Podcasts about jmw turner

2025 marks 250 years since the birth of JMW Turner - the great 19th century landscape artist, whose expressive, atmospheric paintings transformed British art. His life and genius was also unforgettably brought to the screen in Mike Leigh's 2014 film Mr Turner, starring Timothy Spall. Ellen E Jones and Mark Kermode look at the long relationship between cinema and painting.Mark speaks to cultural historian Professor Sir Christopher Frayling on Hollywood's approach to the history of art, from Kirk Douglas as Van Gogh to Salma Hayek as Frida Kahlo. He then talks to actor Timothy Spall on how playing JMW Turner led to a parallel career as a painter.Ellen explores the relationship between painting and cinematography with cinematographer Sir Roger Deakins. She also speaks to artist Cathy Lomax on the painterly in cinema - and the cinematic in painting.Producer: Jane Long A Prospect Street production for BBC Radio 4

J. M. W. Turner, The Lake, Petworth: Sunset, Fighting Bucks at Petworth Recorded on site at Petworth House, West Sussex with curator Dr. Emily Knight, this episode looks at the Turner work which lives in the fabulous ‘Carved Room' depicting Petworth's stunning grounds. Join Phil and Laura as they explore the house, the art and Turner's link to the area... Support the show

In 2015, the Bank of England asked the British public to nominate a deceased cultural figure they felt deserved the honour of appearing on a banknote. The figure they chose was JMW Turner. So what made Turner such an extraordinary artist? And why do his landscape paintings still resonate today, 250 years on from his birth? Here, in conversation with Spencer Mizen, Nicola Moorby explores the man behind the breathtaking works of art. (Ad) Nicola Moorby is the author of //Turner and Constable: Art, Life, Landscape// (Yale University Press, 2025). Buy it now from Amazon: https://www.amazon.co.uk/Turner-Constable-Art-Life-Landscape/dp/0300266480/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

JMW Turner inspired impressionist painters like Monet. He was born 250 years ago, his face appears on the £20 note and he was played by Timothy Spall in a Mike Leigh movie filmed in the Petersphere. In the 1820s the third Earl of Egremont opened the doors of Petworth House and the 700 acre park and invited the artist to sketch, draw and paint there. The National Trust has assembled the paintings the Earl purchased, along with loans from the Tate and private collectors in a new Exhibition which runs at Petworth House until mid November. Mark Simpson caught up with Sue Rhodes the Visitor Operations and Experience Manager there.See omnystudio.com/listener for privacy information.

150 yıldır kayıp olan JMW Turner tablosu bulundu, Londra'da ziyarete açıldı. Talking Heads'in 50. yılı şerefine grubun efsane şarkısı 'Psycho Killer'a klip çekildi.Bu bölüm Tissot hakkında reklam içermektedir. Babalar Günü'nde zamana meydan okuyan hediyeler arıyorsanız için Tissot'nun her zevke, bütçeye ve tercihe uygun seçenekler sunan Babalar Günü seçkisi ile buradan tanışabilirsiniz. Learn more about your ad choices. Visit megaphone.fm/adchoices

2025 marks the 250th anniversary of the birth of Joseph Mallord William Turner, widely celebrated as Britain's greatest landscape painter. --YOUR NEXT EPISODE:The untold story of Picasso's muses--Yet, beyond the familiar image of the "painter of light", Turner was a complex figure whose radical art often baffled his contemporaries.Tom Gatti meets the New Statesman's art critic, Michael Prodger, to explore why Turner still matters – and how themes in his work like the power of nature, the impact of technology, and national identity resonate profoundly today. READ: The second birth of JMW Turner, by Michael Prodgerhttps://www.newstatesman.com/culture/art-design/2025/04/the-second-birth-of-jmw-turnerLISTEN AD-FREEDownload the New Statesman app: iOS / AndroidSTAY IN TOUCHGet our best writing every weekend in The Saturday Read email newsletterSUBSCRIBEGet full access to the New Statesman by becoming a subscriber Hosted on Acast. See acast.com/privacy for more information.

In this episode of The EI Podcast, the historian Bijan Omrani is joined by EI's Paul Lay to explore the indelible mark Christianity has left on England's identity and culture. FURTHER READING: The tragic decline of Christian rituals | Bijan Omrani Image: South View of Salisbury Cathedral, JMW Turner. Credit: Penta Springs Limited / Alamy Stock Photo 

Following the death of Pope Francis on Easter Monday, The Art Newspaper's managing editor, Louis Jebb, who has written an extensive obituary of the late pontiff, joins Ben Luke to talk about the late pope's engagement with art and with the Vatican art collections. Wednesday 23 April was the 250th anniversary of the birth of JMW Turner, one of the greatest British artists. A host of exhibitions and events are marking this moment, and we speak to Amy Concannon, the senior curator of historic British art at Tate Britain, about Turner's enduring appeal. And this episode's Work of the Week is arguably John Singer Sargent's most famous—and in its time, his most infamous—painting, Madame X (1883-84). A portrait of Virginie Amélie Avegno Gautreau, it features in a major show of Sargent's work that opens this week at the Metropolitan Museum of Art in New York, before travelling later in the year to the Musée d'Orsay in Paris. Our associate digital editor, Alexander Morrison, discusses the picture with Stephanie L. Herdrich, a co-curator of the exhibition.You can explore the Turner Bequest at tate.org.uk—the full collection will be online later this year. Cataloguing Turner's Bequest: Sketchbooks, Drawings, Watercolours, Tate Britain, London, ongoing. Full list of the Turner 250 events: tate.org.uk/art/turner-250Sargent and Paris, The Metropolitan Museum of Art, New York: 21 April-3 August; Sargent: The Paris Years, Musée d'Orsay, Paris, 22 September 22-11 – January 2026.Last chance! Subscription offer: enjoy a three-month digital subscription to The Art Newspaper for just £3/$3/€3. Get unrestricted access to the website and app including all digital monthly editions dating back to 2012. Offer ends on 30 April. Subscribe here. https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

Mr. Turner director Mike Leigh, art historian Charlotte Mullins and senior curator at Tate Amy Concannon join Tom Sutcliffe to celebrate the life and work of JMW Turner, as we approach the 250th anniversary of his birth. Also in this edition, David Hockney on Turner's skill as an artist, Alvaro Barrington talks about his continuing influence on artists today, and Tom goes to the conservation studio at Tate Britain to see what's being done to protect Turner's bequest and look after his fragile and damaged works.Producer: Claire Bartleet Presenter: Tom Sutcliffe

This week is the 250th anniversary of the birth of JMW Turner, so we are playing back our show on one of the greatest landscape artists of all time.Joining Patrick is Charlotte Topsfield, Prints & Drawings Curator, National Galleries of Scotland; Anne Hodge, Curator of Prints & Drawings, National Gallery of Ireland; and Niamh McGuinne, Paper Conservator, National Gallery of Ireland.

A conversation with Nicola Moorby, author of a new dual biography of the painters.

Continuing our art from the heart and fruits of the spirit series, this talk looks at self-control through two paintings: JMW Turner's painting “Rain, Steam and Speed – The Great Western Railway” and Ben Hartley's, “Devon Lane, Westlake.”These paintings invite us to meditate on technology, development, infrastructure and housing and how these impact nature. We pause to consider how self-control in consumerism could help slow down climate change. The talk finished by looking at how we could bring new self-control practices into Lent.

Clare meets a passionate proponent of walking today on a hike around Capel y ffin and the Twmpa in the Bannau Brycheiniog (Brecon Beacons) National Park. Andrew Green has just published a book called Voices on the Path, a History of Walking in Wales and for him it's not just a case of putting one foot in front of the other and admiring the scenery, it's “an activity loaded with all kinds of social, cultural and economic associations”. Their immediate surroundings have long attracted writers and artists from across the generations including William and Dorothy Wordsworth, JMW Turner, Bruce Chatwin and Allen Ginsberg. Also drawn to the beauty of Capel y ffin was the poet and painter, David Jones, described in 1965 as the 'best living British painter' by the then Director of the National Gallery. Peter Wakelin's book 'Hill Rhythms' tells Jones' story, which he wanted to share with Clare on the walk but a twisted ankle meant he had to remain at base, however he used the time to seek out the potential location of one of Jones's best loved paintings.They met at the tiny Capel-y-ffin chapel on the Monmouthshire/Powys border and walked up the Twmpa - also known as Lord Hereford's Knob - in the Black Mountains returning via the valley of Nant Bwch. A walk of just over six miles. Grid Ref for where they met: SO253316Presenter: Clare Balding Producer: Karen Gregor

We mark the 250th anniversary of the birth of visionary artist JMW Turner. We debate his life and legacy and how he transformed the way we view art and nature. Joining Patrick is Charlotte Topsfield, Prints & Drawings Curator, National Galleries of Scotland; Anne Hodge, Curator of Prints & Drawings, National Gallery of Ireland; and Niamh McGuinne, Paper Conservator, National Gallery of Ireland.

Anne Hodge, Curator of Prints and Drawings at the National Gallery of Ireland discusses a unique exhibition at the National Gallery, celebrating the works of JMW Turner.

Conférence par Frédéric OgéeLa BnF propose un cycle de conférences pour s'initier aux principaux courants artistiques et comprendre les œuvres d'art en regard de lectures critiques. La quatrième édition a pour thème le paysage.Cette séance interroge le paysage tel que Turner et d'autres peintres britanniques, notamment John Constable, l'ont réinventé en inscrivant la présence de l'homme dans la nature. Par Frédéric Ogée, université Paris CitéConférence enregistrée le 27 novembre 2024 à la BnF I François-Mitterrand Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode of Danny Hurst´s Bridge History Series, he shares the history of Richmond Bridge. Explaining why despite there being a dire need for a permanent crossing in the area, locals initially objected to the plans drawn up in 1772 and how that was overcome. The way the bridge was funded is also quite unusual, Danny explains why and how the cash to build it was raised. He also shares the connection with The Beatles, John Constable, JMW Turner, a yacht crash and a heron sanctuary.  If you can´t get enough of these podcasts, head to https://www.patreon.com/DannyHurst to access my exclusive, member-only, fun-filled and fact-packed history-related videos. KEY TAKEAWAYS Richmond Bridge is the oldest of the Thames crossings that hasn't been replaced in London. The first building to be built in the area, in the 13th century, was Henry 7th Palace, who was the Earl of Richmond. Because the hill at Richmond was too steep for laden carriages to tackle, they had to cross at Kingston Bridge. There is still a warning sign on the bridge that states that anyone caught vandalising Richmond Bridge will be punished by transportation. In 1937 the bridge was widened to accommodate the heavy traffic that used the area. In 1952, Richmond Bridge became grade one listed. BEST MOMENTS “The bridges in Richmond are actually a bit of an anomaly on the Thames.” “Richmond Bridge is the last Bridge on the stretch as the river meanders back westwards.”  From above, it doesn't look as confusing as it sounds, but by the bridges on this stretch, nobody actually knows which side they're on.” “Upon her death, all the tolls were abolished.” EPISODE RESOURCES https://www.citybridgefoundation.org.uk Tontine funding explained - https://www.investopedia.com/terms/t/tontine.asp HOST BIO Historian, performer, and mentor Danny Hurst has been engaging audiences for many years, whether as a lecturer, stand-up comic or intervention teacher with young offenders and excluded secondary students. Having worked with some of the most difficult people in the UK, he is a natural storyteller and entertainer, whilst purveying the most fascinating information that you didn't know you didn't know. A writer and host of pub quizzes across London, he has travelled extensively and speaks several languages. He has been a consultant for exhibitions at the Imperial War Museum and Natural History Museum in London as well as presenting accelerated learning seminars across the UK. With a wide range of knowledge ranging from motor mechanics to opera to breeding carnivorous plants, he believes learning is the most effective when it's fun. Uniquely delivered, this is history without the boring bits, told the way only Danny Hurst can. CONTACT AND SOCIALS https://instagram.com/dannyjhurstfacebook.com/danny.hurst.9638 https://twitter.com/dannyhurst  https://www.linkedin.com/in/danny-hurst-19574720

This week we're discussing 3 absolute icons: the iconic Hollywood star Marilyn Monroe, the incredibly talented JMW Turner and one of Victorian Britain's most iconic sport stars, Arthur Gould.Elsewhere this week we are bemoaning the fate that has befallen the humble travel book, whilst also speculating on the fate of Horatio Nelson's arm (which he famously lost on a disastrous lads holiday to Tenerife). If you've got something to contribute, why not ping us over an email to: hello@ohwhatatime.comYou can also follow us on: X (formerly Twitter) at @ohwhatatimepodAnd Instagram at @ohwhatatimepodAaannnd if you like it, why not drop us a review in your podcast app of choice?Thank you to Dan Evans for the artwork (idrawforfood.co.uk).Chris, Elis and Tom xSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is Part 2! For Part 1, check the feed from yesterday! This week we're discussing 3 absolute icons: the iconic Hollywood star Marilyn Monroe, the incredibly talented JMW Turner and one of Victorian Britain's most iconic sport stars, Arthur Gould. Elsewhere this week we are bemoaning the fate that has befallen the humble travel book, whilst also speculating on the fate of Horatio Nelson's arm (which he famously lost on a disastrous lads holiday to Tenerife). If you've got something to contribute, why not ping us over an email to: hello@ohwhatatime.com If you fancy a bunch of OWAT content you've never heard before, why not treat yourself and become an Oh What A Time: FULL TIMER? In exchange for your £4.99 per month to support the show, you'll get: - two bonus episodes every month! - ad-free listening - episodes a week ahead of everyone else - And first dibs on any live show tickets Subscriptions are available via AnotherSlice, Apple and Spotify. For all the links head to: ohwhatatime.com You can also follow us on:  X (formerly Twitter) at @ohwhatatimepod And Instagram at @ohwhatatimepod Aaannnd if you like it, why not drop us a review in your podcast app of choice? Thank you to Dan Evans for the artwork (idrawforfood.co.uk). Chris, Elis and Tom x Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're discussing 3 absolute icons: the iconic Hollywood star Marilyn Monroe, the incredibly talented JMW Turner and one of Victorian Britain's most iconic sport stars, Arthur Gould. Elsewhere this week we are bemoaning the fate that has befallen the humble travel book, whilst also speculating on the fate of Horatio Nelson's arm (which he famously lost on a disastrous lads holiday to Tenerife). If you've got something to contribute, why not ping us over an email to: hello@ohwhatatime.com If you fancy a bunch of OWAT content you've never heard before, why not treat yourself and become an Oh What A Time: FULL TIMER? In exchange for your £4.99 per month to support the show, you'll get: - two bonus episodes every month! - ad-free listening - episodes a week ahead of everyone else - And first dibs on any live show tickets Subscriptions are available via AnotherSlice, Apple and Spotify. For all the links head to: ohwhatatime.com You can also follow us on:  X (formerly Twitter) at @ohwhatatimepod And Instagram at @ohwhatatimepod Aaannnd if you like it, why not drop us a review in your podcast app of choice? Thank you to Dan Evans for the artwork (idrawforfood.co.uk). Chris, Elis and Tom x Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're discussing 3 absolute icons: the iconic Hollywood star Marilyn Monroe, the incredibly talented JMW Turner and one of Victorian Britain's most iconic sport stars, Arthur Gould. Elsewhere this week we are bemoaning the fate that has befallen the humble travel book, whilst also speculating on the fate of Horatio Nelson's arm (which he famously lost on a disastrous lads holiday to Tenerife). If you've got something to contribute, why not ping us over an email to: hello@ohwhatatime.com If you fancy a bunch of OWAT content you've never heard before, why not treat yourself and become an Oh What A Time: FULL TIMER? In exchange for your £4.99 per month to support the show, you'll get: - two bonus episodes every month! - ad-free listening - episodes a week ahead of everyone else - And first dibs on any live show tickets Subscriptions are available via AnotherSlice, Apple and Spotify. For all the links head to: ohwhatatime.com You can also follow us on:  X (formerly Twitter) at @ohwhatatimepod And Instagram at @ohwhatatimepod Aaannnd if you like it, why not drop us a review in your podcast app of choice? Thank you to Dan Evans for the artwork (idrawforfood.co.uk). Chris, Elis and Tom x See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Named after the radical painter JMW Turner, the Turner Prize was set up in 1984 to celebrate British Contemporary Artists.   On Tuesday 24 September 2024 Tate Britain unveiled the work of the four artists who have been shortlisted for this year's prize: Pio Abad, Jasleen Kaur, Claudette Johnson and Delaine Le Bas. At the press view for the Turner Prize 2024 exhibition RNIB Connect Radio's Toby Davey caught up with one of the Curator's of the exhibition Amy Emmerson Martin, Assistant Curator, Contemporary British Art at Tate Britain to firstly find out a bit more about the history and background to the Turner Prize to then an introduction to each of the four shortlisted Artists along with an overview of their work that impressed the Turner Prize panel which is on display at Tate Britain.   The winner of the Turner Prize 2024 will be announced on 3 December and the exhibition of the four shortlisted Artists work continues at Tate Britain until 16 February 2025. Description tours with one of Tate's Visitor Engagement Assistants can be booked in advance by either emailing hello@tate.org.uk or calling 020 7887 8888. About the four shortlisted Artists: Pio Abad presents a restaging of his nominated exhibition at the Ashmolean Museum, Oxford, which explores cultural loss and colonial histories. Featuring drawings, sculptures and museum artefacts, Abad brings together in-depth research and collaboration to highlight overlooked histories and connections to everyday life, often from the perspective of his Filipino heritage. Newly added works include Kiss the Hand You Cannot Bite 2019, which reimagines an Imelda Marcos bracelet as a three-metre concrete sculpture, are shown alongside works like I am singing a song that can only be borne after losing a country 2023, a drawing that turns the underside of Powhatan's Mantle - a Native American robe in the Ashmolean's collection - into an imagined map of colonised lands. Jasleen Kaur presents works from her nominated exhibition at Tramway, Glasgow. Rethinking tradition, Kaur creates sculptures from gathered and remade objects, each animated through an immersive sound composition. Items including family photos, a harmonium, Axminster carpet and kinetic worship bells are orchestrated to convey the artist's upbringing in Glasgow. A central feature is music, which is used to explore both inherited and hidden histories. Yearnings 2023, is an improvised vocal soundscape of the artist's voice, which is layered over snippets of pop songs playing from the speakers of Sociomobile 2023, a vintage Ford Escort covered with a large doily crocheted from cotton and filling the space with Kaur's own musical memory. Delaine Le Bas presents a restaging of her nominated exhibition at the Secession, Vienna. For her Turner Prize presentation, the artist has transformed the gallery into a monumental immersive environment filled with painted fabrics, costume, film and sculpture. Presented across three chambers, the work addresses themes of death, loss and renewal, and draws on the rich cultural history of the Roma people and the artist's engagement with mythologies. Textile sculpture Marley 2023, for example, reimagines Dickens' ghostly eponymous character as a harbinger of chaos, welcoming the viewer to this carefully constructed and captivating world, whilst the film Incipit Vita Nova 2023, projected onto organdie fabric, transports the viewer deep into a dreamlike sequence, matching the fluidity and distortion of the mirrored walls around it. Claudette Johnson presents a series of works from her nominated exhibitions at The Courtauld Gallery, London and Ortuzar Projects, New York, alongside new works. Using pastels, gouache, oil and watercolour, Johnson creates striking figurative portraits of Black women and men, often depicting family and friends. Her works counter the marginalisation of Black people in Western art history, shifting perspectives and investing her portraits with a palpable sense of presence. Friends in Green + Red on Yellow 2023 represents a recent development in her practice of creating double portraits, whilst Pieta 2024 is one of the artist's first works on wood, made from pastel and oil on bark cloth. You will find out more about the Turner Prize 2024 exhibition by visiting the following pages of the Tate website - https://www.tate.org.uk/whats-on/tate-britain/turner-prize-2024 Image show the entrance to Tate Britain with two red banners reading 'Tate Britain' and  'Free For All'

In this episode, Phil and Laura discuss the wonderfully dynamic Turner work which Michael Palin called his “science fiction painting” in My National Gallery, London... Support the Show.

Zineb Sedira talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Sedira, born in Paris in 1963 to Algerian parents and based in London since 1986, uses film, photography, installation, sculpture and other media to reflect on memory, from the personal to the collective and historical. She explores representation, language and family, intimately informed by her French, Algerian and British identity. By mining her singular autobiography and its connection with colonial histories and their contemporary legacies, Sedira has created a body of work that is at once politically nuanced, emotionally complex and visually rich. She discusses her early interest in Mary Kelly, her enduring engagement with the art of JMW Turner, and her admiration for the Algerian painter Baya. She reflects on her fascination with the Pan-African Festival in Algiers in 1969, the subject of a body of work. And she talks about her love of jazz and ska, the influence of postcolonial writers, among much else. Plus, she gives insight into her studio life and answers our usual questions, including the ultimate: “what is art for?”Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery, London, 15 February-12 May; the film version of the work is on display at Tate Britain until September 2024; Dreams Have No Titles, Cultural Foundation, Abu Dhabi , UAE, 3 October-28 January 2025; Let's go on singing!, Goodman Gallery, London, until 16 March; Standing Here Wondering Which Way to Go, Calouste Gulbenkian Museum, Lisbon, Portugal, 19 June 2025-22 September 2025. Hosted on Acast. See acast.com/privacy for more information.

Turner's painting of The Slave Ship from 1840 was originally titled "Slavers Throwing Overboard the Dead and Dying" and the event that inspired this work is exactly as horrific as it sounds. The captain of the ship was throwing men overboard in order to collect insurance money on those lost at sea, or to use a more accurate term, murdered. In this episode, I mentioned that one of my favorite fellow Airwave Media podcasts, The Constant, did an episode about how ships would be sent to sea to sink for the insurance money. Check out that episode here: The Constant | Shipwreckless Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode dives into the mythological, religious, scientific, and natural geologies of giant lava-spewing cauldrons spanning centuries as well as their place in the history of art. JMW Turner', Goethe's Theory of Color, JW of Derby's Vesuvius, baptism and Christian conversion of volcanoes, "Vamp" aesthetics, Milo Rau: Theater of Democracy, Sakurajima adventure, resolving the Neptunist vs. Plutonist schism, Leibniz's view of the earth as a cooled incandescent star, Volcanoes: home to Gods and Demons, Maurice & Katia Krafft, Dolomeiu: Geologist Pimp

What is a scriptorium? What was needed to make books in medieval Europe? What makes a manuscript illuminated? These are some of the questions we explore on the latest episode of the Alnwick Castle Podcast.Hosts Deborah and Daniel welcome back Karen Slade (or Kate Tiler, depending when in history you are!) from the Company of Artisans to tell us all about the sciptoriums where medieval books were created. She explains how the written word was transformed into art, and how books became holy objects. We find out about the process of creating inks and colours, the people and the skills involved - as well as why it was so difficult to make the colour blue, what a waferer was, and how the artist JMW Turner carried on the tradition of the scriptorium and illuminated letters.We hope you enjoy the episode. If there is anything you want to know about Alnwick Castle, please email us on podcast@alnwickcastle.com and ask - we'll feature some of your questions on our 50th episode this December!

Although more often remembered only as a bloody battleground, Belgium -- along with its smaller neighbor, Luxembourg -- was critical to the strategic landscape of Europe, and played a pivotal role in spreading the war in 1914 beyond the European Continent, making it into a true World War. Both created as independent states in the nineteenth century, Belgium and Luxembourg were linchpins in the delicate balance of power, as well as crucibles of the new social divides in a secularizing and industrializing Europe. Image: Painting of the Citadel of St. Esprit, Luxembourg, by JMW Turner, 1839. Please sign on as a patron to hear all lectures, including Part 6, on Germany -- https://www.patreon.com/user?u=5530632

This week I welcomed back Jennifer Coates and Elisabeth Condon to the podcast to discuss the recent exhibition "Bonnard: The Experience of Seeing" at Acquavella Gallery, NYC April 12 - May 26, 2023. We each chose a single painting from the show to discuss and so I'm calling us The Bonnardians. It's a Bonnard-a-trois! Come along for a hilarious, smart and nerdy look at this fascinating post-impressionist artist. Paintings: (1) Jennifer Coates Bonnard's "The French Door (Morning at Le Cannet)" "La porte-fenêtre (Matinée au Cannet)" 1932 Oil on canvas 34 7/8 x 44 3/4 inches See the painting: https://tinyurl.com/2v59ntey (2) Elisabeth Condon Bonnard's "Golden Hair" "La Chevelure D'or" 1924 Oil on canvas 26 1/8 x 21 inches See the painting: https://tinyurl.com/yc8ynu8m (3) Amy Talluto Bonnard's "After Lunch/The Lunch" "Apres le Dejeuner"/"Le Dejeuner" 1920 Oil on canvas 29 3/8 x 46 inches See the painting: ⁠https://tinyurl.com/m9bnksf9⁠ Find Jennifer Coates online: http://www.jenniferlcoates.com/ and on IG: @jennifercoates666 Recent and Upcoming shows: "Love Fest" Platform Project Space, "I Spy a May Queen" Contemporary Art Matters: Columbus, OH, Catskill Art Space with David Humphrey Find Elisabeth Condon online: https://www.elisabethcondon.com/ and on IG: @elisabethcondon Recent and Upcoming shows: Emerson Dorsch, Miami, Solo Dec 3, 2023, "Rainbow Roccoco" at Kathryn Markel, NYC, Norte Maar Brooklyn Mural, "⁠⁠Made in Paint⁠⁠" at The Golden Foundation in New Berlin, NY thru Aug 2023 Find Amy Talluto online: https://www.amytalluto.com/ and on IG: @talluts Recent and Upcoming shows: "Cut Me Up" Albany International Airport, "Appearances" Strange Untried Project Space July 22-23, 2023 Artists mentioned: Hokusai, The Nabis, Arthur Dove (at Alexandre Gallery), The Steiglitz Circle, Pablo Picasso, J M W Turner, Claude Monet, Charles Burchfield Books/Writers mentioned: Jed Perl "Complicated Bliss" The New Republic, Dita Amory "Pierre Bonnard: the Late Still Lifes and Interiors," Francoise Gilot "Life With Picasso," Lucy Whelan "Pierre Bonnard Beyond Vision," Mira Schor's essay "Figure Ground" in "M/E/A/N/I/N/G:An Anthology of Artists' Writings, Theory, and Criticism," Mira Schor's "The Osage Tree" Episodes mentioned: Ep 50: Elisabeth Condon Describes a Painting: Sam Francis' "Untitled", Ep 48: Interview w/ Catherine Haggarty ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy's website: ⁠⁠⁠⁠https://www.amytalluto.com/⁠⁠⁠⁠ Amy on IG: ⁠⁠⁠⁠@talluts⁠⁠⁠⁠ ⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠ Donations appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

Ally, Jonny and Marlita are back! To kick the second season off, they catch up on how the faith and the arts conversation has moved forward in the last year, navigating AI, the London urban music scene and artistic isolationism. And there are puns. Lots of puns. If you'd like to join the conversation, please email us at hello@faithinthearts.show. If you'd like to help us continue to make more episodes like this, you can donate to us directly through our website www.faithinthearts.show Recommended resources and artists from this episode: JMW Turner, The Blue Rigi (1841-2) Apocalyptic Lockdown Blues- David Benjamin Blower Untitled (Black is)- Sault Raven Wilkinson

A massacre on a 18th C British Slave Ship. An unlikely subject for master painter JMW Turner. An abolitionist, Turner used his fame to reignite the memory of this horrific, shameful chapter in British history. A Massacre first brought to the public eye by freedman Olaudah Equiano. In association with The Barbican.Sound editing by Viel Richardson.

Our film journey in this episode goes through three painters from the last 400 years, Johaness Vermeer in Girl With a Pearl Earing (2003), JMW Turner in Mr Turner (2014), and Jackson Pollock in Pollock (2000). Support our podcast on Patreon! Hosted on Acast. See acast.com/privacy for more information.

"the sun is God"

I am sick with Covid and with the ups and downs of the illness, I wasn't sure when I would be up for recording this week. Consequently, I made this a mini episode with no guest, which is fine because it is on a topic that pretty much no guest wants to talk about anyways, JMW Turner's painting, The Slave Ship. Just as a side note, while I am mildly miserable at times, my experience of Covid would be a lot worse if I weren't up to date on my vaccines. Please be sure to get vaccinated if you are able to. It not only protects you, but also helps to protect those around you. Turner's painting of The Slave Ship from 1840 was originally titled "Slavers Throwing Overboard the Dead and Dying" and the event that inspired this work is exactly as horrific as it sounds. The captain of the ship was throwing men overboard in order to collect insurance money on those lost at sea, or to use a more accurate term, murdered. In this episode, I mentioned that one of my favorite fellow Airwave Media podcasts, The Constant, did an episode about how ships would be sent to sea to sink for the insurance money. Check out that episode here: The Constant | Shipwreckless Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Niamh MacNally, curator at the National Gallery of Ireland, discusses a new collaboration with the Tate London showcasing 89 works by landscape artist JMW Turner.

Dora Frankel trained at Rambert School of Ballet 1967-71 and later as choreologist at The Benesh Institute. She joined Rambert Company as choreologist, also performing in Cruel Garden among other works. During her 50 year career here and abroad, mainly America and Scandinavia, she has combined choreography and dance and theatre performance with education and outreach work, including most notably, the design and leadership of Angered Gymnasium's dance programme(s). On her return from Sweden she gained an MA Choreography, Middlesex University and located to Newcastle upon Tyne, where she formed Dora Frankel Dance, before re-visioning it as Fertile Ground, touring contemporary dance company in 2013. She stepped aside in 2018, handing over to Malgorzata Dzierzon and Renaud Wiser and continues an eclectic independent career. Notable      works include Images for Two     1977  - Rambert Choreographic and Design      collaboration Jeanetta Cochrane Theatre, London Angel of the Odd 2010 - dance theatre inspired by four      stories by Edgar Allan Poe Gateshead Town Hall · Trio 2010 - Gateshead Town Hall On the Darkened Wing 2016 – an investigation into the dark      side of fashion, referencing Jewish women working in the ostrich plume      industry in South Africa. Music collage Kroke among others The Witham      Barnard Castle Award winning gothic romance screendance Touch the Beast 2019 - inspired by      Edgar Allan Poe and visually by Aubrey Beardsley The Turner Trilogy 2022 a retrospective of the three      JMW Turner, climate change and colonialism inspired works,     created with composer Peter Coyte Website Dora Frankel & Linkedin profile  Fertile Ground FB: DoraFrankelChoreographer  Instagrm @frankeldora T. @dorafrankel --- Send in a voice message: https://anchor.fm/gemma-louise-hirst/message

Betty and Quinn return after a brief hiatus to discuss the life and work of JMW Turner... the father of Modernism?

Betty and Quinn return after a brief hiatus to discuss the life and work of JMW Turner... the father of Modernism?

Robert Diament, co-host of the Talk Art podcast, explores Turner Contemporary in Margate with his friend Naomi Evans, co-founder of Everyday Racism. As they bring their perspectives to different exhibitions in this visually striking gallery, they discuss their love of Margate, how the arts scene has developed in the town, and how their work and interests led them to each other. They also consider how some of the artists on show respond to the sea, following in the steps of the gallery's namesake, artist JMW Turner. Notes: The exhibition Wayfinder: Larry Achiampong & JMW Turner curated by Larry Achiampong is at Turner Contemporary until 19 June 2022. The exhibition Sirens: Sophie von Hellermann and Anne Ryan is on until spring 2023. Visitors with a National Art Pass enjoy 10% off in the shop at Turner Contemporary. See acast.com/privacy for privacy and opt-out information.

Welcome to Change Checker's podcast. Each episode, we'll bring you the very latest in the coin collecting world. From new coins, to the UK's rarest 50p, we've got all of your numismatic needs covered. Join us for fun chats, discussions, and sometimes debates, over the very best that the coin collecting community has to offer.In this episode, Alex guides you through how to spot a counterfeit banknote.Although polymer banknotes are a lot harder to replicate than the traditional paper ones, you should still check your notes when you receive them.Don't forget to stay up to date will all of our social channels: The Change Checker Web App: https://www.changechecker.org/WebApp Facebook: https://www.facebook.com/ChangeChecker Instagram: https://www.instagram.com/changechecker/ Twitter: https://twitter.com/ChangeChecker TikTok: https://www.tiktok.com/@changecheckerYouTube: https://www.youtube.com/channel/UCDNyySEgHsU6d5vRMPljKfQSubscription: https://www.changechecker.org/NewIssueSubscriptionSignUp Alexa: https://www.amazon.co.uk/288-Group-Change-Checker/dp/B07NMFL8GJ 

Episode No. 544 features curators Perrin Stein and Frederick Ilchman. Stein is the curator of "Jacques Louis David: Radical Draftsman" at the Metropolitan Museum of Art in New York. The Met says it's the first exhibition devoted to David's works on paper. "David" features over 80 drawings, preparatory studies and oil sketches related to significant paintings that helped shape public understandings of major events in the years before, during and after the French Revolution. The exhibition is on view through May 15. The excellent exhibition catalogue was published by the Met. Indiebound and Amazon offer it for about $54-65. Ilchman organized the MFA Boston presentation of "Turner's Modern World" with Julia Welch and Cara Wolahan. (The exhibition, which originated at the Tate, was curated David Brown, Amy Concannon, James Finch, and Sam Smiles with Hattie Spires.) "Turner's Modern World" features about 100 Turners, including paintings, watercolors, drawings and sketchbooks, and argues for the present sociopolitical relevance of Turner's work. In Boston, the presentation centers one of Turner's most important works, Slave Ship (1840), a dramatic indictment of the transatlantic slave trade. "Turner's Modern World" is on view through July 10. The catalogue was published by the Tate. Indiebound and Amazon offer it for $42-55. Images will post on Saturday, April 9.

L'Apéro Ciné est une émission consacrée au cinéma, où un ou une invitée rejoint l'équipe de l'Apéro pour discuter d'un sujet cinéma avec passion et bonne humeur. Dans cette émission enregistrée en live le 21 février 2022 sur le Discord de l'Apéro Ciné, Antoine reçoit Nico, alias @MajorNicHazard sur Twitter, l'un des bourrinos du podcast VHS & Canapé. Ensemble, il vont évoquer la carrière du réalisateur britannique Steve McQueen, en parcourant les quatres longs métrages qu'il a mis en scène. Les films de Steve McQueen évoqués dans l'émission :● 2008 : Hunger● 2011 : Shame● 2013 : Twelve Years a Slave● 2018 : Les Veuves (Widows) Au cours de l'émission, Nico et Antoine ont évoqué différentes références que vous pouvez retrouver ici : ➔ Le Turner Prize , du nom du peintre anglais JMW Turner , est un prix annuel décerné à un artiste visuel britannique. Comme l'ont dit Nico et Antoine, Steve McQueen l'a remporté en 1999. ➔ Pour en savoir plus sur le Festival Lumière qu'évoque Nico : https://www.festival-lumiere.org/ ➔ L'extrait de Shame dans lequel Carey Mulligan chante dont parle Nico et Antoine : https://www.youtube.com/watch?v=f4_gDeuuN2E&t=162s ➔ Les Apéro Ciné évoqués dans l'émissions : ◆ L'Apéro Ciné sur Nanni Moretti : https://galaxie-pop-la-constellation.lepodcast.fr/apero-cine-nanni-moretti-tous-les-films-menent-a-rome ◆ L'Apéro Ciné sur le cinéma Français : https://galaxie-pop-la-constellation.lepodcast.fr/aperocine-feat-cine-borat-plaidoyer-pour-le-cinema-francais ◆ L'Apéro Ciné sur Alfred Hitchcock : https://galaxie-pop-la-constellation.lepodcast.fr/apero-cine-alfred-hitchcok-a-travers-les-generations ➔ Pour retrouver les conférences de Jean-Baptiste Thoret au Centre des arts d'Enghien-les-Bains sur la chaîne Ciné70s :https://www.youtube.com/user/Cine70s/featured ➔ Pour retrouver les archives de l'émission Opération Frisson présentée par Yannick Dahan : https://www.youtube.com/channel/UCDrgWzl9_fH8GiqRMX5CUNw ➔ La plateforme de SVOD française, Shadowz, spécialisée dans l'horreur, le fantastique et le thriller que recommande Nico : https://www.shadowz.fr/ Enfin, vous pouvez retrouver Nico dans le podcast VHS & Canapé : https://vhsetcanape.lepodcast.fr/ et sur Twitter https://twitter.com/MajorNicHazard Nous vous souhaitons à toutes et à tous une bonne écoute. L'équipe de l'Apéro Ciné. Retrouvez l'Apéro Ciné sur Twitch : https://www.twitch.tv/aperocineRetrouvez l'Apéro Ciné sur Discord : https://discord.gg/eG9WDdhx8ERetrouvez l'Apéro Ciné sur Galaxie Pop : https://galaxiepop.fr/category/podcast/aperocine/Retrouvez toutes les productions de nos ami.e.s et partenaires Réfracteurs sur leur site : https://lesrefracteurs.fr/ L'Apéro Ciné un podcast du label Galaxie PopMontage par XP

Companies are increasingly mandating Covid-19 vaccines for staff. Ikea has cut sick pay for unvaccinated workers who must self-isolate in the UK. It's the latest in a string of companies making life difficult for the unvaccinated, and we assess the legal picture around such moves with Richard Fox, who's an employment lawyer with the UK law firm Kingsley Napley. Also in the programme, we ask whether the global economy needs to start dismantling what's known as 'global white privilege', beyond the challenge of boosting the prospects of those from ethnic minorities in rich western countries. We find out more from Chandran Nair who has written a book on the topic. The British Museum is to sell 20 watercolour paintings by JMW Turner in the form of digital assets, or non-fungible tokens. The sale is being handled by the company La Collection, and its chief executive Jean-Sebastien Beaucamps explains the thinking behind the move. Plus, one of the biggest illegal darknet websites, Torrez, has gone offline, after two years of selling Class A drugs, counterfeit cash and hacking tools. But with new sites popping up all the time, the BBC's cyber reporter Joe Tidy tells us how resilient this small but significant part of the drugs economy has become.

Melvyn Bragg and guests discuss the events of 21st October 1805, in which the British fleet led by Nelson destroyed a combined Franco-Spanish fleet in the Atlantic off the coast of Spain. Nelson's death that day was deeply mourned in Britain, and his example proved influential, and the battle was to help sever ties between Spain and its American empire. In France meanwhile, even before Nelson's body was interred at St Paul's, the setback at Trafalgar was overshadowed by Napoleon's decisive victory over Russia and Austria at Austerlitz, though Napoleon's search for his lost naval strength was to shape his plans for further conquests. The image above is from 'The Battle of Trafalgar' by JMW Turner (1824). With James Davey Lecturer in Naval and Maritime History at the University of Exeter Marianne Czisnik Independent researcher on Nelson and editor of his letters to Lady Hamilton And Kenneth Johnson Research Professor of National Security at Air University, Alabama Producer: Simon Tillotson

Dr Sam Willis heads to the new JMW Turner exhibition at the Tate Britain: 'Turner's Modern World'. Turner is one of the best known of all British artists and one of history's greatest maritime artists. His painting The Fighting Temeraire is a national treasure and now appears on the new £20 note. Sam meets the curator of the Turner bequest, David Blayney Brown, and focuses on three of Turner's paintings: 'A Maritime Disaster' a magnificent depiction of the wreck of the Amphitrite, a convict ship carrying female convicts to Australia that ran aground in France in 1833; 'Snowstorm: Steam-boat off a harbour's mouth' one of Turner's most famous paintings of a catastrophic storm in the North Sea in 1842; and 'The Fighting Temeraire'. - the dreamlike canvas showing HMS Temeraire, veteran of the Battle of Trafalgar, being towed up the Thames in the setting sun to the breaker's yard. See acast.com/privacy for privacy and opt-out information.

In this second and final episode, George Smarden Dike redoubles his efforts to extract money from the artist J M W Turner, this time through blackmail.  Turner is faced with a dilemma: losing one of his paintings or jeopardising his most important private relationship. He has little time, but comes up with a plan.  But will it work?I and the writer really do appreciate your constructive feedback.  Just email me at peoplescope@aol.com. Contacts:Twitter - twitter.com/peoplescopeInstagram - https://www.instagram.com/adastra34/

Turner's Gift is a fictional story in two parts, recounting a dramatic series of events in the late life of the celebrated English artist, J M W Turner. It is based significantly but not entirely on real aspects of his existence.In Part 1, Turner - recovering from serious illness – receives two visitors at his London studios. One is a potential assistant, Francis Sherrell, who Turner then takes on and who proves to have an immediate, positive influence on the artist's motivation.  The other visit is from George Smarden Dike: a strangely-behaving man who targets the wealthy Turner with an idea for a new printing process. The artist easily sees through his reproductive pretensions, and Dike is ejected: but his pursuit of the artist has only just begun…I and the writer really do appreciate your constructive feedback.  Just email me at peoplescope@aol.com. Contacts:Twitter - twitter.com/peoplescopeInstagram - https://www.instagram.com/adastra34/

Saul of Tarsus is having a very bad day at work. We'll find out what (or who) is causing all the chaos he encounters on the road and how picking a fight with the wrong guy led Saul into an unexpected career change. And we'll also talk about the young, impatient Tintoretto who, like JMW Turner, loved to thumb his nose at convention. SHOW NOTES (TRANSCRIPT) “A Long Look” theme is “Ascension” by Ron Gelinas youtu.be/jGEdNSNkZoo Episode theme is “Toccata and Fugue in Dm, BWV 565” composed by Johann Sebastian Bach. Performed by Paul Pitman The Conversion of Saint Paul information Robert Echols, “Jacopo Tintoretto/The Conversion of Saint Paul/c. 1544,” Italian Paintings of the Sixteenth Century, NGA Online Editions, https://purl.org/nga/collection/artobject/46142 (accessed June 06, 2019). Tintoretto: Artist of Renaissance Venice, Exhibition Catalog (NGA store) Slow Art Day http://www.slowartday.com The post The Conversion of Saint Paul by Jacopo Tintoretto appeared first on A Long Look.

Sharks have long held a prominent place in mythology, the imagination and even religion for centuries. As The Meg, a thriller about a 75-foot-long prehistoric shark, hits cinema screens nature writer Philip Hoare and film critic Isabel Stevens discuss the ways in which sharks have been represented in the arts. How much is the cultural representation of these 400 million year old mysterious creatures of the deep a reflection of our own human fantasies and anxieties?This year the distinguished composer Thea Musgrave celebrated her 90th birthday. The event is being marked with a series of special performances including Turbulent Landscapes, her sequence of movements inspired by the land and seascapes of JMW Turner, at the Edinburgh Festival. She talks to Front Row about her career: her work, her teachers, her inspirations and why she puts drama at the heart of her work.Award winning mentalist and illusionist Derren Brown reveals what it is that inspires his work on stage and screen and the art he creates in his spare time as both a painter and street photographer.Presenter: John Wilson Producer: Hannah Robins.

Jack O'Connell, whose previous lead roles include Starred Up, '71 and Angelina Jolie's Unbroken, discusses his latest film in which he plays a disgruntled New Yorker with a grudge who takes George Clooney's character hostage in the financial thriller Money Monster, directed by Jodie Foster.Seeing Round Corners at Turner Contemporary in Margate explores the role of the circle in art. From sculpture to film and painting to performance, the exhibition brings together works by leading historical and contemporary artists including Leonardo da Vinci, Barbara Hepworth, JMW Turner and Anish Kapoor. Art historian and critic Richard Cork reviews.Jason Solomons rates the contenders for the Palme d'Or as the Cannes Film Festival comes to an end this week.Spymonkey's The Complete Deaths brings all of the killings in Shakespeare's works into one play. Kirsty speaks to actor Toby Park and director Tim Crouch.Presenter: Kirsty Lang Producer: Rachel Simpson.