Podcasts about ending credits

Much like photos, songs enable us to relive the most special moments of our lives. Thumbing through the pages of a scrapbook or scrolling through your phone resemblesdropping the needle on your favorite record or scouring a playlist. In similar fashion,Vacation Manor crystallize those moments and memories in the echoes of shimmering guitars, glistening keys, upbeat sunny grooves, and iridescent melodies. On their 2021 self-titled full-length debut, Vacation Manor [Nettwerk], the Virginia duo—Nathan Towles [vocals, guitar] and Cole Young [drums]—stitch together shared and personal experiences in a patchwork of vibrant and vivid alternative anthems.Vacation Manor continue to sail those lifeboats back and forth. In 2016, they introduced themselves via the debut Girl, Say EP followed by Everything I Can't Say Out Loud two years later. Racking up over 60 million streams, they continued to entrance and engage listeners. During 2020, they teased out the album with the Thoughts In Progress, Pt. 1 EP—comprising four songs from the upcoming full-length. Garnering critical acclaim, Atwood Magazine applauded it as “another installment of what Vacation Manor does best – creating songs laden with earworm lyrics and bright sounds.” Over the past two years, they carefully architected this body of work. Vacation Manor retreated to Joshua Tree to record with producer Charlie Stavish before making intermittent trips back and forth to Nashville from February 2020 through September 2020 where they worked with Kyle Cummings.“All of these places and people gave the album different vibes,” Cole goes on. “It made it feel interesting, because there were a lot of peaks and valleys. Nathan and I had been quarantining together in Virginia, because we lived one street away from each other at the time. We would drive to Nashville, go to the studio, and head back to our hotel room. The Pandemic made everything a lot more intense. The good thing was there were no distractions.”The album culminates on the introspective melodic bliss of “Ending Credits.” The guitar glows in the background as the vocals reflect the warmth of Nathan's delivery before he offers a fitting conclusion to this trip. “I was trying to write something that wasn't too directly about quarantine,” he says. “It was hard to avoid, because you can't really go anywhere, and everything felt heavier all the time. I live on a street where there are always people running by because there's an old college on the other side. It was weird for it to be springtime and not see anyone. There was a strange darkness to the moment, but the song has a sad sense of hope.” “It's a song you might listen to when you're walking home alone from a bar at the end of the night,” adds Cole. “‘Ending Credits' is really about missing normalcy. There are so many feelings inside of it.”In the end, all of those feelings make Vacation Manor worth revisiting—much like your favorite photo album. “If you listen to the whole record, I hope it's like watching a movie you relate to,” Cole leaves off. “Even though we've been a band for so long, it encompasses our personal tastes and experiences.” “It's a culmination of the last seven years, because we started as a garage band and ended up making a record we're really proud of,” Nathan agrees. “Every part of our collective personality was represented. I'm excited to relive all of the things that led us to make this. It's Vacation Manor.” Thanks for listening!!! Please Follow us on Instagram @hiddentracks99Pre and Post roll music brought to you by @sleepcyclespa

While some of the tracks in this mixtape may *sound* like they're from the third or fourth generation, this is in fact a Beyond 16-Bit episode (the eighth one to be precise).  These episodes are a way for the boizz to share modern VGM finds that wouldn't normally be LMH legal.  As you'll see from tracks like "Saved the Moon (Alt. Ending/Credits)" from Elechead or "Marsh" from Lizard,

This is the final episode of the podcast, in it I discuss some recently released albums I've been enjoying. Track Played; Chewing Glass Collective - Suffering Indifference - Suffering Indifference Lowen - Corruption on Earth - Do Not Go To War With The Demons Of Mazandaran Adorior - L.O.T.P - Vomit Vomit Vomit Bastard - Bleed On My Teeth HERXHEIM - The Surrogate - Contrapasso Vile Rites - Senescence – Senescent Ingurgitating Oblivion - The blossoms of your tomorrow shall unfold in my heart - Ontology of Nought NILE - Under the Curse of the One God - The Underworld Awaits Us All Markgraf – Allerheiligen - Hohenbaden Temple Of The Fuzz Witch - A Call To Prey - Apotheosis DECEASED - Children of the Morgue - Children of the Morgue Blood Incantation - The Stargate [Tablet I] - Absolute Elsewhere Kanonenfieber – Sturmtrupp - Die Urkatastrophe Host; Phil Wadey Contact us at philsbreakfastmetal@gmail.com Facebook page; Philsbreakfastmetal Instagram; phils_breakfast_metal

While the military culture is a subculture of America, the military spouse community is a subculture of the military. Similar to our military kids, these subcultures experience a unique perspective separate from what service members and government employees experience. While they are not employees and (mostly) aren't regulated by the institution, their relationship with the Department of Defense has a history of confusion, expectations, entanglement, and deeply personal experiences. It is unfortunately too easy to make their voice secondary, secondary to the mission, and secondary to our priorities and interests. And yet, we are told we are the backbone of force readiness. To skip over the spouse chapters in the book as well as this episode only enforces that narrative. So I'm inviting you to lean in. The best way to discuss the spouse chapters of the book was to bring in a multi-generational spouses roundtable with various experiences. Ending Credits song is "Cool" by active duty Army service member Tyler Smith. This podcast is based on the book Military Culture Shift by clinical consultant and SME on military family culture, Corie Weathers.  Order your copy of Military Culture Shift https://militaryfamilybooks.com/products/military-culture-shift-by-corie-weathers Listen to Corie's Lifegiver Podcast https://corieweathers.podbean.com/ Find out more about how you can work with and contact Corie https://www.corieweathers.com

Bienvenue aux Voix des Chapitres ! On parle aujourd'hui de l'oeuvre de l'auteur Neil Gaiman !Préparez vous, on entre dans l'univers d'un des maîtres du fantastique : enjeux mythologiques, contes et merveilles, univers onirique et face cachée du monde…Oserez-vous aller au bout du chemin ? Restez un instant et écoutez nous… Instagram : https://www.instagram.com/les_voix_des_chapitres/?hl=frFacebook : https://www.facebook.com/LesVoixDesChapitres/Tiktok : https://www.tiktok.com/@lesvoixdeschapitres Voici les œuvres présentées :Entremonde, Neil Gaiman, Michael Reaves, 2007, J'ai LuL'Étrange Vie de Nobody Owens, Neil Gaiman, 2008, J'ai Lu / Albin MichelCoraline, Neil Gaiman, 2002, Albin MichelPar bonheur, le lait, Neil Gaiman, Boulet, 2013, Au Diable VauvertStardust, Neil Gaiman, 1999, épuisé désoléL'océan au bout du chemin, Neil Gaiman, 2013, J'ai Lu / Au Diable VauvertNeverwhere, Neil Gaiman, 1996, J'ai Lu / Au Diable VauvertAmerican Gods, Neil Gaiman, 2001, J'ai Lu / Au Diable VauvertLa mythologie Viking, Neil Gaiman, 2017, Pocket / Au Diable VauvertAnansi Boys, Neil Gaiman, 2005, J'ai Lu / Au Diable VauvertDe bons présages, Neil Gaiman, Terry Pratchett, 1990, J'ai LuMiroir et fumée, Neil Gaiman, 1998, J'ai LuDes choses fragiles, Neil Gaiman, 2006, J'ai LuSignal d'alerte, Neil Gaiman, 2015, J'ai LuOrchidée noire, Neil Gaiman, Dave McKean, 1987, épuiséViolent Cases, Neil Gaiman, Dave McKean, 1987, Urban ComicsLes derniers jours du chevalier noir, Neil Gaiman, Andy Kubert, 2009, Urban ComicsSandman, Neil Gaiman, 1989, Urban Comics Crédits musicaux :Metallica, Enter Sandman, Metallica, 1991Bruno Coulais, Ending Credits, Coraline OST, 2009Ilan Eshkeri, Cap'n's At The Helm, Stardust OST, 2007Jherek Bischoff, Beginning at the End, The Ocean at the End of the Lane National Theatre Production, 2021Brian Eno, Neverwhere Theme, Neverwhere OST, 1996Brian Reitzell & Mark Lanegan, St. James Infirmary Blues, American Gods OST, 2017David Arnolds, Good Omens Opening Title, Good Omens OST, 2019David Buckley, The Kingdom of Dreams, The Sandman OST, 2022David Buckley, The Houses of Secrets & Mysteries, The Sandman OST, 2022 Ecrit et monté par Tim et JulienLogo et designs créés par Alynkyarthttps://www.instagram.com/_alinkyart_/?hl=frJingle d'introduction créé par Jules #bd #comics #livres #manga #podcast #metallica #neilgaiman #nobodyowens #coraline #peterselick #boulet #stardust #neverwhere #americangods #anansiboys #davemckean #batman #andykubert #sandman #jailu #albinmichel #audiablevauvert #urbancomics #voixdeschapitres

It's time for another listening party as the gang pick things up where they left off last episode with a look back at the dual soundtracks of Sonic 3D! On one side, a 16-bit sound team at the peak of their ability. On the other, rich CD-quality sound that feels right at home on the Saturn. Hear cartoon sound effects, robots raving, and even some surprising connections to future Sonic games, as we take a look back at some of the unsung great tracks of the classic Sonic era. (0:00:00) Intro/Main topic: Sonic 3D listening party (0:11:00) Openings (0:17:21) Main Menu (0:20:00) Invincibility/Speed Up (0:24:00) 1-Up/Stage Clear (0:27:02) Special Stage (0:32:33) Boss Battle (0:38:14) Continue/Game Over (0:40:30) Green Grove (0:50:28) Rusty Ruin (1:01:30) Spring Stadium (1:11:46) Diamond Dust (1:21:25) Volcano Valley  (1:29:13) Gene Gadget  (1:37:20) Panic Puppet  (1:48:09) The Final Fight (1:52:10) Unused tracks (1:58:43) Ending/Credits (2:06:05) Final thoughts (2:13:23) Outro Amie Waters on Twitter GameHut Continue - 30th Sessions Version feat. Lyn Sonic 3D Blast LOST BITS | Prototypes & Unused Content [TetraBitGaming] Sonic 3D Blast OST || Panic Puppet Zone Act 2 || Metal cover by #ProgMuz

Recently I've been thinking a lot about the things that divide up an anime episode, be it an OP or short intertitles - and so I decided to make a whole episode about them! In this edition of Get In The Mecha, I talk about how these dividing mechanisms make all the difference to how an episode / film feels and ask the question of what is so important about structure. This is the last episode of 2022! I want to get the podcast back on track next year so bear with me a little longer. Thanks for all your support, feedback and attention this year! Video Version of this episode: - https://youtu.be/1Cx_ZWJWN-c 0:00 - Intro 1:31 - Structure & Dividers 3:06 - Openings, Ending Credits & Avants 14:00 - Eyecatches & Title Cards 19:25 - Intertitles & Other Dividers 28:48 - Closing Thoughts 30:53 - Outro + Credits 32:26 - super secret post-credit scene 2000 Lightyears into Sonny Boy – Interview with Shingo Natsume: https://fullfrontal.moe/2000-lightyears-into-sonny-boy-interview-with-shingo-natsume/ Chisholm, Reading Intertitles: https://www.tandfonline.com/doi/abs/10.1080/01956051.1987.9944095 Artists Mentioned: Shingo Natsume, Akiyuki Shinbo, Tatsuya Oishi, Eunyoung Choi, Masaaki Yuasa, Nobutoshi Ogura, Satoru Utsunomiya, Yoshimichi Kameda Anime Mentioned / Referenced: Do It Yourself!!, Sonny Boy, Kizumonogatari, The Soultaker, Nichijou, Kemonozume, Kaguya-sama: Love Is War, The End of Evangelion, EVANGELION: DEATH(TRUE)^2, Sk8, 86 Eighty-Six Show Notes for this episode: - https://getinthemecha.home.blog/2022/12/31/how-is-anime-divided-gitm-podcast-ep-117/ Follow me on Twitter: https://twitter.com/GetInTheMecha Questions, corrections, complaints: getinthemecha@gmail.com Listen to Get In The Mecha on podcast platforms: https://linktr.ee/getinthemecha Music In This Episode: Synth Wave by Alex by Alex McCulloch: https://opengameart.org/content/synth-wave-by-alex Chill by Alex McCulloch: https://opengameart.org/content/chill-1 On The Road Again by Alex McCulloch: https://opengameart.org/content/on-the-road-again Adventure Time: https://opengameart.org/content/adventure-time-revised

They put out another Call of Duty. Its politics suck. Some things never change. But they might be worse in this one than you think... and yet, the campaign is also probably more interesting than you think? They made another Modern Warfare, and they couldn't decide if they wanted it to be a tribute to MW2 or a pointed note about everything wrong with that game. It's a mess, and it's (sigh) really fun. You can find Six on Twitter at @sixdettmar. You cannot find Harri. He's unknowable. The intro and outro music are the Main Menu and Ending Credits from Call of Duty: Modern Warfare II by Sarah Schachner.

Steven had his 14th birthday, and turned into a baby - but only after he learned the secret of how Ruby and Sapphire first became Garnet. After our recap of episodes S2:E22 & S3:E01 of Steven Universe, Chris sings us out with the Ending Credits song from the show. Contact us: Twitter: @gems_pod Instagram: @unearthedgemspod Facebook Group: Unearthed Gems Podcast Email: UnearthedGemsPodcast@gmail.com Stay safe & well. Thanks for listening!

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Sam, Adam, and David explore the ecology of the Witcher with frequent discussions of Henry Cavill in the bath and each one of them trying their best at impressions. Join them while they try to decide how the arrival of monsters would impact the natural world around us. 01:30- The History of Monster Slayers 11:13- The Ecology of The Continent 25:24- Versus 30:34- Ending Credits

its been fun.

its been fun.

Selection from Soundcloud for Ending Credits: by Spoken Word with Electronics

Do you remember what Halloween looked like when you were a kid? What about what it sounded like? In today's special edition of Retro Reprise, Syp returns to the Halloweens of the past to listen to some of the best themes from horror video games. It might not all be scary, but don't let your guard down too quickly -- your doom might lurk just around the next note! Retro Reprise Episode 19: The music of Halloweens past Intro "The Attic" from A Nightmare on Elm Street (NES) "Main Theme" from Alone in the Dark (PC) "Boss Battle" from Zombies Ate My Neighbors (SNES) "Don't Cry, Jennifer" from Clock Tower (SNES) "Demon Forest" from Super Castlevania IV (SNES) "Stage One" from Ghosts 'n' Goblins (Arcade) "Save Room" from Resident Evil 2 (PS) "Not Tomorrow" from Silent Hill (PS) Outro (feat. "Ending Credits" from Night Trap)

Erika hopes Shane can overcome his ill feelings and enjoy the night. Michelle pushes for everyone to get drunk at a dance club. While they're dancing and drinking, Shane gets an eerie feeling that draws him outside. A thick fog has rolled in... just like his father said.Music:"MeasuredPaces" and "Quinn's Song" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Ending Credits by Dylan Mixer of dmixmusic.comYou Look Lovely by LopéDatDatDat by BrohugAutomatic by Deniz Koyu

Ending, Credits & BigUP BigUp - MOB (Mobiele Omroep Bijlmer) Hoodstock Edition 2018 by Vinger.nl & Jesper Buursink

Super Smash Bros. Ultimate has finally been unveiled, and the whole NPS crew is together to chat about their thoughts over the game, as well as our other highlights from E3 2018! Of course, we also go through the games we’ve been playing, which include Pokémon Quest and Splatoon 2: Octo Expansion. Unfortunately, this is Sam’s last episode as a co-host of the show. Ever since he joined early into the show’s life, he’s brought is own passion and excitement to each episode he’s appeared on. Whilst he may appear as a guest in the future, Jack and I will always cherish his time as a main member of the podcast, and we hope the best for him in the future. With that, I hope you enjoy this episode, and happy gaming!   Time Markers: Intro – 0:00:58 What we've been playing – 0:05:54 E3 2018 Thoughts – 0:35:04 Shoutouts: - 2:02:24   The podcast can be found on: PodOmatic (http://tinyurl.com/zuh9qkr ), iTunes (http://tinyurl.com/zadm8vy ), YouTube (http://tinyurl.com/hrr67a9 ), and Spotify (https://open.spotify.com/show/5J3oH5K...). If you enjoy the show then please subscribe to us and support the show!   Social Media and the like: Twitter – @NPodcastSystem Facebook – https://www.facebook.com/NPodcastSystem e-mail – nintendopodcastsystem@gmail.com   These people were featured in our shoutout section.Please check them out! Source Gaming - https://sourcegaming.info/ Harrison Milfeld - @hmilfeld DredgeLand podcast - http://dredgeland.com/   We have a Discord server of our very own! Feel free to chat Nintendo, ask questions for the show, or other gaming goodness with us on our server! Click the link to join: https://discord.gg/2jqSXPF   The podcast is a part of VGTribune, a site that is dedicated to video games. Make sure to give it a look for news, reviews, and other gaming-related articles, especially Nintendo! http://vgtribune.com/   Featuring: Matt - @acegibbo Jack - @Gawny7789 Sam - @samspade_uk   Check out our YouTube channels! acegibbo - http://tinyurl.com/z7bt3ro Gawny7789 - http://tinyurl.com/hzz52p2 Sam Spade Gaming - http://tinyurl.com/j4gqs7j   Music used: Opening: Menu 1 – Super Smash Bros. Brawl (https://tinyurl.com/y88hz8ny) Transition: Home-Run Contest – Super Smash Bros. Brawl (https://tinyurl.com/yc2l6kou) Ending: Credits – Super Smash Bros. Brawl (https://tinyurl.com/ob2qdbd)

After 207 episodes, it’s officially time to bring GameFuel to an end as a separate show and reunify its format with Nitro Game Injection. Before this era of KNGI ends though, let Kyle take you out with a whole slew of endings and credits themes, as well as a featured album from WillRock: Undertale & ...Continue reading ‘GameFuel #207: Checkered Flag (Ending Credits Special)’ »

You beat the game! As you celebrate, music plays as the staff rolls. Many times these songs are calm and happy, though exceptions abound. This episode features many such selections, as we celebrate the best music to close out games.Download MP3 Tracklist (full info here):