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Veteran New York singer/songwriter George Usher returns to action with a new album that's been some 30 years in the making, Stevensonville. Twelve original songs, each about a citizen of the fictional town of the album is named for. Each is accompanied by a full color illustration and lyrics collected in a 12" x 12" 28-page booklet. This is a limited edition, individually numbered 12" LP vinyl pressing of 200, being released March 20 by Strothard Bulldog Productions. Stevensonville is a 12-part illustrated song-cycle that delves into the myriad goings on in its namesake locale. Each song and illustration represents a different inhabitant of Stevensonville. They sometimes reference each other in the manner of Edgar Lee Masters' Spoon River Anthology or Thornton Wilder's Our Town. The characters who people dark, repressed Stevensonville have their own very unusual and pressing issues to cope with, before they can gamble on leaving. George Usher's poetic lyrics and folk-rock and chamber pop musical settings combine with Laurie Webber's colorful, magnetic illustrations for a stunning, unique presentation. Spotify https://open.spotify.com/artist/0t2r3lAo89AALlzzvpmwwr?si=vdtz4wXLRKWdGjaX3IThsg social media www.Instagram.com/george.usher About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.comFollow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell voice over intro by Nigel J. Farmer
We're back with a fresh recap and review of Star Trek: Starfleet Academy Season 1, Episode 8, "The Life of the Stars." In this spoiler-heavy discussion, Jessica Lynn Verdi and John Champion set the stage for an episode that stretches from Thornton Wilder's Our Town to SAM's home planet and straight into some of the biggest emotional questions of the season. Trauma, time, theater, and the Doctor's growing existential crisis collide as Academy attempts to reckon with the aftermath of the Miyazaki disaster. Does art heal? Does counseling help? And what happens when a character built to observe life demands the chance to actually live it? If you'd like to watch the full video version of Mission Log: Reactor — and get it a day early — you can join us on Patreon for as little as $1. Sign up at https://www.patreon.com/MissionLog (Patrons get Reactor first thing Thursday morning!) And don't forget: Join us Mondays at 7PM PT / 10PM ET for Mission Log Live, our FREE audience call-in talkback show covering each new episode. Bring your questions, theories, agreements, disagreements — and maybe even written notes. patreon.com/missionlog For more Star Trek podcasts, videos, and discussion: missionlogpodcast.com
Michael Sheen on the first production of his newly-formed Welsh National Theatre, Thornton Wilder's 1938 play Our Town seen through a Welsh lens. Film critic Larushka Ivan-Zadeh reacts to the Bafta nominations announced today and how they compare with last week's Oscar's list. 100 years since Laurel and Hardy united for their first film, Neil Brand discusses the comedy duo with film historian Pamela Hutchinson.And writer Patrick Charnley discusses his Cornwall-set novel This My Second Life, which came out of his experience being clinically dead for forty minutes, and his subsequent recovery from a life changing brain injury.Presenter: Samira Ahmed Producer: Lucy Collingwood
From Christopher Isherwood to Djuna Barnes, some of the most prolific queer writers of the 20th century wrote in exile. Ben Robbins joins me to explain how and why queer writers connected with each other in exile and how (in)voluntary movement shaped their stories. Ben shares some surprising encounters from the archives and paints a picture of some of the locations of queer exile: Berlin, Tangier and Capri. References:Networked Narratives: Queer Exile Literature 1900-1969Funded by the Austrian Science Fund/FWF (Project DOI: 10.55776/P35199) https://www.uibk.ac.at/projects/networkednarratives/Ben Robbins' “‘Marriages ought to be secret': Queer Marriages of Convenience and the Exile Narrative” JAAAS: Journal of the Austrian Association for American Studies, vol. 5, no. 1, Dec. 2023, pp. 100–122, https://doi.org/10.47060/jaaas.v5i1.173.Networks of Anglophone LGBTQ+ Exile Writershttp://queerexilelit.uibk.ac.at/ Robbins, Ben, and Ralph J. Poole. "Introduction: Queer Ruralisms." AmLit – American Literatures 4.2 (2024): 4-21.Ben Robbins' Faulkner's Hollywood Novels: Women between Page and Screen (University of Virginia Press 2024) https://www.upress.virginia.edu/title/5855/Queer Second CitiesMaria SulimmaBen Robbins' “Christopher Isherwood in Exile” https://www.huntington.org/verso/christopher-isherwood-exileHarry Ransom CenterBryher (Annie Winifred Ellerman)Oscar WildeW. Somerset MaughamE.F. BensonJohn Ellingham BrooksRomaine BrooksJohn EllermanRobert McAlmonDjuna Barnes' NightwoodNatalie BarneyChristopher Isherwood's Goodbye to BerlinStephen Spender's The TempleJane Bowles' Two Serious LadiesW.H. AudenPatricia HighsmithAllen GinsbergClaude McKayThornton WilderBen Robbins. "Space, Sexuality, and Thornton Wilder's Villa Rhabani." Thornton Wilder Journal 5:1, November 2024, pp. 99-119. DOI: 10.5325/thorntonwilderj.5.1.0099 https://scholarlypublishingcollective.org/psup/thornton-wilder/article-abstract/5/1/99/392187/Space-Sexuality-and-Thornton-Wilder-s-Villa?redirectedFrom=fulltextOpen access: https://ulb-dok.uibk.ac.at/urn/urn:nbn:at:at-ubi:3-40689William Burroughs' Naked LunchAlfred Chester's Looking for Genet: Literary Essays and ReviewsSusan SontagGore VidalHenry JamesTruman Capote Questions you should be able to respond to after listening: How does Ben define ‘exile'? How is this similar to and different from ‘expat'? How does exile relate to class status and financial means? Why are queer networks so important in this context? What does Ben say about exile and (involuntary) movement affecting narrative form? How do you find out where you can safely travel?
Send us a textAhead of the launch of the Welsh National Theatre, BAFTA Cymru award-winning actress Nia Roberts sat down with us for a wide-ranging conversation. Nia is widely recognised for her breakthrough in the Academy Award-nominated Solomon & Gaenor and for her haunting performances in Hidden and The Feast. In the inaugural production from Welsh National Theatre, she portrays Mrs. Webb in a brand new reimagining of Thornton Wilder's Our Town. The staging features an all-Welsh cast and creative team for the first time in the play's history. It explores the universalities of life and community through a distinctly Celtic lens, rooted in the concept of Hiraeth.In this brand new interview, Nia Roberts tells us about the importance of sharing Welsh stories. Conversations span from her early days with the National Youth Theatre of Wales to her recent acclaimed role in Tree on a Hill. Roberts offers critical insights into the necessity of a dedicated national stage and the preservation of Welsh-language narratives. The dialogue also addresses the technical demands of minimalist theatre and her outlook on the industry today. It concludes with a forward-looking analysis of the future for Welsh storytelling on the global stage.
I saw an adaptation of a Thornton Wilder play at The Public and it made me real mad. My only comfort is that apparently Thornton Wilder used to get real mad at everything he saw as well, so I guess I'm in good company.The show was an adaptation of The Skin of Our Teeth, which, for the most part, just involved throwing some songs into it. It was mostly harmless, I suppose. I'd never seen The Skin of Our Teeth and this production made me go straight home to read it so I guess it did me the service of catching me up on an American classic. To keep reading This Show Needed Gertrude Stein visit the Songs for the Struggling Artist blog. This is Episode 480Song: Gertrude & SteinImage by CHUTTERSNAP via UnsplashTo support this podcast:Give it 5 stars in Apple Podcasts. Write a nice review!Rate it at: https://ratethispodcast.com/strugglingartistMailing list: www.emilyrainbowdavis.com/Facebook: https://www.facebook.com/SongsfortheStrugglingArtist/Support me on Patreon: www.patreon.com/emilyrdavisKofi: http://ko-fi.com/emilyrainbowdavisPayPal: https://www.paypal.me/strugglingartistJoin Substack: https://emilyrainbowdavis.substack.com/Twitter @erainbowdMastodon - @erainbowd@podvibes.coBlue sky - @erainbowd.bsky.socialInstagram and PinterestListen to The Dragoning here and The Defense here.
[REBROADCAST FROM November 5, 2025] A new, musical adaptation of Thornton Wilder's "The Skin Of Our Teeth" called "The Seat Of Our Pants" follows the existential dreads and absurdist twists of the 5,000-year old Antrobus family. Ethan Lipton adapted the show and wrote the music. He'll talks about the new musical, along with members of the cast. "The Seat Of Our Pants" is playing at The Public until Nov. 30.
A new, musical adaptation of Thornton Wilder's "The Skin Of Our Teeth" called "The Seat Of Our Pants" follows the existential dreads and absurdist twists of the 5,000-year old Antrobus family. Ethan Lipton adapted the show and wrote the music. He talks about the new musical, along with members of the cast. "The Seat Of Our Pants" is playing at The Public until Nov. 30.
Fuensanta Marín nos recomienda estos libros, los dos primeros, van precisamente sobre robos de arte.El ladrón de arte, de Michael Finkel. Por pura amabilidad, Doris Langley Moore.El puente de San Luis Rey, Thornton Wilder.
Phil and David are thrilled to welcome Academy Award-winner Brie Larson ("Room") and former Milk Bar culinary director Courtney McBroom to the "Naked Lunch" room to celebrate their new book, "Party People: A Cookbook For Creative Celebrations," published by Penguin Random House on October 21st. This is a sweet and satisfying conversation serving up tasty topics like mixed feelings about ice cream, favorite international frankfurters, dream party guests in world history, the psychology of theme parties, the best party music, "The Bear," Thornton Wilder's "Our Town" and favorite food scenes in movies. To order Brie and Courtney's book, go here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.
Our Suburb is a re-telling of Thornton Wilder's play Our Town. The play takes place in suburban Skokie, Illinois, 1977, where two families, one Jewish, one agnostic, deal with the approaching Nazi march coming through town and the love between their children in a dangerous time.Our Suburb will have performances at the Rosendale Theatre starting on Thursday September 18th and run through Sunday September 21st. You can go to rosendaletheatre.org for more details and ticket information.
In this episode, playwright and memoirist Alvin Eng joins Shoshana Greenberg of the Thornton Wilder Society to discuss his book Our Laundry, Our Town. Eng reflects on growing up as the son of Chinese immigrants in 1970s Flushing, Queens—balancing life inside his parents' hand laundry with the turbulent, inspiring world outside. His memoir traces the journey from punk rock and downtown theater to discovering the Chinese influence on Thornton Wilder's Our Town––a result of Wilder spending part of his childhood in China. This discovery of this influence, ultimately, helped Eng to reconnect with his ancestral and artistic roots in China. Together, Eng and Greenberg explore themes of identity, culture, and storytelling, while considering Wilder's lasting legacy in American theater. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Chronicles, Luca discusses Our Town by Thornton Wilder. He explores the play's function as a time capsule, and its themes of mundane beauty, life, and death.
Hannah Mooney gets the latest from local actors, Glen and Tania on a play running in our town. Well, actually the play is in Cambridge... BUT it is Thornton Wilder's classic – Our Town.
What if, instead of just watching Hamlet, you could step inside the prince's mind? A revelatory new audio production reimagines Shakespeare's iconic tragedy as a first-person experience told through Hamlet's POV. We only hear the scenes in which he appears—every soliloquy becomes an inner monologue, every whisper a voice in our ears. With stunning binaural sound design by Tony Award–winner Mikhail Fiksel and an intimate, close-mic performance by Daniel Kyri (“Chicago Fire”) as the Prince of Denmark, Hamlet is transformed into a deeply personal journey through grief, paranoia, memory, and resolve. The six-episode podcast of Hamlet is produced by Make-Believe Association, an audio storytelling group based in Chicago. The production, which premiered at the Tribeca Film Festival in June, includes performances by John Douglas Thompson as Claudius (and the Ghost), Sharon Washington as Gertrude, and Jacob Ming-Trent as Polonius. In this episode, director Jeremy McCarter shares how technology unlocked new layers of intimacy and urgency in Shakespeare's play—and why, more than 400 years later, Hamlet's questions still resonate. >>>Listen to Hamlet at hamlet.fm or wherever you listen to podcasts. Headphones heighten the experience! From the Shakespeare Unlimited podcast. Published July 29, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Jeremy McCarter founded Make-Believe Association in 2017 after five years on the artistic staff of the Public Theater in New York. For the company, he adapted The Lost Books of the Odyssey; co-wrote City on Fire: Chicago Race Riot 1919 (with Natalie Moore); co-created and co-wrote the acclaimed epic Lake Song (Tribeca Festival Audio Premiere, winner of three Signal Awards), and adapted and directed the audacious new take on Hamlet. His books include Young Radicals; Hamilton: The Revolution (with Lin-Manuel Miranda); and Viewfinder: A Memoir of Seeing and Being Seen (with Jon M. Chu). He has written about culture and politics for New York Magazine, The New York Times, The Wall Street Journal, and other publications. He is the literary executor of the novelist and playwright Thornton Wilder.
Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I'm doing this Thursday July 17th, at 7PM on Orson Welles' early career of Orson Welles through the end of 1941. If you can't make it live this Thursday July 17th at 7PM, don't worry, I'll be emailing every person who registers a video of the webinar once it's over. Here's a link to register: https://www.eventbrite.com/e/orson-welles-career-part-1-from-boy-wonder-to-trouble-maker-webinar-tickets-1445315741289?aff=oddtdtcreator Some more information: Throughout the last one-hundred years of American entertainment, few people have gotten as strong a reaction as Orson Welles. A rare quadruple threat: writer, director, actor, producer, Welles found immense success on stage, in films, on television, and in radio. In fact, he took center stage in the United States on more than one occasion… and not always to a positive reaction, but always with pushing the creative envelope in mind. Welles managed to alienate the newspaper industry, the Hollywood studio system, and occasionally even the broadcasting networks, but he rarely had a door closed in his face. Welles was known to work himself to the bone, and party even harder. He had romances with some of the most famous and attractive women in the country, including Virginia Nicholson, Dolores del Rio, and Rita Hayworth. He was hailed as a genius, a charlatan, a magician, an incredible friend, an a***hole, a hard-driver, a steady worker, and a man who drank too much. Welles liked to joke that he began his career on top and spent the rest of his life working his way down. Such a strong-willed, creative person deserves an in-depth look. In Part 1: From Boy Wonder To Trouble Maker (1931-1941) we'll explore Welles' early life, through his explosion of success in the 1930s all the way to the end of 1941, complete with audio clips and highlights including: • Beginnings in Illinois and China — How they helped shape Orson • The Todd Seminary School — His first exposure to theater and Radio • Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway • Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time • 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio • How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937 • The Shadow Knows! — Agnes Moorehead and Orson Welles' one season on The Shadow • The birth of the Mercury Theater on the Air as First Person singular. How its success led to the most infamous night in radio in October of 1938 • Mainstream success with Campbell's Soups • Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24 • Citizen Kane — How William Randolph Hearst and RKO shaped the film • Lady Esther Presents — Orson comes back to radio in the autumn of 1941 • Pearl Harbor Day and collaborating with Norman Corwin • How Joseph Cotton introduced Orson to Rita Hayworth Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged! Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!
Kurt Rhodes and Nance Williamson star as Horace Vandergelder and Dolly Gallagher-Levi in “The Matchmaker” by Thornton Wilder at Hudson Valley Shakespeare in Garrison, New York through August 3.
Lunar Eclipse is a production of Second Stage running at The Pershing Square Signature Theater through June 22nd. For more information, please visit www.2st.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
This week we dive into Shadow of a Doubt. This is Alfred Hitchcock's 1943 thriller about a small California town that get shaken up by a visitor from the city.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Universal Picture. Released on January 12, 1943. Produced by Jack H. Skirball and Directed by Alfred Hitchcock. Written by Written by Thornton Wilder, Sally Benson and Alma Reville (Mrs. Hitchcock) based on an original story by Gordon McDonell. Starring Teresa Wright, Joseph Cotton, Patricia Collinge, Henry Travers, Macdonald Carey, and Wallance Ford. Cinematography by Joseph A. Edited by Milton Carruth. Music by Dimitri Tiomkin. Ranking: 8 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Shadow of a Doubt got 2,582 ranking points.
Monday's show featured John Leahy on the weekend sports scene and a preview of this weekend's production of the Thornton Wilder classic “Our Town” at the Concord Auditorium. Joining us in studio were the director of the show Cindy Dickinson and cast members Hannah McCauley who is playing the role of Emily and Jeremy Lent who will portray George. For more info it's communityplayersofconcord.org.
In a special bonus episode, Alex Wood has a chat with the Welsh National Theatre's artistic director - none other than stage and screen legend Michael Sheen. Sheen will kick off the company's programming with a new, relocated production of Thornton Wilder's Our Town - joined by the award-winning Doctor Who show runner and creative associate Russell T Davies. Hosted on Acast. See acast.com/privacy for more information.
This episode was originally released on 5/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 79, we present a detailed look at Orson Welles' radio career through the end of 1941. Highlights: • Beginnings in Illinois and China — How they helped shape Orson • The Todd Seminary School — His first exposure to theater and Radio • Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway • Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time • 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio • How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937 • The Shadow Knows! — Agnes Moorehead and Orson Welles' one season on The Shadow • The birth of the Mercury Theater on the Air as First Person singular. • How it's success led to the most infamous night in radio in October of 1938 • Mainstream success with Campbell's Soups • Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24 • Citizen Kane — How William Randolph Hearst and RKO shaped the film • Lady Esther Presents — Orson comes back to radio in the autumn of 1941 • Pearl Harbor Day and collaborating with Norman Corwin • Joseph Cotton introduces Orson to Rita Hayworth The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • Citizen Welles: A Biography of Orson Welles by Frank Brady • This is Orson Welles by Welles and Peter Bogdanovich • The Encyclopedia of Old-Time Radio by John Dunning • Discovering Orson Welles by Jonathan Rosenbaum Other materials included: • http://www.wellesnet.com - an incredibly comprehensive website on Orson's career • Orson Welles on the Air, 1938-1946 at https://orsonwelles.indiana.edu • The Radio Preservation Task Force also has a great Facebook group headed by Josh Shepperd Selected Interviews in this episode were: • Orson Welles with Dick Cavett, Johnny Carson, and Huw Wheldon, • Agnes Moorehead and Alan Reed were with radio Hall of Fame Member Chuck Schaden, who interviewed over 200 members of the radio community during his 39 year career. Chuck's interviews can be streamed for free at SpeakingofRadio.com. • William Robson was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio in January of 1976 and Kenny Delmare was with John Dunning in 1983. Those interviews can be found at the Old Time Radio Researcher's Group at Otrrlibrary.org • William Herz was with Walden Hughes and John and Larry Gassman in 2013 for their program on the Yesterday USA Radio Network, which you can visit at http://www.yesterdayusa.com.
From Amy:My junior year in high school, we read Thornton Wilder's play Our Town in English class. My senior year, that same English teacher, Carol Ottoson, directed the play and cast me as the Stage Manager. That role, which spends so much time reflecting on details in life and their meaning, had a huge influence on how I see the world, and I'm certain that's rubbed off on me as a writer of creative nonfiction: how I make sense of small details, the things that matter, the people around me, and how they all connect to each other. It seems to me that I would be a different person if not for that experience, and the understanding that I had a voice that carries, and that I can use it for good in the world.So when I went with my husband to a recent production of Our Town at a neighboring high school, I was delighted to run into my old castmate (and previous podcast guest) Cory Busse, himself a writer, whose daughter was now in the show. We both agreed that this play was something special, something that had a huge impact on both of us, and something that holds up across time. So I reached out to our former English teacher, Carol Ottoson, and the three of us recorded a reunion conversation. It's the perfect introduction to my latest podcast season.I am reminded all the time that story is powerful. Connection to each other is powerful. And we have no idea the impact that stories will have on us until long after they're told. Some stories have our attention a moment. But some stories—and some people—make an indelible mark.And if that's not a worthy reason to make our artwork and write our stories and engage in creative play with each other, I'm not sure what is. Carol Ottoson (Otto) retired from teaching, coaching, and directing after 36 years in the classroom, including 24 in the Prior Lake Savage (MN) School District. She continues to sub in the district. She directed theater for thirty years and coached speech for 34 years. Carol and her husband Keith have been married for over 51 years and have two adult children, Heather and Andy, two sons-in-law, Collan and Branden, and two grandsons, Zach and Jameson. Carol and her husband enjoy traveling and are frequently on the road somewhere. Carol also occasionally preaches at her local church (htumc.org). They are a reconciling congregation, and promote inclusivity.Follow Carol on Facebook or email her directly at ottoem50@aol.com. Cory Busse was once voted "Sexiest Man Alive" by Cory Busse Magazine whose audience boasts more than zero Cory Busses.Follow "Tales from the Christmas Village," a way to keep the spirit of snark alive in your heart all year long. Amy Hallberg is the author of Tiny Altars: A Midlife Revival and German Awakening: Tales from an American Life. She is the host of Courageous Wordsmith Podcast and founder of Courageous Wordsmith Circle for Real-Life Writers. As an editor and writing mentor, Amy guides writers through their narrative journeys—from inklings to beautiful works, specifically podcasts and books. A lifelong Minnesotan and mother of grown twins, Amy lives in the Twin Cities with her husband and two cats. Get Amy's Books and AudiobooksLearn about Courageous Wordsmith Circle for Real-Life WritersWork with Amy 1:1
Welcome to Episode 227 of The Thinklings Podcast! In this episode, Thinkling Carter discusses The Bridge of San Luis Rey by Thornton Wilder…after a good hearty dose of Books & Business, of course. Thanks for listening to this week's episode! Books & Business Stearns - Memoria (Fischer) & I Cheerfully Refuse (Unger) Little - My Dear Hemlock Boyd - Why Read Moby Dick? Carter - Bridge of San Luis Rey Main Content Thinkling Carter summarizes and reflects upon finishing The Bridge of San Luis Rey. Final Meditation Thinkling Stearns discusses Luke 13!
It's time to dig into the end of Thornton Wilder's lovely novel and in this episode we're discussing the impact (and epilogue-like nature) of the final chapter, the spiritual contemplations inherent in the narrative, the way Wilder manages to say something powerful about the nature of love, and much more. Happy listening!Video editionA quick note on video: some listeners have requested that we post videos of the show. We're open to this and will try it, since it does seem to be the future of podcasting, whatever that means. But many video podcasts can get quite performative; video can change the tone of a show. After all, it's weird to sit and look into the camera; it's weird to be conscious of the fact that people are watching you have a conversation as opposed to just listening to it. Some people get anxious about lighting and hair and makeup and all that. We aren't going to worry about any of that. We are just going to post our Zoom calls as they are. If they look bad or poorly lit, so be it. If they seem awkward, oh well. If it's for you, great. If you just want to roll with audio, that's great too. However you tune in, thanks for doing so! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe
Welcome back listeners! In this episode, Jen and Lane dive deep into Thornton Wilder's timeless play Our Town. Together, they explore its themes of life, death, and the beauty of everyday moments. Tune in for an engaging conversation about this classic piece of American theater, its lasting impact, and the lessons it offers for modern audiences. Episode Links: Referred to in the episode: Our Town (2003) (IMDb Link) “Tom Lake” by Ann Patchett (Bookshop.org paperback) A Psalm for the Wild-Built: A Monk and Robot Book (Bookshop.org hardcover) Buy the book: Our Town: A Play in Three Acts (Bookshop.org paperback) Thornton Wilder: Our Town, The Bridge of San Luis Rey & More (Libro.fm audiobook) Show Links: Bards Alley Bookshop Website
Hoda and Jenna share their opinions on some listeners' tricky social situations. Also, Zoey Deutch joins to discuss making her Broadway debut in Thornton Wilder's Pulitzer Prize-winning play, ‘Our Town.' Plus, Jessica Seinfeld bakes crispy peanut butter bars that are both healthy and delicious. And, celebrity makeup artist Neil Scibelli shares a few supermodel beauty secrets anyone can use.
Dr. Terryl Hallquist, Thornton Wilder scholar and Ann Patchett fan, joins us to discuss Patchett's newest novel, Tom Lake. Tom Lake centers around a pivotal summer Lara spent in a summer stock theatre company where she performed her signature role of Emily in Thornton Wilder's OUR TOWN. There she meets two men who will change her life. She falls in love with the soon-to-be famous actor Peter Duke and meets the director/aspiring cherry farmer, Joe Nelson. Lara recalls the summer to her three grown daughters, home during the pandemic, who beg her to tell them about her glamorous life as a young actress, her romance with Peter Duke, and her blockbuster film. There are lots of layers to this novel and we explore many with Terryl. Linny is calling in from her American Red Cross deployment in Asheville, North Carolina and Nancy is fresh off her trip to see Linny followed by a trip to New York City to see six shows in five days. --- Support this podcast: https://podcasters.spotify.com/pod/show/frontporchbookclub/support
Buffering the Vampire Slayer | A Buffy the Vampire Slayer Podcast
Kristin Russo & Jenny Owen Youngs cover The X-Files one episode at a time. Though we are discussing "Our Town" today, it is decidedly NOT the play by Thornton Wilder but rather an episode of The X-Files in which the townsfolk are dining on... other townsfolk! Cannibalism: the other red meat?? Producer LaToya Ferguson gives this episode a scary ranking of 1/5 Outsiders We Have To Deal With IN EPISODE LINKS https://indianpueblo.org/what-does-anasazi-mean-and-why-is-it-controversial/ SCOOP THE NEW MERCH!!! bufferingthevampireslayer.com/shop OUR BOOK! OUR BOOK! OUR BOOK IS UP FOR PRE ORDER! bufferingcast.com/book LOCATE YOUR HOSTS UPON THE INTERNET Jenny Owen Youngs | @jennyowenyoungs; jennyowenyoungs.com Kristin Russo | @kristinnoeline; kristinnoeline.com Buffering: A Rewatch Adventure | @bufferingcast on socials MUSIC | Theme song and jingles composed and performed by Jenny Owen Youngs | bufferingcast.com/music PATREON | patreon.com/bufferingcast MERCH | bufferingthevampireslayer.com/shop X-FILES ABACUS | bufferingcast.com/abacus PODCAST SCHEDULE | bufferingcast.com/jennycalendar Produced by: Kristin Russo, Jenny Owen Youngs, and LaToya Ferguson Edited & Mixed by: John Mark Nelson and Kristin Russo Logo: Devan Power We acknowledge that we and our team are occupying unceded and stolen lands and territories. Kristin occupies the Lenape territories of the Esopus Lenape Peoples. Jenny occupies the Wabanahkik territory of the Abenaki and Pennacook Peoples. Learn more about Land Acknowledgments + our continued anti-racist efforts at bufferingthevampireslayer.com/justkeepfighting Learn more about your ad choices. Visit megaphone.fm/adchoices
Kristin Russo & Jenny Owen Youngs cover The X-Files one episode at a time. Though we are discussing "Our Town" today, it is decidedly NOT the play by Thornton Wilder but rather an episode of The X-Files in which the townsfolk are dining on... other townsfolk! Cannibalism: the other red meat?? Producer LaToya Ferguson gives this episode a scary ranking of 1/5 Outsiders We Have To Deal With IN EPISODE LINKS https://indianpueblo.org/what-does-anasazi-mean-and-why-is-it-controversial/ SCOOP THE NEW MERCH!!! bufferingthevampireslayer.com/shop OUR BOOK! OUR BOOK! OUR BOOK IS UP FOR PRE ORDER! bufferingcast.com/book LOCATE YOUR HOSTS UPON THE INTERNET Jenny Owen Youngs | @jennyowenyoungs; jennyowenyoungs.com Kristin Russo | @kristinnoeline; kristinnoeline.com Buffering: A Rewatch Adventure | @bufferingcast on socials MUSIC | Theme song and jingles composed and performed by Jenny Owen Youngs | bufferingcast.com/music PATREON | patreon.com/bufferingcast MERCH | bufferingthevampireslayer.com/shop X-FILES ABACUS | bufferingcast.com/abacus PODCAST SCHEDULE | bufferingcast.com/jennycalendar Produced by: Kristin Russo, Jenny Owen Youngs, and LaToya Ferguson Edited & Mixed by: John Mark Nelson and Kristin Russo Logo: Devan Power We acknowledge that we and our team are occupying unceded and stolen lands and territories. Kristin occupies the Lenape territories of the Esopus Lenape Peoples. Jenny occupies the Wabanahkik territory of the Abenaki and Pennacook Peoples. Learn more about Land Acknowledgments + our continued anti-racist efforts at bufferingthevampireslayer.com/justkeepfighting Learn more about your ad choices. Visit megaphone.fm/adchoices
Ann Patchett's 2023 novel, Tom Lake, explores the permeability between past and present. While they are picking cherries to try to save the crop since the normal large migrant laborer crew is absent due to COVID, Lara's adult daughters ask their mom to tell them the story of how she once dated the famous actor, Peter Duke. In retelling parts of her story, we learn about Lara's evolving notions of love and purpose. Once a promising ingenue, Lara was known for her role as Emily in multiple productions of OUR TOWN. Patchett's love of the Thornton Wilder play shines through her writing, giving this novel a multi-layered depth. This is the first Patchett novel Linny and Nancy have read and it's good one. --- Support this podcast: https://podcasters.spotify.com/pod/show/frontporchbookclub/support
Join us for an insightful conversation with Wesley Paine, the talented actor bringing the iconic Stage Manager to life in Nashville Repertory Theatre's production of Our Town. We'll explore her unique approach to this guiding role, her reflections on Grover's Corners, and how she connects the story to today's audiences. Whether you're a longtime fan of Our Town or experiencing it for the first time, this episode offers a closer look at the heart of Thornton Wilder's masterpiece from the perspective of its most essential character. Buy tickets to Our Town at http://cart.tpac.org/overview/13956
Sit down with Pastor Jared and another one of our Global Partners, Jenn. You will hear about her ministry on the Arabian Peninsula in this episode. To get tickets to Grace Theatre's upcoming performance of The Matchmaker by Thornton Wilder on November 8-10 and 15-17, visit https://www.gracbaptist.org/theatre. The Magnify Podcast is a production of Grace Baptist Church in Santa Clarita, CA. For more information about service times and events, head to our website, https://www.gracebaptist.org. If you have questions for Pastor Aaron, Pastor David, or our other guests, send them to us by email at magnify@gracebaptist.org.
The latest Broadway revival of the Thornton Wilder classic "Our Town" is both familiar and modern, under the direction of Kenny Leon. Leon joins us to discuss alongside actor Zoey Deutch, who stars as Emily. "Our Town" is running now at the Barrymore Theatre through January 19.
In this episode, we take a deep dive into the 2024 Broadway revival of Thornton Wilder's timeless classic, "Our Town," currently playing at the Barrymore Theatre. This production, directed by Kenny Leon and starring Jim Parsons, brings a new look into the beloved American play. We explore how this revival speaks to our current times, dissect the central themes of love, marriage, and death, and debate the effectiveness of the production's design choices. Does Jim Parsons' star power elevate the crucial role of the Stage Manager, or does it overshadow the ensemble nature of the piece? Tune in for our candid thoughts on this emotional journey through small-town America and what it reveals about the human experience in 2024. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on OUR TOWN on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
Campbell Playhouse | Our Town | Broadcast: May 12, 1939Adaptation of Thornton Wilder's 1938 play "Our Town".The first radio performance of the 1938 Pulitzer Prize winning play by Thornton Wilder. There was much talk when it was first produced in the theatre because it was performed without scenery or props and with the lovable garrulous stage manager filling in gaps and explaining things as it went along. In this play Orson Welles plays that part and John Craven plays George the role he created in the original stage production.Starring: Ray Collins; John Craven; Agnes Moorehead; Patricia Newton; Everett Sloane; Orson Welles: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr
At the end of TOM LAKE, Ann Patchett exhorts readers to return to the work of Thornton Wilder--so Kimberly did! She LOVED her deep dive into the hugely influential 1938 classic, OUR TOWN. You'll hear analysis of the novel, with a whole section devoted to how the incredibly affecting OUR TOWN inflects Patchett's novel. Lastly? You'll then be treated to some seriously inspiring quotations by Wilder himself.
Send us a Text Message.Actor, director, producer, playwright, and artistic director since 1978 of the famous Will Geer Theatricum Botanicum, Ellen Geer stopped by to talk about the history of the Theatricum, growing up in a blacklisted family, and how playwriting helps heal societal wounds. Ellen shares her transition into playwriting, her approach to revising Shakespeare to the female characters' point of view and how it changes the story, the learning curve of a self-taught playwright, and the importance of ending a days work of writing on a high note. She also delves into the important lessons of playwriting, the use of technology, struggles and confidence, and her view of "gatekeepers" and staging your own work, especially when it could be considered a controversial piece. It's a charming conversation and the second episode where my camera shut down in the middle of the interview, so I apologize for the brief interruption. In the end, it was a pleasure to sit and share with an important and prominent influence in the Los Angeles theatrical community. Enjoy!For tickets to the current running production of Wendy's Peter Pan at the Theatricum Botanicum, visit - https://www.todaytix.com/los-angeles/shows/41175-wendys-peter-panEllen Geer is a playwright, actress, producer, and director and has been the artistic director of Will Geer's Theatricum Botanicum since 1978, where she helped the theater develop from a Sunday afternoon workshop performing Shakespeare to a professional repertory theater company with a negotiated Actors Equity Contract. She has produced and directed well over 100 Theatricum productions, including plays by Shakespeare, Tennessee Williams, Chekhov and Thornton Wilder and many of her own plays and adaptations have been performed at Theatricum as well, including this season's Wendy's Peter Pan and last season's Queen Margaret's Version of Shakespeare's War of the Roses; Trouble the Water; An Enemy of the People; TOM (adapted from the novel “Uncle Tom's Cabin”); Merlin: The Untold Story; Dracula; A Dark Cloud Came; and Dory, A Musical Portrait. To watch the video format of this episode, visit -https://youtu.be/F5nDOG__jr4Website and Socials for Ellen Geer and Theatricum Botanicum -Will Geer Theatricum Botanicum -https://theatricum.comTheatricum's Socials -Facebook - https://www.facebook.com/TheatricumIG - https://www.instagram.com/theatricum_botanicum/X - @theatricumEllen Geer Facebook - https://www.facebook.com/ellen.geer.3Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.
A Public Fit Theatre Company is an award-winning ensemble theatre based in Las Vegas, Nevada.In this episode of Behind the Buzz, Producing Director Joe Kucan and Artistic Director Ann-Marie Pereth are joined by The Pavilion playwright Craig Wright! They chat about bad ideas, Ouija boards, Susan of Kansas and happy endings. Quick side note: Representatives of the estates of Thornton Wilder, Eugene O'Neill or Landlord Wilson should contact Craig directly.Behind the Buzz is a production of A Public Fit Theatre Company. Copyright 2024, all rights reserved. Hosted on Acast. See acast.com/privacy for more information.
On Tuesday's show: We get an update on severe weather around the region over night. And, with the weather already warm and humid, there are plenty of mosquitoes pestering Houstonians outside. Has the mosquito season started earlier than previous years? And how can you minimize them around your home?Also this hour: U.S. immigration policy hasn't changed in decades, but could it after the 2024 election? We preview a symposium on that topic happening today at Rice University.Then, the Pulitzer Prize-winning playwright Thornton Wilder has been dead for nearly 50 years. But, he has a new play making its world premiere now at The Alley Theatre. We learn the story of unearthing and completing The Emporium, which runs through June 2.And Houstonians are getting a second chance to experience what it's like to be aboard the International Space Station. We revisit an immersive, virtual reality experience called The Infinite, which has returned to Space City this summer and runs through June.
Fab and David discuss Thornton Wilder's play Our Town, dubbed “The greatest American play ever written”, a production that explores themes of love, marriage, companionship, and the passage of time. Talking to the audience, minimalist set design – this cutting-edge play aims to make the audience rethink their lives and the little moments. You can catch Bethel Conservatory of the Arts' production of Our Town in Redding, CA March 2024! Click the ticket link in the show notes below! Our Town Tickets - https://www.simpletix.com/e/our-town-tickets-156638 Follow + leave us a 5-star review! FIND US ON... Instagram - https://www.instagram.com/podcaststoria/ Tiktok - https://www.tiktok.com/@storiapodcast X - https://twitter.com/podcaststoria Facebook - https://www.facebook.com/storiapodcast Youtube - https://youtube.com/@PodcastStoria BETHEL CONSERVATORY OF THE ARTS - Check out https://www.bethelconservatory.com
SynopsisIt's a play both Aaron Copland and Leonard Bernstein wanted to make into an opera, but the playwright always said, “No.”We're talking about Our Town, by Thornton Wilder, a nostalgic but bittersweet look at life, love and death in Grover's Corners, New Hampshire, set in the early 1900s, complete with white picket fences, boy meets girl, and a drugstore soda counter.It wasn't until decades after Wilder's death in 1975 that the executor of the Wilder estate, after a long search for just the right composer for an Our Town opera, settled on Ned Rorem, and a libretto crafted by poet J.D. McClatchy, who also happened to be an authority on Wilder's works.Rorem was in his 80s when the opera premiered on today's date in 2006 at the Opera Theater at the Jacobs School of Music in Bloomington, Indiana.The New York Times thought the resulting opera was a success, writing, “Our Town opens with a hymn, and Rorem retained and refracted the familiar melody, turning pat modulations slightly bitter, as if the music were heard through a lens of nostalgia that turned it sepia. This nostalgia proved a hallmark of the score.”Music Played in Today's ProgramNed Rorem (b. 1923): Opening, from Our Town; Monadnock Music; Gil Rose, cond. New World 80790
Heard a sermon last night that cut to the quick. It evoked the image of a "new priesthood" -- a new movement of God in the New Year. The preacher's vision of life and the work of God in the world felt inspired to the first power. And then I thought of Jack Kerouac -- right in the middle of her sermon. I thought of his amazing book, on practical Buddhism no less, entitled Some of the Dharma. Kerouac and the preacher were on the same line. Then something else came to mind: the jaw-dropping last act of Thornton Wilder's "Our Town". Each of these three 'productions', i.e., Paula White's sermon, Jack Kerouac's spiritual diary, and TNW's seminal play: they were all saying the same thing. To wit, the Truth of life lies in every case under the surface of the world. What you see, and even what you think you want to see, is not the Lasting Thing. God's work is infinitely higher than our desires and our ratiocination, tho' at times linked with those things. Ultimately, what God is doing is different from what we think is going on. What a relief! What a redemption (of our pasts)! What a Promise of real action! So I'm hopeful for 2024. Hope you can be, too. LUV U. PZ
Deep in the hidden archives of Harvard's Houghton Library are the butter stained recipes of Emily Dickinson. Who knew? Emily Dickinson was better known by most as a baker than a poet in her lifetime. In this story a beautiful line up of “Keepers”— dedicated archivists, librarians, historians, poets and more—lead us through the complex labyrinth of Emily Dickinson's hidden kitchen. Black cake, gingerbread, slant rhyme, secret loves, family scandals, poems composed on the back of a coconut cake recipe —we journey into the world of poet Emily Dickinson. Filled with mystery, intrigue and readings by Patti Smith, Thornton Wilder, Jean Harris and an array of passionate poets and experts.
We're gearing up to close out our year of reading with today's podcast episode, featuring the Best Books of 2023 Superlatives with Susie (@NovelVisits). Our wrap-up is split into two episodes: today's Superlatives and next week's Genre Awards. Today, we're diving into more than 25 Superlative categories, including Most Deserving of the Hype, Biggest Surprise, the Darkest Book of the Year, and many others! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Announcements My 2024 Reading Tracker is out! Once again, the Tracker will ONLY be available to $7/month Superstars patrons (i.e., no longer available as a separate purchase for $14.99 here on my website). Become a Superstars Patron here! Highlights Our best books of the year from over 25 categories, including: Most Deserving of the Hype FOMO-Worthy Book Third Time's the Charm Darkest Book of the Year Top Underrated Gem Biggest Surprise The Book You Flew Through Most Polarizing Favorite Most Heartbreaking 2023 Superlatives [6:52] Susie Hello Beautiful by Ann Napolitano | Amazon | Bookshop.org [7:03] & [24:25] I Have Some Questions for You by Rebecca Makkai | Amazon | Bookshop.org[11:37] Age of Vice by Deepti Kapoor | Amazon | Bookshop.org [16:07] Juno Loves Legs by Karl Geary | Amazon | Bookshop.org [21:17] Western Lane by Chetna Maroo | Amazon | Bookshop.org [25:14] The Future by Naomi Alderman | Amazon | Bookshop.org [29:44] Pete and Alice in Maine by Caitlin Shetterly | Amazon | Bookshop.org [33:46] The Road to Dalton by Shannon Bowring | Amazon | Bookshop.org [37:31] Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah | Amazon | Bookshop.org[40:22] One Woman Show by Christine Coulson | Amazon | Bookshop.org [43:40] Small Mercies by Dennis Lehane | Amazon | Bookshop.org [46:41] Rootless by Krystle Zara Appiah | Amazon | Bookshop.org [49:20] The Postcard by Anne Berest | Amazon | Bookshop.org [52:19] Happiness Falls by Angie Kim | Amazon | Bookshop.org [58:01] Wandering Souls by Cecile Pin | Amazon | Bookshop.org [1:03:40] Sarah The Rachel Incident by Caroline O'Donoghue | Amazon | Bookshop.org [8:42] The Quiet Tenant by Clémence Michallon | Amazon | Bookshop.org [13:10] Pineapple Street by Jenny Jackson | Amazon | Bookshop.org [15:03] All the Sinners Bleed by S. A. Cosby | Amazon | Bookshop.org [18:43] Strange Sally Diamond by Liz Nugent | Amazon | Bookshop.org [22:56] All That Is Mine I Carry With Me by William Landay | Amazon | Bookshop.org[26:55] Bright Young Women by Jessica Knoll | Amazon | Bookshop.org [28:21] I Have Some Questions for You by Rebecca Makkai | Amazon | Bookshop.org[32:26] I Could Live Here Forever by Hannah Halperin | Amazon | Bookshop.org [35:53] How to Stay Married by Harrison Scott Key | Amazon | Bookshop.org [38:44] Drowning by T. J. Newman | Amazon | Bookshop.org [42:11] Shark Heart by Emily Habeck | Amazon | Bookshop.org [45:09] Late Bloomers by Deepa Varadarajan | Amazon | Bookshop.org [48:01] Good for a Girl by Lauren Fleshman | Amazon | Bookshop.org [50:40] The Longest Race by Kara Goucher | Amazon | Bookshop.org [50:56] Tom Lake by Ann Patchett | Amazon | Bookshop.org [54:53] Everyone in My Family Has Killed Someone by Benjamin Stevenson | Amazon | Bookshop.org [1:01:01] We Were Once a Family by Roxanna Asgarian | Amazon | Bookshop.org[1:05:08] Other Books Mentioned Dear Edward by Ann Napolitano [7:23] Blacktop Wasteland by S. A. Cosby [19:27] Razorblade Tears by S. A. Cosby [19:30] Unraveling Oliver by Liz Nugent [23:28] Talking at Night by Claire Daverley [24:30] Maame by Jessica George [24:32] The Power by Naomi Alderman [30:11] Wellness by Nathan Hill [31:30] Day by Michael Cunningham [31:32] Yellowface by R. F. Kuang [31:35] The Great Believers by Rebecca Makkai [32:47] The Whispers by Ashley Audrain [37:03] The Push by Ashley Audrain [37:20] Our Town by Thornton Wilder [56:12]
⏳⏳⏳ Part 2 of Paul and Stephen's chat with Academy Award winning actor, writer, and author Tom Hanks. Why are time travel fantasies perfect escapes and where does Tom dream of going? What's the logic of time travel and what would be better: going back to the past or going forward into the future? Tom shares cautionary food for thought from Thornton Wilder and Charleton Heston, and lessons gleaned from Star Trek: Deep Space Nine episodes. Also, what are the rules of infidelity in time-travel and has there ever been a real “golden age”? Tom explains what it is to be a “presentist”, why he's a bit of a skeptic, and the guys chew on whether or not human nature has changed over time. Paul Giamatti is an award-winning actor and producer. Stephen Asma is a professor and author specializing in the philosophy of science, religion, and art. Tom Hanks is a 2-time Academy Award winning actor, writer and author. His novel The Making of Another Major Motion Picture Masterpiece is a New York Times Best Seller. His charitable coffee line, Hanx: For Our Troops, can be found at givehanx.com or on instagram @givehanx. All profits go to those who serve, and their families. ⏳⏳⏳ ========= Vocab Chin-Word of the Week: PRESENTIST ========= New eps of CHINWAG drop Wednesdays for free... n(
In Ep. 149, Catherine (@GilmoreGuide) and I revisit the 12 books released from June to mid-August that we featured in the Summer 2023 Book Preview. We update you on our reading stats for summer, chat about the books we've tackled or tried, and let you know which ones are worth adding to your list and which ones you can pass on. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). Highlights Catherine and Sarah share their Summer 2023 reading stats and success rates. Catherine names a micro genre from one of Sarah's picks. Sarah and Catherine both come in with one 5-star book each! Plus, they name their best and worst books from the Summer 2023 Book Preview. Books We Read Before the Preview [3:02] Sarah's Picks: Same Time Next Summer by Annabel Monaghan (June 6) | Amazon | Bookshop.org [3:34] The Rachel Incident by Caroline O'Donoghue (June 27) | Amazon | Bookshop.org [6:26] Other Books Mentioned: Nora Goes Off Script by Annabel Monaghan [3:39] Summer 2023 Circle Back [7:54] June Sarah's Picks: My Murder by Katie Williams (June 6) | Amazon | Bookshop.org [11:55] Invisible Son by Kim Johnson (June 27) | Amazon | Bookshop.org [20:47] Catherine's Picks: Lady Tan's Circle of Women by Lisa See (June 6) | Amazon | Bookshop.org[7:59] All the Sinners Bleed by S. A. Cosby (June 6) | Amazon | Bookshop.org[16:23] You Can't Stay Here Forever by Katherine Lin (June 13) | Amazon | Bookshop.org [26:17] Other Books Mentioned: Foe by Iain Reid [13:48] Blacktop Wasteland by S. A. Cosby [16:28] Razorblade Tears by S. A. Cosby [18:17] This Is My America by Kim Johnson [21:52] The Sun Does Shine by Anthony Ray Hinton [22:10] August Sarah's Picks: The Art of Scandal by Regina Black (August 1) | Amazon | Bookshop.org[29:03] Tom Lake by Ann Patchett (August 1) | Amazon | Bookshop.org [37:21] Catherine's Picks: The Many Lives of Mama Love by Lara Love Hardin (August 1) | Amazon | Bookshop.org [33:18] Mobility by Lydia Kiesling (August 1) | Amazon | Bookshop.org [42:16] Western Alliances by Wilton Barnhardt (August 1) | Amazon | Bookshop.org[45:20] Other Books Mentioned: Seven Days in June by Tia Williams [30:53] Our Town by Thornton Wilder [39:10] The Golden State by Lydia Kiesling [42:29] Other Links Ep. 146: Katie Williams (Author of My Murder) Ep. 147: Lara Love Hardin (Author of The Many Lives of Mama Love)
Ann Patchett returns to the podcast to talk about her new novel, "Tom Lake," waxes poetic on Thornton Wilder's "Our Town" (which plays a big part in her book), and talks about the joys of owning an independent bookstore.