Podcasts about great wave

Back by popular demand, our second-ever live show!! Dr Kasia Tee and Dan Hancox take you behind the scenes of their recently opened exhibition ‘Cursed Objects in Museum Shops' at the Peltz Gallery. What does the history of neon signs, Hokusai's The Great Wave off Kanagawa and Lewis Chessmen socks have in common? As ever, expect the answer to be how life under late capitalism is producing some highly questionable tat. Sound production by the amazing Jade Bailey. ——- If you missed this event, don't worry - we have two more coming up! Millennium Tat - Wed 28 May, 7-8.30pm Join Dan and Kasia and two special guests - artist Darren Cullen and writer Imogen West-Knights – as they explore the spirit of the millennium via the museum gift shop. Book your place here. War, Memory and Tat - Wed 11 June, 7-8.30pm Join Kasia, Dan and three special guests – historian Dr Charlotte Lydia Riley, author Luke Turner and curator Kate Clements – as they explore the presence of war in the museum shop. Book your place here. We hope to see some of you IRL in the next two months! And don't worry, the actual full podcasts are going to keep on coming - there will be recordings of the above on your feeds soon, and a new flurry of fresh episodes... For more Cursed Everything: https://www.patreon.com/c/cursedobjects

Before Monet painted water lilies or Degas sketched ballerinas, a wave was crashing in from the East. In this episode, we explore how Japanese woodblock prints—especially Hokusai's ‘The Great Wave off Kanagawa'—reshaped the way Western artists thought about space, subject, and form. From flattened perspective to everyday scenes, ukiyo-e wasn't just decorative—it was revolutionary. We'll unpack the rise of Japonisme, its deep (and sometimes uneasy) influence on Impressionism, and how one iconic wave helped turn the tide of art history. Today's image: Katsushika Hokusai, ‘Under the Wave off Kanagawa (Kanagawa oki nami ura),' (1830-32). Woodblock print; ink and color on paper. Metropolitan Museum of Art, New York. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast | @matta_of_fact

Thanks to the TIN FOIL MULISHA members who support this podcast with their time, talent and treasure!Support UFO...No! with a direct PayPal donation:⁠ ⁠⁠⁠⁠⁠https://www.paypal.com/ncp/payment/Y6WRSW9F2JBSC⁠⁠Join the UFO...No! Discord:⁠ ⁠⁠⁠⁠https://discord.com/invite/PQyaJzkt4Y⁠⁠ ⁠Buy UFO...No! Merch:⁠ ⁠⁠⁠⁠https://ufono-podcast.creator-spring.com/⁠⁠⁠⁠ ⁠Looking for Magic Mushrooms (Psilocybin)? Visit⁠ ⁠⁠⁠⁠https://www.schedule35.co/us/⁠⁠⁠⁠⁠ Use code U1173687US240607 to get a 20% discount on your first purchase!Email: Iwant2believe115@gmail.comLeave a voicemail: (208)477-12881954 UFO Wave:BBC: https://www.bbc.com/news/magazine-29342407These Football Times: https://thesefootballtimes.co/2020/04/21/the-eye-in-the-tuscan-sky-the-day-a-ufo-sighting-stopped-a-fiorentina-match/Football Italia: https://football-italia.net/on-this-day-fiorentinas-ufo/ The day UFOs stopped play, Richard Padula, BBC, October 24th, 2014 https://www.bbc.co.uk/news/magazine-29342407UFOS Follow British Airliner Over Labrador, Timothy Good, NICAP http://www.nicap.org/reports/boac.htm1954 UFO Chronology and the Great Wave of 1954, NICAP http://www.nicap.org/chronos/1954fullrep.htmLens-Shaped Objects Veer North, Brad Sparks, NICAP http://www.nicap.org/540829greenland_dir.htmFacts & Fuckery:inous black tower structure spotted at Area 51 on Google Earth - https://www.unexplained-mysteries.com/news/386366/ominous-black-tower-structure-spotted-at-area-51-on-google-earth | https://www.google.com/maps/place/Sedan+Crater/Strange altar found at Tikal wasn't made by the Maya — and it has at least 4 people buried inside it - https://www.livescience.com/archaeology/strange-altar-found-at-tikal-wasnt-made-by-the-maya-and-it-has-at-least-4-people-buried-inside-it This Pharmaceutical Pollutant is Creating ‘Psycho Salmon,' Causing Them to Display Concerning Behavior - https://thedebrief.org/this-pharmaceutical-pollutant-is-creating-psycho-salmon-causing-them-to-display-concerning-behavior/ “This is Something We Did Not See Coming.” New Physics from Odd Shapes Predicts what Appears as Random Motion - https://thedebrief.org/this-is-something-we-did-not-see-coming-new-physics-from-odd-shapes-predicts-what-appears-as-random-motion/

Thanks to the TIN FOIL MULISHA members who support this podcast with their time, talent and treasure!Support UFO...No! with a direct PayPal donation:⁠ ⁠⁠⁠⁠⁠https://www.paypal.com/ncp/payment/Y6WRSW9F2JBSC⁠⁠Join the UFO...No! Discord:⁠ ⁠⁠⁠⁠https://discord.com/invite/PQyaJzkt4Y⁠⁠ ⁠Buy UFO...No! Merch:⁠ ⁠⁠⁠⁠https://ufono-podcast.creator-spring.com/⁠⁠⁠⁠ ⁠Looking for Magic Mushrooms (Psilocybin)? Visit⁠ ⁠⁠⁠⁠https://www.schedule35.co/us/⁠⁠⁠⁠⁠ Use code U1173687US240607 to get a 20% discount on your first purchase!Email: Iwant2believe115@gmail.comLeave a voicemail: (208)477-12881954 UFO Wave:BBC: https://www.bbc.com/news/magazine-29342407These Football Times: https://thesefootballtimes.co/2020/04/21/the-eye-in-the-tuscan-sky-the-day-a-ufo-sighting-stopped-a-fiorentina-match/Football Italia: https://football-italia.net/on-this-day-fiorentinas-ufo/ The day UFOs stopped play, Richard Padula, BBC, October 24th, 2014 https://www.bbc.co.uk/news/magazine-29342407UFOS Follow British Airliner Over Labrador, Timothy Good, NICAP http://www.nicap.org/reports/boac.htm1954 UFO Chronology and the Great Wave of 1954, NICAP http://www.nicap.org/chronos/1954fullrep.htmLens-Shaped Objects Veer North, Brad Sparks, NICAP http://www.nicap.org/540829greenland_dir.htmFacts & Fuckery:inous black tower structure spotted at Area 51 on Google Earth - https://www.unexplained-mysteries.com/news/386366/ominous-black-tower-structure-spotted-at-area-51-on-google-earth | https://www.google.com/maps/place/Sedan+Crater/Strange altar found at Tikal wasn't made by the Maya — and it has at least 4 people buried inside it - https://www.livescience.com/archaeology/strange-altar-found-at-tikal-wasnt-made-by-the-maya-and-it-has-at-least-4-people-buried-inside-it This Pharmaceutical Pollutant is Creating ‘Psycho Salmon,' Causing Them to Display Concerning Behavior - https://thedebrief.org/this-pharmaceutical-pollutant-is-creating-psycho-salmon-causing-them-to-display-concerning-behavior/ “This is Something We Did Not See Coming.” New Physics from Odd Shapes Predicts what Appears as Random Motion - https://thedebrief.org/this-is-something-we-did-not-see-coming-new-physics-from-odd-shapes-predicts-what-appears-as-random-motion/

Visionary Artist, Amanda Sage, joins Raghu to talk about using art as a tool for transformation and awakening.Mindrolling is brought to you by Reunion. Reunion is offering $250 off any stay to the Love, Serve, Remember community. Simply use the code “BeHere250” when booking. Disconnect from the world so you can reconnect with yourself at Reunion. Hotel | www.reunionhotelandwellness.com Retreats | www.reunionexperience.orgThis time on Mindrolling, Raghu and Amanda discuss:How Amanda ended up in the midst of the psychedelic art world Visionary experiences from meditation and communityCombining visionary art with techniques from the old mastersArt as a tool for transformation rather than just a commodity The technology of sacred art and artists as small blooms of awakening How LSD helps Amanda see the finer layers of realityThe flow state of creation and being guided through the artistic medium The Telepathy Tapes, a documentary podcast about telepathic communicationMeditation as an active meditation and opportunity for transmission The value of togetherness and tuning into the same creative channel Large-scale longing for a connection to spiritAmanda's work, The Great Wave of TrainsformationCheck out Vision Train, Amanda's co-creative space.About Amanda Sage:Amanda Sage is an artist driven to contribute to the development of regenerative culture by using painting as a tool for transformation within the individual and collective. Her paintings represent multidimensional aspects of humanness in harmonious balance, inspiring a re-membering of an energetic inter-connectedness that is present and shared with all things. Learn more about Amanda on her website. “Painting, you transmit a story. There's a transmission that happens beyond words. It's an interesting technology and tool that has been used by humans through the ages. What is the broader opportunity, especially now in this world that we live in, for art to be a tool for transformation.” – Amanda SageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wir springen in dieser Folge in die 1830er Jahre. Es ist jenes Jahrzehnt, in dem der zu jenem Zeitpunkt schon über 70-jährige Künstler Katsushika Hokusai ein Bild kreiert, das bald nicht nur in Japan, sondern auf der ganzen Welt Berühmtheit erlangen wird. Wir sprechen in dieser Folge über die sogenannte "Große Welle", einen Holzschnitt, der wie kaum ein anderes Kunstwerk die Fantasie der Menschen beflügelt – und zwar bis heute. //Erwähnte Folgen - GAG228: Berliner Blau – die Erfindung einer Farbe - https://gadg.fm/228 - GAG255: Die 47 Ronin - https://gadg.fm/255 - GAG311: Der Imjin-Krieg - https://gadg.fm/311 - GAG478: Das Königreich Ryukyu - https://gadg.fm/478 - GAG323: Die Republik Ezo und das Ende des Shogunats - https://gadg.fm/323 - GAG34: Tee, Silber und Rauschmittel - https://gadg.fm/34 Literatur - Christine M. E. Guth. Hokusai's Great Wave, 2015 - C.J. Holmes. Katsushika Hokusai, 2023 - Diverse Hokusai Manga Ausgaben gibt's auf archive.org. Eine davon ist diese hier: https://archive.org/details/hokusaimangathes10kats/mode/2up Das Episodenbild zeigt einen Teil des Holzschnitts "Unter der Welle vor Kanagawa" von Katsushika Hokusai. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

‘The Great Wave off Kanagawa' remains one of the most iconic and mass-produced images in the world, from its original printing almost 200 years ago, to its appearance on t-shirts and handbags today. The National Museum of Ireland has prints on display in Collins Barracks from the same collection of Mount Fuji prints, which offer an intriguing insight into the artist himself.Joining Seán to discuss is Dr. Siobhan Doyle, Curator at the National Museum of Ireland, who looks after these prints…

‘The Great Wave off Kanagawa' remains one of the most iconic and mass-produced images in the world, from its original printing almost 200 years ago, to its appearance on t-shirts and handbags today. The National Museum of Ireland has prints on display in Collins Barracks from the same collection of Mount Fuji prints, which offer an intriguing insight into the artist himself.Joining Seán to discuss is Dr. Siobhan Doyle, Curator at the National Museum of Ireland, who looks after these prints…

Message Rella B Here!Welcome to Reading with Rella B! This episode features a sample reading of the early reader chapter book: The Great Wave by Mary E. Dynes.Follow the adventurous duo, Peter and Tiny, on their fun-filled day at the beach! The two friends decide to borrow Uncle Thomas's surfboard and ride the waves, but what starts as a fun beach adventure quickly turns into a wild surprise. Can the duo make it back home? Tune in to this cute, heartwarming story about the power of imagination and the unbreakable bond of friendship! If you like this book, it can be purchased on Amazon.FREE ACTIVITYSupport the show***I have a new book that will be coming out! Check it out on BackerKit to get exclusive merch and a copy before it is released to market!*** We will begin getting our brains and bodies ready with some stretching and a riddle with Rella, then we will hear the story and shout out our Co-Creators!There are many participation opportunities for the little ones, so please go to RellaBBooks.com or your favorite social channel, if you would like to learn more about those! I send out FREE weekly activities to my newsletter subscribers and followers. Social HandlesFacebook: @RellaBBooksInstagram: @RellaBBooksTwitter: @RellaBBooksPinterest: @RellaBBooksYouTube: @RellaBBooksTikTok: @RellaBBooksWebsite: RellaBBooks.comThanks for listening, toodles!

Take your personal data back with Incogni! Use code WHATIFALTHIST at the link below and get 60% off an annual plan: http://incogni.com/whatifalthist Link to my second podcast on world history and interviews: https://www.youtube.com/channel/UC0NCSdGglnmdWg-qHALhu1w Link to my cancellation insurance: https://becomepluribus.com/creators/20 Link to my Twitter - https://x.com/whatifalthist Link to my Instagram - https://www.instagram.com/rudyardwlynch/?hl=en Bibliography: The Great Wave by David Hackett Fischer Secular Cycles by Peter Turchin Ages of Discord by Peter Turchin The Economics of Discontent by Jean Michel Paul The Identity of France by Fernand Braudel The History of Civilizations by Fernand Braudel The Mediterranean at the time of Philip 2nd by Fernand Braudel The Structures of Every day life by Fernand Braudel Leviathan and Its Enemies by Sam Francis The Global Crisis by Geoffrey Parker On Hero Worship by Thomas Carlyl Albion's Seed by David Hackett Fischer Long Cycles by Goldstein The Rise and Fall of Great Powers by Paul Kennedy Generations by Strauss and Howe Decline of the West by Oswald Spengler The Coming Caesars by Amaury de riencourt Rise of the West by William McNeil The Pursuit of Power by William McNeil Tragedy and Hope by Caroll Quiggley The Great Leveler by Walter Schedule Capital by Thomas Picketty The History of Philosophy by Bertrand Russell The Middle Ages by Sidney Painter The Distant Mirror by Barbara Tuchman

Hope you've been practicing your sewer surf skills, Slimesters and Gakoids! We've got a gnarly episode review for you as we swim along the ocean of 90s Nickelodeon. Today, we visit Ickis and Krumm in the sewers beneath the Monster Academy where both will fight to prove their weight in sludge as they compete head-to-head in the annual Great Wave competition.   It's got thrills, chills, spills, and more. So get ready to hang ten, or twelve, or however many digits you have as we have some summer fun! Enjoy this episode released from the Slime Vault. Unlock Bonus Content on Patreon Shop at our Splat Attack Merch Store Email Us: SplatAttack2021@gmail.com   YouTube: Splat Attack! Podcast Instagram: @SplatAttackPodcast Please leave us a review in your podcast app! 

When developing a business centered around Japanese prints, there are many factors to consider: the audience, the history, and how you want to be perceived by the public. The appeal of the Japanese aesthetic, along with your own personal aesthetic and brand identity, can also be just as important to your business. On this episode of The Unfinished Print, I speak with Malene Wagner, a gallerist, curator, writer, and art historian whose business operates under the name Tiger Tanuki. Malene shares her passion for collecting and selling Japanese prints, and we explore the European perspective on Japanese prints and printmaking. We also dive into Japanese aesthetics and how they are interpreted through a Western lens. Additionally, Malene discusses how these aesthetics influence her brand, Tiger Tanuki, the role history plays in shaping her business, and her upcoming book. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Malene Wagner & Tiger Tanuki - Instagram, website ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Uniqlo -  a Japanese clothing brand known for its affordable, minimalist, and high-quality everyday wear. It focuses on functional designs, using innovative fabrics like Heattech for warmth and AIRism for breathability. Uniqlo is popular worldwide for offering essential wardrobe staples and often collaborates with well-known designers and artists to create unique collections. Clear Day With A Southern Breeze (1831) is a print usually known as "Red Fuji." From the series Thirty Six Views of Mt. Fuji this print was actually pink, red was used in later impressions by publisher Nishimuraya Yohachi.  The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Yayoi Kusama -  is a pioneering Japanese artist known for her immersive installations and polka dot motifs that explore themes of infinity, identity, and mental health. Born in 1929 in Matsumoto, Japan, Kusama began her artistic journey through painting and avant-garde practices, eventually moving to New York in the late 1950s, where she became a key figure in the pop art and feminist movements. Her works, range from large-scale installations like the "Infinity Mirror Rooms" to her vibrant sculptures and paintings. Kusama's art is a deeply personal expression of her own experiences with mental illness, transforming her obsessions into stunning visual experiences that resonate globally. Today, she is celebrated as one of the most influential contemporary artists, with exhibitions and installations that captivate audiences worldwide. From "Life Is The Heart of A Rainbow", Installation (2017) MANGA - was an exhibition from May 23 - August 26, 2019 held at the British Museum in London, England.  shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Tomoo Inagaki (1902-1980) - introduced to mokuhanga by Onchi Kōshirō and Un'cihi Hiratsuka in 1923. Beginning in 1924, Inagaki published his first prints in magazines such as Shi to hanga (issue 13), Hanga (issues 6, 9/10, 11, 14), and Kitsutsuki, and exhibited with the Nihon Sôsaku-Hanga Kyôkai (Japan Creative Print Association). He became a member of the Nihon Hanga Kyôkai (Japan Print Association) in 1932 and participated in various post-war international competitions, including the Paris, Tokyo, and Lugano biennales. His cat prints have been highly collectible. More info can be found at Viewing Japanese Prints, here. The Rival Cats - 18" x 24" (1960's - 1970's) Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” Frances Blakemore (1906-1997) - was an American-born artist, writer, philanthropist and curator of modern Japanese mokuhanga. She lived in Japan for over fifty years and helped to support the burgeoning sōsaku hanga print movement of the 1950s. Blakemore worked in mokuhanga (collaborating with Watanabe Shōzaburō) and making self-printed and carved prints. She also worked in oils.  Japanese Bath (1937) - 11 7/8" x 9 5/8 " Yoshitomo Nara - is a renowned Japanese contemporary artist and is celebrated for his distinctive paintings and sculptures featuring figures with large heads and expressive eyes, often exploring themes of innocence, rebellion, and solitude.  Change The History (2007) acrylic on wood 74-7/16" × 55-1/2" × 3-1/8" Mingei - is a Japanese term that translates to "folk craft" or "people's art." It refers to a movement that emerged in the early 20th century, emphasizing the value and beauty of traditional, handmade crafts created by anonymous artisans. Mingei focuses on everyday objects, such as pottery, textiles, furniture, and utensils, that reflect the culture and daily life of the people who made them. Lawrin Smith - is the author of the book "The Prints of Yoshitoshi: A Complete Illustrated Catalog" (2009). This comprehensive catalog focuses on the works of Tsukioka Yoshitoshi. The book provides detailed descriptions and illustrations of Yoshitoshi's prints, showcasing his significant contributions to the ukiyo-e genre and his influence on modern printmaking. Wabi-sabi is a Japanese aesthetic philosophy that celebrates the beauty of imperfection, transience, and the natural cycle of life. It combines two concepts: "wabi," which refers to rustic simplicity and tranquility found in nature, and "sabi,"which denotes the beauty that comes with age and wear. Wabi-sabi values simplicity, asymmetry, and the unique characteristics of objects and experiences, encouraging appreciation for the impermanent and humble aspects of life. This philosophy is reflected in various forms of art, architecture, and design, emphasizing natural materials and handcrafted items, and fostering mindfulness and acceptance of the imperfections that make life beautiful. A-yo - is a renowned Japanese artist associated with the Gutai Art Association, an avant-garde group that emerged in post-war Japan. Known for his vibrant colors and distinctive style, Ay-O's work often incorporates elements of nature, light, and movement, reflecting themes of playfulness and spontaneity. He engages with materials in innovative ways and has explored performance art as part of his creative expression. With extensive exhibitions both in Japan and internationally, Ay-O has made significant contributions to contemporary art, emphasizing the joy of creation and the aesthetic experience. Marcel Duchamp (1887–1968) was a French-American artist and a key figure in modern art, known for his significant influence on the Dada movement and conceptual art. He initially trained as a painter but became renowned for challenging traditional notions of art through his controversial works, such as "Fountain"(1917), a readymade sculpture of a urinal that questioned the definition of art and the role of the artist. Duchamp's other notable pieces, including "The Large Glass" (1915–1923) and "Bicycle Wheel" (1913), explored themes of chance and perception. His innovative ideas about art as a conceptual experience rather than a purely visual one continue to resonate, solidifying his status as one of the most influential artists of the 20th century.   Fountain (1917) replica (1964)   Naoko Matsubara - is a contemporary Japanese printmaker known for her expertise in mokuhanga. Born in Osaka, she studied at Kyoto Seika University, where she specialized in printmaking and mastered the techniques of this ancient art form. Matsubara's work often blends traditional methods with contemporary themes, exploring the relationship between nature, culture, and identity. Her prints are characterized by intricate details, vibrant colors, and a deep appreciation for the materials and techniques involved in woodblock printing. She teaches and promotes mokuhanga both in Japan and abroad, exhibiting her work in galleries and museums worldwide and receiving numerous awards for her contributions to the field. Naoko's interview with The Unfinished Print can be found, here.    Gihachiro Okuyama (1907-1981) - was a prominent Japanese printmaker and painter associated with the sōsaku hanga (creative prints) movement. Born in Tokyo, he studied traditional Japanese painting and was influenced by Western art styles, leading to innovative woodblock prints characterized by bold colors and dynamic compositions that blend traditional aesthetics with modern elements. Throughout his career, Okuyama exhibited extensively in Japan and internationally, contributing significantly to contemporary printmaking while also playing a vital role in art education by sharing his expertise with future generations. His work reflects a deep engagement with the cultural exchanges between East and West during the post-war period.     Moonscape - 10" x 21"   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   Prince Rokuson Tsunemoto from Suikoden of Japanese Heroes (1843) 10" x 7"    Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.    Kabuki Plays - Narukami and Princess Toki (ca. 1890's) triptych   Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Dog, Daschund 2 10" x 15"   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      Anxiety (1894)   Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim.   Mill in Sunlight (1908). Credit: Kunstmuseum Den Haag, The Hague, The Netherlands © 2021 Mondrian/Holtzman Trust   Shunga - meaning "spring pictures," is a genre of Japanese erotic art that flourished during the Edo period (1603–1868), characterized by woodblock prints, paintings, and illustrated books depicting explicit sexual scenes often combined with humor, romance, and social commentary. Notable for its vibrant colors and intricate details, shunga explores themes of intimacy and sexuality, serving both as entertainment and education in a culture where such topics were often taboo. The genre reflects societal attitudes toward love and relationships and has a rich history despite facing censorship at various times. Today, shunga is recognized as a significant part of Japanese art history, appreciated for its aesthetic qualities and cultural context. Paul Binnie - Candlelight (1994) kappazuri print 24" x 18"  Tosa Prefecture - historically known as Tosa Province, is located in the southern part of Shikoku, Japan, and corresponds to present-day Kochi Prefecture. Renowned for its natural beauty, including mountains, rivers, and coastal landscapes, Tosa has a rich cultural heritage that includes traditional crafts like Tosa washi (handmade paper) and Tosa pottery. The region is famous for its vibrant festivals, such as the Yosakoi Festival, which features lively dance performances, and is known for its agricultural products, particularly citrus fruits like yuzu and sudachi, along with seafood. Kochi City, the capital of Kochi Prefecture, serves as the cultural and economic center, showcasing local cuisine, historical sites, and museums. Tosa's unique blend of natural scenery, traditional crafts, and cultural events contributes to its significance within Japan. © Popular Wheat Productions opening and closing credit - I Am Pentagon by the band Make Up from their album Save Yourself (1999) released by K Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Frances is a leading actress whose credits include the titular role of Bonnie in Bonnie and Clyde in London's West End (WhatsOnStage Nominee for Best Performer) following its sell out concert at the Theatre Royal Drury Lane, opposite Jeremy Jordan.Other theatre includes: Kylah in Our Ladies Of Perpetual Succour (Olivier Winner Best New Comedy and Olivier nominated Best Supporting Actress), Misa in Death Note (London Palladium), Wendy in Peter Pan (London Palladium), Svetlana in Chess (Theatre Royal Drury Lane), Heather McNamara in Heathers The Musical (Theatre Royal Haymarket),  Eponine in Les Misérables (Cameron Mackintosh), The Mistress in Evita (Regents Park) Macbeth, The Great Wave and Here Lies Love (National Theatre).Film: A Tale To TellTelevision: Department Q, Silverpoint, Sister Boniface, Shetland, River City and Lip ServiceSoundtracks include: Original West End cast recording of Bonnie and Clyde. Original English language cast recording of Death Note.

Mokuhanga becomes a part of those who open themselves to its possibilities. It draws you in as an art form, with its seeming simplicity, and guides you on a profound journey of exploration. One of the strengths of mokuhanga as a practice is its ability to harmonize with other artistic and academic endeavors, enriching one's life in many ways.   On this episode of The Unfinished Print, I speak with William Mathie, a teacher and relief printmaker based in Pennsylvania. We discuss Bill's discovery of mokuhanga in the 1980s and how his academic and artistic journey in printmaking evolved, leading him to rediscover mokuhanga later in life. Bill and I delve into his personal mokuhanga teachers, his work on the Pennsylvania Print Symposium in 2006, his printmaking philosophies, his time at the First International Mokuhanga Conference in Awaji and Kyoto, and we also explore his own mokuhanga work, materials, making tools and how he views mokuhanga through an academic lens.   William Mathie - website, Instagram   Guarding The Cheese    The golden age of mokuhanga is generally considered to be during the Edo period (1603-1898), when the art of color woodcut flourished in Japan. Although woodblock printing in Japan has its origins around 700 CE, color woodblock printing began in 1743.   Rudy Pozzati (1925-2021) - was an American Professor Emeritus, painter, and printmaker who traveled extensively through grants early in life. Later, he served as a professor at Indiana University Bloomington from 1956 to 1991. Indiana University is a public research university in Bloomington, Indiana. He worked in various styles of printmaking and studied mokuhanga in Japan in the 1980s.   Man-eating Mares of King Diomedes (2009) one colour lithograph, 24 3/4" x 33 3/4"   The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.    Kenji Takenaka - is a mokuhanga printmaker based in Kyoto. He is a fifth generation printmaker, who has demonstrated mokuhanga technique throughout the world. He established the Takenaka Woodblock Printing Company (Takesazado) to help teach and promote mokuhanga. More information can be found, here.    Chikurin 10.6" x 15.3"   The Japan Foundation - established in October 1972 as a government-affiliated corporation and relaunched in 2003 as an independent administrative institution under the Ministry of Foreign Affairs, promotes international cultural exchange through a variety of programs. With its global network, including offices in Japan and 22 overseas locations, the Foundation focuses on Arts and Cultural Exchange, Japanese-Language Education Overseas, and Japanese Studies and Intellectual Exchange. It is funded by a government endowment, annual subsidies, investment revenue, and private donations.   Tuula Moilanen  - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print can be found here. Blooming Sky 2, (2017) 10.2" x 14.2"   Yukō Harada - is a mokuhanga printmaker based in Kyoto, and works at Kenji Takenaka's Takesazado and is considered a sixth generation printmaker. An interview with Ms. Harada can be found at amirisu, here.   Rainy Season Stripes 7" x 5"   Evan Summer -  He is a printmaker and Professor Emeritus based in Kutztown, Pennsylvania. He has an extensive CV of artist-in-residence programs and has focused his print work on etching. More information can be found on his website, and on Instagram.    Landscape With Sloped Horizon (State 1)  lithograph printed by Tim Sheelsey at Corridor Press (2003) 36" x 30"   registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.    intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     Andy Farkas - is a mokuhanga printmaker, author, mentor, and documentarian based in Pennsylvania. Andy's interview with The Unfinished Print can be found, here.    Watching Over 16" x 10"    serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.    lithography: A printing process where images are transferred onto a surface using a flat plate or stone.   Edinboro University in Pennsylvania - a part of PennWest Edinboro, is a public university located in Edinboro, Pennsylvania. Established in 1857 as Edinboro Academy and has a rich history of providing higher education. Before becoming part of the Pennsylvania Western University system in 2022, Edinboro University was known for its strong programs in education, art, and nursing. The university offers a wide range of undergraduate and graduate programs, with a commitment to academic excellence and community engagement.   John Lysak - is a master printmaker and artist. He is associated, like William Mathie, with Egress Press, a fine art publishing and research component of the Printmaking Area of Edinboro University of Pennsylvania's Art Department. More information can be found here   Palix River Marshlands (2022) acrylic on board 11" x 17"   wood engraving  - is a printmaking technique where an artist carves an image with burins and engravers, into the surface of a block of wood. The block is then printed using pigments and pressed into paper. Wood engraving uses the end grain of a hardwood block, typically boxwood. This allows for much finer detail and more intricate lines. Thomas Bewick (1753–1828), and Eric Gill (1882–1940) are some popular wood engravers.    The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.      Miami University at Ohio - is a public research university in Oxford, Ohio.    International Mokuhanga Conference, 2011 - was the first international conference on mokuhanga, held in two locations in Japan: Kyoto and the Awaji Islands, which are located near Shikoku.   Keizo Sato -  is a second generation mokuhanga printmaker based in Kyoto. Mr. Sato created the Sato Woodblock Print Center to teach mokuhanga. It is associated with Kyoto Seika University. An interview with Mr. Sato conducted by Fine Art JPN can be found, here.    Hiroshi Fujisawa - is a master carver and has been carving mokuhanga for over fifty years. He demonstrated at the first International Mokuhanga Conference in 2011. A lovely blog post about an interaction with Hiroshi Fujisawa can be found, here on printmaker Annie Bissett's blog. Annie's interview with The Unfinished Print can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. More information can be found on her website, here.    A Cluster (2023) 15" x 11"   Young Woman Blowing a Popen - is a mokuhanga print designed by Kitagawa Utamaro (?-1806). Utamaro was one of the first famous woodblock print designers in the Edo Period of Japan made famous by his bijin prints of beautiful women. The print was first printed in 1792/93. It is from the series Ten Classes of Women's Physiognomy.     Energy Policy, 2005 - George W. Bush's energy policy prioritized expanding domestic fossil fuel production, including controversial drilling in protected areas like the Arctic National Wildlife Refuge, and offered substantial subsidies to the oil and gas industry while neglecting renewable energy development. Critics argue that this approach increased greenhouse gas emissions, exacerbated climate change, and harmed public health due to higher pollution levels. Additionally, by failing to diversify energy sources and invest in sustainable alternatives, the policy left the U.S. vulnerable to energy security risks and has delayed the transition to a cleaner energy economy.   Punch Magazine - Punch magazine, founded in 1841 in London, was a British weekly publication known for its satirical humor and cartoons. Punch played a significant role in shaping British satire and social commentary during the 19th and early 20th centuries. It became famous for its witty and often biting critiques of politics, society, and culture, influencing public opinion. Despite its early success and influence, the magazine eventually declined in readership and ceased publication in 2002.   Echizen - is a region in Fukui Prefecture, Japan, known for its long history of papermaking. The area is home to many paper artisans. One notable figure is Iwano Ichibei. He is a Living National Treasure in papermaking and the ninth generation of his family still making paper today. More information can be found here.in English, and here in Japanese.    Morgan Conservatory of Papermaking - established in 2008, the Morgan Conservatory of Papermaking is a nonprofit organization based in Cleveland, Ohio, dedicated to preserving papermaking techniques from around the world. It also serves as a working studio and gallery. More information can be found here.    The Morgan Library & Museum - based New York City, originally the private library of financier J.P. Morgan, it was established in 1906 and became a public institution in 1924. It houses an extensive collection of rare books, manuscripts, drawings, and prints, including works by literary and musical greats like Charles Dickens and Mozart. The museum also hosts rotating exhibitions and serves as a cultural hub, renowned for its architectural beauty and significant contributions to literature, history, and the arts. More information can be found, here.    © Popular Wheat Productions opening and closing credit - live music at The Seabird jazz bar in Aoyama, Tōkyō, Japan. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

The more you look at the iconic painting The Great Wave off Kanagawa, the more you find in it. Starting off with the explicit nuances of the art that you missed, and then moving on interpretations and meanings to draw from it. In today's episode, we look back into the life of Hokusai, the Japanese artist behind the famed painting who changed his name 30 times in his long-spanning career; and what his work and approach to art can teach us about living our lives better—all versions of it. If you liked this episode, do consider rating the show on Spotify or Apple Podcasts. You can reach out to me on Instagram: @‌postcards.pfn My second podcast, Smartphone Nation, won the Hindustan Times Podmasters award for Best Documentary (Non-Fiction) earlier this year. If you want to understand how Indian startups in the Impact space are changing the lives of India's Next Half Billion, please check it out: https://open.spotify.com/show/3rs9XhIkizxobxHhPfKVN9?si=852d0217e4d2420e 

We meet Es Devlin CBE to discuss her new multi-media work SURFACING commissioned by BMW and unveiled at Art Basel in Basel 2024.A pioneering combination of sustainable energy and movement in an installation of water, light, sound and dance. A dance collaboration and a series of mobile sound installations within a pilot fleet of BMW iX5 Hydrogen vehicles.In Hall 1.1 of the art fair Devlin created a booth displaying four works: Surfacing (2024), an illuminated cube of rain penetrated by a line of light and Surfacing II (2024), a pair of painted televisions in which a dancing figure appears to displace pixels and pigment, are flanked by Mask (2018) a projection-mapped model city fusing hands and river, and Mask in Motion (2018) a revolving illuminated translucent printed city which meshes viewers within its kinetic shadow.Each work continues Devlin's 30 year exploration of the entangled dance between humans and technology. The booth surprises visitors each hour as Surfacing's box of rain, like a magician's apparatus, conjures a 7 minute dance work by renowned Paris-based choreographer Sharon Eyal with music composed by London-based duo Polyphonia. A meeting of artist and engineers: Devlin has spent the past year engaging with engineers at BMW, learning the mechanics behind the hydrogen fuel cell technology and its implications for the future of sustainable energy systems. As an opening chapter to the works on view in Hall 1.1, she has created a simple soundscape drawn from their conversations and underscored by composers Polyphonia which is played to guests in the pilot fleet of BMW iX5 Hydrogen vehicles.Devlin says: “I learned from the BMW engineers the beautiful symmetry of the system at work within the hydrogen fuel cell: the energy that is used to separate hydrogen atoms from oxygen is recreated when the oxygen is reunited with hydrogen within the car. The by-product is not only the energy which propels the vehicle, but water.”The exterior of the BMW iX5 Hydrogen has been wrapped in a painted blue and white collage in which Devlin overlays paintings and text made in response to the prints and literature which populated her wall and bookshelves as a teenager. Painted gestures echoing the 1831 woodcut ‘The Great Wave off Kanagawa' by Japanese artist Katsushika Hokusai, are superimposed over hand written extracts from literature's longest sentence about water drawn from James Joyce's seminal novel ‘Ulysses'. Underlying the collage are excerpts from BMW Group publications on hydrogen fuel cell technology.Artist and Stage Designer, Es Devlin's work explores biodiversity, linguistic diversity and collective ai-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. Her canvas ranges from public sculptures and installations at Tate Modern, V&A, Serpentine, Imperial War Museum and United Nations General Assembly, to kinetic stage designs at the Royal Opera House, the National Theatre and the Metropolitan Opera, as well as Olympic ceremonies, Super-Bowl half-time shows, and monumental illuminated stage sculptures for Beyoncé, The Weeknd, Dr Dre, Kendrick Lamar and U2.Visit: https://EsDevlin.com/ and Follow @EsDevlin and @BMWGroupCulture Hosted on Acast. See acast.com/privacy for more information.

Sara and Marilyn marvel over the voice of Disa, which can make even stone weep, the ritual culture of Orcs (who usually make others weep for rather different reasons), and the ways that contrasting oaths may reveal what is sacred to a person or a culture. And they have even more feedback!Subscribe to the Rings & Rituals Podcast Feed Contact Us Questions or comments? Visit us at our website where you can use the contact form or use the voicemail feature. Or, send an email to: ringsandrituals@thelorehounds.com. Find us on BlueSky @thelorehounds or join us for further discussion on our Discord Server. Support us on Patreon: https://www.patreon.com/thelorehounds Listen to the Main Lorehounds Feed: The Lorehounds Podcast Listen to Our Severance Feed: Severance Podcast Listen to Elysia on the Wool-Shift-Dust Podcast: Wool-Shift-Dust Listen to Steve and Anthony talk about movies: Properly Howard Any opinions stated are ours personally and do not reflect the opinion of or belong to any employers or other entities.

He's one of the great economists of our times, always focussed on the big questions, no matter how hard they are. Lant Pritchett joins Amit Varma in episode 379 of The Seen and the Unseen to talk about his life, his work and what he has learnt about the world. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Lant Pritchett on Google Scholar and his own website. 2. Building State Capability: Evidence, Analysis, Action -- Matt Andrews, Lant Pritchett and Michael Woolcock. 3. Deals and Development: The Political Dynamics of Growth Episodes -- Lant Pritchett, Kunal Sen and Eric Werker. 4. What I, as a development economist, have been actively “for” -- Lant Pritchett. 5. National Development Delivers: And How! And How? -- Lant Pritchett. 6. Economic growth is enough and only economic growth is enough -- Lant Pritchett with Addison Lewis. 7. Is India a Flailing State?: Detours on the Four Lane Highway to Modernization -- Lant Pritchett. 8. Is Your Impact Evaluation Asking Questions That Matter? A Four Part Smell Test -- Lant Pritchett. 9. The Perils of Partial Attribution: Let's All Play for Team Development -- Lant Pritchett. 10. Where Has All the Education Gone? -- Lant Pritchett. 11. Looking Like a State: Techniques of Persistent Failure in State Capability for Implementation -- Lant Pritchett. 12. Cents and Sociability: Household Income and Social Capital in Rural Tanzania -- Deepa Narayan and Lant Pritchett. 13. Where Did Development Economics Go Wrong? -- Lant Pritchett speaks to Shruti Rajagopalan on Ideas of India. 14. Reforming Development Economics --  Lant Pritchett speaks to Shruti Rajagopalan on Ideas of India. 15. Suyash Rai Embraces India's Complexity — Episode 307 of The Seen and the Unseen. 16. Economics in One Lesson — Henry Hazlitt. 17. The Worldly Philosophers -- Robert L Heilbroner. 18. That Which is Seen, and That Which is Not Seen — Frédéric Bastiat. 19. The Use of Knowledge in Society — Friedrich Hayek. 20. Four Papers That Changed the World -- Episode 41 of Everything is Everything (in which Amit talks about Hayek's essay). 21. The Great Wave off Kanagawa. 22. Deepak VS and the Man Behind His Face -- Episode 373 of The Seen and the Unseen. 23. How We Do the Small Things -- Amit Varma. 24. Fixing the Knowledge Society -- Episode 24 of Everything is Everything. 25. The O-Ring Theory of Economic Development — Michael Kremer. 26. Why Abhijit Banerjee Had to Go Abroad to Achieve Glory — Amit Varma. 27. Amadeus -- Milos Forman. 28. Why Talent Comes in Clusters -- Episode 8 of Everything is Everything. 29. Imagined Communities -- Benedict Anderson. 30. Fixing Indian Education — Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 31. Accelerating India's Development -- Karthik Muralidharan. 32. An update in 2020 of the Big Stuck in State Capability -- Lant Pritchett. 33. The Forging of Bureaucratic Autonomy -- Daniel Carpenter. 34. The Godfather -- Francis Ford Coppola. 35. Seeing Like a State -- James C Scott. 36. Dido and Aeneas -- Mark Morris Dance Group. Amit's newsletter is explosively active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘The Lighthouse' by Simahina.

After spending sometimes congratulating themselves on how great at podcasting they are, Ben and Jess share their disappointments and dislikes from the episode. There are some redeeming qualities, like when Arondir kicks Theo, but that's about it. ---LOOK MOM, we have a Patreon! Get EARLY ACCESS to episodes, EXCLUSIVE ACCESS to the video version of our show, and more! Head over to our PATREON now! ---A new episode every Tuesday. Email us at PodcastoftheRings@gmail.com Join the conversation and jump into our DISCORD! Follow our Podcast on TWITTER @PodoftheRings Funny content & Shorts on YOUTUBE  BEN GODDARDTwitterTwitch TikTok JESSICA LYNN VERDI TwitterTwitch TikTok Produced by Jessica Lynn Verdi Theme Song written by Vinny Verdi JLV Podcasts | 2024  

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

Katsushika Hokusai is best known for The Great Wave off Kanagawa, part of his series of 36 Views of Mount Fuji. His family was in the mirror business, but Hokusai showed a proclivity for art starting at a young age. When he was 14 he started apprenticing as a wood carver. He spent 4 years carving wood blocks to use as stamps for printmaking. He then went on to study under artists to produce his own designs. His first prints were of actors from the Kabuki theater in 1779. Some years later, he would shift his focus to landscapes. Today marks 400 episodes in my feed. Although many have been encore presentations as I post re-runs when I need a break or in preparation for my annual Arts Madness Tournament (remember Mondays will still be new episodes) seeing that number on my feed made me pause to reflect for a moment. I am truly grateful for everyone who takes time out of their day to listen to my show. To make sure this would be a good episode for you all, I re-recorded one of my most popular episodes adding a little more information about Hokusai. This is one of the first episodes I am recording since upgrading my mic so it should sound good and hopefully, the show will just keep getting better as we go. Whether you have listened to every episode or you are just now discovering the show, I appreciate your support. Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We're talking about Japanese woodcuts again, but we actually know our stuff this time, and we're talking all about The Great Wave by Hokusai. Intro and outro music by our friends Wilder Things Than Us (formerly My Girl My Whiskey and Me).

Alex Schmidt and Katie Goldin explore why "The Great Wave Off Kanagawa" by Hokusai is secretly incredibly fascinating.Direct link to see the art: https://images.metmuseum.org/CRDImages/as/original/DP130155.jpg Visit http://sifpod.fun/ for research sources and for this week's bonus episode.Come hang out with us on the new SIF Discord: https://discord.gg/wbR96nsGg5

On today's special show, I offer a comprehensive argument on how mass migration has already replaced America as we know it – even if we shut off immigration tomorrow. Just legal immigration alone has resulted in the largest percentage of immigrants of all time, and the trajectory shows that almost all future population growth will come from immigrants. I build today's show on a new report from the Center for Immigration Studies showing immigration reaching record levels, with the lion's share coming from cultures very different from ours. The massive pro-Hamas demonstrations you see in places like Michigan and New York did not happen in a vacuum. I go through about a dozen factors – from culture and numbers to origin and welfare – that differentiate this wave of mass migration from the “Great Wave” around the turn of the 20th century. This is not your grandfather's immigration. Learn more about your ad choices. Visit megaphone.fm/adchoices

A family-friendly museum in London presents an exhibition to introduce all things Japanese, from Hokusai's nineteenth-century woodblock print to a kimono ensemble for a dog. It aims to show how stories passed from one generation to another have shaped art, design, and technology in Japan. Many have come across the name “Hokusai” and his iconic woodblock print, ‘The Great Wave.' The image can be seen on T-shirts, mugs, and tea towels, but it is not widely known that the artist, Katsushika Hokusai, was one of the first to use the term “manga.” “Manga” is derived from two Japanese words— “man,” which means whimsical or entertaining, and “ga,” which means pictures or images in general. In the books published by Hokusai, there is no text or dialogue—slightly different from the modern versions which have become a worldwide phenomenon. Despite having internationally recognized characters scattered across the floor, the exhibition goes beyond the world of manga and anime. “A highlight of Japan: Myths to Manga is the incredible crossover between art, design, and technology and how playfulness and creativity are infused within Japanese culture and part of their stories and how the stories and the landscape of Japan go on to have inspired some of the most much-loved anime, manga, and incredible designs," explains curator, Katy Canales. Canales herself has fond memories of playing with Sylvanian Families (1985-1995) which reflect coexistence with nature—the very principle of Japan's indigenous faith, Shinto. The connection between folklore and its influence on Japanese culture is seen through the 150 objects and artwork on display. “What we hoped to do was to bring something that children and their families would really enjoy so that it would be something for everyone to take part in,” Canales says. “For the parents to be able to see items from their childhood and to be able to pass that on and to really engage with their children, to be able to talk, create a discussion and hopefully inspire them to be creative as well.” This article was provided by The Associated Press.

Join us for an enlightening episode as we introduce the highly anticipated launch of Great Wave by Kitsune with founder Mckenzie Turley. In this podcast, we unravel the secrets behind the exceptional quality that sets Great Wave and their other premium hair lines apart from the rest. Discover the artistry and dedication that go into creating top-notch hair extensions as we chat with Mckenzie, the driving force behind it all. Whether you're a hair enthusiast or in search of the best extensions on the market, this episode is a must-listen to learn what makes Invisible Bead Extensions® a cut above the rest.

Katsushika Hokusai is best known for The Great Wave Off of Kanagawa, part of his series of 36 Views of Mount Fuji. His family was in the mirror business, but Hokusai showed a proclivity for art starting at a young age. When he was 14 he started apprenticing as a wood carver. He spent 4 years carving wood blocks to use as stamps for printmaking. He then went on to study under artists to produce his own designs. His first prints were of actors from the Kabuki theater in 1779. Some years later, he would shift his focus to landscapes. Related Episodes: ArtCurious: Katsushika Oi Art Smart: Ukiyo-e Who ARTed: Blue Check out my other podcast Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this bonus episode, brought to you with historicity Tokyo, Japan House London curator Hiro Sugiyama, and contemporary artists Tsuzuki Mayumi and Suga Mica, ride the great waves of Japanese graphic design, commercial illustration, and counterculture, from the 1980s to now. Heta-uma - meaning bad but good - was an accidental art movement. A kind of ‘anti-illustration', heta-uma rocked the established conventions of Japanese art, coinciding with the economic boom of the 1980s. Emerging in the underground manga magazine GARO, and manifesting in posters and adverts, pop art and animation, heta-uma challenges what is ‘ugly', ‘beautiful' or skilled art - as well as what ‘subcultures' mean in the context of a global mainstreaming in Japanese art, embodied by Hokusai's The Great Wave. Hiro Sugiyama, artist and co-curator of WAVE, has brought the annual exhibition in Tokyo to Japan Houses in San Francisco, Sao Paolo, and London. From his training at Yumura Teruhiko's Flamingo Studios in Shinjuku, we return to the city's Inari shrines with the surrealistic paintings of Suga Mica, and Showa period traditions with Tsuzuki Mayumi. Both artists also detail the long role of women artists in commercial illustration, the two-way exchanges between Japanese and Western European art traditions like ‘superrealism' and ‘hyperrealism', and how contemporary Japanese artists take as much from the concept of haziness (morotai), as David Hockney and the films of David Lynch. WAVE: Currents in Japanese Graphic Arts runs at Japan House London until 22 October 2023. For more, you can read my article in gowithYamo: https://www.gowithyamo.com/blog/wave-currents-in-japanese-graphic-arts-at-japan-house-london This episode was produced in collaboration with historicity Tokyo, a podcast series of audio walking tours, exploring how cities got to be the way they are. WITH: Hiro Sugiyama, artist and a curator of WAVE. Tsuzuki Mayumi and Suga Mica, contemporary artists based in Japan. WITH: Hiro Sugiyama, artist and a curator of WAVE. Tsuzuki Mayumi and Suga Mica, contemporary artists based in Japan. Eyre Kurasawa and Bethan Jones are interpreters based in London. ART: ‘WAVE: Currents in Japanese Graphic Arts (2023)'. IMAGE: Installation View. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

NOTICE: We had some technical difficulties recording this episode, and we ended up having to rely on our backup recording. That recording is, unfortunately, lower quality, so some of the audio levels and quality are a bit off. We hope you still enjoy the discussion, though! Story time! Specifically, we're discussing another one of Wit's stories: "Fleet." This is a fun one, and it has some great deeper meanings and messages in it. We hope you enjoy our conversation, because we certainly did! ___ This episode's show notes can be found here: https://docs.google.com/document/d/1Dbhw7smEGgFywxOMciEIkqL8eqSZHEwOmFJCnP67Ucg/edit?usp=sharing ___ This week's Cosmere Thing of the Week: “Fleet” illustration based on Hokusai's The Great Wave off Kanadawa by Connor Chamberlain https://www.instagram.com/p/CUykXOoJiP5/ Check out Connor Chamberlain's gallery: https://www.artstation.com/conjchamberlain ___ You can support The Sandersonian Institute of Cosmere Studies by becoming a Patron at http://www.patreon.com/cosmerestudies SICS patrons make the show possible and gain access to additional content and early access to bonus episodes. ___ Want some SICS merch? Check out our merch store at https://store.streamelements.com/cosmerestudies  ___ You can email us your questions about the Cosmere at cosmerestudies@gmail.com. We will occasionally select emails to respond to during the show, so we'd love to hear any theories you have, no matter how far-fetched, or anything else you may have to say about Brandon Sanderson's work. ___ Follow us at www.youtube.com/cosmerestudies for our live shows, which stream on Mondays, every two weeks, at 8:30pm Mountain Time. Edited versions will be posted on the channel the following Wednesday. ___ We'd like to thank the following artists for granting us permission to use their artwork in our opening video. Be sure to check out their websites! Stephan Martiniere - Elantris - http://www.martiniere.com/ Sam Weber - The Mistborn Trilogy - http://www.sampaints.com/ Chris McGrath - Alloy of Law - http://www.christianmcgrath.com/ Dan dos Santos - Warbreaker - http://www.dandossantos.com/ Michael Whelan - Words of Radiance and Oathbringer - http://www.michaelwhelan.com/ David Palumbo - Arcanum Unbounded - http://www.dvpalumbo.com/ ___ The Sandersonian Institute of Cosmere Studies is a biweekly podcast for fans of Brandon Sanderson's Cosmere novels. Bill, Amy, and Jordan discuss Brandon's work and dive a bit too deep into theories and speculation. So put on your aluminum foil hats and join us for the ride as we discuss Brandon's work and your emails, and remember—there's ALWAYS another secret! ___ Write to us! The Sandersonian Institute of Cosmere StudiesPO Box 970063Orem, UT 84097 ___ Find SICS online: Youtube: https://www.youtube.com/cosmerestudies Patreon: http://www.patreon.com/cosmerestudies Twitter: http://www.twitter.com/cosmerestudies Facebook: http://www.facebook.com/cosmerestudies Instagram: http://www.instagram.com/cosmerestudies TikTok: https://www.tiktok.com/@cosmerestudies

In Platemark s3e29, host Ann Shafer speaks with April Vollmer, an artist working in mokuhanga (Japanese color woodblock printing), who also wrote the indispensable guide to that form: Japanese Woodblock Print Workshop (Berkeley: Watson-Guptill Publications, 2015).   What's mokuhanga, you ask? It's a method developed in Japan that was used to print images that are probably familiar to you, like Hokusai's Great Wave. It allows artists to work with water-based inks (more environmentally friendly) on multiple blocks to build up images, which are printed by hand using a flat paddle called a baren. Each color is carried on a separately carved block and is layered during printing. It means a lot of carving, but it also means one doesn't need a press, chemicals, or a ton of equipment. In other words, it can be done at home in your kitchen.   The range of work made possible in mokuhanga is impressive. Once used for ukiyo-e prints (pictures of the floating world) in the Edo period, now contemporary artists from the world over are experimenting with its possibilities. Including April Vollmer. Episode image: Portia Shao Shiko Munakata (Japanese, 1903–1975). Night Birds (the fence of…), c. 1967. Sumizuri-e. 19.1 x 29.3 cm. Scholten Japanese Art, New York. April Vollmer in her studio. April Vollmer's studio. Yasu Shibata (Japanese, born 1968). 6 White Squares, 2014. Set of six mokuhanga prints. Sheet (each): 11 x 11 in. Aspinwall Editions, Hudson. Tetsuya Noda (Japanese, born 1940). Diary: April 24th '97, 1997. Woodblock and screenprint. Sheet: 74.1 x 52.8 cm. British Museum, London. Keiko Hara (Japanese, born 1942). Published by Lily Press. Verse Space—Light of Black Hole, Monotype with collaged mokuhanga woodblock print. Sheet: 30 x 26 in. Rebecca Salter (British, born 1955). Into the Light II, 2011. Woodblock on Japanese paper. 60 x 90 cm. (23 ½ x 35 ½ in.). Utagawa Kuniyoshi (Japanese, 1797–1861). Earth Spider Attacking Raiko, c. 1820. Color woodblock print. 14 5/8 x 29 5/8 in. Fuji Arts, Ann Arbor. April Vollmer (American, born 1951). Generation, 2002. Mokuhanga on washi. Sheet: 26 x 26 in. Beyshehir Seljuk rug, 13th century Turkey. Found in the Eshrefoglu Mosque in Beyshehir in 1929 by R.M. Riefshahl. Now in the Konya Museum of Ethnography, Konya, Turkey. April Vollmer (American, born 1951). Blackout, 2013. Mokuhanga on Gozen washi. Sheet: 38 x 26 in. April Vollmer (American, born 1951). Eye Cup (Counterfeit), 2008. Mokuhanga and rubber stamp on washi. Sheet: 26 x 11 in. April Vollmer (American, born 1951). Secret Flower, 2006. Mokuhanga. Sheet: 15 ½ x 15 ½ in. April Vollmer (American, born 1951). Migrating Gyre, 2008. Mokuhanga. Sheet: 26 x 26 in. April Vollmer (American, born 1951), printed by Art Print Residence and published by California Society of Printmakers. Great Egret Hunting, from the portfolio Birds on the Edge, 2021. Photo-etching. Sheet: 19 ½ x 15 in.   USEFUL LINKS April's website: https://www.aprilvollmer.com/ Mokuhanga resources: https://www.aprilvollmer.com/category/mokuhanga-resources/ April's Facebook: https://www.facebook.com/april.vollmer April's Instagram: https://www.instagram.com/aprilvollmer_artist/ April Vollmer. Japanese Woodblock Print Workshop: A Modern Guide to the Ancient Art of Mokuhanga. New York: Penguin Random House, 2015. https://www.penguinrandomhouse.com/books/231579/japanese-woodblock-print-workshop-by-april-vollmer/ April Vollmer. “Birds on the Edge: Collaboration and Change.” The California Printmaker: The Journal of the California Society of Printmakers. (2023 Changing Gears Edition) April 2023. https://www.aprilvollmer.com/wp-content/uploads/2023/04/CSP-Birds-on-the-Edge-Vollmer.pdf Nature in the Floating World: Images of Nature in Japanese and Chinese Art. Ulrich Museum of Art, Wichita State University. January 26–May 10, 2023. https://ulrich.wichita.edu/ulrich_exhibition/nature-in-the-floating-world-images-of-nature-in-japanese-and-chinese-art-from-the-ulrich-collection/ International Mokuhanga Conference website https://2021.mokuhanga.org/ International Mokuhanga Conference YouTube channel https://www.youtube.com/channel/UCthTUa5XbGaZsaFf_vDeosg Tuula Moilanen, Kari Laitinen, and Antti Tantuu. The Art and Craft of Woodblock Printmaking. Helsinki: Aalto ARTS Books, 2013. https://www.amazon.com/Art-Craft-Woodblock-Printmaking-Watercolour/dp/B01FIWQXL4 Frogman's Workshop http://frogmans.net/#workshops Anderson Ranch https://www.andersonranch.org/ Kentler International Drawing Space, Red Hook https://kentlergallery.org/ 11 Women of Spirit Part 7. Salon Zürcher, New York. May 15–21, 2023. https://www.galeriezurcher.com/salon-zrcher-28th-edition-11-women-of-spirit-part-7-may-15-21      

Ambition and confidence are two concepts that make an artist. These ideas can take different forms and trajectories, but artists can accomplish anything with talent and a supportive community.  In this episode of The Unfinished Print, I speak with one artist who exudes ambition and confidence. Daryl Howard is a mokuhanga printmaker and artist who lives and works in Austin, Texas. What drew me to Daryl's work is her desire to maintain the mokuhanga tradition, putting both body and soul into her mokuhanga.  Daryl speaks with me about her evolution as a mokuhanga printmaker, her travels, her community, and her time with Hodaka Yoshida.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Daryl Howard - website, Instagram Time Of Smoke That Thunders (2022) Sam Houston State University -  is a public research university located in Huntsville, Texas, USA. Established in 1879 to educate teachers for Texas public schools, SHSU has evolved into a school which offers subjects in criminal justice, Texas studies, and is known for its athletics. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.  lithography - is a printing process which requires a stone or aluminum plate, and was invented in the 18th Century. More info, here from the Tate.  serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.  Stanley Lea  (1930-2017) - was a Texas printmaker and teacher of printmaking at Sam Houston State University in Huntsville, Texas.  Texas A&M - established in 1876 as the Agricultural and Mechanical College of Texas, Texas A&M is a research University in College Station, Texas which has a variety of subjects and programs, more info here. Yokota Airbase, Tōkyō (横田飛行場,) -  established in 1940 as Tama Airbase for the Japanese Air Force, converted in 1945 as an American military base used in the Korean War and the Cold War.  Dr. Richard Lane (1926-2002) -  was a collector of Japanese prints. He was also an author and dealer in Japanese art.  Tsukioka Yoshitoshi  1839-1892 (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.   Yūten Shami - Fudō Myōō threatening the priest Yūten Shami (1867) shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Tachikawa, Tōkyō - 立川市 - is a city located in the metropolis of Tōkyō. It had an American military presence until 1977. For some tourist info, you can find it here. surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.   Kunitachi - 国立市 -  is a city located within the metropolis of Tōkyō. Originally a part of the 44 stations Kōshū Kaidō (甲州街道), a road which connected Edo to Kai Prefecture (Yamanashi). Hodaka Yoshida (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures.    White House O.J. From My Collection (1980) lithograph Fujio Yoshida (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Red Canna (1954) Chizuko Yoshida (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Butterfly Dance (1985) zinc plate and mokuhanga Ayomi Yoshida - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. She teaches printmaking and art. You can find more info here.  Spring Rain (2018) University of Texas at Austin - is a public research university in Austin, Texas, USA. Founded in 1883, the University of Texas at Austin has undergraduate and graduate programs. You can find more information here. Lee Roy Chesney III (1945-2021) - was a printmaker and professor at the Universitty of Texas at Austin.  William Kelly Fearing (1918-2011) - was an award winning painter,  printmaker, and artist who was professor Emiritus at the University of Texas at Austin. His work focused on landscapes, religious imagery, and the human figure. Abstract Figure in Oil (1947) oil on canvas Ban Hua: Chinese woodblock prints - There is a lot of information regarding Chinese woodblock printing. The history of Chinese woodblock goes back centuries, longer than the Japanese method. Modern Chinese printmaking began after Mao's Cultural Revolution, strongly connected by the writings and work of philosopher, academic, and artist Lu Xun (1881-1936), who established the Modern Woodcut Movement. First, check out the work of the Muban Educational Trust based in England. More info can be found here and here at Artelino; for Lu Xun's history, you can find more information here.  Victoria Falls - is a large waterfall located on the border of Zambia and Zimbabwe in South Africa. It is also known as Mosi-oa-Tunya or "The Smoke That Thunders" in the Bantu language of Sotho. The falls are 1,708 meters and 108 meters high.  Wacom -Wacom - is a Japanese company that began in 1983. It produces intuitive touch screen display tablets. It has offices in the US and Europe.  Photoshop - is a raster graphics editor created by Adobe. It allows the user to create and edit images for graphic design, typography, and graphic design.  Akua - are water-based pigments used in intaglio, mokuhanga, and monotype.  Winsor & Newton - is a British artist supply company, started in 1832, which sells artist materials such as pigments, brushes, paper, etc. You can find more info, here.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  Dallas Museum of Art - is an art museum established in 1903 and contains art collections from all over the world and from many periods of history. Some of the collections on the DMA are African, American, Asian, European, Contemporary, and Pre-Columbian/Pacific Rim. More info can be found here. Impressionism - is an art movement founded by Claude Monet (1840-1926), Edgar Degas (1834-1917) and other artists in France. The movement was from 1874-1886 and focused on suburban leisure outside Paris. The Impressionist movement launched into the public consciousness in 1874 at the Anonymous Society of Sculptors and Painters and Printmakers exhibition. More information about the Impressionist movement can be found here at The Met.  Blanton Museum of Art - founded in 1963 at the University of Texas at Austin. It houses collections of European, modern, contemporary, Latin American, and Western American Art.  You can find more information here.  Albrecht Dührer (1471-1528) was a painter and author famous for making detailed devotional works with woodcuts. You can find out more from The Met here for more information about his life and work. The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Pop Wave Orange by Daryl Howard (2021) Bridge In The Rain (After Hiroshige) - was a painting painted by Vincent Van Gogh (1853-1890) in the style of woodblock print designer Utagawa Hiroshige (1797-1858).  baren - is a Japanese word used to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although the baren has many variations.  Sharpening brushes on shark skin are traditionally used on mokuhanga brushes that were “sharpened” or softening the brushes bristles rubbing up and down on the shark skin. But today, you can use very fine sandpaper made of silicon carbide (dragon skin). Mokuhanga printmaker John Amoss has a beautiful write-up about using shark skin and its uses here.  Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous paper maker is Iwano Ichibei. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. You can find more information in English, and in Japanese.  kizuki kozo - is a handmade Japanese paper with many uses. Of a moderate weight and cooked with caustic soda. It is widely available.  Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.  Itoya - is a stationary store in the Ginza district of Tōkyō. It has been in business for over 100 years. They have stores in Yokohama, in various malls throughout Japan and at Haneda and Narita airports. More info can be found on their web page (Japanese) and their Instagram.  Bunpodo - is a stationery store located in the Jinbōchō district of Tōkyō. It was established in 1887 and is considered the first art store in Japan. More info here. Matcha Japan has a walkthrough of the store here. McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print interview with Daniel Jasa of McClain's can be found here. Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. Cocker-Weber - is a brush manufacturing company based in Philadelphia, Pennsylvania, USA.  It was established in 1892. You can find more information here.  Philadelphia Museum of Art - originating with the Centennial Exhibition of 1876, the PMA has over 200,000 pieces of art and objects and is one of the preeminent museums in the US. James A Michener (1907-1997) - a Pulitzer Prize winning writer, scholar and academic who wrote on Japanese prints, amongst many more topics. Mokuhanga Artists Using Laser - many mokuhnaga printmakers today are exploring using laser engraving for their woodblocks rather than hand cutting. Printmakers who use this method are Cal Carlisle, Endi Poskovich, Shinjji Tsuchimochi, and Benjamin Selby. If you know of others, please let me know! Illustrator - is an Adobe product which creates two-dimensional pieces for artists and illustrators.  James A McGrath - is an educator and artist who served as Director of Arts for American Schools in Europe; he taught design, painting and poetry at the Institute of American Indian Arts and was the Arts and Humanities Coordinator for the US Department of Defence School in Southeast Asia. He also worked on the Hopi Indian Reservation and returned to the Institute of American Indian Art as dean of the college and Museum Director. He is now retired. You can find some of his work and writings here at The Smithsonian.  Hopi Mesa - is the spiritual and physical home of the Hopi tribe in Arizona. It is a group of villages (pueblos) on three mesas. Mesa are flat-topped ridges surrounded by escarpments. More information can be found on Visit Arizona here. National Endowment For The Arts - was established by the US Congress in 1965 and created to fund arts and education in the United States. You can find more information here.  Dawson's Springs Museum - is an art museum located in an old bank and was established in 1986 in Dawson's Springs, Kentucky. Karoo Desert - is a semi-desert located in South America and distinguished by the Great Karoo and the Little Karoo. A great article about the Karoo Desert by The Guardian can be found, here Chobe River - also known as the Kwando, is a river which flows from Angola and Namibia. It is known for its wildlife and runs through various National Parks.   Kachina - these are the religious beliefs of the Hopi, Zuni, Hopi-Tewa, and Kerasan. It incorporates the supernatural, dancing, and dolls through Ancestor worship.  bas relief - is a sculptural technique where figures and designs are carved or moulded onto a flat surface, only slightly raised above the background. Bas relief has been used in art and architecture for thousands of years and is found in various cultures, such as the Egyptians, and Assyrians, during The Rennaisance, until today. Bas relief is used today to decorate buildings, monuments, tombs, and decorative objects such as plaques, medals, and coins. In bas-relief, the figures and designs are typically carved or moulded in shallow relief, with only a few millimetres of depth,  creating a subtle, three-dimensional effect that is less dramatic than the more deeply carved high relief. Bas relief can be made from various materials, including stone, wood, metal, and plaster. sepia - is a reddish brown colour. Can be found in various pigments.  Duomo di Firenze - is the Florence Cathedral, finished in the 15th Century, using some of the finest architects from Italy. It is associated with the Italian Renaissance.  Boston Printmakers -  is an organization of international printmakers started in 1947. It holds a Biennial every two years. You can find more information here. The National Gallery of Art - is a free art gallery in Washington D.C. Founded by financier Andrew W. Mellon. The gallery houses more than 150,000 pieces dedicated to education and culture. Construction finished for the West building in 1941. More info can be found here.  © Popular Wheat Productions opening and closing musical credit - I Got It Bad And That Ain't Good  by The Oscar Peterson Trio (1963) on Verve Records. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Today on Boston Public Radio: Chuck Todd on Wisconsin Supreme Court election result takeaways and it's connection to the issue of abortion and other national headlines. We opened the lines to ask listeners about their thoughts on the superintendent who lost his job offer for using the word ‘ladies' in an e-mail. Did listeners think he committed a microaggression? Andrea Cabral continued analysis of the Wisconsin Supreme Court election and future ramifications, the Alpaca Cop Squad in Missouri and more. Paul Reville on high graduation & low college attendance rates for BPS students, the case of leading candidate for superintendent of the Easthampton Public Schools who lost his job offer for using the word ‘ladies' in an e-mail and more. Volunteer Jen Robinson from Moms Demand Action and co-lead of the Massachusetts chapter is on to discuss substantive action everyday people we can do to address gun violence in Massachusetts and beyond. Sarah Thompson and Kendall DeBoer from the MFA are on to talk about the MFA's exhibit of works of (and inspired by) Japanese print-maker Katsushika Hokusai and his Great Wave off Kanagawa. We wrapped up the show by asking listeners how they maintain a healthy lifestyle despite pills that advertise magic weight loss.

Katsushika Hokusai's "The Great Wave off Kanagawa" is a masterpiece of ukiyo-e printmaking and a cultural icon that has left a lasting impact on the world of art. Its bold composition, use of color, and dynamic energy have made it one of the most recognizable and influential works of art in history. The print has inspired countless artists and has been widely reproduced and adapted, becoming a symbol of the beauty and power of Japanese art. Hokusai's contribution to Japanese art and culture is immeasurable, and his legacy continues to inspire and captivate audiences today. --- Support this podcast: https://podcasters.spotify.com/pod/show/vidalsocial/support

Empowered Investor LIVE is only a few days away! LEARN from our guest speakers who have helped thousands of income property investors succeed! Plus, Jason and his team of seasoned Investment Counselors will be available to answer any questions regarding your income property portfolio. Learn the steps you can take TODAY to maximize cash flow, profits, and control over your income property portfolio. So get your tickets NOW! And for those of you who cannot join us LIVE and in person, you can now join us via LIVESTREAM and/or also get the recordings! Just go to at EmpoweredInvestor.com/LIVE today! You can also get a one on one, individual coaching session with Jason when you join him on a western Caribbean cruise on March 4-9. Go to EmpoweredInvestor.com/cruise to book your vacation cruise with him today! And today Jason welcomes back one of Empowered Investor's featured speakers, Rudyard Lynch. Rudyard, better known online as Whatifalthist, is an American-Canadian YouTuber who produces videos based around history, geo-politics and political and philosophical Commentary, as well as formerly Alternate History. He has almost half a million subscribers. What's more amazing is that he just turned 21 years old.  Key Takeaways: Jason's editorial 1:26 Brief overview of our guest, Rudyard Lynch 2:55 Some housekeeping items if you are attending the  Empowered Investor LIVE summit 7:08 Still no ticket? Go to JasonHartman.com to get one NOW 7:31 Join us on March 4-9 for a vacation cruise at the Empowered Investor Pro - Member Retreat Rudyard Lynch's interview 8:48 Welcome back, Rudyard 9:53 FTX scandal and thoughts on cryptocurrencies 14:40 Ted Kaczynski: The Unabomber Manifesto 19:12 Alvin Toffler: PowerShift 21:10 3 Tiers of Power; hollowing out the middle class 24:54 Action steps to take 26:29 Government's own self-interest will protect us 28:02 Real estate: building a  business on scarcity 29:47 The Managerial Theory and the issue with "woke" 32:55 Get your tickets to Empowered Investor LIVE at JasonHartman.com today! 33:09 Writing 'fan-fic' of the real world 35:45 The Great Wave by David Hackett Fischer- studying inflation cycles   Quotables: "Don't talk about it; be about it." - Bob Burns "You can't hear the dogs that don't bark." - Jason Hartman "Inflation is basically a bailout program for debtors." - Jason Hartman   Mentioned: Debt: The First 5,000 Years by David Graeber The Great Wave: Price Revolutions and the Rhythm of History by David Hackett Fischer   Follow Jason on TWITTER, INSTAGRAM & LINKEDIN Twitter.com/JasonHartmanROI Instagram.com/jasonhartman1/ Linkedin.com/in/jasonhartmaninvestor/ Call our Investment Counselors at: 1-800-HARTMAN (US) or visit: https://www.jasonhartman.com/ Free Class:  Easily get up to $250,000 in funding for real estate, business or anything else: http://JasonHartman.com/Fund CYA Protect Your Assets, Save Taxes & Estate Planning: http://JasonHartman.com/Protect Get wholesale real estate deals for investment or build a great business – Free Course: https://www.jasonhartman.com/deals Special Offer from Ron LeGrand: https://JasonHartman.com/Ron Free Mini-Book on Pandemic Investing: https://www.PandemicInvesting.com

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Use promo code NERD15 for 15% off all products at: https://moviepalette.com/Beau & Aaron review episode 4 of The Rings of Power, 'THE GREAT WAVE'Subscribe to our podcast channel here: https://www.youtube.com/channel/UCZTadRgmumwKpgbiMNHsFQgFOLLOW US ON TWITTER, INSTAGRAM & FACEBOOK!TWITTER! - twitter.com/NerdSoupAaron Twitter: @nerdsoupmonkeyBeau Twitter: @beausoupTeddy Twitter: @TeddyNerdSoupNash Twitter: @AnthonyJQNashMarissa Twitter: @purplegirlnsINSTAGRAM - www.instagram.com/nerdsoupFACEBOOK! - www.facebook.com/NerdSoupVisit our Patreon page here - patreon.com/nerdsoup

Feedback is coming in from all ends of the spectrum. Is Galadriel just a hot-headed teen who needs to cool off with 1,000 years of jail time? Or is this a good portrayal of a young Galadriel who will become the powerful and wise Galadriel in the movies? And if you watch picture-in-picture, don't do it around Jim and A.Ron. They may go feral.  Want more lore? Check out the Lorehounds and get the inside scoop for all things Middle Earth.  Got feedback? Send us a message at dugtoodeep@baldmove.com. Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

Choose not the path of fear, but of faith. Thomas Sanjurjo, Kaitlyn Facista, Thomas Salerno, and Jeff Haecker discuss episode 4 and the vision of the great wave; theories about the identities of various characters; and how Galadriel's character is being built. The post Rings of Power, Ep. 4: The Great Wave appeared first on StarQuest Media.

Being the one hundred and sixty-ninth episode in which Galabrand is our new ship (even it's bound to sink), Pharazon has the best hair, and maybe Theo isn't evil, he's just a teenager.    Apologies for the decreased quality of my audio; some of my technology just gave up on me this week and I had to pull a back up from Zoom.   That's What I'm Tolkien About is a proud member of WBNE. For more information, go to https://wbne.org/     The Show: Twitter - www.twitter.com/tolkienaboutpod Instagram - www.instagram.com/tolkienaboutpod  Facebook Group - https://www.facebook.com/groups/3043311089030739/  Merch - https://bit.ly/3yELYc3  Patreon - https://www.patreon.com/tolkienaboutpod/  Cover art by Vashaun Brandon - https://www.instagram.com/vashaundesigns/    Mary Clay: Twitter - www.twitter.com/mcwattsup  Instagram - www.instagram.com/mcturndownforwatt    Anna María: Twitter - https://twitter.com/onlyannamaria Instagram - https://www.instagram.com/onlyannamaria LinkTree - linktr.ee/onlyannamaria   Resources, Articles, Etc. - Fan Organizer Coalition - https://fandomforward.org/coalition  Race in LOTR and Tolkien's Works: https://docs.google.com/document/d/11ExziJbBteK8eJn9xgrjm17P23Vg_Ucm8rAyYAkm9yc/edit  Potterless: Anti-Semitism in Harry Potter, Lord of the Rings, and Fantasy w/ Eric Silver - https://www.potterlesspodcast.com/episode-161

In "The Great Wave", Míriel is haunted by a prophetic dream, Galadriel touches a Palantír, and Arondir delivers a message from Adar! Join us as we discuss it all!WATCH THE VIDEO » https://youtu.be/kWoODn2MFJ8 ***AUDIO RELEASED 3 DAYS EARLY FOR OUR PATRONS***EXECUTIVE PRODUCERS » Kaitlyn of Tea with Tolkien, John R, Jacob Lockham, John H, Scotchy BoboFOLLOW & SUPPORT US:- https://patreon.com/tolkienroad- https://twitter.com/tolkienroad- https://truemythspress.com/- https://facebook.com/tolkienroad- https://instagram.com/tolkienroadGOOD FANTASY VS. THE SUSPENSION OF DISBELIEF"What really happens is that the storymaker proves a successful ‘sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is ‘true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed." - On Fairy-storiesLINKS - Cymatics (Definition) » https://en.wikipedia.org/wiki/Cymatics - Cymatic Demo (Video) » https://youtu.be/CsjV1gjBMbQ?t=108 - Tolkien On His Tidal Wave Dream » https://tolkiengateway.net/wiki/AtlantisSPECIAL THANKS:- John R- Kaitlyn of Tea with Tolkien- Jacob Lockham- John H- Scotchy Bobo- Ms. Anonymous- Andrew T- Redhawk- Shannon S- Brian O- Emilio P- Zeke F- James A- James L- Chris L- Chuck F- Asya V- Ish of the Hammer- Teresa C- David of Pints with Jack- Jonathan D- Eric B- Johanna T- Mike M- Robert H- Paul D- Julia- Werty- Matthew W- JoeBagelMan- Chris K- Jacob S- Richard K- Matt R- Garret P- John WAS WELL AS THOSE CELEBRATING THEIR PATRON ANNIVERSARY THIS MONTH (SEPTEMBER OF 2022)- Brielle A- Dustin Q- Johanna T- Robert S

This week we welcome our very own Dwarven accented Lucy, who joins Anwen and Penny to discuss Episode 3 “The Great Wave”We missed those adorable Harfoots this week (some more than others) but we got a little something from all the other races….singing, sneaky, mining dwarves, Elves with insane archery skills, Men rallying to the call, and even Orcs with feelings! Oh and pretty much everyone has some kind of secret this week. Join us for another epic trip through Middle Earth!To discover the badass women of Tolkien, visit https://pagesunbound.wordpress.com/2018/03/23/16-of-tolkiens-most-badass-women/ For those wanting to explore further, you can find an encyclopedia of everything from Tolkien's works here: glyphweb.com. And to explore the world of Middle Earth portrayed in the books and on screen, go to: lotr.fandom.com  For a rundown of all the main characters, visit https://www.radiotimes.com/tv/fantasy/lord-rings-power-cast-amazon-prime-video/ You can find our contact info and all our other shows at: podcastica.com Music: Now We Ride by Alexander Nakarada (www.serpentsoundstudios.com)Licensed under Creative Commons BY Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ Anwen and Penny would appreciate it if you'd subscribe to our standalone Rings of Power podcast, The ‘Cast of the Rings, and help us move it up in the search results so people can find it.• You can find that at podcastica.com/podcast/the-cast-of-the-rings-a-lord-of-the-rings-the-rings-of-power-podcast • Click Subscribe for links to the podcast on Apple Podcasts, Spotify, Stitcher, etc.• Thank you!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week we welcome our very own Dwarven accented Lucy, who joins Anwen and Penny to discuss Episode 3 “The Great Wave”We missed those adorable Harfoots this week (some more than others) but we got a little something from all the other races….singing, sneaky, mining dwarves, Elves with insane archery skills, Men rallying to the call, and even Orcs with feelings! Oh and pretty much everyone has some kind of secret this week. Join us for another epic trip through Middle Earth!To discover the badass women of Tolkien, visit https://pagesunbound.wordpress.com/2018/03/23/16-of-tolkiens-most-badass-women/ For those wanting to explore further, you can find an encyclopedia of everything from Tolkien's works here: glyphweb.com. And to explore the world of Middle Earth portrayed in the books and on screen, go to: lotr.fandom.com  For a rundown of all the main characters, visit https://www.radiotimes.com/tv/fantasy/lord-rings-power-cast-amazon-prime-video/ You can find our contact info and all our other shows at: podcastica.com Music: Now We Ride by Alexander Nakarada (www.serpentsoundstudios.com)Licensed under Creative Commons BY Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ Anwen and Penny would appreciate it if you'd subscribe to our standalone Rings of Power podcast, The ‘Cast of the Rings, and help us move it up in the search results so people can find it.• You can find that at podcastica.com/podcast/the-cast-of-the-rings-a-lord-of-the-rings-the-rings-of-power-podcast • Click Subscribe for links to the podcast on Apple Podcasts, Spotify, Stitcher, etc.• Thank you!Advertising Inquiries: https://redcircle.com/brands

Support this podcast by becoming a paid member of DecodingTV.com!David Chen and Don Marshall discuss the fourth episode of Prime Video's The Lord of the Rings: The Rings of Power: ‘The Great Wave.' This episode, Galadriel tries to convince the city of Númenor to join in her fight. But will they be fighting for the right purpose?Adar reveals himself, but what are his broader goals? What is calling out for Isildur? When exactly is all the Southlands stuff taking place? For answers and speculations that address these questions (and many more), listen to the episode!Links:For quality written recaps and reviews about The Rings of Power and many other shows, check out the Episodic Medium newsletter.Read about the making of the Rings of Power title sequenceSubscribe to this podcast on YouTubeFollow this podcast on TiktokFollow this podcast on TwitterFollow Don Marshall:On TiktokOn InstagramOn PatreonFollow David Chen:On TwitterOn TiktokOn Instagram Hosted on Acast. See acast.com/privacy for more information.

In this episode, Mike Bloom (@AMikeBloomType) and DM Filly (@DMFilly) cover "The Lord of the Rings: The Rings of Power" episode 4, 'The Great Wave.' The post The Lord of the Rings: The Rings of Power Episode 4 Recap, ‘The Great Wave' appeared first on PostShowRecaps.com.

In this episode, Mike Bloom (@AMikeBloomType) and DM Filly (@DMFilly) cover "The Lord of the Rings: The Rings of Power" episode 4, 'The Great Wave.' The post The Lord of the Rings: The Rings of Power Episode 4 Recap, ‘The Great Wave' appeared first on PostShowRecaps.com.

The dwarves are possibly the best part of this show. Who else wants to see a dwarf scale a rock face? Galadriel gets some sense knocked into her head between those prosthetic ears. But do the writers have the sense to write the nuances that political allegory requires? Follow along Galadriel's journey as the OG horse girl makes her way through this (still) very beautiful show. Got feedback? Send us a message at dugtoodeep@baldmove.com. Want more lore? Check out the Lorehounds and get the inside scoop for all things Middle Earth. Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Episode 4 of The Lord of the Rings: The Rings of Power titled THE GREAT WAVE. A lot to talk about this episode. Brian and Joe definitely are feeding more fuel to the Halbrand is Sauron fire in this one. And we all got pretty emotional over the Elrond and Durin storyline in this episode. Tons to break down in this podcast and we're only halfway into the season. Please remember to subscribe, rate and review! You can email us at PCLOTRpod@gmail.com and follow us on twitter @PCLOTR. Brian and Jake host Pop Culture Leftovers podcast. Listen to Joe Stark on StarkCast podcast. And Billy can be seen on The Reality Guys on YouTube. The Great Wave "Queen-Regent Míriel's faith is tested, Isildur finds himself at a crossroads, Elrond uncovers a secret, Arondir is given an ultimatum and Theo disobeys Bronwyn." Director: Wayne Che Yip Writers: Stephany Folsom, J.D. Payne & Patrick McKay Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Great Wave off Kanagawa is a yoko-e (landscape-oriented) woodblock print created by Japanese artist Katsushika Hokusai during the Edo period... but that has nothing to do with this episode. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy