Podcasts about ALF

You can't steal money from a bank & then ask for that money to be deposited. Tom Brady cloned his dog. Who is putting out moonwater tonight? The creator of ALF was a lunatic. Plus so much more on a Wednesdee!

I det här avsnittet hör vi vad Alf och Gios anställda säger om paret. Vi bemöter också en del kritik som kommit in om podden.Av och med Tobias Henricsson/PRS Media.Sponsra Palmemordet på Patreon: https://www.patreon.com/palmemordetSponsra Palmemordet via Swish: 070-7715864 (märk insättningen "Palmemordet")Kontakta Palmemordet: zimwaypodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Kaip per šimtą metų keitėsi Lietuvos ekonomika? Atsakymo į šį klausimą ieškojo Oksforde disertaciją apgynęs Adomas Klimantas, kuris pirmą kartą apskaičiavo Lietuvos, Latvijos ir Estijos bendrąjį vidaus produktą vienam gyventojui per pastarąjį šimtmetį.Tikriausiai dauguma esame girdėję posakį: „Jei neužuodi savo kvepalų, vadinasi, jie tau tinka“. Kvepalai – ne tik įvaizdžio detalė, bet ir būdas pasakyti pasauliui, kas mes esame – tarsi nematomas parašas, lydintis mus kiekvieną dieną. Tačiau kvapo suvokimas – labai asmeniškas dalykas: vieni savo aromatą jaučia visą dieną, o kiti po kelių minučių įsitikinę, kad kvapas dingo. Kodėl taip nutinka?„Mokytojo išpažintis“ – tai tikrais įvykiais paremtas, šmaikštus ir skaudžiai juokingas pasakojimas apie alfa kartos mokytoją idealistą Alfą. Per savo naivumą ir jautrumą mokytojas kasdien patenka į absurdo teatro scenos vertas situacijas, o vakarais lieja širdį savo supratingajai žmonai Birutei. Visus šiuos ir dar krūvą kitų klausimų su dosniu juodojo humoro prieskoniu gvildena Algis Bitautas, istorijos mokytojas ir švietimo influenceris ir knygų mylėtoja Giedrė – sutuoktiniai, kurie vis dar tiki, kad Sistemą galima pagydyti.

„Mokytojo išpažintis“ – taip vadinasi nauja knyga, kurią parašė Algis Bitautas – mokytojas, istorikas, edukologijos mokslų daktaras ir Giedrė Bitautienė – knygų pasaulio žmogus. Tikrais įvykiais paremtoje knygoje šmaikščiai ir skaudžiai juokingai pasakoja apie alfa kartos mokytoją idealistą Alfą. Pokalbis apie mokytojų padėtį – LRT RADIJO laidoje „10-12“.ved. Rūta Kupetytė

En este episodio Alf y Juan reciben de nuevo a Victor Salgado para comentar los movimientos de Apple al más puro estilo "El imperio contraataca". ¡Apple ha pasado al ataque y ha demandado a la Unión Europea!

Here's an 80s kid test: complete this Roxette lyric — “I'm gonna get dressed…”If you didn't say “for some sex” we can't be friends.But you should still listen to this unintentionally creepy show as we discover that Suzanne Somers is definitely not a pleasure bot.Jumping on a bandwagon 40 years too late, Stranger Things resurrects ALF and another That 80s Show favourite.Dori has caught Paulo's “so bad it's good” movie bug, while Paulo brings a movie with a behind-the-scenes story so good it could be a perfect Hart to Hart plotline.Finally, Two 80s Truths and a Lie dives into scary music, demonic dolls, and a Craven misuse of power.Jump To: Suzanne Somers AI Robot (00:03:04): https://magic828.co.za/the-digital-resurrection-of-suzanne-somers-ai-brings-back-the-beloved-star/https://www.youtube.com/watch?v=6ZSQf_W5Mt0Stranger Things Doritos Telethon (00:07:59): https://bloody-disgusting.com/the-further/3906254/doritos-launches-stranger-things-telethon-with-david-hasselhoff-paula-abdul-alf/?utm_source=rss&utm_medium=rss&utm_campaign=doritos-launches-stranger-things-telethon-with-david-hasselhoff-paula-abdul-alfReview: Parasite (1982) – Demi Moore's First Movie (00:13:44) : youtube.com/watch?si=FI28A5TTjdKbIMh5&v=dHyivNwZq2I&feature=youtu.beReview: Brainstorm (1983) & Natalie Wood's Last Film (00:25:05): https://www.youtube.com/watch?v=ueYcVmH0edkhttps://www.whatwentwrongpod.com/80s Truths and a Lie: Halloween Edition (00:38:42)#80s culture, #That 80s Show, #podcast, #Sylvester Stallone, #Over the Top, #arm wrestling, #Teenage Mutant Ninja Turtles, #Halloween special, #80s nostalgia, #Dori, #Suzanne Somers, #AI technology, #digital resurrection, #uncanny valley, #Halloween movies, #Parasite 1982, #Demi Moore, #post-apocalyptic, #sci-fi horror, #Stranger Things, #Doritos, #Stranger Things Telethon, #voice actors, #nostalgia trip, #Plex, #VHS quality, #B-movies, #Brainstorm, #Christopher Walken, #Louise Fletcher, #Natalie Wood, #memory recording device, #virtual reality, #Halloween trivia, #80s music, #pop culture, #film discussion, #movie reviews, #cult classics, #horror movies, #80s fashion, #gory effects, #digital personas.

Lisa Helfman is a three-time guest on our show, and with very good reason. Today, the conversation centers on what happens when you bring people together with one goal—public service—and how that idea became real for Lisa through the American Leadership Forum. You’ll hear: What the ALF experience is and how it shapes its fellows How an idea at a Texans game sparked the Brighter Bites program The support that happens when people connect beyond titles or roles Support The Rose HERE. Subscribe to Let’s Talk About Your Breasts on Apple Podcasts, Spotify, iHeart, and wherever you get your podcasts. Key Questions Answered 1. What is the American Leadership Forum (ALF), and how does it work? 2. What is the significance of the ALF Public Service Award? 3. What unique experiences or activities are part of the ALF fellowship? 4. How did being part of ALF impact Lisa Helfman’s personal and professional life? 5. What is Brighter Bites, and how did it get started? 6. How has Brighter Bites grown since its inception? 7. What role did the ALF and its network play in helping Brighter Bites launch and succeed? 8. What is Lisa Helfman’s current role in Brighter Bites and her connection with HEB? 9. What is the “One Good Thing” podcast at HEB, and what is its purpose? 10. Can acts of kindness and community support truly make a difference in people’s lives? Timestamped Overview 00:00 American Leadership Forum Tribute 05:01 Fostering Community Through Dialogue 07:47 ALF Inspired Personal Transformation 10:59 Lisa's Lifelong Recognition 15:49 Transforming Diets in Low-Income Communities 19:33 Kale Smoothie School Project Beginnings 20:20 Valentine's Day Produce Program Impact 26:40 Patient Navigators: Compassionate Guidance 30:10 Collecting Kindness Stories 31:52 H E B Employee Acts of KindnessSee omnystudio.com/listener for privacy information.

Watchers Joe is joined this week by RK of The Rad Years Podcast another of his favorite podcasts! I have been lucky to have some of the best podcast hosts join me for some fun shows recently and this is another great time. We cover some of our favorite Halloween sitcom episodes. From Disneys Recess to Modern Family, Family Matters to Home Improvement, from Alf to the Halloween sitcom Queen Roseanne. Gotta thank RK for a great show Go give The Rad Years Podcast a listen watchers

Brandon Fifield & Jack Lau are in studio with special guest Paxson Woelber of Ermine Skates to share his brilliant and insightful Alaskan story!   Daniels the OG, broken falange and peezeee, Alaska day, upcoming events, highs and lows of Anchorage, moose loop and Anchorages amazing trail system,  Tony Knowles Coastal Trail, epic mountain and snow biking network, Alaska is home to amazing  innovation in outdoor tech and manufacturing, isportagelakefrozenyet.com, early freeze and wild ice skating in alpine lakes, culture of sharing ice reports Wild Ice Skating Club and Nordic Ice Skate of Alaska (Facebook), Ermineskate.com established 2021, thecapurnicusbrowser for near real-time satellite imagery for finding ice, pulling heavy sled on ice, the release of the new AK1 series skate, skate blade design, Paxsons wild skating start and beginning of Ermine Skates, wild skating the Sheridan glaciers, ”wild Ice” film, South Central is a wild skating mecca, putting in the reps to improve products, direct to consumer is the best way to support small manufacturers, manufacturing in Alaska, NY Times article, Alaska style wild skating, sharpening tips, Ermine seek but mighty, In Ermine, Ice thickness guidelines and variability, shadows outflows and other icethickness factors, testing with ice poles for ice supportability, Alf ice, 50 hikes in the Chugach, Winterbear website,   Visit our website - www.alaskawildproject.com Follow us on Instagram - www.instagram.com/alaskawildproject Watch on YouTube - www.youtube.com/@alaskawildproject $upport on Patreon - www.patreon.com/alaskawildproject

Temos tão boas recordações do Alf... mas é porque fomos só espectadores há muito tempo.

Neighbours and Home & Away served up sugar and sanctimony, with unrealistic kids and fat old men like Harold and Alf, whereas Prisoner Cell Block H was pure, chaotic brilliance — brutally violent, hilarious, and packed with great characters like Bea, Lizzie and Vinegar Tits.

How are you handling the rising cost of health care for your parents? How can you talk to your mother & father about the rising costs of health care and senior living? Should your parents age at home or in an assisted living facility? This week, Shawn & George talk to Rachel Aguanno, owner of Home Care Assistance Tampa Bay.  Rachel's company assists seniors to live at home. Rachel was a HUGE help to Shawn when his wife was in hospice at home at the end of 2023. Specifically, we talk about: Care-giving as a side job; What a home care assistance company can or cannot do; Any tax breaks, insurance, government programs, or veteran benefits available to help pay for home health care; Hospice v. Home Health Care v Assisted Living; Expenses people don't think about; and other budget considerations. Rachel can be reached at RAguanno@HomeCareAssistance.com or her website www.HomeCareAssistanceTampaBay.com.  Let us know if you enjoy this episode and, if so, please share it with your friends! Or, you can support the show by visiting our Patreon page: https://www.patreon.com/crushingDebt To contact George Curbelo, you can email him at GCFinancialCoach21@gmail.com or follow his Tiktok channel - https://www.tiktok.com/@curbelofinancialcoach   To contact Shawn Yesner, you can email him at Shawn@Yesnerlaw.com or visit www.YesnerLaw.com. And please consider a donation to Pancreatic Cancer research and education by joining Shawn's team at MY Legacy Striders: http://support.pancan.org/goto/MyLegacy2026 

A Polícia Federal pediu na segunda-feira, 20, ao STF a abertura de uma investigação sobre um registro incorreto da entrada do ex-assessor presidencial Filipe Martins nos Estados Unidos.A solicitação da PF foi feita após o Departamento de Alfândega e Imigração divulgar um comunicado, em 10 de outubro, informando que o ex-assessor de Jair Bolsonaro não entrou em território americano em 30 de dezembro de 2022. O posicionamento contradiz o fundamento utilizado pelo ministro Alexandre de Moraes, do STF, para manter a prisão de Martins por um período de seis meses em 2024.Segundo a Polícia Federal, pode ter ocorrido uma tentativa de "simular falsa entrada" de Martins nos Estados Unidos por parte dos próprios investigados na trama golpista, já que o nome dele constava em uma lista preliminar de quem acompanharia Jair Bolsonaro em uma viagem ao país no penúltimo dia de seu governo.Felipe Moura Brasil, Duda Teixeira e Dennys Xavier comentam:Papo Antagonista é o programa que explica e debate os principais acontecimentos do   dia com análises críticas e aprofundadas sobre a política brasileira e seus bastidores.     Apresentado por Felipe Moura Brasil, o programa traz contexto e opinião sobre os temas mais quentes da atualidade.     Com foco em jornalismo, eleições e debate, é um espaço essencial para quem busca informação de qualidade.     Ao vivo de segunda a sexta-feira às 18h.    Apoie o jornalismo Vigilante: 10% de desconto para audiência do Papo Antagonista  https://bit.ly/papoantagonista  Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

Ris eller ros? Send en besked!Om eventyretI eventyret skal I møde alfen Alf, der en dag får nok af sin nataktive bofælle, uglen Ulf, og derfor må rejse ud på en farlig mission for at finde en ny bofælle. Men trods de mange muligheder falder intet rigtig i Alfs smag. For hvem vil ham egentlig det bedste, og hvad gør man, når man finder ud af, at ens gamle bofælle måske ikke var så slem alligevel?Om områdetDette eventyr tager jer på en tur rundt i Sommerlystskoven, som ligger i den sydlige udkant af højskolebyen Rødding. Sommerlystskoven er byens rekreative hjerte og byder på en varieret løvskov med mange forskellige danske skovtræer. En del af skoven får lov til at stå som urørt skov, dvs. at der ikke bliver fældet eller fjernet træer. I Sommerlystskoven finder man også Præstekilden, der er en mindesten for områdets trængsler under svenskekrigene, hvor blandt andet en præst og hans folk døde i skoven i kamp med de polske soldater. På turen kommer I blandt andet forbi Raslebækken, der snor sig rislende langs skovbrynet og langs med traceet fra en gammel tysk smalsporsjernbane, som går gennem skoven. I Sommerlystskoven er der en madpakkehytte, grill og bålsted. Stierne er gode men smalle nogle steder, men det er muligt at have klapvogn med på turen. Skrevet af: Nikoline AnesenIllustreret af: Kaspar SivertsenIndtalt af: Christian EimingLyddesign af: Nikolaj TopTag ud i den danske natur og oplev de steder, hvor eventyrene finder sted: Download Natureventyr til iOS Download Natureventyr til Android

00:02:55 — Norway eagle abducts child legend 00:11:23 — Titanpointe AT&T surveillance hub exposed 00:17:58 — Theme park pumps fake screams 00:20:08 — Stephen Miller “glitch” on TV 00:24:56 — Vintage disaster fear montage 00:31:01 — Fatal Justice pizza ambush 00:47:10 — ALF creator's reality obsession 00:56:56 — Eels' bizarre life cycle explainer 01:03:20 — Peter Kürten: Vampire of Düsseldorf 01:12:48 — Prague astronomical clock flat earth 01:16:18 — Antifa serves chicken snake god 01:20:28 — Bob Ross paints Twin Towers 01:20:51 — Overthrow U.S. without violence 01:28:03 — Quick crass gag clip 01:29:15 — Angriest parrot demolishes cage 01:29:58 — Gen Z corporate behavior debate DOOM CONTACT Watch Full Episodes on Sam's channels: YouTube: https://www.youtube.com/@SamTripoli Rumble: https://rumble.com/c/SamTripoli Sam Tripoli: Tin Foil Hat Podcast Website: SamTripoli.com Twitter: https://x.com/samtripoli Midnight Mike: The OBDM Podcast Website: https://ourbigdumbmouth.com/ Twitter: https://x.com/obdmpod Doom Scrollin' Telegram: https://t.me/+La3v2IUctLlhYWUx Learn more about your ad choices. Visit podcastchoices.com/adchoices

John Hammond Lets get lyrical Alf draft questions See omnystudio.com/listener for privacy information.

Le gouvernement…du kitsch fait sa grande rentrée pour la dix-septième saison de notre émission ! Une ado presque assez majeure pour (re)découvrir els émissions iconoclastes de Thierry Ardisson, à qui nous rendrons l'hommage qu'il mérite ; mais pas non plus trop grande pour savourer le spectacle musical Eutrot, dont les deux interprêtes sont nos invités ! Noé Pflieger alias Monsieur Toupie et Charlotte Jouanneteau alias Madame Silvestre… et la tortue Alf, vont se démultiplier pour vous plonger dans ce conte bucolique, romantique et féérique d'après Roald Dahl qui ravira petits et grands par sa malice, ses trouvailleset son esprit « so british » ! Il vous offriront deux extraits en duo de ce petit bijou que vous pouvez applausir à Paris puis en tournée et nommé des sa création aux Trophées de la Comédie Musicale… Enfin, notre première videoKITSCH de la saison nous fait partie à la découverte de Maxou (mais pas le chat) !Un titre qui fait référence à James Dean et à son rôle dans le film « A l'Est d'Eden ». La chanson sortie en 1988 fait parti de l'album Marylin et John , Vanessa Paradis n'a alors que 16 ans. Le clip est réalisé par Simon Kzentish. Nous sommes (presque) dans el désert où il fait très chaud. Vanessa Paradis va se protéger du soleil et se rafraichir dans une cabane abandonnée. En pleine sieste, elle se fait réveiller par un petit chaton. Un clip en noir et blanc qui apporte une touche cinématographique à l'histoire. C'est léger, c'est mignon c'est le clip de la rentrée Kitsch et net ! Que vous soyiez ou non ami(e) des bêtes, faites donc ressurgir l'animal qui est en vous en nous écoutant toute cette semaine dans Kitsch et Net !

Today we talking different levels of gore in horror, ALF and the tunnels used to animate him, 90's TV shows and who had the most iconic set, and so much more. Come kick it and join the conversation!

En este episodio Alf y Juan comentan los recién presentados MacBook Pro M5, iPad Pro M5 y Vision Pro con M5. Aún calientes, recién salidos de la web, vamos a saborearlos, mmmmm. 

Vi fortsätter att titta på makarna Alf och Gio, och frågar oss vad alla pengar som de sa sig dra in på "Oppositionen inom socialdemokratin" tog vägen? Vi tittar också på Alfs vapeninnehav och frågar oss varför han kunde betala av ett lån och skaffa hus i Spanien strax efter mordet...?Av och med Tobias Henricsson/PRS Media.Sponsra Palmemordet på Patreon: https://www.patreon.com/palmemordetSponsra Palmemordet via Swish: 070-7715864 (märk insättningen "Palmemordet")Kontakta Palmemordet: zimwaypodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Fragen an unsere Eltern, fragen an uns selbst, der Umgang mit der Endlichkeit. Altern in Würde. Kölsche Obdachlose, ein Alftelefon und Alf‘s Stimme. Über Franz Josef Wagner und Musikkritik von The BossHoss. TIKTOK, the Artist formely known as RUHE und ein Geburtstagsständchen am falschen Tisch. Werbepartner HansefitExecutive Producer: Christoph Falke & Ruben Schulze-FröhlichProducer: Kai SteinmetzProjektleitung: Annabell RühlemannProduktionsassistenz: Naike PestkaSounddesign & Produktion: Carl von Gaisberg„Beisenherz und Polak – Friendly Fire“ ist ein Podcast aus den Wake Word Studios. Hosted on Acast. See acast.com/privacy for more information.

pisodio 7.33 de Las Cosas Que Hay Que Escuchar, en el cual no sonamos como Alf cuando versionamos canciones ajenas mientras escuchamos la música de Reincidentes, La Tabaré, Screaming Lord Sutch, Primus, Roger Taylor, Tom Robinson Band, Petra Haden, Las Migas, Horacio Fontova, Sarah Jane Morris & Antonio Forcione, Franco Battiato, Princess Chelsea y Max Raabe & Palast Orchester. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio

EPISODE 602 - Leslie A Rasmussen - TV Writer for Gerald McRaney, Alf, Burt Reynolds, Roseanne Barr, Norm McDonald, Drew Carey to Author of Books on Family Leslie A. Rasmussen was born and raised in Los Angeles and graduated from UCLA. She went on to write television comedies for Gerald McRaney, Burt Reynolds, Roseanne Barr, Norm McDonald, Drew Carey, The Wild Thornberrys, and Sweet Valley High.After leaving the business to raise her boys, Leslie obtained a master's degree in nutrition and ran her own business for ten years. Leslie has been published in the Huffington Post over twenty times and speaks on panels discussing female empowerment. She's a member of the Writers Guild of America, Women in Film, and the UCLA Alumni Association.After Happily Ever After is Leslie's debut novel and has won over fifteen awards, and her second novel, The Stories We Cannot Tell, has won eleven awards, and she's been interviewed about it on NPR and XM radio. Leslie's newest novel, When People Leave, came out in 2025.When Leslie isn't writing, she loves reading, exercising, and spending time with friends. Leslie lives in Southern California with her husband and two sons.What I Write:I have found that most women go through a multitude of similar issues in life. As a mom of two and having been married many years, I have seen this first hand. From the time we are in our thirties, we have experienced both joy and sadness. Whether that's through finding the right partner, having our heart broken, suffering infertility, or losing a loved one. As we go through life, families go through many changes. Children leave the nest, our parents age, our friendships change, and some marriages end. I write women's commercial fiction where I delve into the human experience and situations that are relatable to most of us. I want my readers to see themselves or their family or friends in my characters and to realize no matter what they are going through, they aren't alone. As my background is writing television sitcoms, I also try to find humor in the tough stuff, in fact, those moments are my favorite to write.https://www.lesliearasmussen.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

On today's show we learn why you shouldn't wear a squirrel hat when you go hunting, 80s TV crossovers we should have gotten but didn't, and how big can mum's get?  LINKS:https://www.cbsnews.com/news/iowa-teen-dies-mistaken-squirrel-hunting-trip-carson-ryan/The Treehouse Show is a Dallas based comedy podcast. Leave your worries outside and join Dan O'Malley, Trey Trenholm, Raj Sharma, and their guests for laughs about funny news, viral stories, and hilarious commentary.The Treehouse WebsiteGet MORE from the Treehouse Show on PatreonGet a FREE roof inspection from the best company in DFW:Cook DFW Roofing & Restoration For the BEST haunted house in DFW:Best Haunted House in DFWCLICK HERE TO DONATE:The RMS Treehouse Listeners Foundation

Vi dyker återigen ner i det i stort sett oändligt stora spåret Alf E och Gio P! Idag hör ni bland annat om varför Alf klandrade Palme för sin sons död. Vi redogör också för delar av Alfs korrespondens med Ingvar Carlsson.Av och med Tobias Henricsson/PRS Media.Sponsra Palmemordet på Patreon: https://www.patreon.com/palmemordetSponsra Palmemordet via Swish: 070-7715864 (märk insättningen "Palmemordet")Kontakta Palmemordet: zimwaypodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Lonnie Pena and I dive into YouTube (and BluRay/DVD) as we consider the 2018 Documentary "Looking For Lennon".    David Bedford and Roger Appleton consider the Lennons as they came to Liverpool from Ireland, through to Alf and Julia, and then young John's unconventional upbringing from Mimi and Julia, and how all this would lead to Lennon's reaction to schooling and authority, which would eventually lead to meeting one James Paul McCartney, and changing the world.

Harvest of the Heart asks What seeds are you planting in your life right now? Every choice, every act of faith, every step of obedience shapes the harvest you'll reap tomorrow. This month at ALF, we're digging into a brand-new sermon series, Harvest of the Heart. Together we'll discover how God grows faith, joy, and blessing in our lives when we sow His Word and trust His timing.   Watch this message on the Authentic Life Fellowship Facebook or YouTube channel. If you "like" our page, you will receive a notification when we go live each Sunday at 9 and 10 a.m. CDT.   Pastor Jimmy's teaching notes are available upon request. Please email him at authenticlifefellowship@gmail.com.

Was sind die nächsten KLASSIKER? Nach ONE BATTLE AFTER ANOTHER wollen sich Antje, Thilo und Schröck dieser Frage stellen, um erst noch mal ein wenig über ONE BATTLE AFTER ANOTHER zu reden und dann eine kleine Liste mit Filmen anzufertigen, über die garantiert in etlichen Jahren noch gesprochen wird oder die das Zeug dazu haben, dass in etlichen Jahren noch über sie gesprochen wird. Wird ONCE UPON A TIME IN HOLLYWOOD dazu gehören oder ist er zu spitz? Wie vielleicht auch SMILE, MALIGNANT, HEREDITARY - DAS VERMÄCHTNIS oder AFTERSUN. Kommen die Drei an sicher geglaubten Titeln wie BARBIE, OPPENHEIMER, MAD MAX: FURY ROAD, LA LA LAND oder PARASITE vorbei? Oder schütteln wir noch ein paar JOKER wie THE EMPTY MAN, GET OUT, THE SUBSTANCE oder KPOP DEMON HUNTERS aus dem Ärmel? Und wo wir schon bei Animationsfilmen sind: Wie siehts aus mit ALLES STEHT KOPF, SPIDER-MAN - INTO THE SPIDER-VERSE oder PADDINGTON 2? Haben sie eher einen Platz auf der Liste verdient als DER GRINCH von 2018? Und was ist eigentlich mit den neuen DUNE-Filmen, mit JOHN WICK (4) oder BAYBLON? Findet es heraus, wenn sich unsere Besetzung heute ein launiges Hin und Her um die begehrten Listenplätze liefert und dabei auch noch der großen CLAUDIA CARDINALE gedenken, die jetzt leider im Alter von 87 Jahren von uns gegangen ist. Abgerundet von einem Veranstaltungshinweis, bei dem unsere lieber Kollege SEAN DAVID ein wenig Geld für Synchron-Legende Tommi Piper (die deutsche Stimme von ALF) sammeln möchte. Und damit wäre auch diese Samstags-Folge gefüllt, bei der wir Euch nun viel Spaß wünschen. Bleibt gesund wie gut drauf und habt ein schönes Wochenende. Bis bald. Rocket Beans wird unterstützt von fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hamilton St Cafe & Stage in Bound Brook, NJ was a beloved hybrid venue that blended a cozy café atmosphere with an intimate stage for live music. Throughout the early 2000s, it became a cultural hub for local and touring punk, indie, and alternative acts, fostering a tight-knit community. Though it closed in 2007 after severe flooding, it's still remembered fondly as a cornerstone of the NJ music scene. I got Adam on the Zoom and this is what we chat about: The Melody Bar Picking Chris Ross' brain How Hamilton St opened The random box story The Palace Opening night My Chem and Jack Antinoff The cocaine story Getting in a fight with the dude from LFO The World/Inferno Friendship Society Myths and Legends about the place Johanna Angel Was it haunted Closing down And a ton more Go check out Into the Void Printing run by Alf from Ex Number Five - https://www.intothevoidprintco.com/ and Autodidact Brewery

Scott Mason talks with Alf Arteaga of the 3 Yars Per Carry podcast about the Jets' week 4 matchup against the Miami Dolphins! Alf shares his thoughts on the issues with Tua, the Dolphins' strengths and weaknesses offensively and defensively, expectations for the game in week 4, key matchups, random tidbits, predictions...........and much more! Check out the Play Like A Jet store and get your "Play Like A Jet" logo shirt RIGHT NOW! Hoodies, hats, mugs, etc.....also available! https://www.teepublic.com/t-shirt/19770068-play-like-a-jet-logo-shirt?store_id=717242 To advertise on Play Like A Jet, please contact: Justin@Brokencontrollermedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a co-release with the Seeking Truth From Facts podcast: https://substack.com/@seekingtruthfromfactsThe theme of this episode derives from Lenin:“There are decades where nothing happens; and there are weeks when decades happen.” ― Vladimir Ilyich Lenin Steve and Alf discuss:(00:00) - Introduction (01:32) - China Victory Day Parade and new military technology (12:27) - The SCO summit and its implications (20:24) - Modi's presence and the prospect of a Sino-Indian rapprochement (25:00) - Trump's South Asian blunder? (32:14) - The Alaska Summit and the chances of peace (40:01) - Israel's loss of popular support on both the left and the right (46:12) - Bipolarity or multipolarity? –Steve Hsu is Professor of Theoretical Physics and of Computational Mathematics, Science, and Engineering at Michigan State University. Previously, he was Senior Vice President for Research and Innovation at MSU and Director of the Institute of Theoretical Science at the University of Oregon. Hsu is a startup founder (SuperFocus.ai, SafeWeb, Genomic Prediction, Othram) and advisor to venture capital and other investment firms. He was educated at Caltech and Berkeley, was a Harvard Junior Fellow, and has held faculty positions at Yale, the University of Oregon, and MSU. Please send any questions or suggestions to manifold1podcast@gmail.com or Steve on X @hsu_steve.

Ein zotteliger Außerirdischer mit großer Klappe und noch größerem Appetit, vor allem auf Katzen und speziell Familienkater Lucky, erobert in den 1980er Jahren die Herzen des Fernsehpublikums. Als geliebt-gehasster Gast der Tanners wird ALF berühmt. Sein Lebensmotto: Null Problemo!

WELCOME BACK TO TOTAL MONSTER KILL! Team Sigma return after a successful hunt. Lucia visits the Guildmaster. Jin comforts Trey. Everett faces Alf.

La música protagoniza el inicio del programa con la presentación de Lágrimas de plomo fundido, el nuevo disco de Los Estanques junto a El Canijo de Jerez. Una colaboración inesperada que une el pop psicodélico del grupo cántabro con el estilo inconfundible del garrapaterismo. Una propuesta que demuestra cómo trayectorias distintas pueden converger en un mismo proyecto artístico.La literatura también ocupa un lugar destacado con el Premio Tusquets de Novela 2025. Entre 366 manuscritos presentados, el jurado ha distinguido a Francisco Serrano por su obra El corazón revolucionario del mundo, una historia que se impone entre cientos de aspirantes. Montse Soto nos ofrece más detalles sobre la novela ganadora.El teatro regresa con la obra El gran teatro del mundo de Calderón de la Barca, una pieza clave del Barroco español que se presenta en Madrid de la mano de la compañía For The Fun Of It y bajo la dirección de Antonio Castillo Algarra. La puesta en escena incluye música y baile, y podrá verse en los Teatros del Canal hasta el 21 de septiembre.En el terreno de las artes plásticas, se abre la retrospectiva dedicada a Alfredo Alcaín en la sala Alcalá 31. Con más de 150 piezas, la muestra recorre seis décadas de trayectoria de uno de los pioneros del pop art en España, con obras que abarcan pintura, escultura, bordado y más soportes.El análisis de actualidad aborda la piratería digital, que tras años de descenso ha vuelto a crecer. Series y películas encabezan los accesos ilegales, mientras que la música lidera las descargas. Una tendencia que preocupa al sector cultural, como explica Íñigo Picabea.La fotografía cierra el programa con la mirada al festival Visa Pour l’image en Perpiñán. Allí el fotoperiodista italiano Alfredo Bosco ha recibido el Visa de Oro por su trabajo sobre el tráfico de drogas en Irak. Una segunda vez que Perpiñán reconoce su labor, como cuenta Helena Cerveto en la sección "Lo invisible".Escuchar audio

A hazai tejtermelés és tejfeldolgozás helyzetét vettük át annak kapcsán, hogy a kormány nem engedte külföldi kézbe kerülni az Alföldi Tejet. Vendégünk Harcz Zoltán, a Tej Terméktanács ügyvezető igazgatója volt. A második részben az Oroszországgal szembeni 19. szankciós csomagról és az Európai Unió, valamint az USA közeledéséről beszélgettünk Sasvári Marcell, a Portfolio uniós ügyekkel foglalkozó elemzőjével. Főbb részek: Intro - (00:00) Tejpiac - (01:27) Szankciók - (14:11) Kép forrása: Getty ImagesSee omnystudio.com/listener for privacy information.

Emmy Award-winning producer/writer Al Jean has worked on THE SIMPSONS since it became a series in 1989. He has a credit on over 600 episodes and been showrunner for 22 seasons. In addition to nine Emmy Awards, he has won two coveted Peabody Awards and was nominated for two Golden Globes. Currently he serves as executive producer and showrunner. He also served as writer and producer on “THE SIMPSONS MOVIE” (which took in over $525 million worldwide), working heavily on the film throughout its entire four-year production and was producer and writer on the Oscar-nominated short film “THE LONGEST DAYCARE” and 2020 short “PLAYDATE WITH DESTINY”. In 2021 he wrote and produced the Disney+ shorts “The Force Awakens From Its Nap” (nominated for an Emmy) and “The Good, the Bart and the Loki.” Al also co-created “The Critic” and “Teen Angel” and served as producer of “It's Garry Shandling's Show,” for which he won three CableACE Awards. Other television credits include “The PJ's,” “Alf” and “The Tonight Show Starring Johnny Carson.” Episodes of THE SIMPSONS Al has written or co-written include “Moaning Lisa,” “The Way We Was,” “Treehouse of Horror II & III,” “Stark Raving Dad,” “Simpsoncalifragilisticexpiala (annoyed grunt) cious,” “Hello Gutter, Hello Fadder,” “Day of the Jackanapes,” “I Won't Be Home for Christmas”, “Mr. Lisa's Opus”, “Daddicus Finch” and the Emmy-winning “HOMR.” Al also co-wrote Funny or Die's “SNL Presidential Reunion Video” which is credited with helping establish the Consumer Financial Protection Agency. A graduate of Harvard University, Jean served as vice president of the college's humor magazine, “The Harvard Lampoon.” We chat about being wanted by the FBI, the Simpsons, creating new shows, writing for The Harvard Lampon, working on Johnny Carson, going to Harvard at 16, The Critic, leadership, negative feedback, Hollywood reboots, Garry Shandling's show, moving forward plus plenty more! Check Al out on: Twitter / X: https://x.com/aljean ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Portsmouth Harbor Light Station, near the mouth of the Piscataqua River in the town of New Castle, New Hampshire, is one of the most picturesque and historic lighthouses in New England. The original wooden lighthouse on the site (1771) was the first lighthouse north of Boston. The present (1878) cast-iron lighthouse stands on the grounds of Coast Guard Station Portsmouth Harbor, neighboring historic Fort Constitution. Portsmouth Harbor Light, NH. Photo by Jeremy D'Entremont. The American Lighthouse Foundation (ALF) and its local chapter, Friends of Portsmouth Harbor Lighthouses (FPHL), have been managing the lighthouse since 2001. FPHL gave tours for tens of thousands of people over the years, but the tours have been curtailed in recent years due to storm damage. Joining host Jeremy D'Entremont, who is also the former chair of FPHL, are Michelle Jewell Shaw, current chair of FPHL; Bob Zimman, vice chair of FPHL; and Bob Trapani Jr., executive director of ALF. Michelle Jewell Shaw Bob Zimman Bob Trapani Jr.

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time is writer and illustrator Ste Brotherstone, who's trying to collect a full set of picture cards for World Of The Vorgans, Rebecca's World by Terry Nation, TV Tops, Car Wars, Load Runner magazine and Night Shift. Along the way we'll be thrilling to the exploits of Dash Randon - Space Adventurer, celebrating the notorious Video Nasty The Horse Who Came From The Sea, venturing into the uncharted regions of Here Be Buses Where You Don't Know Where They Go, attempting to use ALF as a barometer of celebrity status and debating the optimal costume options for a double-page poster of Arthur English.You can find more editions of Looks Unfamiliar at http://timworthington.org/. You can also find Ste on The Lone Ranger by Quantum Jump, Roger Moore And The Crimefighters, 10-4 Action, Pictures, Deus Ex Machina and a withdrawn Williams Furniture Superstore advert here.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. Actually, how come they don't do collectable picture cards with coffee? No the Caffè Nero loyalty card doesn't count. Even that one Stewart Lee had with the green stamps on it.

Újabb aszály, újabb figyelmeztetés: cselekvés kell az ország kiszáradása ellen. A mérnöki asztalon huszonöt éve készen van a mélyárteres Tisza-völgyi stratégia, mely leírja, hogyan lehetne visszavezetni a folyó kisebb-nagyobb árhullámait a régi árterekbe, majd a belvízcsatronákon keresztül még nagyobb területekre, így állítva helyre az Alföld vízmérlegét. A főként Koncsos László professzor által kidolgozott terv megvalósítását civilek évek óta követelik, a szélesebb közvélemény mégis alig ismeri. Ezért a Zöld Válasz podcasttal közösen a nézők, hallgatók elé tárjuk a nagyszabású megoldási javaslatot a sivatagosodás ellen. Vendégünk Murányi Gábor vízépítő mérnök és Ujj Zsuzsanna természetvédelmi mérnök. Műsorvezetők: Borbás Barna és Litkai Gergely.

The I Can't Stand Podcast Returns for Season 5! After an unexpected hiatus, your favorite disability podcast is back! Host Peta Hooke shares what's coming up in the long-awaited fifth season of I Can't Stand, featuring interviews with disabled voices from around the world. Get ready for insightful discussions on ableism, disability and LGBTQI culture, the doctor-to-patient transition, technology accessibility with the ALF and more. With upcoming topics ranging from adaptive beauty to ADHD advocacy, you won't want to miss this diverse lineup of voices shaping Disabled Culture. Tune in next Tuesday, September 9th for the season 5 premiere with Gem Turner! Key Timestamps:- 00:20 - Meet the guests this season - 01:05 - Highlights from interview with Tiffany Yu- 01:35 - Cameron Bloomfield on disability and LGBTQI - 02:00 - Grace Spence Green's transition from doctor to patient- 02:30 - Sean Keith on technology for the vision impaired- 02:50 - Internet sensation Jem Turner on disability online See omnystudio.com/listener for privacy information.

Az adás vendége Radnay Csilla színésznő, aki a Nyitva című 2018-as romantikus komédia főhőseként lehet ismerős, de szerepelt az utóbbi idők két legmenőbb magyar tévésorozatában, az Aranyéletben és A besúgóban is. Én először színházban láttam a HOPPartos, Zsótér Sándor rendezte Chicagóban, illetve a Halálkeményben (igen, az tényleg a Die Hard alapján készült). Aztán jöttek az emlékezetes szerepek az Alföldi-féle Nemzetiben (közülük a csúcs az Egyszer élünk volt), majd elment pár évre Székesfehérvárra, 2022 óta pedig a Vígszínház társulatát erősíti.Csilla mesélt arról, hogyan küzdött meg hosszú éveken át az öngyűlölettel, és hogyan jutott el végül az önelfogadásig. Szóba került, milyen volt kihagyni castingokat, miért volt fantasztikus a 40. szülinapja, és milyen vágyak fogalmazódtak meg benne mostanában. Beszélgettünk a vidéki nyugalomról, a falra vetítésről, a színházjegyek áráról, sőt még arról a bizonyos esetről is, amikor a Facebookon „kisapámnak” szólította Vidnyánszky Attilát. Elárulta, miért kezdett aktívabban jelen lenni az Instagramon, felidézte azt az egyetlen alkalmat, amikor tényleg elszállt magától, és arról is beszélt, miért nem látja rózsásan a jövőt még egy kormányváltás után sem.Végül részletesen kifejtette, hogy melyik volt az a hat színházi előadás, ami a legnagyobb hatással volt rá élete során. Ezek pedig:Kőműves Kelemen (Pesti Színház)Csak egy szög (Csiky Gergely Színház)Petra von Kant (Katona Sufni)Hamlet (Ódry Színpad)Bűn és bűnhődés (Szkéné)Magányos emberek (Katona Kamra)Ha az adás végén úgy érzed, hogy szívesen hallgatnád még tovább ezt a beszélgetést, akkor menj át a podcast Patreon-oldalára, ahol némi támogatásért cserébe kapsz még további húsz percet.Készítette: Varga FerencZene: Hegyi OlivérJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

Welcome to the Fundraising Everywhere Podcast, today, we've got something a little bit different for you. To celebrate our upcoming recruitment and careers conference coming up on Thursday 20th November, we've decided to hand the mic over to our guest host Rory White in this special series of episodes called 'It Started On The Street'. Rory will be chatting to some brilliant leaders in the charity sector and beyond about their journeys since they started their careers as dialogue fundraisers. "It was such a pleasure talking with Alf Cowan. In fact, our conversation went on so long we had to restart the Zoom because we ran out of time — I think we ended up talking for a couple of hours! Alf is a really thoughtful guy. After university — where he studied business — he unexpectedly found himself working in face-to-face fundraising, which was a real revelation for him at the time. From there he moved into the charity sector, working directly for charities on their face-to-face programs, before transitioning into more of a data and analytics focus. Today, Alf is Head of Charities at MediaLab, but he still draws heavily on his early face-to-face experience. He regularly visits frontline teams to stay connected to that perspective, and it really informs the campaigns he creates for clients. He's insightful, reflective, and a genuinely nice person to talk to. I think you'll really enjoy this conversation with Alf Cowan" You can learn more about our upcoming Fundraising Recruitment and Careers Conference happening on Thursday 20th November here If you enjoyed this episode, don't forget to hit follow and enable notifications so you'll get notified to be first to hear of future podcast episodes. We'd love to see you back again! And thank you to our friends at JustGiving who make the Fundraising Everywhere Podcast possible.

It's Smorgasbord Thursday as Alex Jones from TheBigSpur.com checks in for a weekly chat with JC Shurburtt and the Mad Dog. What's up with the last episode of ALF? Who will be the starting kicker for the Gamecocks? VHS Dates features LaDonna...wow. Plus, clowns are people too, folks, so you should not bash the "coach" Notre Dame podcast host that had some silly things to say about Shane Beamer, some of which are just lies. Lying clowns are people, too. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Alfonso Peccatiello built a following of 500,000 on LinkedIn by doing something radical – by being a real, authentic human in the fund world.  And that authentic social presence helped him close investment deals for his new hedge fund, Palinuro Capital.  Alfonso's story is proof that it pays to challenge the status quo and to put people (and connections) first – even in a numbers-obsessed industry.  Want the full story? Join Alfonso and Stacy as they discuss: Alfonso's backstory: How a car accident sparked his obsession with creating success on his own terms Why he's never afraid to repel the wrong investor How his willingness to repel, both on social media and in meetings, has helped him attract more of the right investors The lesson he learned as a $20B bond manager that has served him most as an entrepreneur (spoiler alert, it wasn't an investing technique) More About Alfonso PeccatielloAlfonso (Alf) Peccatiello is the CIO of the global macro hedge fund Palinuro Capital. Alf was born in Southern Italy, roughly 1,000 km away from the closest financial center, yet his dream was to run his own hedge fund. To get there, he had an idea: share macro analysis and frameworks with the world through his research firm, The Macro Compass, first, establish relationships, and only after spinning out his macro hedge fund. After scoring the largest asset managers in the world as clients of his research, here we are: his global macro hedge fund, Palinuro Capital, is ready to launch in January 2025. As a proper Southern Italian, Alf stands by three culinary rules: no cappuccino unless it's breakfast, no pineapple on pizza, and never break pasta in pieces!Apply for The StorySales™ Accelerator, an exclusive 6-week program for boutique fund managers who want to craft compelling stories and confidently raise capital | https://www.havenercapital.com/accelerator Want More Help With Storytelling? +  Subscribe to my newsletter to get a weekly email that helps you use your words to power your growth:https://www.stacyhavener.com/subscribe   - - -Make The Boutique Investment Collective part of your Billion Dollar Backstory. Gain access to invaluable resources, expert coaches, and a supportive community of other boutique founders, fund managers, and investment pros.Join Havener Capital's exclusive membership - - -Thinking about expanding your investor base beyond the US? Not sure where to start? Take our quick quiz to find out if your firm is ready to go global and get all the info at billiondollarbackstory.com/gemcap- - -Apply for The StorySales™ Accelerator, an exclusive 6-week program for boutique fund managers who want to craft compelling stories and confidently raise capital | https://www.havenercapital.com/accelerator---Running a fund is hard enough.Ops shouldn't be.Meet the team that makes it easier. | billiondollarbackstory.com/ultimus

Jacob and Brad kick off a special edition dedicated to honoring Hannah, the beloved co-host of Movie Torture. Hannah's Journey: A look back at how Hannah joined the show, her initial nerves, and her evolution into a key member of the team. Memorable Moments: The team reminisces about the creation of fake sponsors and the infamous "snooze button" segment. Movie Spotlight: Discussion of "Violent Night," a film that defied the usual Movie Torture criteria by being genuinely enjoyable. Hannah's Impact: Reflections on how Hannah's presence elevates the show and her unique ability to find humor in even the worst films.On this week's episode the guys are joined by the First Lady of Movie Torture Hannah as they discuss the 2022 Christmas DieHard "Violent Night" They start the episode out talking about Hannah's crown that she is wearing, a new sponsor "Snooze Buttons" The gang talks about how this is Home Alone for adults, They talk about the time Gary and Hannah were in a pizza eating contest, They ask Hannah if she would want to date Santa. Plus, Brad talks about his love for ALF and Hannah is confused.Checkout the new Hopecast website:https://thehopecastnetwork.com/Follow Movie Torture here:https://www.instagram.com/movietorturepod/Buy Merch here:https://www.bonfire.com/store/the-hopecast-network-swag/This show is brought to you by The Hopecast Networkhttps://www.instagram.com/hopecastnetwork/Listener Engagement:Share your favorite Hannah moments with us! What movie should we tackle next?Hashtags: #MovieTorture #HannahSpecial #PodcastLifeCall to Action: Don't miss out on the laughter and insights—subscribe now and join us for more movie madness!

We're diving proboscis first into cooking and eating Toedscruel, a mushroom jellyfish with endless culinary possibilities. The ICY crew also takes a look at the state of pickle mascots, reflects on cat parenthood, and explores Alf's lore.  Donate to the Palestinian Children's Relief Fund: https://www.pcrf.net/ Follow Us:   @ichewspod   Email Us: ichewspod@gmail.com Join our Discord:  https://discord.gg/K27CHpz3Fx Visit our website and merch store: https://ichewsyou.menu/

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

October 8-16, 1988  This week Ken welcomes Mike and Scot from the First Seven Inch podcast.   Ken Mike and Scot discuss obscure hardcore, punk rock, having to pivot to make the fans happy, the power of Patreon, The Equalizer, TV and movies with punks, John Wick, Donnie Yen, being an easy mark, Midnight Caller, Silk Stalkings, Nick/Forever Night, USA Network, what to do when it's "too hot to sleep", creepy work pervs, smoking, being straight edge, brown cigarettes, Brendan Tartikof, Ed Grimley, the mythical magic of the big white TV Schedule board, testing your brain at the pharmacy, Amazon Women on the Moon, Real Men, Hellraiser, anthology TV, WNDS TV 50, Weather with Al, Mary Woronov, Sledge Hammer, NBC, Alf, Stevie Wonder, TV's Blooper and Practical Jokes, Librace, Throb, the career of Jim Hanks, CT people, the Moby of Puppets, The Hogans, Mr. Rogers, Letterman, Dear John, US remakes of UK shows, Who's the Boss, Donna Mills in Outback Bound, the American obsession with Australia, 'roid free world, Growing Pains, Nova, sexy Walter Mathau in Hopscotch, why 1985 is Ken's favorite year in movies, why the early 80s made us desperate for nerds to save us, fascist eagles, Slayer, Tyne Daly and kids in gangs, Just a Regular Kid an AIDS story, Highway to Heavan, Halloween epsiodes, Michael Berryman, being obsessed with guns, Chuck Norris' uzis in the Invasion USA poster, divorced parents, Just the Ten of Us, Crossing the Mob with Jason Batemen, Philly accents, the wonder of the phrase "also starring Frank Stallone", just the Maura Tierny scenes, bad NJ accents, Bush v Dukakis debate, collar up acting, UFO Coverup, Perfect Strangers, not liking Full House, how awful Halloween is Grinch Night is, Disney Channel, spoiled cousins getting cable channels from your grandparents, being a Freddy Kruger Kid, Corbin Bernson, Amanda Payes, and finally doing the show and hoping it holds up to all your hopes and dreams. 

University of Idaho murderer Bryan Kohberger sentenced to life, Ghislaine Maxwell subpoenaed, Gary Graff joins us to talk Ozzy, bald John Lennon, Butt-Rock is back, boner-makers Salma Hayek & Sydney Sweeney, Candace Owens sued for defamation, and an update on Kate Cassidy. An old picture of John Lennon ignites a fight amongst Beatles fans... over his hair line. It gets so deep Drew digs up a picture of John's dad, Alf. The stock market has been on fire as the S&P and NASDAQ hit all time highs. Crypto is on fire and no one can still explain it. Brandon's neighbor dishes on his marriage to billionaire David Geffen. Drew is firmly on David Armstrong's side. What about you? Some people are saying Geffen might be in trouble for sex trafficking. Bryan Kohberger was sentenced to life in prison. The victim's impact statements tore him a new one, especially by pointing out how terrible he is at murdering. Crazy Planes: A Delta flight almost had a plane land on top of it in Mexico City. This just days after a Delta flight had to avoid a B-52 bomber in midair. Donald Trump's approval ratings seem to be up. Get ready to pay more for candy as the price of cocoa is sky high.  A Federal judge shuts down release of the Epstein grand jury testimony. Ghislaine Maxwell subpoenaed by the House Oversight Committee. The Wall Street Journal reports that US AG Pam Bondi told Trump in May that he's in the Epstein files. There are new pictures of Donald Trump hanging out with Jeffrey Epstein back in the day. Gary Graff joins us following the death of Ozzy Osbourne. EMTs tried to save the Prince of Darkness for two hours.  There's going to be a ton of new Ozzy stuff coming out in the next year.  Gary also talks about the 40th anniversary of Live Aid. His favorite performance that day was George Thorogood. Kate Cassidy, the girlfriend of Liam Payne, has become a full-time influencer on TikTok. Salma Hayek gave everyone boners today. Sydney Sweeney tried to as well, but was wearing too much denim. The Cleveland Browns unveiled their new helmets today, but some oaf took all the attention away.  The clear highlight of the British Open was a sweet fart. Candace Owens is sued by the French President Emmanuel Macron and his wife for claiming Brigitte is really a man. Butt-Rock is back! You know Puddle of Mudd, right? If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Lord Alf Dubs is a Labour peer and former MP. He came to the UK from Prague in 1939 on one of the Kindertransport trains organised by Sir Nicholas Winton which rescued mostly Jewish children from Nazi-occupied Czechoslovakia.Alf was born in Prague in 1932. His father was from a Jewish background and was brought up in what was then Northern Bohemia while his mother came from Austria. His father left Prague for London as soon as the Nazis invaded Czechoslovakia in March 1939. In June, when he was six-years-old, Alf was put on a Kindertransport train, arriving at Liverpool Street station two days later where he was met by his father. His mother eventually joined them in London the day before war broke out. Alf studied Politics and Economics at the London School of Economics and was elected as the Member of Parliament for Battersea South in May 1979. He lost his seat in 1987 and the following year he was appointed director of the Refugee Council, becoming the first refugee to head up the charity.In March 2016 Alf tabled an amendment to the 2016 Immigration Act (known as the Dubs Amendment) which asked the Government to accept 3,000 unaccompanied refugee children into the UK. The amendment passed but the Government closed the scheme the following year after accepting 480 children.In 2016 Alf received the Humanist of the Year award by Humanists UK of which he is also a patron. In 2021 his Czech citizenship was restored making him the first Czech-British member of the House of Lords.DISC ONE: It's Easy To Remember (Take 4) - John Coltrane Quartet DISC TWO: Smetana: Má Vlast, JB1:112: 2. Vltava. Performed by Czech Philharmonic Orchestra, conducted by Jiří Bělohlávek DISC THREE: She's Leaving Home - The Beatles DISC FOUR: Bandiera Rossa - Canzoniere del Lame DISC FIVE: Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro. Performed by Barry Tuckwell (French horn), Academy of Saint Martin in the Fields, conducted by Neville Marriner DISC SIX: Danny Boy - Daniel O'Donnell DISC SEVEN: Take This Waltz - Leonard Cohen DISC EIGHT: Ode to Joy. Composed by Ludwig van Beethoven and performed by Gewandhausorchester Leipzig, conducted by Herbert BlomstedtBOOK CHOICE: Germinal by Émile Zola LUXURY ITEM: Walking boots CASTAWAY'S FAVOURITE: It's Easy To Remember (Take 4) - John Coltrane Quartet Presenter Lauren Laverne Producer Paula McGinley