Podcasts about Mother Feather

This week's guest is Gunnar Olsen. Gunnar's been on the show a lot recently with "save it for the pod" segments. But I noticed his Big Fat Five episode is almost 4 years old, which is a shame. Recently, I went to the Hollywood Bowl with my friends Mike Robinson and Neal Daniels, both show alumni, to see Gunnar play with Puscifer on the Sessanta tour, celebrating Maynard James Keenan's 60th birthday. It was mind-blowing. Gunnar is an incredible drummer, one of the best out there. At this show, Josh Freese was playing with A Perfect Circle, but now that Josh is busy with Foo Fighters gigs, Gunnar is playing with both Puscifer and A Perfect Circle for the rest of the tour. It's unbelievable and well-deserved. Puscifer is a perfect fit for Gunnar. Apart from this tour, Gunnar has also recorded or toured with Big Data, Bruce Springsteen, Miley Cyrus, HOKO, Mother Feather, Fischerspooner, Goo Goo Dolls, and many others. He's possibly my favorite drummer, and I admire him a lot. He's a close friend, and I always try to catch his shows when we're in the same town. Although this conversation is from 4 years ago, I wanted to bring it back up because the information is still relevant. It's fascinating to hear Gunnar talk about Tim Alexander of Primus, who has been a big influence on him, and now see them hanging out on tour together, seeming like best buds. Anyway, Gunnar, I'm really proud of you, and I admire your career more than you know, even though I tell you all the time. I hope you enjoy the records that helped shape Gunnar Olsen into the drummer he is today. Cheers! GUNNAR'S BIG FAT FIVE - Album - ...And Justice For All Artist - Metallica Release Year - 1988 Key Track(s) - Harvester of Sorrow Drummer - Lars Lurich - Album - Reggatta De Blanc Artist - The Police Release Year - 1979 Key Track(s) - The Bed's Too Big Without You Drummer - Steward Copeland - Album - Songs for the Deaf Artist - Queens of the Stone Age Release Year - 2002 Key Track(s) - Song for the Dead Drummer - Dave Grohl - Album - Dust Artist - Ben Monder Release Year - 2006 Key Track(s) - Dust Drummer - Jim Black - Album - Largo Artist - Brad Mehldau Release Year - 2002 Key Track(s) - When It Rains Drummer - Matt Chamberlain For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok.

Remixes, ouvindie, tutorial de depilação íntima, glam rock groovado, abrir o Carnaval com Sex Pistols, erratas ao vivo, Rock In Rio 2001, João Gordo, Alf e Ete na Lov.e e votar corretamente foram apenas alguns dos assuntos deste episódio do Troca Fitas, onde recebemos Alf Sá (Rumbora, Supergalo, Câmbio Negro) e ouvimos o soul pesadão do 21st Century, o glam rock funkeado da Mother Feather, o rap paulada criativo do Don L e a energizante nova música da italiana Aramà! BG: MC Magalhães - "Rap do Trabalhador" Apoio: Porto Produções Musicais

Gunnar is a heavy hitting studio drummer from Brooklyn. His unique style has gotten him work with Bruce Springsteen, Pusifer, Miiike Snow, Miley Cyrus and many more. Gunnar shares a studio and knows how to dial up unique and experimental tones quickly on the days he's booked. https://www.gunnarolsen.net/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blair-sinta/support

Gunnar is a heavy hitting studio drummer from Brooklyn. His unique style has gotten him work with Bruce Springsteen, Pusifer, Miiike Snow, Miley Cyrus and many more. Gunnar shares a studio and knows how to dial up unique and experimental tones quickly on the days he's booked. https://www.gunnarolsen.net/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blair-sinta/support

Ann Courtney of Mother Feather discusses the band's new song, "You're a Dead Man," lyric videos such as "Egyptology," early influences such as Marc Bolan and T. Rex, touring, festivals, style, glam culture and clothing, the charity Madre, the creative process and so much more. [...]

Ann Courtney of Mother Feather discusses the band's new song, "You're a Dead Man," lyric videos such as "Egyptology," early influences such as Marc Bolan and T. Rex, touring, festivals, style, glam culture and clothing, the charity Madre, the creative process and so much more. [...]

052: Daniel WrightGood morning! This is Play It Like It’s Music. I’m Trevor, thanks for listening.[photo by Josh Soskin]On Wednesday, August 19th of 2020 Music is not content, it’s connection.And some of you will remember when I picked that tag line out. It was a few months ago, soon after I had restarted this podcast up in January. It came to me in a flash, but I’ve been meditating on it every week with you and saying it out loud as often as the subject comes up in conversation, which is often.The meaning of it will be obvious to most of you, and you may be able to detect a thread of longing underneath it as well. A lot of us, myself definitely included, will pursue a life in music without really understanding what it is we’re after. After many years of trying to play by some set of “rules”, then giving that up in order to heal my heart, then deciding to just try and be transactional and make a simple living at it, then giving that up and taking on this narrowcasting project which you’re listening to now - I’m utterly convinced that we don’t just need music, we need to find each other inside of the music. It’s not about your personal taste, although your taste matters. I had an invigorating email and text marathon as I reached out to all of our previous 50 guests on the show so we could celebrate that milestone together. I got to catch back up with those dozens of accomplished musicians and I got so inspired that I had to make a playlist.Because I get it, we don’t always have the nose to listen to a podcast. Sometimes we want to feel the connection without following a conversation. The audience for this show is small but dedicated, and I keep getting very heartfelt feedback from you listeners that the show is helping you in some way. So I hear that something might be working for you, and I now present to you:“Playlist It Like It’s Music”:a music community you can carry with you wherever you go.Find it on Apple Music | SpotifyPut this thing on shuffle! I grabbed a song (give or take) from each artist we’ve had on the show, so you can dig deeper and also skip around to find your groove. Pass it to your friends, help the people find each other inside the music. If you decide you like somebody, go listen to their episode and buy their album. It’s up to us, and I’m here to try and connect the dots with you. I’ll keep adding to it each week.Everybody is on there, either as an artist or as a producer or contributing player. We’ve got Dope Sagittarius, Daniel Sadownick, Krystle Warren, Angela Parrish, Mother Feather, Kevin Chown, Artyom, Cremaine, Shana Tucker… call it Evening Becomes Eclectic or some such. It’s quite a mix. Enjoy!Today on the show we’re lucky to have with us a wonderful Songwriter and Producer, living in Ojai, CA.[photo by Josh Soskin]Daniel Wright is a former member of Song Preservation Society, currently fronts Radio Skies and is the owner and manager at Echo Magic.Echo Magic is a group of producers, songwriters, musicians, and sound designers who love making records and bringing visual storytelling to life through sound. They are a collective, a studio, a house band, a creative think tank, and most importantly they are friends obsessed with creating music and sound.[Cover Design by Aaron Taylor-Waldman, Portrait by Brendan Willing James]Daniel has just put out a gorgeous, simmering collection of new songs on an album called Wild House. It features performances and contributions from close friends and collaborators including Mikael Jorgensen of Wilco, Scott Hirsch of Hiss Golden Messenger, Karl Hunter of Big Bad Voodoo Daddy and Eric Sullivan of Lissie.He’s wonderful to work with (I can attest) and he’s also a great interview. I love hanging out with folks who get it, and who also can back it all up with great work. So let’s get to it:Press PLAY above to hear my convo with Daniel Wright.Artist’s tracks all come from Daniel’s new album, “Wild House” which you can buy on BandcampThanks for listening to Play It Like It’s Music. Thanks so much to Daniel Wright for spending some very generous time with us. You can find him at Echo Dash Magic dot com and follow him on IG @dannyboywright.I can’t believe we’ve gotten to 52 shows! If you believe this show deserves a wider audience, please tell a friend:Follow me on twitter @trevorexter and talk to me on there if you have thoughts about the show.We're all contending with a mutating professional landscape, jacked revenue streams, a catastrophic global pandemic and plenty of other noise out in the culture.But you gotta keep playing.We don't draw any lines here between scenes or styles.As always, thank you for listening and remember to play it like its music.You can check out my music on bandcamp and other places. It’s all at my website, trevorexter.com. Sign the mailing list on substack to get this show sent right to you the very moment it comes out. Consider hiring me to score your piece, do some cello, teach you lessons, produce your show or back you up onstage. Music is a beautiful thing and it makes the world go round.Big love to your ears.Trevor(Did you press play yet?)...If you like this stuff, help it spread by sharing it!Hear all of our guests in rotation on “Playlist It Like It’s Music” (Apple/Spotify)Hear my songs: the “Trevor Exter Playlist” (Apple/Spotify)Sign the mailing list!Take lessons from me online!Hire me remotely for cello overdubs or to score your piece.Or to produce your podcast.Follow me on IG TW FBMore @trevorexter.compsst… sign up for emails: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

Gunnar Olsen breaks down the top 5(ish) drumming moments that helped him develop a unique voice behind the kit. You can find links to all the songs discussed on the show in The Podcast section for this episode at www.bigfatsnaredrum.com. Follow us on Instagram / Facebook/ Twitter. This episode is also sponsored by Waves Audio. This podcast would take me soooo much longer to edit if it wasn't for the Waves Vocal Rider plugin. It "rides" the fader in real-time and keeps both my and my guest's audio at a consistent level without the need to overcompress. I also use an endless of amount of their plugins for my musical recordings such as Abbey Road Saturator, CLA Drums, the SSL Channel, and many more. We are an affiliate member of Waves and if you purchase any Waves plugin via the link below, you directly support the show and me. I love you. To view the entire Waves Catalog: https://waves.alzt.net/xYDXy Podcast Artwork by Trevin Frame

Gunnar Olsen breaks down the top 5(ish) drumming moments that helped him develop a unique voice behind the kit. You can find links to all the songs discussed on the show in The Podcast section for this episode at www.bigfatsnaredrum.com. Follow us on Instagram / Facebook/ Twitter. This episode is also sponsored by Waves Audio. This podcast would take me soooo much longer to edit if it wasn't for the Waves Vocal Rider plugin. It "rides" the fader in real-time and keeps both my and my guest's audio at a consistent level without the need to overcompress. I also use an endless of amount of their plugins for my musical recordings such as Abbey Road Saturator, CLA Drums, the SSL Channel, and many more. We are an affiliate member of Waves and if you purchase any Waves plugin via the link below, you directly support the show and me. I love you. To view the entire Waves Catalog: https://waves.alzt.net/xYDXy Podcast Artwork by Trevin Frame Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello hello…my name is Ben Hilzinger and this is the Big Fat Snare Drum Podcast. I've been looking forward to this one for a while now. My guest today is Gunnar Olsen. I met Gunnar on tour in 2018 when one of my bands opened up for Big Data…a band for which he plays and it was one of the most fun times I've ever had on tour. I can say without a doubt that Gunnar is one of my favorite drummers to watch and listen to. His mixture of power and approachable creativity is unmatched in my opinion. When I say approachable, I mean he's not trying to blow your mind with circus chops, he makes the most tasteful choices that almost make you laugh cause they're so good…but sometimes he admittedly is just trying to make you laugh. In this conversation, we chat a bit about his perspective on creativity as I try to sound like I know what I'm talking about. We eventually switch to a topic that I selfishly wanted to know myself, and that's how he goes about translating the hybrid and/or electronic drum and percussion parts on recordings to a live show. You'll get to hear exactly what he's talking about because I drop in some audio from two tracks that he has performed with the band's Fischerspooner and Big Data…first showing you the studio track and then Gunnar was kind enough to record a version of what he does live. Also a quick note about this one...we did this one over Skype and since Gunnar and I were chatting before I pushed record, I forgot to enable my normal mic as the input…so you'll hear me in all my dumb glory via my MacBook built-in microphone. You can‘t win them all. Anyways, shutting up. Cheers! Gunnar was and is a founding member of both new york area bands The Exit and Mother Feather, but has a resume that includes him working with Bruce Springsteen, Big Data, Gavin Degraw, Fischerspooner, Miley Cyrus, Goo Goo Dolls. He's one of the most in-demand studio session drummers and I'm so humbled to also call him a friend. Find out about all the Big Fat Snare Drum Products at www.bigfatsnaredrum.com and follow us on Instagram / Facebook/ Twitter. Today's episode is brought to you by Clearsound Baffles. Clearsound Baffles are a transparent, acoustic shielding product that dampen loud instruments and significantly improve live sound. They dampen harsh, high-end frequencies, eliminate a huge amount of bleed into the open mics on stage, and they let your drum kit breathe the way it was meant to. So, keep your drums sounding great, keep your engineers happy, and keep the band vibing. Visit their website to check ‘em out and they have a discount code for our listeners. Enter "bigfatdiscount" at checkout to get 10% off. Learn more about your ad choices. Visit megaphone.fm/adchoices

OK, it's a new year, new decade. Goodbye teens, hello 20's!Got a good one to start you off today:In This Episode: ANN COURTNEY[photo my Omar Kasrawi)My 20's were a freakshow, but that's a tale for another day.PRESS PLAY because we made it through, we're here now, this is Play It Like It's Music, the show is back, I'm Trevor Exter and thanks for tuning in!If you know me at all, you know I've had my battles with music. Not just with trying to play it or trying to get ahead in the music business or even just play a gig. But I've had battles just trying to come to terms with "what the hell music even IS" or "why do we do this??"I've tried to quit a bunch of times, but by now I know that life is definitely better if I'm playing.So a day doesn't go by...I'm here at the top of the 20-20's, (20/20’s?) still playing cello and still talking to people. So wherever you are today, whatever your relation to music, whether you're playing or touring or struggling or listening or learning or all of the above, I want to wish you well. And I want to make something clear, to start my own decade:I defined the best parts of my career when I refused to think of music as a product, but as a service. My attitude got much better when I didn't stay locked into the idea that I had to make "things" in order to call myself a musician. The audience may or may not want to buy your pieces of plastic but they always want to be served by you. So I went around saying that "Music is not a product, it's a service" and that worked.My gigs got better, my attitude was better. It's a good way to get in the door.But it turns out music is more than a service. Before it's anything you provide to anyone, It's an experience. IT's a phenomenon, you know what I mean. But unlike a "service"…we all get to have it. It doesn't have to be a transaction, you don't have to separate everybody into audience and performers and producers... it's just a gateway that opens up to infinity every time you start making a noise on something.So I'm just gonna say these three things before we move on today. On new years day, 2020:1. you have the right to your own noise2. No one can tell you how you should play3. you don't have to perform if you don't want toBecause music is huge, it's like the water or the air. IT's not something that can be taken away from you just because you were told that you won't make it or that a gig has to go down a certain way and you don't fit. No, music is infinite and you can always connect to it.So take that in moving forward into the year here. PLAY IT LIKE IT’S MUSIC - EPISODE 20 with Ann CourtneyThe band Mother Feather blows my mind every time I see a show of theirs, and Ann Courtney is amazing. She's a good friend and we go way back to my first gigs in Rockwood back in NYC. We get in to all of her background and her attitude and her approach, and you're in for a treat with that. They have a gig on Jan 24th 2020 at Saint Vitus opening for The Giraffes that you can go to if you're anywhere near NEW YORK.Go to: http://www.motherfeather.com/liveThank you so much for listening to the show. If you like it, tell a friend? Let's grow this thing.Come find us at playitlikeitsmusic.com, we did some good episodes and there's more coming.This show is for you! We're all contending with a mutating professional landscape, jacked revenue streams and a lot of noise out there in the culture. But you gotta keep playing.It’s exciting times. It's almost as if the simple act of playing an instrument is a revolutionary one.We don't draw any lines here between scenes or styles, so if you haven't done it already, head over to the web site and join the mailing list. As always, thank you for listening and remember to play it like its music.Big love to your ears.And to your year.Trevor(Did you press play yet?)...If you like my stuff, help it spread by sharing it!Hear songs: the “Trevor Exter Playlist” on SpotifyHang with players! "Play It Like It's Music"Consider hiring me to score your piece.I can also produce your podcast.Follow me on IG TW FBMore @trevorexter.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

Ghost Cult caught up recently with record label chief and world-famous chef Chris Santos. In addition to being an award-winning restaurateur, Santos co-owns Black Light Media Records, a sub-label from Metal Blade Records. Black Light Media is home to bands such as Gozu, Eyes Of The Sun, Mother Feather, Winter Wolf, Made For Lying, and new signing Opulence. We chatted with Chris about his life growing up in the New York City Metal and Hardcore scene, what originally ignited his passion for cooking, and later restaurants, his relationship with Metal Blade, how he goes about choosing bands to work with, as well as some hot takes on the current landscape of metal, such as Slayer's retirement. Continue reading → The post PODCAST: Episode 68: Chef Chris Santos Talks About Blacklight Media appeared first on Ghost Cult Magazine.

On the inaugural episode of Sounds Familiar my guest is Ann Courtney; singer/songwriter of NYC staple Mother Feather. Ann and I sat down back in July to talk about the ups and downs of being a creative performer, how NYC's music scene has changed in the last twenty years, what music's been turning us on and a lot more. Ann grew up the daughter of U.S. diplomats, spending her high school years in Pakistan and the Philippines before moving to New York in 1999. In 2010 she formed Mother Feather, eventually getting a label deal with Metal Blade Records which released the band's self-titled debut in 2015. The following year saw Mother Feather traveling with Warped Tour and in 2018 the band released their second album, Constellation Baby. Show Notes: Mother Feather "Mother Feather" (OFFICIAL VIDEO) https://youtu.be/27lQNd_x2fw Mother Feather official site http://www.motherfeather.com/ INTERVIEW: Mother Feather Discuss the Big Ideas and Bigger Sound on Constellation Baby https://www.audiofemme.com/interview-mother-feather-constellation-baby/ BUY Constellation Baby https://motherfeather.bandcamp.com/ Instagram: https://www.instagram.com/motherfeatherofficial/ Twitter: https://twitter.com/MOTHERFEATHER Facebook: https://www.facebook.com/motherfeather/ Ann’s music picks: The Advertisers https://theadvertisers.nyc/ Liza Colby https://www.thelizacolbysound.com/ Cynthia Hopkins http://cynthiahopkins.com/ Kali Uchis https://music.apple.com/us/album/isolation/1358285249 PJ Harvey “4-Track Demos” http://pjharvey.net/music/4-track-demos/ Surfbort https://surfbort.bandcamp.com/

Gunnar Olsen is a New York-based musician who performs both live and in the studio very often. He has performed with The Exit, Big Data, Mother Feather, The Goo Goo Dolls, and even the boss. Mr. Bruce Springsteen. You are going to hear all about how that came to be in this interview. He represents C&C drum company, Zildjian Cymbals, Remo Drumheads, Vater Drumsticks, GoPro, Big Fat Snare Drum, Big Ear N.Y.C., Ableton and Reflexx.   Becoming a session player   Gunnar talks about how back when he was playing with The Exit originally, he believed that what he wanted out of his career was to be a band guy. A rock star type. That was where his head was at. But as he continued on his path with music he started getting calls to do other stuff for other people. Eventually, The Exit fizzled out and by this point, Gunnar was finding himself doing a lot more session-based work. It wasn’t really the goal when he set out to pursue music but it became his experience either way.   As Gunnar explains in the interview, he was being taught many important things about how to do a session gig to best suit the music, artist, and the producer. It is a discipline to simplify your playing in order to get a thumbs up from the producer. Is it really necessary to get attached to your performance on the record or to just do what is satisfying everyone else who is involved? This is a very interesting point of the conversation. On the other side of the coin, sometimes it is a great thing to really push the envelope and create something particularly special on the drums. I suppose that is a matter of good judgment, experience, and intuition.   In any case, as you will hear in the episode, Gunnar has become a very active player in the New York scene and recording remotely for other people abroad.   The Bruce Springsteen thing   To lay down drums for the Boss has to be one of the greatest feelings a session player can experience in his/her lifetime. A major triumph and validation that you are doing something right. The tracking for Bruce’s new album “Western Star” happened a few years ago. Gunnar wasn’t sure if the music was ever going to be released, but sure enough this summer it happened. He finally had the chance to tell the world what he had participated in. And you are getting that story told for the first time publicly on this podcast. What a treat!   The story of how Gunnar got this gig and the events that took place at Bruce’s home studio at his ranch is larger than life really. You can tell that Gunnar has rehearsed this story by living with it for so long and telling his close buddies in sworn secrecy. I won’t spoil it in this article, but what I will mention is how Gunnar knew how to read a situation and provide what was truly preferred by Bruce. This must be incremental as well considering the other two cats who laid down tracks previously to Gunnar. But a combination of having a producer’s ear for drumming and intuiting a situation based on a keen observation made by Gunnar definitely had to play a role in why you are hearing him on that record. I actually included the tune “Sundown” at the end of this podcast from Bruce’s new record. And yes, that is Gunnar on drums.   A producer’s ear   I think that this is an often-overlooked “chop” by drummers. We tend to focus on the technical prowess that we possess on our instrument and less often employing a producer’s ear towards what we perform. Music isn’t just about drumming and I realize this isn’t news to many people.   What I am getting at though is that many of us, I think anyway, are looking to constantly improve our abilities on the drums and rightly so! But we cannot simply focus on that. We also need to look at how our natural eq is in the mix when we play, what sounds we select for any given song, the effectiveness of our fills that we use and this applies to the grooves that we use too. It all plays a role in the delivery of the music and drums have a lot to do with setting the pace on this stuff. Of course, all of the instruments involved in a piece of music have to be considered, but drums really do have a profound place in this and it isn’t something I hear much discussion about.   Like you, I see so many incredible session players who know what to do with this and can fit in nicely with their playing and even inject their distinct sound into a piece of music but we are observing that. So Gunnar and I have a go with this subject and I think there are some valuable nuggets in there for listeners to check out.   What should we focus on?   Gunnar talks about how he isn’t interested so much in being an engineer. Like any skill, much time is required to become great at something. With time invested in one thing, means that less time can be afforded for other things. Gunnar COULD dive headfirst into engineering but he is far more interested in producing and drumming. Between those two things, he could easily spend a lifetime growing and he just isn’t keen on including engineering into that mix.   I think what is important for people to consider is to really hone in on a couple things at a time. Take your time to truly explore a skill and develop it through your honest interest and passion for it. There is no better way to see what is possible within yourself by being selective and intentional like that with learning. I really like that message. It is really easy to get tempted into other things by the vast quantity of tutorials and so on out there but it is common to be really into something for a short while and discover that you aren’t truly into it once the honeymoon phase wears off. Be observant of your level of interest in what you pursue.   Music used in this episode:   “When Will Today Be Tomorrow” - Gunnar Olsen “Sundown” - Bruce Springsteen “Western Stars”   Gunnar’s Socials   Instagram Facebook Website   Drumeo Gab’s Socials   Instagram Facebook

It might be just days before Christmas but around the RAM offices it's still feeling a lot like Halloween. The legendary 70s prog rockers and horror film soundtrack composers Goblin need no introduction. The band has scored beautiful music for such classics as "Suspiria", "Dawn Of The Dead", and "Profoundo Russo". Mainman Claudio Simonetti is basically the John Williams of extreme cinema. Now touring as "Claudio Simonetti's Goblin", we were treated to a unique screening of "Suspiria" with the band playing the music parts live!! After the show we sat with Mr. Simonetti with a glass of red wine and we talked about this unique tour, working within the Metal scene, and his take on the recent "Suspiria" remake. Musical royalty!! In our "News, Views, and Tunes", we address the bizarre Pat O'Brien thingy and crank some Goblin, Cast The Stone, Mother Feather, Slasher Dave, Expire, Zombie Assault and (of course) Zombi. Finally, we feature veterans The Last Ten Seconds Of Life in our "Indie Spotlight". Horns!!  This Episode is sponsored by Trve Kvlt Coffee. Summon the coffee demons to possess yourself a cup today! Follow us on Twitter and Instagram. Listen Live Thursday's at 8pm eastern on Pure Rock Radio Drop us a line at radmetal666@gmail.com

Mother Feather is the band that needed to be. Born from a fumbled expletive, creator and lead singer Ann Courtney envisioned a band bigger and more incredible than anything we could ever imagine. Zach and Ann sit down to talk tour life, the joy, pain and suffering of music, pop cock rock, and the legend that is Mother Feather.

Pipeman interviews Mother Feather at Carolina Rebellion 2017Pipeman's Power of Music is a segment of The Adventures of Pipeman (#pipemanradio) broadcast live on W4CY Radio – (www.w4cy.com), W4VET Radio, and K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (http://www.talk4radio.com/) on the Talk 4 Media Network (http://www.talk4media.com/).

Pipeman interviews Mother Feather at Carolina Rebellion 2017Pipeman in the Pit is a segment of The Adventures of Pipeman (#pipemanradio) broadcast live on W4CY Radio – (www.w4cy.com), W4VET Radio, and K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (http://www.talk4radio.com/) on the Talk 4 Media Network (http://www.talk4media.com/).

Pipeman interviews Mother Feather at Van’s Warped Tour 2016.Pipeman in the Pit is a segment of The Adventures of Pipeman (#pipemanradio) broadcast live on W4CY Radio – (www.w4cy.com), W4VET Radio, and K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (http://www.talk4radio.com/) on the Talk 4 Media Network (http://www.talk4media.com/).

Mother Feather - Brooklyn,NY based Pop Cock Rock band...New S/T record ft the singles "Mirror" & "Living,Breathing" out now on Metal Blade Records... Played the entire Vans Warped Tour on the Full Sail Stage...Check out their music, tour dates & more @ www.facebook.com/motherfeather

Pipeman interviews Mother Feather at Van’s Warped Tour 2016.Pipeman's Power of Music is a segment of The Adventures of Pipeman (#pipemanradio) broadcast live on W4CY Radio – (www.w4cy.com), W4VET Radio, and K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (http://www.talk4radio.com/) on the Talk 4 Media Network (http://www.talk4media.com/).

Let's talk about music from Mother Feather, Andrew Watt, Train's WTF, and Mega Ran --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/projectshadow/message Support this podcast: https://anchor.fm/projectshadow/support

Danny Meyers and Bob Chiappardi are joined by Ann Courtney from the band Mother Feather as they pick and play some new Strip Club tracks.

Well...would you? Hill and Beez discuss Ozzy and Sharon's split, Glenn Danzig's return to The Misfits, BABYMETAL at Download and Gene Simmons' comments on Prince. There's reviews on the new albums from Pierce The Veil, Modern baseball and Mother Feather and this week's Album Club is on King 810's Memoirs Of A Murderer. Seriously though...would you?

Mother Feather - Pop Cock Rock band from Brooklyn,NY....New S/T album out May 13th ft the single "Living Breathing"...Check them out this summer all summer long on the Vans Warped Tour...Check out their music,tour dates & more @ www.facebook.com/motherfeather Through Fire - Rock band from Omaha.NE...New single "Stronger" out now on Sumerian Records...Headed out on tour w/ OTEP, Lacey Sturm, September Mourning & Doll Skin...Check out their music,tour dates & more @ www.facebook.com/throughthefiremusic Holy White Hounds - Rock N Roll band from Des Moines,IA....New album "Sparkle Sparkle" ft the single "Switchblade" out May 6th on Razor&Tie...Currently on tour w/ The Cult...Check out their music, tour dates & more @ www.facebook.com/holywhitehounds