Podcast appearances and mentions of edith piaf

 Song  Non, Je Ne Regrette Rien  She touched my soul with this  and that happened to all…  Non, rien de rien — No, nothing at allNon, je ne regrette rien — No, I regret nothingNi le bien qu'on m'a fait, ni le mal — Neither the good done to me, nor the badTout ça m'est bien égal — It's all the same to meC'est payé, balayé, oublié — It's paid for, swept away, forgottenJe me fous du passé — I don't care about the past (informal/strong) Use your faults, use your defects; then you're going to be a star.When you reach the top, you should remember to send the elevator back down for the others.Singing is a way of escaping. It's another world. I'm no longer on earth.I want to make people cry even when they don't understand my words.All I've done all my life is disobey.Every damn fool thing you do in this life you pay for.My conservatory is in the streets. My intelligence is instinct.Don't care what people say. Don't give a damn about their laws.As far as I'm concerned, love means fighting, big fat lies, and a couple of slaps across the face.I always thought my days spent in darkness [as a child she had cataracts and was unable to see for nearly four years] gave me a very special sensitivity. Much later, when I really wanted to hear, really 'see' a song, I'd close my eyes, and when I wanted to bring it out of the very depths of myself, out of my guts, out of my belly, when the song had to come from far away, I'd close my eyes.I think you have to pay for love with bitter tears.I can die now. I've lived twice.Performers and their public should never meet. Once the curtain comes down, the performer should fly away like a magician's dove.I don't lie; I improve on my life.If God has allowed me to earn so much money, it is because He knows I give it all away.Drugs are a carnival in hell.My Video:  Edith Piaf Quotes  https://youtu.be/LModeLh87B8My Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast5/Edith-Piaf-Quotes.mp3

In dieser Folge unserer Reihe der RC-Persönlichkeiten stellen wir Ihnen einen Text vor, der einer Hommage an Edith Piaf entnommen ist.

À l'occasion de la 3ème édition du festival Sacré Sound, #SessionLive autour de la création Ima Yemma + famille Rabbath.  François Rabbath est un contrebassiste franco-syrien de renom, qui a porté son instrument auprès des plus grands noms de la chanson française, Barbara, Aznavour, Paco Ibanez, Edith Piaf. Son fils Sylvain, alias HabibiSly, pianiste voyageur formé au fil des tournées internationales de son père, perpétue et enrichit cet héritage en duo avec lui. Les compositions, nourries d'ambiances et de paysages glanés en chemin, offrent un souffle épique et une profondeur rare où la contrebasse de François se fait guide et le piano de Sylvain compagnon de route. Avec AMALL, père et fils signent une œuvre à la fois intime et universelle. Guest concert du 26 mai au Couvent des Récollets : Minino Garay. Pour la #SessionLive, le duo invite la chanteuse syrienne Lynn Adib (Bedouin Burger) Puis, en exclu, une idée de la création Ima Yemma Orchestra - Entre New York, Paris, Alger, Tanger Chaâbi d'Alger, Groove Gnawa et Soul Yiddish, pour faire danser et célébrer la joie d'être ensemble. Ima, Yemma... Maman, en hébreu et en arabe, les sons des mots sont si proches. Cet orchestre n'est pas composé de juifs ou de musulmans, mais d'artistes frères et sœurs qui rendent un vibrant hommage aux mères. Un hommage à toutes les mamans mais aussi à toutes celles à venir. ​Au présent, le IMA YEMMA ORCHESTRA vous propose une fête, de la danse, de la musique du monde entier. La soul Yiddish et Juive New Yorkaise va rencontrer le Chaabi d'Alger et le groove Gnawa marocain. Un espace rêvé où les croisements de langues seront des surprises, des rimes, où les instruments de toutes ces traditions se marient en un seul son. Ce concert est une “safe place” au croisement des cultures, une grande fête. ​Coproduction Noa Music / Sacré Sound Festival. Avec : David Konopnicki, Ptit Moh, Myriam Beldi, Deborah Sacks Minz, Yoshie Fruchter, Reine Rubis, Adhil Mirghani, Clémence Lasme, Gurvan Zytynski. Pour la #SessionLive nous recevons David Konopnicki, Myriam Beldi, Gurvan Zytynski et Clémence Lasme. Sans oublier Madame la Directrice Laurence Haziza !   Titres Interprétés dans le grand studio : - Atoun François Rabbath et Sylvain Rabbath avec Lynn Adib, Live RFI  - Wellahi Madrit Konopnicki avec Myriam Beldi, Live RFI - Ah Ya Layla Yumma Shiran et Bakal, extrait de l'album Electro Baghdad (Batov Rd 2025) - Sevillana François Rabbath et Sylvain Rabbath, Live RFI  - Chahlet Layani Konopnicki, Live RFI - Impro entre François Rabbath, David Konopnicki et Sylvain Rabbath, Live RFI.  Line Up : François Rabbath (contrebasse), Sylvain Rabbath (piano), Lynn Adib (chant), David Konopnicki (mandole), Myriam Beldi (chant), Gurvan « Bleu Sang » Zytynski (laptop + synthé) et Clémence Lasme (guitare basse électrique). Son : Mathias Taylor, Benoît Letirant, Camille Roch. ► Album Amall (Heavenly Sweetness 2025) + Création David Konopnicki Ima Yemma.  Site - Instagram - Facebook. François Rabbath - Facebook - Institute  Sylvain Rabbath - bandcamp Lynn Adib  David Konopnicki  Myriam Beldi  Clémence Lasme  Shiran & Bakal  Laurence Haziza.

À l'occasion de la 3ème édition du festival Sacré Sound, #SessionLive autour de la création Ima Yemma + famille Rabbath.  François Rabbath est un contrebassiste franco-syrien de renom, qui a porté son instrument auprès des plus grands noms de la chanson française, Barbara, Aznavour, Paco Ibanez, Edith Piaf. Son fils Sylvain, alias HabibiSly, pianiste voyageur formé au fil des tournées internationales de son père, perpétue et enrichit cet héritage en duo avec lui. Les compositions, nourries d'ambiances et de paysages glanés en chemin, offrent un souffle épique et une profondeur rare où la contrebasse de François se fait guide et le piano de Sylvain compagnon de route. Avec AMALL, père et fils signent une œuvre à la fois intime et universelle. Guest concert du 26 mai au Couvent des Récollets : Minino Garay. Pour la #SessionLive, le duo invite la chanteuse syrienne Lynn Adib (Bedouin Burger) Puis, en exclu, une idée de la création Ima Yemma Orchestra - Entre New York, Paris, Alger, Tanger Chaâbi d'Alger, Groove Gnawa et Soul Yiddish, pour faire danser et célébrer la joie d'être ensemble. Ima, Yemma... Maman, en hébreu et en arabe, les sons des mots sont si proches. Cet orchestre n'est pas composé de juifs ou de musulmans, mais d'artistes frères et sœurs qui rendent un vibrant hommage aux mères. Un hommage à toutes les mamans mais aussi à toutes celles à venir. ​Au présent, le IMA YEMMA ORCHESTRA vous propose une fête, de la danse, de la musique du monde entier. La soul Yiddish et Juive New Yorkaise va rencontrer le Chaabi d'Alger et le groove Gnawa marocain. Un espace rêvé où les croisements de langues seront des surprises, des rimes, où les instruments de toutes ces traditions se marient en un seul son. Ce concert est une “safe place” au croisement des cultures, une grande fête. ​Coproduction Noa Music / Sacré Sound Festival. Avec : David Konopnicki, Ptit Moh, Myriam Beldi, Deborah Sacks Minz, Yoshie Fruchter, Reine Rubis, Adhil Mirghani, Clémence Lasme, Gurvan Zytynski. Pour la #SessionLive nous recevons David Konopnicki, Myriam Beldi, Gurvan Zytynski et Clémence Lasme. Sans oublier Madame la Directrice Laurence Haziza !   Titres Interprétés dans le grand studio : - Atoun François Rabbath et Sylvain Rabbath avec Lynn Adib, Live RFI  - Wellahi Madrit Konopnicki avec Myriam Beldi, Live RFI - Ah Ya Layla Yumma Shiran et Bakal, extrait de l'album Electro Baghdad (Batov Rd 2025) - Sevillana François Rabbath et Sylvain Rabbath, Live RFI  - Chahlet Layani Konopnicki, Live RFI - Impro entre François Rabbath, David Konopnicki et Sylvain Rabbath, Live RFI.  Line Up : François Rabbath (contrebasse), Sylvain Rabbath (piano), Lynn Adib (chant), David Konopnicki (mandole), Myriam Beldi (chant), Gurvan « Bleu Sang » Zytynski (laptop + synthé) et Clémence Lasme (guitare basse électrique). Son : Mathias Taylor, Benoît Letirant, Camille Roch. ► Album Amall (Heavenly Sweetness 2025) + Création David Konopnicki Ima Yemma.  Site - Instagram - Facebook. François Rabbath - Facebook - Institute  Sylvain Rabbath - bandcamp Lynn Adib  David Konopnicki  Myriam Beldi  Clémence Lasme  Shiran & Bakal  Laurence Haziza.

Für Olaf Salié verkörpert das französische Chanson eine Lebensphilosophie: „Das Chanson predigt Individualismus. Es ermutigt, einen eigenen Weg zu gehen“. Zum Beispiel, weil Liebe und Freiheit immer zusammengedacht werden. Damit haben große Chansonnièren wie Juliette Gréco das Bild der emanzipierten, auch sexuell unabhängigen Frau geprägt. Als Arbeiter- und Kampflied hat das Chanson soziale Missstände kritisiert und mit „Le Déserteur“ die Hymne der Pazifisten hervorgebracht. Andererseits kollaborierten Edith Piaf und Maurice Chevalier mit den Nazis. Auch das gehört zur Geschichte dieses Lieds.

Toutes les deux semaines, Grand Plateau vous fait découvrir ou redécouvrir un coureur / une coureuse cycliste qui fait parler de lui ou d'elle en cette saison 2026. Comme le disait notre très chère Edith Piaf, il y en a un, cette semaine, qui a bien bien vu la vie en rose. Une belle surprise sur ce Giro 2026, et elle nous vient tout droit de la Bahreïn. Un jeune portugais qui n'a jamais vraiment rêvé de World Tour. Mais maintenant qu'il y est, autant vous dire qu'il n'a pas fini de nous surprendre. On vous présente… Afonso Eulalio. Avec Killian Verove et Yohan Bredow.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Už 25 let je českou Edith Piaf. Výročí oslavuje koncerty. Ovšem nejen francouzský šanson je součástí jejích hudebních aktivit. Stojí také za akcí „Šansony v zahradách“, která se odehrává pod Pražským hradem.

Let's take a deeper dive into the 20th arrondissement of Paris. This is an updated re-release of the time we visited the 20th arrondissement as part of our Paris Countdown season.  You'll hear dinnertime singalongs, a cemetery visit, and more about the best pizza in Europe. There is even an interview with a Polish singer called Gosia who had just finished leading an Edith Piaf show at a local restaurant. (She sings on the episode, too, her fave Edith song, which was J'm'en fous pas mal). You can find everything we mention on this post:  This episode brought to you by The Earful Tower Tours. Come join us in the Marais, Montmartre, or the Latin Quarter. Our Walking Tours are exceptionally highly rated online and are the best way to experience this podcast in real life. The Earful Tower exists thanks to support from its members. For just $10 a month you can unlock almost endless extras including bonus podcast episodes, live video replays, special event invites, and our annually updated PDF guide to Paris.  Membership takes only a minute to set up on Patreon, or Substack. Thank you for keeping this channel independent.  For more from the Earful Tower, here are some handy links: Website  Weekly newsletter  Walking Tours If you're in a rush, here is a narrative distillation of the episode (meaning, essentially, that you're reading about 10 percent of what happens).  Oliver: Let me take you back to December 19th, 1915, in Paris, where a baby girl named Edith Piaf was born on the cold streets of Belleville. She became the soul of Paris and, more specifically, the soul of the district we are sharing with you today in the far east of the city. To get there, we are taking a car, and I'm joined by my wife and confidant, Lina,. Lina: Yes, I am ready. Welcome to a new season. Oliver: I'm very excited. I've described my role this season as the Robin to your Batman. Lina: And usually, I am the Batman, of course. Oliver: We want to give everyone a glimpse into this interesting neighborhood where Edith Piaf served as the muse,. Upon arrival in Belleville, we stayed at the Babel Belleville hotel. It was immediately clear that this is a different version of Paris than the one people expect with berets and the Eiffel Tower. Lina: Especially since we arrived on market day. Oliver: The market was busy, bustling, and colorful, with more people than I've ever seen in a Paris market. We were in full tourist mode, talking to street sellers and eating what seemed like an Algerian Korean crepe,. The area is very diverse and immersive,. We also noticed that as time passed, there were far fewer tourists than in areas like the Marais. Lina: The shops aren't catered to tourists either; many were residential or even closed down,. It's a real, unpolished neighborhood. Oliver: Our plan was to explore for the day and then attend a show at Le Vieux Belleville. The 20th is a large district, so we did a lot of walking. We set our sights on Peppe's Pizza, which is ranked the best pizza in Europe. On the way, we passed the Père Lachaise Cemetery, which is essentially the only major tourist attraction in the district. Lina: I used to live in the 20th and had visited the cemetery a few times years ago, but it is just so big. Oliver: No one should miss it because entering those gates feels like entering a different world. However, it is not wheelchair or push-chair friendly due to the huge cobblestones,. While the most famous grave is often cited as Jim Morrison, I went looking for the ultimate hit: Edith Piaf,. Her grave is somewhat unassuming, much like her famous little black dress. After the cemetery, we finally had that pizza, which lived up to the hype with its unique toppings like cheese and marmalade,. Lina: It was delicious. Oliver: Next, we looked for La Campagne à Paris, the "countryside of Paris". It's a remote area with cottage-style houses built on top of old quarries, which is why the buildings are so low,. Our cab driver even gossiped that the previous president, François Hollande, lives up there. Lina: It was lovely, though since it's winter, there were more sticks than greenery. It's a great spot for a 15-minute walk and an Instagram photo. Oliver: That evening, we went to Le Vieux Belleville. We were worried it might be cheesy or touristy, but we ended up staying for three hours,. I managed to warm up the owner by telling him he looked like George Clooney,. Every Tuesday is Edith Piaf night, featuring an accordionist and a wonderful Polish singer named Gosia,. Lina: The vibe felt like crashing a French family's dinner party,. Oliver: We were the only foreigners there, but everyone was dancing and singing together. It was an utterly surprising amount of fun. Afterward, I stepped outside to interview the singer, Gosia,. Oliver: Gosia, that was a wonderful performance. How did a Polish woman end up singing Edith Piaf in Belleville,? Gosia: I started learning French by singing her songs. I adore the "gut" emotion in her singing; she comes from the streets. Piaf is an icon, but not many people really listen to her music anymore. Oliver: What makes a good crowd for you? Gosia: A crowd that realizes they actually can sing along. I know the evening worked if people are exchanging phone numbers and talking to their neighbors by the end. It's more of a ritual than a concert. Oliver: What is your favorite Piaf song? Gosia: My favorite is "J'm'en fous pas mal". Oliver: You also mentioned this is the best district in Paris. Gosia: It is getting gentrified, but it's a lovely, mixed, working-class area where Piaf was born. It has the real life of the neighborhood and an original Parisian feel,. We need to enjoy it while it lasts. Oliver: Le Vieux Belleville really captured the vibe of the neighborhood. My only complaint was that the lighting was a bit too bright,. Afterward, we walked down to Rue de Belleville and visited a bar called Aux Folies where Piaf used to perform,. Lina: That bar has a great "old Paris but young vibe" with neon lights. It's very picturesque, but don't expect fancy cocktails—it's all about cheap drinks and fun. Oliver: We stayed at the Babel Belleville, which has an international, "multi-culti" vibe that represents the 20th well,. The next day, we visited a brand-new cafe called The Dancing Goat, run by a young British guy,. Lina: The cafe was beautiful and fresh. Regarding the street art, it was cool but perhaps not as much as I had hoped for. Oliver: I think the 13th arrondissement might be better for street art, though Rue Dénoyez had some huge murals,. Finally, we decided to rank the district based on five categories: Strollability, Affordability, Sharability, Touristability, and Accessibility,. The Scores: Strollability: Oliver (4), Lina (3) — It's too big and has too many hills. Affordability: Oliver (10), Lina (10) — Probably the cheapest in Paris. Sharability: Oliver (5), Lina (4). Touristability: Oliver (3), Lina (5) — Lina liked the views and the bars,. Accessibility: Oliver (3), Lina (2) — It's quite far from the rest of Paris. Oliver: My total was 23, and Lina's was 26, giving the district a 49 out of 100,. Lina: It failed! Oliver: It's not a fail, it's just a very residential district. I probably wouldn't stay here on a first trip to Paris, but it's a great experience if you've been here before. Join us next week as we head to the canals of the 19th Arrondissement. Oliver and Lina: Bye-bye!

Salut les mouettes ! Pour cette émission je vous propose une sélection kitsch & fun de reprises reggae qui ira de Edith Piaf jusqu’à Britney Spears en passant par Depeche Mode, Oasis, Lauryn Hill, et bien d’autre encore ….  !  Vous pourrez écouter entre autre : Mungo’s Hi Fi, Junior Dell & The D-Lites, The Mad Geezers feat. RANKING JOE, Haris Pilton et bien d'autres encore ….! Pleins de bon Sons ! Enjoy ! Playlist : La Nuit Je Mens > Booboo'zzz All Stars Feat. Max Livio Studio Reggae Bash (2016) / Foule Sentimentale > Alain Souchon (D&H Remix) Les Big Tunes De La Chanson Française (2021) / Black Rabbit > Prince Fatty Feat. Shniece (Single) (2020) / Ordinary World > Dubxanne Feat. Querbeat Pop Wave In Dub (2024) / Smalltown Boy > Gentleman's Dub Club Feat. Joe Yorke (Single) (2024) / Dub Be Good To Me > Mungo's HiFi & Eva Lazarus More Fyah (2019) / That Thing > Mungo's HiFi & Aziza Jaye That Thing EP (2026) / Toxic > Aphrodite Delacruz (Single) (2019) / Je Ne Regrette Rien > Edith Piaf (D&H Remix) Les Big Tunes De La Chanson Française (2021) / Groove Is In The Heart > Donnya Drake (Single) (2026) / Jump Around > Junior Dell & The D-Lites Whole Lotta Skanking (2026) / Don't Look Back In Anger > Junior Dell & The D-Lites Whole Lotta Skanking (2026) / Such A Shame > Sunshiners Sunshiners (2006) / Macumba > Jean-Pierre Mader (D&H Remix) Les Big Tunes De La chanson Française (2021) / Act Like To Know > Skinshape & Horus All Stars Skinshape & Horus (2025) / Genius Of Love > The Mad Geezers Feat. Ranking Joe (Single) (2026) / I Love To Love (Extended) > Irie Nanara (Single) (2024) / In A Dub Car > Haris Pilton Gipsy & Balkan Dub (2026) / Fade To Grey > Dubxanne Feat. Toogah Pop Wave In Dub (2024) / Sound Down > Red Rockers & Vesper T Rocket Spacetape (2024) / 7 Seconds > Youssou N'Dour Feat. Nene Cherry (Jçao Remix) Night Tide Remix Tape (2025) / Je T'aimais, Je T'aime Et Je T'aimerai > Francis Cabrel (Jeep Remix) Donne Merci Mixtape (2023) / Jardin D'Hiver > Damé (Single) (202018) /

Christine Andreas is a multiple award winning singer, actress and 2x Tony Award nominee. On Broadway she played Eliza Doolittle in the 20th Anniversary production of My Fair Lady for which she received the Theatre World Award. She received a Tony Award nomination for Oklahoma. Other shows include The Scarlet Pimpernel, La Cage Au Folles and The Light in The Piazza. As a singer she has performed at Cafe Carlyle and 54 Below and with major symphonies around the world. Her latest CD is a tribute to Edith Piaf. And on television her credits include Law & Order SVU, The Cosby Show, and playing Ava Gardner in “Mia, Child Of Hollywood”. My featured song is “Ma Petite Fleur” from the album Spring Dance by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Voices Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH CHRISTINE:www.christineandreas.com —--------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Que cela fait longtemps que n'avait pas résonné sur Tsugi Radio le générique de Serge, l'émission… Difficile d'accorder les agendas du retraité le plus heureux de France, Patrice Bardot, et du grand ordonnateur de l'Hyper Weekend Festival, Didier Varrod avec celui de Tsugi Radio. Entre temps, nos petit·es protégé·es poursuivent leur chemin : le duo nous étions une armée a subjugué Nagui et le public de Taratata en reprenant Edith Piaf, Théodora a rempli 4 Zénith de Paris, juste après Barbara Pravi et son hommage à Dalida, Dajak et Théa qui ont rempli leur Olympia, Ariane Bonzini travaille sur un album précédé d'un buzz incroyable… et nous n'aurons pas assez de cette soirée pour faire le tour de tous nos paris pour les prochains mois. Alors pour celles et ceux qui découvrent Serge, l'émission, sachez que, ce soir sur Tsugi Radio, on vous a prévu une sélection très amoureuse de coups de cœur et de découvertes, sans aucune barrière de style, tant que les textes sont en français. 9 nouveautés mais aussi des golds, des classiques, tubes inoubliables ou parfois totalement oubliés. Il va y avoir du punk-rock, de l'electro-gabber, du rap et une belle de nuances de chansons pop venue de toute la francophonie. BLAAME "Y a quoi" RAVAGE CLUB "Paroles Paroles" YUSTON XIII "Immortel" CAMILLE YEMBE "Je ne l'ai jamais dit à personne" SIMON MÉNY "Vivre" LANCELOT "Un homme seul" CÉLINE DION "Prière païenne" PATRICK JUVET "Il arrivera" MARIUS "Le temps" NAGÄ "Personnel" SUZANNE BELAUBRE "Cosmonaute" ANNE VANDERLOVE "Ballade en novembre"

durée : 01:00:07 - par : Priscille Lafitte - Le dramaturge Jean-Claude Grumberg nous reçoit à son domicile parisien, un jour de printemps. Ses choix musicaux invitent à pleurer ou à rire avec Shalom Katz et Aaron Lebedeff, à fredonner avec Billie Holiday et Yves Montand, à s'incliner devant la reine Edith Piaf. - réalisation : Claire Lagarde, Maud Noury - invités : Jean-Claude Grumberg Dramaturge et scénariste français Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Les cloches viennent de partir de Rome...Mais nous, en ce dimanche de Pâques, et encore plus fort que le facteur qui sonne toujours 2 fois, nous avons décidé de vous sonner 3 fois les cloches ! Voici Tina Arena, reprenant cette vieille chanson rendue célèbre par Edith Piaf et les Compagnons de la chanson : « Les trois cloches ». Ecoutez Le tube de la matinale avec Vincent Perrot du 05 avril 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

RAYE names Amy Winehouse and Edith Piaf as her artistic predecessors on the opening tracks of new album This Music May Contain Hope. Both died young, undone by the same darkness they sang about, and placing them there reads as a dare to herself. The album that follows is her attempt to find a different ending: a 17-track, 75-minute work featuring Al Green, Hans Zimmer, the London Symphony Orchestra, and over 80 collaborators, structured around the four seasons as a journey from autumn despair toward summer light. Every genre shift on the record, from Vivaldi's Winter to post-bop jazz combo to gospel choir, serves that arc: small emotional truths get cinematic treatment, most strikingly when the click of heels on pavement becomes the central rhythm of an anthem about getting dressed to go out with friends. The episode serves as a field guide to the album's vast musical language, and to the argument that hope is something you have to build, genre by genre, track by track. Links: ⁠Newsletter⁠, ⁠YouTube RAYE – "WHERE IS MY HUSBAND!"  Nat King Cole – "Let There Be Love"  Ella Fitzgerald and Louis Armstrong – "Summertime"  RAYE (ft. 070 Shake ) – "Escapism."  RAYE – "Intro: Girl Under the Grey Cloud."  RAYE – "I Will Overcome."  Edith Piaf – "La Vie en Rose"  RAYE – "Nightingale Lane."  RAYE – "Fin."  RAYE – "The WhatsApp Shakespeare."  Mark Ronson & RAYE – "Suzanne"  RAYE – "I Hate The Way I Look Today."  RAYE – "Winter Woman."  Vivaldi – "The Four Seasons: Winter"  RAYE (ft. Hans Zimmer) – "Click Clack Symphony."  RAYE (ft. Al Green) – "Goodbye Henry."  Al Green – "Love and Happiness"  Aretha Franklin – "Rock Steady"  RAYE – "Skin & Bones."  Fred Wesley and The J.B.'s (ft. James Brown) – "Damn Right I Am Somebody"  RAYE – "Beware.. The South London Lover Boy."  The Supremes – "You Can't Hurry Love"  Iggy Pop – "Lust for Life" Jet – "Are You Gonna Be My Girl?"  Mark Ronson (ft. Amy Winehouse) – "Valerie"  Charles Albert Tindley – "I'll Overcome Someday"  Prince - “Purple Rain"  Beyoncé – "Love on Top"  RAYE (ft. Amma & Absolutely) – "Joy." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Paris has a new mayor! That's right, after 12 years at the helm, Anne Hidalgo has stepped down. Parisians voted for a new mayor, and taking her place will be Emmanuel Grégoire. But who is Emmanuel Grégoire? What does a Paris mayor actually do? And what will be the legacy of Anne Hidalgo? This week's guest is Paris-based reporter Katy Lee, the co-host of the podcast The Europeans, and the woman behind the Millefeuille Substack page, which she calls the "newsletter for Parisians who are bad at local news".  Follow Katy to find out more: The Millefeuille newsletter The Europeans *********** The Earful Tower exists thanks to support from its members. For just $10 a month you can unlock almost endless extras including bonus podcast episodes, live video replays, special event invites, and our annually updated PDF guide to Paris.  Membership takes only a minute to set up on Patreon, or Substack. Thank you for keeping this channel independent.  For more from the Earful Tower, here are some handy links: Website  Weekly newsletter  Walking Tours Music: Pres Maxson (his take on Sous le ciel de Paris, by Edith Piaf)

Matthew Bannister onYanar Mohammed who campaigned for women's rights in Iraq and set up a secret network of shelters for those fleeing abusive relationships. She was shot dead on 2nd March.Phil Woolas, a key figure in the New Labour project who became MP for Oldham East and Saddleworth.Professor Robin Weiss, the eminent virologist who carried out important work to understand HIV.Jane Lapotaire, the classical actor who won a Tony Award for her portrayal of Edith Piaf.Interviewee: Nawal Al-Maghafi Interviewee: Nick Jones Interviewee: Jonathan Weber Interviewee: Zoë WanamakerProducer: Ribika Moktan Assistant Producer: Catherine Powell Researcher: Jesse Edwards Editor: Glyn TansleyArchive used: Outlook, BBC World Service, 09/05/2005; News 1800, BBC Radio 4, 14/12/2003; BBC News, 1/04/1992; BBC News, 02/05/1997; Daily Politics: 2010 Election, Debates: The Immigration Debate, 4/05/2010; BBC News at Ten, BBC, 07/05/2009; BBC News at One, 09/12/2010; BBC News, 21/11/1986; Frontiers, BBC Radio 4, 24/02/1996; Piaf, playwright Pam Gems, director Howard Davies, production by Royal Shakespeare Company, broadcast on Arena: Theatre, BBC 12/02/1979; The 35th Annual Tony Awards, dir Clark Jones, Producer Alexander H. Cohen, produced and written by Hildy Parks, A Bentwood Television Production, CBS, 07/06/1981; Desert island Discs, BBC Radio 4, 22/08/1986; Richard II, dir Gregory Dean, The Royal Shakespeare Company, 2013; Woman's Hour, Radio 4, 24/04/2003

A few weeks ago, I was skimming this NEJM paper for UCSF's Division of Geriatrics Journal club on de-prescribing anti-hypertensive medications for older adults in nursing homes. Seemed to make a world of sense. The study found no difference between the deprescribing arm and the usual care arm in mortality, the primary study outcome. I thought, great! So we can deprescribe anti-hypertensives without changing mortality, that must be what the authors concluded. I was shocked, therefore, to read in the first paragraph of the discussion that the deprescribing arm did not achieve the hypothesized 25% reduction in mortality.  What?!?  Why would deprescribing be associated with reduced mortality? That's not the main reason or even the first reason I think of for deprescribing.  Reducing side effects that impair quality of life, sure. Less pill burden, of course.  But prolonged life?  Seemed a stretch. Today we hear from the first author of this study, Athanase Benetos, an esteemed geriatrician-researcher from France.  For context, we also interviewed Mike Steinman, co-chair of the Beers criteria and co-lead of the US Deprescribing Research Network. We learned about: Why the hypothesis of reduced mortality in deprescribing was justified, based on natural decreases in blood pressure with aging, and the Partridge study, an observational study that found higher risks of mortality associated with using multiple anti-hypertensive and low blood pressure. Why mortality was chosen as the primary outcome. Is a negative superiority study the same as what they might have found in a non-inferiority study? (stay with us) Variation in outcome by frailty status How to place this study in context with other research, such as the Danton study mentioned on a recent podcast about deprescribing near the end of life. Dantos was a study of deprescribing for nursing home residents with dementia that was stopped early due to safety concerns. Other studies for context include Sprint, Optimize, and an observational study by Bocheng Jing (UCSF statistician in our group). At the end, we ask our guests to put it together. With all that we know at this point, what's a clinician to do? To deprescribe or not to deprescribe? And, zoot alors! I get to sing Hymne A L'amour in French! Athanase recounts the moving story of how Edith Piaf sang this song the night she learned the man she loved, Marcel Cerdan, died in a plane crash. -Alex Smith  

This episode we get deeper into the French Revolution, from the eyes of the radical politician Maximilien Robespierre. Society is about to change rapidly and shockingly in the leadup to the Reign of Terror, including a new calendar which will leave Eliza outraged. ⚜️ Visit our website ⁠for episode images, score summaries and more! Contact us by ⁠Email⁠, or follow us on ⁠Instagram⁠, our ⁠Facebook Group⁠ or ⁠BlueSky⁠. Make sure you leave us a review on ⁠Apple Podcasts⁠, ⁠Spotify⁠ or wherever you listen. You can also support the show on ⁠Patreon⁠! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses. ⚜️ Battle Royale's intro music is ⁠"Dansez" by Fasion⁠. Go check out more of their stuff ⁠here⁠. Our outro is "Ça ira", a French Revolutionary song, performed by the late great Edith Piaf. ⚜️ Details of our 5 categories used to rate the French Monarchs can be found ⁠on our website⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vor 40 Jahren (1986) trat Stephan Eicher zum ersten Mal im legendären Pariser Olympia auf. Nun ist er dort mit seinem neuen Album auf Tournee. Seit Jahrzehnten ist Eicher in Frankreich ein Star. Wie gelang ihm dies? Warum blieb er der Stadt, die sein Herz brach, über all die Jahre treu? Stephan Eicher kennt Paris wie keine andere Stadt. Er liebt sie auch. «Das würde ich nie auf Französisch sagen, sonst werden sie noch eingebildeter», spöttelt er. Seine Auftritte im 133jährigen Pariser Olympia, in welchem auch Edith Piaf oder die Beatles aufgetreten sind, vergleicht er mit kleinen Banküberfällen. Nach Paris kam er, weil er seiner ersten grossen Liebe aus Bern folgte, die er jedoch bald an einen Freund aus Paris verlor. Aus seinem Schmerz und mit ein paar Brocken Französisch textete er Lieder für das kleine Album «Souvenir». Aus einer zufälligen Begegnung mit dem Autor von «Betty Blue, 37.2 am Morgen», Philippe Djian, entwickelte sich eine jahrzehntelange Freundschaft und Zusammenarbeit. Ist Eicher in Frankreich ein anderer Star als in der Schweiz? Warum strotzt sein neues Album vor Naturbeobachtungen? Stephan Eicher ist nach dem Konzert im Olympia zu Gast im Tagesgespräch bei Karoline Arn.

Pippa Hudson speaks to Sally Jones, the performer who will bring The Little Sparrow to life in the show, Piaf – The Life Story and Songs of Edith Piaf, which opens this weekend. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read, and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10 pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Edith Piaf fut une éternelle amoureuse. Mais il n'y a pas de doute sur qui fut l'amour de sa vie. Marcel Cerdan, le plus grand boxeur français est celui qui inspira une de ses plus belles chansons : "L'Hymne à l'Amour". Leur passion fût courte mais intense... avec une fin des plus tragiques. Un podcast Bababam Originals Ecriture et voix : Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

Up this week we'll look at what's at stake in the upcoming local elections in France and whether French voters really care. And we'll look ahead to the French presidential election to see whether anyone can unite the left... and whether French voters really care.We'll also look at why kids have been banned from some first class trains in France and whether France, on the whole, is less child-friendly than other countries. We'll hear about the move in the country to avoid American tech companies and indeed other US brands and we'll look forward to some of the best and most bizarre festivals in France this year. Stay with us to hear the strangest sound we've ever heard on Talking France.And we'll see whether us French learners should really be aiming to speak like Edith Piaf.Host Ben McPartland is joined by the team at The Local France - Emma Pearson, Emma Albright and our politics expert John Lichfield.You'll find many more articles about France at The Local.fr Hosted on Acast. See acast.com/privacy for more information.

在法语世界里，Edith Piaf 是一个歌后级别的存在。即便放在整个世界，她也是最一流的歌手之一。即便是不讲法语的人，听到很多她的歌，也都能跟着哼唱几句。Piaf 在法语中有“小麻雀”的意思。她身材矮小，就像她的艺名一样。然而她却有着沙哑而有力量的嗓音，把苦难揉成旋律，让香颂与爵士的灵魂相融。她的玫瑰人生，不止是浪漫，更是藏在歌声里的生命韧劲。今年五一假期，Why for Jazz 联合 SEAIC 法国中欧艺术创新中心发起了一个针对巴黎和波尔多的法国旅行团。我将与建筑艺术学者，我的太太 Tutti 联合带队，深入法国，开启一趟沉浸式的以爵士乐，建筑，红酒和文化学习交流为主线的全景之旅。旅行团即可开始报名，计划招募15位同行者。有兴趣的朋友可以点击上面链接，或直接添加下面二维码进行咨询。期待五一相见。扫码开启法国之旅Playlist of the Show:[00:00] La Foule - Edith Piaf[07:54] La Vie en Rose - Edith Piaf[16:15] C'est Si Bon - Louis Armstrong[24:39] Demain - Edith Piaf[33:45] Hymne a L'amour - Edith Piaf[39:06] Non, Je Ne Regrette Rien - Edith Piaf[43:34] L'homme de Berlin - Edith Piaf[49:55] Sous le Ciel de Paris - Edith Piaf & Django Reinhardt

Cerramos el programa con ritmo y humor junto a uno de los imitadores más sorprendentes del panorama actual. Michael Jackson, Freddie Mercury, Shakira, Amy Winehouse, Elvis, Edith Piaf y muchos más cobran vida en la voz de Julián Fontalvo, actor y cantante que transforma cada intervención en un pequeño espectáculo en directo.

On the Saturday January 17, 2026 edition of The Richard Crouse we’ll meet author Joe Hill. His bestselling novels & short stories have inspired hit adaptations like “Locke & Key,” “Horns,” and “The Black Phone,” as well as “In the Tall Grass” (which he adapted for film and co-wrote the novella of with his father Stephen King.) Today we’ll talk about “King Sorrow,” a genre-bending horror epic that spans 25 years. It follows six college friends who summon a dragon using a book bound in human skin. Each year, they must choose a sacrifice—or become one. Then we spend time with Louise Pitre. Often hailed as Canada’s first lady of musical theatre, she is a Tony-nominated actress renowned for her powerful performances on Broadway and across North America and Europe. Best known for originating the role of Donna Sheridan in “Mamma Mia!,” she has also played Fantine in “Les Misérables” and Edith Piaf in “The Angel & the Sparrow” among many others. Today we talk about herb latest work, “Kimberly Akimbo,” the Tony Award-winning musical about a bright but physically aging teenage girl with a rare genetic condition, similar to progeria, who navigates a dysfunctional family, first love, and the challenges of finding happiness and connection despite her unique circumstances and limited time.

On the Saturday January 17, 2026 edition of The Richard Crouse we'll meet author Joe Hill. His bestselling novels & short stories have inspired hit adaptations like “Locke & Key,” “Horns,” and “The Black Phone,” as well as “In the Tall Grass” (which he adapted for film and co-wrote the novella of with his father Stephen King.) Today we'll talk about “King Sorrow,” a genre-bending horror epic that spans 25 years. It follows six college friends who summon a dragon using a book bound in human skin. Each year, they must choose a sacrifice—or become one. Then we spend time with Louise Pitre. Often hailed as Canada's first lady of musical theatre, she is a Tony-nominated actress renowned for her powerful performances on Broadway and across North America and Europe. Best known for originating the role of Donna Sheridan in “Mamma Mia!,” she has also played Fantine in “Les Misérables” and Edith Piaf in “The Angel & the Sparrow” among many others. Today we talk about herb latest work, “Kimberly Akimbo,” the Tony Award-winning musical about a bright but physically aging teenage girl with a rare genetic condition, similar to progeria, who navigates a dysfunctional family, first love, and the challenges of finding happiness and connection despite her unique circumstances and limited time.

Sångerskan och pianisten Karin Grönberg berättar om sin kärlek till Frankrikes största och minsta stjärna. Misär! Succé! Frankofili! Anita Lindblom nämns. Lyssna på alla avsnitt i Sveriges Radios app.

durée : 02:28:41 - France Musique est à vous du samedi 10 janvier 2026 - par : Gabrielle Oliveira-Guyon - Au programme ce samedi : Rossini, Verdi, Bach, Vivaldi, Ravel, Charpentier, Scarlatti, mais aussi Edith Piaf et bien d'autres encore. - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Un édito aiguisé d'Arthur Chevallier, chaque matin à 7h20. Un parti-pris assumé sur une question d'actualité. D'accord ou pas, vous ne resterez pas indifférent. La chronique qui permet de réfléchir et aide à forger son opinion chaque matin du lundi au vendredi sur RMC et RMC Story.

Am 30.12.1960 legt Édith Piaf im Pariser Olympia dem Publikum ihre Seele zu Füßen. Zum ersten Mal präsentiert die Sängerin ihre Lebenshymne "Non, je ne regrette rien". Von Christiane Kopka.

Nikki Nouveau είναι το καλλιτεχνικό όνομα της Ανδρονίκης Ταουσάνη. Για σχεδόν δέκα χρόνια παρουσιάζει το Edith Piaf show σε κεντρική μουσική σκηνή της Μελβούρνης.

Another episode of Christmas music! The first part is a continuation of the previous All-Tenor Holiday Extravaganza. We hear from Luther Saxon, Roland Hayes, James Melton, Brian Sullivan, Richard Crooks, Raoul Jobin, Jussi Björling, Richard Verreau, Fritz Wunderlich, Rudolf Schock, René Kollo, John McCormack, Peter Schreier, and Mel Tormé (with an assist from Judy herself!) And for those who have ambivalent feelings about this holiday, the final third of the program foregrounds six of my most favoritest Depressing Christmas Pop Songs, sung by Eileen Farrell, Rita Gardner, Joni Mitchell, Edith Piaf, Judy Garland and (in memory of Marie Fredriksson), Roxette. A line from Judy's song “After the Holidays” (words and music by the late John Meyer) provides the inspiration for the episode title: “I know it’s hard, but try.” Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:18:50 - Les Nuits de France Culture - par : Philippe Garbit - Dans l'émission "Neuf garçons et une fille chantaient" on retrouve Edith Piaf et les Compagnons de la Chanson qui interprètent plusieurs de leurs "tubes" (1ère diffusion : 31/05/1946 Chaîne Nationale). - réalisation : Virginie Mourthé - invités : Édith Piaf Autrice-compositrice-interprète française

In questa puntata di Dee Giallo Story Carlo Lucarelli racconta l'incredibile storia di Édith Piaf e della sua vita tormentata, segnata dall'abuso di sostanze e dalla morte violenta del suo pigmalione e amante, una scia di drammi che hanno reso la sua voce tragica e immortale.See omnystudio.com/listener for privacy information.

In questa puntata di Dee Giallo Story Carlo Lucarelli racconta l'incredibile storia di Édith Piaf e della sua vita tormentata, segnata dall'abuso di sostanze e dalla morte violenta del suo pigmalione e amante, una scia di drammi che hanno reso la sua voce tragica e immortale.See omnystudio.com/listener for privacy information.

Mark and Kenny celebrate the end of Season Seven with a wide-ranging conversation about the Rebel Heart Tour - and it's Heart Rebel companion, Tears of a Clown. Topics include Q-Tips, thumb ailments, the comment flurry, Saturday Night Online, bathrooms, Grimes, ART, Billions, Bar Six, diehard fan finances, Kyle Richards, Kevin Antunes, Semtex Films, Michael Jackson, cages, union rope pullers, distancing vocals, Shogun, the Monte mullet, postulants and prophets, the power of red, leather caps and chiseled abs, pretzels, ukuleles, reuniting with Sean Penn, One Battle After Another, John Mulaney, the delight (and danger) in revisiting the hits, spiral staircases and subway escalators, casseroles, Cirque du Soleil and ABBA, cape nods, cafeteria politics, the MEDLEY, boxing in Detroit, David Bowie, Let's Dance, Labyrinth, Mick Jagger, Annie Lennox, detours, Paris, clowns, cast albums, Jerry Lewis, Grace Jones, deep cuts, cosmopolitans, Charlie Chaplin, thinking about Mirwais, raising money in Miami, covering Britney Spears, disrespectful fans, sandwiches, Valencia Gamble, flappers and scene work, slides, Edith Piaf, suffeRING, special guest bitches, flags, a special visit to Minneapolis, and how Madonna uses her speech at the Billboard Women in Music awards to begin to define her future. PLUS – the grading system returns, Kenny has a brand-new podcast idea, Mark brings back the Tribal Talking Stick, and Madonna takes to the streets with her guitar. “Joan of Arc said I could do it ALL!” Special Thank You to Simon Delaney for his Tears of a Clown memories. Dedicated to the memory of the brilliant and life-changing David Bowie.Rebel Heart Tour video directed by Semtex Films (2016)Rebel Heart Tour video directed by Billy “BigasBilly” Riegelmann

Giles is still sleeping apart from Esther because of his snoring. But he is not fully reconciled to the new arrangement. The subject hit a nerve as many listeners have been in touch with ideas to improve the situation – from wired jaws, wedge pillows or intriguingly a trip to Newcastle. After Giles composes himself, he considers a few of the options. In more upbeat new Parisians are being offered the chance to win a burial spot next to the likes of Oscar Wilde, Jim Morrison or Edith Piaf in the famous cemeteries of the Père-Lachaise, Montparnasse and Montmartre. So where would Giles and Esther like to be buried?Lastly, a new charge has started to appear on some restaurant bills – an admin charge. What is it, why is it there and does it mark the end of fine dining…? And as always please do get in touch: noidea@thetimes.com Hosted on Acast. See acast.com/privacy for more information.

Spooktoberfest 2025 comes to a close with the icy embrace of a porcelain hand. In a thunderous horror feature film debut from Down Under, Jonathan and Daniel consult with the spirts once more in the Phillippou brothers modern horror classic Talk To Me (2022). When Mia is in mourning, will she succumb to the intoxicating high that only a glimpse into the eternal hereafter promises. In this episode; kangaroos that should have looked both ways, toe sucking galore, excellent teenage actors, and a theory that someone probably has already coined that Jonathan swears is his alone. What a surprise, he's signing Edith Piaf again and swearing he is possessed by the immortal chanteuse. Anyways, settle in for something scary, light the candle and invite Anime Was (Not) A Mistake in for one final horrific time this year. Or perhaps not... Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: “HALLOWEEN THEME (TRAP REMIX) (Michael Myers Theme)” – TRAP MUSIC NOW “Virtual Mima” – Perfect Blue Original Soundtrack [Masahiro Ikumi] “Sweet Halloween - [葉月ゆら/Hatsuki Yura]

“I need to get obsessed by projects so I can be involved in. I want to be entirely disappearing in a project.” And that's exactly what Marion Cotillard has done in joining season four of The Morning Show (Apple TV+). Cotillard plays Celine Dumont, the new board president of the fictional news network who hails from a French dynasty and has plans to shake things up. The Oscar-winning actress found her first TV series “very different from a movie,” but leaned into the “best advice” from co-star Billy Crudup. “He knew that I was freaking out. He said, ‘You know what they did on the first three seasons. You know how smart they are. Give your total trust and be a happy puppet. Let them direct you.'” Part of what interested Cotillard about the series is what it says about the state of journalism. “Journalism sometimes has to have strong opinions [in order] to dig into subjects, but also to open the door of very ugly things.” Joining a TV series fits with how Cotillard has led her career since winning the Best Actress Oscar for her portrayal of Edith Piaf in La Vie en Rose. “I was solely following my choices. I never had any plan. I was so lucky that amazing directors offered me amazing journeys.” Subscribe to my newsletter: https://link.newsweek.com/join/for-the-culture Follow me: https://linktr.ee/halanscott Subscribe to Newsweek's YouTube: https://www.youtube.com/newsweek See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

London's Blitz club in 1980 had a huge impact on the way the decade looked and sounded, the launchpad for Boy George, Spandau Ballet, a new age of electro-pop and many writers, designers and photographers. The author and broadcaster Robert Elms was one of its cornerstones, “a place for people who'd outgrown the 20th Century”. We talk here about his book ‘Blitz: the Club That Created the ‘80s' with all of this on the dancefloor … … the Blitz Club rules, “unspoken until Steve Strange spoke them”. And the door policy: “Look at yourself, darling. Would YOU let yourself in?” … first nights “with a Space Cossack shirt and asymmetric wedge” and the origin of the term New Romantic … the rise of the “home-made Macaronis” (dictionary definition: “over-dressed popinjays of dubious sexuality”) … Bowie's Starman, Roxy, soul, disco, Weimar, Max Ernst, Otto Dix, Edith Piaf, Swinging London, Andy Warhol and other keys strands of Blitz DNA … its anti-rock stance and impact on the mid-‘80s American charts … the news-friendly night Mick Jagger was barred entry … “I was spat at by an old lady at a bus stop for wearing eyeliner and a kilt” … when Island offered Spandau a deal after just three numbers … the role of the Face, Smash Hits and the new full-colour media … the author's “dilettante” passage through skinhead, suedehead, soul boy and punk … and the night Bowie appeared, “like Jesus walking into your local church and sitting in a pew”. Order ‘Blitz: The Club That Created the 80s' here:https://uk.bookshop.org/p/books/blitz-the-club-that-created-the-eighties-robert-elms/e672041a84e0cde9?ean=9780571394180&next=t&next=tFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dans cet épisode, on est avec Axel, chanteur de karaoké professionel, pour parler musique française, de Piaf à Stromae en passant par Bruel, Goldman ou Dalida. On échange sur nos chansons cultes, celles qui font danser en soirée, celles qu'on aime chanter (même faux !) et celles qu'on ne comprend pas toujours. Un épisode joyeux, nostalgique et plein de refrains dans la tête

Opera Theatre of St. Louis' incoming artist director is taking audiences on a journey into the music of legendary French singer Edith Piaf. Although Patricia Racette is known for her work on stage as an opera soprano, her one-woman show "Patricia Sings Piaf" focuses on interpretations of Piaf music and celebrating the career of a performer who attained stardom at the height of World War 2. Racette discusses the October 9 show, her favorite Piaf songs, and her vision as the new artistic director for Opera Theatre of St. Louis.