Podcasts about A Tale of Two Cities

There's a "tale of two cities" happening in the stock market, says Ali Meli. While he believes valuations are stretched, Ali says earnings growth offers a strong backbone for valuations to run higher. As for the Fed, he explains what he calls the committee's "negative equity" issue.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Quaranteam - Dave In Dallas: Part 4 Shenanigans: Fun times at House Belsus. Based on a post by RonanJWilkerson, in 12 parts. Listen to the Podcast at Explicit Novels. Let's review the list of characters: David Belsus – 46, physics & astronomy professor at Eastfield college, a community college in the Dallas area. Prepper, survivalist, has a greenhouse in his backyard and lives in an outer ring suburb. Six foot, fit, short cropped hair. Lupie Ramos – 32, former financial advisor, Dave's neighbor, got caught out of state when the lockdowns started. She spent two frantic weeks trying to get back to her daughter. Lupie has been in love with Dave for over a year. Long, dark brown hair, medium build, and a lovely smile. Esme – 9, daughter of Lupie, prone to the occasional snarky comment. Adores Dave. Becca; 18, Lupie's babysitter, was watching Esme when lockdowns occurred. Her refusal to abandon Esme, as her mother insisted, likely saved Becca's life, since her extended family ignored precautions and died of Duo. Esme, Lupie, and Dave are all Becca has left in the world. Short, medium build, small tits, with short blond hair and a smile that is shy with strangers and beams with family and friends. Janice Wheeler; 33, Dave's first partner to arrive, a librarian at Cedar Valley, another community college member of DCCCD. Slender build and medium height, Janice is 3/4 Korean, her paternal grandfather is Anglo. Medium length black hair often pulled back in a bun for work or ponytail at home. Shawna Cooper; 36, senior meteorologist at WFAA, Master's degree in meteorology from O U, worked at NSSL and spent time as a storm chaser. Whole hog sci-fi nut, beginning with Start Trek TNG. 5' 10", large tits, medium brown skin, dark brown eyes, shoulder length black hair styled like a frizzy weeping willow. Olivia Tyler (Liv); 21, senior studying horticulture at Tarleton State University, near Dallas. Daughter of Carter and Janelle, Dave's best friends since college. Had a well-known crush on Dave throughout her teen years. Since her dad was former SF and a survivalist, Liv is skilled with several firearms as well as bladed weapons. Never failed to take a deer any season she's hunted. 5'10" long, dark brown hair, large tits, lightly tanned, brown eyes, and a wide smile. Melanie Ustanich; 22, graduate student in IT at Tarleton, Liv's roommate, recently found a passion for cooking. Spent most of her life in foster homes, Liv's parents accepted her like family the first time she went with Liv on Thanksgiving Break. 5'8" medium length auburn hair, green eyes, small mouth with a ready, mischievous smile. During the interlude, Dave took some time to look over Melanie. He knew less about her than the others, but more than he'd known about Jan or Shawna when they'd shown up on his doorstep. He knew from a glance that she dressed more stylishly than Olivia, though he'd be hard pressed to describe why. He thought both looked great, even if he could tell a difference instinctively. He was always a fan of variety. Silver studs in her ears support three short silver chains each, drawing the eye tantalizingly into the chasm of her russet mane. The verdant green of Mel's satiny top provided the perfect counterpoint to the auburn tones of her hair. The cinched belt securing the crossing panels of her blouse held it together well, yet giving tantalizing views of her medium sized tits. The black slacks clung closely to her well-shaped thighs and calves without the 'painted on' look. "Dave, could you make me one of your 'ginger ales' please?" "Sure, Liv. Anyone else want something?" "Can you make me one of those drinks you made that first time?" Becca asked. "Yeah, that's what Livy is asking for. Seven-Up and Captain Morgan mixed to look like ginger ale." "Oh, okay, then one of those please." "You got it." Dave got to mixing drinks. Jan asked if anyone else wanted wine. All the others voiced their interest, Jan pulled two bottles of blush from the pantry and brought them to the living room. Lupie grabbed wine glasses for each of them and handed them out as Jan poured. Dave watched Becca's first sip carefully. He'd mixed this one normal strength, not the light pour he'd given her last time. Eyes flared, she took a smaller sip than usual, but nodded before setting it on the side table. "Olivia, dear," Lupie asked softly, "I hesitate to ask, but can you tell us about your parents? Should we contact them that you are here, or, are they; ?" "Dad died six weeks ago. Mom passed a week later." Olivia took another sip. Melanie hugged her loosely. Olivia's voice took on a husky note. "She called me, near the end. She told me Dad had died. That she was very ill and wasn't; wasn't, ah,; She knew she wouldn't make it." One hot tear dallied along the top curve of her cheek before coursing downward. Dave took her hand. "She said I should pursue my dreams. All of them." Livy looked Dave dead in the eyes. "She said she'd known for a long time it was more than a crush, that she was sorry she'd belittled it by calling it that. And then ;” Olivia sucked in a breath. Mel hugged Olivia again. "We're all here for you. Let it out at your own pace." Lupie encouraged softly. "She said 'Love him. Love him like I never did. Love him like he deserves.' And then she closed the call." A hard sob shook through Olivia as more tears fell. Dave and Mel hugged her, one from each side. Dave did so while looking at the ceiling with a distant gaze. After several minutes of silence, Jan got up for a second plate. Dave stood to join her. "My mind still doesn't want to eat, but my stomach got a taste of that bruschetta and wants more. Of that, and everything else." Jan smiled and gave him a quick kiss, which he returned. "Can you tell us something about Eddie?" Shawna asked after Dave sat back down. Dave thought for a minute. Slowly, a proud smile spread across his face. "His Eagle project." Olivia smiled and nodded. "Eddie was an Eagle Scout?" Jan asked. "Yes, he was. Got his Arrow of Light as a Webelo too." Livy provided. "Eddie and I were just beginning to reconnect when he began working on his Eagle rank. For his project, he decided to build a foot bridge across the stream in the park." "Armadillo park? The bridge on the south end?" Becca asked. Dave smiled broadly. "That's the one. Before that bridge, anyone walking the path and crossing the bridge at the north end would have to turn around when they hit the ends of the u-shaped path. For some folks, that was more walking than they could handle, so they wound up getting less exercise, or taking their walks in the few areas with sidewalks or walk along the side of the road. Either way they got very little 'green time'. He found a bridge design appropriate for the location, one that would last with little maintenance and convinced a local construction company to donate materials. He met with the city manager and then spoke before the city council to arrange an agreement for maintenance." "The foreman of the construction company and his best concrete specialist offered their services to supervise the volunteer workers and ensure the quality of the work. I think Eddie had a hand in that." Dave's pride in his son couldn't have been any louder on his face. "The kicker was, he vetted the design to make sure the angle of the curve was suitable for someone in a wheelchair. So at the ribbon cutting, the young lady that cut the ribbon, and the first to cross was in Eddie's class. I think she wound up the class Salutatorian. Anyway, she was paraplegic, lost the use of her legs in an accident during her eighth grade year." Dave paused. "I think she and Eddie started dating not long after." Olivia snorted. "They were already dating. I think that night was the first time she gave him the goods though." "Go Eddie." Shawna said huskily. "Seriously?" Dave asked Olivia. "Pretty sure. Not 100%. I mean, I know they did it. Like a lot. Once they opened up that part of the relationship they were like bunnies. I'm not absolutely sure that night was the first night though." "Hell, I was nineteen before my first time. He was always better with people than I ever was." Dave's looked wistfully into the distance, like he was seeing through the walls at something beyond. Then he swallowed hard. He took a steadying breath and blew it out slowly. Becca rubbed his shoulder lightly before giving it a soft kiss. Dave smiled at her, then leaned in to deliver a light peck on her cheek. He looked outward again, scanning across the room. "Thank you all for putting up with this. I'm sorry for acting like such a p--" Becca pressed a finger firmly to Dave's lips. "If that word crosses your lips, you'd better be talking about our body parts. The man that I've watched, relied on, and come to trust implicitly sure as hell isn't one of those. And he deserves better than that." The fire in her red-rimmed eyes put the punctuation to her statement. Dave just nodded in concession to his young lover's demand. With an impish grin she added, "And for the record, anytime we're getting frisky, or flirting, I'm perfectly happy with you calling it: or me: a pussy." She grabbed his hand and shoved it between her shorts-clad legs for emphasis. Becca's addendum broke the somber mood of the room. Everyone got a good laugh. A brief quiet descended as everyone ate a few bites or stared into their drink. Dave looked up to see Jan and Lupie gazing at him, concern and sympathy clearly written across both of their faces. "Well, Becca, since you have some history with our man, tell me something to catch me up with all of you." Shawna requested. "Oh, tell her about the cupcake exchange." Jan suggested. "Dave told me about it while the two of you were getting vaxxed." "Oh that one she told me already. Good story." "Okay, so something new." Becca paused, then blushed. She bit her lip and looked sideways at Dave and cringed. Then she flicked her eyes to Lupie. Lupie caught the look and rolled her eyes. "Go ahead." She said with a sigh. Then she turned her face away. "So, um, you know how Dave runs a couple times a week, and works out with his staff in the backyard about as often?" Shawna nodded at Becca's narrative, then turned to give Dave an appreciative leer. "Ahem, well, it's cooler now, so he does he work outs in a t-shirt and shorts." Shawna nodded again, then stared at Dave's torso like she was imaging him bare chested and sweating. Well, she'd seen him shirtless often enough. Melanie's breathing became slightly deeper and slower as she sized him up as well. "Well, remember we used to live next door. And Lupie's second story windows are high enough to see over Dave's fence." Mel, Shawna, and Jan all looked at each other. "Oh." They said in unison. "You lucky bitches." Jan added. Dave's mind was working at a slower pace and caught up a moment later. He closed his eyes and shook his head. With a small grin. "Well, that's not all of it. See, I made no pretense about watching him work out. I mean, mid-August, heat pounding down? Ten minutes into his work out his whole torso is covered in sweat, with rivulets running down his front and back." Shawna looked transfixed. Jan had her eyes closed. Mel tightly gripped her thighs, staring intently. "Usually I watched from one of the back windows, and just put up with the oblique angle. One day, a few months back, I realize it's very quiet in the house, and I seem to be the only one on the second floor. I decided to move over to Lupie's room, which is at the back corner, with two windows looking out over the backyard, one on each side of the corner." Lupie blushed hard and brought her hands up to cover her face. "So, there was a small space between the curtain panels and I was staring at Dave through the gap as I walked up. I walked as quietly as I could so Lupie and Esme wouldn't hear my footsteps from downstairs. I pulled back the curtain to get a better view. Lupie was hiding in the curtains, eyes fixed on Dave. We both screamed, and Lupie's hand flapped backwards hitting the window frame." "That's how you bruised your hand?!" Dave exclaimed, trying to suppress his laughter. "You flap your hands around when you're surprised?" "No. Just, um, I, uh ;” Lupie's muffled response trailed off. "She took care to wash her hands thoroughly before she let me bind it." Becca interjected. "Initially we thought she'd hurt her wrist, so I stabilized it. But, I recognized later what I had smelled while we were leaving the room." Lupie peeked between her fingers at Becca, pleading. "Okay, never mind." Becca conceded. "I've said too much already." The others looked confused at the abrupt ending until Melanie burst out laughing. When they looked at her questioningly, she said, "I know what I would be doing standing there watching him work out shirtless." And flopped back into the couch giggling furiously. The others started cackling and Jan, chortling, reached over to pull Lupie into her for a hug. "Not like we all don't do it." Dave sat there open mouthed, shocked, and feeling like he'd won something undefinable. He moved to kneel in front of Lupie. He took her hands in his own, pulling them away from her face. He pulled her into a hug. Into her ear he whispered, "I love you." Her hug on him tightened. "And if I hadn't been so dense I would have been in that room to take care of you properly. Or at least, lick your fingers clean." He punctuated his comment with a light nibble of her earlobe. Lupie swatted him on the back as she released him. Her face was still flushed to the tips of her ears. The tight, prim smile and her laughing eyes testified to her approval of the idea, and her mortification it was said out loud. Even at a whisper. Dave got up and refreshed his drink, and Olivia's as well. Becca sipped hers more slowly, and still had more than half a glass. Jan topped off her wine glass, along with Mel's and Shawna's. Lupie got up and made a fresh plate, then headed for the stairs. "I'm going to take a plate to Esme, just in case she didn't get enough earlier. Besides, if I tell her Dave likes the bruschetta, she might try it." Lupie said with a knowing mom smile. Shawna came to Dave once he was seated. She gave him a soft kiss and held him to her. She spoke no words, but conveyed clearly her heart ache for him, and her availability should he need something. When Lupie returned, she took her seat and looked to Olivia asking "Can you tell me something about your father?" Livy squirmed for a moment, then nodded. She took a breath. "He was a security consultant. Worked for a firm that advised companies on the weak points in their physical and cybersecurity. Dad was on the physical side. He'd been a Green Beret before going to college, where he met Mom and Dave." "Oh, wow. So your dad was a badass?" Becca asked. "Carter was so badass he was chill," Dave interjected. "He had that confidence of the guy that knows he'll win if things get physical. Smart too, though." "Yeah, Dad made supervisor pretty fast. He and his team would walk the grounds of a company and show them where a person could slip in or out without detection. Then the cyber guys would do the same for the company's networks. Sometimes, Dad would have to prove the point. He loved that. He and a couple of his team would don tactical gear and break in. Dad always left a fake tarantula with the company logo on its back on the boss' desk, or somewhere critical." Olivia chuckled. "One time, this one CEO was particularly resistant. Dad had to go in a second time. The first time he left a tarantula on the main server station, and one in the research lab; that by law was required to be restricted access. To drive his point home, Dad went to the CEO's office and installed this box on the ceiling, where most don't look. It had some kind of trigger because once the guy sat down, this tarantula drops on a thread from the box, right on the guy's paperwork." Several smiles broke out. Dave laughed soundlessly, his mouth closed so it didn't become a cry. The tears in his eyes were tattle-tale enough. He absently played with Olivia's dark locks. Olivia turned to look at him, eyes soft and happy. She leaned against his hand. Dave realized what he was doing, got self-conscious and pulled back. With downcast eyes, Liv turned back to the room and took in the other faces. A couple of looks exchanged suggested that most had caught what had just passed. Dave tried to process what just happened by staring off through a blank spot on the wall. It wasn't terribly helpful, once he recalled the picture that hung there just a few weeks before. Then Lupie cleared her throat. Dave fixed his eyes on her. He was never particularly perceptive of the looks on people's faces, but this time it seemed pretty clear. She stared at him with a stern look, then shifted her eyes to Liv and back to him. He looked to Jan, who just nodded. "Maybe someone else can share a family background story." Dave temporized. A few pensive looks passed. A tight smile grew on Jan's face. "My aunt Carolyn." She paused for a second. "My dad's sister. They were half-Korean, half European. Aunt Carolyn took more after the European side of the heritage, especially in the kitchen. She made an awesome meatloaf." She chuckled and looked over at Dave and Becca. "She would have loved that meatloaf cupcake." Her eyes watered at the bottom edge. "Visiting her was a way to encounter the white half of my ancestry. She had prints from famous artists. Classic books. If I was there on a Saturday night, she'd serve cheese and crackers, sometimes with a little sausage. As I got older, she'd let me have a small glass of wine as well." Jan took a light breath. "She played some classical music, but mostly it was Michael Bolton and Kenny G. Maybe some Cranberries and Matchbox Twenty when she felt wild. I haven't heard from her in over a month. And she has asthma." Jan trailed off into silence and the room observed it with her. Lupie reached out a hand to Jan's shoulder. She in turn, put her own hand on top of Lupie's. She turned her head and smiled. With a small nod, she turned away again, staring at the floor. Both hands dropped away. After a reasonable silence, Becca spoke. "When I was thirteen, my cousin Kimberly, who was sixteen, offered to pierce my ears for me." Half the women groaned. Dave sat silently, suspecting this wouldn't end well. "She got a large sewing needle, a bottle of rum, a small bowl, and a pair of my mom's stud earrings." "Rum?" Jan asked. Becca rolled her eyes. "Yeah," she said with a sigh, "she said she had to soak the needle in alcohol before using it." A variety of gasps, groans and sighs walked around the room. Dave's sympathetic grimace did less than his hand patting her knee to communicate his support. "Oh, but it gets worse. Wrong kind of alcohol at too low concentration, plus lots of sugar are only enablers. She cleaned my earlobes thoroughly with antimicrobial soap, so maybe that was the one thing she did almost right. But she didn't clean her own hands. And when she stuck the needle through; which hurt like hell; she stabbed her finger." Multiple hands struck foreheads or mouths. "Oh yeah. So we're both bleeding like stuck pigs, and crying. She's freaking out because 'the blood is mixing'. I never figured out what that meant. We bandage each other up the best we could, hide all the stuff from our parents and then hide ourselves. Three days later I have a raging infection in one earlobe and have to go to the doctor AND admit to my mom what happened." Becca paused, shaking her head. "Chewed my ass out. The doctor said because of the infection, I had to wait at least six months to get piercings. Mom added another six as punishment. She did take me to get professional piercings one year to the day after the doctor's visit though." Becca's eyes watered. Dave leaned over and kissed her cheek as a single tear slid down her face. Dave noticed Melanie getting increasingly fidgety. He thought he first noticed something during Becca's tale about his workouts. Maybe when the stories ran out, he'd have his head right. It wasn't fair to her to make her wait too long for imprinting. Or Liv. God, he really needed to get his head around this. He loved Olivia, he truly did. He was just so used to it being a non-sexual, non-romantic relationship. He'd looked on her as nearly a daughter for, well, for her whole life. But she wasn't his daughter. And she loved him. That was so clear in her eyes, every time she looked at him. Not just today, but thinking back over the years. It's crazy to think he could hurt this person he cared so deeply for, by not having sex with her. Fuck, it was Kim Dawson all over again. Shawna sat placidly, attentive as others told their stories. As the room lay silent again for a time, she took her turn. "I once caught my brother coming out of the shower with his girlfriend." Grins and giggles passed around the room. "Mind you, this is after my mother had chewed me out for getting frisky with, um, my best friend in my room." "Oh" several said in unison. "We were experimenting," she said, shrugging her shoulders. "It was my first Thanksgiving Break home from college. We were just friends, with nothing going on physical, since sixth grade. We were both single at the time, but we'd each had boyfriends, and each had sex before. We just thought we'd try out the other flavor. Who better to try that with than your ride or die?" She grinned. "Mom walked in when we had our shirts loose and hands inside each other's bras. Mom got all pissy about it and made some comment along the lines of 'Darian would never disrespect me by having sex under my roof.' Yeah sure Mom." Shawna rolled her eyes. "The bathroom smelled of" she looked straight at Becca, "pussy, so they'd been going at it in there. Mom wasn't home, so the obvious sounds of continuing humping came from his room almost immediately." "Hell of it is, she was this tiny little thing. Barely five foot tall and a nothing waist. And since I'd seen Darian stumbling around out of the bathroom when we both had midnight potty urges, well, he wasn't great at covering up when he's drowsy, and in his case, the stereotype is true. I don't know how he'd didn't break her in half." "After she left, I confronted him with Mom's comment. Now Darian ain't scared of shit; not a machismo thing, he uses his brain; but Momma. She's a foot shorter and at least a hundred pounds less muscle but that boy will cringe and genuflect if Momma is mad. He starts bargaining with me. Of course, he can't offer money since he's just getting his feet under him. He had plans, and he did eventually move out, but he was scrimping and saving so paying me money to shut up would have crippled him." We all hung there, waiting. "Well, Darian had been incredibly protective of me growing up. He over did it, by a lot. So my price for silence was for him to set me up with a friend of his that I had always wanted to date, but Darian kept getting in the way." She paused for a minute. "You know how you really want something, and imagine what it would be like to get it? And then you do, and ugh. Darian meant to protect me against a guy getting handsy. In this case he was protecting me from getting bored. The guy was about as much fun as a wet paper towel. I gave him a handshake at my door when he dropped me off." All the ladies shook their heads in commiseration. Dave closed his eyes and kept his mouth shut. Becca however, didn't. "Dave, how many of your dates ended in handshakes?" "None, from now on," he said flatly. "You got that right." Shawna said. Jan just shrugged and nodded. Becca and Liv hugged him tightly. Mel rubbed a hand against his back. Lupie sat still with an enigmatic grin. Dave knew there were thoughts churning behind those dark chocolate eyes. While he wondered what those thoughts were, he had a thought of his own. Maybe it was what she was thinking, maybe not. Here he was, sleeping with four women, two more about to be added to their ranks, and he hadn't taken a single one of them on so much as one date. That couldn't stand. Granted, movies and restaurant dinners were out. But they had two backyards to have a picnic meal in. The parks were open too. Maybe the Botanical gardens? He'd need to talk with each one, find out what they wanted, and find a way to make it happen. "Well Becca already told a story for me," Lupie said, breaking the silence. Becca blushed and chuckled. "So Melanie, what can you share with the family?" "I was orphaned so early, I don't really remember my parents. Just a few fuzzy images. I bounced from one foster home to another. One time I got to stay in the same place for two years. Usually it was more like eight to ten months. The social workers tried to at least let me stay in one school for a full year. Some of them anyway." "I don't have any horror stories about it. Other kids I fostered with told me about other homes they've been in, and some of those were bad. So I don't want to suggest it doesn't happen, it just never happened to me. The worst for me was not being connected to anyone for long. Honestly, living with Olivia is the longest I've shared a place with anyone. And she brought me home on holidays." Her face darkened. "Carter and Janelle were nice to me." Then she laughed. "I think Carter suspected I was Liv's lesbian lover though." "Oh my god." Liv rolled her eyes and brought a hand to her forehead, covering her eyes. Only Dave noticed Jan wincing at the hated phrase. Then Mel's face went blank, trying to hold back the intense emotions. "You're the closest I've ever had to a sister." The two college girls hugged. After a brief pause, Dave chimed in. "Now that is a tough life, having Olivia as your sister." Melanie laughed. Olivia turned and punched him in the shoulder, with a tight smile on her face. Laughing and rolling with the punch, Dave couldn't help but notice the way her large tits jiggled with the turn and the force of her punch. When she leaned against him, he found himself wishing her neckline was cut lower. The thought was surprising, and conducive to future events, but still slightly disconcerting. Before he could get too lost in his head, Jan spoke up. "So, how about a story about young Olivia?" she asked. Liv groaned. Dave grinned. "Okay, so we've mentioned before she hunts, hikes, does all kinds of outdoors She-Ra stuff." Liv glared up at him. She adjusted her head so the backs of her round silver stud earrings wouldn't poke her head. Mel rubbed Liv's back reassuringly. "You may have noticed that fishing was not mentioned in that list." "Oh God, no." Liv covered her face with her hands. The grins on every face in the room showed realization dawning in each of the other minds present. "So, Carter and I took Eddie and Liv fishing. Carter preferred drift catfishing, so we'd get out on the lake very early, usually by three am, four if we were running late. We had a small casting net we'd use in the shallows to catch bait fish. Then Carter would take the boat to a point up current from where he suspected the cats would be, and we'd drift across with our hooks in the water. Well, the bait fish had to be cut into two or three pieces to be useful. Olivia objected. But not to cutting the fish. To holding them. She squealed every time we put one in her hands. She loved casting the net and hauling it in. she liked fighting the fish on the rod, put touch one with her hands? Oh, no, not happening." Olivia buried her head in his chest and glared upward. "Oh, did I mention her fishing rod and tackle box were Barbie themed?" A series of giggles followed that assertion. "Don't talk about that!" "But you were cute!" "Shit like that is why you keep seeing me as a little girl for you to protect and raise instead of a woman you could sleep with." Olivia humphed. "Beginning to think the only way to change your mind is to sit here topless. I wait like that long enough and your cock might start taking charge." She accented her words by puffing out her generous chest and turning partially towards Dave. "You go girl," Shawna laughed. "How about some big titty solidarity?" She unbuttoned two buttons on her blouse. Jan joined in the laughter while Lupie shook her head, smiling. Becca stared a chant of 'Do it!' quickly joined by Mel. They both shook their chests in time with the chant. "No." Dave said, staring at Liv with no hint of a smile. He swatted Becca on the knee. "Hmm, what do I need to do to get a spanking Daddy?" Melanie purred. "Do not start that shit." Dave tried to be stern this time but didn't quite manage it. "Speaking of getting something started, I'm getting kinda itchy here. I don't know if either of you are in the mood yet, but this serum is starting to eat at me." Liv and Mel exchanged looks. "I don't want to jump the line on banging your dream guy, but please girl, let's get this started. If you don't go, I will." "Sexier words were never spoken," Dave noted dryly. That got Liv laughing. Dave stood. "Do you two want to do this one at a time, or side-by-side?" "One at a time," Mel stated emphatically. "After walking in on you masturbating once, I don't need to see that pussy again." Liv groaned and turned her head to the ceiling. Then Mel turned to Lupie "hashtag justiceforLupie." She grinned. Lupie just rolled her eyes while Becca laughed. Jan laughed, but reached out a hand to Lupie's shoulder. Dave took Olivia's hand and turned to the stairs. She interlocked her fingers with his and walked beside him with her head against his shoulder. They stayed like that until they reached the bed. Dave turned to face Olivia, placing his hands on her shoulders. She looked into his eyes, hungry, pleading. Dave took a deep, shuddering breath and pushed aside the thoughts of the little girl that kissed him on the check at bedtime as he tucked her into bed. He stared into Olivia's eyes, focusing on the woman in front of him, as she is now, wanting to be with him. She loved him. had for a long time. She had been dedicated to the idea of being with him for life, for longer than, well, any woman in his past or present. The reality of that finally washed over him. His love for her did not need to end or change, merely grow. He had always been hers. Dave pulled Olivia into him and kissed her with passion. Olivia moaned into the kiss. Dave felt her hot tears as their cheeks brushed. He pulled back, their faces parted but close. "I love you Olivia Barnes, always and forever." A heart-rending sob burst from her as her dearest dream manifested. She jumped into his arms, wrapping her legs around his waist, and kissing him fiercely, their tongues dancing. Dave slowly walked them to the edge of the bed and sat her down. Mostly. Olivia was not letting go. Dave tugged at the bottom of her blouse and lifted. Olivia broke the kiss and raised her arms, her legs still clutching him tightly. Dave paused removing her shirt when her lips were exposed, but her eyes still covered. He moved in for a kiss. He felt her grin as their lips moved in unison. Olivia then grabbed Dave's shirt as he finished removing hers. Dave moved to her jeans and quickly removed those as She reached for his waist band. Olivia grasped his pants and boxers as one and removed them. Dave, standing, naked and half-erect. Olivia, seated on the edge of the bed, in a lacy white bra and matching panties. They drank each other in. She looked up at him. "Well, part of you is getting interested," she smirked. "You get all of me, Olivia, just as you always have. I'll show you my love every day. It will just manifest in a few new ways from now on." Olivia scooted up the bed as Dave crawled up, aligning himself over her, kissing as they moved. Dave's hands wandered along her thighs and sides. Olivia's fingers coursed lazily along his back. "Just one request." She gave him an impish look. "When you go get Mel to bring her up here, leave my legs spread so the first thing she sees when she walks in is my pussy." "You're rotten ya know that? I have to live with her too ya know." "She'll laugh. It's just roommate hijinks." Dave returned to kissing Olivia. He moved his lips lower, down her neck, to her collarbone, and then the slopes of her tits. He slipped his hands underneath her, unclasping her bra. Gingerly, he removed it. Olivia's large tits, no longer supported by a bra, formed two delicious lumps on her chest, that looked like they were about to slide off her chest. Olivia's eyes glistened, radiating joy as Dave took her tits in his hands and began kissing them. She moaned as he ministered to her bosom with his mouth. When he took one nipple in his mouth and suckled, she gasped. "Oh, David, Yes!" Pleasure and unbridled joy left her breathing ragged, her mind awash in bliss. His hands remained at her tit, massaging gently, easing her higher with delicate caresses. His mouth proceed lower, kissing her ribs. Her abdomen. Kissing and licking her belly button. She giggled and twisted her torso. Dave brought his hands down to Olivia's hips. He grasped her panties and pulled them down to her ankles, raising himself and her legs up. He tossed them aside and brought his face to kiss the crease of her pelvis and her hip. She shuddered. Her arousal scented the room. Her lovely light brown vulva filled his vision as he breathed softly across her bare essence. The hairs of the small landing strip on her mons tousled in the artificial breeze. She lifted her head to look at him. "David;” she pleaded. He grinned. He locked eyes with her and closed his mouth around her lower lips and began to suckle. Her body arched and she sucked in a breath. His tongue played across her sopping wet slit. He tasted her juices. He nibbled her flowering inner lips. He slipped his tongue into her entrance. "Oh God David Yes! Oh please put it in me." Olivia whimpered. "Darling, you've wanted this night for a long time. I intend to make it worthwhile." "You are enough David, that's al; Ah" she cried out as he took her clitoris in his mouth and suckled. He slid one finger gently inside, massaging her tunnel. Every stroke drew her natural lubricant in greater volume than the last. He inserted as second finger and she moaned, writhing, hips bucking. He released her button and withdrew his fingers. She eased her motions. Dave crawled up her body, a victorious and hungry grin on his face. She beamed, breathing heavily. He caressed and kissed her tits briefly as he moved up. Finally hovering over her, face to face, bodies aligned, his erection resting between them, Dave kissed her once again. She clutched him and returned the kiss. Dave maneuvered his member with his hips, aligning with her fully relaxed and open entrance. He pushed in gently, a small distance just to lodge the tip of his helmet in her. The precum coating his cockhead set off a body-rocking orgasm that stole her breath. When her eyes re-opened, Dave drove himself into her, full length, in one smooth stroke. Her eyes glowed with joy. He began moving himself in and out of her. Slowly at first. Always firmly, gently. Staring into her eyes as he worked them both to ecstasy. He picked up his pace. She began rocking her hips with his. Soon they were pounding into each other, breathing raggedly, eyes still locked, her hands braced behind his shoulders until their passion pushed him over the brink, firing rope after rope of hot cum into her waiting vagina. The effect on Olivia was immediate. A primal scream of pleasure burst from her lips as her body convulsed like a marionette in the hands of an angry child. And then she fell to the bed, limp. "Imprinting,; imprinting,; imprinting, ;” Dave kissed her forehead and extracted himself from her body. He crawled off the bed and left to clean himself in the bathroom. He returned with a damp washcloth to clean her. After dressing in loose shorts and a shirt, he arranged her as she'd requested and left the room shaking his head. Melanie met him at the bottom of the stairs with a passionate kiss and a tight hug. "You need a minute or two?" "Yeah, let me get a drink and I should be fine." He returned the kiss, then slipped from her arms to search out some juice from the fridge. "Oh, I thought you meant you needed a little something to steel yourself for doing me." "Please." Dave guzzled half the glass. "One, you are hot. Two," he blushed a bit, "I have a thing for redheads." Melanie smiled. "Oh yeah?" "Hell, if you had freckles, I'd kiss each one of them." That made her blush. After Dave finished off a second glass of juice, he and Melanie headed upstairs, pursued by catcalls and wolf whistles. Esme, who'd been invited into the living room after Dave and Olivia had gone upstairs, just laughed at the shenanigans. Opening the door, Melanie exclaimed, "Oh my god, you left; " she pursed her lips. "No, she put you up to this didn't she?" Dave chuckled and grabbed a light blanket. "No," Melanie said, "save that to cover us both when you finish with me." She cupped her hand under one of Liv's shapely thighs and brought the leg over the other, giving her friend a bit of modesty she hadn't asked for. Dave noticed that her hand seemed to linger just a bit on Liv's thigh. It certainly looked like Mel gave her rump a light squeeze. Maybe he just imagined it. She turned to face him. "Reading between the lines, from everything Liv's told me, you don't think you deserve any of us, do you?" Dave swallowed hard, trying not to react. "I'm going to tell you something harsh and reassuring. You don't. And you know something else? We don't deserve your love either. I learned bouncing around those homes that love isn't earned. It's too valuable to be earned. No one is ever worthy of someone else's love. Body, heart, or mind. Love is a gift. We each give our love to you, by our choice. And you give us your love by your choice. I barely know you and I'm more comfortable being here with you than I've ever been with any man." She paused to let that sink in. "David, just accept that you are a damn good man, and we are all happy to be here with you. Enjoy what we give you. Let us enjoy what you give in return." Dave felt like this beautiful young woman that barely knew him was staring straight into his heart, laying it bare and spearing it with the cruelest weapon; hope. He stretched out his hand tentatively, reaching for the sash holding her blouse closed. She looked down briefly, seeing his hand. She immediately looked into his eyes and gave the smallest nod, and a smile. Dave pulled slowly on the loose tail of the cinch and dropped it. The belt ends fell to her sides and the halves of her blouse hung loosely, exposing the center of her chest and abdomen. Melanie had a belly button piercing. A small chain with two small clear crystals near the top and at the bottom, a butterfly done mostly in silver metal clasping tiny crystals, except for a soft pink pearl serving as the body of the faux insect. "You like? Your profile said you weren't a fan of body modification, but I was hoping you would be ok with this." "It's cute and sexy and innocent and naughty all at once." Dave smiled. He stepped up to her, sliding his hands into her blouse and around her back. He pulled her into a soft, slow kiss. They explored each other that way for a few minutes. Dave brought his hands up to her tits, cupping them and kneading them through her black satin bra. Melanie sucked in a breath and hummed. She broke the kiss and drew his attention with her eyes. "The others told me how you like to take your time, maximize a woman's pleasure. I am super fucking horny right know. You can take me to the heights later, we have forever for that. Right now I just need to pound your stake into me and lay claim to my body." "What about your heart?" She grinned "Just like they said you would. It's getting there, just takes a bit more time." She shrugged her blouse off and shucked her pants. The panties were also black and satiny. "Come on Davey, fuck my brains out and make me yours." She tossed her bra and panties aside quickly and crawled up the bed, turn over on her back once she was alongside her friend. Dave stripped of his shirt and shorts rapidly and joined her on the bed, pressing his body lightly against hers. His erection sandwiched between their torsos, her medium sized tit and their pointy nipples pressed against his chest. He kissed her again and she hummed. She worked her hips against his and together that got him lodged in her. A few strokes inside her passage caused him to leak out the first drips of precum and she exploded in a howling convulsion, her eyes rolling back, one hand flailing and bashing the insensate Olivia. "Fuck that was good. Give it to me David, give your woman what she needs. Seal your claim." She kissed him fiercely and they both rocked their hips savagely. No sensuality, just raw primal fucking of two hungry bodies. Despite his recent bout with Liv, this carnal frenzy brought Dave to the pinnacle faster than he anticipated and he crashed through, erupting a geyser of cum inside her depths. As the hot load filled her cavity, Melanie wailed in ecstasy, her mind shattered by the biochemical overload. Then she flopped to the bed, repeating the new world's chant of family harmony and togetherness. Chapter 6 – Shenanigans. October 4, 2020. David Belsus awoke to three beautiful young ladies lying beside him, all nude. As yet, none of his partners had elected to sleep in another room. Last night they all emphatically wanted to be near him. No one piled over anyone else. Lupie came to bed in a rich blue camisole with matching high cut panties. Shawna clad herself in a soft pink camisole and pink boy shorts. Jan wore one of Dave's sweatshirts as a baggy night gown, no panties underneath. He'd checked by way slipping his hands under the hem of the shirt to dance along her skin. Finding paradise exposed, he impishly fingered her to heaven as she begged for his cock. She beamed when he finished. She kissed him deeply after he sucked all her juices off his digits. None of the three were in bed at the moment. Shawna was likely on her way to work already. Which meant Jan and Lupie had gotten up with her to talk and share breakfast, or at least coffee. They had developed a morning routine rather quickly. That left Liv and Melanie nude, side by side on his left, and Becca, nude, curled tightly under his right arm, his hand resting just above her hip. She slumbered peacefully, unperturbed by the small motions he made as he took in the morning tableau. Becca's insecurities stemming from the near-abduction at the vax center had faded quickly with the reassurance of imprinting on Dave. What followed in its wake was the desire to be close to the person she'd just started sleeping with, magnified by this being the only person she'd ever slept with, further multiplied by the vaccine-clad certainty this was her person for life. Becca wasn't pushy about it. She knew enough to leave some space for the others to get their 'Dave time' too. In and out of bed. And the others, having experienced a similar phase in life, and happy that, for her, it really would be for a lifetime, accommodated her wherever possible. And then Dave's mind recalled a text conversation. "; Oh god, I just had this thrill run through me at the idea of waking up with you already in me, on top of me." Dave stroked her hip softly, slowly easing his fingers toward the crease where her leg met her pelvis. After several minutes of this, he brought his left hand up to cup her tit, massaging lightly, avoiding the nipple. He wanted to slowly raise her towards wakefulness, and ignite her libido, but he didn't want her awake until after he'd penetrated her. Just as she'd asked. Dave carefully eased himself out of her arms, rotating himself until he was kneeling on the bed, behind her knees and 'under' her butt as Becca lay curled on her left side. Dave leaned in and began kissing along Becca's outer thigh of her top leg while gently stroking the inner thigh of her bottom leg with his right hand. His left hand stroked softly along her side. A quick brush of her lower lips indicated her unconscious arousal, or the serum effects. Either way, Dave rubbed his half-hard cock between her thighs, rubbing against her labia, to get them both ready. He kept kissing her hand and arm while softly playing with her tit. "David?!" Came the scandalized whisper. Lupie and Jan stood, frozen, in the doorway, not believing what they were seeing. "She expressly asked for this, you can even check my text messages." Both ladies looked concerned, but said no more. A few more minutes of play time had Dave fully hard, regaining what he briefly lost with the interruption. Becca was ready as well. Dave seated himself at her entrance and pushed slowly, steadily forward. He was half inside her, leaning over her when Becca's eyes flew open. Wide-eyed, mouth agape, she turned her head and moaned. She writhed against David and clutched his upright arms. When her breath returned, she kissed him hard. She pulled away, winking as she deliberately flexed the muscles of her inner passage. Dave took that as a signal to continue. He steadily worked himself in her. Becca grinned madly, moaning and encouraging him. In a few minutes, both were racing to a peak they reached in tandem. Becca fell limp against the mattress, gasping. Dave steadied himself by resting his ass on his heels. Both dismounted the bed and began searching for clothes. Lupie gave Dave a quick kiss on the cheek and hugged Becca before heading downstairs. Jan stayed to change clothes. Jan viewed Becca with a grin. "Get your jollies little freak?" Becca beamed and blushed. "Umm hmm." "Just razzing you, ya know." "I know. I'm still learning what I like, and that is one of them. You know, the way you get off when a guy has a big; book collection." Her eyes twinkled. She squealed and caught the pillow Jan threw as she joined the laughter. "Oh my god, a naked pillow fight. I knew they were real!" Dave laughed and ducked as both partners chucked pillows at him. Dark brown irises set in almond eyes gazed at Dave from Becca's laptop resting on the folding table Becca had set up in one of the unused bedrooms. Raven black hair framed an oval face of chocolate brown before cascading over shoulders set with remembered power, but a hint of sag. The plain white scoop necked t-shirt stretched into small ripples between her tits. The shirt was mostly opaque, yielding evidence of a white bra of exactly the same tone as the shirt, but nonetheless unable to disguise two ripe, thick nipples making their presence known. As the call began, her small, tight mouth had appeared balanced between the promise of lighting up the room with a smile, or unleashing a verbal tirade that would leave all within earshot cringing. Dave's skeptical, reserved approach was pushing her more towards desperation. "Yes, I have been; unkind to people through all of high school. I thought I was better than a lot of people. I had a group that I hung out with, and we deemed ourselves 'the betters' of everyone else. Becca knows some of what I did, more from hearing about it or seeing it than experiencing it directed at her. I; held back since she helped me study." Reena swallowed before continuing. "I've had all these months to think about life and people and a lot of stuff okay? I'm not proud of my behavior. I was a bitch." Her eyes began to water at the lower edge. "Being isolated, knowing people are dying, finding out from a few friends they only have another day or hour left; " her voice caught. A few tears coursed down her apple cheeks, but she batted them aside quickly. "Do you know what it's like to stop hearing from someone that you thought you'd invite to your wedding, or have your kids play together?" Becca inhaled, about to speak, but Dave stayed her with a gentle touch. It wouldn't do to interrupt when Reena was clearly pouring her heart out. The words she spoke over the next several minutes could be the ones he really needed to hear to make a good decision. "The kids in grades below us stopped answering a long time ago. There's an internet rumor that this thing takes more men than women, and everyone under eighteen, but even the ones over eighteen are hard to find someone that answers, boy or girl." Reena's 'queen of the school' composure was cracking. While that allowed a glimpse at the person behind the mask, it wouldn't do to let her fall apart. Time to say something reassuring, but realistic. "Reena, just tell me about why you want to be here." "Honestly, Becca may be the only friend I have left I the world. And I was never a very good friend to her before. I; I want to do better. I've been thinking a lot about what I should change. Specific things I should stop saying or doing. Remembering to say 'please' when I ask for something instead of expecting compliance because of 'who I am.' Or saying 'thank you' when someone else does something for me. Doing something for someone else just because they need it, even if they never asked." Shaking, Reena paused to collect herself. "Becca has told me about you. I'm not smart like you and her, but I would like to study something past high school. Please, please choose me. I'll; I'll do anything you want." Her voice lowered and her eyes dropped at the last sentence. "There's a lot I still don't know about sex, but I'll learn. I'll be your little; " "Hold up. Kareena, I'm not out to push you to be some kind of play toy. If we are compatible in other ways, we'll figure out the sex part. Why don't you tell me about your hobbies, things you do just because they're fun? May be things you did even if your friends weren't into them." "Well, I do like to read; even though I joined in with the others when we made fun of 'bookworms'." Her eyes were downcast for the end of that sentence but came back up. "Becca mentioned you're a big book lover. But; I don't read; like nonfiction, or high class stuff. I mean, I have red Lord of the Rings, but that took forever. I could only get through like the first three pages of Moby Dick and Tale of Two Cities before passing out though." She still looked scared, so Dave gave her some reassurance. "Yeah, I think I maxed out after the first chapter of each of those. Some people love that style, but for me, it was a snooze fest too. The last two I mean. I love Lord of the Rings. So tell me, what do you like to read?" "Well, there's this series about this guy that keeps monsters in check in the San Francisco area." "Monsters?" Dave tried not to sound dubious. "Well, magical creatures. Fairies, unicorns, vampires, stuff like that. Oh, the author's name is Blake Conrad. It's a lot of fun if you like magic stuff. I have the full collection. Everything that's out so far. The next book was due out already, but the pandemic hit and who knows when they'll publish it now. For all I know, the one that's waiting is the last one. Chances are the author caught this thing and died months ago." Her face darkened again. "Well, if this does work out," Dave said, "You're welcome to bring your complete; Blake Conrad collection with you, and we'll look for similar books, similar titles. I know Terry Pratchett, Neil Gaiman and Ursula K. Le Guin use a lot of magic themes in their works. Sounds like they might be right up your alley." Hearing Dave endorse her reading interest perked Reena up. "You know, I could help the other girls too. I like doing nails. I'm pretty good at it too. I can free hand designs and stuff." "I could see where that could come in handy. So to speak." Dave grimaced at his unintended pun. Becca laughed. Reena just shook her head. "Anyway, I'm sure some of the ladies would appreciate that. I'll stick with natural myself," Dave said with a wink. That got a chuckle out of her. "Look, I'm not expecting you to have everything planned out. You're eighteen. There's still a lot to decide. And speaking of decisions, I'd like you to meet virtually with the other ladies of the house and we'll talk as a family after." "Also, take some time yourself to think this through completely. I know you want to be here so you can be close to someone familiar, but bear in mind, that means being sexually bonded to me, a forty-six year old man, more than twice your age. By the time you were born, I'd finished grad school, got married, had a kid, and divorced." Reena looked pensive but nodded. Dave left her to talk with Becca more. He caught Jan in the library with a notepad, apparently noting possible additions. On his suggestion, she left to join Becca. In the dining room, he found Olivia munching a bowl of cereal. Lupie sat with her. The two were sharing an easy conversation which halted when Dave walked in. He'd seen Lupie's bible on an end table in the living room when he passed through. Liv must have come down to get breakfast while Lupie was conducting a bible study on her own. Not like it was safe yet to go to a church. Especially when so many church goers around here seemed to buy into the 'just a hoax' nonsense. Dave shook his head. Christian Nationalism seem purpose built to destroy conservatism and faith in one fell swoop. Sure had a good shot at it with this damn plague. Dave shook out thoughts of things he couldn't control. Here, now, was one woman that had been interested in him for a few years as she lived next door, and another that had pined for him for; a decade? And both were happy to be bound to him by this weird vaccine, even though it meant sharing him with other women. This world was wonderful and terrifying in the same breath. "Morning, Hermosa," Dave said before kissing Lupie on the lips. She hummed into the brief contact. "Morning, love bug," he said as he greeted Olivia in the same manner. As he pulled away, she slugged his shoulder, smiling scowl pulling her lips tight. Lupie shook her head. "David, I'm with Olivia on this one. Terms of endearment you used when she was a child are not conducive to her feeling she's being accepted as a woman." "I meant it as continuity. She has a lot of love to give. Always has. And I appreciate that." Olivia's scowl relaxed but did not become a smile. Well, not immediately. Lupie raised an eyebrow at him with a gentle smile. Dave realized what he needed was a change of subject. "Becca is upstairs Zooming with a friend of hers from high school. She; would like to join us here." Both ladies smirked. Dave sighed and rolled his eyes. He brought a hand up to his face and rubbed his eyes before leaning into the hand, the elbow of the same arm resting on the table. "Look, it's not like I'm seeking women out. I'm not out pursuing young girls." Olivia shifted in her seat. "I mean; " "I get it Dave. Don't apologize." Her voice was soft, with a hint of iron. "I talked with her for a while. She's apparently been talking with Becca since before the two of you got vaxxed in the first place." He said, looking at Lupie. "And it seems Becca has been telling Reena all about us, especially about vaxxed life with me." "Kareena Agrawal? The one Becca calls 'the Indian Karen'?" Olivia barely managed to contain the mouthful of cereal and milk at Lupie's interjection. Dave held back a laugh. "She seems genuinely heartbroken and lost, Lupie. And she has taken time in isolation to examine her past behavior." Dave paused, looking each of them in the eye. "I'm reserving judgement for now. I think it would be a good idea if each of you took time to talk with her, probably with Becca as host. I ran into Jan already, she's probably up there with her now. All I'm asking is that you get with Becca sometime today to find a time you can Zoom with her and form your own opinion. I may be 'the man of the house'; " Dave bowed his arms out from his sides, leaning side to side with a faux stern look on his face; "but this is too big not to get ya'lls take on it as well." Both women giggled at the display. "Okay, okay, I'll seek Becca out in a few minutes. I'll give Reena a fair hearing, just understand, I've heard enough of her exploits to be a bit wary." "Wouldn't have it any other way, cielo." The warmth of the smile Lupie gave him was enough to power an entire town. It was a few hours past noon when Dave heard voices in the bedroom. He left his office to see if that meant Melanie was up. She'd been out for eighteen hours. Opening the door, he found Becca and Liv sitting on the bed, talking. Mel was nowhere to be seen. "Mel up I take it?" "Yup, been awake for a few minutes. She needed to use the bathroom," Becca informed him. "She'll probably be in there a while." Liv chimed in, just as Mel emerged. She had a huge smile on her face. "Wow, usually a night like last night would leave you crying on the toilet for an hour. And I needed a hazmat suit to go in there afterwards." Mel smirked. She strode over to Dave and gave him a big hug. He recognized the t-shirt she wore, black with a white line drawing of Einstein sticking out his tongue. Recognized, because it was probably the one from his closet. "Looks like I unlocked the special bonus. They did say sometimes a healing process happens during imprinting. How long was I out anyway?" "About eighteen hours," said Liv. "Longest of any of my partners. What's the healing you're talking about?" "I have; had; I B S. I tend to be careful about what I eat, or go ahead and indulge once in a while, knowing I'm going to pay the price in the morning." She turned to face Liv, with her hands on her hips. "And for your information missy, I was somewhat careful last night. The wine was dry, and I only ate a little bit of cheese. And I didn't have any deviled eggs." She grumbled that last sentence. Liv looked at Dave. "She loves deviled eggs, especially made with dill relish instead of sweet, which I've told her was the way you do it. Not that you made last night's, but that does mean the only relish in the house is dill. Problem is, the protein in the whites plus the fat in the yolk and mayo is an issue for her. If it weren't for that, she'd gobble deviled eggs like she's trying to set a world record." Dave chuckled. "As a deviled egg lover, I can testify that that much deviled egg will cause intestinal issues that oughta be against the Geneva Convention, without any medical conditions." The trio giggled. Becca sat bolt upright for a minute. "Hey, weren't there deviled eggs leftover in the fridge?" Mel was already up and moving. "Clear square sandwich container with the see through blue lid!" Mel's happy cackle faded as she sprinted down the stairs. To be continued in part 5, Based on a post by RonanJWilkerson, in 12 parts, for Literotica.

On this episode of the Energy Security Cubed Podcast, Joe and Kelly talk with Shannon Joseph about her recent paper for CGAI "Waiting for Canada to 'Build, Baby, Build'". Discussed in the podcast: - https://www.cgai.ca/pp_waiting_for_canada_to_build_baby_build - https://financialpost.com/opinion/opinion-the-budget-is-done-start-building-baby // Guest Bio: - Shannon Joseph is Chair of Energy for a Secure Future and a Fellow with CGAI // Host Bio: - Kelly Ogle is Managing Director of the Canadian Global Affairs Institute - Joe Calnan is VP Energy and Calgary Operations at the Canadian Global Affairs Institute // Reading recommendation: - "A Tale Of Two Cities", by Charles Dickens: https://www.indigo.ca/en-ca/a-tale-of-two-cities/9780141439600.html // Interview recording Date: December 12, 2025 // Energy Security Cubed is part of the CGAI Podcast Network. Follow the Canadian Global Affairs Institute on Facebook, Twitter (@CAGlobalAffairs), or on LinkedIn. Head over to our website at www.cgai.ca for more commentary. // Produced by Joe Calnan. Music credits to Drew Phillips.

The story of the Messiah's arrival continues with a juxtaposition of two cities (Jerusalem and Bethlehem) and two kings (Herod and Jesus). King Herod desperately tries to hang on to his illegitimate authority as the news of the long-awaited Messianic King spreads through his city like wildfire. As his response to this revelation reveals his insecurity, a faithful response is ironically displayed by pagan astrologers from a Gentile nation, who follow a star to Bethlehem, where they worship the new King of the Jews.

I greet you in Jesus precious name! It is Friday morning, the 12th of December, 2025, and this is your friend, Angus Buchan, with a thought for today. We start in the Book of Leviticus 12:8:”So the priest shall make atonement for her, and she will be clean.' ” What does that mean? “Make atonement” - I looked up the Oxford Dictionary and the literal meaning of the word “atonement” is “reconciliation of God and man.” Father God did it once and for all, for you and for me. He sent His only begotten Son, Jesus Christ, down to earth from heaven as a sacrifice, an ultimate sacrifice for all of our sins.Now that, my dear friend, is real love - Jesus, the ultimate sacrifice for our sin! If you read in Leviticus, you will see that the Israelites had to keep going up to the Temple to offer sacrifices for their sins. They took bulls, they took rams, they took goats, they took turtledoves to pay for their continual sins but eventually it wasn't enough, so Father God sent His own Son to be the ultimate sacrifice for your sin and for my sin. John 15:13 says: ”Greater love has no one than this, than to lay down one's life for his friends.” That is what Jesus did for us. Do you remember that novel written by Charles Dickens, the famous writer? It was called “The Tale of Two Cities, and basically, it is the story of a friend dying for his friend. These were two identical men, and the one went to the guillotine in France in place of his friend, and the famous line in that whole story, that novel, goes like this, ”It is a far, far better thing that I do than I have ever done. It is a far, far better rest that I go to than I have ever known.”I want to say to you today, we too must be prepared to die to self so that Jesus can live through us.Have a wonderful day, God bless you and goodbye.

Tuesday is the 250th anniversary of Jane Austen's birth, so today I spoke to John Mullan, professor of English Literature at UCL, author of What Matters in Jane Austen. John and I talked about how Austen's fiction would have developed if she had not died young, the innovations of Persuasion, wealth inequality in Austen, slavery and theatricals in Mansfield Park, as well as Iris Murdoch, A.S. Byatt, Patricia Beer, the Dunciad, and the Booker Prize. This was an excellent episode. My thanks to John!TranscriptHenry Oliver (00:00)Today, I am talking to John Mullen. John is a professor of English literature at University College London, and he is the author of many splendid books, including How Novels Work and the Artful Dickens. I recommend the Artful Dickens to you all. But today we are talking about Jane Austen because it's going to be her birthday in a couple of days. And John wrote What Matters in Jane Austen, which is another book I recommend to you all. John, welcome.John Mullan (00:51)It's great to be here.Henry Oliver (00:53)What do you think would have happened to Austin's fiction if she had not died young?John Mullan (00:58)Ha ha! I've been waiting all this year to be asked that question from somebody truly perspicacious. ⁓ Because it's a question I often answer even though I'm not asked it, because it's a very interesting one, I think. And also, I think it's a bit, it's answerable a little bit because there was a certain trajectory to her career. I think it's very difficult to imagine what she would have written.John Mullan (01:28)But I think there are two things which are almost certain. The first is that she would have gone on writing and that she would have written a deal more novels. And then even the possibility that there has been in the past of her being overlooked or neglected would have been closed. ⁓ And secondly, and perhaps more significantly for her, I think she would have become well known.in her own lifetime. you know, partly that's because she was already being outed, as it were, you know, of course, as ⁓ you'll know, Henry, you know, she published all the novels that were published in her lifetime were published anonymously. So even people who were who were following her career and who bought a novel like Mansfield Park, which said on the title page by the author of Sense and Sensibility and Pride and Prejudice, they knew they knew.John Mullan (02:26)were getting something by the same author, they wouldn't necessarily have known the author's name and I think that would have become, as it did with other authors who began anonymously, that would have disappeared and she would have become something of a literary celebrity I would suggest and then she would have met other authors and she'd have been invited to some London literary parties in effect and I think that would have been very interesting how that might have changed her writing.John Mullan (02:54)if it would have changed her writing as well as her life. She, like everybody else, would have met Coleridge. ⁓ I think that would have happened. She would have become a name in her own lifetime and that would have meant that her partial disappearance, I think, from sort of public consciousness in the 19th century wouldn't have happened.Henry Oliver (03:17)It's interesting to think, you know, if she had been, depending on how old she would have been, could she have read the Pickwick papers? How would she have reacted to that? Yes. Yeah. Nope.John Mullan (03:24)Ha ha ha ha ha!Yes, she would have been in her 60s, but that's not so old, speaking of somebody in their 60s. ⁓ Yes, it's a very interesting notion, isn't it? I mean, there would have been other things which happened after her premature demise, which she might have responded to. I think particularly there was a terrific fashion for before Dickens came along in the 1830s, there was a terrific fashion in the 1820s for what were called silver fork novels, which were novels of sort of high life of kind of the kind of people who knew Byron, but I mean as fictional characters. And we don't read them anymore, but they were they were quite sort of high quality, glossy products and people loved them. And I'm I like to think she might have reacted to that with her sort of with her disdain, think, her witty disdain for all aristocrats. know, nobody with a title is really any good in her novels, are they? And, you know, the nearest you get is Mr. Darcy, who is an Earl's nephew. And that's more of a problem for him than almost anything else. ⁓ She would surely have responded satirically to that fashion.Henry Oliver (04:28)Hahaha.Yes, and then we might have had a Hazlitt essay about her as well, which would have been all these lost gems. Yes. Are there ways in which persuasion was innovative that Emma was not?John Mullan (04:58)Yes, yes, yes, yes. I know, I know.⁓ gosh, all right, you're homing in on the real tricky ones. Okay, okay. ⁓ That Emma was not. Yes, I think so. I think it took, in its method, it took further what she had done in Emma.Henry Oliver (05:14)Ha ha.This is your exam today,John Mullan (05:36)which is that method of kind of we inhabit the consciousness of a character. And I I think of Jane Austen as a writer who is always reacting to her own last novel, as it were. And I think, you know, probably the Beatles were like that or Mozart was like that. think, you know, great artists often are like that, that at a certain stage, if what they're doing is so different from what everybody else has done before,they stop being influenced by anybody else. They just influence themselves. And so I think after Emma, Jane Austen had this extraordinary ⁓ method she perfected in that novel, this free indirect style of a third-person narration, which is filtered through the consciousness of a character who in Emma's case is self-deludedly wrong about almost everything. And it's...brilliantly tricksy and mischievous and elaborate use of that device which tricks even the reader quite often, certainly the first time reader. And then she got to persuasion and I think she is at least doing something new and different with that method which is there's Anne Elliot. Anne Elliot's a good person. Anne Elliot's judgment is very good. She's the most cultured and cultivated of Jane Austen's heroines. She is, as Jane Austen herself said about Anne Elliot, almost too good for me. And so what she does is she gives her a whole new vein of self-deception, which is the self-deception in the way of a good person who always wants to think things are worse than they are and who always, who, because suspicious of their own desires and motives sort of tamps them down and suppresses them. And we live in this extraordinary mind of this character who's often ignored, she's always overhearing conversations. Almost every dialogue in the novel seems to be something Anne overhears rather than takes part in. And the consciousness of a character whodoesn't want to acknowledge things in themselves which you and I might think were quite natural and reasonable and indeed in our psychotherapeutic age to be expressed from the rooftops. You still fancy this guy? Fine! Admit it to yourself. ⁓ No. So it's not repression actually, exactly. It's a sort of virtuous self-control somehow which I think lots of readers find rather masochistic about her. Henry Oliver (08:38)I find that book interesting because in Sense and Sensibility she's sort of opposed self-command with self-expression, but she doesn't do that in Persuasion. She says, no, no, I'm just going to be the courage of, no, self-command. know, Eleanor becomes the heroine.John Mullan (08:48)Yes. Yes, yes, yes, yes, yes, yes. But with the odd with the odd burst of Mariannes, I was watching the I thought execrable Netflix ⁓ persuasion done about two or three years ago ⁓ with the luminous Dakota Johnson as as you know, as Anne Elliot. You could not believe her bloom had faded one little bit, I think.John Mullan (09:23)And ⁓ I don't know if you saw it, but the modus operandi rather following the lead set by that film, The Favourite, which was set in Queen Anne's reign, but adopted the Demotic English of the 21st century. similarly, this adaptation, much influenced by Fleabag, decided to deal with the challenge of Jane Austen's dialogue by simply not using it, you know, and having her speak in a completely contemporary idiom. But there were just one or two lines, very, very few from the novel, that appeared. And when they appeared, they sort of cried through the screen at you. And one of them, slightly to qualify what you've just said, was a line I'd hardly noticed before. as it was one of the few Austin lines in the programme, in the film, I really noticed it. And it was much more Marianne than Eleanor. And that's when, I don't know if you remember, and Captain Wentworth, they're in Bath. So now they are sort of used to talking to each other. And Louisa Musgrove's done her recovering from injury and gone off and got engaged to Captain Benwick, Captain Benwick. So Wentworth's a free man. And Anne is aware, becoming aware that he may be still interested in her. And there's a card party, an evening party arranged by Sir Walter Elliot. And Captain Wentworth is given an invitation, even though they used to disapprove of him because he's now a naval hero and a rich man. And Captain Wentworth and Anna making slightly awkward conversation. And Captain Wentworth says, you did not used to like cards.I mean, he realizes what he said, because what he said is, remember you eight years ago. I remember we didn't have to do cards. We did snogging and music. That's what we did. But anyway, he did not used to like cards. And he suddenly realizes what a giveaway that is. And he says something like, but then time brings many changes. And she says, she cries out, I am not so much changed.Henry Oliver (11:23)Mm. Mm, yes, yes. Yep.Yes.Cries out, yeah.John Mullan (11:50)It's absolutely electric line and that's not Eleanor is it? That's not an Eleanor-ish line. ⁓ Eleanor would say indeed time evinces such dispositions in most extraordinary ways. She would say some Johnsonian thing wouldn't she? so I don't think it's quite a return to the same territory or the same kind of psychology.Henry Oliver (12:05)That's right. Yes, yes, yeah.No, that's interesting, yeah. One of the things that happens in Persuasion is that you get this impressionistic writing. So a bit like Mrs. Elliot talking while she picks strawberries. When Lady Russell comes into Bath, you get that wonderful scene of the noises and the sounds. Is this a sort of step forward in a way? And you can think of Austen as not an evolutionary missing link as such, but she's sort of halfway between Humphrey Clinker and Mr. Jangle.Is that something that she would have sort of developed?John Mullan (12:49)I think that's quite possible. haven't really thought about it before, but you're right. think there are these, ⁓ there are especially, they're impressionistic ⁓ passages which are tied up with Anne's emotions. And there's an absolutely, I think, short, simple, but extraordinarily original one when she meets him again after eight years. And it says something like, the room was full, full of people. Mary said something and you're in the blur of it. He said all that was right, you know, and she can't hear the words, she can't hear the words and you can't hear the words and you're inside and she's even, you're even sort of looking at the floor because she's looking at the floor and in Anne's sort of consciousness, often slightly fevered despite itself, you do exactly get this sort of, ⁓ for want of a better word, blur of impressions, which is entirely unlike, isn't it, Emma's sort of ⁓ drama of inner thought, which is always assertive, argumentative, perhaps self-correcting sometimes, but nothing if not confidently articulate.John Mullan (14:17)And with Anne, it's a blur of stuff. there is a sort of perhaps a kind of inklings of a stream of consciousness method there.Henry Oliver (14:27)I think so, yeah. Why is it that Flaubert and other writers get all the credit for what Jane Austen invented?John Mullan (14:35)Join my campaign, Henry. It is so vexing. It is vexing. sometimes thought, I sometimes have thought, but perhaps this is a little xenophobic of me, that the reason that Jane Austen is too little appreciated and read in France is because then they would have to admit that Flaubertdidn't do it first, you know. ⁓Henry Oliver (14:40)It's vexing, isn't it?John Mullan (15:04)I mean, I suppose there's an answer from literary history, which is simply for various reasons, ⁓ some of them to do with what became fashionable in literary fiction, as we would now call it. Jane Austen was not very widely read or known in the 19th century. So it wasn't as if, as it were, Tolstoy was reading Jane Austen and saying, this is not up to much. He wasn't. He was reading Elizabeth Gaskell.Jane Eyre ⁓ and tons of Dickens, tons, every single word Dickens published, of course. ⁓ So Jane Austen, know, to cite an example I've just referred to, I Charlotte Bronte knew nothing of Jane Austen until George Henry Lewis, George Eliot's partner, who is carrying the torch for Jane Austen, said, you really should read some. And that's why we have her famous letter saying, it's, you know, it's commonplace and foolish things she said. But so I think the first thing to establish is she was really not very widely read. So it wasn't that people were reading it and not getting it. It was which, you know, I think there's a little bit of that with Dickens. He was very widely read and people because of that almost didn't see how innovative he was, how extraordinarily experimental. It was too weird. But they still loved it as comic or melodramatic fiction. But I think Jane Austen simply wasn't very widely read until the late 19th century. So I don't know if Flaubert read her. I would say almost certainly not. Dickens owned a set of Jane Austen, but that was amongst 350 selecting volumes of the select British novelists. Probably he never read Jane Austen. Tolstoy and you know never did, you know I bet Dostoevsky didn't, any number of great writers didn't.Henry Oliver (17:09)I find it hard to believe that Dickens didn't read her.John Mullan (17:12)Well, I don't actually, I'm afraid, because I mean the one occasion that I know of in his surviving correspondence when she's mentioned is after the publication of Little Dorrit when ⁓ his great bosom friend Forster writes to him and says, Flora Finching, that must be Miss Bates. Yes. You must have been thinking of Miss Bates.John Mullan (17:41)And he didn't write it in a sort of, you plagiarist type way, I he was saying you've varied, it's a variation upon that character and Dickens we wrote back and we have his reply absolutely denying this. Unfortunately his denial doesn't make it clear whether he knew who Miss Bates was but hadn't it been influenced or whether he simply didn't know but what he doesn't… It's the one opportunity where he could have said, well, of course I've read Emma, but that's not my sort of thing. ⁓ of course I delight in Miss Bates, but I had no idea of thinking of her when I... He has every opportunity to say something about Jane Austen and he doesn't say anything about her. He just says, no.Henry Oliver (18:29)But doesn't he elsewhere deny having read Jane Eyre? And that's just like, no one believes you, Charles.John Mullan (18:32)Yes.Well, he may deny it, but he also elsewhere admits to it. Yeah.Henry Oliver (18:39)Okay, but you know, just because he doesn't come out with it.John Mullan (18:43)No, no, it's true, but he wouldn't have been singular and not reading Jane Austen. That's what I'm saying. Yes. So it's possible to ignore her innovativeness simply by not having read her. But I do think, I mean, briefly, that there is another thing as well, which is that really until the late 20th century almost, even though she'd become a wide, hugely famous, hugely widely read and staple of sort of A levels and undergraduate courses author, her real, ⁓ her sort of experiments with form were still very rarely acknowledged. And I mean, it was only really, I think in the sort of almost 1980s, really a lot in my working lifetime that people have started saying the kind of thing you were asking about now but hang on free and direct style no forget flow bear forget Henry James I mean they're terrific but actually this woman who never met an accomplished author in her life who had no literary exchanges with fellow writersShe did it at a little table in a house in Hampshire. Just did it.Henry Oliver (20:14)Was she a Tory or an Enlightenment Liberal or something else?John Mullan (20:19)⁓ well I think the likeliest, if I had to pin my colours to a mast, I think she would be a combination of the two things you said. I think she would have been an enlightenment Tory, as it were. So I think there is some evidence that ⁓ perhaps because also I think she was probably quite reasonably devout Anglican. So there is some evidence that… She might have been conservative with a small C, but I think she was also an enlightenment person. I think she and her, especially her father and at least a couple of her brothers, you know, would have sat around reading 18th century texts and having enlightened discussions and clearly they were, you know, and they had, it's perfect, you know, absolutely hard and fast evidence, for instance, that they would have been that they were sympathetic to the abolition of slavery, that they were ⁓ sceptics about the virtues of monarchical power and clear-eyed about its corruption, that they had no, Jane Austen, as I said at the beginning of this exchange, had no great respect or admiration for the aristocratic ruling class at all. ⁓ So there's aspects of her politics which aren't conservative with a big C anyway, but I think enlightened, think, I mean I, you know, I got into all this because I loved her novels, I've almost found out about her family inadvertently because you meet scary J-Night experts at Jane Austen Society of North America conferences and if you don't know about it, they look at scants. But it is all interesting and I think her family were rather terrific actually, her immediate family. I think they were enlightened, bookish, optimistic, optimistic people who didn't sit around moaning about the state of the country or their own, you know, not having been left enough money in exes will. And...I think that they were in the broadest sense enlightened people by the standard of their times and perhaps by any standards.Henry Oliver (22:42)Is Mansfield Park about slavery?John Mullan (22:45)Not at all, no. I don't think so. I don't think so. And I think, you know, the famous little passage, for it is only a passage in which Edmund and Fanny talk about the fact it's not a direct dialogue. They are having a dialogue about the fact that they had, but Fanny had this conversation or attempt at conversation ⁓ a day or two before. And until relatively recently, nobody much commented on that passage. It doesn't mean they didn't read it or understand it, but now I have not had an interview, a conversation, a dialogue involving Mansfield Park in the last, in living memory, which hasn't mentioned it, because it's so apparently responsive to our priorities, our needs and our interests. And there's nothing wrong with that. But I think it's a it's a parenthetic part of the novel. ⁓ And of course, there was this Edward Said article some decades ago, which became very widely known and widely read. And although I think Edward Said, you know, was a was a wonderful writer in many ways. ⁓I think he just completely misunderstands it ⁓ in a way that's rather strange for a literary critic because he says it sort of represents, you know, author's and a whole society's silence about this issue, the source of wealth for these people in provincial England being the enslavement of people the other side of the Atlantic. But of course, Jane Auster didn't have to put that bit in her novel, if she'd wanted really to remain silent, she wouldn't have put it in, would she? And the conversation is one where Edmund says, know, ⁓ you know, my father would have liked you to continue when you were asking about, yeah, and she says, but there was such terrible silence. And she's referring to the other Bertram siblings who indeed are, of course, heedless, selfish ⁓ young people who certainly will not want to know that their affluence is underwritten by, you know, the employment of slaves on a sugar plantation. But the implication, I think, of that passage is very clearly that Fanny would have, the reader of the time would have been expected to infer that Fanny shares the sympathies that Jane Austen, with her admiration, her love, she says, of Thomas Clarkson. The countries leading abolitionists would have had and that Edmund would also share them. And I think Edmund is saying something rather surprising, which I've always sort of wondered about, which is he's saying, my father would have liked to talk about it more. And what does that mean? Does that mean, my father's actually, he's one of these enlightened ones who's kind of, you know, freeing the slaves or does it mean, my father actually knows how to defend his corner? He would have beenYou know, he doesn't he doesn't feel threatened or worried about discussing it. It's not at all clear where Sir Thomas is in this, but I think it's pretty clear where Edmund and Fanny are.Henry Oliver (26:08)How seriously do you take the idea that we are supposed to disapprove of the family theatricals and that young ladies putting on plays at home is immoral?John Mullan (26:31)Well, I would, mean, perhaps I could quote what two students who were discussing exactly this issue said quite some time ago in a class where a seminar was running on Mansfield Park. And one of the students can't remember their names, I'm afraid. I can't remember their identities, so I'm safe to quote them. ⁓ They're now probably running PR companies or commercial solicitors. And one of them I would say a less perceptive student said, why the big deal about the amateur dramatics? I mean, what's Jane Austen's problem? And there was a pause and another student in the room who I would suggest was a bit more of an alpha student said, really, I'm surprised you asked that. I don't think I've ever read a novel in which I've seen characters behaving so badly as this.And I think that's the answer. The answer isn't that the amateur dramatics themselves are sort of wrong, because of course Jane Austen and her family did them. They indulged in them. ⁓ It's that it gives the opportunity, the license for appalling, mean truly appalling behaviour. I mean, Henry Crawford, you know, to cut to the chase on this, Henry Crawford is seducing a woman in front of her fiance and he enjoys it not just because he enjoys seducing women, that's what he does, but because it's in front of him and he gets an extra kick out of it. You know, he has himself after all already said earlier in the novel, oh, I much prefer an engaged woman, he has said to his sister and Mrs. Grant. Yes, of course he does. So he's doing that. Mariah and Julia are fighting over him. Mr. Rushworth, he's not behaving badly, he's just behaving like a silly arse. Mary Crawford, my goodness, what is she up to? She's up to using the amateur dramatics for her own kind of seductions whilst pretending to be sort of doing it almost unwillingly. I mean, it seems to me an elaborate, beautifully choreographed elaboration of the selfishness, sensuality and hypocrisy of almost everybody involved. And it's not because it's amateur dramatics, but amateur dramatics gives them the chance to behave so badly.Henry Oliver (29:26)Someone told me that Thomas Piketty says that Jane Austen depicts a society in which inequality of wealth is natural and morally justified. Is that true?John Mullan (29:29)Ha⁓Well, again, Thomas Piketty, I wish we had him here for a good old mud wrestle. ⁓ I would say that the problem with his analysis is the coupling of the two adjectives, natural and morally right. I think there is a strong argument that inequality is depicted as natural or at least inevitable, inescapable in Jane Austen's novels.but not morally right, as it were. In fact, not at all morally right. There is a certain, I think you could be exaggerated little and call it almost fatalism about that such inequalities. Do you remember Mr. Knightley says to Emma, in Emma, when he's admonishing her for her, you know, again, a different way, terribly bad behavior.Henry Oliver (30:38)At the picnic.John Mullan (30:39)At the picnic when she's humiliatedMiss Bates really and Mr Knightley says something like if she'd been your equal you know then it wouldn't have been so bad because she could have retaliated she could have come back but she's not and she says and he says something like I won't get the words exactly right but I can get quite close he says sinceher youth, she has sunk. And if she lives much longer, will sink further. And he doesn't say, ⁓ well, we must have a collection to do something about it, or we must have a revolution to do something about it, or if only the government would bring in better pensions, you know, he doesn't, he doesn't sort of rail against it as we feel obliged to. ⁓ He just accepts it as an inevitable part of what happens because of the bad luck of her birth, of the career that her father followed, of the fact that he died too early probably, of the fact that she herself never married and so on. That's the way it is. And Mr Knightley is, I think, a remarkably kind character, he's one of the kindest people in Jane Austen and he's always doing surreptitious kindnesses to people and you know he gives the Bates's stuff, things to eat and so on. He arranges for his carriage to carry them places but he accepts that that is the order of things. ⁓ But I, you know Henry, I don't know what you think, I think reading novels or literature perhaps more generally, but especially novels from the past, is when you're responding to your question to Mr. Piketty's quote, is quite a sort of, can be quite an interesting corrective to our own vanities, I think, because we, I mean, I'm not saying, you know, the poor are always with us, as it were, like Jesus, but... ⁓ You know, we are so ⁓ used to speaking and arguing as if any degree of poverty is in principle politically remediable, you know, and should be. And characters in Jane Austen don't think that way. And I don't think Jane Austen thought that way.Henry Oliver (33:16)Yes, yes. Yeah.The other thing I would say is that ⁓ the people who discuss Jane Austen publicly and write about her are usually middle class or on middle class incomes. And there's a kind of collective blindness to the fact that what we call Miss Bates poverty simply means that she's slipping out of the upper middle class and she will no longer have her maid.⁓ It doesn't actually mean, she'll still be living on a lot more than a factory worker, who at that time would have been living on a lot more than an agricultural worker, and who would have been living on a lot more than someone in what we would think of as destitution, or someone who was necessitous or whatever. So there's a certain extent to which I actually think what Austin is very good at showing is the... ⁓ the dynamics of a newly commercial society. So at the same time that Miss Bates is sinking, ⁓ I forget his name, but the farmer, the nice farmer, Robert Martin, he's rising. And they all, all classes meet at the drapier and class distinctions are slightly blurred by the presence of nice fabric.John Mullan (34:24)Mr. Robert Martin. Henry Oliver (34:37)And if your income comes from turnips, that's fine. You can have the same material that Emma has. And Jane Austen knows that she lives in this world of buttons and bonnets and muslins and all these new ⁓ imports and innovations. And, you know, I think Persuasion is a very good novel. ⁓ to say to Piketty, well, there's nothing natural about wealth inequality and persuasion. And it's not Miss Bates who's sinking, it's the baronet. And all these admirals are coming up and he has that very funny line, doesn't he? You're at terrible risk in the Navy that you'd be cut by a man who your father would have cut his father. And so I think actually she's not a Piketty person, but she's very clear-eyed about... quote unquote, what capitalism is doing to wealth inequality. Yeah, yeah.John Mullan (35:26)Yes, she is indeed. Indeed.Clear-eyed, I think, is just the adjective. I mean, I suppose the nearest she gets to a description. Yeah, she writes about the classes that she knows from the inside, as it were. So one could complain, people have complained. She doesn't represent what it's like to be an agricultural worker, even though agricultural labour is going on all around the communities in which her novels are set.And I mean, I think that that's a sort of rather banal objection, but there's no denying it in a way. If you think a novelist has a duty, as it were, to cover the classes and to cover the occupations, then it's not a duty that Jane Austen at all perceived. However, there is quite, there is something like, not a representation of destitution as you get in Dickens.but a representation of something inching towards poverty in Mansfield Park, which is the famous, as if Jane Austen was showing you she could do this sort of thing, which is the whole Portsmouth episode, which describes with a degree of domestic detail she never uses anywhere else in her fiction. When she's with the more affluent people, the living conditions, the food, the sheer disgustingness and tawdryness of life in the lodgings in Portsmouth where the Price family live. And of course, in a way, it's not natural because ⁓ in their particular circumstances, Lieutenant Price is an alcoholic.They've got far too many children. ⁓ He's a useless, sweary-mouthed boozer ⁓ and also had the misfortune to be wounded. ⁓ And she, his wife, Fanny's mother, is a slattern. We get told she's a slattern. And it's not quite clear if that's a word in Fanny's head or if that's Jane Austen's word. And Jane Austen...Fanny even goes so far as to think if Mrs. Norris were in charge here, and Mrs. Norris is as it were, she's the biggest sadist in all Jane Austen's fiction. She's like sort Gestapo guard monquet. If Mrs. Norris were in charge, it wouldn't be so bad here, but it's terrible. And Jane Austen even, know, she describes the color of the milk, doesn't she? The blue moats floating in the milk.She dis- and it's all through Fanny's perception. And Fanny's lived in this rather loveless grand place. And now it's a great sort of, ⁓ it's a coup d'etat. She now makes Fanny yearn for the loveless grand place, you know, because of what you were saying really, Henry, because as I would say, she's such an unsentimental writer, you know, andyou sort of think, you know, there's going to be no temptation for her to say, to show Fanny back in the loving bosom of her family, realising what hollow hearted people those Bertrams are. You know, she even describes the mark, doesn't she, that Mr Price's head, his greasy hair is left on the wall. It's terrific. And it's not destitution, but it's something like a life which must be led by a great sort of rank of British people at the time and Jane Austen can give you that, she can.Henry Oliver (39:26)Yeah, yeah. That's another very Dickensian moment. I'm not going to push this little thesis of mine too far, but the grease on the chair. It's like Mr. Jaggers in his horse hair. Yes. That's right, that's right. ⁓ Virginia Woolf said that Jane Austen is the most difficult novelist to catch in the act of greatness. Is that true?John Mullan (39:34)Yes, yes, yes, it is these details that Dickens would have noticed of course. Yes.Yes.⁓ I think it is so true. think that Virginia Woolf, she was such a true, well, I think she was a wonderful critic, actually, generally. Yeah, I think she was a wonderful critic. you know, when I've had a couple of glasses of Rioja, I've been known to say, to shocked students, ⁓ because you don't drink Rioja with students very often nowadays, but it can happen. ⁓ But she was a greater critic than novelist, you know.Henry Oliver (39:54)Yeah.Best critic of the 20th century. Yes, yes. Yeah. And also greater than Emson and all these people who get the airtime. Yes, yes.John Mullan (40:20)You know.I know, I know, but that's perhaps because she didn't have a theory or an argument, you know, and the Seven Types, I know that's to her credit, but you know, the Seven Types of Ambiguity thing is a very strong sort of argument, even if...Henry Oliver (40:31)Much to her credit.But look, if the last library was on fire and I could only save one of them, I'd let all the other critics in the 20th century burn and I'd take the common reader, wouldn't you?John Mullan (40:47)Okay. Yes, I, well, I think I agree. think she's a wonderful critic and both stringent and open. I mean, it's an extraordinary way, you know, doesn't let anybody get away with anything, but on the other hand is genuinely ready to, to find something new to, to anyway. ⁓ the thing she said about Austin, she said lots of good things about Austin and most of them are good because they're true. And the thing about… Yes, so what I would, I think what she meant was something like this, that amongst the very greatest writers, so I don't know, Shakespeare or Milton or, you know, something like that, you could take almost a line, yes? You can take a line and it's already glowing with sort of radioactive brilliance, know, and ⁓ Jane Austen, the line itself, there are wonderful sentences.)Mr. Bennett was so odd a mixture of quick parts, sarcastic humor, reserve and caprice that the experience of three and 20 years had been insufficient to make his wife understand his character. I mean, that's as good as anything in Hamlet, isn't it? So odd a mixture and there he is, the oddest mixture there's ever been. And you think he must exist, he must exist. But anyway, most lines in Jane Austen probably aren't like that and it's as if in order to ⁓ explain how brilliant she is and this is something you can do when you teach Jane Austen, makes her terrific to teach I think, you can look at any bit and if everybody's read the novel and remembers it you can look at any paragraph or almost any line of dialogue and see how wonderful it is because it will connect to so many other things. But out of context, if you see what I mean, it doesn't always have that glow of significance. And sometimes, you know, the sort of almost most innocuous phrases and lines actually have extraordinary dramatic complexity. but you've got to know what's gone on before, probably what goes on after, who's in the room listening, and so on. And so you can't just catch it, you have to explain it. ⁓ You can't just, as it were, it, as you might quote, you know, a sort of a great line of Wordsworth or something.Henry Oliver (43:49)Even the quotable bits, you know, the bit that gets used to explain free and direct style in Pride and Prejudice where she says ⁓ living in sight of their own warehouses. Even a line like that is just so much better when you've been reading the book and you know who is being ventriloquized.John Mullan (43:59)Well, my favourite one is from Pride and Prejudice is after she's read the letter Mr Darcy gives her explaining what Wickham is really like, really, for truth of their relationship and their history. And she interrogates herself. And then at the end, there's ⁓ a passage which is in a passage of narration, but which is certainly in going through Elizabeth's thoughts. And it ends, she had been blind, partial, prejudiced, absurd. And I just think it's, if you've got to know Elizabeth, you just know that that payoff adjective, absurd, that's the coup de grace. Because of course, finding other people absurd is her occupation. It's what makes her so delightful. And it's what makes us complicit with her.Henry Oliver (44:48)Yeah.That's right.John Mullan (45:05)She sees how ridiculous Sir William Lucas and her sister Mary, all these people, and now she has absurded herself, as it were. So blind partial prejudice, these are all repetitions of the same thought. But only Elizabeth would end the list absurd. I think it's just terrific. But you have to have read the book just to get that. That's a whole sentence.You have to have read the book to get the sentence, don't you?Henry Oliver (45:34)Yep, indeed. ⁓ Do we love Jane Austen too much so that her contemporaries are overshadowed and they're actually these other great writers knocking around at the same time and we don't give them their due? Or is she in fact, you know, the Shakespeare to their Christopher Marlowe or however you want to.John Mullan (45:55)I think she's the Shakespeare to their Thomas Kidd or no even that's the... Yes, okay, I'm afraid that you know there are two contradictory answers to that. Yes, it does lead us to be unfair to her contemporaries certainly because they're so much less good than her. So because they're so much less good than her in a way we're not being unfair. know, I mean... because I have the profession I have, I have read a lot of novels by her immediate predecessors. I mean, people like Fanny Burnie, for instance, and her contemporaries, people like Mariah Edgeworth. And ⁓ if Jane Austen hadn't existed, they would get more airtime, I think, yes? And some of them are both Burnie and Edgeworth, for instance. ⁓ highly intelligent women who had a much more sophisticated sort of intellectual and social life than Jane Austen ⁓ and conversed with men and women of ideas and put some of those ideas in their fiction and they both wrote quite sophisticated novels and they were both more popular than Jane Austen and they both, having them for the sort of carpers and complainers, they've got all sorts of things like Mariah Regworth has some working-class people and they have political stuff in their novels and they have feminist or anti-feminist stuff in their novels and they're much more satisfying to the person who's got an essay to write in a way because they've got the social issues of the day in there a bit, certainly Mariah Regworth a lot. ⁓ So if Jane Austen hadn't come along we would show them I think more, give them more time. However, you know, I don't want to say this in a destructive way, but in a certain way, all that they wrote isn't worth one paragraph of Jane Austen, you know, in a way. So we're not wrong. I suppose the interesting case is the case of a man actually, which is Walter Scott, who sort of does overlap with Jane Austen a bit, you know, and who has published what I can't remember, two, three, even four novels by the time she dies, and I think three, and she's aware of him as a poet and I think beginning to be aware of him as a novelist. And he's the prime example of somebody who was in his own day, but for a long time afterwards, regarded as a great novelist of his day. And he's just gone. He's really, you know, you can get his books in know, Penguin and Oxford classics in the shops. I mean, it's at least in good big book shops. And it's not that he's not available, but it's a very rare person who's read more than one or even read one. I don't know if you read lots of Scott, Henry.Henry Oliver (49:07)Well, I've read some Scott and I quite like it, but I was a reactionary in my youth and I have a little flame for the Jacobite cause deep in my heart. This cannot be said of almost anyone who is alive today. 1745 means nothing to most people. The problem is that he was writing about something that has just been sort of forgotten. And so the novels, know, when Waverly takes the knee in front of the old young old pretender, whichever it is, who cares anymore? you know?John Mullan (49:40)Well, yes, but it can't just be that because he also wrote novels about Elizabeth I and Robin Hood and, you know... ⁓Henry Oliver (49:46)I do think Ivanhoe could be more popular, yeah.John Mullan (49:49)Yeah, so it's not just that this and when he wrote, for instance, when he published Old Mortality, which I think is one of his finest novels, I mean, I've read probably 10 Scott novels at nine or 10, you know, so that's only half or something of his of his output. And I haven't read one for a long time, actually. Sorry, probably seven or eight years. He wrote about some things, which even when he wrote about and published about, readers of the time couldn't have much known or cared about. mean, old mortalities about the Covenant as wars in the borderlands of Scotland in the 17th century. I mean, all those people in London who were buying it, they couldn't give a damn about that. Really, really, they couldn't. I mean, they might have recognized the postures of religious fanaticism that he describes rather well.But even then only rather distantly, I think. So I think it's not quite that. I think it's not so much ignorance now of the particular bits of history he was drawn to. I think it's that in the 19th century, historical fiction had a huge status. And it was widely believed that history was the most dignified topic for fiction and so dignified, it's what made fiction serious. So all 19th century authors had a go at it. Dickens had a go at it a couple of times, didn't he? I think it's no, yes, yes, think even Barnaby Rudge is actually, it's not just a tale of two cities. Yes, a terrific book. But generally speaking, ⁓ most Victorian novelists who did it, ⁓ they are amongst, you know, nobodyHenry Oliver (51:22)Very successfully. ⁓ a great book, great book.John Mullan (51:43)I think reads Trollope's La Vendée, you know, people who love Hardy as I do, do not rush to the trumpet major. it was a genre everybody thought was the big thing, know, war and peace after all. And then it's prestige faded. I mean, it's...returned a little bit in some ways in a sort of Hillary man, Tellish sort of way, but it had a hugely inflated status, I think, in the 19th century and that helped Scott. And Scott did, know, Scott is good at history, he's good at battles, he's terrific at landscapes, you know, the big bow wow strain as he himself described it.Henry Oliver (52:32)Are you up for a sort of quick fire round about other things than Jane Austen?John Mullan (52:43)Yes, sure, try me.Henry Oliver (52:44)Have you used any LLMs and are they good at talking about literature?John Mullan (52:49)I don't even know what an LLM is. What is it? Henry Oliver (52:51)Chat GPT. ⁓ John Mullan (53:17)⁓ God, goodness gracious, it's the work of Satan.Absolutely, I've never used one in my life. And indeed, have colleagues who've used them just to sort of see what it's like so that might help us recognise it if students are using them. And I can't even bring myself to do that, I'm afraid. But we do as a...As a department in my university, we have made some use of them purely in order to give us an idea of what they're like, so to help us sort of...Henry Oliver (53:28)You personally don't feel professionally obliged to see what it can tell you. Okay, no, that's fine. John Mullan (53:32)No, sorry.Henry Oliver (53:33)What was it like being a Booker Prize judge?heady. It was actually rather heady. Everybody talks about how it's such a slog, all those books, which is true. But when you're the Booker Prize judge, at least when I did it, you were treated as if you were somebody who was rather important. And then as you know, and that lasts for about six months. And you're sort of sent around in taxes and give nice meals and that sort of thing. And sort of have to give press conferences when you choose the shortlist. and I'm afraid my vanity was tickled by all that. And then at the moment after you've made the decision, you disappear. And the person who wins becomes important. It's a natural thing, it's good. And you realize you're not important at all.Henry Oliver (54:24)You've been teaching in universities, I think, since the 1990s.John Mullan (54:29)Yes, no earlier I fear, even earlier.Henry Oliver (54:32)What are the big changes? Is the sort of media narrative correct or is it more complicated than that?John Mullan (54:38)Well, it is more complicated, but sometimes things are true even though the Daily Telegraph says they're true, to quote George Orwell. ⁓ you know, I mean, I think in Britain, are you asking about Britain or are you asking more generally? Because I have a much more depressing view of what's happened in America in humanities departments.Henry Oliver (54:45)Well, tell us about Britain, because I think one problem is that the American story becomes the British story in a way. So what's the British story?John Mullan (55:07)Yes, yes, think that's true.Well, I think the British story is that we were in danger of falling in with the American story. The main thing that has happened, that has had a clear effect, was the introduction in a serious way, however long ago it was, 13 years or something, of tuition fees. And that's really, in my department, in my subject, that's had a major change.and it wasn't clear at first, but it's become very clear now. So ⁓ it means that the, as it were, the stance of the teachers to the taught and the taught to the teachers, both of those have changed considerably. Not just in bad ways, that's the thing. It is complicated. So for instance, I mean, you could concentrate on the good side of things, which is, think, I don't know, were you a student of English literature once?Henry Oliver (55:49)Mm-hmm.I was, I was. 2005, long time ago.John Mullan (56:07)Yes. OK.Well, I think that's not that long ago. mean, probably the change is less extreme since your day than it is since my day. But compared to when I was a student, which was the end of the 70s, beginning of the 80s, I was an undergraduate. The degree of sort of professionalism and sobriety, responsibility and diligence amongst English literature academics has improved so much.You know, you generally speaking, literature academics, they are not a load of ⁓ drunken wastrels or sort of predatory seducers or lazy, work shy, ⁓ even if they love their own research, negligent teachers or a lot of the sort of the things which even at the time I recognise as the sort of bad behaviour aspects of some academics. Most of that's just gone. It's just gone. You cannot be like that because you've got everybody's your institution is totally geared up to sort of consumer feedback and and the students, especially if you're not in Oxford or Cambridge, the students are essentially paying your salaries in a very direct way. So there have been improvements actually. ⁓ those improvements were sort of by the advocates of tuition fees, I think, and they weren't completely wrong. However, there have also been some real downsides as well. ⁓ One is simply that the students complain all the time, you know, and in our day we had lots to complain about and we never complained. Now they have much less to complain about and they complain all the time. ⁓ So, and that seems to me to have sort of weakened the relationship of trust that there should be between academics and students. But also I would say more if not optimistically, at least stoically. I've been in this game for a long time and the waves of student fashion and indignation break on the shore and then another one comes along a few years later. And as a sort of manager in my department, because I'm head of my department, I've learned to sort of play the long game.And what everybody's hysterical about one moment, one year, they will have forgotten about two or three years later. So there has been a certain, you know, there was a, you know, what, what, you know, some conservative journalists would call kind of wokery. There has been some of that. But in a way, there's always been waves of that. And the job of academics is sort of to stand up to it. and in a of calm way. Tuition fees have made it more difficult to do that I think.Henry Oliver (59:40)Yeah. Did you know A.S. Byatt? What was she like?John Mullan (59:43)I did.⁓ Well...When you got to know her, you recognized that the rather sort of haughty almost and sometimes condescending apparently, ⁓ intellectual auteur was of course a bit of a front. Well, it wasn't a front, but actually she was quite a vulnerable person, quite a sensitive and easily upset person.I mean that as a sort of compliment, not easily upset in the sense that sort of her vanity, but actually she was quite a humanly sensitive person and quite woundable. And when I sort of got to know that aspect of her, know, unsurprisingly, I found myself liking her very much more and actually not worrying so much about the apparent sort of put downs of some other writers and things and also, you know, one could never have said this while she was alive even though she often talked about it. I think she was absolutely permanently scarred by the death of her son and I think that was a, you know, who was run over when he was what 11 years old or something. He may have been 10, he may have been 12, I've forgotten, but that sort of age. I just think she was I just think she was permanently lacerated by that. And whenever I met her, she always mentioned it somehow, if we were together for any length of time.Henry Oliver (1:01:27)What's your favourite Iris Murdoch novel?John Mullan (1:01:33)I was hoping you were going to say which is the most absurd Aris Murdoch novel. ⁓ No, you're an Aris Murdoch fan, are you? Henry Oliver (1:01:38)Very much so. You don't like her work?John Mullan (1:01:59)Okay. ⁓ no, it's, as you would say, Henry, more complicated than that. I sort of like it and find it absurd. It's true. I've only read, re-read in both cases, two in the last 10 years. And that'sThat's not to my credit. And both times I thought, this is so silly. I reread the C to C and I reread a severed head. And I just found them both so silly. ⁓ I was almost, you know, I almost lost my patience with them. But I should try another. What did I used to like? Did I rather like an accidental man? I fear I did.Did I rather like the bell, which is surely ridiculous. I fear I did. Which one should I like the most?Henry Oliver (1:02:38)I like The Sea, the Sea very much. ⁓ I think The Good Apprentice is a great book. There are these, so after The Sea, the Sea, she moves into her quote unquote late phase and people don't like it, but I do like it. So The Good Apprentice and The Philosopher's Pupil I think are good books, very good books.John Mullan (1:02:40)I've not read that one, I'm afraid. Yes, I stopped at the sea to sea. I, you know, once upon a time, I'm a bit wary of it and my experience of rereading A Severed Head rather confirmed me in my wariness because rereading, if I were to reread Myris Murdoch, I'm essentially returning to my 18 year old self because I read lots of Myris Murdoch when I was 17, 18, 19 and I thought she was deep as anything. and to me she was the deep living British novelist. And I think I wasn't alone ⁓ and I feel a little bit chastened by your advocacy of her because I've also gone along with the ⁓ general readership who've slightly decided to ditch Irish Murdoch. her stock market price has sunk hugely ⁓ since her death. But perhaps that's unfair to her, I don't know. I've gone a bit, I'll try again, because I recently have reread two or three early Margaret Drabble novels and found them excellent, really excellent. And thought, ⁓ actually, I wasn't wrong to like these when I was a teenager. ⁓Henry Oliver (1:04:11)The Millstone is a great book.John Mullan (1:04:22)⁓ yes and actually yes I reread that, I reread the Garrick year, the Millstone's terrific I agree, the the Garrick year is also excellent and Jerusalem the Golden, I reread all three of them and and and thought they were very good. So so you're recommending the Philosopher's Apprentice. I'm yeah I'm conflating yes okay.Henry Oliver (1:04:31)first rate. The Good Apprentice and the Philosopher's Pupil. Yeah, yeah. I do agree with you about A Severed Head. I think that book's crazy. What do you like about Patricia Beer's poetry?John Mullan (1:04:56)⁓ I'm not sure I am a great fan of Patricia Beer's poetry really. I got the job of right, what? Yes, yes, because I was asked to and I said, I've read some of her poetry, but you know, why me? And the editor said, because we can't find anybody else to do it. So that's why I did it. And it's true that I came.Henry Oliver (1:05:02)Well, you wrote her... You wrote her dictionary of national... Yes.John Mullan (1:05:23)I came to quite like it and admire some of it because in order to write the article I read everything she'd ever published. But that was a while ago now, Henry, and I'm not sure it puts me in a position to recommend her.Henry Oliver (1:05:35)Fair enough.Why is the Dunciad the greatest unread poem in English?John Mullan (1:05:41)Is it the greatest unread one? Yes, probably, yes, yes, I think it is. Okay, it's great because, first of all, great, then unread. It's great because, well, Alexander Poet is one of the handful of poetic geniuses ever, in my opinion, in the writing in English. Absolutely genius, top shelf. ⁓Henry Oliver (1:05:46)Well, you said that once, yes.Mm-hmm. Yes, yes, yes. Top shelf, yeah.John Mullan (1:06:09)And even his most accessible poetry, however, is relatively inaccessible to today's readers, sort of needs to be taught, or at least you have to introduce people to. Even the Rape of the Lock, which is a pure delight and the nearest thing to an ABBA song he ever wrote, is pretty scary with its just densely packed elusiveness and...Henry Oliver (1:06:27)YouJohn Mullan (1:06:38)You know, and as an A level examiner once said to me, we don't set Pope for A level because it's full of irony and irony is unfair to candidates. ⁓ Which is true enough. ⁓ So Pope's already difficult. ⁓ Poetry of another age, poetry which all depends on ideas of word choice and as I said, literary allusion and The Dunciad is his most compacted, elusive, dense, complicated and bookish poems of a writer who's already dense and compact and bookish and elusive. And the Dunceyad delights in parodying, as I'm sure you know, all the sort of habits of scholarly emendation and encrustation, which turn what should be easy to approach works of literature into sort of, you know, heaps of pedantic commentary. And he parodies all that with delight. But I mean, that's quite a hard ask, isn't it? And ⁓ yeah, and I just and I think everything about the poem means that it's something you can only ever imagine coming to it through an English literature course, actually. I think it is possible to do that. I came to it through being taught it very well and, you know, through because I was committed for three years to study English literature, but it's almost inconceivable that somebody could just sort of pick it up in a bookshop and think, ⁓ this is rather good fun. I'll buy this.Henry Oliver (1:08:26)Can we end with one quick question about Jane Austen since it's her birthday? A lot of people come to her books later. A lot of people love it when they're young, but a lot of people start to love it in their 20s or 30s. And yet these novels are about being young. What's going on there?John Mullan (1:08:29)Sure, sure.Yes.I fear, no not I fear, I think that what you describe is true of many things, not just Jane Austen. You know, that there's a wonderful passage in J.M. Coetzee's novel Disgrace where the reprehensible protagonist is teaching Wordsworth's Prelude.to a group of 19 and 20 year olds. And he adores it. He's in his mid fifties. And he, whilst he's talking, is thinking different things. And what he's thinking is something that I often think actually about certain works I teach, particularly Jane Austen, which is this book is all about being young, but the young find it tedious. Only the aging.You know, youth is wasted on the young, as it were. Only the aging really get its brilliance about the experience of being young. And I think that's a sort of pattern in quite a lot of literature. So, you know, take Northanger Abbey. That seems to me to be a sort of disly teenage book in a way.It's everything and everybody's in a hurry. Everybody's in a whirl. Catherine's in a whirl all the time. She's 17 years old. And it seems to me a delightfully teenage-like book. And if you've read lots of earlier novels, mostly by women, about girls in their, you know, nice girls in their teens trying to find a husband, you know, you realize that sort ofextraordinary magical gift of sort Jane Austen's speed and sprightliness. You know, somebody said to me recently, ⁓ when Elizabeth Bennet sort of walks, but she doesn't walk, she sort of half runs across the fields. You know, not only is it socially speaking, no heroine before her would have done it, but the sort of the sprightliness with which it's described putsthe sort of ploddingness of all fiction before her to shame. And there's something like that in Northanger Abbey. It's about youthfulness and it takes on some of the qualities of the youthfulness of its heroine. know, her wonderful oscillations between folly and real insight. You know, how much she says this thing. I think to marry for money is wicked. Whoa. And you think,Well, Jane Austen doesn't exactly think that. She doesn't think Charlotte Lucas is wicked, surely. But when Catherine says that, there's something wonderful about it. There is something wonderful. You know, only a 17 year old could say it, but she does. And but I appreciate that now in my 60s. I don't think I appreciated it when I was in my teens.Henry Oliver (1:11:55)That's a lovely place to end. John Mullen, thank you very much.John Mullan (1:11:58)Thanks, it's been a delight, a delight. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

At the end of A Tale of Two Cities by Charles Dickens, a prisoner awaits his execution. In order to save him, a friend switches identities with the condemned man, and give his own life in his place. We all stand guilty before God, and under the sentence of eternal condemnation. But if you trust in Jesus Christ, you can rest assured that He has taken your place, paid the penalty for your sin, and given you eternal life. Listen to these words of assurance from Dr. Barnhouse. To support this ministry financially, visit: https://www.oneplace.com/donate/791/29?v=20251111

"A Tale Of Two Cities” Pastor Daniel Kraft 12.7.25

Rebind combines reading with AI-chat to deepen learning and simulate the experience of conversing with some of the greatest scholars and thinkers. With Rebind, you can read A Tale of Two Cities with Margaret Atwood, Huck Finn with Marlon James, and Candide with Salman Rushdie. John and his team have recently launched the Rebind Study Bible, an interactive way to read, listen, and interpret the Bible with insight from scholars. As we head further into a world augmented by AI tools, Rebind is on the frontlines of embracing AI without destroying the art of deep, contemplative engagement. To give so insight into how Rebind is marrying scholarship with AI tools, I'm thrilled today to have John Kaag on the podcast. For a free 7-day trial, visit this link John Kaag is an American philosopher and chair and professor of philosophy at the University of Massachusetts Lowell. He is co-founder of Rebind Publishing. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rebind combines reading with AI-chat to deepen learning and simulate the experience of conversing with some of the greatest scholars and thinkers. With Rebind, you can read A Tale of Two Cities with Margaret Atwood, Huck Finn with Marlon James, and Candide with Salman Rushdie. John and his team have recently launched the Rebind Study Bible, an interactive way to read, listen, and interpret the Bible with insight from scholars. As we head further into a world augmented by AI tools, Rebind is on the frontlines of embracing AI without destroying the art of deep, contemplative engagement. To give so insight into how Rebind is marrying scholarship with AI tools, I'm thrilled today to have John Kaag on the podcast. For a free 7-day trial, visit this link John Kaag is an American philosopher and chair and professor of philosophy at the University of Massachusetts Lowell. He is co-founder of Rebind Publishing. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rebind combines reading with AI-chat to deepen learning and simulate the experience of conversing with some of the greatest scholars and thinkers. With Rebind, you can read A Tale of Two Cities with Margaret Atwood, Huck Finn with Marlon James, and Candide with Salman Rushdie. John and his team have recently launched the Rebind Study Bible, an interactive way to read, listen, and interpret the Bible with insight from scholars. As we head further into a world augmented by AI tools, Rebind is on the frontlines of embracing AI without destroying the art of deep, contemplative engagement. To give so insight into how Rebind is marrying scholarship with AI tools, I'm thrilled today to have John Kaag on the podcast. For a free 7-day trial, visit this link John Kaag is an American philosopher and chair and professor of philosophy at the University of Massachusetts Lowell. He is co-founder of Rebind Publishing. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Rebind combines reading with AI-chat to deepen learning and simulate the experience of conversing with some of the greatest scholars and thinkers. With Rebind, you can read A Tale of Two Cities with Margaret Atwood, Huck Finn with Marlon James, and Candide with Salman Rushdie. John and his team have recently launched the Rebind Study Bible, an interactive way to read, listen, and interpret the Bible with insight from scholars. As we head further into a world augmented by AI tools, Rebind is on the frontlines of embracing AI without destroying the art of deep, contemplative engagement. To give so insight into how Rebind is marrying scholarship with AI tools, I'm thrilled today to have John Kaag on the podcast. For a free 7-day trial, visit this link John Kaag is an American philosopher and chair and professor of philosophy at the University of Massachusetts Lowell. He is co-founder of Rebind Publishing. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Rebind combines reading with AI-chat to deepen learning and simulate the experience of conversing with some of the greatest scholars and thinkers. With Rebind, you can read A Tale of Two Cities with Margaret Atwood, Huck Finn with Marlon James, and Candide with Salman Rushdie. John and his team have recently launched the Rebind Study Bible, an interactive way to read, listen, and interpret the Bible with insight from scholars. As we head further into a world augmented by AI tools, Rebind is on the frontlines of embracing AI without destroying the art of deep, contemplative engagement. To give so insight into how Rebind is marrying scholarship with AI tools, I'm thrilled today to have John Kaag on the podcast. For a free 7-day trial, visit this link John Kaag is an American philosopher and chair and professor of philosophy at the University of Massachusetts Lowell. He is co-founder of Rebind Publishing. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Rebind combines reading with AI-chat to deepen learning and simulate the experience of conversing with some of the greatest scholars and thinkers. With Rebind, you can read A Tale of Two Cities with Margaret Atwood, Huck Finn with Marlon James, and Candide with Salman Rushdie. John and his team have recently launched the Rebind Study Bible, an interactive way to read, listen, and interpret the Bible with insight from scholars. As we head further into a world augmented by AI tools, Rebind is on the frontlines of embracing AI without destroying the art of deep, contemplative engagement. To give so insight into how Rebind is marrying scholarship with AI tools, I'm thrilled today to have John Kaag on the podcast. For a free 7-day trial, visit this link John Kaag is an American philosopher and chair and professor of philosophy at the University of Massachusetts Lowell. He is co-founder of Rebind Publishing. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebind combines reading with AI-chat to deepen learning and simulate the experience of conversing with some of the greatest scholars and thinkers. With Rebind, you can read A Tale of Two Cities with Margaret Atwood, Huck Finn with Marlon James, and Candide with Salman Rushdie. John and his team have recently launched the Rebind Study Bible, an interactive way to read, listen, and interpret the Bible with insight from scholars. As we head further into a world augmented by AI tools, Rebind is on the frontlines of embracing AI without destroying the art of deep, contemplative engagement. To give so insight into how Rebind is marrying scholarship with AI tools, I'm thrilled today to have John Kaag on the podcast. For a free 7-day trial, visit this link John Kaag is an American philosopher and chair and professor of philosophy at the University of Massachusetts Lowell. He is co-founder of Rebind Publishing. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

Marty talks about the traffic challenges of the day dealing with the first snow of the year in Pittsburgh

"The Characters Of Christmas - Part 1: Zechariah and Elizabeth" Charles Dickens’ well-known novel ‘A Tale of Two Cities’ opens with the following phrase: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair …, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way …” (A Tale of Two Cities, Para.1, Line, 1) Luke‬ ‭1‬:‭5‬-‭25 ESV‬‬ Luke‬ ‭1‬:‭57‬-‭66‬ ‭ESV‬‬ Luke‬ ‭1‬:‭76-‭79‬ ‭ESV‬‬

This Sunday's message, "Cities: A Tale of Two Cities" by Phil, was recorded on Sunday, 30th November 2025.This is the sixth and final message in our series, "The Landscape of the Bible".The Communion Talk by Mahalia has also been included in this podcast.For more information, reach us at www.westcitychurch.com.au© Westcity Church 2025

It was a tale of two cities over consecutive weekends that got this conversation going. Wayne shares about his experience with former 2x2 members in the South, and then he went with Sara to their 50th college reunion at Oral Roberts University. As Wayne processes those experiences with Kyle, they find themselves contrasting performative Christianity to a doctrine or program and a transformational journey that comes from an ever-deepening engagement with God's love. As part of that conversation, they read through Psalm 15 as it describes the company of the just, where God wants to make his presence known. Podcast Notes: The video recording of this podcast The post Performative or Transformational? (#1011) first appeared on The God Journey.

Today on a very special episode of 43Point6…. We talk rocking a deuce around the ladies, The Toronto Maple Leafs have been dookie so far this year and is there ANY hope for this team? The Raptors have NOT been crap this year, MLS new schedule feels poopy - but is it that bad? And the Jets are still dung as we recap Week 11 in the NFL and look ahead to Week 12... All that, our shout outs and much more!! Follow us on all socials @43Point6   Now your Treasures are purveyors of licensed fine art prints for Movies, Comics, TV and Videogames. Sourced from galleries in the US and UK which include artists from all over the world. Visit @nowyourtreasures on Instagram and DM 43.6 for 43% off any order. All orders are shipped with tracking and complementary insurance. View the entire ever expanding inventory at N-O-W-Y-O-U-R-T-R-E-A-S-U-R-E-S.ca or.com

Dimitra Fimi is Professor of Fantasy and Children's Literature at the University of Glasgow and Co-Director of the Centre for Fantasy and the Fantastic. Her Tolkien, Race and Cultural History won the Mythopoeic Scholarship Award for Inklings Studies and she co-edited the critical edition of A Secret Vice: Tolkien on Invented Languages which won the Tolkien Society Award for Best Book. Her Celtic Myth in Contemporary Children's Fantasy won the Mythopoeic Scholarship Award in Myth and Fantasy Studies. Other work includes co-editing Sub-creating Arda: World-building in J.R.R. Tolkien's Work, its Precursors and its Legacies and Imagining the Celtic Past in Modern Fantasy. She has contributed articles for the TLS and The Conversation, and has appeared on numerous radio and TV programs.When the rightly famous and beloved ‘The Great Courses' series decided to offer a Lord of the Rings entry for their catalog of the very best in scholarship for adult-learners, they asked Dimitra Fimi to create ‘The World of J. R. R. Tolkien,' one of their most popular courses and one you can enjoy in an Audible edition.Links Promised in Conversation:A Kind of Elvish Craft: The Dimitra Fimi Substack Site* Miniature Books in Children's Fantasy* Parabasis: A Tribute to Dionysis Stavvopoulos* On Tolkien's Letter 131 (4): “Romance” vs. ScienceDimitra Fimi articles at ‘The Conversation'* After 150 years, we still haven't solved the puzzle of Alice in Wonderland (2015)Kanreki Conversations about Rowling-Galbraith ‘Golden Threads'* Pregnancy Traps in the Works of Rowling-Galbraith* Golden Threads in Rowling-Galbraith (1)* Golden Threads in Rowling-Galbraith (2)* ‘The Lost Child' Golden Thread* Alternative Explanations of ‘The Lost Child' Golden Thread* The Induced Abortion Hypothesis* The July 2025 Kanreki IndexOur Ten Questions for Dr Fimi:1. How does a woman born and raised on the Greek island of Salamis wind up in Cardiff studying Celtic Mythology?2. You're a Tolkien scholar and expert in fantasy and Children's literature. Tolkienistas are legend for looking down their Ent noses at Harry Potter, though there are important exceptions to that rule (the late Stratford Caldecott, his wife Leonie, Amy H. Sturgis, others). How did you meet the Boy Who Lived and what were your first impressions of Rowling as author?3. You have a lot in common with Rowling, no? Tolkien devotee, serious student of mythology, and a wonderful appreciation of the magic of story, especially magical stories for children. The Tolkien influence on Rowling is well documented though she has tried to belittle it, but her use of myths as templates for her stories is less well known but at least as important. What do you make of her admittedly “shameless” borrowing from folk tales and myths?4. I guess this is a segue to the Cormoran Strike books which are awash in myths -- Leda and the Swan, Castor and Pollux, Cupid and Psyche, Artemis and Tisiphone... Am I missing any?5. You've seen Rowling's recent confirmation of the Cupid and Psyche myth in her tweeted painting of ‘Psyche Ascendant.' That suggests we'll see the happy ending of the myth in Strikes 9 and 10. Or does it? What did you see of that myth specifically in Hallmarked Man?6. Running Grave has another embedded text, not a myth per se, one that makes sense in light of Rowling's love of everything the Bronte sisters wrote. Tell us what made you think of Jane Eyre as you were reading Strike 7.7. Rowling did something unusual in 2019, well, among the unusual things she did that year, in inviting readers to interpret her work in light of their ‘Lake' inspiration as well as her intentional ‘Shed' artistry. Writers like Lewis and Tolkien would be aghast at that, though Inkling Studies today necessarily include heavy biographical leanings in almost everything written about those authors. What is your take in general on what Lewis called ‘The Personal Heresy' and about Rowling as a living author inviting that critical perspective while she is still among us?8. It's fascinating, frankly, that you are not so compartmentalized in your reading that Rowling is still a writer you read outside of her fantasy and children's literature. Do you read the Strike-Ellacott stories because you also love a good detective novel or is it your interest in Rowling and whatever she is writing?9. Have you read Christmas Pig? John believes that in fifty years, the Lord tarrying, high school and college students will read Pig as Rowling's representative work the way we had to read Tale of Two Cities or Christmas Carol to be exposed to Dickens.10. John tries to read imaginative fiction through what he calls an “iconological lens,” a method born of his Perennialist beliefs and life as an Orthodox Christian. In what ways do you think your childhood and secondary education gave you a sympathy unusual for multi-valent texts than those born and raised in relatively secular cultures? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

This isn't just a tale of two cities, this is a tale of 10 trivia questions about city nicknames! If you'd like to choose a specific topic or dedicate an episode to a friend send a donation of your choice on Venmo to @NoChitChatTrivia and write the topic you'd like in the comments: https://account.venmo.com/NoChitChatTrivia Our official store is live!  Support the show by grabbing a NCCT shirt, hat, puzzle, or more: https://www.thetop10things.com/store Social Media Links: TikTok, Instagram, FaceBook, YouTube Visit our sister site thetop10things.com for travel and entertainment information! Thank you to everyone who listens!  Say hello or let's collaborate: nochitchattrivia@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Paul Falavolito breaks down A Tale of Two Cities into modern leadership lessons — from redemption and revolution to ego and legacy — showing why real leaders must thrive in both stability and chaos.Host: Paul FalavolitoConnect with me on your favorite platform: Facebook, Twitter, Instagram, TikTok, LinkedIn, Substack, BlueSky, Threads, LinkTreeView my website for free leadership resources and exclusive merchandise: www.paulfalavolito.comBooks by Paul FalavolitoThe 7 Minute Leadership Handbook: bit.ly/48J8zFGThe Leadership Academy: https://bit.ly/4lnT1PfThe 7 Minute Leadership Survival Guide: https://bit.ly/4ij0g8yThe Leader's Book of Secrets: http://bit.ly/4oeGzCI

Even before Zohran Mamdani was elected as New York's first Muslim mayor, his critics frequently cited London as a sort of cautionary tale, suggesting that New York under Mamdani could go “the way of London.” That's because London already has a liberal, Muslim mayor - Sadiq Khan. But is that where the similarities end? We talk to Tim Donovan, a former BBC reporter who covered London politics for decades. And we ask Mr Khan himself what it's like to be a local politician with an international profile - especially when your most persistent critic, is a tenacious man called Donald Trump? Producers: Xandra Ellin, Valerio Esposito and Cat Farnsworth Mix: Travis Evans Senior news editor: China Collins Image: New York City mayor-elect, Zohran Mamdani, waves to his supporters after winning the 2025 New York City Mayoral race. Jeenah Moon / Reuters

The Denver flipping market just proved 2025 was a tale of two cities. Derek Marlin of Elevation watched inventory explode by 8,000 homes in four months while his lower-priced flips struggled and million-dollar properties thrived. This market shift is forcing flippers to adopt aggressive lowball strategies and defensive underwriting for 2026 – or risk getting crushed by competition and margin compression that's already claiming casualties across the Front Range.

11/2/25 Sunday School message

Darrell Castle speaks to the best and worst of times as a good description of our times, today. Transcription / Notes THE BEST AND WORST OF TIMES Hello, this is Darrell Castle with today's Castle Report. This is Friday the 31st day of October in the year of our Lord 2025. Yes, this is Halloween day, a traditional spooky, bad news day, but I have decided to use this spooky day and borrow a bit from the classic novel written by Charles Dickens entitled “A Tale of Two Cities”.  Mr. Dickens opened his novel with “It Was the Best of Times; It Was the Worst of Times” and that is a pretty good description of our times, today. Dickens wrote those words in 1859 as the title and opening of his novel which was set in London and Paris during the French Revolution. “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity.” That sounds so much like today because the more things change the more they stay the same and as we all know technology constantly changes but human nature does not. The setting of Dickens' novel was an age of radical opposites that faced each other much like today, but today they are not cities but political divisions. Here in present-day America, we have opposing forces and contrasting views everywhere you look. In New York City, for example, there seems to be a very good possibility that the people of that once great city will elect a man named Zohran Mamdani as mayor in the upcoming election. The man is often described as a communist as well as an Islamic fundamentalist at the same time. Those two terms are, of course, contradictory because communism was founded and still is based on atheism while Islam is obviously based on a belief in God. He does seem to have some radical ideas based on economic theories which have been failures everywhere they have been tried. He is not the first to suggest that public transportation be free without any corresponding explanation of where he would get the money to pay for it. See folks, nothing government does is ever free because someone always pays and the politicians want the people to give them the authority to decide who they will steal the money from. I suppose that is true democracy whereby the mob is empowered to loot anyone not voting with the majority. Once again it proves the wisdom of the founders who believed in individual rather than collective rights. Just wind the clock back a century or so and you will find the words of Thomas Paine who wrote a revolutionary pamphlet called Common Sense. One article or series of articles in the pamphlet was called The Crises. He began that section with the words, “These Are the Times That Try Men's Souls” and that phrase seems more appropriate today than ever. That phrase is especially true here on Halloween Day as many vitally important things hang in the balance such as NYC and whether that city will ever be great again or whether it will continue its slide into the abyss. So, Mr. Mamdani is an example of the worst of times. The best of times is an amazing contrast whereby the people of Argentina, after decades of socialist experiments, which left that once powerhouse of an economy in a state of collapse decided to change course. What could be more wonderful than the joy of seeing voters reject the allure of socialism for the second time. Argentina's president, Javier Milei, has led his party to a landslide victory in the elections held last Sunday. Radical spending cuts and free-market reforms defined the two years of his presidency and the people of Argentina have endorsed his efforts and decided to continue the road to recovery. That's the very good news from Argentina. The bad news or at least I have decided to see it as bad news is that Donald Trump agreed to extend a $40 billion loan to Argentina which has defaulted three times since the year 2000.

This week on the podcast we discuss fresh polling on public attitudes to UK universities, which shows how a widening graduate/non-graduate divide and sharper political splits are fuelling worries about degree quality and whether universities are focused on the country's interests.Plus we discuss the housing crunch – the new Renters' Rights Act, warnings on missed housebuilding targets, and what a forthcoming statement of expectations on student accommodation could require of providers working with local authorities. And we explore employability insights from new research – the language gap between university “attributes” and real job adverts, and how to recognise skills students gain beyond the curriculum.With Ben Ward, CEO at the University of Manchester Students' Union, Johnny Rich, Chief Executive at the Engineering Professors' Council and Push, Livia Scott, Associate Editor at Wonkhe and presented by Jim Dickinson, Associate Editor at Wonkhe.Student accommodation – a tale of two cities, and 2point4 studentsThe Renters' Rights Act is out of the oven, but the student housing market is still cookedShared Institutions: The public's view on the role of universities in national and local life / More in Common and UCL Policy LabAGCAS: Uncovering SkillsEmployability: degrees of value / Johnny Rich

The Tale Of Two CitiesScripture | Matthew 7:13-23Speaker | Josh HoittSunday Morning Worship

Nigeria, home to more than 234 million people, is a country with a pulse and Lagos beats with ambition, with sound, with traffic, with style. Last week, it was also the beating heart of African innovation as the Nigeria Fintech Week, Nigeria Blockchain & AI Summit and BlockFest took over the city. Nigeria Fintech Week 2025 When the conference organizers invited MeWe to join the program, it wasn't just another speaking slot, it was a chance to meet the digital future face to face. MeWe, as a privacy-focused social network now serving over 20 million users across 200 countries, found itself in a fascinating conversation: one about digital sovereignty, trust, and how social platforms can serve humanity rather than harvest it. From every conversation, it was clear that Nigerians are gearing up to position themselves on the global stage. The conference speakers were more articulate and confident than vast swaths of technology leaders I had met at other conferences. As Wole Soyinka, one of Nigeria's greatest novelists said, "The greatest threat to freedom is the absence of criticism." Reflecting on my time in Lagos means doing exactly that: engaging with the tension between so much promise and persistent challenges. Lagos, City of Hope If there's one word that defines Nigeria, it's hope. It was woven into every sentence, every handshake, every smile. "I hope you enjoy your time in Lagos." "I hope your session goes well." "I hope to try your app." "I hope to visit Ireland someday." Hope is not casual here, it's cultural. It's like an act of resistance. Nigeria's population has nearly tripled since 1982, growing from 80 million to over 232 million in 2024, with 43% under the age of 15. It's a nation where the youth seems restless, connected, and ready to code its own future. But the real story is about education or rather, access to it. The energy in Lagos is unmistakable, but energy without guidance is like a smartphone without signal. Every conversation I had, with students, founders, gamers, developers, circled back to one key issue and that is that education is the key to unlocking any potential in the region. Education is what turns curiosity into code and enthusiasm into execution. And yet, too many brilliant minds are left to teach themselves in isolation without much clear guidance or resources. I shared a few AI courses with a young enthusiast who looked at me as if I'd handed him a passport. Why isn't this knowledge already flowing freely? What can be done to improve the transmission of existing educational resources to the region? A Foreigner Among Futurists Standing on that stage in Lagos, I'll admit that I stuck out like a sore thumb. The conference floor was an ocean of vibrant fabrics and confident expression, and there I was, the most underdressed person in every room. Nigerians dress to impress. They treat the very act of attending a conference as a time to shine, a performance even. Every color choice is a declaration of pride and presence. At first, it was intimidating, feeling like an outsider. But it was also eye-opening. There's an authenticity to Lagos that makes you reconsider how you show up in the world. Here, identity isn't curated for social media, it's played out in daily, physical interactions. That authenticity extends to the youngest attendees too. I met teenage gamers, coders, and even primary school students who showed up to collect their conference bracelet, curiosity in their eyes and eager to learn. One 12-year-old asked me how to build a blockchain-based game. The hunger for knowledge isn't performative. It's a survival instinct. These kids aren't waiting for permission to innovate. They just need someone to show them where the door is. Building for Nigeria, Not Just in Nigeria The most powerful message from Nigeria Fintech Week wasn't about blockchain, AI, or the next unicorn startup. It was this: solve Nigerian problems first. Too many startups, not just in Africa, but everywhere, aim straigh...

On today's show we are talking about the mobility of wealth. Everyone I speak with from NYC is extremely fearful of the change that seems likely in the Mayor's office next month based on early polling results. Many are considering leaving the city. Even those who want to continue to work in the city are moving to nearby cities and states. Some are going to New Jersey. Some are going to Connecticut, others to Pennsylvania.NYC has become a tale of two cities. There is a lot of wealth in Manhattan specifically. There are about 350,000 millionaires concentrated in a small  radius on the island of Manhattan. There are about 120 billionaires in NY. But New York is about more than just a financial capital. It's a city of 8.5M people spread across the five boroughs of Manhattan, Brooklyn, Queens The Bronx, and Staten Island. Last night's mayoral candidate debate pretty much sealed the outcome of the election which is only 19 days away. Frontrunner Zohran Mamdani is an eloquent speaker. He speaks nonsense with conviction, with stories, and with data to back up his nonsense. A great orator can be persuasive. I understand that people who don't understand money think that someone else will pay for their sense of entitlement. Free stuff can be attractive on election day. In the 1970's it was hard to believe that NYC could recover. It seemed doomed to a life of decay, crime, and outright chaos. We have experienced the resurgence of the city, slowly at first under Mayor Ed Koch, then more recently under Mayor Rudi Giuliani and Michael Bloomberg. This podcast is about real estate and real estate investing and not NYC politics. Why are we talking about this? Because businesses are not returning to NYC. Things are going to be ugly in NY for a while. If wealth is leaving NY, the obvious question is where is the wealth going? Where are these people moving? Who will be the biggest beneficiaries of New York's loss?------------**Real Estate Espresso Podcast:** Spotify: [The Real Estate Espresso Podcast](https://open.spotify.com/show/3GvtwRmTq4r3es8cbw8jW0?si=c75ea506a6694ef1)   iTunes: [The Real Estate Espresso Podcast](https://podcasts.apple.com/ca/podcast/the-real-estate-espresso-podcast/id1340482613)   Website: [www.victorjm.com](http://www.victorjm.com)   LinkedIn: [Victor Menasce](http://www.linkedin.com/in/vmenasce)   YouTube: [The Real Estate Espresso Podcast](http://www.youtube.com/@victorjmenasce6734)   Facebook: [www.facebook.com/realestateespresso](http://www.facebook.com/realestateespresso)   Email: [podcast@victorjm.com](mailto:podcast@victorjm.com)  **Y Street Capital:** Website: [www.ystreetcapital.com](http://www.ystreetcapital.com)   Facebook: [www.facebook.com/YStreetCapital](https://www.facebook.com/YStreetCapital)   Instagram: [@ystreetcapital](http://www.instagram.com/ystreetcapital)  

In the final film of Christopher Nolan's Batman Trilogy, The Dark Knight Rises, the main villain Bane watches the city of Gotham devolve into chaos and destruction while he calmly knits. This detail alludes to a character in Charles Dickens' novel A Tale of Two Cities who knits while sentencing people to death. Nolan deploys this subtle hint to cue the audience to read his Batman narrative in light of Dickens' novel. In a similar way, the author of Esther uses careful allusions in order to place the narrative within the wider scope of the Bible. The dialogue, decisions, and dramatic tensions introduced in Esther 3-4 pull on the narrative threads of prior Old Testament books underscore the unchanging and sovereign goodness of God towards his people. This is Understanding Esther.  Check out the rest of our Understanding Series: https://www.fouroaksmidtown.com/teachings

There are two cities revealed in the Book of Revelation.  They are New Jerusalem and Mystery Babylon.

Message from Bobby Warrenburg on October 5, 2025

This week's show is sponsored in part by EPIC-MRA Public Opinion Research MIRS News

This week, Jimmy Kimmel is back on the air, but is anyone happy? Nielsen Ratings Show Notes Kimmel Is Back, But Not Everywhere: How Long Can Nexstar & Sinclair Keep Him Sidelined And What Are ABC's Options? Jimmy Kimmel's Return Draws 6.2 Million Viewers, Ratings Show - The New York Times Jimmy Kimmel Returning to Sinclair Stations as Preemption Ends Jimmy Kimmel Is Back On Nexstar ABC Stations, Ending Affiliate Boycott Disney should shut down ABC and transfer content to streaming, brokerage says | Reuters Disney Tells Streaming Customers It Is Raising Prices In Move Planned Prior To Jimmy Kimmel Controversy Disney shareholders demand reasons for Kimmel suspension | Semafor Warren Buffett's Only TV Station Loses ABC Affiliation as Disney Finds New Miami Partner Jessica Chastain's Apple TV+ Drama ‘The Savant' Postponed Following Charlie Kirk Assassination Jessica Chastain 'not 'aligned' with Apple's decision to delay series about hate groups Why Did Apple Get Cold Feet About ‘The Savant'? - The New York Times Hannah Einbinder Says ‘Hacks' Will End With Season 5: ‘It's Nice Not to Overstay Your Welcome' ‘We Were Liars' Renewed For Season 2 At Amazon 'Summer I Turned Pretty' Movie Set at Amazon Following Series Finale ‘Fourth Wing': Meredith Averill Poised To Become New Showrunner Of Amazon Series Based On Book Netflix Sets Six To Star Opposite Millie Bobby Brown In Rom-Com ‘Just Picture It' Millie Bobby Brown To Play Olympian Kerri Strug In The Gymnastics Pic ‘Perfect' From Gia Coppola With Netflix Circling Hot Package ‘Haunted Hotel' Renewed for Second Season at Netflix ‘Sullivan's Crossing': Jonathan Silverman & Fuad Ahmed Join Marcus Rosner & 2 More In Season 4 'Camp Rock 3' Officially Greenlit for Disney+ and Disney Channel ‘Muppet Show' Revival Special Set at Disney+, Sabrina Carpenter to Guest Star Daredevil: Born Again Officially Greenlit for Season 3, Shooting Starts Next Year - IGN Lucy Liu To Star In & EP New Peacock Crime-Drama Series ‘Superfakes' From Alice Ju Natasha Lyonne & Matt Berry Creating & Starring In Retro Comedy Adventure Series ‘Force & Majeure' For Sky ‘Tulsa King' Renewed For Season 4 With Terence Winter Back As Head Writer & EP; Dave Erickson Departing 'The Morning Show' Renewed for Season 5 at Apple TV+ Giovanni Ribisi To Star Opposite Jon Hamm In MGM+ Series ‘American Hostage' ‘A Tale Of Two Cities' TV Adaptation Starring Kit Harington Coming To MGM+ & BBC What We've Been Doing AEW All Out Being The Elite - YouTube Alien Earth Puzzle Quest: Immortal Edition Star Trek: Strange New Worlds

“The market's telling two different stories.” Eric Metz sees a tug-of-war between discretionary spending and income-dependent spending. He “wouldn't be surprised” by a tech rotation as valuations stretch. Turning to the Fed, he discusses Powell's comments today and what the rate cut path could be from here. He's watching volatility and the VIX closely, calling it an “indication of complacency.”======== Schwab Network ========Empowering every investor and trader, every market day.Options involve risks and are not suitable for all investors. Before trading, read the Options Disclosure Document. http://bit.ly/2v9tH6DSubscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

In this episode, Scott Becker discusses Intel's new investment ties with Nvidia, the branding controversy surrounding Cracker Barrel, and why Intel's trajectory is rising while Cracker Barrel's is trending down.

Pricing, Renovations, and Buyer Psychology with Tania Friedland and Allison Chiaramonte | UrbanDigs Today, Noah and John sit down with Tania Friedland and Allison Chiaramonte from the ATelier Team at Compass, who are ranked among the top 1% of agents nationwide, to get their take on the ever-shifting NYC real estate landscape. With over $1.5 billion in career sales, these powerhouse brokers share insights into low inventory, buyer urgency, off-market trends, and the struggles of moving unrenovated properties. They also open up about the challenges of work-life balance in real estate, particularly as top producers juggling family and high-stakes deals. As usual, we wrap with some honest advice for new agents looking to grow. Tips from the top! ==================================== ✅ Stay Connected With Us:

In this episode, Scott Becker discusses Intel's new investment ties with Nvidia, the branding controversy surrounding Cracker Barrel, and why Intel's trajectory is rising while Cracker Barrel's is trending down.

Sal and BT opened the show by eviscerating the Giants for their abysmal Week 1 performance against the Commanders, calling it a predictable and unwatchable display of offensive ineptitude that puts Brian Daboll and Joe Schoen squarely on the hot seat. The hosts contrasted this with the Jets' "tough but great" loss, highlighting the team's improved discipline and a promising showing from Justin Fields. The conversation also touched on other NFL games, a tribute to the late Davey Johnson, and a fiery rant about Brian Daboll's post-game press conference where he confirmed Russell Wilson as the Week 2 starter, which Sal and BT viewed as another sign of the team's stubborn and delusional leadership.

In the wake of natural disasters, art can serve as a lifeline for communities in urgent need of healing. Today, we're chatting with the curators behind A Tale of Two Cities, a cross-cultural exhibition commemorating the anniversaries of hurricanes Helene in Asheville and Katrina in New Orleans. Our guests include Kenn Kotara, an artist based in Asheville; Jan Gilbert, an artist from New Orleans; and Andrew Rogers, the executive director of the New Orleans Academy of Fine Art (NOAFA), where the exhibition will be held. The discussion centers on the cultural impact and aftermath of both hurricanes on their respective cities. Each guest shares their experiences and insights regarding how art has played a critical role in recovery efforts. Ken Kotara reflects on the Asheville community's resilience, highlighting how local artists have embraced collaboration and creativity to rebuild their cultural identity. Jan Gilbert adds to this narrative by discussing the unique challenges New Orleans artists face, emphasizing their commitment to using their work as a form of healing. Andrew Rogers emphasizes the importance of showcasing the interconnected stories of artists from both cities. He encourages listeners to engage with the arts and support local talent, underscoring the healing power of creativity in the aftermath of adversity.Through a shared platform, A Tale of Two Cities invites artists to reflect on their experiences with climate-related disasters and engage the public in meaningful conversations about hope and recovery. The exhibition emphasizes the importance of protecting and representing vulnerable artists, affirming that art can catalyze healing in communities facing existential challenges. With both physical and virtual showcases, this exhibition aspires to inspire ongoing connections between the two cities, promoting cultural exchange and reinforcing the role of art in building resilient communities.A Tale of Two Cities opens Sept. 13 and runs through Nov. 8, 2025, at NOAFA. For more information, please visit https://www.artsvilleusa.com/a-tale-of-two-cities-curators-panel

We're all familiar with the experience of being tourists, but exiles? No way. And yet, we are told in multiple places in the Bible to think of ourselves as exiles here on earth, because this is not our true home. In this week's message from Revelation 14–18, Pastor J.D. shows us the value of living as exiles in a place that frequently seems alluring but will ultimately pass away. What we are meant to do is fix our eyes on the heavenly city, the one with true, lasting foundations. That, after all, is our eternal home.

*NOTE: We recorded this podcast before the Dallas Cowboys traded Micah Parsons to the Green Bay Packers. But do not fret Football Americans! Shek provided his immediate reactions to the trade on our YouTube. -Newsman Bradley Best of times, worst of times? Beats the Dickens out of me what that one tale of two cities was about…but where Pittsburgh and Cleveland are concerned, I'm not sure who's better or worse… at least at sports' most important position. Now listen, I'm not insane. The Steelers will be better than the Browns this year--and of course we can laugh at the Browns. Oh my yes, we'll laugh at the Browns, that is my solemn vow. But whatever you think Cleveland's one step forward, 23-yards sack approach, at least they tried to solve the QB spot. As it happens, the two halves of pro pigskin's rusty yinz n yang are in the same spot, starting one-yr rentals both on the wrong side of 40…and that's not a real solution, especially if the goal is going the Super bowl. You think Aaron Rodgers is the missing link for a Lombardi run? the guy whose one and only trip was 15 years ago…against you? By that logic, maybe the Niners shoulda signed their SB43 conquerer Joe Flacco. I'm pretty sure the Steelers braintrust didn't see Sinners…because if they had, they'd know you don't invite in the guy who wants to suck the culture outta you and make it his own. Sorry if that's upsetting, but do keep in mind, yinz have merely adopted the darkness. I was born into it. Back in October of 2010, I said Rodgers would go down as the greatest QB in history. I still say he's the most talented. Or at least, he was. Now though, chasing the self-proclaimed private man who makes documentaries about himself isn't a sincere effort to go the Super bowl. It's about Rodgers and Tomlin's mutually beneficial hope they find redemption and reclaim professional dignity with A playoff win. There's a good reason why that story sounds familiar - it's the same script Tomlin tried with Russell Wilson last year. And that low standard is quite, Brownsie? Of course this didn't have to happen. At the draft they knew they needed a long term answer at QB…but took a D-tackle. And now, if Jaxson Dart is good, that's bad, and if Justin Fields beats Aaron Rodgers in Week One, well, it's gonna get just plain ugly. A-listers like Rodgers might get ink, but summer blockbusters fall in the NFL's offseason. The award winners don't come out til Autumn… and if you can't beat Patrick Mahomet, Lamar Jackson or Josh Allen in January. No matter which rust belt city you're in... there's no point to these fireworks. (And that reminds me, one last note to file away for next summer, Najee Harris - fireworks go in the sky, not your eye.) Let it begin! Ryan Clark joins the show to talk about Aaron Rodgers, cold shoulders and why Mike Tomlin never lost them a game. The Super Fuentes Brothers have the con in Miami. They're gonna help me with some fantasy decisions as the Angel & Devil on my shoulder. Newsman Bradley is in NYC with the black and white news. Also, big shoutout to my guy Tony in Encino, CA, who told me at soccer practice the other day he's a Football American! Be a patriot, subscribe! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dominic speaks to the award-winning composer Jeff Wayne about Two Cities (his Musical adaptation of A Tale of Two Cities) that opened at the Palace Theatre, in London's West End, on 27th February 1969Despite a run of just 44 performances, Two Cities was Nominated for Best Musical at the Evening Standard Awards - with its star Edward Woodward also winning the Best Male Performance for a Musical category for his portrayal of Sydney Carton. Audiences and critics alike also praised Elizabeth Power's performance as Lucie Manette ...All musical excerpts in this episode from "Two Cities" & "The War of the Worlds" have been used with permission from Jeff Wayne Music Group Ltd Support the showIf you'd like to make a donation to support the costs of producing this series you can buy 'coffees' right here https://www.buymeacoffee.com/dominicgerrardThank you so much!Host: Dominic GerrardSeries Artwork: Léna GibertOriginal Music: Dominic GerrardThank you for listening!

In this week's episode of The Life of a Bon Vivant, Beeta dives into the cultural contrast between grocery shopping in California and Paris. Through a candid reflection sparked by a simple trip to Whole Foods, she explores how shopping habits reveal deeper values around lifestyle, intention, and pace. From the fast, efficient supermarket runs in the U.S. to the leisurely, intentional market strolls in France, Beeta shares how both experiences have shaped her mindset, and how we can blend the best of both worlds to bring more joy, presence, and beauty into our everyday routines.Get our free eCookbook "Bread & Butter" here: MonPetitFour.com/sign-up

Elizabeth recaps the end of "A Tale of Two Cities" by Charles Dickens published in 1858.Try The Sleepy Bookshelf Premium free for 7 days: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.supercast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Are you loving The Sleepy Bookshelf? Show your support by giving us a review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow the show on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Vote on upcoming books via the Survey on our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the music from The Sleepy Bookshelf in a relaxing soundscape on Deep Sleep Sounds:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=zxRt2AI7f80⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Having an issue with The Sleepy Bookshelf or have a question for us? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our FAQs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Connect: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you so much for joining us here at The Sleepy Bookshelf. Now, let's open our book for this evening. Sweet dreams

Tonight, Elizabeth reads Book 3, Chapters 14 (pt1) - 15 of "A Tale of Two Cities", by Charles Dickens published in 1859.Are you loving The Sleepy Bookshelf? Show your support by giving us a review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow the show on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Vote on upcoming books via the Survey on our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the music from The Sleepy Bookshelf in a relaxing soundscape on Deep Sleep Sounds:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=zxRt2AI7f80⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Browse all seasons of The Sleepy Bookshelf: https://slumbergroup.notion.site/sleepybookshelf.Having an issue with The Sleepy Bookshelf or have a question for us? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our FAQs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Connect: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you so much for joining us here at The Sleepy Bookshelf. Now, let's open our book for this evening. Sweet dreams