Podcast appearances and mentions of nicole rudolph

Home sweet home. La formule est belle, elle résume à elle seule les joies de se blottir dans le confort de son chez soi et de se dire qu'on est à la maison. Home sweet home… mais… au 19e siècle, en Angleterre, c'était pas juste home sweet home, mais aussi home poison home. ERRATUM: à 28:05 L'Aiglon est le fils de Marie-Thésèse et Napoléon, bien sûr. Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com 00:00 Home sweet home 03:49 La mode du papier peint 09:17 Rule Britannia 12:38 Les médecins 20:25 Réactions 27:10 Et Napoléon ? 29:00 Conclusion Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: L. Hawksley, Bitten by Witch Fever. Wallpaper & Arsenic in the Victorian Homes, London, Thames & Hudson, 2016. J. C. Whorton, The Arsenic Century. How Victorian Britain was Poisoned at Home, Work & Play, Oxford, Oxford University Press, 2010. A. A. Meharg, Venomous Earth. How arsenic caused the world's worst mass poisoning, New York, Macmillan, 2005. P.W. J. Bartrip, « How Green Was My Valance ?: Environmental Arsenic Poisoning and the Victorian Domestic Ideal », The English Historical Review, Vol. 109, no 433, 1994, p. 891-913. J. Parascandola, King of Poisons, A History of Arsenic, Washington, Potomac Books, 2012. B. Hubbard, Poisons, L'histoire des poisons, des poudres et des empoisonneurs, Paris, Hachette, 2020. M. Pastoureau, Vert, histoire d'une couleur, Paris, Seuil, 2013. A. Bonney, « Les enquêtes sur les dangers du vert de Schweinfurt et la santé au travail en France (1835-1860) », Histoire, médecine et santé, 19, 2022, 23-38. A. Bonney, « Entre utopie environnementale et environnement industriel insalubre : les papiers peints arsenicaux de William Morris », Romantisme, 3, no 189, 2020, p. 85- 95 https://www.cairn.info/revue-romantisme-2020-3-page-85.htm A. Bonney, « Toxic Colours », (University of Oxford), 13 septembre 2019. https://www.youtube.com/watch?v=-u9dbk5eixU Death By Wallpaper: The Hidden Killers In The Victorian Home | Hidden Killers | Absolute History https://www.youtube.com/watch?v=K3Jef7i7v1U&t=34s La vérité sur l'arsenic à l'époque victorienne, Nicole Rudolph https://www.youtube.com/watch?v=-l6oazbXohs&t=28s Les couleurs les plus dangereuses de l'Histoire - J. V. Maranto – Ted Ed https://www.youtube.com/watch?v=gKfjHTk8KrY&t=38s Les peintures les plus dangereuses ?, Science Trash https://www.youtube.com/watch?v=VlcSPr4_9Pk&t=166s A. Matthews David, Fashion Victims. The Dangers of Dress Past and Present, New York, Bloomsbury Visual Arts, 2015. A. Matthews David, (traduction par Ivan Ricordel, Myriam Couturier). « Pigments empoisonnés. Les verts arseniaux », La Peaulogie - Revue de sciences sociales et humaines sur les peaux, 2019, (Peau)lluant. Les toxiques à notre contact (ISSN 2646-1064), 3, p. 25-63. K. St Clair, The Secret Lives of Colour, London, John Murray Publishers, 2016. A. Vickery, « Golden age to separate spheres? A review of the categories and chronology of English women's history », The Historical Journal, 36 (2), 1993, 383–414. W. E. Houghton, The Victorian Frame of Mind, 1830-1870, New Haven/London, 1957. F.M.L. Thompson, The Rise of Respectable Society: A Social History of Victorian Britain, 1830-1900, London, 1988. Stéphane Gibaud et Gérard Jaouen, « Arsenic - based drugs: from Fowler's solution to modern anticancer chemotherapy », Topics in Organometallic Chemistry, vol. 32,‎ 2010, p. 1-20 J. Wright, “The History of Green Dye is a History of Death,” Racked.com, march 17 2017, https://www.racked.com/2017/3/17/14914840/green-dye-history-death « The Deadly Trail of Arsenic Through the Ages », Weird History, 19 novembre 2021 https://www.youtube.com/watch?v=nI1wNoXZIkc K. Eschner, “Arsenic and Old Tastes Made Victorian Wallpaper Deadly,” Smithsonian Magazine, April 3 2017. https://www.smithsonianmag.com/smart-news/victorian-wallpaper-got-its-gaudy-colors-poison-180962709/ A brief history of wallpaper, VAM.AC.UK https://www.vam.ac.uk/articles/a-brief-history-of-wallpaper The surprising story of wallpaper, Andrea Watson, 2018 https://www.bbc.com/culture/article/20181106-the-surprising-story-of-wallpaper An introduction to wallpaper, Zoe Wendon, https://www.wallpaperhistorysociety.org.uk Death on the. Doorstep: arsenic in Victorian wallpaper, Katherine Feldkamp, 24 septembre 2020 https://www.slam.org/blog/arsenic-in-victorian-wallpaper/ Autres références disponibles sur demande. #histoire #documentaire #arsenic

Un vert qui tue, qui porte en lui le mal pour amener dans la tombe celle qui le porte et tous ceux qui les entourent. Un vert mortel…. Qui en a forcé plusieurs à s'en détourner et voir dans cette couleur un symbole de poison, l'associant au mauvais et au malin. Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: A. Matthews David, Fashion Victims. The Dangers of Dress Past and Present, New York, Bloomsbury Visual Arts, 2015. A. Matthews David, (traduction par Ivan Ricordel, Myriam Couturier). « Pigments empoisonnés. Les verts arseniaux », La Peaulogie - Revue de sciences sociales et humaines sur les peaux, 2019, (Peau)lluant. Les toxiques à notre contact (ISSN 2646-1064), 3, p. 25-63. J. C. Whorton, The Arsenic Century. How Victorian Britain was Poisoned at Home, Work & Play, Oxford, Oxford University Press, 2010. A. A. Meharg, Venomous Earth. How arsenic caused the world's worst mass poisoning, Macmillan, 2005. P.W. J. Bartrip, « How Green Was My Valance ?: Environmental Arsenic Poisoning and the Victorian Domestic Ideal », The English Historical Review, Vol. 109, no 433, 1994, p. 891-913. B. Hubbard, Poisons, L'histoire des poisons, des poudres et des empoisonneurs, Paris, Hachette, 2020. M. Pastoureau, Vert, histoire d'une couleur, Paris, Seuil, 2013. M. Pastoureau, « Le vert porte malheur », Histoire des préjugés, sous la dir. de J. Guérout et X. Mauduit, Paris, Les Arènes, 2023, p. 165-174. L. Hawksley, Bitten by Witch Fever. Wallpaper & Arsenic in the Victorian Homes, London, Thames & Hudson, 2016. A. Bonney, « Les enquêtes sur les dangers du vert de Schweinfurt et la santé au travail en France (1835-1860) », Histoire, médecine et santé, 19, 2021, p. 23-38. A. Bonney, « Entre utopie environnementale et environnement industriel insalubre : les papiers peints arsenicaux de William Morris », Romantisme, 3, no 189, 2020, p. 85- 95 https://www.cairn.info/revue-romantisme-2020-3-page-85.htm Toxic Colours - Amelie Bonney (University of Oxford) https://www.youtube.com/watch?v=-u9dbk5eixU E. Piquet, « Les Fleurs du mal. Les maladies professionnelles des ouvriers en fleurs artificielles en France (1829-119) », Mémoire de première année de recherche en histoire contemporaine sous la direction de Judith Rainhorn, Université de Valenciennes, 2014. A. Guillerme, La naissance de l'industrie à Paris : entre sueurs et vapeurs, 1780-1830, Seyssel, Champ Vallon, 2007. J. Mertens, « Schweinfurt Green and the Sanitary Police. The Fight against Copper Arsenite Pigments », dans Ernst Homburg et Elisabeth Vaupel (dir.), Hazardous Chemicals. Agents of Risk and change, 1800-2000, New York, Berghahn, 2019, p. 63-86. M. Vernois, « Mémoires sur les accidents », Revue d'hygiène publique et de médecine légale, Paris, J-B Baillière et fils, 1859 , p. 319 à 346. G. Jorland, « L'hygiène professionnelle en France au XIXe siècle », Le Mouvement social, No. 213 (Oct. - Dec., 2005), pp. 71-90. T. Le Roux, Le laboratoire des pollutions industrielles, Paris, 1770-1830, Paris, Albin Michel, 2011, J. Wright, “The History of Green Dye is a History of Death,” Racked.com, March 17, 2017, https://www.racked.com/2017/3/17/14914840/green-dye-history-death « Scheele's Green », Wikipedia. https://en.wikipedia.org/wiki/Scheele%27s_Green C. Crosby Niklas, « Splendid hues: colour, dyes, everyday science, and women's fashion, 1840-1875 », A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy, University of Brighton, 2009. S. Maddeaux, « The horrific history and pernicious present of fashion's unfinished death toll », National Post, May 2, 2019. https://nationalpost.com/entertainment/books/the-horrific-history-and-pernicious-present-of-fashions-unfinished-death-toll Death By Wallpaper: The Hidden Killers In The Victorian Home | Hidden Killers | Absolute History https://www.youtube.com/watch?v=K3Jef7i7v1U&t=34s La vérité sur l'arsenic à l'époque victorienne, Nicole Rudolph https://www.youtube.com/watch?v=-l6oazbXohs&t=28s « The Deadly Trail of Arsenic Through the Ages », Weird History, 19 novembre 2021 https://www.youtube.com/watch?v=nI1wNoXZIkc https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3179678/ http://kvadratinterwoven.com/emerald-green https://www.metmuseum.org/art/collection/search/107839 https://www.amusidora.fr/histoire-couleur-verte-et-arsenic/ https://fr.wikisource.org/wiki/Page:Baudelaire_Les_Fleurs_du_Mal.djvu/281 Le texte et les sources ont été vérifiés de manière indépendante par un historien PhD. Autres références disponibles sur demande. #histoire #documentaire #vert #arsenic

We KNOW how messed up clothes sizing is. We're taught to equate our self-worth with what size knickers we wear, which is obviously not true. And the more we looked into it the more we realised that clothes sizes are actually bull**** - it's all made up, it's changed over time, and it's never consistent. Basically, we've been set up to fail, and we wanted to do more of a deep dive into why exactly that is. So in today's episode we're SO excited to chat to fashion historian Nicole Rudolph about where clothes sizing came from, how it got so messed up, and how we can remove the emotional aspect of sizing. This one was a huge lightbulb moment for us, so we hope you enjoy!  Also a HUGE HUGE HUGE thank you to everyone who came to the live show - it honestly was one of the best nights (if not THE best) of our lives. We didn't have time to catch up about it before releasing this ep, so we'll have a proper catch up in next week's episode xxx If you'd like to try the Virtual Yoga Studio you can head to virtualyogastudio.com/love, thand for £15 you'll get 3 months of access to daily classes that can be done at your own pace and from wherever you want. ✨NEW EPISODES EVERY TUESDAY, CLICK SUBSCRIBE TO GET THE EPISODES FIRST!✨

Sometimes a pair of factions can allow Smash Up players to do very similar things. And if those combos go up against one another, they can lead to a very close game. Ben and Nicole Rudolph are each playing their final game of this tournament. If Ben wins, we're set up to have everyone end this tournament with a different number of victories. Ben would be back at .500. Nicole is trying to avoid going 0-4 and while her first and third games were decided by six points, her battle with Lucas in the midseason finale was decided by a single point. It's anybody's game. Now back to the factions. The Fairies are a tried and true utility faction. They can bring a bit of extra power, some minions and actions that offer variety, and they can be disruptive to any minions and actions in play. The Pirates can appear out of nowhere, quickly moving from one base to another and stealing leads at the… opportune moment. That's Ben's combo. Nicole's combo will allow for similar effects. The set-up actions of the Luchadores can stay in play and offer a versatile array of options, making Nicole's minions more powerful and making it harder for Ben to build up power on bases. The Shapeshifters, like the Pirates, can also come out of nowhere. They can copy the abilities of minions in play and the zero power Mimics are especially deceptive, equalling the power of the most powerful minion in play. Fairies & Pirates vs. Luchadores & Shapeshifters. Ben vs. Nicole. May the bases be ever in your favor. Subscribe to Storytelling Breakdown wherever you get your podcasts. You can find out more about our regular episodes, campaign diaries, and RPG Decades at storytellingbreakdown.com. There you can also find our blog community and support us through Patreon. You can contact us via email at info@storytelling-breakdown.com or using the Storytelling Breakdown Facebook or Instagram. Storytelling Breakdown's RPG Decades is hosted by Caleb Meyer and produced by Ben Clemmer. Our theme music is by Kurt Roembke. The theme music for RPG Decades season one is The Great Wave by Our Name Is Taken. The Storytelling Breakdown logo is by Daniel Church. The logo for RPG Decades season one is by Michael Ganser. Our podcast is hosted by John Dawkins and Wayneshout Productions.  ★ Support this podcast on Patreon ★

Game seven of our Smash Up tournament does have significant implications for who can win going forward. SPOILERS ahead! If you've stayed up to date with our last six battles, then you know that this battle could prove decisive. Caleb is battling our dear friend, Nicole Rudolph. If Caleb wins, only he and Lucas Gerke will remain undefeated in our tournament. This would also eliminate Ben, Jacob Ganser, and Nicole as none of them would be able to match Caleb's 3-0 record. If Nicole wins, she notches her first win of the tournament and keeps everyone mathematically alive to win for at least one more episode. As for the factions matchups, Caleb decided to theme his combination around soundtracks of the seventies. The Astroknights are similar to, but legally distinct from characters and lore of the Star Wars universe. While you've got the John Williams cued up, it might be a good idea to add some Bee Gees to the playlist, thanks to the Disco Dancers faction. Caleb's combo will lean heavily on action synergy. Nicole's combo leans into power, destruction, and disruption. The Dragons create many powerful card draw effects, change power balances, and destroy enemy minions and possibly some bases along the way. All of this is before even mentioning the minions and actions that cause opponents to win fewer victory points. Nicole's largest dragon isn't even her largest minion thanks to the six power Yokozuna from the Sumo Wrestlers faction. Astroknights & Disco Dancers vs. Dragons & Sumo Wrestlers. Caleb vs. Nicole. Multiple eliminations hang in the balance. Who will win? Subscribe to Storytelling Breakdown wherever you get your podcasts. You can find out more about our regular episodes, campaign diaries, and RPG Decades at storytellingbreakdown.com. There you can also find our blog community and support us through Patreon. You can contact us via email at info@storytelling-breakdown.com or using the Storytelling Breakdown Facebook or Instagram. Storytelling Breakdown's RPG Decades is hosted by Caleb Meyer and produced by Ben Clemmer. Our theme music is by Kurt Roembke. The theme music for RPG Decades season one is The Great Wave by Our Name Is Taken. The Storytelling Breakdown logo is by Daniel Church. The logo for RPG Decades season one is by Michael Ganser. Our podcast is hosted by John Dawkins and Wayneshout Productions.  ★ Support this podcast on Patreon ★

We've made it to our midseason finale episode, bringing back two fighters from previous battles. Today's episode pits Lucas Gerke against Nicole Rudolph. If you haven't listened to our other episodes thus far this season, spoilers ahead. Lucas defeated Ben in game three, winning convincingly with the help of Cthulhu factions. While his combination for this game will be different, old, giant creatures or just creatures in general is a good way to describe his combo. Lucas will be going back to the original Smash Up set to unleash the power of the Dinosaurs. Hold onto your butts. He'll pair the Dinosaurs with a familiar looking faction from the Big in Japan expansion, the Itty Critters. Nicole lost game two to Jacob Ganser. She comes into this game with one faction that first entered the world of Smash Up at Gen Con in 2019, the Penguins. They will be paired with one of the most disruptive factions we've seen in this tournament. Nicole has her Permit to Kill thanks to the Super Spies. One faction looks like it's wearing a tuxedo. The other one actually is. There's an added bit of intrigue with this battle. Our team is pretty sure this is the only time Lucas and Nicole have played Smash Up against one another. How well can you counter an opponent you have no history of fighting? We shall see. Dinosaurs & Itty Critters vs. Penguins & Super Spies. Lucas vs. Nicole. Our midseason finale features an epic clash and only one will be victorious! Subscribe to Storytelling Breakdown wherever you get your podcasts. You can find out more about our regular episodes, campaign diaries, and RPG Decades at storytellingbreakdown.com. There you can also find our blog community and support us through Patreon. You can contact us via email at info@storytelling-breakdown.com or using the Storytelling Breakdown Facebook or Instagram. Storytelling Breakdown's RPG Decades is hosted by Caleb Meyer and produced by Ben Clemmer. Our theme music is by Kurt Roembke. The theme music for RPG Decades season one is The Great Wave by Our Name Is Taken. The Storytelling Breakdown logo is by Daniel Church. The logo for RPG Decades season one is by Michael Ganser. Our podcast is hosted by John Dawkins and Wayneshout Productions.  ★ Support this podcast on Patreon ★

We are one game in and already we are experiencing total chaos. Ben and Caleb have played Smash Up more times than they can count and this next episode will match up two common opponents. We are welcoming Jacob Ganser back to the podcast after his turn as Dr. Seward for our Halloween episode and his Spotlight on RWBY last year. Nicole Rudolph, another dear friend from our team's college days (when many a Smash Up game was played), will be his opponent. The Ninja faction inspired Jacob's look on the RPG Decades logo. They spill a lot of blood, so who better to pair them with than the Sharks? Both of those factions are destructive and opportunistic. Nicole's factions lean more into utility and building up power. It's time to throw down at Grandma's house as Nicole pairs the Grannies with the Mad Scientists. Perhaps that old family recipe requires a jolt of electricity and some überserum. Grannies & Mad Scientists vs. Ninjas & Sharks. Nicole vs. Jacob. Who will win? Give this battle a listen and find out. Subscribe to Storytelling Breakdown wherever you get your podcasts. You can find out more about our regular episodes, campaign diaries, and RPG Decades at storytellingbreakdown.com. There you can also find our blog community and support us through Patreon. You can contact us via email at info@storytelling-breakdown.com or using the Storytelling Breakdown Facebook or Instagram. Storytelling Breakdown's RPG Decades is hosted by Caleb Meyer and produced by Ben Clemmer. Our theme music is by Kurt Roembke. The theme music for RPG Decades season one is The Great Wave by Our Name Is Taken. The Storytelling Breakdown logo is by Daniel Church. The logo for RPG Decades season one is by Michael Ganser. Our podcast is hosted by John Dawkins and Wayneshout Productions.  ★ Support this podcast on Patreon ★

While the first episode of Storytelling Breakdown debuted in September of 2020, the podcast's origins go back to late winter of 2019. Ben and Caleb sat at the dining room table in Ben's old apartment and as the first conversations about starting a podcast were happening, Ben and Caleb were playing Smash Up, the shuffle building game of total awesomeness! RPG Decades is a miniseries under the Storytelling Breakdown banner. Each season will consist of ten episodes centered around the same game and story. In the future, this could mean Dungeons & Dragons, Fate Core, Mutants & Masterminds or Monster of the Week. This debut season is all about Smash Up. Each player chooses two factions, such as Dinosaurs, Pirates, Robots, Super Spies, or Zombies, and shuffles the two faction decks together to create their team. From there, whoever can earn 15 victory points first wins the game, unless there's some Madness involved. Ben and Caleb will explain the rules in more detail. Ben and Caleb have also welcomed three of their friends to join them for a round robin tournament. Each competitor will face each other once as Ben, Caleb, Jacob Ganser, Lucas Gerke, and Nicole Rudolph attempt to earn the most wins overall. Our battle for this episode starts with the two Storytelling Breakdown hosts. Caleb's factions come from Europe, as he'll lean on the tenacity of the Musketeers and rain fire from Olympus thanks to the Mythic Greeks. Ben will turn to horror as he unleashes a pack of Werewolves. The pack has allied itself with arcane spell casters, Wizards whose magic could turn the tide. Musketeers & Mythic Greeks vs. Werewolves & Wizards. Caleb vs. Ben. Let's find out who wins. Subscribe to Storytelling Breakdown wherever you get your podcasts. You can find out more about our regular episodes, campaign diaries, and RPG Decades at storytellingbreakdown.com. There you can also find our blog community and support us through Patreon. You can contact us via email at info@storytelling-breakdown.com or using the Storytelling Breakdown Facebook or Instagram. Storytelling Breakdown's RPG Decades is hosted by Caleb Meyer and produced by Ben Clemmer. Our theme music is by Kurt Roembke. The theme music for RPG Decades season one is The Great Wave by Our Name Is Taken. The Storytelling Breakdown logo is by Daniel Church. The logo for RPG Decades season one is by Michael Ganser. Our podcast is hosted by John Dawkins and Wayneshout Productions.  ★ Support this podcast on Patreon ★

Designing historically-inspired footwear is trickier than you might think! Join Nicole Rudolph and Lauren Stowell as we have a behind the scenes chat about the process of designing and making American Duchess historical shoes. From spec sheets and measurements to choosing leather and trying on samples, we go in depth with some of the process, challenges, and development of our old-fashioned footwear line.

Hooray! We've got another episode of Fashion History with American Duchess for you today! This episode features our very own designer, Nicole Rudolph (http://www.instagram.com/silk_and_buckram), a historic shoemaker and shoe-historian. Just like corsets, there is a lot of mythology about women's shoes and Nicole is here to bust those myths, explain why shoe-making is HARD to do, trends and styles of shoes, and even a little bit about her thesis topic. So prop your feet up, sit back, and enjoy! http://americanduchess.com http://blog.americanduchess.com http://www.facebook.com/AmericanDuchess http://www.instagram.com/AmericanDuchess http://www.youtube.com/AmericanDuchess1 Be a part of our community & join Patreon! http://www.patreon.com/AmericanDuchess

Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society. From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society. From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society. From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society. From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society. From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society. From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph's emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society. From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history. Learn more about your ad choices. Visit megaphone.fm/adchoices