Podcast appearances and mentions of joel fields

ROSS MEYERSON is best known for his work as an award-winning television and film casting director. He won an Emmy for his work on ‘Damages' in 2007 as well as having received seven additional nominations. The short film “Red, White and Blue” his last casting project has been nominated for a 2024 Oscar. He has been nominated sixteen times for CSA's prestigious Artios Award and was fortunate enough to have won twice for ‘Homeland' and ‘Rescue Me'. Other notable shows Ross has cast include ‘The Affair', ‘The Americans'. ‘Nurse Jackie', ‘'Dexter : New Blood', “The Equalizer', ‘The Expanse', 'The Big C', ‘The Following', ‘Seven Seconds', ‘Hunters', ‘In Treatment', ‘Sneaky Pete', ‘True Blood'(pilot) and many others. The list of showrunners, writers and directors he has had the privilege of working with include Alan Ball, David Milch, Denis Leary, Peter Tolan, Paul Feig, Kevin Williamson, Joel Fields, Joe Weisberg, Brett Ratner, Bryan Cranston, George Nolfi, Dan Futterman, Clyde Phillips, Sarah Treem and Veena Sud.  In addition to his work as a casting director Ross has also works producing and developing new works for the screen and stage. He recently produced ‘I'll Be Right There' starring Edie Falco, Bradley Whitford, Michael Rapaport, Charlie Tahan, Michael Beach, Jeanie Berlin and Sepideh Moafi . ‘I'll Be Right There” was selected in the Hampton, Newport, Santa Barbara and Jackson Hole Film Festivals. He will begin shooting his next film, ‘The Yeti” in late January. His next project in development is the feature film ‘Juliet' written by Jen Richards and recently chosen for the GLAAD list and The Black List.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's the 10th anniversary of the hit FX show The Americans, which is all about the spies living among us in D.C. But despite being set in D.C., the show was actually filmed in Brooklyn. Its creators Joe Weisberg and Joel Fields tell us how they painstakingly recreated '80s era D.C. digitally. Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. Interested in advertising with City Cast? Find more info HERE. We're also on Twitter! Follow us at @citycast_dc. And we'd love to feature you on the show! Share your DC-related thoughts, hopes, and frustrations with us in a voicemail by calling 202-642-2654. Learn more about your ad choices. Visit megaphone.fm/adchoices

Les premières minutes de The Patient nous plongent directement dans le vif du sujet. Steve Carrell est enchaîné et enfermé dans une pièce. Au fur et à mesure de l'épisode (relativement court, ils font tous moins de 30 minutes), le flashback commence et on comprend que Carrell joue le rôle d'un psychothérapeute, Alan Strauss, qui a plusieurs patients et qui connait des problèmes familiaux. L'un de ses patients s'appelle Sam Fortner (joué par Domhnall Gleeson), et il vient le consulter car son père l'a battu dans son enfance… et est coupable de son enlèvement. Le premier rendez-vous après avoir enlevé Strauss, il lui avoue qu'il a des compulsions meurtrières, qu'il acte dessus et qu'il a besoin d'aider pour cesser. The Patient est co-créé par Joel Fields et Joseph Weisberg, ce dernier étant le créateur de The Americans et l'ambiance anxiogène vous rappellera la série d'espionnage. Diffusée outre-Atlantique sur FX, chez nous la mini-série glaciale sera disponible sur Disney+ dès le 14 décembre. https://youtu.be/U76BJW_RqvA Dès lors, les sessions se dérouleront dans cette chambre perdue dans les bois. Évidemment, Alan va tout tenter pour s'échapper, tandis que Sam prend ses sessions très au sérieux et se livre véritablement au psy. Mais cela n'empêchera pas des excursions à l'extérieur sous forme de flashbacks. On comprend par exemple que les rapports d'Alan avec son fils sont des plus tendus depuis qu'il est devenu très orthodoxe et que sa femme est décédée suite à un cancer. D'autres souffrances lui pèsent, souvent liées à sa foi juive. La tension est continue, et il y a comme un syndrome de Stockholm qui apparait puisqu'on prend en sympathie Sam et qu'on le soutient dans sa démarche de vouloir soigner ses pulsions. L'épée de Damoclès plane évidemment avec sa potentielle mort si Sam vrille et décide de le prendre pour cible, ou encore qu'il devienne complice des meurtres que le tueur en série semble prêt à commettre. En 10 épisodes, les dialogues sont évidemment le moteur de l'histoire. Ici pas de strass et paillette, ce que disent les personnages ont du sens et les changent profondément. Cet échange entre Alan et Sam permet aux deux personnages de s'interroger, l'un étant le père et l'autre le fils de substitution. Portés par ces deux acteurs sans fausse note (et la voix si calme de Steve Carrell), les dix épisodes se consomment comme des petits pains. Point bonus pour la musique qui nargue le spectateur en s'efforçant d'appuyer sur l'ambiance bizarre de la situation. [bs_show url="the-patient"] Retrouvez The Patient dès le 14 décembre sur Disney+.

In this episode Paul, James and Gwen review The Patient, a new Hulu psychological thriller about a therapist who is held captive by his homicidal patient. This limited series was created and written by Joel Fields and Joe Weisberg, who are also executive producers along with Steve Carell. --- Support this podcast: https://anchor.fm/gwendolyn-black/support

Chris and Taylor review the new psychological thriller limited series "The Patient" created by Joel Fields and Joe Weisberg.  A therapist is held captive by a serial killer who seeks help to curb his homicidal urges.  The series stars Steve Carell, Domhnall Gleeson, Linda Emond, Andrew Leeds, Laura Niemi, Alan Blumenfeld, Alex Rich and David Alan Grier.Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcast/Twitter: https://twitter.com/thepotentialpodThanks to our sponsor BetterHelp.  Get 10% off your first month of therapy with BetterHelp at betterhelp.com/potential

Three-time Tony Award nominated actress Linda Emond joins us to talk about her role in the chilling new series, FX on Hulu's The Patient where she stars alongside Steve Carrell and Domhnall Gleeson. The Joel Fields and Joseph Weisman-helmed series, who previously collaborated on FX's hit series The Americans, follows a psychotherapist (Carrell), who is imprisoned by his client Sam (Gleeson) who reveals himself to be a serial killer. Emond plays Sam's mother Candace who while not completely supportive of her son's behavior, certainly isn't discouraging of it either.   “I felt lucky every single day. It was great writing, great acting,” Emond said of working on the series. “Most of my stuff was with Steve Carrell, so how bad can that be? And Domhnall was a doll, even though he's not playing a doll. It was a weird joy to go into such a dark show.”   Emond talks with us about the challenges in tackling the dark subject material and finding levity in between scenes when not filming, especially with her two co-stars Carrell and Gleeson whose roles were very emotional and physical. “We had to work to stay sane, especially Steve. I don't know how he did that. Domhnall, too, but doing hours and hours in that basement? It was a great experience from top to bottom.”   New episodes of The Patient are available to stream Tuesdays on Hulu  

The Hulu series The Patient is a terrifying thriller with a simple premise. A therapist (Steve Carell) is imprisoned in the basement of a serial killer (Domhall Gleeson) who wants to stop killing and thinks therapy can help. The show unfolds over 10 intense episodes and comes from Joel Fields and Joe Weisberg, who last worked together on the The Americans.

Andy & Diane discuss a handful of shows to watch over the long holiday weekend: THE PATIENT on Hulu, MIKE on Hulu, and INDUSTRY on HBOMax, then it's time for a twinspin of interviews with Andy Siara, the showrunner/creator of Peacock's THE RESORT, and Ben Sinclair, a Co-EP on the series and he's onscreen as the eccentric Alex.

After co-creating The Americans, where have Joel Fields and Joe Weisberg gone next? Back to FX...on Hulu, with the psychological thriller The Patient, and first-time guest Patrick Monahan is joining us to talk about it! Around The Dial takes us through Star Trek: Lower Decks, For All Mankind, Industry and Mike. Tara pitches the Regular Show episode "That's My Television!" for induction into the Canon. Then it's on to the week's Winner and Loser, and the eleventh (can you even believe it) round of Tube Tunes. Get on the couch or chair -- whatever makes you feel most comfortable -- and listen! GUESTS

After co-creating The Americans, where have Joel Fields and Joe Weisberg gone next? Back to FX...on Hulu, with the psychological thriller The Patient, and first-time guest Patrick Monahan is joining us to talk about it! Around The Dial takes us through Star Trek: Lower Decks, For All Mankind, Industry and Mike. Tara pitches the Regular Show episode "That's My Television!" for induction into the Canon. Then it's on to the week's Winner and Loser, and the eleventh (can you even believe it) round of Tube Tunes. Get on the couch or chair -- whatever makes you feel most comfortable -- and listen!Show TopicsThe PatientATD: Star Trek: Lower DecksATD: For All MankindATD: IndustryATD: MikeThe Canon: Regular Show S04.E18: That's My Television!Winner and Loser of the WeekGame Time: Tube Tunes XIShow NotesPatrick Monahan on TwitterAlan Sepinwall's review of The Patient at RollingStone.com (subscription required)Tara's essay on A League Of Their Own at DefectorTara on the This Had Oscar Buzz podcast, discussing A Walk On The MoonTara moderating the "Dangerous Women" panel at the 2022 ATX TV FestivalThe What A Time To Be Alive! podcastThe Not You, Guillermo podcastPatty on InstagramSarah's review of Mike at the Best Evidence newsletterSarah discussing I Just Killed My Dad on the Crime Seen podcastPhoto: Frank Ockenfells / FXDiscussionTweet at us @ExtraHotPodcast on TwitterWe are @ExtraHotGreat on InstagramSupport EHG on PatreonExtra Hot Great on Patreon Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

To paraphrase Philip and Elizabeth Jennings' new/old handler Gabriel, “Podcasting and timeliness in many ways are antithetical.” After a series of delays, Paul and Arlo are back with guest of honor Wesley “Wezzo” Mead to continue their discussion of Joe Weisberg and Joel Fields' modern classic spy drama The Americans. This time, they're taking a look at season 3, a masterclass in thematic cohesion. Everything, more or less, comes back to the challenge of parenthood: on a micro level, how the Jennings plan on guiding Paige into the world of spycraft; on a macro level, how they can act as individuals under the forceful hand of the Centre. The gang talks self-actualization, bone-crunching, necklacing, and Frank motherfucking Langella. Plus, a detour into the “wholesomeness discourse” raging around Ted Lasso.   NEXT: John Cusack and Paul Dano take on John C. Reilly and Jenna Fischer in a Geek Challenge. It's the very real music biopic Love & Mercy versus the parody music biopic Walk Hard: The Dewey Cox Story.     BREAKDOWN 00:00:44  -  Intro / Guest 00:05:37  -  Some words about Ted Lasso 00:25:48  -  The Americans: Season 3 02:22:37  -  Outro / Next     MUSIC “Only You” by Yaz, Upstairs at Eric's (1982) “Vienna” by Ultravox, Vienna (1980)     GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/

You know what they say: Parenting is hard, especially when you're undercover KGB operatives masquerading as a suburban American couple. As Paul, Arlo, and special guest Wesley “Wezzo” Mead dive into season 2 of Joe Weisberg and Joel Fields' modern classic The Americans, they discover all the ways child-rearing is difficult for Philip and Elizabeth Jennings. This includes concealing your secret identity; setting up a decoy aunt; keeping your kids out of the church; and shielding them from the dreaded “spurtsposition.” Plus, Paul and Wezzo rock out to the new Fratellis album and share some nice words about Ted Lasso.   NEXT: it's My Favorite Year to take a stroll down Sunset Blvd. on a new Geek Challenge.     BREAKDOWN 00:01:16  -  Intro / Guest 00:14:17  -  Main Topic 01:51:00  -  Outro / Next     MUSIC “Twilight Zone” by Golden Earring, Cut (1982) “Here Comes the Flood” by Peter Gabriel, Peter Gabriel (1977)     GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/

Shlee Nicholls and Joel Fields (Dale Kerrigan) Interview by Dave Borrie and Alex Lister on Radio One 91fm Dunedin

Shlee Nicholls and Joel Fields (Dale Kerrigan) Interview by Dave Borrie and Alex Lister on Radio One 91fm Dunedin

The Fosse/Verdon finale, “Providence,” premiered on May 28th, 2019. Just like the pilot, its writing credit was separated into two: the story of the episode by Joel Fields & Steven Levenson, while the teleplay itself was written just by Steven Levenson. The episode was directed by Tommy Kail. We saw three pieces of choreography in this finale: two were performances of “Big Spender” and “If They Could See Me Now” in this episode, both originally choreographed by Bob Fosse and reconstructed by Mimi Quillin. The third was the father-daughter sequence to Mr. Bojangles between Bob and Nicole, as well as its subsequent plagiarism later in the episode, both choreographed by Nicole Fosse herself. We had four featured songs in this finale. The two songs from Sweet Charity, written by Cy Coleman and Dorothy Fields, were “Big Spender,” performed by the show’s fictional tour cast, and “If My Friends Could See Me Now,” performed by both Kelcy Griffin and Michelle Williams. The other two songs are not from musicals: All That Jazz’s finale “Bye Bye Life,” which exists as a play on the Everly Brothers’s “Bye Bye Love,” written by Boudleaux and Felice Bryant, and performed by Lin-Manuel Miranda. Also performed by Lin is a version of “Mr. Bojangles” written by Jerry Jeff Walker. The finale viewership came in at a high of 992,000 total viewers, third only to the series’s first two episodes, with both live and DVR viewership rising from last week. What’s nice is, the finale’s live viewership was the highest it had been since the pilot, so luckily the show went out on a live high!! Bob is in pre-production for his semi-autobiographical movie All That Jazz, but the script still has a satisfying ending. Paddy hits the nail on the head when he tells Bob, “the problem with your movie is that your hero doesn’t change.” In his search for a realistic, if unsatisfying ending, part of the pre-production includes interviewing Gwen about her feelings about putting Bob’s next wife, Ann, into roles that she created. Her response? “It’s pretty familiar.” Part of the casting process is Bob auditioning Ann for the role of Katie - a role is obviously based on herself. Bob grills her, making Annie run the scene over and over pleading “why can’t you do the scene like it means something to you?” Her response: “Because this isn’t a scene. This is my life. These are my words. You took our life and you put it into a fucking scene in a movie.” Nicole is also watching her life being put into a fucking scene in a movie when she visits the All That Jazz set and watches the conversation she had with her dad being rehearsed by another actress playing her.  After creating Roxie in Chicago, Gwen is back where she was just a few years ago: at dinner with her manager, discussing dead ends of career opportunities. She really wants to act, but isn’t interested in following the work to LA. When Nicole’s interest in extracurricular drugs increases, Gwen considers moving her, Ron and Nicole out of the city. But dangled with another challenge to the way he sees the world, Bob gives Gwen the role of Roxie on tour, telling her, “It’s your show. It’s always been your show.” Her husband Ron forces Gwen to make a decision: staying with him vs. being puppeted by Bob. And so, she watches him pack up his life and leave.  Post-production, everyone is back on their shit: Gwen performing and hosting a medical auction on Staten Island, and Bob recreating conversations he had with Ann (both in real life and in the movie) with his latest girlfriend. Gwen takes on the task of shadow choreographing the pre-Broadway revival of Sweet Charity, but with the direction missing the heart of the show completely the only way for the show to work is for them to work as they always have been meant to: side by side, as partners. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are deeply saddened to hear of the passing of Ann Reinking, Broadway titan. Her memory lives in the souls of so many dancers. The Ensemblist dedicates this episode to her memory. Ann will be deeply missed by our community. Fosse/Verdon’s penultimate episode “Nowadays” premiered on May 21, 2019. It was written by Joel Fields & Steven Levenson, and was directed by Tommy Kail. In this episode we saw the old Fosse standards of “All that Jazz” and “Nowadays” from the musical Chicago, reconstructed by Valarie Pettiford. Here again we see the company of Chicago, featuring Bianca Marroquin as Chita Rivera, and including Broadway stalwarts Tyler Hanes as Jerry Orbach, Sean Patrick Doyle as Michael O’Haughey, Bahiyah Hibah as Candy Brown and Peter Chursin as Christopher Chadman. We even get to see a Ballet Mistress played by Pamela Sousa, who was played by Nina Lafarga in the last episode.  “Nowadays” was jam-packed with music -- the most we’ve seen in any given episode this entire series -- and it was all from, you guessed it, the musical Chicago, written by Kander & Ebb.. These four songs included the titular song “Nowadays” featuring our own Velma and Roxie, Bianca Marroquin and Michelle Williams; rehearsals of “All That Jazz” and “We Both Reached For the Gun” featuring Tyler Hanes and Sean Patrick Doyle as Billy Flynn and Mary Sunshine, respectively; and a non-diegetic rendition of “Razzle Dazzle” performed by Michelle Williams. The total viewership for this episode rose by 53000 viewers to a total of 859,000. The main rise came from a growth of DVR numbers to a whopping 492000, with live numbers inflating a tiny bit to 367000. It’s 1975, and Chicago is back in the rehearsal room following Bob’s triumphant return from a heart attack. But Bob feels fucked without his pills - he can’t eat, he can’t sleep and he definitely can’t direct. He’s pushing for Paddy, musicians, dancers - literally anyone he can to get him the dexedrine he can imagine.  Gwen is pushing herself to become the ingenue she no longer is, arriving at the rehearsal room hours early to stretch, jump rope and perform vocal trills. But even still Gwen is having trouble keeping up with Bob’s uptempo choreography, leading Bob to change the choreography for “We Both Reached For The Gun” for Gwen to sit instead of dance. Meanwhile, she’s working every angle she knows to get a new, more satisfying ending written for her. But when Kander and Ebb pen the perfect finale to showcase Gwen, Bob flexes his power and makes it a duet between Gwen and Chita. When the reviews come out, they are positive to Gwen and Chita but less so for Bob. His failure reminds him of yet another low point in his personal life: when he was just a failed dancer and unknown choreographer who couldn’t get his famous wife pregnant due to his low sperm motility. Just as Gwen can’t get Bob to sign onto Chicago until she dangles him being replaced by Hal Prince, she can’t get pregnant until they’re scheduled to adopt a child. But even Gwen’s triumphant return to the Broadway stage seems short-lived, when the pregnancy combined with blisters on her vocal chords make her time off of the show - literally without a voice. And even though Bob promises Gwen that there will be no publicity for her temporary replacement, word of mouth for the shortly available Liza Minnelli brings in lines of ticket buyers and a more positive review than the aging Verdon received. Learn more about your ad choices. Visit megaphone.fm/adchoices

Moon Zappa interviews Steven Levenson (Masters of Sex) & Joel Fields (The Americans) about their Emmy nominated FX series Fosse/Verdon.

Joel Fields and Steven Levenson to discuss their show Fosse/Verdon, as well as geek out on musical theater and share their Pippin stories.

Only geniuses (evil, wonderful tv geniuses) can create a show where the audience roots, yes roots for the KGB. Any lucky me, I got to chat with those two evil geniuses, the Executive Producers of The Americans, Joe Weisberg and Joel Fields. I’ve known these two talented guys for years, so it was a thrill to sit down and ask them all the questions that so many fans have: Is Paige getting a spinoff? Is Renee a spy? Why did you have to kill off Nina? And poor Martha (not a question…just a statement.) We also talked disguises, the suitcase scene and musicals (obvs). Ask anyone in the Intelligence Community and they’ll tell you the best spy show is The Americans. If you’re a fan of this show –this is the episode for you. See acast.com/privacy for privacy and opt-out information.

From the moment we first met Philip and Elizabeth Jennings six years ago, we have gone through countless twists and turns, numerous marriage ups and downs, a few tortures (remember that scene with Claudia? “Show them your face!”), and more wigs than we can count. Now that the final mission has come and gone, The Americans' cast and creators come together one last time to debrief on how the groundbreaking series came to a close, how this series has impacted their lives along with audiences around the world, and what they believe happens next to the Jennings' family and friends.​Episode Guests: Joe Weisberg, Joel Fields, Keri Russell, Matthew Rhys, Noah Emmerich, Holly Taylor, Keidrich Sellati, Brandon J. DirdenModerator: Tim Goodman (The Hollywood Reporter)ATX Season 8 | June 6-9, 2019 | atxfestival.comVisit atvxp.com for more TV Camp goodness and audio from ATX!-----Get 20% off your new favorite pair of jeans @ DSTLD.com with promo code: TVCAMPFIRE

If you've listened to this show ever, or read anything Todd has ever written, then you know The Americans is one of his favorite shows of the past several years. Last night, it ended. For this special episode of the show, Todd is joined by star Matthew Rhys (who plays Philip) and writers Joe Weisberg and Joel Fields, who run the series, to talk about the series' incredible final season and its even more remarkable finale. There are spoilers if you haven't watched the entire series, but also lots of talk about finding the series' voice and the whole, wild six-season ride. And, if nothing else, if you've never heard Rhys's real, Welsh accent, well, you're in for a treat. Learn more about your ad choices. Visit megaphone.fm/adchoices

Larry Wilmore weighs in on the cancellation of 'Roseanne' and other current events (1:00) before sitting down with Joel Fields, executive producer of ‘The Americans,’ to discuss the series finale and celebrate the highlights of the critically acclaimed FX show (10:00)

June Thomas talks with showrunners Joe Weisberg and Joel Fields, costume designer Katie Irish, and producing director Chris Long about Episode 601 of The Americans, "Dead Hand." Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX.  Hosted on Acast. See acast.com/privacy for more information.

Writer-producers Joe Weisberg and Joel Fields had never even met before they were teamed up to work on the FX spy series The Americans. What started as a blind date, of sorts, led to a creative friendship and one of the most critically acclaimed dramas on cable. Now Fields and Weisberg, as well as the stars of their show, are Emmy nominated for the series' fourth season.

After years of being adored by critics but ignored by the TV Academy, the FX series The Americans is finally having its Emmy moment. Executive producers Joe Weisberg and Joel Fields tell us how their partnership is a match made in show-runner heaven, why they work so far in advance, and how collaboration is key to the success of the series. 

Kerri Russell (Elizabeth) and Matthew Rhys (Philip) join June Thomas and show runners Joel Fields and Joe Weisberg to discuss the season finale, plus Matthew Rhys's favorite on-set moments, the reason Keri Russell says she enjoys acting now more than ever, and the challenges of sculpting a season finale that sits in the sweet spot of satisfying, but not too satisfying. Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX.  Hosted on Acast. See acast.com/privacy for more information.

Producing director Chris Long joins June Thomas and show runners Joel Fields and Joe Weisberg to discuss his unique process for getting the best performances out of actors. Plus, Costa Ronin (Oleg) stops by to talk about his big scene with Stan Beeman from last night's episode.Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX. Hosted on Acast. See acast.com/privacy for more information.

Spy craft consultant (and author) H. Keith Melton joins June Thomas and show runners Joel Fields and Joe Weisberg to discuss his collection of authentic KGB spy gear, and how he advises the show on everything from lock picking techniques, to what type of camera the characters should be using.Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX.  Hosted on Acast. See acast.com/privacy for more information.

Composer Nathan Barr joins June Thomas and show runners Joel Fields and Joe Weisberg to discuss his process for composing the show's score.  In addition to performing some of his unique custom-made instruments like the sympathetic drone cello, Barr breaks down the Emmy-nominated main title theme.Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX. Hosted on Acast. See acast.com/privacy for more information.

The CEO of FX Networks, John Landgraf, and the VP of Current Series at FX Networks, Colette Wilson, join June Thomas and showrunners Joe Weisberg and Joel Fields to talk about the process of creating The Americans, the importance of storytellers, and the significance of the movie, The Day After.Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX. Hosted on Acast. See acast.com/privacy for more information.

Matthew Rhys (Philip/Clark) joins June Thomas and show runners Joel Fields and Joe Weisberg to talk about his Americans directorial debut, which also happened to be one of his character's most intense episodes. Plus, Allison Wright (Martha) stops by to share some parting words for Martha.Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX.  Hosted on Acast. See acast.com/privacy for more information.

Alison Wright (Martha) joins joins June Thomas and show runners Joel Fields and Joe Weisberg to talk about poor Martha, and what it feels like to finally face the truth.Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX.  Hosted on Acast. See acast.com/privacy for more information.

Masha Gessen is responsible Russian translation on The Americans. She joins June Thomas and show runners Joel Fields and Joe Weisberg to talk about the beauty of authentic subtitles, the difficulties that Phillip and Elizabeth would have faced when perfecting their Americans accents, and the honesty in The Americans' portrayal of the Communist sexual revolution. Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX. Hosted on Acast. See acast.com/privacy for more information.

Noah Emmerich (Stan Beeman) joins June Thomas and show runners Joel Fields and Joe Weisberg to talk about the awkwardness of directing a steamy sex scene between co-stars (and real life couple) Matthew Rhys and Keri Russell, plus the story of how he got a David Bowie song onto the show two days before Bowie passed away.Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. New episodes air Wednesdays at 10pm on FX. Hosted on Acast. See acast.com/privacy for more information.

Costa Robin (Oleg) joins June and show runners Joel Fields and Joe Weisberg to discuss last night's episode, plus what it's like auditioning for a bilingual role, and which language he prefers to act in.  Hosted on Acast. See acast.com/privacy for more information.

Keri Russell and Matthew Rhys stop by for a quick conversation with June about the beginning of the season. Writers and executive producers Joel Fields and Joe Weisberg share tricks for disguising Russell's baby bump on camera, the themes they hope to hit in season four, and the unique challenges of writing a season premiere. Hosted on Acast. See acast.com/privacy for more information.

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the Season 3 finale, “March 8, 1983,” stars Keri Russell, Matthew Rhys, and Holly Taylor join script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to share their thoughts on the cliffhanger ending, their favorite moments from Season 3, and what might lie in store for the Jennings in Season 4.    Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the twelfth episode, “I Am Abasing Zadran,” Peggy Schierholz from the Hair and Makeup Department joins script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss arguably the most important part of The Americans—the wigs. Spoiler: she hate's Clark's wig. Plus, a quick check-in with actress Alison Wright about her character Martha's shocking discovery.    Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the eleventh episode, “One Day in the Life of Anton Baklanov,” writers Tracey Scott Wilson and Stephen Schiff join script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss their collaborative writing style, and the deeply personal conversations that fueled the content of this week's episode.    Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the tenth episode, “Stingers,” Holly Taylor, who plays Paige Jennings, and editor Dan Valverde join script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss one of the biggest moments in the series thus far.    Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the ninth episode, “Do Mail Robots Dream of Electric Sheep?,” costume designer Jenny Gering and production designer Diane Lederman join script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss every detail that goes into bringing the 1980s back to life.    Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the eighth episode, “Divestment,” Alison Wright, who stars as Martha, joins script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss poor Martha's point of view.  Plus: Ever wonder who constructs the car crashes, explosions, and fist fights on the show? We have an interview with stunt coordinator Ian Mclaughlin.     Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the seventh episode, “Walter Taffet,” Noah Emmerich, who stars as FBI agent Stan Beeman, joins script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss the trials and tribulations of a first time director. Plus: Fleetwood Mac and the song that didn't make it into the episode.    Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the sixth episode, “Born Again,” Keri Russell, who stars as Russian spy Elizabeth Jennings, joins script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss on-set challenges, the best (and worst) part of wearing so many disguises, and her own personal contributions to the crafting of a scene.     Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the fifth episode, “Salang Pass,” Matthew Rhys, who stars as Russian spy Phillip Jennings, joins script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss KGB sex training, selecting the perfect wig, and the craziness of playing five characters in a single episode.    Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the fourth episode, “Dimebag,” script coordinator Molly Nussbaum talks to executive producers Joel Fields and Joe Weisberg and to writer Peter Ackerman about cringeworthy story lines, making Stan Beeman angry, and selecting the perfect 80s pop song.   Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the third episode, “Open House,” script coordinator Molly Nussbaum talks to executive producers Joel Fields and Joe Weisberg and to writer Stuart Zicherman about a trip to the dentist, the secret to cinematic suspense, and practicing counter-surveillance.    Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each week on Slate's TV Club Insider podcast, the creators, cast, and crew of The Americans reveal behind-the-scenes details about the making of the FX drama's third season.  In this installment about the second episode, “Baggage,” script coordinator Molly Nussbaum talks to executive producers Joel Fields and Joe Weisberg and to director Daniel Sackheim about Season 3 Episode 2.   Note: This podcast contains spoilers and is meant to be enjoyed after you watch the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Molly Nussbaum, script coordinator for FX's The Americans, talks with executive producers Joel Fields and Joe Weisberg about the premiere episode of Season 3, “EST Men.” For more information, visit www.fxnetworks.com/shows/the-americans/.   Learn more about your ad choices. Visit megaphone.fm/adchoices