Podcasts about ALF

Alfredo Ocampo Zamorano es un destacado poeta, científico social e investigador académico colombiano-estadounidense, nacido en Cali en 1930. Su trayectoria abarca la literatura, las ciencias sociales y la docencia universitaria, con una notable presencia tanto en Colombia como en el ámbito internacional. Doctor en Ciencias Jurídicas y Económicas por la Universidad Javeriana (1957). MBA dirigido por Peter Drucker en la Universidad del Valle (1966). Ph.D. en Sociología de la Universidad de Columbia, Nueva York (1972), donde estudió bajo la tutela de reconocidos académicos como Lucien Goldman, Inmanuel Wallerstein y Robert Merton. Ha desempeñado roles como profesor e investigador en diversas instituciones, incluyendo la Universidad del Valle, la Universidad Javeriana y la Tulane University en Nueva Orleans. Además, ha sido consultor para el Banco de la República y ha trabajado en investigaciones sobre líderes de opinión en Colombia. Como poeta bilingüe, Ocampo Zamorano escribe en inglés y español. Entre sus obras más destacadas se encuentran: Poemas Reunidos (1974), que le valió el Primer Premio Nacional de Poesía de Colcultura en 1973. La Savia Sin Nombre (1975). Bitácora, año dos mil (2002). Desde las mil colinas de Ruanda (2008). Farewell: Poems in American-English, 1995–1999. También ha sido galardonado con el Premio Nacional de Poesía en el Año Internacional de la Mujer (1976) y recibió una mención de honor en el Premio Nacional de Poesía Alférez Real (1989). unto a la poeta Guiomar Cuesta Escobar, fundó Apidama Ediciones, una editorial dedicada a promover la poesía afrocolombiana y la literatura escrita por mujeres. Han compilado antologías como ¡Negras Somos! y Poesía colombiana del siglo XX escrita por mujeres, contribuyendo significativamente a la visibilización de voces tradicionalmente marginadas en la literatura colombiana. El 4 de septiembre de 2023, Alfredo Ocampo Zamorano fue nombrado miembro honorario de una academia, destacando su invaluable contribución a la literatura y las ciencias sociales. Su vida y obra reflejan un compromiso profundo con la poesía, la investigación social y la promoción de la diversidad cultural, consolidándolo como una figura influyente en el panorama intelectual colombiano e internacional.

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

October 8-16, 1988  This week Ken welcomes Mike and Scot from the First Seven Inch podcast.   Ken Mike and Scot discuss obscure hardcore, punk rock, having to pivot to make the fans happy, the power of Patreon, The Equalizer, TV and movies with punks, John Wick, Donnie Yen, being an easy mark, Midnight Caller, Silk Stalkings, Nick/Forever Night, USA Network, what to do when it's "too hot to sleep", creepy work pervs, smoking, being straight edge, brown cigarettes, Brendan Tartikof, Ed Grimley, the mythical magic of the big white TV Schedule board, testing your brain at the pharmacy, Amazon Women on the Moon, Real Men, Hellraiser, anthology TV, WNDS TV 50, Weather with Al, Mary Woronov, Sledge Hammer, NBC, Alf, Stevie Wonder, TV's Blooper and Practical Jokes, Librace, Throb, the career of Jim Hanks, CT people, the Moby of Puppets, The Hogans, Mr. Rogers, Letterman, Dear John, US remakes of UK shows, Who's the Boss, Donna Mills in Outback Bound, the American obsession with Australia, 'roid free world, Growing Pains, Nova, sexy Walter Mathau in Hopscotch, why 1985 is Ken's favorite year in movies, why the early 80s made us desperate for nerds to save us, fascist eagles, Slayer, Tyne Daly and kids in gangs, Just a Regular Kid an AIDS story, Highway to Heavan, Halloween epsiodes, Michael Berryman, being obsessed with guns, Chuck Norris' uzis in the Invasion USA poster, divorced parents, Just the Ten of Us, Crossing the Mob with Jason Batemen, Philly accents, the wonder of the phrase "also starring Frank Stallone", just the Maura Tierny scenes, bad NJ accents, Bush v Dukakis debate, collar up acting, UFO Coverup, Perfect Strangers, not liking Full House, how awful Halloween is Grinch Night is, Disney Channel, spoiled cousins getting cable channels from your grandparents, being a Freddy Kruger Kid, Corbin Bernson, Amanda Payes, and finally doing the show and hoping it holds up to all your hopes and dreams. 

Orbán Viktor a pólóján üzente meg, mikor lesz a választás Fideszes kampányban a kutatóhálózat vezetője Elkaptak egy palesztinpárti hajót, furcsa, hogy kik ültek rajta Elfüstölhetik a pénzüket a dohányosok Volkswagen alapon térhet vissza a Ford Focus? Órákon belül eldőlhet Európa sorsa: Trump és Von der Leyen vasárnap délután tárgyalnak a vámokról Volodimir Zelenszij: Itt az idő nyomást gyakorolni Oroszországra Kivégezték Iránban az állam ellen harcoló szervezet két tagját A ronda kínai babák, amik milliárdokat hoznak és megőrül értük a világ Hadházy Ákos állítja: Orbán Viktor a "honvédségi" repülőgéppel utazott Tusványosra Gázai humanitárius válság: Netanjahu az ENSZ-t vádolja, Merz fegyverszünetet sürget Folytatódott a magyar éremeső Madridban Becsületsértés miatt feljelentették ifj. Knézy Jenőt Történelmi hőség: 104 éves melegrekord dőlt meg az Alföldön A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Orbán Viktor a pólóján üzente meg, mikor lesz a választás Fideszes kampányban a kutatóhálózat vezetője Elkaptak egy palesztinpárti hajót, furcsa, hogy kik ültek rajta Elfüstölhetik a pénzüket a dohányosok Volkswagen alapon térhet vissza a Ford Focus? Órákon belül eldőlhet Európa sorsa: Trump és Von der Leyen vasárnap délután tárgyalnak a vámokról Volodimir Zelenszij: Itt az idő nyomást gyakorolni Oroszországra Kivégezték Iránban az állam ellen harcoló szervezet két tagját A ronda kínai babák, amik milliárdokat hoznak és megőrül értük a világ Hadházy Ákos állítja: Orbán Viktor a "honvédségi" repülőgéppel utazott Tusványosra Gázai humanitárius válság: Netanjahu az ENSZ-t vádolja, Merz fegyverszünetet sürget Folytatódott a magyar éremeső Madridban Becsületsértés miatt feljelentették ifj. Knézy Jenőt Történelmi hőség: 104 éves melegrekord dőlt meg az Alföldön A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

University of Idaho murderer Bryan Kohberger sentenced to life, Ghislaine Maxwell subpoenaed, Gary Graff joins us to talk Ozzy, bald John Lennon, Butt-Rock is back, boner-makers Salma Hayek & Sydney Sweeney, Candace Owens sued for defamation, and an update on Kate Cassidy. An old picture of John Lennon ignites a fight amongst Beatles fans... over his hair line. It gets so deep Drew digs up a picture of John's dad, Alf. The stock market has been on fire as the S&P and NASDAQ hit all time highs. Crypto is on fire and no one can still explain it. Brandon's neighbor dishes on his marriage to billionaire David Geffen. Drew is firmly on David Armstrong's side. What about you? Some people are saying Geffen might be in trouble for sex trafficking. Bryan Kohberger was sentenced to life in prison. The victim's impact statements tore him a new one, especially by pointing out how terrible he is at murdering. Crazy Planes: A Delta flight almost had a plane land on top of it in Mexico City. This just days after a Delta flight had to avoid a B-52 bomber in midair. Donald Trump's approval ratings seem to be up. Get ready to pay more for candy as the price of cocoa is sky high.  A Federal judge shuts down release of the Epstein grand jury testimony. Ghislaine Maxwell subpoenaed by the House Oversight Committee. The Wall Street Journal reports that US AG Pam Bondi told Trump in May that he's in the Epstein files. There are new pictures of Donald Trump hanging out with Jeffrey Epstein back in the day. Gary Graff joins us following the death of Ozzy Osbourne. EMTs tried to save the Prince of Darkness for two hours.  There's going to be a ton of new Ozzy stuff coming out in the next year.  Gary also talks about the 40th anniversary of Live Aid. His favorite performance that day was George Thorogood. Kate Cassidy, the girlfriend of Liam Payne, has become a full-time influencer on TikTok. Salma Hayek gave everyone boners today. Sydney Sweeney tried to as well, but was wearing too much denim. The Cleveland Browns unveiled their new helmets today, but some oaf took all the attention away.  The clear highlight of the British Open was a sweet fart. Candace Owens is sued by the French President Emmanuel Macron and his wife for claiming Brigitte is really a man. Butt-Rock is back! You know Puddle of Mudd, right? If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.This is a collection of highlights from Looks Unfamiliar featuring Joanne Sheppard on Fax, Mitch Benn on The Deceivers, Mark Thompson on Your Party Needs You, Donna Rees on The Monty Python Matching Tie And Handkerchief, Georgy Jamieson on Go For Broke!, Steve Berry on MB Games' Hangman, Tim Worthington on Outa-Space!, Ben Baker on Roland's Yuletide Binge and Mic Wright on Solitary Fitness. Along the way we'll be declining to eat some fifty year old corned beef, finding out what would happen if you described Mark And Lard to your grandparents, debating the the importance of elongated faces in topical satire, pouring scorn on Nigel Farage's prowess as a long-haulage lorry driver, estimating how many copies of MB Games' Voice Of The Mummy were piled up at Neverland Ranch and leafing through The Official Steve Nallon Annual 1985. Plus there's also Tim on the radio talking about Michael Palin's Around The World In 80 Days as well as talking about ALF's Marvel Comics appearances on ALFSplaining and the Beatles cartoon on The Big Beatles Sort Out, and a bit of a chat with Grace Dent about a certain saggy old cloth cat...You can find more editions of Looks Unfamiliar at timworthington.org.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. Do not pay attention to any mice who insist they can get you one from round the back of a sort of cardboard house.

Ep129 - Are rental properties just about collecting rent from tenants? Think again.In this powerful episode of The Share the Wealth Show, we're diving into alternative rental strategies that go far beyond the traditional landlord model. From mid-term room rental empires to group homes, senior living businesses, and even Medicaid-backed motels—these creative approaches are not only highly profitable but also deeply purpose-driven.

Petro anuncia su nueva reforma tributariaPetro opinando sobre el proceso contra el expresidente Uribe -videos son clarosMinistro de Educación contra las cuerdas por el caso FOMAGEl ataque de Benedetti contra BluRadio Carlos Fernando Galán amenazado por los criminales que atentaron contra Miguel UribeEl pacto binacional entre Petro y Maduro Alfredo Saade y la respuesta Lina Garrido y María Fernanda Cabal Carlos Carrillo y Alf

En este episodio Alf y Juan hablan del fin de Rosetta 2 (revisad si tenéis aplicaciones de Intel todavía para actualizarlas), una crítica a la gestión de Tim Cook al frente de Apple y su falta de visión en lo que pone en nuestras manos, pasamos a consejos sobre el Roaming y la itineraria de datos, ahora que os vais de vacaciones, para acabar comentando sobre algunas series. 

Racing Victoria has always placed enormous importance on the education and welfare of the state's junior jockeys. No stone is left unturned in developing the talents of promising young riders, at the same time closely monitoring any potential mental health issues that may arise. The governing body chose carefully a few years ago in selecting Darren Gauci and Alf Matthews to head up their jockey coaching initiative. Alf brought the curtain down on his riding career as far back as 1999 and has spent the ensuing 26 years working in apprentice jockey tuition and mainstream racing media. Adelaide born Alf Matthews has crammed a heck of a lot into his 69 years, and his story makes for an absorbing podcast.  Great to have him on board this week.  Alf begins by talking about the high number of female apprentices coming through the system. He agrees the girls will comprise a high percentage of Australia's jockey ranks  in the years ahead.  He talks of the benefits of Racing Victoria's “mechanical horse” in schooling budding riders. Alf takes us through a day at  the races  with young riders in his group. He takes us back to his final race ride in 1998 when Craig Williams on Prime Address robbed him of victory in the Eclipse Stakes. Alf looks back on his very happy apprenticeship with optician turned horse trainer John Riggs at Morphettville. He's never forgotten his first day at the races in 1972. He thought he had only one ride but finished up with a couple. He met an English riding legend during the day. Jockeys who win their first race on a metropolitan track are few and far between. Alf was one of them. He looks back on an early association with Bart Cummings and the opportunity to ride a classy 3 year old for the maestro.  Alf still can't believe his luck in winning his first Gr 1 at home in the Adelaide Cup of 1975. He only had to wait a couple of months for his second Gr 1, this time down the historic Flemington straight six.  Alf says he was chuffed to win the Blue Diamond Stakes for legendary trainer Colin Hayes. He looks back on a transfer of his indentures to Randwick trainer “Skeeter” Bentley in 1976.  Not long after Alf arrived in Sydney Bart Cummings came looking for him to ride one of his runners in the time honoured Epsom Hcp. It was a roughly run Epsom, but Alf missed the trouble to land outsider La Neige a narrow winner.  He looks back on his association with classy mare Maybe Mahal in the 1977/1978 season. At his second ride on the bonny mare Alf got her home in the Craven A Stakes, his second win in that high profile Derby day sprint. He has fond memories of the mare. Alf looks back on a memorable Adelaide carnival in 1986 when he landed the winners of both the Oaks and SA Derby. He looks back on another Oaks win on the grey filly Pindi.  The former jockey was elated to win the famous Oakleigh Plate on Khaptingly for his great supporter David Hall. Alf says he  brought his Gr 1 tally to an even 10 on Minegold in the Australasian Oaks for old friend Leon Macdonald. He pays tribute to one of his favourites Blue Boss. He won seven races on the old warhorse including four at stakes level. Alf looks back on three overseas stints. He was all set to spend a season in Hong Kong but an Adelaide fall saw his contract cancelled. He pays tribute to one Adelaide rider who had a marked impact on his early career. Alf reviews his long association with Racing Victoria. The former outstanding jockey looks back on his 15 years with the Skychannel organisation and several other TV and radio experiences. Alf pays tribute to daughters April and Krystal and the three grandsons the girls have brought into the world. He acknowledges the undying support of wife Kellie. I can still see young Alf Matthews charging along the fence on La Neige to snatch victory in the last stride of the 1976 Epsom. It was one of an amazing tally of 1603 career winners. Those Victorian apprentices are indeed fortunate to have a former rider of such great talent as their official coach and adviser. Delighted to have Alf on this week's podcast edition.

Kivel akar nyerni Orbán Győrben? Újra emlegetik a világklasszis kézilabdázót az egyik megüresedő helyen Garcia mexikói stílusban él a magyar Alföldön Robbantak a lakásárak Beárazták itthon a Hyundai hétüléses szabadidő-autóját! Szigorodnak a magyarok egyik kedvenc élelmiszerére vonatkozó szabályok A Moméról indultak, Hollywood és a Dior is felfigyelt arra, mit alkotnak a művészet és a technológia határán Aszály ellen számháború Ma újranyit a Dunántúl legendás csárdája Az Egyesült Államok hozzájárul ahhoz, hogy a NATO amerikai fegyvereket vásároljon, amelyeket Ukrajnának adhat Kilőtt a qvik, lendületet kapott a fizetési kérelem Ellopták Beyoncé kiadatlan zenéit egy autóból A Manchester United korábbi védőjével erősít a Real Madrid Saját honfitársa üthetett szöget a világ legpechesebb teniszezőjének koporsójába A hét közepére megszűnik a hőség A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Kivel akar nyerni Orbán Győrben? Újra emlegetik a világklasszis kézilabdázót az egyik megüresedő helyen Garcia mexikói stílusban él a magyar Alföldön Robbantak a lakásárak Beárazták itthon a Hyundai hétüléses szabadidő-autóját! Szigorodnak a magyarok egyik kedvenc élelmiszerére vonatkozó szabályok A Moméról indultak, Hollywood és a Dior is felfigyelt arra, mit alkotnak a művészet és a technológia határán Aszály ellen számháború Ma újranyit a Dunántúl legendás csárdája Az Egyesült Államok hozzájárul ahhoz, hogy a NATO amerikai fegyvereket vásároljon, amelyeket Ukrajnának adhat Kilőtt a qvik, lendületet kapott a fizetési kérelem Ellopták Beyoncé kiadatlan zenéit egy autóból A Manchester United korábbi védőjével erősít a Real Madrid Saját honfitársa üthetett szöget a világ legpechesebb teniszezőjének koporsójába A hét közepére megszűnik a hőség A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Lord Alf Dubs is a Labour peer and former MP. He came to the UK from Prague in 1939 on one of the Kindertransport trains organised by Sir Nicholas Winton which rescued mostly Jewish children from Nazi-occupied Czechoslovakia.Alf was born in Prague in 1932. His father was from a Jewish background and was brought up in what was then Northern Bohemia while his mother came from Austria. His father left Prague for London as soon as the Nazis invaded Czechoslovakia in March 1939. In June, when he was six-years-old, Alf was put on a Kindertransport train, arriving at Liverpool Street station two days later where he was met by his father. His mother eventually joined them in London the day before war broke out. Alf studied Politics and Economics at the London School of Economics and was elected as the Member of Parliament for Battersea South in May 1979. He lost his seat in 1987 and the following year he was appointed director of the Refugee Council, becoming the first refugee to head up the charity.In March 2016 Alf tabled an amendment to the 2016 Immigration Act (known as the Dubs Amendment) which asked the Government to accept 3,000 unaccompanied refugee children into the UK. The amendment passed but the Government closed the scheme the following year after accepting 480 children.In 2016 Alf received the Humanist of the Year award by Humanists UK of which he is also a patron. In 2021 his Czech citizenship was restored making him the first Czech-British member of the House of Lords.DISC ONE: It's Easy To Remember (Take 4) - John Coltrane Quartet DISC TWO: Smetana: Má Vlast, JB1:112: 2. Vltava. Performed by Czech Philharmonic Orchestra, conducted by Jiří Bělohlávek DISC THREE: She's Leaving Home - The Beatles DISC FOUR: Bandiera Rossa - Canzoniere del Lame DISC FIVE: Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro. Performed by Barry Tuckwell (French horn), Academy of Saint Martin in the Fields, conducted by Neville Marriner DISC SIX: Danny Boy - Daniel O'Donnell DISC SEVEN: Take This Waltz - Leonard Cohen DISC EIGHT: Ode to Joy. Composed by Ludwig van Beethoven and performed by Gewandhausorchester Leipzig, conducted by Herbert BlomstedtBOOK CHOICE: Germinal by Émile Zola LUXURY ITEM: Walking boots CASTAWAY'S FAVOURITE: It's Easy To Remember (Take 4) - John Coltrane Quartet Presenter Lauren Laverne Producer Paula McGinley

David and Ryan return to spelunk the further depths of Heritage's massive July Entertainment Auction. Join the guys as they page-turn all of Session 3 and 4 and uncover the titillating mysteries within—including Game of Thrones, Jeannie bottles, an ALF head, Star Trek, Star Wars, the Michael Westmore Collection, Silent Running art, a massive John Alvin collection, Bond, ET, Conan swords, Big Trouble in Little China, My Neighbor Totoro, Home Alone hats, the best Struzan art from the worst Indiana Jones movie, and the greatest western pistol of all time that you're a fool if you don't bid on! (It's from Tombstone and Ryan is the consignor -Bart) and more! Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

David and Ryan return to spelunk the further depths of Heritage's massive July Entertainment Auction. Join the guys as they page-turn all of Session 3 and 4 and uncover the titillating mysteries within—including Game of Thrones, Jeannie bottles, an ALF head, Star Trek, Star Wars, the Michael Westmore Collection, Silent Running art, a massive John Alvin collection, Bond, ET, Conan swords, Big Trouble in Little China, My Neighbor Totoro, Home Alone hats, the best Struzan art from the worst Indiana Jones movie, and the greatest western pistol of all time that you're a fool if you don't bid on! (It's from Tombstone and Ryan is the consignor -Bart) and more! Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Extra sommarspecial med Alf & Petter som pratar om hur man bäst gör ett vinbesök och vilka mogna viner som är härligast.

Veteran screenwriter and author David Silverman 'How to be A Rockstar Screenwriter' takes us through his incredible journey in Hollywood, sharing on the Papamutes Podcast insider stories and practical advice for aspiring writers. His decades of experience across beloved shows like The Jeffersons, One Day at a Time, Mork and Mindy, Alf, and South Park offers valuable insights into the craft of screenwriting and the business of television. And don't miss the chance to download Silverman's book for free on Kindle from July 4th through July 8th, 2025.show notes: susan morrison authored lorne: herb solow was head of mgm:Send Papamutes a Text“THE OPINIONS EXPRESSED OR VIEWS EXPRESSED BY GUESTS DO NOT NECESSARILY REFLECT OR REPRESENT THOSE OF THE HOST; Listen on Apple Podcasts, Spotify, iHeart Radio, Castro, Google Podcasts or wherever you stream your podcasts.

It's More Rosebud, and time for another guest with an unusual tale to tell. Julia Baird is the half-sister of John Lennon, and here she tells Gyles about her childhood, their mother (Julia Lennon, née Stanley) and what it was like to grow up alongside a future pop icon. John Lennon and Julia Baird's family was big, and complicated - their mother, Julia, was one of five girls. She met John Lennon's father, Alf Lennon, in the park when she was just 14, and the pair courted, and later married. John was born in 1940, but Alf got a job in the merchant navy and from then on was seldom home. After that, Julia had three more daughters with two different partners, but her family did not approve and John was taken to live with his aunt, Mimi. However, John and his mother never stopped seeing each other, and never stopped loving each other - and this is the story Julia Baird tells to Gyles in this episode. She also tells Gyles about John's success, about the band's rehearsals in her mum's kitchen, about John and Cynthia, and about going to see the Beatles play in Liverpool and the early days of Beatlemania.This really is a must for any John Lennon fans who want to know more about his childhood.Julia Baird's book Imagine This: Growing Up With My Brother John Lennon is available here. Tickets to Live Odyssey, an immersive exhibition about British music and featuring a new John Lennon exhibition, are available here.This episode was recorded at the JW Marriott Grosvenor House in London. Thank you very much to everyone there! Hosted on Acast. See acast.com/privacy for more information.

En este episodio Alf y Juan reciben de nuevo a Jon Ander Orcera de Apple Coding Academy, quien nos va a hablar de las betas de los nuevos sistemas operativos de Apple versión 26: iOS para el iPhone, iPadOS para el iPad, macOS para el Mac... y no nos olvidemos el Carplay, Apple Watch...

Lords: * Erica * Judy * https://www.tiktok.com/@diluftmensch * https://www.tumblr.com/diluftmensch * https://bsky.app/profile/diluftmensch.bsky.social Topics: * The Pantone college experience * Why is everyone with superpowers a crime fighter or a criminal * Sell me on metal utensils * Grand Avenue, by Ron Koertge * https://writersalmanac.publicradio.org/index.php%3Fdate=2014%252F10%252F19.html * Abridged version: https://allpoetry.com/poem/14373111-Grand-Avenue-by-Ronald-Koertge * Toothpaste is traditionally spicy Microtopics: * Just Judy. * Telling your friends you love them. * Taking a break from the Internet and staring at the ceiling. * Realizing you need to take a break and then trying to figure out what you need to take a break from. * Doing absolutely nothing for ten minutes. * People who enjoy meditation explaining that you just need to meditate harder. * Taking a depressing game and remaking it, reframing it as relaxing. * Tetromino Chill. * Asking "do I have the flu?" in French. * Clicking on a wav file of Sleepwalk by Santo and Johnny and thinking "computer music is cool" * Your college's particular shade of purple. * The proliferation of this exact shade of purple now that Pantone has made it possible to exactly reproduce a color. * The reason why can't we tell who's buff and sexy any more. * Going to college to get sick of a particular color. * Whether any place is as intensely branded as a college campus. * What the founding fathers would think of this college campus' branding. * James Madison inventing the signature duplicator. * James Madison insisting that his entire family sleep sitting up. * Colors that you can't use until you really mean it. * Colors that are not allowed in the bathroom. * Pantone inventing a way to pee any known color. * Boom Box Guy. * The professor with the glasses with two different color lenses who is constantly complaining about JMU Purple. * Having jaws strong enough to eat bones and eating way more bones than you used to. * Topics that have been in the bucket since the inception of the bucket. * Unlimited energy. (Not limited energy.) * Why isn't Superman using his x-ray vision to watch TV better than anyone? * Lois Lane wearing superman's shirt. * Using your x-ray vision to make sure ant colonies aren't siphoning money out of bank vaults. * Advising strangers on the street that they have an untreated medical condition and they're like "go away creep" * The spoon doing a catapult move because the handle is too heavy, and flinging chili everywhere. * Plastic utensils for adults. * Hitting the age when doctors start saying things like "let's see if we can get a couple more good years out of you" * Whether the fork ever touches your tongue. * Ceramic spoons. * Melamine, the plastic material manufactured on Alf's home planet. * Handsome Korean wooden spoons. * Just slurping down a whole bowl of guacamole. * Everyday Carry Forks. * Metal utensils: so good, you carry them around. * Trying to eat a leaf of lettuce with an extremely heavy fork. * Eating a meal with a pickaxe and a pronged shovel. * Turning the corner by Señor Fish. * Different ways to kil for somebody. * A punch-line that was not set up in the descriptive part of the poem. * A poem that is a subset of another poem. * Where is the wacky misunderstanding that I was promised? * A bumper sticker reading "you just got passed by a bad driver (AI)" * Slapping the "artificial intelligence" label on everything you write so people blame AI. * Cinnamon toothpaste and ginger toothpaste. * Conventionally spicy toothpaste. * Toothpaste that doesn't taste like anything. (You know, for cats!) * Spicy tuna toothpaste and black pepper toothpaste. * Rinsing your mouth with lemon cleanser so your mouth can feel lemon fresh. * Pure Piperin. * Tubes: they're for squeezing. * Phosphoric acid toothpaste.

It is Day 104 in the trailer behind the Metal Shoppe. The boys are back to talk about the amazing Lee Aaron, Metal For Breakfast, the best way to wield a sword, Jared Leto in Star Wars, the spirit of Gentleman Ghost, did Tony escape the lunchroom, what happened with ALF, the consequences of playing chicken with a press, unconditional air, the random fails on the compilation album Metal For Breakfast, we love Tipper Gore and the PMRC, and just what happens when angering the Metal Lord? Oh, and we play some metal.#podcast #MetalShoppe #HeavyMetal #PodcastLifeLinktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/meetthegeeksMerch: Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

S4 EP40– Ya Boys discuss Kentucky fried bullshit, Muppet babies, WTF was Alf, people selling racoon wieners, and more!Get you a Shirt from our Shop! www.yaboyspodcast.comFollow us on Instagram, Spotify, Apple Podcasts, and TikTok!

Giancarlo Navas is joined by Alf to talk the KD trade saga • Would KD put Miami over the hump? • Most the Heat should trade Kevin Durant • Alf compares Durant to the Housing Crisis • Demar and Kuminga rumors And more!

„Özönlenek délről a növény- és állatfajok, az Alföld el fogja veszíteni az igazán magyar karakterét” – mondja Jakab Gusztáv biológus, természetfotós, aki szerint kukorica és burgonya helyett a ciroké és a fügéé a jövő hazánkban. „Az a világ, ami a globális klíma 1988-as átbillenési pontja előtt volt, nem fog visszajönni, itt egy új világhoz kell alkalmazkodnunk, minél gyorsabban” – fejti ki Rácz Lajos környezettörténész, és határozott állami lépéseket sürget a vízmegtartás érdekében. Mindketten fontos kutatói nyilatkozatokkal járultak hozzá az új Válasz Offline elkészüléséhez, így a lap június 10-i bemutatójának vendégei voltak. Az alábbiakban a velük készült pódiumbeszélgetést tesszük közzé podcast formájában. Figyelem: szemfelnyitó gondolatok és életbevágóan fontos megoldási stratégiák következnek, melyek bővebb kifejtése a Válasz Offline-ban olvasható! .

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Lassanként a képernyőket is meghódító, nagyszabású showműsorunk az igényes podcasthallgatók prémium választása. 00:25 Mindenkit üdvözöl DJ Jeszy és Georg Spöttle. Captain, it's Thursday. 04:04 Videósok figyelem! A 164. adás a Lázár-Mourinho párhuzammal. Lázár továbbmurinnyózálódik. 08:27 Mihez ért Lázár János? Amikor a Spurs-doksiban bejelentették Mourinhót. 12:43 Vitézy Dávid kivirul. Medgyessy Péter és Kovács László, az utolsó magyar playboyok. Lázár nem engedi el a portugál kispadot. Nuno Mendes zsebreteszi Lamine Yamalt. 18:38 Tisza cipő-hírek és -múlt. 22:41 Rossi Azerbajdzsán után. A Magyar Nemzet és a 444 hasonló elemzései a magyar válogatottról. 26:25 Alföldi papucs-hírek és -múlt. Tata az Alföldön. Viba-papucsok. 30:24 Tamil megfejtés. Találkozás egy hallgatóval. 34:03 Magyarok Trumpról. Mi történik, ha Orbán igazat mond? A megölt szikh rapper. Hübris wokebuster. 41:10 No 7 Mansion és Indigo Expressz. Mennyi most a sertésvese? 48:11 Borsőrlés és sörkóstolás. A másnaposság-sommelier. Jövő héten találkozunk! See omnystudio.com/listener for privacy information.

Alf & Petter ses hemma hos Alf och ämnen är många som ska betas av. Petter har släppt en fotbollslåt och Alf har debatterat med Systembolaget på Svt. Bland annat.

The SKATCAST Network presents:The Dave and Angus Show #177Today's Show:Dave and Angus are back in Spokane ready to ALF some sh*t (a classic movie) and do a top five (on a specific type of movies). Join us for another week of D&A horsesh*t!Have a tremendous Thursday!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/XKxhHYwu9zFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Hosted on Acast. See acast.com/privacy for more information.

Welcome to The First Ones, an Our POoRCHoices podcast.  On this series Sarcastro picks a show from yesteryear and then rallies some (or all) of the fellas to join him in recapping just the first episode of said show while dissecting it and determining if it's a show that would fly in today's entertainment landscape. This month Sarcastro is joined by Fatty, Banky and friend of the show and co-host of The Sunnydale Diaries, a Buffy the Vampire Slayer podcast, Queen Mel to talk about a show she recommended, Tales from the Darkside.  A horror anthology series which Sarcastro was the only one on the show who had never heard of it.  The first episode happened to be an actual aired pilot that first hit television around Halloween in 1983 and was about a loan shark played by Barnard Hughes (Grandpa from The Lost Boys) and who happened to enjoy Halloween so much he put on a free haunted house for the kids of the indebted parents in town.   The episode also stars Max Wright making his second appearance on The First Ones from the premier episode on ALF. Intro and outro interpreted and performed by Sarcastro. Be sure to check out The Sunnydale Diaries wherever you listen to podcasts and follow them on their socials and visit them at www.thesunnydalediaries.com.  

Scott Mason talks with Alf Arteaga of the 3 Yards Per Carry podcast for a Dolphins view of what the Jets did in the 2025 offseason! Alf shares his thoughts on the end of Joe Douglas/Robert Saleh regime, Aaron Glenn as the Jets' new head coach and Darren Mougey as the team's new general manager, the Aaron Rodgers decision, a look at what the Jets did in free agency and the draft, expectations for the 2025 season ........and much more! Check out the Play Like A Jet store and get your "Play Like A Jet" logo shirt RIGHT NOW! Hoodies, hats, mugs, etc.....also available! https://www.teepublic.com/t-shirt/19770068-play-like-a-jet-logo-shirt?store_id=717242 To advertise on Play Like A Jet, please contact: Justin@Brokencontrollermedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

00:00:00 - Reggelek indulása és a reggeli előítéletek00:07:57 - Vigyázat a finggal!00:12:55 - Mirage AI feltanítás00:14:46 - Kell aggódni az AI miatt?00:22:24 - Ember, mint licenc?00:25:50 - Tudatosságot igényel az internethasználat00:28:41 - Tárgyakat megszemélyesíteni00:31:43 - Zavaró betűtípusok00:33:32 - Pótgombok az ingekben00:36:14 - Fájdalmas sérülések és balesetek00:38:49 - Pánik és észszerűtlen dolgok00:40:37 - Vízbe ugrás és csúszdák00:45:22 - Jesolo és Bibione00:47:02 - Külföldön magyar étteremben enni00:48:01 - Kikapcsolódás az Alföldön00:50:18 - Tunkolás00:51:34 - Szokatlan kajakombók és az olasz konyha00:57:02 - Változtatások a tartalmainkkal kapcsolatban01:09:51 - Befejezés

Episode 322: Child Expansion Journey: Real Talks with Lily and MiaThis week on The Untethered Podcast, we're bringing you a heartwarming and candid conversation as host Hallie Bulkin sits down with her own daughters, 9-year-old Lily and 7-year-old Mia, to share their real-life experiences with orthodontic expansion.From upper ALF appliances to rapid palatal expanders and customized HA devices, Lily and Mia talk about the good, the hard, and the funny sides of having airway-focused appliances.If this episode has resonated with you in some way, take a screenshot of you listening, post it to your Instagram Stories, and tag Hallie @halliebulkin and Dr. Annie @dr.anniebabbIn this episode, you'll hear:✔️ Personal stories from Lily and Mia's orthodontic journey✔️ The impact of ALF and HA appliances on eating, speech & daily life✔️ Tips for cleaning and managing appliances✔️ Real talk about how kids really feel wearing these devices✔️ Why airway-centric orthodontics matter for long-term healthIf you're a parent navigating pediatric orthodontics or curious about airway-focused care, this episode is full of relatable insights and practical tips—straight from the kids themselves!LINKSBe part of our Myo Fam! Join us inside The Myo Membership: www.themyomembership.comBecome a Certified Myofunctional Therapist™ (CMT®). Enroll here: www.themyomethod.comReady to turn your "myo eyes" on? Join our webinar: https://www.feedthepeds.com/myo-webinarDownload a Free F.A.S.T. Myo Screening Packet Here: FastMyoScreening.comFind a myofunctional therapist: www.themyodirectory.comConnect with Hallie on Instagram, Facebook & LinkedINHaven't left a review yet? Click here and thank you, as always, for being a listener! Want to watch more of the episode? Click here Hosted on Acast. See acast.com/privacy for more information.

Petter är på Kreta. Alf tipsar om grekiska viner. Dessutom Brunello och en drömmig provning med flaskor från 1990.

Vi tar ytterligare en titt i arkiven, och följer upp några av de tips som gällde Gio P och framförallt Alf E från förra gången. Det visar sig att Alf var allt annat än trevlig mot sin sambo Gio...Av och med Tobias Henricsson/PRS MediaSponsra Palmemordet på Patreon: https://www.patreon.com/palmemordetSponsra Palmemordet via Swish: 070-7715864 (märk insättningen "Palmemordet")Kontakta Palmemordet: zimwaypodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

David Silverman is a TV producer/writer, and psychotherapist who helps writers and stars with self-fulfillment. He has written for 30 TV shows and has movies out. Among his TV credits are episodes of THE JEFFERSONS, ONE DAY AT A TIME, ALICE, NEWHART, and ALF. He recently co-wrote a book called HOW TO BE A ROCKSTAR SCREENWRITER. It has chapters on procrastination, perfectionism, social anxiety, and highly sensitive persons. I had the great pleasure of speaking to him about a lot of this and more.*I do not own any of the content used in this podcast.Follow David Silverman at www.hollywoodscriptwriting.comIf you love this show, please leave us a review. Go to ⁠⁠⁠⁠RateThisPodcast.com/karereviewspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow the simple instructions.Follow Kare Reviews at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.karereviews.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KareReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Also please visit the newly launched Patreon page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.patreon.com/jeffreykare?fan_landing=true⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jeffrey Kare on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@JeffreyKare⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pocket Casts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RadioPublic

The Saturday Rub comes from the Triple MCG prior to Collingwood taking on Adelaide. Today Damo comes in hot not just with the latest afl news but also with an exposé on JB and his hair; We talk to Pies Legend, Scott Pendlebury; and we pay tribute to Robert Walls and Adam Selwood. Triple M Footy's Saturday Rub is James Brayshaw, Billy Brownless, Bernie Vince, and Damian BarrettSee omnystudio.com/listener for privacy information.

A cenzúratörvény kapcsán Alföldi Róbert színészt, rendezőt is kérdeztük a rendkívüli élő adásunkban. Ugyanakkor szó volt önzőségről, kiábrándulásról, indulatokról, inspirációról, önvizsgálódásról, de Schmidt Mária rajongói leveleiről, valamint a Pride betiltásáról is.MÁR CSAK EGY HETÜNK VAN a cenzútatörvény elfogadásáig: ennyi időnk maradt, hogy összegyűjtsük a működésünkhöz szükséges költségvetést. Kíváncsi, kritikus, közösségi –TÁMOGASS, HOGY FOLYTATHASSUK!Adó 1%-kal:https://szja.partizan.huKözvetlenül:https://jovore.partizan.huIratkozz fel!Értesülj elsőként eseményeinkről, akcióinkról, maradjunk kapcsolatban:https://csapat.partizanmedia.hu/forms/maradjunk-kapcsolatbanLegyél rendszeres támogatónk!Szállj be a finanszírozásunkba közvetlen támogatásal:https://cause.lundadonate.org/partizan/supportLegyél önkéntes!Csatlakozz a Partizán önkéntes csapatához:https://csapat.partizanmedia.hu/forms/csatlakozz-te-is-a-partizan-onkenteseihezTematikus hírleveleink—Szerdánként külpolitika: Heti Feledy hírlevélhttps://csapat.partizanmedia.hu/forms/partizan-heti-feledyPéntek Reggel, a Partizán hírháttér podcastjának levele: https://pentekreggel.huSzombaton Vétó hírlevél:https://csapat.partizanmedia.hu/forms/iratkozz-fel-a-veto-hirlevelereYouTube: https://www.youtube.com/@PartizanmediaFacebook: https://facebook.com/partizanpolitika/ Facebook Társalgó csoport: https://www.facebook.com/groups/partizantarsalgo Instagram: https://www.instagram.com/partizanpolitika/TikTok: https://www.tiktok.com/@partizan_mediaPartizán saját gyártású podcastok: https://rss.com/podcasts/partizanpodcast/További támogatási lehetőségekről bővebben: https://www.partizanmedia.hu/tamogatas

Diese Folge „Baywach Berlin“ war überhaupt nur möglich, weil Schmittis Grundschullehrer nicht mit im Studio saß. Sonst hätte er, wie es Schmitti noch aus seiner Kindheit bezeugen kann, sicher alle drei Podcastern für jede einzelne Ansicht verprügelt und verdroschen. Lundt dafür, dass er dem größten Künstler der Gegenwart: Pablo Picasso dessen Ficki Ficki und Nackedei Vergangenheit nochmal auf die Leinwand schmiert, Klaas Heufer-Umlauf dafür dass er bei der Formulierung „Wir gehen rein“ kein sofortiges Verbot für alle Nutzer*innen ausspricht und Thomas Schmitt hätte eben genau dafür eine gesemmelt bekommen, dass er als anderen Mitschülern eine gesemmelt wurde, nur froh war selber keine gesemmelt zu bekommen. Darwin im Mikrokosmos. Die drei Podcaster müssen durchatmen. Wie gut ist doch der gesellschaftliche Wandel und die Weiterentwicklung! Schön, dass heute in Schulen kein Kind mehr für eine falsche Antwort eine geknallt bekommt und genauso schön, dass es heutzutage Podcast gibt in denen man eh völlig ungesühnt „seinen Quark“ von sich geben kann. Eben sowas wie - wer von den dreien würde ALF den außerirdischen aus der TV-Serie direkt bei der Polente verpfeifen und wer würde so krass mit ihm angeben, bis ihn der Tierschutz abholt und er 40 Jahre später neben dem Trigema Affen und Bubbles im Tierheim stirbt. Korrekt! Die Antwort lautet: Klaas Heufer-Umlauf! Setzen 1+ und die neue Folge „Baywatch Berlin“ hören! Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/BaywatchBerlin

Cassie's testimony continues, the Celtics pull off the win and Ashlee can't believe Alf was not a dog.

We're back with another nostalgia-packed episode of Super Retro Podcast! This time, we're ranking the Top 10 He-Man Action Figures of All Time—the ones you fought your friends over back in the day. From the mighty He-Man himself to the sinister Skeletor, we're bringing Eternia back to life.But that's just scratching the surface: • Remember those endless summers at the Public Pool? Chlorine-soaked hair, that banging snack bar pizza, and the ultimate test of bravery—the high dive. • We're taking you back to the days of Hypercolor T-Shirts, the shirts that let everyone know just how sweaty you were. • ALF's Heartbreaking Goodbye – Why NBC decided to leave us hanging is still one of the greatest TV crimes of all time. • Reading the Cereal Box – Because breakfast wasn't complete without knowing how many grams of sugar you were about to consume. • The epic sounds of Castlevania Bloodlines—hands down some of the best Genesis music ever composed. • Those legendary Midnight Game Drops where sleep was optional and that new game smell was worth the wait. • We're digging into Epic Mailbags, Discord Drops, and Fanmail to see what you, the Super Retro community, had to say.Today's episode was brought to you by Salty Water. Hydrate Your Inner Warrior!  www.drinksaltywater.com Master list on our NES collection: https://superretropod.com/nes-game-list-super-retro/Join our channel: https://www.youtube.com/channel/UCMP4yO-dFGayGUkT_MVYrhQ/join Discord: https://discord.gg/MYXnh9pf Email: SuperRetroPod@gmail.comInstagram: https://www.instagram.com/superretropodcast/TikTok: https://www.tiktok.com/@superretropodAll things Super Retro: https://linktr.ee/superretroVideo episodes available at YouTube!

What's up, dudes? Wake up guys! It's Christmas and I've hidden all the eggs! Chad Young from Horror Movie BBQ and Vinnie Brezinsky from Huey and Bax are with me to talk ALF “Oh, Tannerbaum!” It's the first Christmas episode of the series, and it's very different front the more famous super depressing special.After ALF cuts down the family Christmas tree on Christmas Eve, Willie goes looking for a new one. After backing out of an auction for the last tree at the last lot in town, run by a man named Fahid, he buys an artificial one. Unable to complete it in part due to the instructions being in Japanese (which ALF claims to be able to read), he decides to travel to McCollun's Tree Farm in the Angeles Forest to buy a real one. Of course, ALF comes along, in hopes of seeing snow.Consequently, with ALF navigating, Willie drives the car off the road and it gets stuck in mud. While they are awaiting help to arrive, Willie takes a nap and has a feverish nightmare about his fake tree. When he wakes up, he finds that ALF has cut one down and tied it to the car. Unfortunately, Willie gets fined by a park ranger.Spending time with the neighbors? Check. Goodwill? Got it. Sharing a little eggnog? Sharing a little eggnog. So grab your chainsaw, drive to your tree farm, and dream about this episode on ALF “Oh, Tannerbaum!” Horror Movie BBQFB: @HorrorMovieBBQTwitter: @HorrorMovieBBQIG: @horrormoviebbqGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

Giancarlo Navas is joined by Alphonse Sidney, Kyle Scarlett, Franky G, and Coach Lu to discuss the last game of the 24-25 Miami HEAT season vs the Cavs. • Absolute Disasterclass • We ask for some accountability • How did this get this bad? • We have enough - Alf on the 100 men vs 1 gorilla debate

Deborah Mattinson joined the House of Lords as a Labour peer in February. Her involvement in politics began when she worked alongside Peter Mandelson and Philip Gould to create Labour's Shadow Communications Agency for Neil Kinnock. In 1992 she co-founded Opinion Leader Research, and she went on to advise Tony Blair ahead of the 1997 election and later became Gordon Brown's chief pollster. In 2021 she was appointed Director of Strategy for Keir Starmer, a position she held until stepping down following last year's landslide victory. On the podcast, Deborah tells Katy Balls about growing up as a Labour supporter with a father active in local Tory politics, the work hard/play hard culture of advertising in the 1980s and how to decipher what voters really think during focus groups. They also talk about the differences between the 1987, ‘92, and ‘97 campaigns, the ‘Hero voters' that were key to Labour's electoral success in 2024 and how Labour can best tackle the threat from Reform today. With experience working with Labour spanning four decades, they touch on the Labour giants she worked with, including Alf (now Lord) Dubs, Peter (now Ambassador – also Lord) Mandelson and, more recently, the Prime Minister Keir Starmer. Produced by Patrick Gibbons.

Jim J. Bullock became a notable entertainment figure in the 1980s when he co-starred on the sitcom Too Close for Comfort as Monroe Ficus and was a regular guest on John Davidson's updated version of the game show Hollywood Squares; Bullock occasionally substituted for Davidson as host.He also appeared on Battlestars, Match Game-Hollywood Squares Hour ,and Body Language. He later became a semi-regular on ALF (from 1989 to 1990) as Neal Tanner.  Bullock was the voice of Queer Duck in the animated series of cartoons of the same name. In 2000, Bullock was a regular panelist on the revival of I've Got a Secret. He also performed on the national tour of the Broadway production Hairspray as Wilbur Turnblad.  Some of his other noteworthy roles include the pilled-up narcoleptic Prince Valium in the 1987 Mel Brooks movie Spaceballs, and the "not-quite-out-of-the-closet" character in a dating montage at the beginning of 2001's Kissing Jessica Stein. From 2004 to 2007, he had a recurring role as Mr. Monroe, a teacher at the fictional James K. Polk Middle School on the Nickelodeon live-action sitcom Ned's Declassified School Survival Guide. Want to watch: YouTube Meisterkhan Pod. (Please Subscribe)

Deborah Mattinson joined the House of Lords as a Labour peer in February. Her involvement in politics began when she worked alongside Peter Mandelson and Philip Gould to create Labour's Shadow Communications Agency for Neil Kinnock. In 1992 she co-founded Opinion Leader Research, and she went on to advise Tony Blair ahead of the 1997 election and later became Gordon Brown's chief pollster. In 2021 she was appointed Director of Strategy for Keir Starmer, a position she held until stepping down following last year's landslide victory. On the podcast, Deborah tells Katy Balls about growing up as a Labour supporter with a father active in local Tory politics, the work hard/play hard culture of advertising in the 1980s and how to decipher what voters really think during focus groups. They also talk about the differences between the 1987, ‘92, and ‘97 campaigns, the ‘Hero voters' that were key to Labour's electoral success in 2024 and how Labour can best tackle the threat from Reform today. With experience working with Labour spanning four decades, they touch on the Labour giants she worked with, including Alf (now Lord) Dubs, Peter (now Ambassador – also Lord) Mandelson and, more recently, the Prime Minister Keir Starmer. Produced by Patrick Gibbons.

Giancarlo Navas is joined by Alf, Kyle Scarlett, Christian Hernandez and Coach Lu to talk: • HEAT WIN THE BATTLE OF MID • Tyler Herro's special night • Davion Mitchell got that dog in him • Look ahead to Hawks And more!

Send us a textSide A: Big hits or deep cuts: what makes a better concert? We'll break down the eternal setlist struggle, share our own show stories, and somehow end up talking about Alf's favorite songs and the Golden Girls' hidden love for obscure B-sides. It's all in here.Side B: Sitcoms! We'll tell you which ones still crack us up and which need a laugh track just to survive. Also, yes, Alf and the Golden Girls make another cameo—because why not?One idea. Six songs. Infinite possibilities...

Alphonse Sidney is joined by Coach Lu, Kyle Scarlett, and Franky G to discuss the HEAT's win vs the Wizards. • What's different about this streak? • Pelle's hustle and flow • Alf roasts DraftBeat • All Star Tyler byke? and more!

In February 2001, 67-year-old Alf Wilkins was killed in a fire deliberately set inside his Grimsby flat. But this wasn't a random act of violence - it was the culmination of months of torment at the hands of his own neighbours.Despite being acquitted of an indecent assault charge in November 2000, Alf remained a target. The locals refused to believe his innocence, fueled by the hysteria of the News of the World's infamous 'name-and-shame' campaign. Branded as something he was not, Alf was harassed, threatened, and ultimately, his life was taken in an act of brutal, misplaced vigilante justice.Join my Patreon community at patreon.com/britishmurders for exclusive perks, including early access to ad-free episodes, bonus episodes and content, exciting giveaways, and welcome goodies!Follow me on social media:Facebook | British Murders with Stuart BluesInstagram | @britishmurdersTikTok | @britishmurdersJoin the private Facebook group:British Murders Podcast - Discussion GroupVisit my website:britishmurders.comIntro music:⁣David John Brady - 'Throw Down the Gauntlet'⁣davidjohnbrady.comDisclaimer:The case discussed in this podcast episode is real and represents the worst day in many people's lives. I aim to cover such stories with a victim-focused approach, using information from publicly available sources. While I strive for accuracy, some details may vary depending on the sources used. You can find the sources for each episode on my website. Due to the nature of the content, listener discretion is advised. Thank you for your understanding and support. Hosted on Acast. See acast.com/privacy for more information.

This week Paul, June and Jason breakdown the 2011's film, Passion Play starring Mickey Rourke, Megan Fox and Bill Murray. The three discover this movie is an actual “Jacobs Latter Scenario”, discuss Megan Fox's tiny wings, the Alf connection to this film, and much more!  If you think Paul, June and Jason missed or got something wrong in this episode call 1(619) Paul Ask and tell them about it! HDTGM Spring Tour 2025 tickets are now on sale for Austin, Denver, Seattle, Boise, San Fran, Portland, & LA at hdtgm.com.Order Paul's book about his childhood: Joyful Recollections of TraumaCheck out new HDTGM movie merch over at teepublic.com/stores/hdtgmJoin the HDTGM conversation on Discord: discord.gg/hdtgmPaul's Discord: discord.gg/paulscheerVisit Paul's YouTube page: youtube.com/paulscheerFollow Paul's movie recs on Letterboxd: letterboxd.com/paulscheer/Friend Zone w/ Paul and Rob Huebel live on Twitch every Thursday 5pmPT / 8pmET: www.twitch.tv/friendzoneLike good movies too? Listen to Unspooled with Paul and Amy Nicholson: https://www.unspooledpodcast.com/Listen to The Deep Dive with Jessica St. Clair and June Diane Raphael: www.thedeepdiveacademy.com/podcastWhere to find Paul, June, & Jason:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is not on social media Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm.