Podcast appearances and mentions of jennifer peedom

“I wasn't going to miss the podcast just because I was slightly paralysed” - It's one of the better quotes we've had on the show! But it neatly sums up the unassuming yet unflappable nature of Dr Harry, who unless you were on a 12 month silent retreat in 2018, you'd know was the cave diving anaesthetist who helped in the against all odds rescue of the Wild Boars soccer team trapped in a flooded Thai cave. Dr Harry is in a unique position to talk about the art of risk taking, and it's something he's taken a keen interest in since that phenomenal rescue, especially how it relates to kids.  In this episode Dr Harry very kindly shares with Hame his thoughts on teaching kids about risk mitigating rather than risk taking, building resilience and overcoming fear, on the generational changes in parenting that he's noticed and reflecting on what he might have done differently as a dad… it's a super wide ranging chat - one that we were so, so lucky to have… not least because a few days out from us recording with Dr Harry, he'd been diving down a very very deep cave and had a little run in with the diver's constant nemesis, the bends. Thankfully it all worked out OK! But I think you'll agree, it was some Gold Standard Guest Commitment to turn up to our humble podcast, for sure! --- Dr Richard Harris SC OAM & 2019 joint Australian of the Year (nice title, right?!) has got lots of great stuff going on... His 3 series podcast REAL RISK is awesome. It's got some amazing chats with people who manage some pretty massive risks  (the saturation diving episode is so good) He's written a couple of great KIDS BOOKS on different ways to be brave and kind, called Alfie the Brave & Alfie the Kind. The book he and Craig Challen wrote AGAINST ALL ODDS about the cave rescue is also amazing AND very excitingly he's working on a feature documentary called Deeper, directed by Jennifer Peedom, produced by Stranger than Fiction and distributed by Madman. The film follows the story of Harry and his mates attempting a dangerous and unprecedented dive in a remote (and very deep!) NZ cave - it's out next year and we can't wait! — Now, if you DON'T want to take a risk with your next hire car (and who would), make sure you use our friends at HERTZ. And because friends help friends out, HERTZ are offering our savvy listeners 25% off the base rate at hertz.com.au/hodd. Ts&Cs and exclusions apply.  See website for details. Big thanks to HERTZ for the ongoing support of the podcast and helping us bring these great chats and discussions to you.See omnystudio.com/listener for privacy information.

„Rzeki dają nam nie tylko wodę. Płyną przez nasze życie, tak jak przez wszystkie krainy na Ziemi. Ale odkąd potrafimy je okiełznać, czy nie przestaliśmy ich należycie szanować?” – pyta narrator monumentalnego filmu Rzeka, Willem Dafoe, przy akompaniamencie Australijskiej Orkiestry Kameralnej i muzyki zespołu Radiohead. W podcaście À propos rzek, polecając teksty kultury, opowiadam nie tylko o dokumencie autorstwa Jennifer Peedom. Zuzanna Kowalczyk --------------- Dla słuchaczy podcastu „À propos” przygotowaliśmy kod zniżkowy na roczny dostęp online do „Pisma". Wejdź na magazynpismo.pl/prenumerata i wpisz na dole strony kod: APROPOS, skorzystaj z oferty – czytaj i słuchaj przez pierwsze 5 miesięcy za połowę ceny (5,49 zł).

Flyways is a visually stunning and emotionally enriching film about three different groups of endangered migratory shorebirds from around the globe. Each of these birds fly thousands of kilometers around the globe through migratory routes, traversing hemispheres and continents to reach breeding grounds. Often they will fly days without food or water. Directed and shot by Randall Wood, Flyways is a passionate film that presents parts of the avian species that are threatened by humanity alongside the many bird watchers and scientists who eagerly follow their journeys. These scientists use tracking devices and location data, and occasionally, if luck is their side, visual verification from humans, to monitor where the birds move. Flyways plays out like a blend between Travelling Birds and Jennifer Peedom's River and Mountain, acting as a plea for mankind to respect nature and to consider just how we impact the living world around us. With a soaring score by Cezary Skubieszewski, and gentle narration by Mia Wasikowska, Flyways is a soul-enriching film that deserves to be seen on the big screen. In this interview, Randall talks about the importance of capturing these images, how documentaries can be advocacy films, as well as the Q&A sessions that he's embarking upon throughout May and June across Australia. For more information, head to flywaysfilm.com. See omnystudio.com/listener for privacy information.

Flyways is a visually stunning and emotionally enriching film about three different groups of endangered migratory shorebirds from around the globe. Each of these birds fly thousands of kilometers around the globe through migratory routes, traversing hemispheres and continents to reach breeding grounds. Often they will fly days without food or water. Directed and shot by Randall Wood, Flyways is a passionate film that presents parts of the avian species that are threatened by humanity alongside the many bird watchers and scientists who eagerly follow their journeys. These scientists use tracking devices and location data, and occasionally, if luck is their side, visual verification from humans, to monitor where the birds move. Flyways plays out like a blend between Travelling Birds and Jennifer Peedom's River and Mountain, acting as a plea for mankind to respect nature and to consider just how we impact the living world around us. With a soaring score by Cezary Skubieszewski, and gentle narration by Mia Wasikowska, Flyways is a soul-enriching film that deserves to be seen on the big screen. In this interview, Randall talks about the importance of capturing these images, how documentaries can be advocacy films, as well as the Q&A sessions that he's embarking upon throughout May and June across Australia. For more information, head to flywaysfilm.com.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

How much do you know about your local water way or river? In this edition of The Conversation Hour Richelle Hunt and co-host Beau Miles delve into why the health of rivers matters so much

River co-director and co-writer Jennifer Peedom from Stranger Than Fiction Films talks about the making of the “sequel” to Mountain in collaboration with the Australian Chamber Orchestra, how Radiohead's Jonny Greenwood became involved, plans to move into drama filmmaking and why doco and drama are more similar than people think.

Director Jennifer Peedom discusses her new film, RIVER. The film explores the life and death of rivers and how humanity's fortunes are intrinsically tied to them. RIVER is the sequel to the 2017 documentary MOUNTAIN, and reunites the Australian Chamber Orchestra, Richard Tognetti, narrator Willem Dafoe, and writer Robert Macfarlane, alongside new collaborators William Barton, Jonny Greenwood, and Radiohead.Music from the film that was originally aired with this interview: Australian Chamber Orchestra, Richard Tognetti & Jonny Greenwood – Water (excerpt) [Live at the Sydney Opera House Concert Hall, 2014] Radiohead - Harry Patch (In Memory Of) Australian Chamber Orchestra, Richard Tognetti & William Barton – Spirit Voice of the Enchanted Waters Listen to the RIVER soundtrack.

Director Jennifer Peedom discusses her new film, RIVER. It's the sequel to the 2017 hit documentary MOUNTAIN, reuniting the creative team of Jennifer Peedom, the Australian Chamber Orchestra, narrator Willem Dafoe, and writer Robert Macfarlane. Writer James Bradley explores the cultural history of swimming with Amy through his essay in the Sydney Review of Books, 'Full Body Immersion.' Plus, Rachel Withers, Contributing Editor to THE MONTHLY and The Politics columnist talks about the latest in federal politics.

Late 1800s naturalist John Muir once said "rivers flow not past, but through us." They blend land and water, carrying and supporting life; creating valleys in which humans grew the first food and set up the first cities. And yet we have not been kind in return. In the Drawing Room, Jennifer Peedom discusses her latest documentary, River.

Late 1800s naturalist John Muir once said "rivers flow not past, but through us." They blend land and water, carrying and supporting life; creating valleys in which humans grew the first food and set up the first cities. And yet we have not been kind in return. In the Drawing Room, Jennifer Peedom discusses her latest documentary, River.

Popcorn Podcast goes on a cinematic and musical journey through time with River. Directed by Jennifer Peedom and Joseph Nizeti, and narrated by Willem Dafoe, the film honours the wildness of rivers, but also recognises their vulnerability and explores how rivers shape human existence. Join Leigh and Tim as they discuss this orchestral documentary, featuring music from Radiohead, the Australian Chamber Orchestra and Indigenous man William Barton. Plus, final Oscar predictions are made; Hollywood farewells another legend; Cannes reveals big debuts; and what's in store for the Play-Doh movie.Know someone who loves movies? Please share Popcorn Podcast with your friends.Visit popcornpodcast.com for more movie reviews, celebrity interviews and news.Popcorn Podcast interviews the biggest stars, including Hugh Jackman and more, on YouTube: Popcorn Podcast

Jennifer Peedom is a mountaineer and filmmaker who made my favorite documentary about the mountains. It's simply called Mountain. It's free for Netflix subscribers or you can rent it for $4 on YouTube: https://www.youtube.com/watch?v=e2viG9XnS1g The Mountain documentary has four elements and Peedom hits a home run on all of them: Cinematography: Peedom sifted through thousands of hours of mountain footage to find the best of the best. We about how she used Renan Ozturk's stunning climbing footage for about 60% of the film. Music: The Australian Chamber Orchestra delivers music that will move you. Narration: William Dafoe narrates with his raspy, unique voice. Writing: The brilliant Robert Macfarlane explains our "revolution of perception" when it comes to mountains. His lucid writing captures the paradox of mountains and explains why we are attracted to something so dangerous. You can watch this interview on YouTube: https://www.youtube.com/watch?v=euoQNBcwsaY Jennifer Peedom has also done 3 major feature documentaries: Mountain Sherpa Solo Peedom explains why you need a festival strategy to make it big.  You need a good sales agent who can get you into Netflix and other major streamers. Peedom explains what errors documentary novices make. I ask Peedom how she's changed and evolved as a filmmaker. I loved Free Solo with Alex Honnold, but Mountain is more profound. Watch both. Spread the word. Sponsored by Health Access Sumbawa This show was sponsored by Health Access Sumbawa. In 2014, Jack Kennedy founded this nonprofit that is helping bring malaria control and healthcare to remote, impoverished communities. It started on the remote island of Sumbawa, Indonesia. Visit their website to learn more and to donate: https://healthaccesssumbawa.org More info You can post comments, ask questions, and sign up for my newsletter at http://wanderlearn.com. If you like this podcast, subscribe and share!  On social media, my username is always ftapon. Follow me on: http://facebook.com/ftapon http://twitter.com/ftapon http://youtube.com/user/ftapon http://pinterest.com/ftapon http://tumblr.com/ftapon Claim your monthly reward by becoming a patron at http://Patreon.com/FTapon Rewards start at just $2/month! If you prefer to do a one-time contribution, you can send it to my PayPal at FT@FrancisTapon.com If you prefer sending me cryptocurrency, then please send your support to one of my favorite wallets (in order of preference): Bitcoin: 3EiSBC2bv2bYtYEXAKTkgqZohjF27DGjnV Ethereum: 0x86D8Ab45260F82A5548F39BF21C9e244D0405a83 Cardano: DdzFFzCqrht7tNoXSu3YxC1X25ekqkR38ZuMsKVZ2r3iekCuoVpMWgCUGYCh1pWkhwL5SR9ozs23Sd9rgk2QFD3yivjsk1EvbbLWX6TG EOS: francistapon or EOS7W2T7hKBwRtnzeEqH1nMPwKJLRzAwHUpyco2BVu86CMBRFYqtf Zcash: t1Sd81E8Pks38XJULQxeHCLEuhVCWhYRnxY IOTA: HGSYYVNYDLZQKTNIRWAXCLVHPFDEH99GIZJJWMY9WLRBPNBRZCUFFQUOLPMRCQJGYZDSDO9Y9CLHUTBEYQQSOBUOZWd

MOUNTAIN is described by The Guardian as“a 70-minute rush of adrenaline; a safari into the sublime; a vertiginous voyage to the top of the world”. Director, Jennifer Peedom (SHERPA) visits Auckland to share stories about her experience working for the second time with high altitude cinematographer Renan Ozturk; her collaborations with writer Robert Macfarlane and narrator Willem Defoe; creating an atmospheric score with the Australian Chamber Orchestra and wrangling more than 2,000 hours of footage shot in 15 countries to make her spectacular new movie. This Q&A took place on 1 August, 2017 after a 6:30pm screening of the film at Wintergarden at the Civic Theatre in Auckland.      

Episode 114 of One Week Only! Before the Hola Mexico Film Festival starts this week, we've got some new films to talk about! Our key film this Episode is "The Misandrists" about a feminist terrorist group who take in a male leftist on the run from the police. Directed by Bruce LaBruce, it's a gonzo, in-your-face satire about gender, identity and radical politics. (31:40) We also review the documentary "That Summer" that acts as a prequel to the classic "Grey Gardens," directed by Göran Olsson (4:20), the documentary "Mountain" narrated by Willem Dafoe, directed by Jennifer Peedom (13:35), the Spanish period drama "Summer 1993" directed by Carla Simón (19:55), and the thriller "In Darkness" directed by Anthony Byrne (26:30). Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod at www.incompetech.com

We’re talking with Renan Ozturk, an expedition climber, landscape artist, filmmaker, co-founder of Camp4 Collective, and the principal cinematographer of the very powerful film, “MOUNTAIN.” MOUNTAIN is an epic meditation on our relationship to and fascination with mountains. Directed by Jennifer Peedom and narrated by Willem Dafoe, the script is based on Robert Macfarlane's, "Mountains of the Mind," and the film features many of the best mountain sports athletes in the world — Alex Honnold, Candide Thovex, Conrad Anker, Tommy Caldwell, Hilaree O’Neil, Danny MacAskill, Travis Rice, and Renan Ozturk himself. You can learn more about screening dates and locations at mountainthefilm.com.Renan and I discuss his work on the film and what makes MOUNTAIN unique, his own evolving relationship with the mountains, and what's next for him.TOPICS & TIMES:How would you attempt to describe this film? (2:15)How did the idea for this film originate? (8:14)Logistics: How was all of this put together? (11:16)The intended audience for this film (13:52)Willem Dafoe's narration of the film (16:32)How working in the mountains affects or informs Renan's love of the mountains (19:08)Blending historical and contemporary experiences of the mountains in "Mountain" (22:04) Rethinking mountain "mastery" and exploration (25:15)What authors or films have been most influential in your own relationship to mountain pursuits? (28:44)What Renan hopes people will take away from MOUNTAIN (35:20)Renan's other current projects, including his Sanctity of Space (38:19) See acast.com/privacy for privacy and opt-out information.

Turn your passion into a profession with the World Nomads 2018 Film Travel Scholarship , capture the stories of local communities and wildlife conservation in the Serengeti.Go to Episode Webpage for Show Notes.About World Nomads & The PodcastExplore your boundaries and discover your next adventure with The World Nomads Podcast. Hosted by Podcast Producer Kim Napier and World Nomads Phil Sylvester, each episode will take you around the world with insights into destinations from travellers and experts. They'll share the latest in travel news, answer your travel questions and fill you in on what World Nomads is up to, including the latest scholarships and guides.World Nomads is a fast-growing online travel company that provides inspiration, advice, safety tips and specialized travel insurance for independent, volunteer and student travelers traveling and studying most anywhere in the world. Our online global travel insurance covers travelers from more than 135 countries and allows you to buy and claim online, 24/7, even while already traveling.The World Nomads Podcast is not your usual travel Podcast. It's everything for the adventurous, independent traveller. Don't miss out. Subscribe today.

On this week's landmark 100th episode of the podcast, the artist-almost-known-as-Bebeny tells the true crime story behind her name. Then (14:07) we welcome to the centenary party celebrated writer (and walker!) Robert Macfarlane, author most recently of Landmarks (PenguinRandomHouse, 2015) as well as a frequent contributor to The Guardian. We start with how Rob got from his humble beginnings in 19th century Victorian literary studies to the marvelous entanglements of language and landscape that have been his muse and craft for many years now. Rob talks about his work to salvage the linguistic attentiveness to nature found in the cultures of Britain as well as his fascination of late with what happens when a rapidly changing climate outstrips our lexical resources. That leads us to “solastalgia,” the existential distress we experience through rapid environmental change and dwelling loss. And to Rob's landscape word of the day project which reveals a hunger for biodiverse terrain language. We ruminate on the “English eerie” as an alternative to the pastoral and how it impacts our peripheral vision of environmental disruption. We touch on the plastics crisis, apocalyptic dreams, shifting baseline syndrome, the gap between childhood and nature, and children as wondernauts. Rob tells us about his trip to the Onkalo nuclear waste storage facility in Finland, a structure devoted to the time scale of eternity, and the problem of communicating danger to future cultures. Then we share our encounters with ice, talk cryo-human relations and the true meaning of nostalgia. If you enjoyed this conversation, please check out Rob's new film, Mountain (dir. Jennifer Peedom, 2017), and his beautiful new children's book done together with Jackie Morris, The Lost Words (Hamish Hamilton, 2017), which we'll go ahead and call our official Cultures of Energy holiday gift recommendation. Please also take a moment to review the pod at iTunes and support the indiegogo campaign for the graphic novel The Beast https://www.indiegogo.com/projects/the-beast-is-a-comic-about-two-dirty-industries-art-comics#/ which thematizes the entanglement of the oil and advertising industries in Canada.

Adelaide Film Festival Director Amanda Duthie joins us on the eve of ADL 2017 to chat Cargo, Sweet Country + the Australian & world premieres to take place and where we fight about Jennifer Peedom’s Sherpa follow-up Mountain and the sequel? to Judi Dench’s Mrs Brown, Victoria & Abdul

Nick and Fiona talk to the legendary Willem Dafoe about how he divides his time between indie films and Hollywood blockbusters, as he and director Jennifer Peedom talk about the documentary, ‘Mountain'

This week on Uncommon Sense with Amy Mullins, film director Jennifer Peedom spoke about her breathtaking documentary,Mountainscreening at the Melbourne International Film Festival. Australian writer and philosopher Professor Raimond Gaita joined Amy in the studio to talk about the lecture series hes hosting at The University of Melbourne,The Intelligentsia in The Age of Trump. NGV Assistant Director, Dr Isobel Crombie chatted aboutBrave New World, an exhibition she co-curated exploring the modernist artistic styles and themes explored in Australia during the 1930s. Plus New Matildas Ben Eltham on the latest in federal politics.

Jennifer Peedom's documentaries Sherpa, Solo, and Living The End deal intimately with life and death. In our second part of this four part series, Jen talks about her experiences approaching such delicate subject matter in an ethical way, for both herself as a filmmaker, but crucially, for her subjects.