Podcasts about Old English

The future of World of Darkness video games looks shaky after a strategy pivot at Paradox. We look at the fallout and discuss why Old English vocabulary might be the ultimate worldbuilding tool for your next fantasy campaign. About Audio EXP Audio EXP is Geek Native's podcast. Each week, there's some favourite or exciting geeky news, conventions, interviews, and thought pieces. The average length of the podcast is around 10 minutes. You will find a transcript of this week's podcast and links to the stories mentioned here: https://www.geeknative.com/215938/audio-exp-podcast-310-is-the-world-of-darkness-in-trouble-again/

Episode 86 Recalling Brigid by Orna Ross Orna Ross reads ‘Recalling Brigid' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/86_Recalling_Brigid_by_Orna_Ross.mp3 This poem is from: Poet Town: The Poetry of Hastings & Thereabouts edited by Richard Newham Sullivan Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Interview transcript Mark: Orna, where did this poem come from? Orna: Hi Mark. Yeah, so it's one of a collection that I'm working on, around Irish women from history and myth. And these are women that I grew up with, as a young person, receiving a sort of a typical Irish education, if you like. Orna: And so some of them are saints, some of them are mythological people. Well, saints are also mythological people! Some of them are historical figures who've been mythologized. And I just wanted to go back in and do my own exploration of each of these women because everybody else had. So I've been gathering these poems over a long time, but it actually started with this one. It started with Brigid. And Brigid is a figure from ancient Irish mythology. And she was Christianized into a Roman Catholic saint. She is the patron saint of Ireland. One of. You've probably heard of the other one. Patrick. You probably haven't heard of this one: Brigid. And, so many things have been projected on her. And it's interesting to read what, what survives of what is written about her because what's written earlier on in time is quite different to what's written later on. And she continues to be an inspiration. Her feast day is the first day of spring in Ireland, which in Ireland is the first day of February. It's much earlier than it is in England. And she's just an interesting, personification of the female virtues as they've been perceived over time. Mark: So you said she was written about differently in earlier times to more recent times, which I think is pertinent to how you're exploring that in the poem. So maybe you could just give us a brief summary of that. Orna: Yes. So I, the poem refers to ‘the takeover'. And by that, I kind of mean the Christian, but hand in hand with Christian goes the patriarchal, takeover of old images of women in general. And Brigid is part of that. So earlier, renditions about her tend to focus on her as a healer, as a wise woman, as a very compassionate person, ‘ale to lepers' is one of the, images in the poem. Whereas later versions tend to emphasize her holiness and her saintliness and, her goodness and I suppose what we would typically think is a good, religious, icon. So it's interesting just to read how that changes and differs as we go. And she also then had her detractors, which is where we get to the ideas, about women generally that are in the poem – the consort, mother, victim, whore, those kinds of ideas. You see them brushing against Brigid over time, but she comes through intact actually, as a woman in her own right. And these don't tend to stick to her as they have stuck to others. Mark: And sometimes when poets use mythological figures like this, there's a kind of a critique of, ‘Well, that's a little bit old fashioned, it's poetry with a capital P'. But reading this and listening to you, it kind of really underlines to me that mythology and religion are really quite present in Ireland. Orna: Oh, gosh, yes! The past is very present in Ireland still, in lots of ways. And. It's interesting. I suppose it's something to do with being a small island on the very edge of, in inverted commas, civilization. Although the Irish like to think they civilized Europe during the dark ages by sending our saints and our scholarship, our images of people like Brigid, the truth is that old ways lingered on a long time, and particularly the part of Ireland where I grew up. So, I grew up in County Wexford down in the small bottom right-hand corner, the very southeast tip of Ireland. Around it, there is a river and a small hill that kind of cuts that area off. And around County Wexford in general, there are larger hills and a big river that cuts Wexford off. So they tended to travel by sea more than road, people from that part of the world. And it was the first part of Ireland to be conquered the Norman conquest and, Old English lingered there right up until, well, there are still words that are used in Wexford that aren't used elsewhere. Carols and songs as well. So other parts of Ireland and, obviously England, had moved on, it but kind of got stuck there. So I'm just kind of pointing up the fact that yes, things stayed, passed on in an oral kind of culture and an oral tradition. And hedge schools and such like, long after such things had faded away in other parts of Europe. Mark: And you say Old English rather than Irish was lingering? Orna: That's right. And, because they had, well, the Normans came to England first Hastings, actually where I live now. One of the reasons I'm here, I think is that I felt a lot of similarities between here and Wexford and I think the Norman invasion in both places, it was part of that. So yeah, a hundred years after the Normans landed in Hastings, they were brought over to Wexford by an Irish chieftain to help him win one of his battles with another Irish chieftain. So English came with the Normans to Ireland. Mark: Right. And this is another amazing thing about Ireland, is the kind of the different layers, like archaeological layers of language. You've got Irish, you've got Old English, you've got Norman French, you've got Latin from the church, you've got Norse from the Vikings and so on. It's incredibly rich. Orna: Yes. More diverse, I think. And again, because of its cut off nature, these things lasted longer, I think, because that's also true of England, but the overlay is stronger and so they don't make their way through. Mark: Right, right. And the ghosts can peep through. So, okay, that's the historical cultural context. What does Brigid mean to you and why did you choose her as the first figure in this sequence? Orna: She chose me, I think. I very much feel this poem, you know, some poems are made and some arrive and this one arrived. I wanted to do something to celebrate her. That was all I knew because it was the first day of spring, which I always loved, that first day of February. You know, when winter is really beginning to bite and you feel, I mean, there is no sign of spring except some crocuses maybe peeking up and, uh, a few spring flowers making a little promise. But usually the weather is awful, but it's the first day of spring and it's, been a really important day for me from that point of view. And then the fact that it does, you know, the fact that Patrick is such a great big deal everywhere and Brigid isn't known at all. So that's kind of where I started and I just knew I'd like to write a poem. And then it was one of those ones that I, if I had set out to write a poem about Brigid, I don't think this is what I would have written. It just arrived. And I found that I was thinking about lots of things and as the first poem of this sequence, I wanted to say some of the things about womanhood in the poem, and I, well, I realised I did, because that's what emerged. So for me, it's very much about that kind of quiet aspect of, so, you know, we've got feminism, which talks very much about women's rights to do whatever it is they want to do in the outer world. But for me, she, in this poem, represents the inner, the quiet virtues, if you like, always there for us. We're not always there for them, but they're always there and active in our lives all the time, and I wanted to celebrate that in the poem. So that's what, you know, I got, the rough draft just came pouring out, and that's what I found myself wanting to bring out. Mark: And the title, ‘Recalling Brigid', you know, I was thinking about that word ‘recalling', because it could mean ‘remembering', but it could also mean ‘calling' or ‘summoning'. Orna: Yes, deliberately chosen for both of those meanings, yes, very well spotted there, poetry reader. Mark: Well, you know, this is a very ancient function of poetry, isn't it? And it's where it kind of shades into charm or spells, to summon, or invoke a spirit or some kind of otherworldly creature or being. Orna: Absolutely. I think you've got the heart of what the poem is trying to do there. It is about calling forth, something, as I say, that's there, that we're all, you know, is there for all of us in our lives, but that we're not always aware of it. And our culture actively stifles it, and makes it seem like it's less important than it is. And so, yes, very much exactly all the words, the beautiful words you've just used there. I was hoping this poem would tap into that. Mark: Very much. And, you know, the beginning, ‘Queen of Queens, they called her'. So presumably this is in the old pre-Christian days, ‘they called her'. So there's that word ‘calling' again, and you give us the kind of the gloss, ‘in the old books, the Irish Mary'. And then you introduce the takeover: ‘such was the sort of woman / preferred as the takeover was made:' And then you get the other version. And then you've got: ‘Brigid said nothing to any of this,' which I think is really wonderful that she keeps – so you've gone from ‘they' in the past, ‘what they called her'. And then Brigid keeping her own counsel about this. She said nothing to any of this, ‘the reverence, or the upbraidings'. And then we get you where you say, ‘I am not as womanly / a woman as she. / So I say: let us see. / Let us say how she is the one. // It is she who conceives, and she who does bear.' Lovely, beautiful repetitions and shifts in there. So you really, you step forward into the poem at that point. Orna: I really wanted to, to place myself in relation to, to her and to all the women in this collection. Which isn't out yet, by the way, it's not finished. So I've got another three to go. No, I really wanted to place myself in relation to the women in the poems. That was an important part of the project for me. And I do that, you know, lots of different ways. But this poem, the first one is very much about, I suppose, calling out, you know, the ‘recalling' that you were talking about there a few moments ago, calling out the qualities. That we tend to overlook and that are attributed to Brigid as a womanly woman. And so, yeah, that's, that's what I was saying. I'm more of a feminist woman who is regarded by some as less womanly. so there is a, that's an interesting debate for me. That's a very interesting, particularly now at this time, I think, it's very interesting to talk about, you know, what is a feminist and what is feminism. And I personally believe in feminisms, lots of different, you know, it's multiple sort of thing. But these poems are born of a, you know, a feminist poet's sensibility without a doubt. So in this first one, I just wanted to call out, you know, the womanly virtues, if you like. Mark: Yeah. So I get a sense of you kind of starting as a tuning fork for different ideas and voices, calling her different things. And then you shift into, ‘Let us see. / Let us say…' I love the description earlier on where you said it's a celebration because by the end of the poem, it really is. It's all her attributes, isn't it? ‘It is she who conceives / and she who does bear.' And so on. Again, how easy was it for you to let go and, and, and step into that? Because it's kind of a thing that it's a little bit, it's not what we associate with modern poetry, is it? Orna: No, not at all. Not at all. But I had to ages ago, give up on modern poetry. If I wanted to write poetry, I had to drop so much, so much that I learned, you know, English Lit. was my original degree. And, you know, I, I was in love with poetry from a very young age. So, I learned everything I could about everything. And then I had to drop it all because I didn't write, I didn't write any poems between the end of my teens and my early forties when I lost a very dear friend. And then when I went on, shortly afterwards to, develop breast cancer. So those two things together unlocked the poetry gates and poems came again. And the kind of poems that came, very often were not, poems that they're not fashionable in that sense. You know, they're not what poetry tends to be. And from that point, in our time, if you like, some are, some, some do come that way, but an awful lot don't. And, for that reason, I'm just so entirely delighted to be able to self-publish because they speak to readers and say they communicate. And to me, that's what matters. And I don't have to worry about being accepted by a poetry establishment at all. I don't spend any time whatsoever thinking about that. I work at the craft, but I, it's for myself and for the poem and for the reader, but not to please anybody that, you know, would be a gatekeeper of any kind. Mark: Well, some listeners will know this – you are very much known as a champion of opportunity and diversity in publishing for writers and self-publishing, independent publishing, however you call it. But I think what I'd like to focus on here is the fact that, you know, by writing a poem like this, you highlight the conventions that we have in modern poetry. And it's easy to see the conventions of the past, but maybe not so much the ones in the present. And I love the fact that you've just sidestepped that or ignored that and written the poem that came to you. Orna: Yes. Yes, very much did and do. And like I said, I don't spend, I did at one time spend time thinking about this, but I spend absolutely no time now thinking about this at all. Mark: That's so refreshing to hear! [Laughter] Orna: No, it's, it's great. It's certainly a liberation. I think very much about the poem and what the poem needs and wants from me. And I make mistakes. I, you know, I don't do well on some poems. I go back, rewrite, sometimes years later, sometimes after they're published. so yeah. It's not that I don't think about form or structure or, you know, all of the things that poets think about but I only think about the master, you know, is the poem itself or the reader possibly or the communication between the bridge between me and the reader, something like that. But yeah, it's liberating for sure. Mark: And how did that play out in this poem? I mean, how close is this to the original draft that came to you? Orna: It's one of the poems that's closest to the original. It kind of arrived and I didn't want to play with it too much at all. So yeah, it, I just left it be. I let it be what I wanted to be because for me there are echoes in this poem as well of Old Irish poetry and ways of writing. you know, that if you, I don't know if you've ever had the pleasure of reading Old Irish poetry in translation? Mark: Yes. Orna: So, you know, that sense of I'm reading something from a completely different mind. It's, it isn't just that the, you know, the structures are different or whatever. It's like the whole mind and sensibility is something else. And that was one of the things I wanted to slightly have to retain in this poem. You know, I felt that it, it carries some of that forward and I wanted to, to leave it there as an echo. Mark: Yeah. Quite a lot of those Old Irish poems have a kind of a litany, a list of attributes of the poet or their beloved or the divine being that they're evoking. And that comes across very strongly here. Orna: Yeah, definitely. That's sort of a list of, which to the modern ear can sound obvious and, you know, just not poetry really. So yeah, I think that's one of the qualities that it carries. Mark: And I love the kind of the incantatory repetitive thing. Like I was saying about the, ‘So I say: let us see. / Let us say', and then ‘It is she… It is she… she who', you know, it just carries you along. It's got a hypnotic quality to it. Orna: Yes. And the she part, you know, the emphasizing the feminine, I suppose, touch of the divine feminine, but very much the physical feminine, and activities as well. So, you know, women held the role of birth and death very much in Irish culture again, up to really quite recently. I remember that, in my own youth and okay, I am getting on a bit, but, it's still, you know, it was quite late in time where, women did the laying out for burial. They did the keening of the, the wake, all of that. I remember very well. so at the beginning and end of life at the thresholds, if you like, that was a woman's job. And, that was lost, I think in the takeover. But I still think all the emotional labour around those thresholds are still very much held by women, you know, silently and quietly. And yeah, Brigid doesn't shout about it, but in this poem, I want to call it. Mark: Yeah. Recall it. Okay. And then let's go back to Hastings, which we touched on earlier, because this, okay. It's, it's going to be in your collection. It's been published in a wonderful anthology poetry from Hastings called Poet Town. Tell us a bit about that book and how you came to be involved. Orna: Yeah. So I heard about it and, Richard [Newham Sullivan] wonderful, poet and, publisher and general literary person. He now lives in New York, but he grew up in Hastings and lived here for many years. And it was a kind of a homesickness project he told me later, for him just. But he carried the idea in his mind for a very long time. He wanted to, he knew that there was an incredible, poetic history in Hastings, which people were not aware of. So Hastings is very well known. Hastings and St. Leonard's, where I live, both are very well known as arty kind of towns. Visual arts are very, very visible here, and all sorts of marvellous things going on, and music as well, there's brilliant Fat Tuesday music festival every year, but there's also, there's classical music, music in the pubs, music coming out your ears, literally. But very little about the literary life that goes on here, and lots of writers living here. And so Richard wanted to just bring forward the poetry side of that. And so he decided it's a passion project for him. He decided to, he worked with the publisher, a small publisher here, in Hastings for it. It's Moth Light Press. And he set out to gather as many living poets into one collection as he could. And this is where I was interested because as, I'm a historical novelist as well, so history is big for me, and I was really interested in the history, you know, the history and the poets who had lived here. There were quite a few. It's not every day you find yourself in an anthology with Lord Byron and Keats, and, two Rossetti's! So that was a joy, discovering all the poets who, had a connection to Hastings back to, I think he went back to the early 1800s with it. So, yeah, it's been a huge success, and, people are loving the book, and it has really brought poetry, brought pride, I think, to the poetry community in the town, which is lovely. Mark: Yeah, I'm really enjoying it, and I love the fact that it's got the old and the new. Because, of course, that's what I do here on A Mouthful of Air. I always think the ghosts of poetry past are always present in the work of the living. I hadn't realized what a deep and rich poetic history Hastings had. So, yeah, Poet Town, a great anthology. Do check that out while you're waiting for Orna's sequence to come to light. And Orna, thank you so much for sharing such a remarkable poem and distinctive take on the poet's craft. And I think this would be a good point to listen to the poem again, and appreciate your praise and celebration once more. Orna: Thanks so much, Mark, for having me. I really enjoyed it. Thank you. Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Poet Town: The Poetry of Hastings & Thereabouts ‘Recalling Brigid' is from Poet Town: The Poetry of Hasting & Thereabouts, published by Moth Light Press. Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Orna Ross Orna Ross is an award-winning poet and novelist. Her poetry, rooted in Irish heritage and mindfulness practice, explores love, loss, creativity, and spiritual renewal through a female lens. As founder-director of the Alliance of Independent Authors (ALLi), she champions creative freedom for poets and writers. Her forthcoming collection, And Then Came the Beginning—Poems of Iconic Irish Women, Ancient and Modern—is available for pre-order at OrnaRoss.com/TheBeginning. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom... Alchemy by Gregory Leadbetter Episode 84 Alchemy by Gregory Leadbetter Gregory Leadbetter reads ‘Alchemy' and discusses the poem with Mark McGuinness.This poem is from: The Infernal Garden by Gregory LeadbetterAvailable from: The Infernal Garden is available from: The publisher: Nine Arches...

Send us a textIn celebration of the 100th episode of New Humanists, we do an extended episode that is a retrospective, discussing the history of the Ancient Language Institute and the New Humanists podcast, has some updates on what we're up to at the moment, and a peek behind the curtain so listeners can find out what is upcoming at ALI and on the podcast. We also welcome both Colin Gorrie and Luke Ranieri to the show to discuss Ekho: The Ancient Language Streaming App.Alan Jacobs's The Year of Our Lord 1943:  https://bookshop.org/a/25626/9780190864651Jacques Maritain's Education at the Crossroads: https://bookshop.org/a/25626/9781685953423W.H. Auden's Vocation and Society: https://www1.swarthmore.edu/library/auden/documents/vs.pdfC.S. Lewis's The Abolition of Man: https://bookshop.org/a/25626/9780060652944Simone Weil's The Need for Roots: https://bookshop.org/a/25626/9780415271028T.S. Eliot's Notes Towards the Definition of Culture: https://amzn.to/4p5ubVoKenneth Grahame's The Wind in the Willows: https://bookshop.org/a/25626/9781402782831Introduction to Latin Poetry: https://ancientlanguage.com/intermediate-latin-ii/Introduction to Ancient Greek Poetry: https://ancientlanguage.com/ancient-greek-intro-poetry/Introduction to Old English Poetry: https://ancientlanguage.com/intermediate-old-english-ii/Colin Gorrie's Ōsweald Bera: An Introduction to Old English: https://ancientlanguage.com/vergil-press/osweald-bera/Learn Old English at ALI: https://ancientlanguage.com/register-for-old-english/Learn Old Norse (through Old English) with ALI: https://ancientlanguage.com/old-norse-through-old-english/Laura Spinney's Proto: https://bookshop.org/a/25626/9781639732586Colin Gorrie's interview of Laura Spinney: https://www.youtube.com/watch?v=_nVIV-qaHHYLuke Ranieri's Patreon: https://www.patreon.com/LukeRanieriThe Ranieri-Roberts Approach to Ancient Greek: https://www.youtube.com/watch?v=2vwb1wVzPecApuleius' The Golden Ass: https://bookshop.org/a/25626/9780253200365Xenophon's An Ephesian Tale: https://bookshop.org/a/25626/9781514295557Benjamin Kantor's The Pronunciation of New Testament Greek: https://bookshop.org/a/25626/9780802878311Lucian's Assembly of the Gods: https://amzn.to/4peTcxBNew Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

Merriam-Webster's Word of the Day for November 16, 2025 is: writhe • RYTHE • verb To writhe is to twist one's body from side to side. The word is often used when the body or a bodily part is twisting in pain. // The injured player lay on the football field, writhing in pain. // At the instruction of their teacher, the children rolled the fallen log aside to reveal worms and other small critters writhing in the soft earth. See the entry > Examples: “The creatures named after writers are mostly bugs, which makes sense. There are a lot of those little guys writhing around, and I imagine most of them escaped our attention for long enough that science had to start reaching for new names. And a lot of them are wasps: Dante has two wasps named after him; Marx has two, Didion has one, Dickens has two, Zola has two, Thoreau has seven, and Shakespeare has three wasps and a bacterium. Nabokov has a lot of butterflies, naturally.” — James Folta, LitHub.com, 25 Aug. 2025 Did you know? Writhe wound its way to us from the Old English verb wrīthan, meaning “to twist,” and that ancestral meaning lives on in the word's current uses, most of which have to do with twists of one kind or another. Among the oldest of these uses is the meaning “to twist into coils or folds,” but in modern use writhing is more often about the physical contortions of one suffering from debilitating pain or attempting to remove oneself from a tight grasp (as, say, a snake from a hawk's talons). The word is also not infrequently applied to the twisting bodies of dancers. The closest relation of writhe in modern English lacks any of the painful connotations often present in writhe: wreath comes from Old English writha, which shares an ancestor with wrīthan.

This month's episode of the Three Ravens Bestiary is all about one of our favourite topics - Wargs and Werewolves!We start with J.R.R. Tolkien, exploring how the species of intelligent wolf he invented - the Warg - combined Old English and Old Norse words and ideas, bringing different traditions of werewolf belief crashing into the public consciousness.It is this, brought into monster movies over time, that really created the 'Modern' werewolf.Though where does the werewolf's story begin?We're throwing a broad net on this one, including discussions of Skinwalkers and Wendigos, the Epic of Gilgamesh and the first-ever "man beast" in the form of Enkidu; we touch on the Classical myth of King Lycaon of Arcadia, transformed into a wolf due to his inhuman transgressions, and discuss how the Great European Werewolf Panic, which lasted for over 300 years, changed folk belief about the links between Black Magic and werewolves forever.It's a grand and sweeping story, and goes to explain a few things about why werewolves are pretty much always scary, why Wargs matter so much, and how modern cinema-goers are maybe a bit more like Odin than they probably realise.So, pull up your Wolf Pants, leave the silver bullets at home, and let's get lupine! Aroooo!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Merriam-Webster's Word of the Day for November 11, 2025 is: doughty • DOW-tee • adjective Doughty is a word with an old-fashioned flair used to describe someone who is brave, strong, and determined. // The monument celebrates the doughty townspeople who fended off invaders centuries ago. See the entry > Examples: “The film chooses to render our doughty heroes' super-costumes as cerulean-blue rollneck sweaters, which is a puzzling choice both aesthetically and practically: knitwear seems literally ill-fitted to derring-do.” — Glen Weldon, NPR, 25 July 2025 Did you know? There's no doubt that doughty has persevered in the English language—it's traceable all the way back to the Old English word dohtig—but how to pronounce it? One might assume that doughty should be pronounced DAW-tee, paralleling similarly spelled words like bought and sought, or perhaps with a long o, as in dough. But the vowel sound in doughty is the same as in doubt, and in fact, over the centuries, doughty's spelling was sometimes confused with that of the now obsolete word doubty (“full of doubt”), which could be the reason we have the pronunciation we use today. The homophonous dowdy (“having a dull or uninteresting appearance”) can also be a source of confusion; an easy way to remember the difference is that you can't spell doughty without the letters in tough (“physically and emotionally strong”).

Order of Service: - Prelude: Praeludium in D Minor (J. Pachelbel) - The Confession of Sin (p. 120) - Hymn 250 - A Mighty Fortress is Our God: vv. 1, 2 - Hymn 251 - A Mighty Fortress is Our God: vv. 3, 4 - The Versicles (pp. 120-121) - The Gloria Patri (p. 121) - O God, My Strength and Fortitude: 1. O God, my strength and fortitude, Of force I must love Thee: Thou art my castle and defense in my necessity. My God, my rock, in whom I trust, The worker of my wealth; My refuge, buckler, and my shield, The home of all my health. 2. The pangs of death did compass me And bound me ev'ry where; The flowing waves of wickedness, Did put me in great fear. The sly and subtle snares of hell were round about me set: And for my death there was prepared a deadly trapping net. 3. I thus beset with pain and grief Did pray to God for grace; And He forthwith did hear my plaint Out of His holy place. O God, my strength and fortitude, Of force I must love Thee: Thou art my castle and defense in my necessity. - Psalm 18 - Old English melody, arranged by Austin Lovelace - Hymn 492 - The Law of God is Good and Wise - Romans 7:7-20: What shall we say then? Is the law sin? Certainly not! On the contrary, I would not have known sin except through the law. For I would not have known covetousness unless the law had said, "You shall not covet." But sin, taking opportunity by the commandment, produced in me all manner of evil desire. For apart from the law sin was dead. I was alive once without the law, but when the commandment came, sin revived and I died. And the commandment, which was to bring life, I found to bring death. For sin, taking occasion by the commandment, deceived me, and by it killed me. Therefore the law is holy, and the commandment holy and just and good. Has then what is good become death to me? Certainly not! But sin, that it might appear sin, was producing death in me through what is good, so that sin through the commandment might become exceedingly sinful. For we know that the law is spiritual, but I am carnal, sold under sin. For what I am doing, I do not understand. For what I will to do, that I do not practice; but what I hate, that I do. If, then, I do what I will not to do, I agree with the law that it is good. But now, it is no longer I who do it, but sin that dwells in me. 18 For I know that in me (that is, in my flesh) nothing good dwells; for to will is present with me, but how to perform what is good I do not find. For the good that I will to do, I do not do; but the evil I will not to do, that I practice. Now if I do what I will not to do, it is no longer I who do it, but sin that dwells in me. - Jesu, der du meine Seele - BWV 78 - J.S. Bach: Wir eilen mit schwachen, doch emsigen Schritten, O Jesu, o Meister zu helfen, zu dir. Du suchest die Kranken und Irrenden treulich. Ach höre, wie wir Die Stimmen erheben, um Hülfe zu bitten! Es sei uns dein gnädiges Antlitz erfreulich! We hasten with weak but diligent steps, Oh Jesus, oh Master of Salvation,3 to you. You seek the ailing and [spiritually] erring faithfully, Ah, hear, how we Raise our voices to plead for help/salvation. Let your merciful countenance be gladdening to us. - Romans 8:1-11: There is therefore now no condemnation to those who are in Christ Jesus, who do not walk according to the flesh, but according to the Spirit. For the law of the Spirit of life in Christ Jesus has made me free from the law of sin and death. For what the law could not do in that it was weak through the flesh, God did by sending His own Son in the likeness of sinful flesh, on account of sin: He condemned sin in the flesh, that the righteous requirement of the law might be fulfilled in us who do not walk according to the flesh but according to the Spirit. For those who live according to the flesh set their minds on the things of the flesh, but those who live according to the Spirit, the things of the Spirit. For to be carnally minded is death, but to be spiritually minded is life and peace. Because the carnal mind is enmity against God; for it is not subject to the law of God, nor indeed can be. 8 So then, those who are in the flesh cannot please God. But you are not in the flesh but in the Spirit, if indeed the Spirit of God dwells in you. Now if anyone does not have the Spirit of Christ, he is not His. And if Christ is in you, the body is dead because of sin, but the Spirit is life because of righteousness. But if the Spirit of Him who raised Jesus from the dead dwells in you, He who raised Christ from the dead will also give life to your mortal bodies through His Spirit who dwells in you. - Hymn 233 - The Gospel Shows the Father's Grace - Romans 3:19-28: Now we know that whatever the law says, it says to those who are under the law, that every mouth may be stopped, and all the world may become guilty before God. Therefore by the deeds of the law no flesh will be justified in His sight, for by the law is the knowledge of sin. But now the righteousness of God apart from the law is revealed, being witnessed by the Law and the Prophets, even the righteousness of God, through faith in Jesus Christ, to all and on all who believe. For there is no difference; for all have sinned and fall short of the glory of God, being justified freely by His grace through the redemption that is in Christ Jesus, whom God set forth as a propitiation by His blood, through faith, to demonstrate His righteousness, because in His forbearance God had passed over the sins that were previously committed, to demonstrate at the present time His righteousness, that He might be just and the justifier of the one who has faith in Jesus. Where is boasting then? It is excluded. By what law? Of works? No, but by the law of faith. Therefore we conclude that a man is justified by faith apart from the deeds of the law. - Choral Anthem - Now Thank We All Our God - J.S. Bach: Text: ELH 63 - The Kyrie (p. 124) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Collect (pp. 125-127) - The Benedicamus and Benediction (p. 127) - Hymn 589 - Lord, Keep Us Steadfast in Thy Word - Postlude: Lord, Keep Us Steadfast (setting by Jan Bender) Service Participants: Rev. Tim Hartwig, President, Bethany Lutheran Theological Seminary (Preacher), Prof. David Paulson (Choir Director), Chaplain Don Moldstad (Lector)

Hwæt a Movie is back! This time we dive deep into the uncanny valley epic Beowulf from 2007. Released at the height of Robert Zemeckis's motion-capture mania, this version of our favorite Old English classic promised to bring the poem to life like never before. It was slated to be an event like no other, at least for John and Andy. In this star-studded and CG-saturated film, Ray Winstone voices a Beowulf who looks suspiciously like an action figure and swaggers like he just killed nine nicors. He's accompanied by the ageless Wiglaf, played by Brendan Gleeson. The great Anthony Hopkins plays a jovial but somewhat mad King Hrothgar, Robin Wright plays the deeply troubled Queen Wealhtheow, and John Malkovich does his best John Malkovich as Unferth. But if we're honest, this is the Grendel family's movie from start to finish. Crispin Glover turns in a unforgettable performance as a Grendel who swells with anger and shrinks with vulnerability. Grendel's mother is a gold-dipped, shape-shifting femme fatale with stiletto feet. She's also very much Angelina Jolie. And then there's Grendel's little half-brother dragon. That's right, the dragon is part of the family! Is this adaptation a clever deconstruction of heroism and myth-making? Or just an excuse to get Beowulf naked on an animated dragon? Zemeckis, Gaiman, and Avary take some bold liberties with the source material in this one, and we're here to guide you through it all from the perspective of two curmudgeonly middle-aged medievalists. As always, this episode of Hwæt a Movie includes a thorough summary and discussion of the film, a brief Q&A, and our final ratings: how well the film handles Beowulf, Grendel, and Grendel's mother, plus our ever-important scores for faithfulness to the source and overall entertainment value. Beowulf (2007) was a wild ride to discuss, and we hope you enjoy it half as much as Beowulf enjoys shouting his own name. Or at least as much as Zemeckis likes cleverly blocking Beowulf's bare bits from view with conveniently placed objects. Once you've listened, let us know your thoughts. Is this the definitive Beowulf for the 21st century? Or just a fever dream in a damp cave? And do you forgive us for being grumpy when it comes to Beowulf movies? Reach out on social media and join the discussion: Sagathingpodcast on Facebook Sagathingpodcast on Instagram Sagathingpodcast on Bluesky Or join others like you on Saga Thing's unofficial official Discord All music taken from the film for this episode is written and produced by Glen Ballard and Alan Silvestri.

Alasdair bedazzles James with tales of gold-digging ants. Did we mention these creatures were also massive? And deadly? Well, they were! Beginning with an Old English legend from Hana Videen's bestiary The Deorhord, the Loreboys travel into a world of dubious manuscripts and outlandish beasts. Lock up your camels! This episode was edited by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joseph Burrows - Audio Editor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the LoreFolk at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/loremenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ko-fi.com/loremen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the sweet, sweet merch here... ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/loremen-podcast?ref_id=24631⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @loremenpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/loremenpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/loremenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/loremenpod⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

While John Granger labors with the paid subscribers to chart each of Hallmarked Man's ten Parts and one Epilogue (in preparation for a charting of the whole book structure), there will be a break in the series of conversations they have had about Strike 8 in which they have focused on a single Shed tool per episode. They will be discussing instead during the charting period a series of Q&A discussions about topics that have come up on the moderator back-channels, email from paid subscribers, and news from Rowling World.They had fourteen questions for the recording above and only managed to get through five. Deo volente and trans Atlantic work schedules permitting, they'll record a second show this week to discuss the greater remnant of the original fourteen and questions that subscribers ask in the comment boxes below this post. Ask away! And share those theories and corrections of mistakes Nick and John have made!John referenced quite a few texts and resources in his answers to some of Nick's questions. He's taken pictures and provided urls for those who want to see what he was talking about. Enjoy!Links to and Pictures of Conversation PointsQ1: The Universal Humanitarian Church and FreemasonryThe Alchemical Dictionary (Abraham) entries for:* Griffin* Red Lion* QueenQ2: Freemasonry Library ‘Discoveries'Introductions:* The Idiot's Guide to Freemasonry - John Calvin and GAOTU* The Freemasons — Pictures of Third Degree Initiation in Freemasonry: From Hallmarked Man:* Morals and Dogma - Hiram as Model Mason* Liturgy of the Ancient and Accepted Scottish Rite* Bridge to Light — ‘Legend of Hiram'Histories:* The Craft - Baphomet!* The Templars* That Religion in Which All Men AgreeThe Secret Depths* The Hiram Key - Picture of Third Degree Initiation in Freemasonry: * The Book of HiramOccultist Guides:* Studies in Freemasonry and Compagnonnage (Rene Guenon)* The Lost Keys of Freemasonry (Manly Hall)Picture of Third Degree Initiation in Freemasonry (above, book's frontispiece) Note Subtitle* A New Encyclopedia of Freemasonry (Arthur Edward Waite)Saint-Martin and Freemasonry: pages from A New EncyclopediaCarmen, the Opera: Wikipedia synopsisMeaning of ‘Dirk' A woman named ‘Carmen' names her son after the weapon that kills Carmen in the Bizet opera. With a husband whose signature characteristics are rage and impulsive violence. Beyond satire.Q3: Hallmarked Man as Rowling's Welsh NovelQ4: The Murder of Hiram Abiff as the Strike 8 Story TemplateSee pages from Freemasonry guides above.Q5: The Meaning of ‘Calvin Osgood'Idiot's Guide to Freemasonry: John Calvin and GAOTUNotable Osgoods: WikipediaThe Meaning of ‘Osgood'* EtymologyThe name Osgood has its roots in Old English. The first part of the name, “Os,” is derived from the Old English word “god,” which means “god.” The second part, “good,” is a common English word that means “good” or “virtuous.” Therefore, when combined, the name Osgood can be interpreted as “God is good” or “virtuous god.”* Venus!Astrologically, the name Osgood is linked to the planet Venus. Venus is the planet of love, beauty, and creativity, suggesting that individuals with this name may have a strong appreciation for art, aesthetics, and relationships. They may also possess a charming and diplomatic nature, finding pleasure in harmonious interactions with others.* Oggy!Oggie: A fun and unique variation that can be used as a nickname.Jacob Osgood: American Esoteric Christian Sect Leader Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

rWotD Episode 3071: Landscape painting Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Tuesday, 30 September 2025, is Landscape painting.Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects.Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism.Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, it is called a topographical view. Such views, extremely common as prints in the West, are often seen as inferior to fine art landscapes, although the distinction is not always meaningful; similar prejudices existed in Chinese art, where literati painting usually depicted imaginary views, while professional artists painted real views.The word "landscape" entered the modern English language as landskip (variously spelt), an anglicization of the Dutch landschap, around the start of the 17th century, purely as a term for works of art, with its first use as a word for a painting in 1598. Within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However, the cognate term landscaef or landskipe for a cleared patch of land had existed in Old English, though it is not recorded from Middle English.This recording reflects the Wikipedia text as of 00:55 UTC on Tuesday, 30 September 2025.For the full current version of the article, see Landscape painting on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ayanda.

What Are “Anglo-Saxon Tales”?“Anglo-Saxon” refers to the people who settled in what is now England from roughly the 5th to the 11th centuries (the Angles, the Saxons, the Jutes, etc.)Their tales are the stories, poems, myths, legends, riddles, and heroic narratives produced by or for those people mostly in Old English.Oral tradition was very important. Storytellers (often called scops) would recite or sing tales to an audience, sometimes accompanied by music (like lyres).Only a minority of people could read and write. When tales were written, it was usually by monks in monasteries. That means many stories survive today only because someone decided to write them down much later.

You can be unkempt, but can you be just kempt? Let’s find out in this Adventure in Etymology on Radio Omniglot. An unkempt llama Unkempt [ˌʌnˈkɛmpt] means uncombed or dishevelled (hair), disorderly, untidy, messy, rough or unpolished. It comes from unkemmed, from Middle English kembed (well-combed, neat), from kemben [ˈkɛm(b)ən] (to comb), from Old English […]

Have you ever heard an elder call someone, usually a girl or woman, a wench? Here's how an Old English word became a racist, sexist slur used to attack Black women._____________2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work.The production team for this podcast includes Cydney Smith and Len Webb. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Lilly Workneh serves as executive producer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this insightful episode of the Network of Awareness, ORRA The Informationalist dives into the profound significance of respect, tracing its etymology from Latin and Old English to its modern-day interpretation. The discussion covers the deeper meaning of respect beyond mere politeness, highlighting how it embodies recognition of worth, value, and dignity. ORRA emphasizes the importance of seeing beyond the surface to acknowledge the divine essence in others and oneself. The episode also touches on respect within communities, personal relationships, and its role in creating a harmonious society. Special guests from TikTok join to share personal reflections and experiences, underlining the transformative power of self-respect and empathy. The show concludes with powerful final thoughts on respect as an antidote to duality and a pathway to unity consciousness.00:00 Introduction to Respect and Its Importance00:30 Etymology and Historical Context of Respect04:33 Modern Misunderstandings of Respect14:43 Respect in Relationships and Society21:55 Respect vs. Fear and Power33:48 Respect in Leadership and Media45:05 The Illusion of Social Media Bravery45:30 The Root Causes of Conflict and War46:27 Disrespect for Truth and Its Consequences46:56 The Sacredness of Life and Nature48:34 The Art of Listening and Communication49:52 Boundaries and Self-Respect54:10 Respect in Relationships01:10:43 Community and Unity Consciousness01:21:02 Final Thoughts on Respect and LegacyBecome a supporter of this podcast: https://www.spreaker.com/podcast/network-of-awareness--4447646/support.

In this week's episode, we spotlight the very rare, very old, and very beautiful Old English Pheasant Fowl chicken. Dr. Rebecca, our avian veterinarian, joins us to talk about cancer in chickens. We share our recipe for easy 4 Ingredient Almond Cookies, and find some retail therapy with knitted emotional support chickens. Grubbly Farms - click here for our affiliate link.https://www.anrdoezrs.net/click-100963304-15546963Pre and Probiotic and Vitamin and Electrolyte Powders!Bright and Early Coffee - use code CWTCL15 for 15% off of any bagged coffee. K Cups always ship free!https://brightandearlycoffee.com/Omlet Coops- Use Our Affiliate Link and COFFEE10 code for 10% off!https://tidd.ly/3Uwt8BfChicken Luv -  use CWTCL50 for 50% off your first box of any multi-month subscription!https://www.chickenluv.com/Breed Spotlight is sponsored by Murray McMurray Hatcheryhttps://www.mcmurrayhatchery.com/Metzer Farms Waterfowlhttps://www.metzerfarms.com/Nestera UShttps://nestera.us/cwtclUse our affiliate link above for 5% off your purchase!4 Ingredient Almond Cookies - https://coffeewiththechickenladies.com/farm-fresh-egg-recipes/4-ingredient-almond-cookies/CWTCL Websitehttps://coffeewiththechickenladies.com/CWTCL Etsy Shophttps://www.etsy.com/shop/CoffeeWChickenLadiesAs Amazon Influencers, we may receive a small commission from the sale of some items at no additional cost to consumers.CWTCL Amazon Recommendationshttps://www.amazon.com/shop/coffeewiththechickenladiesSupport the show

Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history'. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede's handwriting, his research programme and his previously lost Old English translation of St John's Gospel, dictated on his deathbed. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history'. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede's handwriting, his research programme and his previously lost Old English translation of St John's Gospel, dictated on his deathbed. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history'. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede's handwriting, his research programme and his previously lost Old English translation of St John's Gospel, dictated on his deathbed. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history'. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede's handwriting, his research programme and his previously lost Old English translation of St John's Gospel, dictated on his deathbed. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history'. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede's handwriting, his research programme and his previously lost Old English translation of St John's Gospel, dictated on his deathbed. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history'. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede's handwriting, his research programme and his previously lost Old English translation of St John's Gospel, dictated on his deathbed. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history'. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede's handwriting, his research programme and his previously lost Old English translation of St John's Gospel, dictated on his deathbed. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history'. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede's handwriting, his research programme and his previously lost Old English translation of St John's Gospel, dictated on his deathbed. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The Lord points to the purpose of the revelation as soon as His commentary begins on John's record. D&C 93:19 explains what he wants to teach Saints what is needed to receive the Father's inheritance: “I give unto you these sayings that you may understand and know how to worship, and know what you worship, that you may come unto the Father in my name, and in due time receive of his fulness” (93:19) Interestingly, the etymology of our word “worship” comes from an Old English and West Saxon word that means “condition of being worthy.” Thus, we can increase our worship when we increase our worthiness. We then worship more as we become more like our Savior.

Merriam-Webster's Word of the Day for August 12, 2025 is: ramshackle • RAM-shak-ul • adjective Ramshackle describes things that are in a very bad condition and need to be repaired, or that are carelessly or loosely constructed. // Toward the back of the property stood a ramshackle old shed. // The book had a ramshackle plot that was confusing and unbelievable. See the entry > Examples: "House of the Weedy Seadragon ... and Semaphore Shack sit side-by-side in the sand dunes. They're part of a cosy cluster of ramshackle residences, built in the 1930s by a Hobart family as weekenders for the extended tribe to fish, swim and while away sun-soaked days." — The Gold Coast (Australia) Bulletin, 4 July 2025 Did you know? Ramshackle has nothing to do with rams, nor the act of being rammed, nor shackles. The word is an alteration of ransackled, an obsolete form of the verb ransack, meaning "to search through or plunder." (Ransack comes from Old Norse rannsaka, which combines rann, "house," and -saka, a relation of the Old English word sēcan, "to seek.") A home that has been ransacked has had its contents thrown into disarray, and that image may be what inspired people to start using ramshackle in the first half of the 19th century to describe something that is poorly constructed or in a state of near collapse. Ramshackle in modern use can also be figurative, as in "a ramshackle excuse for the error."

Stefan Collini, FBA. Professor Emeritus of Intellectual History and English Literature, University of Cambridge.The Donald Winch Lectures in Intellectual History.University of St Andrews. 11th, 12th & 13th October 2022.In the course of the nineteenth and twentieth centuries, universities expanded to include a wide range of what came to be regarded as academic ‘disciplines'. In Britain, the study of ‘English literature' was eventually to become one of the biggest and most popular of these subjects, yet it was in some ways an awkward fit: not obviously susceptible to the ‘scientific' treatment considered the hallmark of a scholarly discipline, it aroused a kind of existential commitment in many of those who taught and studied it. These lectures explore some of the ways in which these tensions worked themselves out in the last two hundred years, drawing on a wide range of sources to understand the aspirations invested in the subject, the resistance that it constantly encountered, and the distinctive forms of enquiry that came to define it. In so doing, they raise larger questions about the changing character of universities, the peculiar cultural standing of ‘literature', and the conflicting social expectations that societies have entertained towards higher education and specialized scholarship.Handout - Lecture 3: Syllabuses1. ‘“English”, including Anglo-Saxon and Middle English along with modern English, including what we ordinarily call the “dull” periods as well as the “great” ones, is an object more or less presented to us by nature.'2. ‘In the 1880s, an exciting duel between two great publishing houses brought the price of the rival National and World Libraries (Cassell's and Routledge's, respectively) down to 3d in paper and 6d in cloth. And not only were prices cut: the selection of titles was greatly enlarged, the old standbys - Milton, Pope, Cowper, Thomson, Burns, Goldsmith, and the rest - being joined by many other authors who had seldom or ever appeared in cheap editions.'3. ‘Sir John Denham (1615-1668) is familiar from the oft-quoted couplet in his poem of Cooper's Hill, the measured and stately versification of which has been highly praised. He died an old man in the reign of Charles II, with a mind clouded by the sudden loss of his young wife, whom he had married late in life. John Cleveland (1613-1659), author of the Rebel Scot and certain vigorous attacks on the Protector, was the earliest poetical champion of royalty. Butler is said to have adopted the style of his satires in Hudibras. Colonel Richard Lovelace (1618-1658) ....'4. ‘Poetry: More advanced poems from Chaucer (e.g. The Prologue), Shakespeare, Spenser, Milton, Pope, Wordsworth, Tennyson, or from selections such as The Golden Treasury; Shakespeare, (Histories, Comedies or easier Tragedies). Prose: Plutarch's Lives, Kinglake, Eothen, Borrow, Lavengro, Ruskin, Sesame and Lilies, Frowde [sic; ?Froude], selected short studies, Modern prose Comedies (e.g. Goldsmith and Sheridan), Selections from British Essayists (e.g. Addison, Lamb, Goldsmith), Macaulay, Essays or selected chapters from The History.'5. ‘In the 1930s favourite Higher Certificate set books and authors among the various Boards include: The Faerie Queene, Marlowe's Faustus, Bacon's essays, Sidney's Apologie for Poetrie, Hakluyt, The New Atlantis, Shakespeare, Chaucer, Milton, Lamb, Carlyle, Pope, Dryden, Scott and the Romantic poets. These texts and authors changed hardly at all between 1930 and 1950 (and represent a very similar situation to that of 1900-1910).'6. ‘An Honours Degree in English Language and Literature at present entails, in every University in England, some knowledge both of Latin or Greek at the outset, and of Old English later.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com

Merriam-Webster's Word of the Day for August 8, 2025 is: winsome • WIN-sum • adjective Winsome describes people and things that are cheerful, pleasant, and appealing. // Though a relative newcomer to acting, Maya won the casting directors over with her winsome charm, which was perfect for the role of the plucky young superhero. // Our winsome guide put us at ease immediately. See the entry > Examples: “Wilson's take on Snow White is surprisingly winsome. It delivers a familiar story with a fresh perspective and some unexpected sources of nostalgia.” — Kristy Puchko, Mashable, 19 March 2025 Did you know? Despite appearances, winsome bears no relation to the familiar word win, meaning “to achieve victory.” The Old English predecessor of winsome is wynsum, which in turn comes from the noun wynn, meaning “joy” or “pleasure.” And the ancestor of win is the Old English verb winnan, meaning “to labor or strive.” Given those facts, one might guess that the adjective winning, meaning “tending to please or delight,” as in “a winning personality,” is a winsome relation, but in fact it's in the win/winnan lineage. Winning is more common today than the similar winsome in such constructions as “a winning/winsome smile,” but we sense no hard feelings between the two. It's just the way things (lexically) go: you win some, you lose some.

I made you a ⁠⁠⁠⁠⁠⁠⁠FREE companion guide⁠⁠⁠⁠⁠⁠⁠ for this episode! This FREE instant access (and pretty!) PDF will give you 11 easy and enjoyable ways to celebrate Lammas (the halfway point between Summer Solstice & Autumn Equinox) + 8 journal prompts to help you reflect and process the inspiration of this season. Download it now!⁠Want to celebrate Lammas with other woo woo women? Join us in the Wild Wellness Women's Circle for a live Zoom gathering on July 31. This is a supportive place to come as you are and get what you need, so there's TIERED PRICING available. ⁠⁠⁠⁠⁠⁠⁠⁠Click here⁠⁠⁠⁠⁠⁠⁠⁠ to learn more and join.Lammas, also known as Lughnasadh, is a festival celebrated on August 1st, marking the halfway point between Summer Solstice and Fall Equinox, and the first harvest of the year in the Wheel of the Year. It's a time where Nature is modeling for us the themes of gratitude and abundance, harvest and reaping, transformation and sacrifice, community and sharing, and reflection and planning.Did you know?The word Lammas actually comes from the Old English "loaf mass." People baked a loaf of bread from their first harvest and brought it to the church to be blessed. This bread was believed to have healing and protective properties, so they placed it in the corners of their homes and barns for protection and blessing.Even though the exact date is August 1, we can celebrate this whole season. In this episode, you'll learn...the origins, history, and symbolism of Lammas what Nature is modeling for us physically, spiritually, and energetically, and how we can align 11 easy and enjoyable ways to celebrate Lammas 8 journal prompt themes to help you reflect and process the inspiration of this seasonRelated episodes:-229. How to Rewrite and Rewild Your Relationship with Your Cycle - with Em Dewey -228. The 4 Feminine Archetypes - what's yours? -227. Using the superpowers of your menstrual & moon cycle to enjoy your life moreFree Resources- Feel how you want to feel NOW with my ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Free Desire Map⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- FREE Masterclass: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discover Your Spiritual Gifts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Sign up for a FREE 1:1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠coaching curiosity call⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let's Connect on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠Let's Go Deeper Together- Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wild Wellness Women's Circle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (monthly membership with sliding scale pricing)- Enroll in⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Rewild Your Wellness⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (lifetime access online course)- Learn more about ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠one-on-one coaching⁠⁠⁠⁠

Merriam-Webster's Word of the Day for July 20, 2025 is: utmost • UT-mohst • adjective Utmost describes something that is the greatest or highest in degree, number, or amount. // The safety of employees is of utmost importance. // Olympians push themselves to the utmost limit when training. See the entry > Examples: “Only about 2,000 of the hybrid tea rose bushes, dubbed Barbra's Baby, are available so far. … Streisand politely declined to comment for this story, but Dan Bifano, a master rosarian and longtime gardener to Streisand, Oprah and other famous folk, believes a rose's name ‘is always of utmost importance; it makes the rose salable or unsalable, and anytime a rose is connected to a celebrity, it's going to pick up the sales.'” — Jeanette Marantos, The Los Angeles Times, 25 Mar. 2025 Did you know? Utmost, which typically communicates that something is of the greatest or highest in degree, number, or amount, is commonly found modifying words like importance, concern, and respect. But utmost can also indicate that something is, literally or figuratively, farthest or most distant—that it is outmost, as in “the utmost point.” Utmost in fact traces back to the Old English word ūtmest, a superlative adjective formed from the adverb ūt, meaning “out.” Utmost can also function as a noun referring to the highest attainable point or degree, as in “the inn provides the utmost in comfort and luxury.” The noun also often occurs in phrases such as “we did our utmost to help” where it means “the highest, greatest, or best of one's abilities, powers, and resources.”

A Sunday morning sermon by Pastor Brett Deal. Every year during the festival of Weeks, the time more commonly known as Pentecost, the people of God would read the little book of Ruth. Annually they would take this short story from their past and listen to it again as it spoke into the current realities they were facing as well as the unknown, unseen possibilities of the future. Starting Sunday, we will walk in the fullness of Pentecost, reflecting on the story of Naomi and Ruth and what their Spirit-inspired story reveals to us about yesterday, today, tomorrow, and overmorrow.  Most likely, you're well-acquainted with the first three time orientations, but that fourth might be new. Always a fan of a nuanced word, I stumbled across the Old English word while praying about this series. Overmorrow, in its simplest definition, is the day after tomorrow. Why did we ever stop saying it!? That little word lit my brain on fire! As I read and reread Ruth, I watched these four time stamps come alive. I found my soul kindled by the bright fire of overmorrow, illuminating hope beyond the horizon of tomorrow. But we only arrive at overmorrow by walking through yesterday, today, and tomorrow. We all, like Naomi and Ruth, have painful stories in our past. Our yesterday's tragedies can easily swallow up any hope we might have for the future. Ruth 1 does not shy away from the lamentable story of yesterday. It lays the weight of the past heavily on our shoulders with all its grief and tragedy. But it does not leave us there. Before we arrive at today, there is a glimpse, a glimmer…a hope of overmorrow.

Episode 671: We report! Can you read Old English? What even is, Old English? Can AI translate cats? Andrew dreams about Puke. It's a sad dream. How many miles are in a snake mile? Why do women get to sleep more? Interrupting business calls for unnecessary dinner plans. Is Trump more famous than Jesus? A new conspiracy by Andrew. Political attack ads, circa 1900.

Today's poem comes from the largest surviving trove of Anglo Saxon poetry–the Exeter Book. Happy riddling! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Louise Imogen Guiney is known for her lyrical, Old English-style poems that often recall the literary conventions of seventeenth-century English poetry. Informed by her religious faith, Guiney's works reflect her concern with the Catholic tradition in literature and often emphasize moral rectitude and heroic gallantry. Today Guiney is praised for her scholarship in both her poetry and in her numerous literary and historical studies.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Each day the nightingale sings its ode to the night from dusk until just past dawn. Tonight is no different and a nightingale calls from an unknown distance amongst a chorus of crickets. Fun fact: the name nightingale comes from the Old English "nihtigale" which means "night songstress".Spotify listener? Lose the intros by becoming a subscriber!⁠⁠⁠⁠⁠⁠ https://anchor.fm/tmsoft/subscribe⁠⁠⁠⁠⁠⁠Looking for something specific? Check out our playlists: ⁠Waves⁠, ⁠Rain⁠, ⁠Storms⁠, ⁠Meditation⁠, ⁠Fire⁠, ⁠Wind⁠, ⁠Fans⁠, ⁠Nature⁠, ⁠Trains⁠, ⁠Traffic & Cars⁠, ⁠Household⁠, ⁠City⁠, ⁠Winter⁠⁠⁠⁠⁠⁠⁠Learn more about the White Noise App⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Download the White Noise app for free!⁠⁠⁠⁠⁠⁠⁠⁠Listen to Our Albums Ad Free on Spotify!⁠⁠⁠⁠

Lately on the podcast, I've been wrestling with a question of language. What does the word hemp really mean, where did that meaning come from, how has it shifted over time, and who gets to define the word hemp today? For a thousand years, hemp was known as the plant or material that you made things from — things like rope, cloth and paper. But now when people hear the word hemp, they think about weed. And that's not helpful for a nascent industry trying to raise capital, build infrastructure and develop markets. To help me sort out the history and meaning of the word hemp, I spoke with Oxford University Professor Lynda Mugglestone, a historian of the English language, a lexicographer and an expert in how words evolve and collide with law, commerce and culture. “You would be cheered to know that hemp as a plant grown for fiber has history on its side. If we go right back to Old English we can see the very earliest kind of herbals and leech books talking about hemp,” Mugglestone said. For most of its long life in English, hemp meant the fiber plant grown for ropes, sails and home spun fabrics, and that meaning was stable for centuries. It was a household word, part of daily life, tied to farming and industry. But language doesn't sit still, and hemp is no exception. Over time, new uses for the word hemp have crept in. First medicinal, then psychoactive, and now commercial forces are pulling hemp in more directions. While lawmakers try to impose definitions and industries fight for market share, ordinary people just keep using the word however they want. That's how language works. But the original meaning hasn't gone anywhere — the fiber, the grain and the plant with history behind it. That meaning is still there and perhaps more robust today than at any time in the past 80 years. But the meaning of hemp has been expanded, like it or not, to include these new definitions, including that hemp can be THC-a flower or that hemp can get you high. Of course, I disagree with this new definition. Hemp that gets you high isn't hemp. Call it pot, call it weed, call it what you will, just don't call it hemp. As Mugglestone, paraphrasing Samuel Johnson, said, “Words, like their author, when they're not gaining strength, they're generally losing it.” So there you go, fiber and grain folks. You know what to do. Claim the word hemp and make it grow strong. You are hemp's rightful heir. Be the signal in the noise. * Books by Lynda Mugglestone, author of a range of books on English words and how they get used and recorded.Recent books include: Dictionaries. A Very Short Introduction (Oxford University Press, paperback) Samuel Johnson and the Journey into Words (OUP, paperback) Writing a War of Words: Andrew Clark and the Search for meaning in World War One (Oxford University Press, hardback)   Thanks to our Sponsors! IND HEMP Forever Green National Hemp Association Credits: Produced by Eric Hurlock, mixed and mastered by Justin Berger

What do two sodas a day, almond milk coffee, and five Old English sheepdog puppies have in common? Betsy and Ali, of course. This week, they dish on dog drama and delight—from a one-eyed chug named Mr. Peanut (who needs a home!) to Huck's showdown with a garden mouse Houdini. Plus, a reminder that love (and a little training) really can save the day. Grab your drink of choice and settle in—this episode is pure pet-powered joy.

In Bookish Words & their Surprising Stories (Bodleian, 2025) by Dr. David Crystal, explore how books have played a pivotal role in the history of English vocabulary. The noun itself is one of the oldest words in the language, originating from boc in Old English, and appears in many commonly used expressions today – by the book, bring to book and bookworm – to name a few. Alongside the arrival of the printing press came the development of the newspaper industry. Terminology such as stop the press, front page news and hit the headlines have developed into common English vernacular over time. Still, the emergence of the internet continues to change all languages. This anthology presents a selection of more than 100 words which show the influence of writing, reading and publishing books on our everyday vocabulary over the centuries, telling the stories behind their linguistic origins, and uncovering some surprising twists in the development of their meaning through time. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Bookish Words & their Surprising Stories (Bodleian, 2025) by Dr. David Crystal, explore how books have played a pivotal role in the history of English vocabulary. The noun itself is one of the oldest words in the language, originating from boc in Old English, and appears in many commonly used expressions today – by the book, bring to book and bookworm – to name a few. Alongside the arrival of the printing press came the development of the newspaper industry. Terminology such as stop the press, front page news and hit the headlines have developed into common English vernacular over time. Still, the emergence of the internet continues to change all languages. This anthology presents a selection of more than 100 words which show the influence of writing, reading and publishing books on our everyday vocabulary over the centuries, telling the stories behind their linguistic origins, and uncovering some surprising twists in the development of their meaning through time. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Send us a textWhat does it truly mean to succeed as a Christian in the marketplace? Tyler McHart dives deep into this question, drawing from his 12-year journey as an entrepreneur and his transformative encounter with "The Go-Giver" philosophy.The pivotal moment came when Tyler was about 30 years old, working in corporate sales and desperately seeking a different approach to business. A simple yet profound quote from minister Mike Murdoch changed everything: "What you make happen for another, God will make happen for you." This single idea perfectly aligned with what Tyler discovered in the book "The Go-Giver" - that by focusing on creating value for others rather than yourself, success naturally follows.Tyler makes a compelling case that everyone engages in selling, regardless of their formal role. Whether you're a parent encouraging your child to eat vegetables or a minister sharing the gospel, you're selling ideas and choices. He shares the fascinating etymology of the word "sell," which comes from the Old English "sellan" meaning "to give" - a revelation that transforms how we understand sales entirely. The true definition of selling, Tyler explains, is "learning what people do want to do and helping them do that."Ready to transform your approach to business and life? Explore how kingdom principles and giving-based strategies can revolutionize your success. Join Tyler's upcoming webinar on family banking by clicking the link in the show notes, and discover how to stop apologizing and start winning as a marketplace Christian.Support the show

Hands up if you've been missing Uncle Neil?? He's back today! Quite out of nowhere, with a sudden need for an explainer on old English, The Wittering Whitehalls know exactly who can help! Plus, complaining in restaurants, Hanoi airport and the Jensen Interceptor. JOIN THE WITTERING WHITEHALLS FOR THEIR BARELY (A)LIVE TOUR: https://thewitteringwhitehalls.co.uk/You can email your questions, thoughts or problems to TheWitteringWhitehalls@gmail.comOr, perhaps you'd like to send a WhatsApp message or Voice note? Why not?! Send them in to +447712147236This episode contains explicit language and adult themes that may not be suitable for all listeners.Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

An LA police officer and fire investigator both testified to Diddy’s possible involvement in Kid Cudi’s break-in and car bombing, and it was fascinating. From the expensive silk handkerchief to the destroyed fingerprints on the Old English bottle used in the attack,(that detail had Diddy’s lawyer asking for a mistrial) the details read like a movie script. Cassie Ventura’s stylist also took the stand and testified to personally witnessing Diddy kicking, hitting, punching, and dragging Cassie on multiple occasions and helping Cassie hide from him on “too many occasions to count.”See omnystudio.com/listener for privacy information.

An LA police officer and fire investigator both testified to Diddy’s possible involvement in Kid Cudi’s break-in and car bombing, and it was fascinating. From the expensive silk handkerchief to the destroyed fingerprints on the Old English bottle used in the attack,(that detail had Diddy’s lawyer asking for a mistrial) the details read like a movie script. Cassie Ventura’s stylist also took the stand and testified to personally witnessing Diddy kicking, hitting, punching, and dragging Cassie on multiple occasions and helping Cassie hide from him on “too many occasions to count.”See omnystudio.com/listener for privacy information.

An LA police officer and fire investigator both testified to Diddy’s possible involvement in Kid Cudi’s break-in and car bombing, and it was fascinating. From the expensive silk handkerchief to the destroyed fingerprints on the Old English bottle used in the attack,(that detail had Diddy’s lawyer asking for a mistrial) the details read like a movie script. Cassie Ventura’s stylist also took the stand and testified to personally witnessing Diddy kicking, hitting, punching, and dragging Cassie on multiple occasions and helping Cassie hide from him on “too many occasions to count.”See omnystudio.com/listener for privacy information.

www.asupermind.comSuperMind Coffee Club – Oakland, CA | The Second Official ExperienceFollowing a powerful launch in Boston, the SuperMind Coffee Club touched down in Oakland for its second-ever community activation—bringing even more energy, insight, and intention to the culture.Hosted by 19Keys, this gathering brought together thought leaders, healers, technologists, and local legends to unlock the rituals, frameworks, and conversations necessary to elevate mentally, spiritually, and economically.

Merriam-Webster's Word of the Day for May 11, 2025 is: darling • DAHR-ling • noun Darling can refer to a dearly loved person or to someone who is liked very much by a person or group. It can also mean “a kind and helpful person” as in, “Be a darling and carry this inside for me, would you?” // Our baby grandchild is just the sweetest little darling. // The actor has become a darling of the entertainment industry in both film and music. See the entry > Examples: “Rocking a BAPE hoodie and a slight nervousness, Jorjiana performed a freestyle and her most popular song, ‘ILBB2.' And then boom: There's no such thing as an overnight success, but it did seem as if Jorjiana was a social media darling by the next day.” — Damien Scott, Billboard, 20 Feb. 2025 Did you know? The opening lines of the rock band Wilco's song “My Darling,” sung from the perspective of a parent calming their sleepless child, demonstrate a very common use of the word darling: “Go back to sleep now, my darling / And I'll keep all the bad dreams away.” Darling is an ancient word, traceable all the way back to the Old English noun dēorling, which was formed by attaching the suffix -ling to the adjective dēore, the ancestor of dear, which describes that which is regarded very affectionately or fondly, is highly valued or esteemed, or is beloved. Darling, as in “my darling,” is often used as a term of endearment, whether for a child or a sweetheart, but it can also be used as a synonym of the noun favorite, as in “the word darling has proven itself a darling of songwriters for many centuries.”

Merriam-Webster's Word of the Day for April 19, 2025 is: fastidious • fass-TID-ee-us • adjective Someone described as fastidious is extremely or overly careful about how they do something. Fastidious may also describe someone who is difficult to please, or someone who always wants to be clean, neat, etc. // Our parents taught us to be fastidious in keeping our rooms clean, making sure to dust every surface and sweep out every corner. // He's a fastidious dresser whose fashion choices seem to anticipate the newest trends. See the entry > Examples: "Becoming Led Zeppelin, filmmaker Bernard MacMahon's new documentary about the band, certainly succeeds at taking Led Zeppelin seriously, in ways that might disappoint some viewers but that I found both compelling and refreshing. Becoming Led Zeppelin doesn't hide that it's an authorized biopic … but the film is so fastidious and detail-oriented that it never feels like hagiography." — Jack Hamilton, Slate, 11 Feb. 2025 Did you know? If you presume that the adjective fastidious bears some relation to fast, not so fast. Fastidious comes from Latin fastidium, meaning "aversion" or "disgust." Fastidium is believed to be a combination of fastus, meaning "arrogance," and taedium, "irksomeness" or "disgust." (Taedium is also the source of tedium and tedious.) In keeping with its Latin roots, fastidious once meant "haughty," "disgusting," and "disagreeable," but the word is now most often applied to people who are very meticulous or overly difficult to please, or to work which reflects a demanding or precise attitude. Our own fastidiousness requires us to point out that the familiar adjective fast comes not from Latin, but from Old English.

Merriam-Webster's Word of the Day for April 17, 2025 is: uncouth • un-KOOTH • adjective Uncouth describes things, such as language or behavior, that are impolite or socially unacceptable. A person may also be described as uncouth if they are behaving in a rude way. // Stacy realized it would be uncouth to show up to the party without a gift, so she picked up a bottle of wine on the way. See the entry > Examples: “Perhaps people deride those who buy books solely for how they look because it reminds them that despite their primary love of literature, they still appreciate a beautiful cover. It's not of primary importance but liking how something looks in your home matters to some extent, even if it feels uncouth to acknowledge.” — Chiara Dello Joio, LitHub.com, 24 Jan. 2023 Did you know? Old English speakers used the word cūth to describe things that were familiar to them, and uncūth for the strange and mysterious. These words passed through Middle English into modern English with different spellings but the same meanings. While couth eventually dropped out of use, uncouth soldiered on. In Captain Singleton by English novelist Daniel Defoe, for example, the author refers to “a strange noise more uncouth than any they had ever heard,” while Shakespeare wrote of an “uncouth forest” in As You Like It. This “unfamiliar” sense of uncouth, however, joined couth in becoming, well, unfamiliar to most English users, giving way to the now-common meanings, “rude” and “lacking polish or grace.” The adjective couth in use today, meaning “sophisticated” or “polished,” arose at the turn of the 20th century, not from the earlier couth, but as a back-formation of uncouth, joining the ranks of other “uncommon opposites” such as kempt and gruntled.

Wellness + Wisdom: Liberated Life Series | Episode 731 Wellness + Wisdom Podcast Host, Josh Trent, and the Liberated Life Series Co-Host, Mar, delve into the profound impact of self-talk, the power of language in shaping our mental states, and the most common disempowering phrases that everyone uses on a daily basis. Join The Liberated Life Tribe We ALL have problems. Stop hiding. Start living life liberated. Learn how to set yourself free from self-sabotage, limiting beliefs, thoughts + behaviors so you will have lifelong confidence + clarity of purpose through a thriving community + practical tools, guiding you to play a new reality game. Discover lifelong confidence, clarity, and a true sense of purpose with practical tools and a supportive community. Learn to rewrite your reality + master a new “reality game.” Unlock your highest potential in your physical, mental, emotional, spiritual + financial SELF beyond your wildest dream through accessing the power of surrender to trust life + create new results. Join the Tribe MANNA Vitality The only supplement you will ever need Save 20% with "JOSH20" Manna harnesses the power of nature through their Mineral Matrix blend, a unique composition of natural ingredients such as Shilajit, Ormus, and marine minerals. • Energy + Longevity • Brain Performance • Sex Drive • Immunity Defense • Beauty + Glow This blend is designed to support overall mental and physical performance, including cognitive function and energy levels, for an overall boost in vitality. By using natural ingredients, Manna provides a safe and effective way to enhance your body's natural abilities and unlock your full potential. Manna is a combination of the highest quality minerals, amino, fulvic, and humic acids, and nutrients gathered from some of the highest and lowest points on the planet —the mountains and the sea—to provide a comprehensive and enhanced mineral matrix. Save 20% with "JOSH20" Listen To Episode 731 As Josh Trent Uncovers: [00:00] The Power of Self-Talk The words we use are described as 'spells' and 'little prayers' that impact our mental state The narrative about pain can keep us stuck (e.g., saying 'I'm in pain' vs. 'I'm healing') The unconscious mind constantly listens to our self-talk Our brain receives 11 million bits of information per second but can only process 50-120 bits Neuroplasticity enables our brains to create new neural pathways through repeated thoughts [10:15] Disempowering Language Patterns Common disempowering phrases: 'I can't,' 'I should,' 'I'm bad,' 'I'm not smart enough' Learned patterns often pass down through family generations Spend 24 hours noticing how you speak to yourself The phrase 'I have to' creates a feeling of obligation and burden Replacing 'I have to' with 'I get to' shifts from obligation to opportunity The etymology of 'should' comes from Old English meaning debt, obligation, or duty [20:30] Replacing 'I don't know' 'I don't know' is a definite response that closes off possibilities Replace 'I don't know' with 'I'm figuring it out' or 'I'm learning how' The connection between disempowering language and lack of trust in intuition When we replace definitiveness with curiosity, it opens up possibilities Curiosity is lost during arguments when we get triggered (prefrontal cortex activity decreases) [30:45] Eliminating 'Try' + 'Maybe' 'Try' implies potential failure and provides a backdoor excuse not to succeed Replace 'try' with 'I will' or 'I'm going to do my very best' 'Maybe' steals our ability to take action and indicates a lack of conviction 'Maybe' often serves as a safety net in case we're wrong Replace 'maybe' with 'I commit to' or 'I believe' The importance of balancing high standards of communication with grace for ourselves Leave Wellness + Wisdom a Review on Apple Podcasts Links From Today's Show  732 Anne-Laure Le Cunff | Stop Living Someone Else's Life: How to Break Free from The Hidden Scripts Controlling You 481 Scott Jackson | Rewire Yourself: How To Create A Life You Love With Freedom From Subconscious Sabotage Josh's Trusted Products | Up To 40% Off Shop All Products Biohacking⁠ MANNA Vitality - Save 20% with code JOSH20 HigherDOSE - 15% off with the code JOSH15 PLUNGE - $150 off with discount code WELLNESSFORCE Pulsetto - Save 20% with code "JOSH" SaunaSpace - 10% off with discount code JOSH10 Ultrahuman Ring Air - 10% off with code JOSH Wellness Test Kits Choose Joi - Save 50% on all Lab Tests with JOSH Blokes - Save 50% on all Lab Tests with JOSH FertilityWize Test by Clockwize - Save 10% with code JOSH Tiny Health Gut Tests - $20 off with discount code JOSH20 VIVOO Health Tests - Save 30% off with code JOSH SiPhox Health Blood Test - Save 15% off with code JOSH Nutrition + Gut Health Organifi - 20% off with discount code WELLNESSFORCE SEED Synbiotic - 25% off with the code 25JOSHTRENT Paleovalley - 15% off with the link only EQUIP Foods - 20% off with the code WELLNESS20 DRY FARM WINES - Get an extra bottle of Pure Natural Wine with your order for just 1¢ Just Thrive - 20% off with the code JOSH Legacy Cacao - Save 10% with JOSH when you order by the pound! 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Merriam-Webster's Word of the Day for April 10, 2025 is: chary • CHAIR-ee • adjective Chary is usually used with about or of to describe someone who is cautious about doing something. // The director is chary about spending money. // I've always been chary of travelling alone. See the entry > Examples: “Overall, Rendell is chary about divulging the selling price of various documents, but he does occasionally reveal some financial details.” — Michael Dirda, The Washington Post, 3 Feb. 2024 Did you know? How did chary, which began as the opposite of cheery, become a synonym of wary? Don't worry, there's no need to be chary—the answer is not dreary. Chary's Middle English predecessor, charri, meant “sorrowful,” a sense that harks back to the Old English word cearig, meaning “troubled, troublesome, taking care,” which ultimately comes from an assumed-but-unattested Germanic word, karō, meaning “sorrow” or “worry,” that is also an ancestor of the word care. It's perhaps unsurprising then, that chary was once used to mean “dear” or “cherished.” Both sorrow and affection have largely faded from chary, and today the word is most often used as a synonym of careful.