Podcast appearances and mentions of Terry Pratchett

Trigésima cuarta parte de mi lectura, al estilo de lector al borde de la cama, del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Trigésima tercera parte de mi lectura, al estilo de lector al borde de la cama, del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Trigésima segunda parte de mi lectura, al estilo de lector al borde de la cama, del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Trigésima primera parte de mi lectura, al estilo de lector al borde de la cama, del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Trigésima parte de mi lectura, al estilo de lector al borde de la cama, del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Paul Horton, who is playing the part of "Death" in Terry Pratchett's "The Hogfather", at the Harlequin Theatre (26th-29th November), joined Kev Watson to talk about the play, his role, and why the "Auditors" want the Hogfather dead!

Vigesimonovena parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Vigesimoctava parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Vigesimoseptima parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Vigesimosexta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Vigesimoquinta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Vigesimocuarta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Vigesimotercera parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Vigesimosegunda parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Vigesimoprimera parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Games journalist and PC Gamer editor Jody Macgregor joins Liz and Ben to take control of an oddly Pythonesque Rincewind and discuss the 1995 graphic adventure game Discworld from Teeny Weeny Games and Perfect 10 Productions. A nefarious secret society has summoned a dragon in Ankh-Morpork! It's a suspiciously familiar plot, and of course the only one who can save the city is...Rincewind? This wizard might not know any spells, but he's decidedly snarky and cunning - and accompanied by an inventory window on legs. Together, they'll use petty theft, time travel and logic that would put Rube Goldberg to shame to rid the city of this scaly threat forever...twice! Terry Pratchett was famously an early adopter of computers, and a devoted video game player, so its no surprise that there were other Discworld videogames before...er...Discworld. But this 1995 point-and-click graphic adventure game is by far the most well known and beloved of the lot - despite also being infamous for its difficulty, in a genre known for obscure puzzles with illogical solutions! The player controls a version of Rincewind voiced by Eric Idle, who must travel back and forth all over Ankh-Morpork (and to the edge of the Disc) to collect a variety of random objects to save the city. The plot is loosely based on Guards! Guards!, with some flavour from Moving Pictures and a cast drawn from the early wizards novels. It was followed by two more games from the same team: Discworld II: Missing, Presumed...?!, and Discworld Noir, each with quite different visual styles, and the latter with a brand new protagonist. Sadly, all three are “abandonware” - not only unavailable, but languishing in copyright limbo, with no-one sure enough who currently has the rights to get them published again. Have you had a chance to play Discworld? What do you think of this version of Rincewind, Ankh-Morpork and the Disc? Would you like to hear us do episodes about the two other adventure games? And what other adventure games would you recommend for folks looking for a similar vibe? What other kinds of Discworld videogame would you like to see? Click on Pratchat and choose the question mark icon to join our online conversation, using the hashtag #Pratchat89. Guest Jody Macgregor (he/him) is a journalist who started out writing about music, but now writes mostly about videogames. He's been writing for PC Gamer for about a decade, and is currently the magazine's weekend and Australian editor. You can find out more about him, and read his most recent reviews and articles, by looking up his profile at pcgamer.com. You can find episode notes and errata on our web site. Next month we're catching a train - the Ankh-Morpork Scenic Railway, that is - as we read Terry Pratchett's penultimate Discworld novel, Raising Steam! Send us your questions via email (chat@pratchatpodcast.com), or get on board via your local social media platform using the hashtag #Pratchat90.

Vigésima parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Johan och Magnus har läst Terry Pratchetts Pyramids. Vad händer när ett livslångt Pratchett-fan som Magnus diskuterar med någon (Johan alltså) som möter författaren för första (eller kanske tredje) gången? DRAMA. Det är drama som händer. Pengar skickas hit: patreon.com/lashart I nästa avsnitt pratar vi om Stephen Kings CHRISTINE. Läs den du också! Annat som nämns Klas Östergren "Klenoden", Bernard Taylor "The Reaping", Sebastian Mattsson "Alla söner drömmer om att ge sin pappa stryk", Andreas Lundberg "Blackbox", August Strindberg, vårt avsnitt med Mats Strandberg, Guy Gavriel Kay "Written on the dark", T Kingfisher "What stalks the Deep", Selma Lagerlöf "Spökhanden", PC Jersild "Babels hus", Black Adder, Pang i bygget, Monty Python, Douglas Adams "Liftarens guide till galaxen", Robert Rankin, 

Decimonovena parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Decimoctava parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Decimoséptima parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Decimosexta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Decimoquinta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Decimocuarta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Decimotercera parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Decimosegunda parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Decimoprimera parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Décima parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Come siamo arrivati a concepire la morte nel nostro mondo occidentale come una figura incappucciata, uno scheletro che gira con una falce? Come è cambiata la percezione che abbiamo della morte la cui discussione e rappresentazione pubblica sono percepite con lo stesso imbarazzo e rimozione associati alla pornografia? Grazie all'intervento di Angela Marangon, laureanda in Filologia Moderna presso l'Università degli Studi di Padova con la tesi "Da Philippe Ariès a Neil Gaiman. Antiche e nuove rappresentazioni dellamorte dal Medioevo a oggi" abbiamo parlato di questi argomenti trattando gli studi di Philippe Ariès, storico francese del 900 attivo nell'ambito dello studio della morte con il suo saggio "Storia della morte in Occidente: dal medioevo ai giorni nostri". Abbiamo discusso delle rappresentazioni moderne della morte nella cultura pop e nella letteratura moderna, la strategia dell'ironia come le campagne marketing di Taffo e l'immortalità digitale o persistenza digitale dei profili di utenti ormai deceduti ma ancora attivi creando una forma inedita di "presenza" post-mortem.Per concludere abbiamo parlato di 4 libri fantasy o comunque inerenti al fantastico che hanno come protagonisti la morte personificata o antropomorfizzata: "Santa Maria - Anche la morte va in burnout" di Francesco Muzzopappa, "Le Intermittenze della Morte" di José Saramago, "Il Ciclo di Morte" di Terry Pratchett e "Sul Destriero Immortale" di Piers Anthony.Tesi Di Angela Marangon: https://thesis.unipd.it/handle/20.500.12608/44254Discord: https://discord.gg/zPH6EeEgfXCanale Telegram: https://t.me/blablafantasPagina Instagram: https://www.instagram.com/bla.blafantasy/

Novena parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Octava parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Séptima parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Sexta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Quinta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Cuarta parte de mi lectura del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Tercera parte del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

Segunda parte del cuarto libro de la serie Mundodisco, de Terry Pratchett. Un muchacho torpe y desmañado es tomado como aprendiz por la Muerte...

It's time for episode three of the dragons' spooky season extravaganza and don't be deceived by the title. Folk Magic can go to some pretty dark places... This week, Jules and Madeleine take a look at a magic system that relies on mundane objects and folk knowledge. In fact this type of magic is, on the surface, so mundane that many people would argue that it's more superstition than a magic system. It forms a backbone in many folk horror and dark fantasy stories and even creeps into sci-fi and urban fantasy. So where does the magic of the mundane originate from? What is its logic? And how do you incorporate it in your own world building? On the slab this week - October Daye - Seanan McGuire, Terry Pratchett's Discworld, Practical Magic and many more. Title music: Ecstasy by Smiling Cynic

There's scientifically plausible time travel, fantasy / sci fi time travel, 'traditional' time travel centered around real history, people trapped in time loops, time travel romance, and we even threw in a couple of great time travel kids books - something here for every reader to love!As we were editing the episode we realized we forgot an incredible, recent time travel book from the list that we'd meant to include - it's one we've mentioned in a previous episode. Drop us a line on discord if you think you know what we forgot (or if you've got a time travel book you love that you think should have been on the list)!Join the Hugonauts book club on discord to tell us about your favorite time travel booksOr you can watch the episode on YouTube if you prefer videoThis episode is sponsored by Maya: Seed Takes Root, which you can get here on kickstarterIf you want to jump around, here are the timestamps for all the books we talked about: 00:00 Intro 1:03 Sponsor - MAYA: Seed Takes Root 1:34 Fantastical / far future time travel 2:04 Night Watch by Terry Pratchett 3:15 The Dark Tower series by Stephen King 4:36 Fall of Hyperion by Dan Simmons 6:10 Scientifically plausible time travel 6:50 Tau Zero by Poul Anderson 9:20 Story of Your Life by Ted Chiang 10:38 The Forever War by Joe Haldeman 12:15 Children of Time by Adrian Tchaikovsky 13:47 Looping time travel stories 14:14 The 7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton 14:44 All You Need is Kill by Hiroshi Sakurazaka 17:31 Great Time Travel Kids Books 20:25 Kindred by Octavia Butler 22:09 Lightning by Dean Koontz 23:48 11/22/63 by Stephen King 25:50 The First Fifteen Lives of Harry August by Claire North 29:18 The Rise and Fall of DODO by Neal Stephenson and Nicole Galland 31:40 Time and Again by Jack Finney 35:00 The Life of Chuck by Stephen King 36:30 Slaughterhouse Five by Kurt Vonnegut 40:43 The Time Traveler's Wife by Audrey Niffenegger 44:05 Our top 3 favorite time travel books

Illustrator, game designer and educator Brendan Barnett joins Ben to discuss art, ideas, inspiration, creative process, dragons, wizards and goblins (oh my!) as we leaf through Paul Kidby's 2024 gorgeous coffee table book, Designing Terry Pratchett's Discworld. Paul Kidby started bringing Terry Pratchett's Discworld to life when, on the third attempt, he showed off his skill to the author by drawing his own versions of Discworld characters who had so captured his imagination. After several successful collaborations on art books, diaries, maps and the epic The Last Hero, he took over as the cover artist for the series after the death of Josh Kirby in 2001. His illustrations of the characters have become iconic, and Pratchett himself referred to him as his ‘artist of choice'. In this book, Paul discusses his pre-Discworld career, his long collaboration with Terry, and even shows us a glimpse of what might have been by sketching drafts of covers for the books that never were. Do you have a favourite illustration from the book? What was most interesting to you about Paul's process as an artist - and what's it like to read if you don't consider yourself one? How many of originals that Kidby parodies or does an homage to did you know? And who are your other favourite artists? Illustrate your point by sending us your answers (or questions) via a comment, or on the back of a social media post using the hashtag #Pratchat88. Guest Brendan Barnett (he/him) has spend around 15 years working with young people to foster their creativity, including for most of the last decade with Ben at their previous workplace, the creative writing centre 100 Story Building. Trained as an animator and an actor, he is also a keen lover of fantasy roleplaying, and has designed some very well-received adventures for Dungeons & Dragons and similar games. You can find out more about his work at brendanbarnett.com, and find his latest adventure, Grotto of the Golden Gargoyle, on itch.io - as well as his recent collaboration with Ben, the one-page adventure Flee the Flying Saucer! You can find episode notes and errata on our web site. Next month we're surfing the wave of Melbourne International Games Week (which happened just as this episode was being edited) to discuss the 1995 graphic adventure videogame Discworld! A slightly odd adaptation of the plot of Guards! Guards!, Discworld stars Eric Idle as the voice of Rincewind, alongside a small but equally impressive cast of UK comedy talent. It's not currently commercially available, but you can find play-through videos of it on YouTube. Get your questions in via email to chat@pratchatpodcast.com, or send them via social media using the hashtag #Pratchat89. Then, for December, #Pratchat90 will return us to the Discworld novels for nearly the final time, as we read the final Moist von Lipwig book, Raising Steam! We'll remind you about it next month, but if you want to get your questions in early, the hashtag for that episode is #Pratchat90. And don't worry - we have plans to discuss Tiffany Aching's Guide to Being a Witch in the new year. Watch this space!

Robert Jenrick has been announcing a series of policies at Conservative conference, and defending comments he made about the lack of 'white faces' in an inner-city area of Birmingham. Was he just making a point about integration? Is he trying to destabilise Kemi Badenoch's leadership? And, what does Badenoch's favourite author - Terry Pratchett - tell us about her?Hugo Rifkind unpacks the politics of the day with Josh Glancy and James Marriott Hosted on Acast. See acast.com/privacy for more information.

What weird tales hide within a decrepit book filled with cosmic horror? William Hope Hodgson, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   Are you looking for one place where you can get a dynamite audiobook every time? The Audiobook Library Card is the perfect solution. Unlimited downloads and streaming of the entire Classic Tales Library for $9.99 a month. Each title is heavily curated, so you get a great listen every time. Go to audiobooklibrarycard.com or follow the link in the show notes.   The Audiobook Library Card is an all-you-can-listen smorgasbord of classics I've been building for the last 18 years. Many have won awards! Only about a quarter of the library has been on the podcast. And with the Audiobook Library Card, you gain access to everything.   So head on over to audiobooklibrarycard.com and start listening.   We had a great event at FanX last week – we filled the room! People were turned away for lack of seating. This rarely happens. It was such a fun performance, and so fun to be in character and in costume. I had a little front row cheering section, with a bunch of my kids and their significant others who came. It was so neat to see them there.   We have five Fridays this October! Perfect for this incredible classic from the great William Hope Hodgson. First published in 1908, this installment to the genre of classic horror is legendary. H.P. Lovecraft and Terry Pratchett have both praised it at length. It's kind of obvious that it helped them see what could be done, and inspire them to reach for the next level. But oh boy, what a level Mr. Hodgson established. I hope you like it.   And now, The House on the Borderland, Part 1 of 5,  by William Hope Hodgson   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

The Truth Shall Make Ye Fret is a podcast in which your hosts, Joanna Hagan and Francine Carrel have emerged from Discworld and are now exploring the worlds of speculative fiction. This week, The Long War part 2! Clover! Shipping! Sapient Non-Humans! Find us on the internet:BlueSky: @makeyefretpod.bsky.socialInstagram: @TheTruthShallMakeYeFretFacebook: @TheTruthShallMakeYeFretEmail: thetruthshallmakeyefretpod@gmail.comPatreon: www.patreon.com/thetruthshallmakeyefretDiscord: https://discord.gg/29wMyuDHGP Want to follow your hosts and their internet doings? Follow Joanna on BlueSky @2hatsjo and follow Francine @francibambi Things we blathered on about:Paris Paloma - Good Boy (Official Music Video) - YouTube Fionn mac Cumhaill - Wikipedia The Island of Doctor Moreau - Wikipedia Music: Chris Collins, indiemusicbox.com 

British politics is increasingly divided – but where are voters really going as they shift between parties? And how should Labour recalibrate their tactics? The Economist's Matthew Holehouse joins us to discuss the new ‘Battle for Britain'. Plus, the panel discusses the reaction to Charlie Kirk's death worldwide and how it might change politics. And in the extra bit for subscribers – political pets! Because we all need something fun to listen to don't we? Escape Routes  Rachel has been reading Terry Pratchett books: Jingo, Thud & The Truth  Zoe is watching The Real Housewives of London on Hayu Matthew is reading When The Clock Broke by John Ganz  Seth recommends the drama series Crown Court • Advertisers! Want to reach smart, engaged, influential people with money to spend? (Yes, they do exist). Some 3.5 MILLION people download and watch our podcasts every month – and they love our shows. Why not get YOUR brand in front of our influential listeners with podcast advertising? Contact ads@podmasters.co.uk to find out more  • Back us on Patreon for ad-free listening, bonus materials and more.   Written and presented by Seth Thevoz with Zoe Grunewald and Rachel Cunliffe. Audio production by Robin Leeburn and Tom Taylor. Theme music by Cornershop. Art direction: James Parrett. Produced by Chris Jones. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production.  www.podmasters.co.uk    Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode, we take a look at permafree as a marketing strategy for indie authors, and examine if it still works. I also take a look at advertising results for August 2025. This coupon code will get you 25% off the ebooks in my Cloak Mage series at my Payhip store: FALLMAGE25 The coupon code is valid through September 22, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 268 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 12th, 2025, and today I'm looking at whether or not Permafree is still an effective strategy for indie authors. As a related topic, we'll also take a look at how my ads performed in [August] 2025, and we'll also have a Question of the Week this week. But first, let's start with Coupon of the Week. So for Coupon of the Week to celebrate the fact that I'm working on Cloak Mage again, this coupon code will get you 25% off the ebooks in the Cloak Mage series at my Payhip store, and that is FALLMAGE25. And as always, the coupon code and links to my store will be available in the show notes. This coupon code is valid through September 22nd, 2025. So if you need a new ebook for this fall, we have got you covered. Now for an update on my current writing and audiobook projects. I'm about 82% of the way through the first round of edits for Blade of Flames, the first book in my new epic fantasy series called Blades of Ruin. If all goes well, that will be out before the end of September, and if you want to see what the cover art will look like, it's on my website and my social pages right now. I'm also 12,000 words into Cloak of Worlds, the aforementioned return to the Cloak Mage series, and that will be my main project once Blade of Flames comes out. In audiobook news, recording is done for both Shield of Power (as narrated by Brad Wills) and Ghost in the Siege (as narrated by Hollis McCarthy). They're both going through processing right now. As of this recording, I believe you can get Shield of Power on Google Play, Kobo, and my Payhip Store. The other links and the other links for Ghost in the Siege should be coming up before too much longer, hopefully before the end of the month. So that is where I'm at with my current writing and publishing projects. 00:02:00 Question of the Week [Question of the Week was posted on September 10, 2025] Now It's time for Question of the Week, which is intended for enjoyable discussions of interesting topics. This week's question, do you dislike guns showing up in fantasy novels? No wrong answers for opinions, obviously. The inspiration for this question was a blog post I saw where the writer was complaining about the increased number of guns in modern fantasy novels and how it shatters her suspension of disbelief, and she also found it an unpleasant topic because the ownership and regulation of firearms in the United States is a contentious topic and has been so for decades. And as you might expect, readers had a variety of opinions on this question. Adrian says: Nope. Fantasy is basically, in my humble opinion, the swords and sorcery type of genre. Yes to old fashioned weapons like bows and arrows, javelins, and trebuchets, et cetera, but definite no to guns (of any type), tanks, airplanes, et cetera. Jonathan D. says: In the right setting, firearms are fine in fantasy books. Men in Arms by Terry Pratchett and the Rigante Series by David Gemmell are great examples of firearms in fantasy done well. Wilson says: It depends on your definition of a gun because an energy rifle powered by a soulstone would be something that would fit into Andomhaim. Though I have to say that is not something I will ever write in an Andomhaim book. Mary says: Steampunk and suchlike genres are developing how to work with technology and fantasy, and I approve when it's done right. I particularly like what Moe Lane's doing in The Fermi Resolution. If you start with the first published book, Frozen Dreams, which is a post-apocalyptic North America high fantasy, hard boiled detective novel, it goes into how every wizard can make your own ammo blow up on you and the consequences. Ioana says: Mrs. World Burner should have lots of guns. #HailToTheHighQueen #SingularitySucks Jason says: Handheld firearms were first used in the West in the 1330s, so they actually predate full plate armor by about a hundred years. That said, the gun shape we're used to came about in the late 1400s. I'm perfectly fine with firearms and fantasy novels provided they're (more or less) what we expect in a medieval setting. Jesse says: Never bothers me as long as long as the stage of weapon development reasonably lines up with the field of the science in said fantasy world. Someone walking around with laser sights in a medieval hamlet would break it for me a bit. Michael says: I remember much of video games (and at least one famous Dungeons and Dragons scenario, possibly two) back in the ‘80s had the “players stumble across a crashed starship trope” where you could end up with power armor and ray guns in a fantasy settings, which would be perceived as magic. I like that kind of cross genre gun introduction more than gunpowder becoming commonplace, I think. The video games he's referring to are Heroes of Might and Magic 6 and 7, both of which I played back in the day and are quite good. Juana says: My suspension of disbelief gets knocked out more by dialogue than guns. Jenny says: Guns aren't as bad as cell phones, in my opinion, or the magical equivalent of a cell phone that is not even trying to be anything but a cell phone. What's interesting is if you read a book that is determinedly set in the 1980s, like the Kinsey Millhone Mysteries by Sue Grafton are all determinedly set in Los Angeles in the 1980s, which is way pre-cellphone and how much extra work the protagonist has to do in investigating since Google doesn't immediately bring everything to her fingertips. Jimmy says: Fantasy doesn't require medieval setting, nor does it require swords. If you study medieval warfare, then you'll notice two things. One, only the rich have swords. Two, it is a secondary or tertiary weapon. Swords are notoriously weak. They break often. The use of guns really depends more on the story's background than it does on the genre. Bonnie says: I agree, they're okay, depending on the time period/environment involved. There's no way that they would be okay with Caina or Ridmark! Cheryl says: Nadia needs guns. I guess it depends on the fantasy topic being written. John says, I'm kind of into Flintlock fantasy, e.g. Powdermage series, et cetera. Urban fantasy also requires firearms. My favorite historical European period is really the “Knights and Guns” era, which would be the early modern period. Todd says: A deeper question is how do guns fit into the culture? In the Cloak Games/Cloak Mage universe, there are ongoing wars, so gun use and safety is taught in schools and veterans are expected to maintain proficiency against the Shadowlands incursion. There's a balance there, and the punishment for criminal misuse includes slogging and loss of freedom, if not execution. So while I think the amount of firearms in Nadia's world is a bit over the top, I can see it making sense culturally and contextually. In a different culture, it may or may not make sense. In a classic medieval setting, it wouldn't make sense. Conversely, in early 1800s Western America, a limited amount of firearms were to be expected. Every little house on the prairie would be expected to have a few rifles and perhaps a pistol or two. Setting, culture, and context all determine what the reader will find appropriate. And finally, Randy says: Depends on how they get there. Guardians of the Flame series had college kids reinvent them, which made sense, and their opponents figured out their own version. When one side has them and the other is too dumb to steal/capture some and figure them out, then yes, it doesn't work. So as you can see, we had quite a range of opinions there. For myself, I really have no strong feelings about it one way or the other. I do think guns are best suited to urban fantasy environments. In Cloak Games and Cloak Mage, as several commentaries mentioned, Nadia goes through a lot of guns. Granted, my favorite type of fantasy is what it's called basic fantasy or generic fantasy where a barbarian, a dwarf, an elf, and a wizard go to a dungeon and kill orcs and monsters. Firearms would definitely be out of place in that sort of setting. That said, I think guns and fantasy is like any other story trope and just needs to be done well to be enjoyable. I suppose it's a matter of properly setting the table for reader expectations. Like if you have a medieval style of fantasy world like Half-Elven Thief, it'd be weird to have guns suddenly show up. But if you create a setting that's an analog for 1880s America, but with wizards, then guns wouldn't be out of place. So that is it for Question of the Week. Thanks to everyone who commented and left insightful and interesting comments. 00:07:40 Advertising Results for August 2025 [Prices mentioned are USD] Now let's go on to the first of our interrelated main topics, my advertising results for last month, which would be August 2025. I haven't done an ad results roundup for a couple months, partly because it's been a really busy summer and partly because I've been adjusting some things and waiting to see the results. I'll explain more later, but the short version is that I'm losing confidence in the effectiveness of Facebook ads for selling books. But first, let's see some advertising results for August 2025. Let's start with Facebook ads where I advertise the Ghosts, Cloak Games/Cloak Mage, and the Frostborn series. The Ghosts, I got back $8.40 for every dollar spent, with 6% of the profit coming from the audiobooks, which was really nice. This one was a bit of anomaly because Ghost in the Siege did a lot of heavy lifting for this. For Cloak Games/Cloak Mage, I got back $2.70 for every dollar spent, with 12% of the revenue coming from the audiobooks. And for Frostborn, I got back $2.83 for every dollar spent, with 30% of the revenue coming from the audiobooks. Now on to Amazon ads. Remember, for an Amazon ad to be profitable, it needs to generate at least one sale/complete KU readthrough every six to eight clicks. So for Demonsouled Omnibus One, I got $5 back for every $1 spent, with a sale for every 0.82 clicks, which was really good. For Half-Elven Thief, I got back $1.22 for every dollar spent, with a sale for every 2.47 clicks. And for Dragonskull Omnibus One, I got back $28.75 for every dollar spent, with 65% of the profit coming from the audiobook, with a sale for every 0.11 clicks. Now, obviously these numbers require some explanation. The profit margin on Half-Elven Thief was narrow, but the entire series made up for it, so that's okay and it will improve when I start writing more books in the series later this year. In fact, I think I'm going to start writing the fifth one in October, if all goes well. The numbers for Dragonskull Omnibus One were so high because the ebook is $0.99, but the audiobook brings in a lot more than the ebook, something like 10 times, no, 20 times more than the ebook. BookBub ads do quite well with Google Play and Barnes and Noble. The numbers are too long to quote here, but they did quite well. All that said, the reason I'm losing confidence in Facebook ads is a combination of the loss of granular targeting and over-reliance on AI targeting. One of the paradoxes of online advertising is that the smaller and more granular your audience, the more likely your ad is to convert to sales. Narrow, targeted advertising is so much better than broad targeting. Unfortunately, Facebook has been slowly removing the more granular targeting options in favor of broader categories that don't work as well. Like you used to be able to target dozens of fantasy authors as interests for Facebook users. Now, you can only target epic fantasy and maybe J.R.R. Tolkien. In fact, I confirmed this just this morning, but you can't even target Brandon Sanderson as an interest, and he's probably the most popular epic fantasy author publishing today. To take the place of more granular targeting, Facebook has introduced AI assisted targeting, which they call Advantage Plus. Now, there's no beating around the bush. Advantage Plus isn't very good. It can garner a reasonable number of clicks on an ad, but those clicks don't convert to sales. Even with ads that don't use Advantage, Facebook still sneaks it in. So the effectiveness of Facebook ads has been in decline. Like I turned off the Facebook ads for the Demonsouled series entirely in August, and my results actually improved a good bit. So I'm going to test another series with no Facebook ads for September, and we'll see how much the results vary. Specifically, I think I'll turn off Facebook ads for Cloak Games/Cloak Mage, leave them on for Frostborn, and see if it makes any difference, and if it does make a difference, it will be time to reevaluate some advertising strategies. On the plus side, I didn't lose any money at any of my ads this month and they all turned a profit, and as always, thank you to everyone who was reading and listening to ebooks and audiobooks. 00:11:41 Does Permafree Still Work For Indie Authors? Now on to the other half of our main topic: Does Permafree still work for indie authors? One of the perennial debates in Indie Author Land is whether or not making the first book in your series free still works as a marketing tactic or not. Now, at this point, I've been doing this for over 14 years, and I have a lot of different series and quite a few different ones with free first books in the series. I thought it might be interesting to dig into the sales data and see what percentage of people who downloaded the first book went onto the second book and then the final book in the series. A few caveats and conditions: first, this is only for 2024 and the first half of 2025, since I wanted a set time sample for the data. Additionally, this is also useful for showing the conversion rate on a finished series that hasn't had a new book in years, since the final book in the Frostborn series came out in 2017, which was eight years ago at this point. Second, it will only apply to a series whose first books were free for that entire time period. Third, when I talk about conversion rates, I mean what percentage of free downloads translated into sales. For example, if Book One had a hundred free downloads and then 12 sales of Book Two and nine sales of the final book, that means 12% of people went onto the second book and then 9% on to the final book. So we had a conversion rate of 12% from the first free book to the paid second book, and then a conversion rate of 9% from the free first book to the final book in the series. So with all that in mind, let's take a look at permafree conversion rates for some of my series in 2024 and 2025. For The Ghosts, 13.47% went to the second book, and 12.72% went on to the final book. For Frostborn, 13% went to the second book and 12.93% to the final book. For Sevenfold Sword, 22.93% went to the second book and 22.81% on to the final book. For Cloak Games, 11.85% went on to the second book, and 11.67% to the final book. Silent Order, 14.64% went on to the second book, and 14.54% went to the final book. For The Tower of Endless Worlds, 17.46% went to the second book, and 17.46% went onto the final book. So I think there are a couple of conclusions we can draw from this. First, making the first book in a series permafree remains a viable marketing strategy. It doesn't usually result in dramatic spikes of sales, but instead it is good at generating more of a steady trickle. Second, anything you can do to increase the number of downloads of your free books will likely increase the sales of the paid books later in the series. That said, there are caveats. You want methods to increase the free downloads to people that might conceivably be interested in buying the books. Targeted advertising can be an effective way to do this. What's not effective is using bot farms or help from a bunch of scammers to generate a big download in free books. At best, you'll generate a bunch of downloads that won't convert, and at worst ebook platforms will detect suspicious activity and either delist your free ebook or suspend your account. Third, this strategy works even with books you don't promote very often. For example, I don't bash on the Tower of Endless Worlds because for some people it's their favorite book of mine. But in all candor, I do think it's one of my weaker books. I was trying to do something with urban fantasy I don't think I had the skills to do until Cloak Games, which was like 12 years later. So I don't really promote it, save that I made the first book in the series free a long time ago and kept it that way. It's still 17% of the people who downloaded the first book continued onto the final one. Fourth, this strategy does require some patience. It can take a while for people to read through a series. It can also take a while for a free book to get traction. Fifth, I at times hesitate to recommend this because saying write five books and make the first one free is easy to say, but it's a lot of work to do. For many new writers, getting the first book done and out into the world is a monumental challenge, then telling them to do it three or four more times and then to make the first book free does seem like a big ask, but it does work (sometimes slowly), but it does work. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe, stay healthy, and see you all next week.

Welcome to Dev Game Club, where this week we continue our series on empathy games, returning to discuss a little more about Papers, Please before digging into Cart Life a bit. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: A bit more of Papers, Please and a little bit of Cart Life Issues covered: thanks for the interview, a bit about Twin Suns Corp, showing earlier versions of the game, a vertical slice with all the game play, getting fired, building up through the systems, was this my run, tactility in games, citations and the space they take, space economy, inventory management by comparison, encumbrance, restriction on space, card games and space, making citations bigger, where's the money coming from, thinking about decisions, the save system, leveraging the save system to have space for warnings, a generous save system, you have to make the whole game, the spread of subversion, not playing through multiple times, an unfortunate bug, GDC and the IGF, festival games on the show floor, a history of game issues, the two storylines we're playing, a dark story of divorce, differences between the cart stories, more adventure game than expected, having a hard time getting a cart and also being too late to pick up your daughter, difficulty and opacity, a film equivalent, Brett's fantasy recs, Papers Please and authenticity, controlling your population in authoritarian regimes, stereotypes in games. Games, people, and influences mentioned or discussed: CalamityNolan, BioStats, Kaeon, KyleAndError, Project Octavia, Harley Baldwin, Republic Commando, Choose Your Own Adventure, Mark Garcia, The Room, SpaceTeam, Gorogoa, The Elder Scrolls, Marvel: Snap, Magic: The Gathering, Yu-Gi-Oh, Netrunner, Prince of Persia: Sands of Time, The Last Express, Nier: Automata, Spelunky, The Walking Dead, Richard Hofmeier, howling dogs, Porpentine, itch.io, Ad Hoc, Telltale, The Wolf Among Us, Adventure Game Studio, The Sims, Tow, Rose Byrne, Max, Chronicles of Thomas Covenant the Unbeliever, Raymond Feist, Riftwar saga, Piers Anthony, The Belgariad, David Eddings, Wheel of Time, Robert Jordan, Song of Ice and Fire, George R.R. Martin, Dave Duncan, Ursula K. LeGuin, Tales of Earthsea, Robert Jackson Bennett, Divine Cities trilogy, Founders trilogy, Terry Pratchett, Discworld, Adrian Tchaikovsky, Shadows of the Apt, Robin Hobb, Farseer trilogy, Martha Wells, Murderbot Diaries, Books of the Raksura, Lois McMaster Bujold, Vorkosigan saga, J. R. R. Tolkien, The Hobbit, The Lord of the Rings, John LeCarré, Lee Child, Jack Reacher, Claudiu, Chernobyl, Outer Wilds, Kirk Hamilton, Aaron Evers. Next time: More Cart Life Oops: What I was going to say at the end there is that This War of Mine caught some flak for not accurately representing how people would come together in times of strife (though generally the critical reception was very positive) Links: First look stream of Project Octavia  Twitch: timlongojr and Twin Suns Corp  Discord  DevGameClub@gmail.com 

Bestselling crime writers, MW Craven and JD Kirk go head to head in a war of the words...They chat with Joe Haddow about their latest novels ('The Final Vow' and 'A Rock And A Hard Place'), their inspirations, meeting artists they admire and acting weird...and Terry Pratchett. There's quite a lot of Terry Pratchett chat! (Chatchett?)As ever, we have some brilliant book recommendations for you - and of course - there's the little matter of the Book Off. THE BOOK OFF 'Horror Movie' by Paul TremblayVS'Nightwatch' by Terry Pratchett Hosted on Acast. See acast.com/privacy for more information.

Our August episode has been delayed, so here's a bonus episode in which Ben talks about some of the books on his Pratchett shelf that won't get their own episode! You can find all the books mentioned in this episode in the Books index on our website. Some brief notes on this episode: A “shelfie” is a photo of one's shelf of books or board games, usually shared online. The tie-in books Ben mentions are Where's My Cow (see #Pratchat62, “There's a Cow in There”), The World of Poo (as referenced in Snuff), Mrs Bradshaw's Guide and Dodger's Guide to London (see #Pratchat6, “A Load of Old Tosh”). The published official Discworld maps are The Streets of Ankh-Morpork, The Discworld Mappe, Death's Domain, A Tourist Guide to Lancre (now out of print), The Mappa Discworld, and the books The Compleat Ankh-Morpork and The Compleat Discworld Atlas. There's also a newer one Ben forgot: The Unreal Guide to Unseen University. Paul Kidby's first Discworld art book was The Pratchett Portfolio. It was followed by The Art of Discworld (the one with the “Mona Ogg” on the cover) in 2001. Turtles All the Way Down was Marc Burrows' companion volume for his biography The Magic of Terry Pratchett. It's currently sold out, as is Tales From Roundworld, the collection of Pratchett rarities he gave away at early performances of his live show based on the biography. Only the first four Discworld plays - the three Ben mentions, plus Wyrd Sisters - were published by Corgi. Fourteen more have been published by Methuen Drama (Bloomsbury), three by Oxford University Press, and three by Samuel French (Concord Theatricals). Find out more on Stephen Briggs' website. The public version of our video episode about the two versions of The Carpet People is on YouTube. Mr Bunnsy Has an Adventure was published as a tie-in to The Amazing Maurice film, and was available from the official website. It's still there, but can't be ordered; presumably it is now out of print and out of stock.I It turns out The Nac Mac Feegle's Big Wee Alphabet Book is back in stock! (Though postage to Australia costs more than the book.) Please don't buy up all the copies before we get a few, ye ken? Big thanks to listener Emily for the tip-off! The new collections of Pratchett's early children's stories are quite different to the previous ones. Tales of Wizards and Dragons and Tales of Beasts and Bugs each collect a handful of stories with full colour illustrations by Pratchett children's illustration Mark Beech. They're new this year from Puffin, and so aimed at a younger audience. Beasts and Bugs comes out at the end of August 2025. We'll be back soon (hopefully later this month) with #Pratchat88, our episode about Tiffany Aching's Guide to Being a Witch and Designing Terry Pratchett's Discworld.

On this 50th Lounge episode, Michael, Pax, Rob - and introducing PJ Holley! - talk about history podcasts, unproduced Superman movies, Sharks Of The Corn, Indiana Jones, The ABC Murders by Agatha Christie, Terry Pratchett's Discworld books, and how to invade an ensemble TV show.