Podcasts about Prod

Let's go girls! Grab your favorite ladies and settle in with something fruity to sip as returning guests Noir and Tess tackle femme-forward comedy Barb and Star Go to Vista Del Mar (2021)! Where to find Noir:BlueSky: @noirgalaxies.bsky.socialInstagram: @noirgalaxiesContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Cai, Maddy New, Adam Bagnall, Christian Jolliff, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Il y a 36 ans, la vie de Monique a basculé. Ce jour-là, elle découvre en allumant sa télévision que son fils Marc est l'auteur d'une tuerie de masse au Canada. 14 victimes. 14 jeunes filles d'une école de Montréal. Comment cette maman a-t-elle réagi en découvrant qui était vraiment son fils ? A-t-elle essayé de comprendre son geste ? Lui a-t-elle pardonné ? Un récit empli de résilience au micro de Maître Geiger. Maître Marc Geiger est avocat pénaliste au barreau de Carpentras. Vous pouvez le retrouver régulièrement aux côtés de Faustine Bollaert dans Ça commence aujourd'hui sur France 2. Sa bienveillance, son humanité en font une personnalité à part dans le monde judiciaire.L'enfance, la justice : deux mondes qui ne devraient jamais se croiser. Pour cette nouvelle saison Marc Geiger rencontre 10 enfants devenus adultes, peut-être trop vite... Ils ont connu l'horreur du crime, le cauchemar du monde de la justice, et l'enfer de l'après.Retrouvez Marc Geiger sur Instagram : @marc.geiger.336Une production Réservoir Prod / Médiawan / France TélévisionRetrouvez également Marc Geiger dans Ça commence aujourd'hui en vidéo sur france·tv : https://www.france.tv/france-2/ca-commence-aujourd-hui/Émission : Marc Geiger : JusticeAnimé par:France TélévisionsProduit par : France Télévisions - MediawanÉmission : Marc Geiger : JusticeAnimé par : Marc GeigerProduit par : France Télévisions - Mediawan

Back to continue our delve into the world of Muppet-adjacent movies, it's JM8 (and Ludo!) of Design Delve! We embark on a fantasy epic in The Dark Crystal (1982), with an incredibly clear quest and many many questions that go unanswered. Where to find JM8 and Ludo:Twitter: @JM8andLudoDesign Delve: https://www.youtube.com/watch?v=eTE6o3zGGx0&list=PLUBKwq0XD0uc3-bC1m0IYvbdu8dEX4rd2&ab_channel=SecondWindDev Heads Pod: https://www.youtube.com/watch?v=K0lJmFdHNRI&list=PLUBKwq0XD0uch3cRSwbebfiCBtkfbgUsq&ab_channel=SecondWindtContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Cai, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Ines Prodöhl's Globalizing the Soybean: Fat, Feed, and Sometimes Food, c. 1900-1950 (Routledge, 2023) is a history of how, why, and where the soybean became a critical ingredient in industry and agriculture in the first half of the twentieth century. Focusing on Japanese-dominated Manchuria, Germany, and the United States, Prodöhl shows that the soybean was a serendipitous solution to numerous and varied crises from the beginning of the century into the post-WWII decades. This story of imperialism, globalization, and technology begins in northeast China, the world's soy cultivation center until the 1940s. It takes us to Germany, the number one importer of soybeans in the interwar period, and illuminates the various ways in which soy was integrated into the economy especially after the end of WWI as both an invaluable oilseed for industry and a source of protein-rich fodder for agriculture. Finally, Prodöhl explores how the United States first adopted the soybean mostly as a solution to overtaxed soils. Mixing economic, ecological, political, and technological/scientific history with a keen sense of the materiality of soy as a global product, Globalizing the Soybean is an accessible and enlightening book that will appeal to multiple audiences. This book is available open access here. This episode was recorded in person in the studios of Media City Bergen with technical assistance from Frode Ims. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ines Prodöhl's Globalizing the Soybean: Fat, Feed, and Sometimes Food, c. 1900-1950 (Routledge, 2023) is a history of how, why, and where the soybean became a critical ingredient in industry and agriculture in the first half of the twentieth century. Focusing on Japanese-dominated Manchuria, Germany, and the United States, Prodöhl shows that the soybean was a serendipitous solution to numerous and varied crises from the beginning of the century into the post-WWII decades. This story of imperialism, globalization, and technology begins in northeast China, the world's soy cultivation center until the 1940s. It takes us to Germany, the number one importer of soybeans in the interwar period, and illuminates the various ways in which soy was integrated into the economy especially after the end of WWI as both an invaluable oilseed for industry and a source of protein-rich fodder for agriculture. Finally, Prodöhl explores how the United States first adopted the soybean mostly as a solution to overtaxed soils. Mixing economic, ecological, political, and technological/scientific history with a keen sense of the materiality of soy as a global product, Globalizing the Soybean is an accessible and enlightening book that will appeal to multiple audiences. This book is available open access here. This episode was recorded in person in the studios of Media City Bergen with technical assistance from Frode Ims. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Ines Prodöhl's Globalizing the Soybean: Fat, Feed, and Sometimes Food, c. 1900-1950 (Routledge, 2023) is a history of how, why, and where the soybean became a critical ingredient in industry and agriculture in the first half of the twentieth century. Focusing on Japanese-dominated Manchuria, Germany, and the United States, Prodöhl shows that the soybean was a serendipitous solution to numerous and varied crises from the beginning of the century into the post-WWII decades. This story of imperialism, globalization, and technology begins in northeast China, the world's soy cultivation center until the 1940s. It takes us to Germany, the number one importer of soybeans in the interwar period, and illuminates the various ways in which soy was integrated into the economy especially after the end of WWI as both an invaluable oilseed for industry and a source of protein-rich fodder for agriculture. Finally, Prodöhl explores how the United States first adopted the soybean mostly as a solution to overtaxed soils. Mixing economic, ecological, political, and technological/scientific history with a keen sense of the materiality of soy as a global product, Globalizing the Soybean is an accessible and enlightening book that will appeal to multiple audiences. This book is available open access here. This episode was recorded in person in the studios of Media City Bergen with technical assistance from Frode Ims. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Christophe a connu l'inceste. Pendant des années, il a souffert en silence des agressions de son grand-père. Des années plus tard, sans que ce grand-père n'ait jamais été inquiété, il a découvert que 14 personnes de sa famille avaient vécu le même calvaire que lui. Un soir, rongé par la colère et en état d'ébriété, il a voulu le confronter. Des coups, des mots et les choses ont dérapé. 10 jours plus tard, le grand-père est mort. Et Christophe a été jugé et emprisonné. Quel regard porte-t-il aujourd'hui sur son histoire ? Qu'a-t-il fait de sa colère ? Il se raconte au micro de Marc Geiger. Maître Marc Geiger est avocat pénaliste au barreau de Carpentras. Vous pouvez le retrouver régulièrement aux côtés de Faustine Bollaert dans Ça commence aujourd'hui sur France 2. Sa bienveillance, son humanité en font une personnalité à part dans le monde judiciaire. L'enfance, la justice : deux mondes qui ne devraient jamais se croiser. Pour cette nouvelle saison Marc Geiger rencontre 10 enfants devenus adultes, peut-être trop vite... Ils ont connu l'horreur du crime, le cauchemar du monde de la justice, et l'enfer de l'après.Retrouvez Marc Geiger sur Instagram : @marc.geiger.336Une production Réservoir Prod / Médiawan / France Télévision Retrouvez également Marc Geiger dans Ça commence aujourd'hui en vidéo sur france·tv : https://www.france.tv/france-2/ca-commence-aujourd-hui/Émission : Marc Geiger : JusticeAnimé par:France TélévisionsProduit par : France Télévisions - Mediawan

Today on Talk Python, the creators behind FastAPI, Flask, Django, Quart, and Litestar get practical about running apps based on their framework in production. Deployment patterns, async gotchas, servers, scaling, and the stuff you only learn at 2 a.m. when the pager goes off. For Django, we have Carlton Gibson and Jeff Triplet. For Flask, we have David Lord and Phil Jones, and on team Litestar we have Janek Nouvertné and Cody Fincher, and finally Sebastián Ramírez from FastAPI is here. Let's jump in. Episode sponsors Talk Python Courses Python in Production Links from the show Carlton Gibson - Django: github.com Sebastian Ramirez - FastAPI: github.com David Lord - Flask: davidism.com Phil Jones - Flask and Quartz(async): pgjones.dev Yanik Nouvertne - LiteStar: github.com Cody Fincher - LiteStar: github.com Jeff Triplett - Django: jefftriplett.com Django: www.djangoproject.com Flask: flask.palletsprojects.com Quart: quart.palletsprojects.com Litestar: litestar.dev FastAPI: fastapi.tiangolo.com Coolify: coolify.io ASGI: asgi.readthedocs.io WSGI (PEP 3333): peps.python.org Granian: github.com Hypercorn: github.com uvicorn: uvicorn.dev Gunicorn: gunicorn.org Hypercorn: hypercorn.readthedocs.io Daphne: github.com Nginx: nginx.org Docker: www.docker.com Kubernetes: kubernetes.io PostgreSQL: www.postgresql.org SQLite: www.sqlite.org Celery: docs.celeryq.dev SQLAlchemy: www.sqlalchemy.org Django REST framework: www.django-rest-framework.org Jinja: jinja.palletsprojects.com Click: click.palletsprojects.com HTMX: htmx.org Server-Sent Events (SSE): developer.mozilla.org WebSockets (RFC 6455): www.rfc-editor.org HTTP/2 (RFC 9113): www.rfc-editor.org HTTP/3 (RFC 9114): www.rfc-editor.org uv: docs.astral.sh Amazon Web Services (AWS): aws.amazon.com Microsoft Azure: azure.microsoft.com Google Cloud Run: cloud.google.com Amazon ECS: aws.amazon.com AlloyDB for PostgreSQL: cloud.google.com Fly.io: fly.io Render: render.com Cloudflare: www.cloudflare.com Fastly: www.fastly.com Watch this episode on YouTube: youtube.com Episode #533 deep-dive: talkpython.fm/533 Episode transcripts: talkpython.fm Theme Song: Developer Rap

Content Warning: Mention of Sexual Assault, ViolenceWait, who is the guest? In a twist on the formula recurring guest Brendan Connors takes to the host chair to watch the pick of our usual fearless leader. Spared from writing the summary, what will Sophia pick? Surely something cinematic and deep.Nope! It's Mafia Mamma (2023)! Where to find Brendan:Instagram: @cityofsuperspodInstagram: @thechallengeacceptedshowContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Cai, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Brown Bag Live Show Tickets ⬇️ https://www.axs.com/events/1234432/brown-bag-podcast-tickets?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAdGRleAOVgNdleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAafSKRPTh2F5jDAsbld9bdwKqY86KX6XuwDoqmZXSWWWRdtI_dm5Onpeu_O71Q_aem_KRRgygNyfTR22NX7wyDW5g You Can Listen To Our Podcast ⬇️ Spotify - ⁠⁠⁠⁠https://open.spotify.com/show/5uJQGp4 Apple Podcast - ⁠⁠⁠⁠https://podcasts.apple.com/us/podcast Follow Our Socials ⬇️ Instagram - ⁠⁠⁠⁠https://instagram.com/brownbagpod TikTok - ⁠⁠⁠⁠https://www.tiktok.com/@brownbagpod Personal Socials ⬇️ DoKnow - https://linktr.ee/DoKnows Letty - ⁠⁠⁠⁠https://linktr.ee/lettysetgo⁠⁠⁠⁠ Rosecrans Vic - ⁠⁠⁠⁠https://linktr.ee/rosecransvic⁠⁠⁠⁠

Budoucí premiér Andrej Babiš (ANO) oznámil, že se nevratně vzdává koncernu Agrofertu. Převezmou ho prý nezávislí správci a teprve po Babišově smrti ho mají získat jeho děti. Vyřešení střetu zájmů byla podmínka prezidenta Petra Pavla, který Babiše jinak odmítal jmenovat předsedou vlády. „Nás to moc nepřesvědčilo, nemyslíme si, že by se Babiš takového holdingu vzdal,“ říká pro Český rozhlas Plus předseda Asociace soukromého zemědělství Jaroslav Šebek. Pořad vysíláme v repríze.

CELÝ ROZHOVOR V DÉLCE 60 MIN. JEN NA ⁠HTTPS://HEROHERO.CO/CESTMIR⁠⁠⁠⁠ A ⁠HTTPS://FORENDORS.CZ/CESTMIR „Nadávám jen sama sobě, nikomu jinému,“ říká herečka Daniela Kolářová, když mluví o tom, proč je podle ní důležité umět si přiznat vlastní chyby a nesvádět všechno na okolnosti, dobu nebo druhé lidi. V rozhovoru se opakovaně vrací k tomu, že společnost podle ní příliš snadno hledá viníky všude jinde než u sebe - a že právě tahle neschopnost sebereflexe se pak promítá do politiky nebo veřejné debaty. Mluví o zkušenosti ženy, která prožila okupaci v roce 1968, normalizaci i polistopadové vystřízlivění. Vzpomíná na tanky v ulicích, na výslech poté, co zvedla ze země plakát s Dubčekem i na rozhodnutí nepodepsat souhlas se vstupem „spřátelených vojsk“. Popisuje, jak snadno může přijít ticho, nevyslovený zákaz práce a pocit bezmoci - a jak důležité je v takových chvílích nepřestat jednat důstojně. Otevřeně mluví i o své krátké zkušenosti z politiky po roce 1989, o ztrátě ideálů a o tom, jak ji dnešní parlamentní debaty naplňují spíš obavami než pobavením. „Ta slušnost prostě padá,“ konstatuje herečka. Do rozhovoru se promítá i její herecký život: roky ve Vinohradském divadle a chvíle, kdy jí kvalitní práce dodávala sebevědomí, ale i období, kdy o něj znovu přicházela a setkání s dobrými i destruktivními režiséry. Mluví o osobních ztrátách, o péči o nemocného manžela Jiřího Ornesta i o tom, proč pro ni bylo zásadní, aby mohl odejít doma. „Když přijdu domů, pořád volám do jeho pokoje,“ říká otevřeně, jak s manželem i po jeho odchodu podvědomě komunikuje. A mluví také o spiritualitě, kterou nenašla v církvi, ale v přírodě. „Já se hrabu v hlíně a vlastně se modlím,“ říká o práci na zahradě, která je pro ni lékem na úzkost i prostorem, kde člověk může najít hlubší smysl. Co dnes znamená žít v pravdě? Kde se láme osobní odvaha? A proč podle Daniely Kolářové nezačíná změna společnosti u politiků, ale u každého z nás? I tohle zazní v rozhovoru.

It's a holiday special! Because we're both dinosaur kids and we get to talk about dinosaurs. Hooray! Adam of 5 GMs in a Trenchcoat joins the pod this joyous season to cover all the antics of Jurassic Park III (2001)! Where to find 5GMs in a Trenchcoat:https://www.5gmsinatrenchcoat.com/Instagram: @5gmsinatrenchcoatThreads: @5gmsinatrenchcoatTwitter: @5GMsOfficialBlueSky: @5gmsofficial.bsky.socialTik Tok: @5gmsinatrenchcoatContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Cai, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Jordan sends a dispatch from Austin where she's working as the sole woman in a writers room. She discusses gender, masc vs. fem, boundaries, her family dynamics and her idea for a pre-date date. [Prod. note: This is last episode of 2025. We'll pick back up January 12th after a holiday break. Thanks so much for following along for 54 episodes so far, it means a lot to us.] The RIPJJ Patreon is now live! Become a member HERE. Catch Jordan on the Bus-ted Up Tour in March 2026! Tickets @ https://punchup.live/jordanjensen The RIP Jordan Jensen Theme Song is "Superstition" by Music Band Follow Jordan on YouTube, Instagram & TikTok

Martin Diviš řídí největší českou pojišťovnu už sedmnáct let. Eva Bláhová prodává v Česku služby jedné z největších poradenských firem světa. Proč se sešli na pódiu živého natáčení podcastu Jedno procento? Spojila je účast v letošním ročníku prestižních ocenění Mastercard Banka roku, kde je KPMG jedním z hlavních partnerů a Kooperativa se stala Pojišťovnou roku. Co mají ti dva opravdu společného? Oba věří, že práce musí bavit – a oba si z toho umí udělat legraci.Jsou rozhovory, které se vedou podle scénáře, a pak jsou ty, kde hosté zlobí a vyrušují, předávají si květiny a dohadují se s moderátorem i mezi sebou, jestli existují „ženské zbraně” v byznysu. Ty druhé jsou obvykle zábavnější jak pro publikum, tak hosty a moderátora. Myslím, že dnešní epizoda mezi ně patří.Martin Diviš přišel do Kooperativy v prosinci 1995 jako dvaadvacetiletý kluk, který v životě pořádně nenapsal ani sloh. Dostal tip od kamaráda, že tam hledají tiskového mluvčího. Po půlhodinovém rozhovoru s tehdejším šéfem Vladimírem Mrázem věděl jediné – pro tohohle člověka chce pracovat. O pojišťovnictví nevěděl vůbec nic.Dnes, po třiceti letech, vede firmu se čtyřmi tisíci zaměstnanci a stále tvrdí, že se má co učit. Když v roce 2008 přebíral kormidlo po svém mentorovi, přišla finanční krize. A po ní další výzvy. I proto je dnes sebevědomým a zkušeným manažerem. Ale zároveň si dodnes udržuje zdravou dávku pokory – v čemž mu mimo jiné pomáhá i to, že si ve volném času sedá jako pilot do kokpitu dopravních letadel.Eva Bláhová má za sebou kariéru v japonském Nissanu i americkém Oracle, než zakotvila v KPMG. Prodává služby jedné z největších poradenských firem světa – ale nesnáší slovo „shánět klienty”. Raději mluví o budování důvěry a dlouhodobých vztahů. A když se jí někdo zeptá na „ženské zbraně” v byznysu, dostane ráznou odpověď.Jako holka si přála být zpěvačkou, malířkou nebo prodávat zmrzlinu. Dnes vede tým v KPMG – a zároveň je přesvědčená, že práce je jen jeden střípek v mozaice života.Tohle není rozhovor o číslech a strategiích. Je o lidech, kteří si našli svou vášeň – ať už v kokpitu letadla, na trase Ironmana, nebo v budování týmů. O tom, že kritické myšlení je důležitější než poslouchat někoho, kdo slibuje, že všechno vyřeší za vás. A o tom, že sranda – ne humor, ne legrace, ale stará dobrá sranda, jak říká Martin Diviš – je nedílnou součástí života i byznysu.Přeju vám příjemný poslech.

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Ladies and gentlemen of the Cha Cha Nation, welcome back to another episode of the Cha Cha Music Review Series. This week’s rotation cuts across Nigeria, Ghana, and South Africa, detty December energy, reflective praise, soft love songs, and street-certified production choices.Let’s get into it.This episode is proof that African music is no longer moving in one direction. It’s reflective, experimental, spiritual, playful, and still deeply danceable. 1. Naira Marley — Mmmm (Prod. Rexxie)https://open.spotify.com/track/0QiUFqWBC5Qzho0Oh0c8U92. Nektunez, CIZA, Mega EJ, P.M.F, Shoday, Tiwa Savage & Tripcy — Baddi Ahhttps://open.spotify.com/track/2cwXgbiBHguLs0gxjxjj8a3. Larry Gaaga ft. Patoranking & Soweto Spiritual Singers — Gratefulhttps://open.spotify.com/track/2OUkyY3ibF5RNw29ssSFOD4. Nasty C ft. Soweto Spiritual Singers — Head Up 2.0https://open.spotify.com/track/0BhBwg1NThsfsspTcvw7IA5. R2Bees — Awurade Aye (Prod. KillBeatz & DJ Breezy)https://open.spotify.com/track/5MO3ZW5mDhQiUmrYoYfitt6. Sarkodie ft. Olivetheboy — You & I (Remix) (Prod. M.O.G Beatz)https://open.spotify.com/track/1flano0UcvIuEHv9YxzCc17. Ajebo Hustlers ft. Joeboy — Coco Samba (Prod. DJ Qube)https://open.spotify.com/track/45IGXOKiOxfOQJdd2Ln4PgPress Play to listen

Révélée par la télé-réalité, Julia Paredes est une créatrice de contenu suivie par des millions d'abonnés sur les réseaux. Aujourd'hui, elle s'installe au micro du Dr Amina pour nous parler de son combat contre l'endométriose. La découverte de la maladie, ses années de galère pour réussir à devenir maman, elle se livre pour informer, aider et prévenir les femmes.Amina Yamgnane est gynécologue et obstétricienne, experte régulièrement présente dans l'émission Ça Commence Aujourd'hui, aux côtés de Faustine Bollaert sur France 2. Son franc parler, sa vision iconoclaste de sa spécialité en font une figure majeure des acteurs de la santé. Un vendredi sur deux, retrouvez Docteur Amina Yamgnane et son invitée pour mettre en lumière les mystères du corps de la femme. L'endométriose, le déni de grossesse, le suicide post partum, les violences obstétricales, l'excision, la prématurité, la prévention du cancer du sein sont autant de thèmes que la gynécologue abordera avec écoute et bienveillance, informations et conseils, mais aussi avec toute sa personnalité, son humour, ses émotions et ses coups de gueule.Retrouvez Amina Yamgnane sur Instagram : @draminayamgnaneUne production Réservoir Prod / Médiawan / France Télévision Retrouvez également Amina Yamgnane dans Ça commence aujourd'hui en vidéo sur france·tv : https://www.france.tv/france-2/ca-commence-aujourd-hui/Émission : Amina Yamgnane : FemmesAnimé par: France TélévisionsProduit par : France Télévisions - Mediawan

V dnešním podcastu si budete moci poslechnout rovnou 3 zajímavé hosty. Povídat si budeme o zajímavém nápadu dvou mladých podnikatelů Karla Kováče a Bruna Dvorského, kteří podle svých slov upgradují parfémový trh. Na svém e-shopu MrRizz.cz prodávají parfémy známých značek, ale i jejich testery, takže si jako zákazník můžete objednat jako první malou lahvičku a parfém nejdříve otestovat. Jejich nápad si za rok existence získal 5000 zákazníků a přesáhl obrat k říjnu 1,8 milionu korun. Prodávají nejen v Česku, ale i na Slovensku a chystají i Polsko. Jejich nápad zaujal i Komerční banku, v jejíž soutěži Nastartujte se pro začínající podnikatele Mr.Rizz vyhrál první místo. Nejdříve si ale budu povídat s Ondřejem Suchanem z Komerční banky, a potom se samotnými zakladateli Mr.Rizze. Vše najdete v jednom videu. Tato epizoda je součástí podcastu, který pro vás od roku 2015 připravuje Jiří Rostecký. Videa k podcastům najdete na jeho webu: www.rostecky.cz (Sponzorováno) Veškerá doporučení, informace, data, služby, reklamy nebo jakékoliv jiné sdělení zveřejněné na našich stránkách je pouze nezávazného charakteru a nejedná se o odborné rady nebo doporučení z naší strany. Podrobnosti na odkazu https://rostecky.cz/upozorneni.

I, sir, I honor you my proxy And what will with what you make take of that, my beast and brawn affronted; That to no matter to which I may stand as though offered to the Gods, I am at bare my force and wary feast upon thy eyes as swarms, And then to no may have you since! I am at all, my eye, your arm, And hallowed crucifix! CHAOS shatters into a FIRE of FEATHERED fury and precedent mercury of volcanic embering magma and sparse clouds of silver and gold, while though first bleeding from the mouth he is engulfed in flame at once, becoming not unlike the Phoenix, a galaxy into his own forever escaping and never ending realms. Ahhh, you're right. YO WHAT THE FUCK DID I JUST SEE? That's ludicrous! ah huh, I know, right. You took all that? Yep. {Enter The Multiverse} Sire, Your honor. I am bound. I have been forged. The crown. Certainly. Your high marks! Aye… You've been betrayed. …To no doubt. I am obliged to confront, your majesty, at all hours and in this your fortress— —your honor— And Chaos, that this, though there be your throne, Cannot bear weight of rock and stone to rebel archer, That which I am tied to seek, dear honor, Your vary mercy that there I, Here too, am slain! Damn. Creep shit, huh. Yeah. Why does Colbert get all the best parts?! Because he's capable of reading these types of monologues from cue cards! That circuit. He has a bigger cause than you know. [Redacted] It wasn't that I thought I was actively being watched, but more along the lines of knowing for a Friday, my mind wouldn't drift elsewhere and upward beyond, to the sixth, seventh, 8th or 15th floors— or whatever other crazy shit was apparently above them. Secret places I knew of and often thought about, but not too hard. It boggled my mind what was beyond and out of focus from the lower realms of New York, where it was dark and often dirty and hurtful to even wander. My breaths became deep and hollow; They won't turn your face to you, But they will burn through your whole world, wanting you undone Following sealing knives, half have no concious And tethered tongues— This is Levels, Watch us This is Levels, On your mark, This is levels, Christ conscious, This is Levels, Boats on the dock, Storm water, Pure thoughts of harm, But also luck, Drifting in that same water, Ducks, Not known in here our land, or others. You are no longer closer nor called for what you want It doesn't get that much more simple, nor more complex It doesn't get less disheveled than ‘anyway.' I suffer surface just to suffice this sauna trap It doesn't get any less leveled that two tall towers, September 11th. It doesn't get differentiated or dismissed, either, Without press involvement You got to love an easy bake oven and a handful of drama; You've got to love the plausible options for objections and motions to show cause You have got to love old folks and hard laughs, got to! You've got to love the cosmos for at least trying to show us God back, Though god turned back on us a month ago, Or so it was written More hard times And more cold half's And limbs lost, and marks and mauve and cranberry fortunes. More dusks and more dawns and more mortals but no heart left; No call to arms if you were worn backwards for your half. Now time for the calm but the ball bearings not lose but close hard down when you tip the nose up not to dive but force up the wheels as lifting planes does but you are donuts and dusk and dawn, and you are clutching stones in pockets, Four for corners of those the rock has, And that, North south, East west, And these days give gratitude, For wire stakes and high makes this time for more time deaf authors, Still no mortal walk has I, And still indifference to her call, my fortune is in death which may be cause to no one to suffer, As I have not love, And I have not friends, And I have not bonded and therefore this betrayal from where there speaks my meadow and assault have again lied, as devil does against all time. And so I smile, there, and welcome death, form withered birds did wander and then, before my eyes evolved to dust which then did sparkle, And there setting into scattered grains of sand. For which her shores were thought of, not as birds, but sure enough as rocks to till and thunder; And magnanimous waves you did there found I, Making graves and also these as caves, and banks, and ways to think her mazes as a construct. So now there, you are conformed, And all but may you came to offer. So there then shall tipping this and waves had planted oceans from my martyrs, And so again I called to brothers and also the fathers formed, as I had thought to know, these times and others as a motion [to show cause] So shattered banks and blanks my checkbook, scattered eyes though blue have yet been battered black and darkened; And also that became of which her office was unboxed, there was no work there, For her thoughts had caused the forests and winds to suffer from her art, therefore. There is no homeland, now or here or either, Shall I wonder? And then frayed her mark and also frayed this flag did fly for shame and horror. So there, did also Chaos sit and lack and gripping rope upon there crosses, also did my eye to mind, Him to a rope, but had departed. So I watched him hang from the noose, Though loosened grasp from known the ballet dancer, also then became the rabbit This of past and present. Ah, Fuck with me. I want you to. Aye aye. What is his power? Just wait for it… I don't think this is what you want it to— Just wait. Just listen? Listen to what? The man is just— blabbering. The cadence in his voice though; it's a rhythm. What, The cadence! In his voice— Mm. McDonald's. Okay?! But why are you saying—? Wait a minute. Wait what?! Play the tape back, and boost the audio. What for. Just do it, Mark. This costs a fortune and he's taking up all of our— THE MAN IN THE BOX has exploded. — time. What just happened. I told you he would do it. And we missed it. I don't get it. Where is he? There's no way of knowing yet. Check the grid. It's not… that simple…. Well then! Check the cadence. Or something ! Whatever you said. Jesus, I hate these alien motherfuckers! He's not an “alie What—? He's just— I mean— I do not understand. —he's human he's just— these ancients are gifted with— [sort of] Gifted?! You call that gifted?! He exploded into a fireball of feathers and— whatever this is— what is it?! It appears to be volcanic ash, sir. WHAT?! I'm moving backwards, forwards, backwards— forward time and time is dust from now on, I am in the end of my shattered and half lived life, Though bonded body to not my soul, which seeks not love and light, the morsels of the marker of my kind, And this to fill my aching desire to—- — now you've gotta run. From what? THE— AAAAhahsHAHSHjhabdbsnNadbdbamamBSBDNAGAGHAHghahsbabahaa!! WHAT WAS THAT. I DONT KNOW. I JUST HAD SIX ORGASMS. [BLACKOUT.] {Enter The Multiverse} DANE COOK wakes up from a VERY HARD NAP. …what just happened? This is your fault. You caused that. Okay. Gun in my face. I've had things, but not that. Get up. Jesus Christ. Just calm down. This is my calm. [The Festival Project ™] Do not panic. What the fuck are you telling me. Just stay calm. Do not panic. Don't panic what! That. Oh. You showed us what you are. No I did not. You want that? Uh… CC Just when you think you have me all figured out, I promise, it's not that. He has a gun! Fall back! Oh shitsauce, what in the fuck is going on! I may have had to stop and think for a moment ‘Where the fuck was I going?” The problem was I knew I already had the answer, and it was “Nowhere, fast.” Maybe even faster than ever. That hollow pit inside my stomach was calm now because most of all, I wasn't on the subway, I was on autopilot somewhere way far off from my body. Train me not, For this I die as one and always Sure to come for what is known and also for my martyr. Soon to fall I, bitter from the rock And drifting intermittent conscious, The constant not to known, But just a trough to all our horses. So this shame and guilt and rit and raft which I whitewater, so then to shall be betrayed as so they say I am, for now and onward. So her force is death and her tip have sung and those caves we made were of not fortune, but gloom and pity, merriment and pepper peer to socket and For now, my broken. Withered here and there And for to curse, But not to save my cycle, Dim this light for this I offer sacrament, Married waves and crevices of canyons I had watered, and then to twist of pine and though my time was won as always, want. The tip and twist of time would trim her down of those as slaughtered. Giving time and giving hate, and giving twins, And giving tin and giving golden graves, for maids And golden trophies. Giving taste and giving waste and giving ghosts wool coats for courthouses, Giving dim and dinner to these flames for which were ordered, have I. Giving those is taste and giving those is feasts, and giving those is masonry, created in her honor; Giving those is peace and wars, And to left ties, a peril force And giving these is tales and miners Trapped in these there caves as though you drift in barren lands. Well! Well. If I don't know who it is And I don't know what it is What I can't catch Man, Just leave the the fuck alone already, Would you? I have to wonder why I even come here, Full frozen How I'm running on low fuel, But just a sure to fact— (((Huh.))) Yeah, I recognize that dudes voice at this point Alright, maybe I am being followed. Yeah, that can't be a coincidence. It could. It is the rock. No it couldn't, Cause it's the rock. INT. ROCKEFELLER PLAZA. SUNRISE Okay, it's pretty from every angle! My fingers are frozen. Can I go inside now?! Yes. Here is the entrance. Jesus Christ! {Enter The Multiverse} Jesus All Day Christ. What are you looking at? I don't know yet. L E G E N D S It's pizza time. It's Kimmel time. [redacted] These are dangerous thoughts. Oh no, I turned my mind off. I love Kimmel, but I lost focus. Maybe this was the hour I needed without timing my life out. Then again, I did just recently watch him burst into flames in my living room. I have to wonder what that's about. Socumopolus Open On The Operating Table. Symposium, 2025/2026 TBA -Ū. Prod. By Blū Tha Gürū Symposium is a concept album that reinterprets the ancient Greek tradition of philosophical dialogue for the modern age. Taking its name from Plato's seminal text, which structured profound conversations about Love (Eros) as a series of distinct speeches, this album presents a series of intense, mythic narratives—the tracks—that each serve as a unique speech on the nature of consciousness, suffering, and transcendence. The album's unconventional structure, with initial tracks sporting double titles (e.g., forgetmenots.//follow through.), reflects the complex philosophical dualism explored throughout the work—the conflict between the body and the mind, the real and the dream, the past and the imperative to move forward. Each long-form track is a deep dive into an extreme mental state, an attempt to define the core truth of existence through an absurd or heightened reality. [Socumopolus Open On the Operating Table] This track is a visceral representation of the album's Platonic core. It is a grueling philosophical thought experiment set to music made to be experienced as though sifting through a gallery; as interpretive art rather than festival minded electronic dance music. ‘Socumolopus' opens in the uncomfortable and disjointed stairway of becoming undone at the midst of a medical mercy— unable to move or act with the understanding and awareness of a total loss of autonomy and control. A complete paralysis, but not of thought. Socumopolus Open On the Operating Table tells the story of a man undergoing high-risk, life-saving surgery. Due to a failure in anesthesia, he is trapped in a state of conscious paralysis—unable to alert the surgeons, yet fully aware as the operation unfolds. Indeed he reaches a certain purgatory of sorts and a certain death, as he becomes outward of himself enough to realize he knows nothing of this self, even his own name which he is called. He is now only Socumopolus. He is forced to watch his own body being opened, simultaneously experiencing the surgery from the table and from an out-of-body perspective above., however, once the initial shock of the blood and gore of his organs unraveling on the table before him, he drifts between lucid galaxies and worlds, traveling beyond all known time. His consciousness drifts in a purgatory spanning what is hours, but is rather eons in his own unaligned infinite outer consciousness, mingling the visceral reality of the operating room with non-sequitur dreams and the background noise of the hospital's televisions, and in and out of worlds alike; but also unknown. Symposium: A Concept Theory The track is a direct musical translation of Plato's Dualism—the belief that the mind/soul is separate from the physical body. [The Body] The character's physical being is the object of suffering (the operating table), imperfect and subject to the knife. [The Soul] His consciousness detaches, viewing the scene from above—this is the transcendent perspective, attempting to find "The Form of Truth" outside the confines of the suffering body. The character's hours-long, suspended state—neither fully alive nor dead, neither fully conscious nor dreaming—is the album's metaphor for the Ladder of Ascent in the Symposium. He is stuck in the intermediate steps, struggling between the earthly, mortal reality and the potential for a higher, purer vision, while the surrounding hospital noise and fragmented dreams represent the strange, sometimes absurd "speeches" (like Aristophanes' myth) that interrupt the pursuit of ultimate truth. In Socumopolus Open On the Operating Table, the operating room becomes the stage for a private, intense symposium on what it means to be aware when the self is literally dismantled. The surreality is not in the musicality, but the concept of the artwork itself, which reads most like an awkward statue or sculpture stationed distinctly in the way of a place you least expected, or perhaps even dead-center your normal course. It blocks the path with the cause to force you to think of creating an alternate route, or to travel or explore beyond what is familiar or known— or perhaps— just to force you to think at all when you may suppose the rest can just be turned off, as you cross out or autopilot and into a newfound structure for your own immortal cause. Thank You for Listening. Chroma 111. The Shoestring Theory. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

C'est un papa meurtri par le féminicide de sa fille qui s'installe au micro de Maître Geiger. Un papa envahi par le chagrin mais un papa qui se bat pour que les violences faites aux femmes cessent. Quelle femme était Julie ? Comment ses parents ont-ils vu l'emprise et les violences s'installer sans pouvoir rien y faire ? A quoi a ressemblé cette escalade qui a mené Julie à la mort ? A quelle peine son compagnon a-t-il été condamné ? Comment vont ses deux enfants aujourd'hui, 5 ans après la disparition de leur maman ?Maître Marc Geiger est avocat pénaliste au barreau de Carpentras. Vous pouvez le retrouver régulièrement aux côtés de Faustine Bollaert dans Ça commence aujourd'hui sur France 2. Sa bienveillance, son humanité en font une personnalité à part dans le monde judiciaire. L'enfance, la justice : deux mondes qui ne devraient jamais se croiser. Pour cette nouvelle saison Marc Geiger rencontre 10 enfants devenus adultes, peut-être trop vite... Ils ont connu l'horreur du crime, le cauchemar du monde de la justice, et l'enfer de l'après.Retrouvez Marc Geiger sur Instagram : @marc.geiger.336Une production Réservoir Prod / Médiawan / France Télévision Retrouvez également Marc Geiger dans Ça commence aujourd'hui en vidéo sur france·tv : https://www.france.tv/france-2/ca-commence-aujourd-hui/

Budoucí premiér Andrej Babiš (ANO) oznámil, že se nevratně vzdává koncernu Agrofertu. Převezmou ho prý nezávislí správci a teprve po Babišově smrti ho mají získat jeho děti. Vyřešení střetu zájmů byla podmínka prezidenta Petra Pavla, který Babiše jinak odmítal jmenovat předsedou vlády. „Nás to moc nepřesvědčilo, nemyslíme si, že by se Babiš takového holdingu vzdal,“ říká pro Český rozhlas Plus předseda Asociace soukromého zemědělství Jaroslav Šebek.Všechny díly podcastu Interview Plus můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

On connait tous Mathieu, l'agriculteur star de « L'Amour est dans le pré ». On se souvient de son histoire d'amour et de son mariage surmédiatisé. Au micro du Docteur Amina, il nous raconte la suite : sa séparation en plein processus pour avoir un bébé, la découverte de sa maladie, le combat qu'il a mené seul pour avoir son bébé avec une mère porteuse colombienne et sa dépression post-partum. Un épisode rempli d'émotions !Amina Yamgnane est gynécologue et obstétricienne, experte régulièrement présente dans l'émission Ça Commence Aujourd'hui, aux côtés de Faustine Bollaert sur France 2. Son franc parler, sa vision iconoclaste de sa spécialité en font une figure majeure des acteurs de la santé. Un vendredi sur deux, retrouvez Docteur Amina Yamgnane et son invitée pour mettre en lumière les mystères du corps de la femme. L'endométriose, le déni de grossesse, le suicide post partum, les violences obstétricales, l'excision, la prématurité, la prévention du cancer du sein sont autant de thèmes que la gynécologue abordera avec écoute et bienveillance, informations et conseils, mais aussi avec toute sa personnalité, son humour, ses émotions et ses coups de gueule.Retrouvez Amina Yamgnane sur Instagram : @draminayamgnaneUne production Réservoir Prod / Médiawan / France Télévision Retrouvez également Amina Yamgnane dans Ça commence aujourd'hui en vidéo sur france·tv : https://www.france.tv/france-2/ca-commence-aujourd-hui/

What's good Guys welcome back as you all know. I have a pretty fire intro now. Thanks to my new producer Rulo shout out to him. This episode is featuring him a big thank you to him for making my intro Rulo social (Prod.9$cenxion) ig:@yixiy_0 my Instagram amanda_penny_14

It's Cris Nuñez from @bebeioda! This episode is mostly in Spanish, but if you don't speak Spanish, you can watch it on YouTube with captions. Trust me—you won't want to miss this interview. Cris shares how her babies helped her navigate an incredibly challenging life change, and her story is nothing short of inspiring!You will also hear the voice of Ale ( mom of @yodina_and_yodin), who helped interpret for me. And if you haven't checked out HER interview, you definitely must listen! It's back in season 1 and is a two part interview - episodes 18 and 19. There may or may not have been a typical California earthquake during our interview… you'll have to listen to find out!Disclaimer: The views and opinions expressed in this podcast are solely those of the individuals participating in the interviews and discussions. They do not necessarily reflect the views, opinions, or policies of We are the BYC, or the BYC. The podcast hosts, guests, and contributors are speaking in their personal capacities and any content provided should not be construed as professional advice or as an endorsement by We are the BYC. We are the BYC assumes no responsibility or liability for any errors or omissions in the content of this podcast. Listeners are encouraged to independently verify any information presented and seek professional advice if needed.Intro Music: Strawberry, Prod by RoseInterview Background Music: sunrise - a new beginning, by Dream Signalhttps://youtu.be/ojGtr_oRNFw?si=oeOKGbicOn51lrcB

Généreux et altruistes, Alain et Marie-Christine étaient famille d'accueil. Depuis plusieurs années, vivait sous leur toit un garçon difficile. Comportement inapproprié, violences, gestes déplacés, malgré des signalements, le couple reste sans réponse et sans aide. En mai 2018, le garçon alors âgé de 14 ans s'en prend à leur petite fille et lui ôte la vie. Avec dignité et courage, Alain et Marie-Christine reviennent sur le drame de leur vie au micro de Maître Marc Geiger et nous expliquent de quelle façon ils tentent de donner du sens à ce deuil.Maître Marc Geiger est avocat pénaliste au barreau de Carpentras. Vous pouvez le retrouver régulièrement aux côtés de Faustine Bollaert dans Ça commence aujourd'hui sur France 2. Sa bienveillance, son humanité en font une personnalité à part dans le monde judiciaire. L'enfance, la justice : deux mondes qui ne devraient jamais se croiser. Pour cette nouvelle saison Marc Geiger rencontre 10 enfants devenus adultes, peut-être trop vite... Ils ont connu l'horreur du crime, le cauchemar du monde de la justice, et l'enfer de l'après.Retrouvez Marc Geiger sur Instagram : @marc.geiger.336Une production Réservoir Prod / Médiawan / France Télévision Retrouvez également Marc Geiger dans Ça commence aujourd'hui en vidéo sur france·tv : https://www.france.tv/france-2/ca-commence-aujourd-hui/

**Knight SA & Da Master - Deeper Soulful Sounds Vol.116 [Festive Year End Mix] ** 1. Da Gifto - xxxxx 2. Elementicsoul - Til It's Gone (Signature) 3. KingTouch & Dee Cee ft. Gina-Simone - On Time (Club Mix) 4. Emsakazweni 5. Bee-Bar - Need (Just Bee U Mix) 6. Andy Keys & KingTouch ft Bare Jams - Kites (House Mix) 7. Teddy Pendergrass - Joy (Elementicsoul Signature) 8. Prod.Unplugged, MrLoverLover, Mshengu & TYC YiNkosii - Blessing [Vocal Mix] 9. Deep Sen & KingTalkzin - Journey 10. Dark Horse - Kwetsi's Groove 11. Eargasm 12. Phat-Kay La Phat - Count Me In 13. Tyron SA - Sweet Luv 14. Griffith Malo - Summer Time 15. Mr Shane SA - Lost (1060 Sounds) 16. Da Gifto - xxxxxxx 17. Zirto 68 & Pelow Deep - Bounce Back (Undulative Rare Touch)

{Enter The Multiverse} L E G E N D S JETFU3L. (Unreleased) TBA 2026 Prod. by -Ū. DBA Blū Tha Gürū Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

{Enter The Multiverse} L E G E N D S Is it any good at all? I don't want to watch the crash To see she crash and burned I loved But it's not your fault I've just been lost without you Face down on the asfault Can't get my ass up without now Now I toll the cost Like a bunch of boiling water Bubbled uo But just before I know it's hot It all goes up in smoke Or clouds, Evaporation. [Tortious Interference.] (A Freestyle Mixtape) Performed by Blū Tha Gürū. a.k.a the kidd. a.k.a Sunnï Blū a.k.a. -31. a.k.a. ayeyo blu Prod. by J. Dilla (I think) Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

Ruby Rod is off the air! Luckily to help entertain the masses we have Funky and Aria of Tabletop Hot Takes podcast here to talk all the sci fi nonsense of The Fifth Element (1997)! Where to find Tabletop Hot Takes:RSS: https://feeds.captivate.fm/tabletop-hot-takes/Patreon: https://www.patreon.com/c/TabletopHotTakesFunky's Itch: https://itch.io/dashboardContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Cai, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Vagabond Rock. Prod. by -Ū. DBA: Blū Tha Gürū Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

Prestidigitation. Prod. by -Ū. DBA: Blū Tha Gürū Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

D0N'T.. Prod. by -Ū. DBA: Blū Tha Gürū Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

hyenas. Prod. by -Ū. DBA: Blū Tha Gürū Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

{Enter The Multiverse} L E G E N D S wango. Prod. by -Ū. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

‘Plucoronary Amblistsaine.' (Unreleased) Untitled Project, 2025 TBA 2026 Prod. by -Ū. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

Self Care— A Freestyle Mixtape. Performed By: Blū Tha Gürū Prod. By J. Dilla Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

November 20, 2025 7AM HourSee omnystudio.com/listener for privacy information.

Lt-Col John Paradis(ret), Catie Foertsch (Dir), Tommy Furlong (Ex Prod) : the film “What I Want You to Know”- about our veterans and our wars

PREVIEW. AI in the Marketplace. Elizabeth Peek examines AI in the marketplace regarding the spectacular rise of stocks and related "bubble talk." While the core story is intact, valuation issues persist. AI dominates conversations about productivity and hiring. C-suite candidates must be conversant with AI to be considered for jobs. 1954

Who would have known there was such beauty in public toilets? Screenwriter and Director Steven Bernstein sure does, as he joins the pod to unpack the masterpiece Perfect Days (2023)!  Where to find Steven:Get Rich Quick: https://a.co/d/b0sMiJP Filmmaker and Fans: https://filmmakerandfans.com/Instagram: @stevenbernsteindirectorwriterContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Cai, Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

What's good everybody welcome back to Amanda's World first of all I like to get a very big thank you to my producer, audio producer for making the intro his @ is (Prod.9$cenxion) ig:@yixiy_0 hit him up for all things audio fire info by the way, right . Anyways, this week he also goes to school with me. Victor‘s Instagram. https://www.instagram.com/victorcalcanoiv?igsh=bm5rd2tncjFuZ2Y2 . Thank you for listening and I'll see you guys next week my Instagram. amanda_penny_14

Virtuální přítelkyně. Tak se jmenuje nový snímek, v němž spoluautorka dokumentu V síti rok sledovala tři tvůrkyně z OnlyFans. „Pro mě bylo důležité ukázat jejich svět, to znamená každodennost. Jestli je tento svět, jak je médii předkládaný, pohádkový, kdy stačí, že se žena svlékne a stane se z ní milionářka,“ říká režisérka Barbora Chalupová. „Je to běh na dlouhou trať a je za tím mnoho práce,“ popisuje Petra Úradníčková, jedna z protagonistek filmu.Všechny díly podcastu Host Lucie Výborné můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Debating why pricing belongs in product management's hands, not sales or finance.Product Manager Brian and Enterprise Business Agility Coach Om are rankling egos as they discuss a heated debates: who should own pricing decisions? Listen or watch as they argue that pricing is product strategy, not a sales tactic. 

CELÝ DÍL NAJDETE NA HEROHERO.CO/STUDION, PŘIDEJTE SE KE STOVKÁM PODPOROVATELŮ STUDIA N A POSLOUCHEJTE PLNÉ VERZE VŠECH EPIZOD V této epizodě se Vítek Svoboda a Jana Ciglerová vrhají společně s Filipem Titlbachem do rozbouřené debaty o nejnovějším albu Taylor Swift. Zatímco americká zpravodajka Deníku N ho oceňuje jako odvážný hudební posun, kulturní novinář v něm vidí spíš drzé obchodní praktiky.  Přepískla to nejúspěšnější zpěvačka planety se ždímáním peněz, nebo vydala své nejotevřenější album? Připojte se s námi k diskuzi, která právě rezonuje hudebním průmyslem i sociálními sítěmi. „Myslím si, že je tematicky vyčerpaná. Není to kvalita, na kterou jsme zvyklí,“ říká Svoboda s tím, že za básnířku by ji po této desce neoznačil. „Ztratil jsem schopnost se u ní uvolnit a říct si, že je to autentické. Má to příliš promyšlené,“ tvrdí ve Studiu N. Ciglerová s ním nesouhlasí: „Je to nejotevřenější, nejupřímnější a nejspokojenější deska, kterou Taylor Swift kdy vydala. Je zároveň nejvíc sexy a mluví k současným problémům dneška,“ oponuje. Taylor Swift je dnes nejúspěšnější hudebnicí na planetě a album The Life of a Showgirl už teď v prodejích překonalo dosavadní rekordy. „Na cokoliv Taylor Swift sáhne, to promění ve zlato,“ říká Jana Ciglerová. „Spíš na co se podívá…“ komentuje ironicky Vítek Svoboda. Prodáváním desítek různých verzí té samé desky a vybíráním vstupného do kina za promítání videoklipu a písní s textem už podle něj překročila únosnou hranici byznysu. „Taylor Swift je hnaná když ne ziskem, tak přinejmenším úspěchem,“ tvrdí. Podle Ciglerové se naopak ukazuje, že po ní svět baží a ona jen nabízí to, po čem je poptávka. Je to pořád hudba, nebo už jen marketing? A co rozjitřená debata kolem ní vlastně říká o naší době? Podívejte se na celou epizodu na herohero.co/studion

Send us a textIn this episode, Kay talks with marketing and launch strategist Niki Hutchison about visibility, growth, and launching offers without burning out. Niki shares her journey from advertising strategist… to running a kids' hip-hop dance company with 3,000 students a week… to building a marketing agency and becoming “everywhere” online. She opens up about what success really means, how she manages business, events, travel, and family, and why support and boundaries are not optional when you're scaling. Then we get into launching: what a launch actually is, why you don't need a huge list, and how to sell your offer in a crowded market by building trust and showing up consistently.What to expect in this episode:(00:00) – Success: why most entrepreneurs don't feel “successful” (04:10) – From toxic boss to business owner: building a dance company, then pivoting into marketing (08:30) – Growing visibility fast and showing up “everywhere” (10:20) – Travel, events, moving house, and still running a business (13:40) – Rest, boundaries, and giving yourself permission to slow down (17:00) – Launching 101: a launch is just a focused campaign (19:30) – How to launch without a big audience (22:40) – Prep. Promote. Prod. (Niki's 3-phase launch method) (24:30) – Following up without being “pushy” (25:30) – Why buyers take longer to trust you now (30:10) – Launch Like a Pro eventAbout Niki HutchisonNiki Hutchison is a marketing strategist, launch expert, speaker, and founder. She helps business owners plan and sell their offers with focused marketing campaigns (launches) that actually convert. She's built multiple businesses, hosted live events, and now teaches entrepreneurs how to create demand for their offers using clarity, consistency, and trust  not pressure.Connect with Niki HutchisonWebsite: nikkihutchison.com Podcast: From Overlooked to Fully Booked Instagram: @nikihutchison Live Event: Launch Like a Pro (London, 10 Nov)Connect with Kay SutharWebsite: https://makeyourmarkagency.com/ Podcast Website: https://www.makeyourmarkpodcast.com/ LinkedIn: https://www.linkedin.com/in/kay-suthar-make-your-mark/ Facebook Group: https://www.facebook.com/groups/482037820744114 Email: kay@makeyourmarkagency.comFREE Gifts from Kay Suthar:3 Ultimate Secrets to Getting Booked on Podcasts: https://getbookedonpodcast.com5 Simple Steps to Launch Your Podcast in 14 Days: https://14daystolaunch.com

We've woken you up in this podcast episode to recruit you to a super secret - hey where are you going! This week Moviestruck covers the big dumb action movie with forgotten 80's fare Remo Williams: The Adventure Begins (1985) featuring one of the hosts of Reels of Justice, Dylan!Where to find Dylan:https://reelsofjustice.buzzsprout.com/Instagram: @reelsofjusticeTwitter: @ReelsOfJusticeYouTube: https://www.youtube.com/@ReelsOfJusticeContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Cai, Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

One podcast host for every swash you buckled! We're out of the sewers and back to regularly scheduled moviestruck episodes with a classic adventure, The Mask of Zorro (1998) with special guests, Lewis and Elliot of the That's Not How It Went Down podcast! Where to find That's Not How It Went Down:https://linktr.ee/tnhiwd?utm_source=linktree_profile_share<sid=dfb14fae-9e9c-4a6a-8722-999c2776f22cInstagram: @tnhiwdTik Tok: @tnhiwdContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Cai, Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

SPONSORS: Quince -Keep it classic and cool — with long-lasting staples from Quince. Go to https://www.Quince.com/HONEYDEW My HoneyDew this week is legendary professional skateboarder Paul Rodriguez Jr! Paul joins me to Highlight the Lowlights of his skateboarding career! We talk about what it was like for Paul growing up with a famous dad before skating entered his life at 12. Paul shares how he negotiated a sponsorship with Nike into his signature shoe twenty years ago, which is being re released now! Plus we dive into some of Paul's worst skating injuries, and the mental hurdle of getting back on the board after being hurt. SUBSCRIBE TO MY YOUTUBE and watch full episodes of The Dew every toozdee! https://youtube.com/@rsickler SUBSCRIBE TO MY PATREON - The HoneyDew with Y'all, where I Highlight the Lowlights with Y'all! Get audio and video of The HoneyDew a day early, ad-free at no additional cost! It's only $5/month! AND we just added a second tier. For a total of $8/month, you get everything from the first tier, PLUS The Wayback a day early, ad-free AND censor free AND extra bonus content you won't see anywhere else! http://patreon.com/RyanSickler What's your story?? Submit at honeydewpodcast@gmail.com Get Your HoneyDew Gear Today! https://shop.ryansickler.com/ Ringtones Are Available Now! https://www.apple.com/itunes/ http://ryansickler.com/ https://thehoneydewpodcast.com/ SUBSCRIBE TO THE CRABFEAST PODCAST https://podcasts.apple.com/us/podcast/the-crabfeast-with-ryan-sickler-and-jay-larson/id1452403187