cameroon.Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was hosted by Mary Childs. It was produced by Sam Yellowhorse Kesler. It was edited by Marianne McCune, fact-checked by Vito Emanuel, and engineered by Jimmy Keeley with help from Robert Rodriguez. Planet Money's executive producer is Alex Goldmark. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Slash calls in from Brazil during Guns N' Roses' tour to share heartfelt memories of Ace Frehley, revealing how KISS indirectly influenced his guitar journey. He confirms upcoming US tour dates for Guns N' Roses in 2026, discusses his completed Conspirators album, and explains why he's hesitant about performing at the Sphere. Slash also details his various projects including the Bad Company tribute album, his blues record 'Orgy of the Damned,' an upcoming live release from S.E.R.P.E.N.T. Fest, and his film production work including the 'Deathstalker' reboot. After that, Wolf Van Halen discusses his latest album 'The End' and the emotional journey of creating music without his father. He shares insights into his unique recording process where he plays all instruments himself, starting with drums - his first musical love. Wolf reveals his strong stance against AI in creative arts while reflecting on touring with Metallica and working with Robert Rodriguez on his latest music video. Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
When people in Maine prisons started getting laptops to use in their cells for online classes and homework, it sparked this new idea. Could they have laptops in their cells to work remotely for real outside world jobs, too??? And get real outside world wages?Today on the show, we have reporting from Maine Public Radio's Susan Sharon about a new experiment in prisons: remote jobs … paying fair market wages, for people who are incarcerated. Listen to Susan's original reporting here: - In Maine, prisoners are thriving in remote jobs and other states are taking notice - Cracking the code: How technology and education are changing life in Maine prisons Related episodes: - Fine and Punishment - Getting Out Of Prison Sooner - The Prisoner's Solution - Paying for the Crime Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was hosted by Sarah Gonzalez with reporting from Susan Sharon. It was produced by Sam Yellowhorse Kesler with reporting help from Vito Emanuel. It was edited by Jess Jiang, fact-checked by Sierra Juarez, and engineered by Robert Rodriguez, with help from Patrick Murray. Alex Goldmark is Planet Money's executive producer. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Tariq Farid the founder of Edible Arrangements joins Guy on the Advice Line to answer questions from three early-stage entrepreneurs. Plus, Tariq updates Guy on how he's pivoting into a new industry while ushering in the next generation of leadership at the company. First, we hear from Jake in Virginia who's wondering how he can make his Filipino-inspired banana ketchup mainstream in America. Then, Heather in Sweden wants to know if she should change the name of her luxury polar voyage company to distance themselves from cruises. And, Ryan in Texas wants to know how he can bump up his revenue without losing his company's highly personalized customer service. Thank you to the founders of Fila Manila, Minimal Impact Cruises, and Kong Screen Printing for being a part of our show.If you'd like to be featured on a future Advice Line episode, leave us a one-minute message that tells us about your business and a specific question you'd like answered. Send a voice memo to hibt@id.wondery.com or call 1-800-433-1298.And be sure to listen to Edible Arrangement's founding story as told by Tariq on the show in 2017.This episode was produced by Rommel Wood with music by Ramtin Arablouei. It was edited by Andrea Bruce. Our audio engineer was Robert Rodriguez. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-infoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
People in the U.S. are feeling the financial squeeze, in part because of rising inflation, higher consumer prices and slowing job growth. The Indicator from Planet Money is tackling a special series on the rising cost of living. Today, two stories from that series. First, what's making ticket prices go up? We look at the economics behind the ticket market and how “reseller bots” are wreaking all sorts of havoc. The industry is not a fan, and yet they do serve an economic function. And… why pet care costs have surged. It comes down to unique skills, people's love for their pets and something called the “Baumol effect.” Related episodes:The Vet Clinic Chow Down What Do Private Equity Firms Actually Do? Kid Rock vs. The Scalpers Ticket scalpers: The real ticket masters Subscribe to Planet Money+ Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter. This episode is hosted by Darian Woods, Adrian Ma, and Wailin Wong. These episodes of The Indicator were originally produced by Cooper Katz McKim and engineered by Robert Rodriguez. They were fact-checked by Sierra Juarez. Kate Concannon is The Indicator's editor. Alex Goldmark is the Executive Producer. Music: NPR Source Audio - "Wow and Flutter,” “The Groove Carpenter,” and "I Need You"Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
This week's SNAP crisis is just a preview. Tucked inside the giant tax-cut and spending bill signed by President Donald Trump this summer are enormous cuts to SNAP: Who qualifies, how much they get, and who foots the bill for the program. That last part is a huge change.For the entire history of the food stamp program, the federal government has paid for all the benefits that go out. States pay part of the cost of administering it, but the food stamp money has come entirely from federal taxpayers. This bill shifts part of the costs to states.How much will states have to pay? It depends. The law ties the amount to a statistic called the Payment Error Rate -- the official measure of accuracy -- whether states are giving recipients either too much, or too little, in food stamp money.On today's show, we go to Oregon to meet the bureaucrats on the front lines of getting that error rate down -- and ask Governor Tina Kotek what's going to happen if they can't.Looking for hunger-relief resources? Try here.Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+.Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was hosted by Nick Fountain and Jeff Guo. It was produced by James Sneed and Willa Rubin, edited by Marianne McCune and Jess Jiang, fact-checked by Sierra Juarez, and engineered by Debbie Daughtry and Robert Rodriguez. Alex Goldmark is Planet Money's executive producer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The U.S. Constitution famously outlaws “cruel and unusual punishments.” But there's another, far more obscure part of the Constitution called the Excessive Fines Clause, which basically says that the fine has to fit the crime. So far, the Supreme Court has been pretty mysterious about what that means. But for Ken Jouppi, the fate of his $95,000 plane hinges on it.Ken is a bush pilot. He used to run an air taxi service in Fairbanks, Alaska. In 2012, police caught one of Ken's passengers with a six-pack of Budweiser in her luggage. Over that six-pack, Ken was convicted of bootlegging. As punishment, he was ordered to forfeit his $95,000 Cessna.The Supreme Court is now considering whether to take Ken's case. And what's at stake here is more than just a plane. Hanging in the balance is an increasingly popular — and controversial — business model for criminal justice.More on economics and the law: - Fine and punishment - The prisoner's solution - Paying for the crime - Rescues at sea, and how to make a fortunePre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.Today's episode was produced by James Sneed and Sam Yellowhorse Kesler with help from Luis Gallo. It was edited by Jess Jiang, fact-checked by Sierra Juarez and engineered by Ko Tagasugi Chernovin with help from Robert Rodriguez. Planet Money's executive producer is Alex Goldmark.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Frank Miller is regarded as one of the most influential and awarded creators. He began his career in comics in the late 1970s, first gaining notoriety as the artist, and later writer, of Daredevil for Marvel Comics. Next, came the science-fiction samurai drama Ronin, followed by the groundbreaking Batman: The Dark Knight Returns and Batman: Year One with artist David Mazzuchelli. Following these seminal works, Miller fulfilled a lifelong dream by doing an all-out crime series, Sin City, which spawned two blockbuster films that he co-directed with Robert Rodriguez. Miller's multi-award-winning graphic novel 300 was also adapted into a highly successful film by Zack Snyder. His upcoming memoir, Push the Wall: My Life, Writing, Drawing, and the Art of Storytelling, is now available for pre-order.This episode is brought to you by: Eight Sleep Pod Cover 5 sleeping solution for dynamic cooling and heating: EightSleep.com/Tim (use code TIM to get $350 off your very own Pod 5 Ultra.)Shopify global commerce platform, providing tools to start, grow, market, and manage a retail business: https://shopify.com/tim (one-dollar-per-month trial period)AG1 all-in-one nutritional supplement: DrinkAG1.com/Tim (1-year supply of Vitamin D (and 5 free AG1 travel packs) with your first subscription purchase.)Timestamps:[00:00:00] Start.[00:02:14] Aristotle's definition of happiness: Devotion to excellence.[00:03:02] Tools of the trade: Blackwing pencils, India ink, liquid frisket.[00:04:45] Sin City‘s physical creation at “twice up” size.[00:08:06] The toothbrush spatter technique.[00:09:24] Channeling impatience, anger, and violence into dramatic creative work.[00:10:33] What Jack Kirby knew about making comics competitive with cinema's spectacle.[00:11:56] Will Eisner and The Spirit‘s influence on the US market where writer-artist duality is rare.[00:13:33] How Jack Kirby blasted apart the panel grid (and a young Frank's mind).[00:15:49] Push the wall and defy the code.[00:19:54] The ruthless mentorship of Neal Adams.[00:24:57] The genesis of the Elektra amd Daredevil “soap opera.”[00:27:56] Story structure: Start late, end early.[00:29:10] Trusting the muse over rigid methodology.[00:31:15] European invasion: Moebius and Forbidden Planet.[00:32:52] Japanese influence: Lone Wolf and Cub‘s impact.[00:34:30] Cultural differences in depicting violence and motion.[00:36:38] Ronin: Shameless imitation and rebirth.[00:37:28] How does Frank know if something is working (or not working)?[00:39:27] The critical reception of Ronin as a “broken nose.”[00:42:37] The ruthless structure of The Dark Knight Returns.[00:43:40] Mutual elevation with “smartest fan” Alan Moore.[00:48:26] Robert Rodriguez: Angel of goodwill and generosity.[00:49:28] Sin City film: Co-directing and the Director's Guild sacrifice.[00:50:31] Working as a “two-headed beast” with Rodriguez.[00:55:27] Favorite films.[00:58:19] Books and ancient history inspiring 300.[00:59:00] Hollywood lessons: The importance of working with the right people.[01:01:13] The partnership and guidance of Silenn Thomas.[01:02:01] The clarity and creative rejuvenation of getting sober from alcohol.[01:04:48] Advice for aspiring comic artists: Story, story, story.[01:06:20] Learning to draw: Bridgman and Loomis books.[01:08:07] Perspective as a mathematical trick and lie.[01:11:00] Dick Giordano's advice: Lay in blacks first.[01:13:52] Sin City workflow innovation: Batch processing stages.[01:15:48] Dark Horse Comics and creative freedom.[01:17:29] Economy of line work and elegant minimalism.[01:20:46] On collaborating with Bill Sienkiewicz on Elektra.[01:25:20] Billboard wisdom: “Ask every question,” and “Why?”[01:27:08] Challenging pathological conformity.[01:27:39] Parting thoughts and where to find Frank's work.*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Stacy's Pita Chips co-founder Stacy Madison joins Guy on the Advice Line to answer questions from three early-stage entrepreneurs. Plus, Stacy talks about her hard-won experience of knowing when to stick with an idea… and when to walk away.First up, Sam wants to figure out how to leverage his popular pizza instagram account into the go-to place for men to learn how to bake. Then, Alex wants to know how to make his Peruvian pisco brand stand out in a relatively unknown liquor category. And finally, Stephanie is eager to learn how she can rejuvenate what had been her family's 88-year-old candy business. Thank you to the founders of Dough Guy, SUYO, and Stuckey's for being a part of our show.If you'd like to be featured on a future Advice Line episode, leave us a one-minute message that tells us about your business and a specific question you'd like answered. Send a voice memo to hibt@id.wondery.com or call 1-800-433-1298.And be sure to go back and listen to Stacy's episode from 2019 where she shares how a decision to make chips with the leftover pita from her sandwich cart led to a multi-million dollar snack category that didn't exist before her. This episode was produced by Rommel Wood with music by Ramtin Arablouei. It was edited by Andrea Bruce. Our audio engineer was Robert Rodriguez. You can follow HIBT on Twitter & Instagram and sign up for Guy's free newsletter at guyraz.com and on Substack.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Pre-order the Planet Money book here for your free gift. Our sister show, The Indicator, is chronicling the evolving business of crime for its Vice Week series. Today, we bring to you two cases of crime in the age of AI. First, cybercriminals are using our own voices against us. Audio deepfake scams are picking up against individuals but also against businesses. We hear from a bank on how they're adapting defenses, and find out how the new defenses are a game of AI vs AI. Then, we move over to the stock market to witness AI market manipulation. A new breed of trading bots behave differently. They could collude with each other, even without human involvement or instruction, so researchers are asking how to think about blame, and regulation in a world of more sophisticated trading bots. That's assuming regulators could even keep up with the tech in the first place. Indicator Vice Series Head to The Indicator from Planet Money podcast feed for the latest on the Indicator Vice Series including an episode on data breaches . If you don't already subscribe, check it out. Each episode explains one slice of the economy connected to the news recently, always in 10 minutes or less. Subscribe to Planet Money+ Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter. This episode is hosted by Darian Woods, Adrian Ma, and Wailin Wong. These episodes of The Indicator were originally produced by Cooper Katz McKim and engineered by Robert Rodriguez. They were fact-checked by Sierra Juarez. Kate Concannon is The Indicator's editor. Alex Goldmark is the Executive Producer. Music: NPR Source Audio - “Diamond High” Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy