Podcast appearances and mentions of patricia racette

[@2 min] Alright, this week…we go Inside the Huddle with Patricia Racette! The newly appointed Artistic Director of Opera Theatre of St Louis returns to the OBS to share her strategy for storytelling and shaping the future of her new home company. [@41 min] And then...a Field Report from The Met's Barber of Seville, described by our on-the-ground correspondent as a Money Machine... [@43 min] Plus, in the ‘Two Minute Drill'…Opera Philadelphia's $11 dollar tickets are back and the 2025 Richard Tucker Award winner is announced. It's a great time for opera in America. No obstacles or challenges for artists at all…. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

[@3 min] Alright, this week…we go Inside the Huddle with Gemma New. Having already achieved operatic glory in Opera Theater St Louis's acclaimed production of Susannah, find out how the Kiwi conductor is preparing for her upcoming debut at Santa Fe Opera! [@17 min] Then...in Monday Evening Quarterback, we give you the play by play of the US premiere of a new orchestration of Scott Joplin's Treemonisha- which gets us thinking, what are the best operas never to be seen by their composers? [@42 min] Opera Theatre names Patricia Racette as its new Artistic Director, and Sonya Yoncheva wants to teach your children about classical music..first lesson, Tosca! GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Welcome our guest: soprano Avery Boettcher. Regarded for the warm, luxurious texture of her voice and versatile, captivating nature as a performer, Avery Boettcher is a soprano from Appleton Wisconsin. Most recently, Ms. Boettcher was seen performing the role of Violetta Valéry in an excerpt of La Traviata in Opera Theatre of St. Louis' Center Stage concert during the 2021 summer festival season as a member of the Gerdine Young Artist Program. Additionally in her time as a GYA, Ms. Boettcher had the privilege of covering world-renowned soprano Patricia Racette in her self-directed production of Poulenc's one-woman opera La voix humaine.

Join us as we head to Santa Fe, NM to talk with two incredibly talented people, Patricia Racette and Beth Clayton, about career paths, the future of opera, being a singing actress, mental health and the silver lining during the pandemic of being home with chainsaws. https://patriciaracette.com/ https://bethclayton.com/ https://www.operaamerica.org/industry-resources/2021/202106/taking-care-mental-health-care-for-creators-and-artists/ www.screamingdivas.com  

Welcome back to the 40th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. The theatres may be closed, but art finds a way to survive! For the time being on this podcast we are rereleasing our past reviews, interviews, roundtables, and duet reviews in remastered audio only versions so you can take your CoH content on the go! For our 40th episode we continue to branch out our review series beyond the Stratford Festival and onto other productions. In this episode we discussed the 2014 San Francisco Opera's production of the Jerome Kern and Oscar Hammerstein II musical, Showboat, directed by Francesca Zambello, and starring Heidi Stober as Magnolia Hawks, Michael Todd Simpson as Gaylord Ravenal, Morris Robinson as Joe, Patricia Racette as Julie La Verne, and Bill Irwin as Cap'n Andy Hawks. Cup of Hemlock Theatre is a Toronto-based performing arts collective dedicated to staging works that examine the moral quandaries of the human experience. With an inquisitive compass, we aim to provide audiences the space to retrace their personal stories and navigate their individual ideologies. Follow us on Instagram/Facebook/Twitter: cohtheatre Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Alana Hibbert – Twitter: @ar_hibb Canadian College for the Performing Arts: http://www.ccpacanada.com/programs/ Alicia Plummer – Instagram: itisaliciaplummer // TikTok: hialiciabyealicia // YouTube: Alicia Onlineee: https://www.youtube.com/channel/UCoGyruNhQQwNhWj_ncbQbDA/featured Benjamin MacKinnon – [Just send all that love to CoH instead; he won't mind!] --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Step into the world of opera through North Stage Door, a new podcast that takes you into the swirl of creativity, stagecraft, and performance at San Francisco Opera. You'll hear lively stories and insightful interviews with Lucas Meachem, Pete Docter, Patricia Racette, and Craig Kausen.  Open a window into the complex inner workings of this vibrant company, and the many aspects necessary to make a rich, multi-faceted art form come to life. Luminaries of the field, including opera stars, composers, directors, writers, craftspeople, and musicians from the pit to the stage, will be showcased in this series, featuring company insiders as your guides. Visit sfopera.com/northstagedoor for more information.North Stage Door is supported by the Creative Edge Fund and by an OPERA America Innovation Grant, supported by the Ann and Gordon Getty Foundation. We want to thank our labor organizations whose members, artists, and craftspeople bring our operas to life.

Filmed in Grand Center in October, “Songs for St. Louis: A Concert in the Commons” features three young operatic stars singing some of the most beloved songs of Broadway and opera. Patricia Racette of Opera Theatre of St. Louis explains the concert's origins.

The three-hour epic season finale begins! Our live listeners on WNUR 98.3 FM Chicago got it all in one fell swoop, while our podcast listeners get this marathon show split up into three one-hour releases on August 13, 20 and 27… In Part I, the Fab Five OBS guys - along with guest co-host conductor Anthony Barrese - get into a ‘Chalk Talk’ segment about protests at Indiana University’s Jacobs School of Music... George goes ‘Inside the Huddle’ with American soprano and director Patricia Racette... In the ‘Two Minute Drill’, one sexual assault case in Operaland is apparently settled, while another one apparently gets even worse... www.facebook.com/OBSCHI1 www.operaboxscore.com www.wnur.org/popup

All eyes in the village are on Jenufa. Her fiancé sees only a trophy wife. Her rejected suitor sees a chance to avenge the most cutting wrongs in his past. Her righteous stepmother sees her own life’s tragedy about to play out again for her child. The results are two unspeakable crimes which lead to the opera’s true theme—that the wounds of troubled lives can be assuaged through acceptance, forgiveness, and hope. Patricia Racette returns to the Santa Fe Opera for her 10th role on our stage in this production of Jenufa by Leos Janáček, staged by David Alden. Having performed the role of Jenufa many, many times, Patricia now takes on the role of the stepmother, Kostelnicka.  Cori and Patricia talk about what it's like to prepare for a new character in an opera she knows so well; her career expansion from ingenue to more mature, dramatic roles; her passion for coaching young singers; a return to her musical theatre roots; and the answer to the burning question on all Santa Feans' minds -- red or green?    Follow Patricia at http://patriciaracette.com on Twitter @patriciaracette and on Facebook @divapatriciaracette. *** Jenufa runs at the Santa Fe Opera July 20 - August 15, 2019. Learn more and plan your visit at http://www.santafeopera.org. We'd love for you to join us on Instagram, Twitter, and Facebook @santafeopera.  *** Beyond the Opera is produced for the Santa Fe Opera by Andrea Klunder at The Creative Impostor Studios. Our audio engineer is Kabby at Kabby Sound Studios in Santa Fe. Our hosts are dramaturg Cori Ellison and Kathleen Clawson, associate director of the Santa Fe Opera apprentice singer program.

Patricia Racette has been heralded a preeminent singing actress of our time. She has built and sustained an evolving career in the most acclaimed opera houses and concert stages of the world for over thirty years and continues to not only sustain her passion for this art form but also expand it to broader arenas as both stage director and master teacher. An internationally recognized artist herself, she has sung leading roles at the major houses of the world, including the Metropolitan Opera, San Francisco Opera, Royal Opera House, La Scala, Paris Opera, Teatro Liceu, Teatro Real, Bayerische Staatsoper and many more. She also made her mark on The Met: Live in HD series as the leading ladies in “Madama Butterfly,” “Tosca,” “Pagliacci” and “Peter Grimes.” Born and raised in New Hampshire, Patricia studied jazz and music education at North Texas State University, received training in the Merola and Adler programs at San Francisco Opera, and most recently received an honorary doctorate from San Francisco Conservatory of Music in 2017. She received a Grammy Award in 2017 for Best Opera Recording for her performance as Marie Antoinette in the Los Angeles Opera’s production of John Corigliano’s “The Ghosts of Versailles.” On This Episode Patricia and Randy celebrate authenticity, collaboration, compromise, laughter, friendship, breaking the rules, life’s unexpected detours, “dogged” determination and what it’s like to be a PhDiva. #Racettitative Twitter: @randallkjones @siriouslysusan @patriciaracette Instagram @RandallKennethJones @SiriouslySusan www.RandallKennethJones.com www.SusanCBennett.com www.PatriciaRacette.com

El Liceu programa entre el 8 i el 22 de novembre el drama psicològic Kàtia Kabànova, de Leoš Janáček, amb el mestre Pons a la batuta i Patricia Racette en el paper protagonista.

Director James Darrah and soprano Patricia Racette discuss NE QUITTEZ PAS: A Reimagined La voix humaine with Opera Philadelphia's Michael Bolton.

Director James Darrah and soprano Patricia Racette discuss NE QUITTEZ PAS: A Reimagined La voix humaine with Opera Philadelphia's Michael Bolton.

Reach Us Here: Randy Jones - @randallkjones Patricia Racette - @patriciaracette   Show Notes by Show Producer: Anna Nygren   In this episode, Randy and Patricia discuss: The art of the opera Patricia's work Artistic investment The evolution of the art form   Key Takeaways: There's got to be a interpretative and theatrical investment that the performer makes What's important for this art form is the infusion of new repertoire There are very few matters of fact in the world of opera A true engaging discussion is critical to any art form   "It's a very unique experience for both performers and audiences" - Patricia Racette   Connect with Patricia Racette:   Twitter: @patriciaracette Facebook: https://www.facebook.com/divapatriciaracette/ Website: http://patriciaracette.com/   Connect with Randall Kenneth Jones:   Twitter: @randallkjones Facebook: https://www.facebook.com/mindzoo/ Website: http://randallkennethjones.com/   Nice Guys Sponsor: Interview Valet is the  best podcast booking service. They are the leader in Podcast Interview Marketing to help you easily turn listeners into leads.   Nice Guys Links Support the podcast at www.Patreon.com/NiceGuys   Subscribe to the Podcast   Niceguysonbusiness.com   TurnkeyPodcast.com - You're the expert. Let us help prove it. Podcast Production, Concept to Launch   Book Doug and/or Strick as a speaker at your upcoming event.   Amazon #1 Best selling book Nice Guys Finish First. Doug's Business Building Bootcamp (10 Module Course)   Survey: Take our short survey so The Nice Guys know what you like.     Partner Links: Amazon.com: Click before buying anything. Help support the podcast.   Interview Valet:  Get interviewed on top podcasts and share your message.   Acuity Scheduling: Stop wasting time going back and forth scheduling appointments   Social Quant - Boost your Twitter following the right way. Targeted reach     Promise Statement: To provide an experience that is entertaining and adds value to your life.   Don't underestimate the Power of Nice.

On this week's episode of He Sang/She Sang, hosts Merrin Lazyan and Mike Shobe are joined by soprano Patricia Racette and music writer Paul Thomason to discuss Salome. Hear how an innocent princess transforms into a deranged psychopath, the scandals surrounding the opera's premieres and why it's more fun to play a nasty character than a nice one. Plus, hear all about these YouTube picks of the week: Nadja Michael, the Royal Opera, London: Lubja Welitsch, Fritz Reiner, Met Opera Orchestra: Salome directed by Götz Friedrich, starring Teresa Stratas and Bernd Weikl, Karl Böhm conducts the Vienna Philharmonic:   This episode features excerpts from the following album: • Salome (London/Decca, 1995)— Catherine Malfitano, soprano; Bryn Terfel, bass-baritone; Vienna Philharmonic conducted by Christoph von Dohnányi

This week, it's a special hour-plus show! We talk with soprano Emily Birsan, who is currently in Puccini's "Gianni Schicchi" at Chicago Opera Theater. Our team reviews the show, as well as its prelude in the double-bill: Poulenc's "La Voix Humaine", featuring Patricia Racette. Oliver sets up a new battle royale in our TKO segment, and George gives you the week's opera headlines. Wow!

Puccini's diva drama, TOSCA is at Houston Grand Opera from Jan 22 to Feb 7, 2010www.HoustonGrandOpera.org/ToscaRenowned soprano Patricia Racette makes her role debut as the passionate Floria Tosca in Puccinis timeless drama. Tenor Marcus Haddock is the painter Mario Cavaradossi, whom Tosca adores and Raymond Aceto sings the menacing Baron Scarpia who will stop at nothing to destroy the object of Toscas affections. Created especially for Houston Grand Opera, this new production by John Caird features classic sets and costumes designed by Bunny Christie in the style of nineteenth-century Rome.