Podcast appearances and mentions of jed perl

In her summer 2024 exhibition Trial By Fire at Core Art Space, Lakewood, Colorado, Maria Sheets exhibited a series of colorful, sculpturally dense, illuminated glass panels of portraits and landscapes created in a unique process that combines the mediums of traditional stained glass grisaille/enameling with fused glass “painting” known as Vitreonics. The technique was documented in Justin Monroe's award-winning documentary Holy Frit. The movie traces artist/designer Tim Carey's journey through making the world's largest stained and fused glass window with the help of Italian glass maestro Narcissus Quagliata. Says Sheets: “Our family experienced a major loss in late 2023 that inspired a radical shift in what I was producing. In an attempt to address this swing of emotional intensity, I found I desperately needed to break some sh#t. Inspired by the project created in the new film Holy Frit, I began to learn Vitreonics. The process, particularly the intense smashing, layering, and heating of glass, gave me the change I needed. Vitreonics brought balance to my creative world and reminded me that though I can and do use my skills to make art that is highly technical, I can also relax into flexibility and levity.” With a conservation and glass studio located in Evergreen, Colorado, Sheets is a senior conservator of Foothills Art Conservation and a master glass designer, painter and fabricator. She was Chief Conservator of a fire recovery project with the Museum of Biblical Art, Dallas from 2005-2018. A partial list of additional clients includes the Ross Perot Collection, George Bush Family, Gerald Ford, Dallas Museum of Art, Nasher Sculpture Center, and the Ann and Gabriel Barbier-Mueller Samurai Collection. She served as President of the Conservators Private Practice Group of the American Institute for Conservation and holds a Professional Associates status.  Signed commissioned works in architectural glass include large-scale projects presently housed in museums, universities, houses of worship, businesses and private residences internationally. In 2021, Sheets designed and painted the Legacy Window for Tulsa's Vernon AME in Greenwood, illustrating 120 years of the church's history and survival from the Tulsa Race Massacre. Her own work was included in recent juried exhibitions such as American Glass Guild NOW 2016 (juror, contemporary artist Judith Schaechter), Texas National 2018 (juror Jed Perl, international art critic), and Materials Hard and Soft International Craft Exhibition 2019 (2nd place of 1100 entries). She is a resident artist for Valkarie Gallery in Lakewood, Colorado, where her work will be exhibited in a solo exhibition from November 13 through December 8, 2024.  In 2022, Martin Faith, Scottish Stained Glass, Centennial, Colorado, approached Sheets with a project that involved reproducing an artist's pieces made in the 1970s onto glass. Sheets explains: “He showed them to me, and I gasped, recognizing the work as Judy Chicago's. I had read her early biographies while I was in college in the ‘90s. My feminist art teacher taught us about her work and the famous piece The Dinner Party, which congress was crucifying along with a number of artists trying to get funding through the National Endowment for the Arts.  I even wrote her fan mail.” Sheets and Chicago met and spent several years working collaboratively in Chicago's Belen, New Mexico studio. There they created complex airbrushed/masked pieces onto glass. These took five months of research and development as the technique/design would be some of the most unforgiving yet enlightening of Sheet's life. Last year Chicago had a blockbuster show of the work at New Museum in New York accompanied by a four-page spread in the New York Times as well as an exhibition at Serpentine in London. Occupying a rare niche in the art world, Sheets was inspired by her great-uncle, a Russian Orthodox priest and iconographer to apply old-world art materials on stained glass to create both traditional religious imagery or modern portraits and scenes rife with politics. Her work Motherboard Madonna was recently exhibited in AI Love You at Niza Knoll Gallery, Denver, Colorado.  Says Sheets: “The gallery got blackballed, but the whole point of show was to discuss the ethical concerns and use of AI as a tool. One could say creativity was used in the creation of this technology and that “paint” is not the only medium. Adapt or die…”  

This week, the panel begins by diving into Taylor Swift: The Eras Tour, a glittery and extremely fun concert movie starring the singer-songwriter-producer-mogul that's already become the highest grossing concert documentary of all time. Then, they discuss Beckham, a surprisingly candid four-part docu-series on Netflix directed by Fisher Stevens that chronicles the footballer's meteoric rise to stardom and paints an intimate portrait of his home life with Victoria Adams, a.k.a. Posh Spice. Finally, the three dissect “Why Culture Has Come to a Standstill,” a provocative essay authored by Jason Farago, the New York Times critic at large.  In the exclusive Slate Plus segment, the panel embraces sweater weather with a discussion inspired by Amanda Mull's essay for The Atlantic, “Your Sweaters Are Garbage.”  Email us at culturefest@slate.com.  Endorsements: Dana: One of Dana's favorites from the New York Film Festival this year is Anatomy of a Fall (which won the Palme d'Or at Cannes!) Directed by Justine Triet, this murder mystery thriller becomes a psychological study of a marriage when a suspicious tragedy strikes a family living in the French Alps. “It's the kind of film you want to see then immediately debate over drinks with friends.” Julia: A fantastic piece of writing on Insider, “The Great Zelle Pool Scam” by Devin Friedman, that uses the funny personal essay form–some reporting, a few confessions, observational humor, and the occasional insight–to levy an attack on Zelle, a massive, poorly regulated major part of our financial infrastructure.  Stephen: “Picasso's Transformations” an essay by the art critic Jed Perl, published in The New York Review of Books (which is celebrating its 60th anniversary).  Outro music: “Lonely Calling” by Arc De Soleil Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by diving into Taylor Swift: The Eras Tour, a glittery and extremely fun concert movie starring the singer-songwriter-producer-mogul that's already become the highest grossing concert documentary of all time. Then, they discuss Beckham, a surprisingly candid four-part docu-series on Netflix directed by Fisher Stevens that chronicles the footballer's meteoric rise to stardom and paints an intimate portrait of his home life with Victoria Adams, a.k.a. Posh Spice. Finally, the three dissect “Why Culture Has Come to a Standstill,” a provocative essay authored by Jason Farago, the New York Times critic at large.  In the exclusive Slate Plus segment, the panel embraces sweater weather with a discussion inspired by Amanda Mull's essay for The Atlantic, “Your Sweaters Are Garbage.”  Email us at culturefest@slate.com.  Endorsements: Dana: One of Dana's favorites from the New York Film Festival this year is Anatomy of a Fall (which won the Palme d'Or at Cannes!) Directed by Justine Triet, this murder mystery thriller becomes a psychological study of a marriage when a suspicious tragedy strikes a family living in the French Alps. “It's the kind of film you want to see then immediately debate over drinks with friends.” Julia: A fantastic piece of writing on Insider, “The Great Zelle Pool Scam” by Devin Friedman, that uses the funny personal essay form–some reporting, a few confessions, observational humor, and the occasional insight–to levy an attack on Zelle, a massive, poorly regulated major part of our financial infrastructure.  Stephen: “Picasso's Transformations” an essay by the art critic Jed Perl, published in The New York Review of Books (which is celebrating its 60th anniversary).  Outro music: “Lonely Calling” by Arc De Soleil Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I welcomed back Jennifer Coates and Elisabeth Condon to the podcast to discuss the recent exhibition "Bonnard: The Experience of Seeing" at Acquavella Gallery, NYC April 12 - May 26, 2023. We each chose a single painting from the show to discuss and so I'm calling us The Bonnardians. It's a Bonnard-a-trois! Come along for a hilarious, smart and nerdy look at this fascinating post-impressionist artist. Paintings: (1) Jennifer Coates Bonnard's "The French Door (Morning at Le Cannet)" "La porte-fenêtre (Matinée au Cannet)" 1932 Oil on canvas 34 7/8 x 44 3/4 inches See the painting: https://tinyurl.com/2v59ntey (2) Elisabeth Condon Bonnard's "Golden Hair" "La Chevelure D'or" 1924 Oil on canvas 26 1/8 x 21 inches See the painting: https://tinyurl.com/yc8ynu8m (3) Amy Talluto Bonnard's "After Lunch/The Lunch" "Apres le Dejeuner"/"Le Dejeuner" 1920 Oil on canvas 29 3/8 x 46 inches See the painting: ⁠https://tinyurl.com/m9bnksf9⁠ Find Jennifer Coates online: http://www.jenniferlcoates.com/ and on IG: @jennifercoates666 Recent and Upcoming shows: "Love Fest" Platform Project Space, "I Spy a May Queen" Contemporary Art Matters: Columbus, OH, Catskill Art Space with David Humphrey Find Elisabeth Condon online: https://www.elisabethcondon.com/ and on IG: @elisabethcondon Recent and Upcoming shows: Emerson Dorsch, Miami, Solo Dec 3, 2023, "Rainbow Roccoco" at Kathryn Markel, NYC, Norte Maar Brooklyn Mural, "⁠⁠Made in Paint⁠⁠" at The Golden Foundation in New Berlin, NY thru Aug 2023 Find Amy Talluto online: https://www.amytalluto.com/ and on IG: @talluts Recent and Upcoming shows: "Cut Me Up" Albany International Airport, "Appearances" Strange Untried Project Space July 22-23, 2023 Artists mentioned: Hokusai, The Nabis, Arthur Dove (at Alexandre Gallery), The Steiglitz Circle, Pablo Picasso, J M W Turner, Claude Monet, Charles Burchfield Books/Writers mentioned: Jed Perl "Complicated Bliss" The New Republic, Dita Amory "Pierre Bonnard: the Late Still Lifes and Interiors," Francoise Gilot "Life With Picasso," Lucy Whelan "Pierre Bonnard Beyond Vision," Mira Schor's essay "Figure Ground" in "M/E/A/N/I/N/G:An Anthology of Artists' Writings, Theory, and Criticism," Mira Schor's "The Osage Tree" Episodes mentioned: Ep 50: Elisabeth Condon Describes a Painting: Sam Francis' "Untitled", Ep 48: Interview w/ Catherine Haggarty ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy's website: ⁠⁠⁠⁠https://www.amytalluto.com/⁠⁠⁠⁠ Amy on IG: ⁠⁠⁠⁠@talluts⁠⁠⁠⁠ ⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠ Donations appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

“There's this kind of visceral dimension to art that is at the core of art. Understanding the why and how is very important too, but we all want to keep in touch with that immediate pow—that thing that art does for us.” Art critic Jed Perl is here, to talk defense of the arts and why now more than ever the arts need defending. Radical, liberal, conservative, reactionary—through decades and centuries people try to push the arts into one of these boxes to fit certain social or political agendas. But Perl argues that the arts inhabit their own sphere and operate with their own set of rules. As he says, figuring out the politics of Mozart or Jane Austen would be a fool's errand. But in a time of increased pressures, identity politics, and certain "box checking," can art have the freedom it needs to thrive and grow in modern day America? If you like what we do, please support the show. By making a one-time or recurring donation, you will contribute to us being able to present the highest quality substantive, long-form interviews with the world's most compelling people. JED PERL is the author of the two-volume biography of Alexander Calder. For twenty years, he was the art critic of The New Republic. His previous books include Magicians & Charlatans, Antoine's Alphabet, and New Art City. He lives in New York City.

A conversation that parses the nuances of the question: Does art have to be political to be important right now? With the art critic Jed Perl, who just published Authority and Freedom: A Defense of the Arts, and the novelist Johsua Cohen, author of the acclaimed The Netanyahus: An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family, which fictionalizes the Israeli family in ways comic and serious. 

00:48 - Jed Perl discusses his new book “Authority and Freedom: A Defense of the Arts". In the book, Perl looks at the nature of art, why it resounds with each of us and what pushes us forward.28:00 - The week's top art headlines.

Merriam-Webster's Word of the Day for May 27, 2021 is: flotilla • floh-TILL-uh • noun 1 : a fleet of ships or boats; especially : a navy organizational unit consisting of two or more squadrons of small warships 2 : an indefinite large number Examples: "Sometimes, a hot bite, a cold drink, and a flotilla of paddle boats is just right. In fact, after this winter of our discontent, it's just perfect." — Merrill Shindler, The Daily Breeze (Torrance, California), 19 Mar. 2021 "The vessel was sunk during an engagement with a Japanese flotilla of much larger battleships, cruisers and destroyers." — Tim Stanley, The Tulsa (Oklahoma) World, 7 Apr. 2021 Did you know? Flotilla comes from the diminutive form of the Spanish noun flota, meaning "fleet." Flota derives via Old French from Old Norse floti and is related to Old English flota (meaning "ship" or "fleet"), an ancestor to English's float. Much like other words referring to groups of particular things (such as swarm), flotilla has taken on expanded usage to refer simply to a large number of something not necessarily having to do with nautical matters, often with humorous effect (e.g., "a flotilla of rather mature-looking male models" — Jed Perl, The New Republic).

The second and final volume of this magnificent biography begins during World War II, when Calder–known to all as Sandy–and his wife, Louisa, opened their home to a stream of artists and writers in exile from Europe. In the postwar decades, they divided their time between the United States and France, as Calder made his first monumental public sculptures and received blockbuster commissions that included Expo ’67 in Montreal and the 1968 Olympics in Mexico City. Jed Perl makes clear how Calder’s radical sculptural imagination shaped the minimalist and kinetic art movements that emerged in the 1960s. And we see, as well, that through everything–their ever-expanding friendships with artists and writers of all stripes; working to end the war in Vietnam; hosting riotous dance parties at their Connecticut home; seeing the “mobile,” Calder’s essential artistic invention, find its way into Webster’s dictionary–Calder and Louisa remained the risk-taking, singularly bohemian couple they had been since first meeting at the end of the Roaring Twenties. The biography ends with Calder’s death in 1976 at the age of seventy-eight–only weeks after an encyclopedic retrospective of his work opened at the Whitney Museum in New York–but leaves us with a new, clearer understanding of his legacy, both as an artist and a man. Jed Perl is a regular contributor to The New York Review of Books. He was the art critic for The New Republic for twenty years and a contributing editor to Vogue for a decade, and is the recipient of a Guggenheim Fellowship. His previous books include Magicians and Charlatans, Antoine’s Alphabet, and New Art City, which was a New York Times Notable Book and an Atlantic Book of the Year. He lives in New York City. Description courtesy of Penguin Random House.

Jed Perl is an art critic for The New York Review of Books and The New Republic.  He's the author of the biography, "Alexander Calder: The Conquest of Time", and we talked about the artist's work and his impact on sculpture.

Alexander Calder is one of the most beloved and widely admired artists of the twentieth century. Anybody who has ever set foot in a museum knows him as the inventor of the mobile, America’s unique contribution to modern art. But only now, forty years after the artist’s death, is the full story of his life being told in this biography, which is based on unprecedented access to Calder’s letters and papers as well as scores of interviews. Jed Perl shows us why Calder was–and remains–a barrier breaker, an avant-garde artist with mass appeal. Born in 1898 into a family of artists–his father was a well-known sculptor, his mother a painter and a pioneering feminist–Calder went on as an adult to forge important friendships with a who’s who of twentieth-century artists, including Joan Miró, Marcel Duchamp, Georges Braque, and Piet Mondrian. We move through Calder’s early years studying engineering to his first artistic triumphs in Paris in the late 1920s, and to his emergence as a leader in the international abstract avant-garde. Jed Perl is a regular contributor to The New York Review of Books. He was the art critic for The New Republic for twenty years and a contributing editor to Vogue for a decade, and is the recipient of a Guggenheim Fellowship. He lives in New York City. Description courtesy of Knopf.

Art critic Jed Perl talks Alexander Calder and his new book "Calder: The Conquest of Time." Historian and critic Liesl Olson shares revelations from "Chicago Renaissance: Literature and Art in the Midwest Metropolis. Translator Sho Sugita reads poems by Japanese futurist poet Hirato Rekichi. Open Stacks is the official podcast of the Seminary Co-op Bookstores. This episode was produced by Kit Brennen, Imani E. Jackson, Marina Malazoniya & Joshua Edwards.    

In his groundbreaking biography of American sculptor Alexander Calder (1898–1976), author Jed Perl shows us why Calder was—and remains—a barrier breaker, an avant-garde artist with mass appeal. Perl is joined in conversation by Alexander S. C. Rower, who is both the chairman and president of the Alexander Calder Foundation and Calder’s grandson. Recorded Oct. 30, 2017.

This is the second installment of our two-part interview with James Panero, executive editor of the New Criterion. In this episode, we hear a bit more about the history of the journal, how it fit into the culture wars of the 80s and 90s, and what critics and editors like Victor Navasky of the Nation and Jed Perl of the New Republic have thought about it.