Podcast appearances and mentions of Justine Triet

durée : 00:53:57 - Certains l'aiment Fip - À l'occasion de la sortie le 11 juin, du film "Différente" de Lola Doillon où elle incarne le personnage principal, on invite l'ex-chanteuse des Savages et actrice française qui a joué aussi pour Jacques Audiard, Catherine Corsini, Serge Bozon ou Justine Triet.

Cette semaine, « Le goût de M » raconte l'histoire d'un peintre qui représente sur toile ce qui l'entoure : les fêtes, les corps qui dansent, les cendriers qui débordent… Thomas Lévy-Lasne, grand défenseur de la peinture figurative, aime « représenter ce qu'il se passe quand il ne se passe rien ». Puis il prend conscience de la « dérive climatique », que le monde autour de lui s'écroule. « Est-ce que je continue de peindre, alors qu'il n'y a plus de futur ? » Ses tentatives de réponse se trouvent dans « La Fin du banal » (éd. Beaux-Arts de Paris, 35 €), paru en avril, sa première monographie, préfacée par Justine Triet, réalisatrice et scénariste, sa grande amie. Il y compile ses œuvres réalisées depuis une vingtaine d'années.Lui qui voulait faire des peintures « simples, très premier degré », nous reçoit chez lui, dans un immeuble ouvrier situé au cœur des puces de Saint-Ouen. Un lieu « pas très confortable, entre la bâche plastique et la lumière de parking ». Au mur de la cuisine ouverte, un grand poster d'un tableau de Titien, « Bacchus et Ariane », son œuvre préférée, où « tout a l'air harmonieux, sain » mais qui cache une certaine violence.Dans cet épisode, Thomas Lévy-Lasne nous raconte sa conscience de la catastrophe à venir et ce que cela soulève chez lui, en tant que peintre. Il revient sur son enfance « privilégiée », son entrée aux Beaux-Arts de Paris à 17 ans, « les doigts dans le nez », évoque son insensibilité à l'art moderne. Il mêle anecdotes biographiques – lorsqu'il « baladait » Clément Rosset, philosophe du rapport au réel, dans des bars malfamés – et piques adressées au monde de l'art, qu'il décrit comme classiste, violent et sexiste. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Forrest, Conan Neutron, Kristina Oakes and Kev from Austin Danger Pod talk about Justine Triet's Anatomy of a Fall. This is our last Justice Night Extravaganza episode, Starring Sandra Hüller, Swann Arlaud, Milo Macahdo-Graner, Antoine Reinartz, and Jehnny Beth With many similarities to Anatomy of a Murder, bringing this full circle. #anatomyofafall #sandrahuller #justinetriet #anatomyofamurder #jimmystewart #french #frenchcourt #german #frenchmovie #frenchmovies #swann #literature #filmpodcast #filmpodcast #moviepodcast #oscars #oscars2024 #oscars2023 #academyawards #academyawards2024 #academyawards2025 #bestpicture #foreignlanguagemovies Conan's latest album 'The Way of the Neutron' is available on BandCamp!!!!! https://neutronfriends.bandcamp.com/album/the-way-of-the-neutron Join our discord: https://discord.gg/ZHU8W55pnh The Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra

Justine Triet donne rendez-vous à Pierre Lescure sur le parvis de l'église Saint-Eustache, lieu transgressif pour cette fille de parents bouddhistes, superstitieuse aux pieds sur terre. Sa voix mesurée et son rire chaleureux nous mènent sous les ogives et dans la genèse d'Anatomie d'une chute, nous laissant peut-être même présager les succès à venir…

French director Justine Triet on Anatomy of a Fall, which received five Oscar nominations and took home the Palme d'Or in 2023. The film is an electric courtroom drama, about a woman suspected of her husband's murder and the various moral dilemmas that arise.Hollywood director Todd Haynes on his drama May December. Starring Natalie Portman and Julianne Moore, and also nominated for an Oscar, it unpicks the story of a married couple whose tabloid romance once gripped the world.

It's Hannah, Yosra and Mick's final review of a film of 2023, and Hannah's picked another celebrated “feminist” movie from that year. Neither Poor Things nor Barbie impressed us much, so the pressure's on for Justine Triet's awards-bothering legal drama, Anatomy of a Fall. Will Sandra Hüller impress as a woman on trial after the sudden death of her husband? Will young Milo Machado-Graner's acting chops blow us away as Daniel? Is Messi the French Border Collie more than just a “good boy” as Snoop? And why are we all sporting the heads of Labrador puppies? Find out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Uit een interview met David Bowie haalt schrijfster Lize Spit inspiratie voor haar eigen werk. “Als je het gevoel hebt dat je voeten net de grond niet raken, dan ben je exact op de juiste plaats om dingen te maken die anderen kunnen raken,” zegt ze. Het gedicht Weet nog wel van de Nederlandse Ester Naomi Perquin doet haar nadenken over onverschilligheid. En de rauwheid van de film Anatomie d'une chute van de Franse regisseuse Justine Triet raakt haar iedere keer opnieuw. Je kunt deze podcast ook als video bekijken op YouTube, in het kanaal van De Standaard.See omnystudio.com/listener for privacy information.

L'équipe de PopCorn Salé revient après une courte pause pour vous parler de non pas un, non pas deux, non pas trois, mais bien QUATRE films qui font l'actualité du cinéma. Au programme, féminisme, mauvaise foi et aligot avec : Anora, de Sean Baker, dernière Palme d'Or : brulot politique ou discours à la Ruben Östlund ? The Substance, de Coralie Fargeat : peut-on croire que Demi Moore est le parangon de la mocheté à Hollywood ? Juré n°2 : à 94 ans, Clint Eastwood est-il le penchant vieux, masculin et réac de Justine Triet ? Flow, de Gints Zilbalodis, ou comment être captivé par un potit chat pendant 1h30, non par un scroll youtube mais un film d'animation muet. Présentation : Arthur Chroniqueur.euse.s : Dasha, Julien, Pauline & Juliette

Bloody hell. The world has changed, society looks different, and men and women have to find new ways of relating to each other. We're not equipped for this. Sanjana Ramachandran and Samarth Bansal join Amit Varma in episode 401 of The Seen and the Unseen to discuss how meeting and mating are both easier and, well, harder. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Sanjana Ramachandran on Twitter, Instagram, Substack, LinkedIn , FiftyTwo and her own website. 2. Samarth Bansal on Twitter, LinkedIn, Instagram and his own website. 3. The Reflections of Samarth Bansal -- Episode 299 of The Seen and the Unseen. 4. The Romantic Idiot -- Samarth Bansal. 5. Thirty and Thriving -- Samarth Bansal. 6. The Namesakes -- Sanjana Ramachandran. 7. The 'Woman-Math' Of A 31-Year-Old, Unmarried, Bengaluru Woman -- Sanjana Ramachandran. 8. Society of the Snow -- JA Bayona. 9. Eichmann in Jerusalem: A Report on the Banality of Evil — Hannah Arendt. 10. This Be The Verse — Philip Larkin. 11. Quarterlife: The Search for Self in Early Adulthood -- Satya Doyle Byock. 12. A Godless Congregation — Amit Varma. 13. What's Consolation For An Atheist? -- Amit Varma. 14. Molecules Of Emotion --  Candace B Pert. 15. Howard Gardner's theory of multiple intelligences. 15. Womaning in India With Mahima Vashisht — Episode 293 of The Seen and the Unseen. 16. Scenes From a Marriage -- Ingmar Bergman. 17. Behave -- Robert Sapolsky. 18. Don't think too much of yourself. You're an accident — Amit Varma's column on Chris Cornell's death. 19. Determined -- Robert Sapolsky. 20. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 21. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 22. Reinventing Love -- Mona Chollet. 23. Sex Is Not a Spectrum -- Colin Wright. 24. Understanding the Sex Binary -- Colin Wright. 25. The Naturalistic Fallacy. 26. The Double ‘Thank You' Moment — John Stossel. 27. Bad Faith in Existentialism. 28. Rational Emotive Behavior Therapy. 29. Whiplash -- Damien Chazelle. 30. Narendra Modi takes a Great Leap Backwards — Amit Varma on Demonetisation. 31. Immanuel Kant's Categorical Imperative. 32. The Gulag Archipelago — Aleksandr Solzhenitsyn. 33. I Am The Best -- The Shah Rukh Khan song from Phir Bhi Dil Hai Hindustani. 34. The Madonna–Whore Complex. 35. Ranbir Kapoor on Nikhil Kamath's show. 36. Tamasha -- Imtiaz Ali. 37. Manic Pixie Dream Girl. 38. The Art of Podcasting -- Episode 49 of Everything Everything. 39. Anatomy of a Fall — Justine Triet. 40. Anatomy of a Folly — Amit Varma. 41. Marriage Story -- Noah Baumbach. 42. The Abyss and Other Stories — Leonid Andreyev. 43. Amit Varma's BTS reel as Gitanjali. 44. Peter Cat Recording Co. on Spotify, YouTube, Instagram and their own website. 45. The Life and Times of the Indian Economy -- Episode 387 of The Seen and the Unseen (w Rajeswari Sengupta). 46. Lant Pritchett Is on Team Prosperity — Episode 379 of The Seen and the Unseen. 47. How to Do Development -- Episode 57 of Everything is Everything. 48. The Pleasures and Pains of Coffee — Honoré de Balzac. 49. Sasha's 'Newsletter' -- Sasha Chapin. 50. The Evolution of Desire -- David Buss. 51. Modern Family and Friends. 52. Eve Fairbanks Examines a Fractured Society -- Episode 398 of The Seen and the Unseen. 53. The Flirting Trap — Eve Fairbanks. (Scroll down on that page for this piece). 54. Eternal Sunshine of the Spotless Mind -- Michel Gondry. 55. The Bookshop Romeo -- Amit Varma. 56. The Stranger -- Albert Camus. 57. When Harry Met Sally... -- Rob Reiner. 58. Annie Hall -- Woody Allen. 59. Late Admissions: Confessions of a Black Conservative -- Glenn Loury. 60. Rob Henderson's tweet on Glenn Loury's book. 61. The Game -- Neil Strauss. 62. On Flirting -- Rega Jha. 63. Notting Hill -- Roger Michell. 64. Postcards From Utsav Mamoria -- Episode 376 of The Seen and the Unseen. 65. Malini Goyal is the Curious One — Episode 377 of The Seen and the Unseen. 66. Unboxing Bengaluru — Malini Goyal and Prashanth Prakash. 67. Indian Matchmaking -- Created by Smriti Mundhra. 68. High Fidelity -- Nick Hornby. 69. Third Place. 70. The Pineapple Game. 71. The Razor's Edge -- W Somerset Maugham. 72. Anna Karenina -- Leo Tolstoy. 73. Mating in Captivity -- Esther Perel. 74. The State Of Affairs -- Esther Perel. 75. The Poly Couple of YouTube and Instagram. 75. The School of Life. 76. Early Indians — Tony Joseph. 77. Tony Joseph's episode on The Seen and the Unseen. 78. Who We Are and How We Got Here — David Reich. 79. Eden Project: In Search of the Magical Other -- James Hollis. 80. Fallen Leaves -- Aki Kaurismäki. 81. I hired a Contract Killer -- Aki Kaurismäki. 82. Manhattan, Husbands and Wives, Crimes and Misdemeanors & Bullets Over Broadway -- Woody Allen. 83. New York Stories -- Woody Allen, Francis Ford Coppola and Martin Scorcese. 84. Running with Scissors -- Augusten Burroughs. 85. Aftersun -- Charlotte Wells. 86. Elena Ferrante on Amazon. 87. Bloodline -- Todd Kessler, Glenn Kessler & Daniel Zelman. 88. Sex and the City -- Darren Star, based on Candace Bushnell's columns and book. 89. She's Gotta Have It -- Spike Lee. 90. She Said -- Maria Schrader. 91. The Take on YouTube. 92. Succession's Shiv - The Real “Woman Problem" in Business -- The Take. 93. We Are All Amits From Africa — Episode 343 of The Seen and the Unseen (w Krish Ashok and Naren Shenoy). 92. You're Ugly and You're Hairy and You're Covered in Shit but You're Mine and I Love You -- Episode 362 of The Seen and the Unseen (w Krish Ashok and Naren Shenoy). 93. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 94. The Adda at the End of the Universe — Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). This episode is sponsored by The 6% Club, which will get you from idea to launch in 45 days! Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Meetings and Matings' by Simahina.

Episode 84: Anatomy of a Fall For the 84th episode of Philosophy in Film Podcast, the gang lays down the gavel on Justine Triet's 2023 Palme d'Or-winning film, "Anatomy of a Fall." This gripping legal drama follows a writer accused of her husband's murder as she navigates the complexities of truth and perception. Join us as we interrogate the evidence and cross-examine the narrative with segments including Producer's Notes (6:43), where Craig opens the case file; the Beauclair Synopsis (15:24), where Alain presents the facts; Philosopher's Corner (30:51), where Chris examines themes of justice and truth; the Round Table Discussion (35:03), where we debate and deliberate over the film's merits; Reviews (1:45:43), where we render our verdicts; and #Mailbag (1:52:06), where we address listener questions and comments. As always, we engage in a discussion of all the philosophical and non-philosophical aspects of the movie that held us in contempt of fascination. Featured Beer: Take Your Pils by Omen Brewery (Edmonton, Alberta)  

Send us a Text Message.Nos vamos a la típica casa rural en medio de los Alpes franceses con Anatomía de una caída y te contamos en qué pueblo nevado rodó la película de Justine Triet, por qué podría haber ganado otro Oscar y el lugar donde se filmaron las secuencias de ese juicio en el que prácticamente todo se valía.Y nos damos un paseo por otras casa cinematográficas que a priori parecen paradisíacas pero a las que en realidad no querríamos mudarnos.La directora Justine Triet hablando de la experiencia de hacer esta película con el Directors Guild of America: https://soundcloud.com/thedirectorscut/anatomy-of-a-fall-with-justine-triet-and-nicole-kassell-ep-439Villarembert, el pueblito de la Saboia francesa donde vive Sandra en la película: https://maps.app.goo.gl/xBbaTnWc9BhHkRnF9El Palacio de Justicia en Saintes: https://www.francetvinfo.fr/culture/cinema/le-tribunal-de-saintes-en-charente-maritime-ecrin-du-film-multirecompense-anatomie-d-une-chute_6327216.htmlLa Cucina, el restaurante italiano a la orilla del río Isère en Grenoble: https://www.francebleu.fr/infos/culture-loisirs/un-petit-bout-de-grenoble-aux-oscars-2024-une-scene-d-anatomie-d-une-chute-a-ete-tournee-dans-un-restaurant-italien-1340947https://maps.app.goo.gl/vDY3GZRkbdvjXUy76El restaurante asiático donde Sandra y su equipo legal celebran la victoria al final de la película: https://www.leroyalrochefort.fr/https://www.facebook.com/RestaurantLeRoyal/posts/4582997711802394¡Síguenos en redes!Instagram @vuelodeidapodcastYouTube @vuelodeidaTikTok @vuelodeidaX @vuelodeida

Objection! Drop what you're listening to and check this out instead! Pete and Martha look at legal thrillers and courtroom dramas, and ask the question: are they back? Why did they leave? Why are production companies cowards about mid-budget adult dramas? Homework for the episode: My Cousin Vinny (1992, dir. Jonathan Lynn); Runaway Jury (2003, dir. Gary Fleder), The Caine Mutiny Court-Martial (2023, dir. William Friedkin), Anatomy of a Fall (2023, dir. Justine Triet)

L'ascension, jumeaux mais pas trop, Inséparables ou encore Ici et là-bas. La filmographie de mon invité est particulièrement dense ces dernières années, il est l'une des figures emblématiques de l'humour en France, j'ai le plaisir de recevoir Ahmed Sylla.Derrière la joie et les rires, Ahmed se confie sur les épreuves qu'il a du affronter et ont façonné sa manière de voir le monde : son sentiment de ne pas être à sa place dans l'enfance, ses angoisses mais aussi son envie de faire rire et de voir la vie sous son angle le plus positif. Comment dépasser le sentiment de ne pas être à sa place ?Comment se construire une carrière à son image ?Comment prendre soin de ses proches au quotidien ?Bonne écoute !Notes : Au plus profond (documentaire Netflix) Anatomie d'une chute de Justine Triet (film) N'avoue jamais de Lisa Gardner (livre) Invités cités : Alice BelaïdiSamuel Umtiti Hakim Jemili Pour découvrir les coulisses du podcast :https://www.instagram.com/inpowerpodcast/ Pour retrouver Ahmed sur les réseaux :https://www.instagram.com/ahmed_sylla/?hl=fr Et pour suivre l'aventure MyBetterSelf au quotidien :https://www.instagram.com/mybetterself/ Si cet épisode t'as plu, celui-ci te plaira surement :https://shows.acast.com/inpower/episodes/camille-lellouche Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Whatcha 290: Episode 290 - Your hosts are excited to recap what they've been enjoying, reading, listening to, but most of all what they've been WATCHING on this WHATCHA! So get ready to celebrate another milestone episode by hearing about some Normie Pop Culture and tune in for a very special episode of Normies Like Us. Thank you so much for listening, Normies! Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Episode 386: The Crew won't be giving their dogs aspirin after watching Justine Triet's Anatomy of a Fall. This film lives in ambiguity. Every character's action is layered, and when their backstory is revealed, you'll want to rewatch the previous scene to see what you missed or if there's anything else to be gained. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Le comédien âgé de 38 ans, césarisé en 2018 pour son interprétation dans « 120 battements par minute » et remarqué récemment dans « Anatomie d'une chute », nous reçoit au sein de l'école Duperré, à l'occasion de la première édition du festival Le Goût de M.Antoine Reinartz évoque son enfance en Lorraine auprès de parents vétérinaires et de six frères et sœurs. Il pratique le judo, écoute Starmania, dévore Agatha Christie et consacre du temps aux jeux de société. Très jeune, il se passionne pour la connaissance et pour le cinéma après sa découverte du magazine « Studio ». A 10 ans, il rêve d'être acteur mais ses études le mène vers la comptabilité et la finance jusqu'au déclic des « Chansons d'amour » de Christophe Honoré. Il se forme au conservatoire des arts dramatiques et obtient un des rôles principaux de « 120 battements par minute » de Robin Campillo. Le cinéma de Pedro Almodovar ou d'Arnaud Desplechin le passionne. Il s'enthousiasme pour les conversations qui ont accompagné la sortie d'« Anatomie d'une chute » et l'intelligence de l'objet qu'a su créer Justine Triet. Et, lui qui déteste faire la cuisine, défend son goût du sucre.Il revient aussi sur son amour pour Diane Keaton : « Elle est géniale dans “Le Parrain 2”. Après j'ai vu “Simples secrets” [1998], que personne ne connaît, avec Meryl Streep, Leonardo DiCaprio et Robert De Niro. Diane Keaton, elle y est bouleversante d'amour et de générosité. »Depuis cinq saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Johanna SebanRéalisation : Guillaume GiraultMusique : Gotan Project

Kelsi and Trey explore the most emotionally compelling and gripping movie of 2023 in Anatomy of a Fall. The film is being interpreted as a courtroom thriller and a whodunit, but its subversive focus is on the societal pressures and expectations of women, mothers, monogamy—a brilliant interrogation of genre and constructs. Triet imposes imagination on the viewer, much like her lead character with autofiction; a twisty metacinematic commentary about pop-psychological thrillers that have used women as narrative tools. 4 hours of conversation on Patreon below! Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

Chris reviews the 2023 French legal drama film Anatomy of a Fall written and directed by Justine Triet and co-written by Arthur Harari.  The film follows a writer trying to prove her innocence in her husband's death, with the only witness being their visually impaired son Daniel.  The film stars Sandra Hüller, Swann Arlaud, Milo Machado-Graner, Antoine Reinartz, Samuel Theis, Jehnny Beth, Saadia Bentaieb, Camille Rutherford, Anne Rotger, Sophie Fillières, and the dog Messi.Follow us on:Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcastTwitter: https://twitter.com/thepotentialpodSupport us on Patreon:patreon.com/thepotentialpodcastThanks to our sponsor: Better HelpGet 10% off your first month of therapy with BetterHelp by going to https://betterhelp.com/potential ★ Support this podcast on Patreon ★

Acclaimed French director Justine Triet joins Tom to discuss her latest film, “Anatomy of a Fall,” which just won an Oscar for best original screenplay. Set against the backdrop of a courtroom, the film puts the intimate details of a marriage on trial when a woman is charged with the murder of her husband after he falls to his death in their home.

Sébastien Thoen a regardé "Anatomie d'une chute", film réalisé par Justine Triet et récompensé aux Oscars 2024. Mais pour lui, ce n'est rien de plus qu'un épisode d'une célèbre série télévisée de TF1... Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.

La réalisatrice Justine Triet nous parle de son film, "Anatomie d'une chute", récompensé par la Palme d'Or au dernier festival de Cannes, et maintenant d'un oscar, la récompense ultime.

Kelsi and Trey give their immediate reactions to the 96th Academy Awards! We discuss the highlights of the Oscars, the nuance of Oppenheimer and Poor Things being praised, the complexities of Killers of the Flower Moon and Lily Gladstone being overlooked, the GOAT status of Justine Triet (insert P.I.M.P.), Cord Jefferson taking a shot at the industry, Jonathan Glazer's essential speech about complicity and dissonance, and of course...the power of Ryan Gosling. Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

✨ Pour échanger dans une rencontre-discussion mensuelle sur Zoom, pour accéder aux transcriptions des épisodes et à des ressources supplémentaires, rejoins la communauté des auditeur.ices de Passerelles. Tu trouveras toutes les infos sur ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/passerelles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ---- ✉️ ⁠⁠⁠Abonne-toi à la newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠ pour cultiver ta curiosité et recevoir un petit guide gratuit qui t'accompagnera dans ta pratique de l'écoute (⁠⁠⁠⁠⁠⁠⁠⁠https://passerelles.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠) ---- Bienvenue dans Passerelles, un podcast pensé pour éveiller la curiosité des apprenantes et des apprenants de français. Dans chaque épisode, je partage avec toi une question inspirée par les podcasts que j'écoute, par mes lectures. Et tout simplement par des choses qui m'ont marquée, qui m'ont étonnée récemment. J'ai eu envie de créer ce podcast pour transmettre des idées et encourager la conversation sur des sujets variés. Tu peux participer en t'abonnant à Passerelles, sur ton application de podcasts préférée. Je suis aussi sur Instagram : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@frenchdiaries⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Merci pour ton écoute et à très vite ! ---- La question du jour : Comment expliquer le succès international d'Anatomie d'une chute ? La phrase à retenir : Dans son discours, Sandra Hüller dit que sur le plateau de tournage, la langue, l'origine n'était jamais un obstacle. Elle souhaite et elle demande que ce soit toujours comme ça, partout, que la langue soit une possibilité. Résumé de l'épisode : En ce moment, il y a un film dont on parle beaucoup en France, Anatomie d'une chute. Ça raconte l'histoire de Sandra, de Samuel et de leur fils, Daniel. Tous les trois, ils vivent loin de tout, à la montagne. Un jour, Samuel est retrouvé mort au pied de leur maison. Une enquête pour mort suspecte est ouverte. Ce film raconte la chute d'un homme, mais aussi la chute d'un couple et de leur histoire d'amour. Anatomie d'une chute plaît au public et à la critique, en France et ailleurs dans le monde. (02:47) Ensemble, on se pose la question suivante : comment expliquer le succès international de ce film ? (04:43) D'abord, je vous raconte l'histoire d'Anatomie d'une chute, sans dévoiler la fin bien sûr. (10:30) Ensuite, on revient sur le parcours de ce film, sur les raisons de son succès. (15:53) Et pour finir, on parle de discours. Anatomie d'une chute a gagné de multiples récompenses. Ça a été l'occasion pour sa réalisatrice, Justine Triet, de faire des discours engagés et de remercier ses actrices adorées. Bonne écoute ! Pour aller plus loin : La bande-annonce du film "Anatomie d'une chute", sur YouTube Le discours de Sandra Hüller pour le César de la meilleure actrice, sur YouTube ---- Crédit musique : Betty Dear + Taoudella by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blue Dot Sessions⁠

This week, the Best in Show crew is full of Indie Spirit as they mingle on the carpet and out the back of the Film Independent Spirit Awards, where Zoe Lister-Jones, Jordan Firstman and the teams from Kokomo City and The Zone of Interest all stop by for chats about Cassavetes versus Altman, the secrets to a great director-producer relationship and epic movie dog moments. Brian meets his sporting hero Marshawn Lynch, and Mia settles in for a conversation with International Feature Spirit winner Justine Triet about the multiple languages of Anatomy of a Fall. Finally, Neil Hamburger himself (On Cinema's Gregg Turkington, cast member in the John Cassavetes Award-winning Fremont) tells Mia and Gemma about the first award he ever won (and seems to keep on winning). Chapters: Opening credits (00:00:00) News (00:03:06) Justine Triet interview (00:33:34) Winner Winner Turkington Dinner (00:49:48) Closing credits (00:54:40) Credits: Recorded in Los Angeles. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: ‘Hyperlight' by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest. Lists & Links: Best in Show's HQ Page, Film Independent's HQ Page

Anatomy of a Fall (Anatomie d'une chute), from director Justine Triet, is a French legal drama in which a writer is placed on trial for her husband's death. It is nominated for five Academy Awards: Best Picture, Best Director, Best Actress - Sandra Hüller, Best Original Screenplay and Best Editing.

This week, we watch a multi-oscar nominated drama about a deadly fall and the trial that ensues. This film stands out as one of the most starkly realistic dramas we have had the pleasure of watching on our mission, and we'd recommend it to anyone who enjoys an unrelentingly heavy story. Anatomy of a Fall (2023), directed by Justine Triet.

We're almost done discussing all of the Best Picture Oscar nominations and we're talking about the other Sandra Hüller nominated movie in a VERY UNSPOILERY way. A crafty little mystery that is not so much about the mystery itself, but the culmination of pieces that form guilt and animosity in long term relationships. Did she kill her husband or did he do that himself? We're going to the lovely French Alps in Justine Triet's “ANATOMY OF A FALL” starring Sandra Hüller, Samuel Theis, Swann Arlaud, Milo Machado Garner & Antoine Reinhartz. Imagine if all of the troubles of your relationships were revealed? How do you think people would look at you? Anatomy of a Fall's Oscar Nominations Best Picture Best Actress in a Leading Role Best Director Writing / Original Screenplay Best Editing Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Editor - Laurent Sénéchal ANATOMY OF A FALL editor Laurent Senechal has been working as an editor since the early 2000s and is well known for his collaborations with Oscar® nominees Justine Triet and Arthur Harari, collaborating with Justine four times (three narrative features, one documentary) and Harari five times (two narrative features including Onoda, 10,000 Nights in the Jungle, opening Un Certain Regard in Cannes 2021, and three shorts) over the course of his career.  For this latest film, Laurent had the pleasure of working with both Triet and Harari, with Justine as director and Arthur as co-writer. ANATOMY OF A FALL tells the story of a celebrated writer who is put on trial when her husband falls to his death from their secluded chalet.  What starts as a murder investigation soon becomes a gripping journey into the depths of a destructive marriage.  The film premiered at the Cannes Film Festival in 2023, where it won the Palme d'Or.  Anatomy of a Fall also received Oscar® nominations for Best Picture, Best Director, Best Actress, and Best Original Screenplay, and won two Golden Globes for Best Non-English Language – Motion Picture and Best Screenplay. LAURENT SÉNÉCHAL After spending his entire school career in Africa (Congo, Chad, Benin), Laurent studied cinema at the University of Paris 8, where he met director Arthur Harari.  In addition to his Academy Award® for Best Film Editing nomination, he has been nominated for the BAFTA Award and the ACE Eddie for Best Editing, won the European Film Award for Best Editor, and won the Los Angeles Film Critics Association Award for Best Editing.  His other notable work includes Claire Burger's comedy-drama film Real Love, which won Best Film in the Venice Days section at the 75th Venice International Film Festival in 2019, and Berni Goldblat's drama film Wallay, which won the European Film Academy's Young Audience Award in 2018. Editing ANATOMY OF A FALL In our discussion with ANATOMY OF A FALL editor Laurent Sénéchal, we talk about: Joining Justine Influencing the audience for unseen characters Turning a thriller into Kramer vs Kramer Putting a point of view on the flashbacks VFX for vomit The Credits Visit ExtremeMusic for all your production audio needs Check out the Frame.io blog for an enhanced transcription of The Rough Cut. Learn all about what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

“Anatomy of a Fall” is a French drama directed by Justine Triet who co-wrote the screenplay with her husband, Arthur Harari, during the pandemic lockdown. The film premiered at the 76th Cannes Film Festival last May, where it won the prestigious Palme d'Or, the highest prize awarded at the festival. It has gone on to win many more awards and receive five Oscar nominations in the categories of Best Picture, Best Director, Best Original Screenplay, Best Actress and Best Editing. Today on FilmWeek, Larry Mantle sits down with Oscar-Nominated Actress Sandra Huller to talk about the making of the film and her critically acclaimed role.   Filmweek is sponsored by Universal's Oppenheimer. See it back in theaters, IMAX and IMAX 70 millimeters now.

Oscar-nominated cinematographer Rodrigo Prieto talks about working with Martin Scorsese on "Killers of the Flower Moon" and  going from that project right to "Barbie." Songwriter Diane Warren chats about her Oscar-nominated song "The Fire Inside" and what it means to her to receive a 15th nomination. Finally, writer-director Justine Triet discusses her film "Anatomy of a Fall."

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Justine Triet's Oscar-nominated drama Anatomy of a Fall, now in theaters and available digitally. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

The nerds review one of the Best Picture nominated films, Justine Triet's Anatomy of a Fall! Thank You ALL for Helping Support Us! Visit Our Website

Ever wonder how directors, like this year's Oscar-nominated Martin Scorsese and Justine Triet, work with their teams to orchestrate such thought-provoking, beautiful films? Sophia and Nick are back with their favorite yearly series to explain that and much, much more. After listing all the nominees in Original Song, Original Score (21:15), Sound (46:49), Film Editing (1:10:20), and Visual Effects (1:33:03), they list fun facts from production, what their write-in votes would be, and who they think should win. Listen along to see what makes this extraordinary crop of nominees shine!Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27More content including updated nomination predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

durée : 00:04:02 - Le Billet de Charline Vanhoenacker - par : Charline Vanhoenacker - Entre les agriculteurs en colère, la Loi immigration censurée par le Conseil Constitutionnel et Justine Triet nommée cinq fois aux Oscars, c'était la pagaille cette semaine ! Et vous pensiez qu'on allait reprendre notre souffle, maintenant qu'on est dimanche ? Ce serait mal connaître Charline...

Join our legal autopsy of Justine Triet's Oscar nominated and Cannes Palm D'or winning "Anatomy of a Fall"Will Gravity emerge victorious or does marriage require extra aspirin?Serve us legal summons at onlymoviepodcast@gmail.com or cross examine us on Twitter (X) or InstagramAs always, you can catch our episodes early and ad free over on Nebula. And if you sign up with the link below, it really helps out the pod!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We discuss all the hottest topics from the week!‘True Detective: Night Country' Connected?Oscar NominationsApple Re-Releasing KOTFM in TheatresJennifer Lawrence will star in Justine Triet's adaptation of Hannah Kent's novel “Burial Rites”‘Deadpool 3' Filming WrapsBullseye Born AgainNew ‘Jurassic World' in DevelopmentThere's a Bidding War for Ryan Coogler & Michael B. Jordan's Vampire MovieNetflix Kills Berry MovieNetflix Acquires WWE's Monday Night Raw‘Avatar: The Last Airbender' Trailer‘Hit Man' Trailer Looks Sexy?First ‘Road House' PosterJoin the conversation on social media: @MACandGUpodcast

"Anatomy of a Fall" is a gripping courtroom dramam directed by Justine Triet. The film is literal in it's title. We are looking at a fall that resulted death to the husband/father of a family that secretly failing. We don't know if the fall was ruled out to be suicide or murder. The mother/wife is the only prime suspect and the family is thrown to the ringer. It's crazy how a courtroom is a place where the skeletons come out of the closet. One of my favorite characters is the dog in this film. The actor is named Messi and Messi acts his ass off and you'll know it when you see it. I talk about the film's screenplay, it's written very well because we out of those pages we see how creative the director was to give out this information for us to see. When we think we'll see full scenes of the married couple having a really aggressive argument, think again. All characters play their roles right and effectively. I talk about how flashbacks are used in this film Triet made it that work very well. We don't know much about the characters until we are witnessed through multimedia and not the characters themselves. Normally, this would be a problem in storytelling but the characters later shed their own layers to these surprises of sorts. The full fledged character is the son, as blind as he is, he wins people's hearts. Smart, understanding, and isn't afraid to show himself. The film won at the Cannes film festival and earned a Golden Globe for Best Foreign Language Film and it shows. We see a film where the elements of filmmaking are present but the characters drive the story. Even the dead man himself has light to shed. Leave stones unturned because eventually they will turn and it'll blow your mind. I wasn't feeling this film at first, with exception of the first act (which is a great first act), but when we the first courtroom scene, it brought me back and made me sit along with all the other people who were watching trial.Three and a half out of four tokes.#anatomyofafall #morningreel

Anatomy of a Fall (Anatomie d'une chute) is a French courtroom drama thriller directed by Justine Triet and written by Triet and Arthur Harari. It won the Palme d'Or (and the Palm Dog Award — which is a real thing, it turns out) at Cannes last year. It is currently nominated for four awards at Sunday's Golden Globes, including Best Motion Picture — Drama. And: Provocative sex has returned to the movies, according to Alexandra Gleeman in The New York Times Magazine, citing things like May December and Saltburn and even Oppenheimer. The Nose wonders how we feel about that. GUESTS: Raquel Benedict: Claims to be the most dangerous woman in speculative fiction, and she's the host of the Rite Gud podcast Xandra Ellin: A producer at Pineapple Street Studios Lindsay Lee Wallace: Writes about culture, health care and health equity, and other stuff, too The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Sean is joined by Andy Greenwald and Charles Holmes to revel in the top film at the box office, Hayao Miyazaki's final film, ‘The Boy and the Heron' (1:00). They talk about Miyazaki's whole career, including their top five Studio Ghibli movies (41:00). Then, Amanda rejoins the pod for a detailed discussion of the 2023 Palme d'Or winner, Justine Triet's French courtroom drama ‘Anatomy of a Fall' (1:12:00). Hosts: Sean Fennessey and Amanda Dobbins Guests: Andy Greenwald and Charles Holmes Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Director: Justine Triet Writers: Justine Triet, Arthur Harari Starring: Sandra Hüller, Samuel Theis, Swann Arlaud, Milo Machado Graner Runtime:  2 Hour 31 Minutes Synopsis:  The much-lauded winner of this year's Palme d'Or, Justine Triet's fourth feature has cemented her status as one of today's great filmmaking talents. Unfolding over two-and-a-half hours like a compulsively readable novel, the riveting Anatomy of a Fall is both a dissection of an intimate relationship and of the judiciary process. Sandra (a ferocious, magnetic, and edgy Sandra Hüller, also at the Festival in Jonathan Glazer's The Zone of Interest) is a successful German writer who lives in the French Alps with her husband Samuel (Samuel Theis) and their visually impaired son Daniel (Milo Machado Graner). A brilliant, decibel-bursting opening scene suggests tensions in their isolated chalet, so when Samuel is discovered dead in the snow beneath one of their windows, suspicion is quickly aroused. Did he take his own life, or was he pushed to his death? When the investigation proves to be inconclusive — its varying angles hinting at the microscopic examination to come — Sandra is ultimately indicted and put on trial. A captivating and sharply directed, written, and acted courtroom procedural, Anatomy of a Fall also functions like a trenchant autopsy of confirmation bias and ambiguity itself, with the court an operatic arena in which every gesture, word, and past interaction are ripe for judgment. As scrutiny turns to Sandra's complex character and her tumultuous relationship with Samuel — their artistic rivalries, romantic jealousies, and contempt — the couple's young son becomes the key witness. Taut, suspenseful, and thrilling until the final moment, Anatomy of a Fall progresses like a heady puzzle that tackles the messiness of existence and the often-elusive nature of truth itself. Anatomy of a Fall is one of those International films that actually feels even better if you watch it  as a foreigner. There's something about watching a court room drama from another country from the perspective of a foreigner with no sense of the criminal justice system in that country. In this film in particular, its jarring to see how the prosecutors and judge hound Sandra (Sandra Hüller) as the accused. What makes a good court room dramas work is its ability to pull the audience into the situation. Anatomy of a Fall takes it a step further and even adds in whodunit elements to have the audience completely guessing as to if Sandra is guilty or not. It's as if the film treats the audience as the traditional jury and each scene is laid out as a way for either the defense or prosecution to present their case in order to sway the jury. Where Anatomy of a Fall succeeds where other films fail is that at no point does it take the audience for granted and what's presented never feels like an empty red heron. Witnesses make mistakes. Scenarios seem implausible but not impossible, leaving room for doubt. Director Justine Triet does a brilliant job of pulling the audience into the situation of this movie and making them FEEL the tension and environment. If you already didn't have strong negative feelings about rapper 50 Cent's song P.I.M.P, then you will probably dread/hate the song after. The obnoxious use of the song by the victim (Sandra's husband) is enough to drive the audience crazy. It's not really a downside though as it's clearly done on purpose. The whole point is to pull the audience into the moment and start thinking things like "Maybe Sandra did it because of how annoying he is" and "She has to be lying when she says the song didn't annoy her because it's annoying me".  Anatomy of a Fall is definitely well worth the watch. The drama and tension leads right up through the end of the film and will leave audiences engaged the entire time. Listen as Kriss is joined by the Review Crew to talk about this film. Anatomy of a Fall showed at the Toronto Film Festival 20...

Director: Justine Triet Writers: Justine Triet, Arthur Harari Starring: Sandra Hüller, Samuel Theis, Swann Arlaud, Milo Machado Graner Runtime:  2 Hour 31 Minutes Synopsis:  The much-lauded winner of this year's Palme d'Or, Justine Triet's fourth feature has cemented her status as one of today's great filmmaking talents. Unfolding over two-and-a-half hours like a compulsively readable novel, the riveting Anatomy of a Fall is both a dissection of an intimate relationship and of the judiciary process. Sandra (a ferocious, magnetic, and edgy Sandra Hüller, also at the Festival in Jonathan Glazer's The Zone of Interest) is a successful German writer who lives in the French Alps with her husband Samuel (Samuel Theis) and their visually impaired son Daniel (Milo Machado Graner). A brilliant, decibel-bursting opening scene suggests tensions in their isolated chalet, so when Samuel is discovered dead in the snow beneath one of their windows, suspicion is quickly aroused. Did he take his own life, or was he pushed to his death? When the investigation proves to be inconclusive — its varying angles hinting at the microscopic examination to come — Sandra is ultimately indicted and put on trial. A captivating and sharply directed, written, and acted courtroom procedural, Anatomy of a Fall also functions like a trenchant autopsy of confirmation bias and ambiguity itself, with the court an operatic arena in which every gesture, word, and past interaction are ripe for judgment. As scrutiny turns to Sandra's complex character and her tumultuous relationship with Samuel — their artistic rivalries, romantic jealousies, and contempt — the couple's young son becomes the key witness. Taut, suspenseful, and thrilling until the final moment, Anatomy of a Fall progresses like a heady puzzle that tackles the messiness of existence and the often-elusive nature of truth itself. Anatomy of a Fall is one of those International films that actually feels even better if you watch it  as a foreigner. There's something about watching a court room drama from another country from the perspective of a foreigner with no sense of the criminal justice system in that country. In this film in particular, its jarring to see how the prosecutors and judge hound Sandra (Sandra Hüller) as the accused. What makes a good court room dramas work is its ability to pull the audience into the situation. Anatomy of a Fall takes it a step further and even adds in whodunit elements to have the audience completely guessing as to if Sandra is guilty or not. It's as if the film treats the audience as the traditional jury and each scene is laid out as a way for either the defense or prosecution to present their case in order to sway the jury. Where Anatomy of a Fall succeeds where other films fail is that at no point does it take the audience for granted and what's presented never feels like an empty red heron. Witnesses make mistakes. Scenarios seem implausible but not impossible, leaving room for doubt. Director Justine Triet does a brilliant job of pulling the audience into the situation of this movie and making them FEEL the tension and environment. If you already didn't have strong negative feelings about rapper 50 Cent's song P.I.M.P, then you will probably dread/hate the song after. The obnoxious use of the song by the victim (Sandra's husband) is enough to drive the audience crazy. It's not really a downside though as it's clearly done on purpose. The whole point is to pull the audience into the moment and start thinking things like "Maybe Sandra did it because of how annoying he is" and "She has to be lying when she says the song didn't annoy her because it's annoying me".  Anatomy of a Fall is definitely well worth the watch. The drama and tension leads right up through the end of the film and will leave audiences engaged the entire time. Listen as Kriss is joined by the Review Crew to talk about this film. Anatomy of a Fall showed at the Toronto Film Festival 20...

Praise for star Sandra Hüller in director Justine Triet's slippery, sophisticated courtroom drama that puts a woman and her marriage on trial.  -Review: “Anatomy of a Fall” (03:47) -Brickspotting: “All Dirt Roads Taste of Salt” “Theater Camp” (40:37) -Next Week / Notes / Massacre Theatre (50:17) -Spoiler Talk: “Anatomy of a Fall” (01:00:51) (Times may not be precise with ads) Notes/Links: -Scorsese on Letterboxd -Adam on “The Shining” -”Hasan Minhaj's Emotional Truths” -Hasan Minhaj Responds to The New Yorker -Golden Bricks  -Filmspotting Guide to the Archives Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Contact us: https://letterboxd.com/filmspotting @filmspotting on Threads https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm @larsenonfilm on Threads https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by discussing Priscilla, Sofia Coppola's new film starring Cailee Spaeny and Jacob Elordi that's based on Priscilla Presley's memoir, Elvis and Me, and features an otherworldly courtship, gilded cages, and whole lot of mumbling. Then, the three review Anatomy of a Fall, an excellent French movie directed and co-written by Justine Triet that, on the surface, looks like a courtroom drama, but dives deep into the discrepancies and lies that make up a marriage. Finally, they conclude with a spicy topic: Hot Ones, the viral celebrity interview show that forces guests to eat increasingly hot chicken wings while answering surprisingly well-researched questions.  In the exclusive Slate Plus segment, the panel gets into spoiler territory and discusses the dramatic, twist-y ending of Anatomy of a Fall.   Email us at culturefest@slate.com.  Endorsements: Dana: The French History Podcast hosted by Gary Girod, which covers unique and interesting aspects of French culture. She recommends starting with the episode “Thomas Jefferson's Paris.”  Julia: Owen Gleiberman's essay for Variety, “In ‘Killers of the Flower Moon,' Is Leonardo DiCaprio Playing a Dumb Hick, a Pitiless Sociopath… or a Muddle?” Also, in light of actor Matthew Perry's recent passing, she's bumping his memoir, Friends, Lovers, and the Big Terrible Thing up on her must-read list. Stephen: Naples ‘44 written by Normal Lewis, a landmark novel that highlights the author's dry wit and ability to detail the extent of human suffering.  Outro music: “Backwards” by Staffan Carlen Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by discussing Priscilla, Sofia Coppola's new film starring Cailee Spaeny and Jacob Elordi that's based on Priscilla Presley's memoir, Elvis and Me, and features an otherworldly courtship, gilded cages, and whole lot of mumbling. Then, the three review Anatomy of a Fall, an excellent French movie directed and co-written by Justine Triet that, on the surface, looks like a courtroom drama, but dives deep into the discrepancies and lies that make up a marriage. Finally, they conclude with a spicy topic: Hot Ones, the viral celebrity interview show that forces guests to eat increasingly hot chicken wings while answering surprisingly well-researched questions.  In the exclusive Slate Plus segment, the panel gets into spoiler territory and discusses the dramatic, twist-y ending of Anatomy of a Fall.   Email us at culturefest@slate.com.  Endorsements: Dana: The French History Podcast hosted by Gary Girod, which covers unique and interesting aspects of French culture. She recommends starting with the episode “Thomas Jefferson's Paris.”  Julia: Owen Gleiberman's essay for Variety, “In ‘Killers of the Flower Moon,' Is Leonardo DiCaprio Playing a Dumb Hick, a Pitiless Sociopath… or a Muddle?” Also, in light of actor Matthew Perry's recent passing, she's bumping his memoir, Friends, Lovers, and the Big Terrible Thing up on her must-read list. Stephen: Naples ‘44 written by Normal Lewis, a landmark novel that highlights the author's dry wit and ability to detail the extent of human suffering.  Outro music: “Backwards” by Staffan Carlen Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Justine Triet discusses her new film, Anatomy of a Fall, with fellow Director Nicole Kassell in a Q&A at the DGA theater in New York. In the conversation, Triet discusses the deliberation that went into her cinematography to accentuate the sense of mystery, how she directed actors to give multilayered performances, and the consideration that went into crafting the ending. The film tells the story of Sandra, her husband Samuel and their blind son Daniel, who live a secluded life in the French Alps. When Samuel is found dead, Sandra becomes the main suspect and Daniel the main witness, beginning an unsettling psychological examination of their conflicted relationship. See photos and a summary of this event below: https://dga.org/Events/2023/November2023/AnatomyOfAFall_1023.aspx

Director Justine Triet's Palme D'Or winner ANATOMY OF A FALL is finally appearing in American theaters, and our trio is ready to deliver a verdict. Plus, a new round of Hall of Excellence nominees that really puts the witness on the stand.What's GoodAlonso - New American terminal at DFWDrea - Maria Lewis's latest book, The Graveyard ShiftIfy - quick trip to perform in NYCITIDICOver 2000 Producers Have Signed a Petition Asking to Drop the final “P” from “AMPTP”The Eras Movie Has Been Released Into the World to Much FanfareDisney Studios Turns 100Staff PicksDrea - Fair PlayAlonso - Strange Way of LifeIfy - Totally KillerFollow us on BlueSky, Twitter, Facebook, or InstagramWithIfy NwadiweDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher 

In the complex and compelling French film Anatomy of a Fall, a husband is dead and his wife is the chief suspect. The investigation and trial expose the many rifts in their marriage, as the couple's young son yearns to understand what happened and why. Directed by Justine Triet and starring Sandra Hüller, the film won the Palme d'Or at this year's Cannes Film Festival.

This week, the panel begins by diving into Taylor Swift: The Eras Tour, a glittery and extremely fun concert movie starring the singer-songwriter-producer-mogul that's already become the highest grossing concert documentary of all time. Then, they discuss Beckham, a surprisingly candid four-part docu-series on Netflix directed by Fisher Stevens that chronicles the footballer's meteoric rise to stardom and paints an intimate portrait of his home life with Victoria Adams, a.k.a. Posh Spice. Finally, the three dissect “Why Culture Has Come to a Standstill,” a provocative essay authored by Jason Farago, the New York Times critic at large.  In the exclusive Slate Plus segment, the panel embraces sweater weather with a discussion inspired by Amanda Mull's essay for The Atlantic, “Your Sweaters Are Garbage.”  Email us at culturefest@slate.com.  Endorsements: Dana: One of Dana's favorites from the New York Film Festival this year is Anatomy of a Fall (which won the Palme d'Or at Cannes!) Directed by Justine Triet, this murder mystery thriller becomes a psychological study of a marriage when a suspicious tragedy strikes a family living in the French Alps. “It's the kind of film you want to see then immediately debate over drinks with friends.” Julia: A fantastic piece of writing on Insider, “The Great Zelle Pool Scam” by Devin Friedman, that uses the funny personal essay form–some reporting, a few confessions, observational humor, and the occasional insight–to levy an attack on Zelle, a massive, poorly regulated major part of our financial infrastructure.  Stephen: “Picasso's Transformations” an essay by the art critic Jed Perl, published in The New York Review of Books (which is celebrating its 60th anniversary).  Outro music: “Lonely Calling” by Arc De Soleil Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by diving into Taylor Swift: The Eras Tour, a glittery and extremely fun concert movie starring the singer-songwriter-producer-mogul that's already become the highest grossing concert documentary of all time. Then, they discuss Beckham, a surprisingly candid four-part docu-series on Netflix directed by Fisher Stevens that chronicles the footballer's meteoric rise to stardom and paints an intimate portrait of his home life with Victoria Adams, a.k.a. Posh Spice. Finally, the three dissect “Why Culture Has Come to a Standstill,” a provocative essay authored by Jason Farago, the New York Times critic at large.  In the exclusive Slate Plus segment, the panel embraces sweater weather with a discussion inspired by Amanda Mull's essay for The Atlantic, “Your Sweaters Are Garbage.”  Email us at culturefest@slate.com.  Endorsements: Dana: One of Dana's favorites from the New York Film Festival this year is Anatomy of a Fall (which won the Palme d'Or at Cannes!) Directed by Justine Triet, this murder mystery thriller becomes a psychological study of a marriage when a suspicious tragedy strikes a family living in the French Alps. “It's the kind of film you want to see then immediately debate over drinks with friends.” Julia: A fantastic piece of writing on Insider, “The Great Zelle Pool Scam” by Devin Friedman, that uses the funny personal essay form–some reporting, a few confessions, observational humor, and the occasional insight–to levy an attack on Zelle, a massive, poorly regulated major part of our financial infrastructure.  Stephen: “Picasso's Transformations” an essay by the art critic Jed Perl, published in The New York Review of Books (which is celebrating its 60th anniversary).  Outro music: “Lonely Calling” by Arc De Soleil Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's edition of On-Screen Live, the guys are going over the weekend box office—did Sly and the gang make a dent in the numbers (nope!)? We're also chatting about A24's Stop Making Sense restoration, The Expend4bles, and reporting in from the 61st New York Film Festival with coverage of Andrew Haigh's All of Us Strangers, Justine Triet's Anatomy of a Fall, Pedro Almodóvar's Strange Way of Life, Jonathan Glazer's The Zone of Interest, and more! This is of course the audio-only edition of On-Screen Live, if you want the full experience, check out the show on our YouTube channel. Watch live Mondays at 12pm/et or catch the replay whenever. While you're there, be sure to like this episode and subscribe to the channel! Set up notifications so you don't miss a moment of new content from us! Want more WHM? Join our Patreon fam today and instantly unlock hours and hours of exclusive bonus content, starting as low as $2 a month—with the all-new AD-FREE We Hate Movies starting at the $8 level and up! Be sure to get in early and get your tickets for the WHM Holiday Extravaganza where we're talking The Santa Clause! Check out the WHM Merch Store featuring new Polish Decoy, Forrest the Universal Soldier, and 'Jack Kirby' designs!