Podcast appearances and mentions of Rhea Silvia

Tracklisting: 01. Orbit, Post Meridiem, Parra for Cuva - Acacia 02. Maous, Paul Brenning - Change (Seth Schwarz, Gabriel Ananda Remix) 03. Ruffnux, NEIMY - This Sunset 04. BANYAN, Jyll - Let Go 05. Shallou - So Far 06. HAAi - Can't Stand To Lose 07. Ourson - Breathing 08. Blonde Maze, Attom - Never Dream 09. Lovlee - Rarest Kind 10. D.Polo - Only One 11. Nora En Pure - Tranquility 12. LAR - First Signs of Sun 13. Molly, Bridges - Daylight 14. Lonely in the Rain - Out of Ten (Shingo Nakamura, Before Saudade Remix) 15. BAYNK - Grin (Bad Tuner Remix) 16. A.M.R, MØØNE - Numb 17. Oncor - By Myself 18. Jan Blomqvist, Bondi - Stranded 19. Rhea Silvia, Akkiles - Glimpse (What It Feels Like)

1. Tritonal feat. Angel Taylor - Watch Us Glow [Enhanced Recordings] 2. Blonde Maze & Attom - Never Dream [Enhanced Chill] 3. Rhea Silvia feat. Akkilles - Glimpse (What It Feels Like) [Colorize] 4. LAR - Yemalao [Explorations] 5. Robby East feat. ALLKNIGHT - Into The Flames [This Never Happened] 6. Lipless & TMPST & Jordan Grace feat. Maynorr - Incomplete [Colorize] 7. Innerverse & Oliver Cricket - Arrow [Enhanced Recordings] 8. Estiva - KFIL [Colorize] 9. Noah Neiman - Feel It [Enhanced Recordings] 10. Propellar - Never Let You Go [Colorize] 11. Goom Gum & Deepest Blue - Deepest Blue [A State Of Trance] 12. Ilan Bluestone - Sinai (2025 Rework) [Anjunabeats] 13. Johan Vilborg - Resilience [Enhanced Progressive] 14. Michael Fearon - Stay [Enhanced Progressive] 15. Tritonal - Utopia (Arty Remix) [Tritonia Throwback] [Enhanced Recordings] 

Sunday Mood Every Sunday on 7Kilowatte Radio Station Listen, feel, enjoy! Tracklist: 01. Intro 02. Tritonal - Watch Us Glow (Extended Mix) 03. Noo & Faodail - Hold On (Extended Mix) 04. Rhea Silvia feat. Akkilles - Glimpse (What It Feels Like) (Extended Mix) 05. Dave Harrigan - The Summer A Dream (Max Denoise Remix) 06. Heard Right & Anriu - All I Want (Extended Mix) 07. Sound Quelle, Deagon, MØØNE - Risk It All (Extended Mix) 08. Protoculture - Come Together (Extended Mix) 09. Rhea Silvia - Say Goodbye (Extended Mix) 10. Ciree - Good Vibes 11. Pretty Pink, ODYSSAY - Balance (Extended Mix) 12. ATB - Move On (Club Version) [feat. Jansoon) 13. Three Drives On A Vinyl - Greece 2000 (Extended Mix) Follow Me FB: https://www.facebook.com/daveharriganmusic IG: https://www.instagram.com/daveharrigan_music/ WEB: https://linktr.ee/daveharrigan E-mail: tamaspohner@icloud.com

Lauren J.A. Bear is back with a book that transcends both historical fiction and mythological retellings. Bear brings us the story of Rhea Silvia, the titular MOTHER OF ROME.

My links: My patreon: ⁠https://www.patreon.com/user?u=103280827 My Ko-fi: https://ko-fi.com/rhetoricrevolution Send me a voice message!: https://podcasters.spotify.com/pod/show/liam-connerly TikTok: ⁠https://www.tiktok.com/@mrconnerly?is_from_webapp=1&sender_device=pc⁠ Email: ⁠rhetoricrevolution@gmail.com⁠ Instagram: https://www.instagram.com/connerlyliam/ Podcast | Latin in Layman's - A Rhetoric Revolution https://open.spotify.com/show/0EjiYFx1K4lwfykjf5jApM?si=b871da6367d74d92 Gut Guardian Discount Code: LIAM64728 In the cradle of time, amidst the whispers of ancient gods and the rustle of the Tiber's waters, there arose a tale both grand and eternal — the myth of Romulus and Remus. Listen, for within its folds lies the genesis of a mighty empire, woven with threads of destiny, betrayal, and the indomitable spirit of mankind. Once, in the heart of Italia, where hills kissed the sky and forests whispered secrets, there dwelled a vestal princess named Rhea Silvia. She, ordained by fate and bound by duty, tended the sacred flames of Vesta, her beauty radiant as the dawn, her spirit as untamed as the wind. But the gods, in their capricious dance, cast their gaze upon her, and Mars, the god of war, was ensnared by her allure. Beneath the moon's soft glow, amidst the silken whispers of night, their love blazed fierce and forbidden. And from this union, twin sons were born — Romulus and Remus, heirs to both mortal and divine. Yet, fate, ever a master weaver, ordained a cruel twist. For jealousy festered in the hearts of men, and Amulius, the usurper king, sought to quench the flame of their divine lineage. Thus, the babes were cast adrift upon the currents of the Tiber, cradled by the river's gentle embrace. But the river, in its wisdom, bore them to safety, where they were discovered by a she-wolf, fierce and noble, who suckled them as her own, her heart stirred by a primal bond that transcended blood. Raised in the wild, amidst the whispers of the forest and the ancient songs of the earth, Romulus and Remus grew strong, their spirits unyielding as the mountains, their destiny intertwined with the very fabric of Rome itself. Years passed, and the brothers, forged in the crucible of adversity, emerged as champions of their people, their names whispered in reverence, their deeds etched upon the annals of time. But destiny, like a river's course, is oft fraught with treacherous bends. Ambition stirred within their hearts, a tempestuous fire that threatened to consume them whole. For Romulus, emboldened by visions of grandeur, sought to raise a city, a beacon of civilization amidst the untamed wilderness. And so it was, upon the Palatine Hill, that the foundations of Rome were laid, the soil stained with sweat and sacrifice, the echoes of hammer and chisel ringing through the ages. But the bond of brotherhood, once unbreakable, now strained beneath the weight of ambition and pride. In a moment of madness, amidst the clash of swords and the cries of men, fratricide stained the earth, a crimson testament to the fragility of mortal bonds. Yet, from the ashes of tragedy, a phoenix rose, for Rome, like her founders, was forged in the crucible of strife. And so, Romulus, with a heavy heart and eyes cast skyward, ascended to the heavens, where he became a god, immortalized in the annals of legend.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Temp (II) Niños Salvajes, Niños Ferales… o Niños Lobo. Desde que el hombre es hombre, la lucha contra el lobo se ha mantenido siempre, siendo despiadada. Proclamar la misma zona de caza para diferentes especies, es un legado eterno y atávico de la Madre Naturaleza. Lo extraño es cuando una especie depredadora como es el lobo, acoge a una presa natural, como puede ser un bebé humano y la adopta para pertenecer a su manada. Existe en todos los países del mundo, con diferentes animales, pero en este programa, nos centraremos en el Canis Lupus. El abandono de hijos en bosques ha ocurrido siempre. Esto se ve claramente en los antiguos cuentos. Por ejemplo, Hansel y Gretel, de los hermanos Grimm. Una de las leyendas más antiguas, respecto a lobas que crían humanos es la de Rómulo y Remo. En el año 771 A.C., una sacerdotisa, Rhea Silvia tuvo dos gemelos varones. Sus hijos fueron amamantados por una loba. Rómulo, con los años, fundaría la gran ciudad eterna, Roma. Un caso real, es el de Víctor de Aveyron. El doctor Jean Marc Gaspard Itard, estudió su caso. Puedes verlo en la película The Wild Boy de Francois Truffaut. Rusia y la India se llevan este triste galardón de abandonos y niños salvajes. Por ejemplo, en el país hindú, cogieron un niño al que llamaron Dina Sanichar. También a un crio que bautizaron como Shamdeo. Pero si hay alguno realmente estudiado y fotografiado es el de las niñas Kamala y Amala, rescatadas por el Reverendo Jal Singh. Otros casos conocidos. En el siglo XIX, en Texas, en el lago Espantosa, una niña loba. En México… en San Felipe. 1845, se vio a un niño corriendo a 4 patas cazando una cabra junto a una manada de lobos. Turkmenistán, al Sur de Rusia, Djama un niño de 6. Italia, un niño llamado Rocco, en los montes Abruzzi. En 1978 una niña de 3 añitos, Mekhriban Ibragimov, fue cuidada por una loba cuando se perdió en un bosque de Azerbaiyán. Pero el más sorprendente es en 2007 ocurrido en Rusia. En la selva de Kaluga encuentran a un crío desnudo con las uñas desmesuradamente largas. Lo llamaron Lyokha. O Genie, una niña criada con perros, amarrada por su propio padre a una silla, durante 11 años… En España el más conocido es Marcos Rodríguez Pantoja, llevada a la gran pantalla, al cine, por el director Geraldo Olivares en su película… Entre Lobos. Si te ha gustado, dale a me gusta… así también me ayudas. CONTACTA: MAIL- llamadadelaluna@gmail.com TWITTER- @llamadadelaluna FACEBOOK- La Llamada De La Luna HAZTE MECENAS. A día de hoy, aunque no lo creas, me cuesta el dinero mantener LLDLL. Me gustaría invertir más tiempo en este Podcast. Me gustaría que creciéramos…dedicarle todo mi tiempo… Me gustaría tener mejor equipo de sonido y poder yo donar a las páginas que me dejan la música y los bancos de sonido. Muchos me habláis de Contratos de Radio, pero la realidad es otra…ellos están en otra cosa o simplemente ni me conocen. Una cuota mensual al mes, la que puedas y obtendrás ventajas. Recuerda, que lo primero que hacen para el olvido…siempre fue quemar libros… No dejes que la Cultura Muera… No dejes que nuestra Biblioteca Arda. MUSICA: ARUM, PAUL ARDEN- TAYLOR, KEVIN MACLEOD, ENSEMBLE OBSIDIENNE, IVAN TREGUB, GOVANNON, K-LIV, CEM MUSIC PROJECT, MADI, SOFTLY, BORRTEX, MATTIA VLAD MORLEO, PETITE VIKING, JUAN HABICHUELA, YUNUS PIAN, GHOST B.C., PEERGYNT LOBOGRIS. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Rômulo e Remo, Tarzan, Mogli, há vários exemplos de crianças que, abandonadas ou perdidas, são criadas por animais e com eles vivem grandes aventuras. Mas as crianças selvagens da vida real têm histórias bem menos divertidas que seus pares na ficção. Hoje vamos conhecer algumas delas. Muitas são as histórias, na mitologia e na cultura pop, onde crianças se perdem de seus pais, são abandonadas por eles, vítimas de acidentes ou violências diversas, onde se veem tendo que sobreviver em um ambiente selvagem. O mito de origem de todo um povo foi construído em um caso assim: Rômulo e Remo, as míticas crianças filhas de Ares e da mortal Rhea Silvia, que foram lançadas ao rio Tibre e amamentadas por uma loba até serem achadas por um pastor. Rômulo é tido como o fundador da cidade de Roma, e seu primeiro rei. Nesse episódio, vamos nos debruças sobre os supostos casos reais que abordam esse tema cheio de mistérios.

Rômulo e Remo, Tarzan, Mogli, há vários exemplos de crianças que, abandonadas ou perdidas, são criadas por animais e com eles vivem grandes aventuras. Mas as crianças selvagens da vida real têm histórias bem menos divertidas que seus pares na ficção. Hoje vamos conhecer algumas delas. Muitas são as histórias, na mitologia e na cultura pop, onde crianças se perdem de seus pais, são abandonadas por eles, vítimas de acidentes ou violências diversas, onde se veem tendo que sobreviver em um ambiente selvagem. O mito de origem de todo um povo foi construído em um caso assim: Rômulo e Remo, as míticas crianças filhas de Ares e da mortal Rhea Silvia, que foram lançadas ao rio Tibre e amamentadas por uma loba até serem achadas por um pastor. Rômulo é tido como o fundador da cidade de Roma, e seu primeiro rei. Nesse episódio, vamos nos debruças sobre os supostos casos reais que abordam esse tema cheio de mistérios. LINHA DO TEMPO 00:00 - Início 03:42 - Recados 18:11 - Tema 94:31 - Extras INVESTIGADORES Andrei Fernandes Marcos Keller Tupá Guerra Ivo Hell COMENTADO NO EPISÓDIO Victor de Aveyron; Suposta foto de Amala e Kamala; Foto supostamente de uma das meninas se alimentando na mão de uma das cuidadoras, no orfanato. Aroles defende que muitas das fotos publicadas foram montadas por Singh, com crianças normais posando de propósito para serem fotografadas. Gravura representando Le Blanc ao ser encontrada. Autor desconhecido. Marie-Angelique Le Blanc. Estátua de Le Blanc erguida em Songy, em 2009. Foto mais antiga de Marina, aos 17 anos. Maruja, vizinha que salvou Marina de uma família de mafiosos e a mandou para Bogotá Maria Nelly Forero e Amadeo Marina Chapman e sua família

Adolfo Díaz Bautista - Profesor de Derecho Romano de la Universidad de MurciaLA FUNDACIÓN DE ROMASegún los investigadores, hace 3.000 años, en la zona que hoy ocupa la ciudad de Roma, convivían una serie de aldeas que ocupaban las colinas en torno al río Tíber, por una zona semipantanosa (como podía ser Murcia antes de la construcción de la Contraparada), por donde el río era vadeable.En una época en que no había puentes, el vado de un río era muy importante, pues las rutas comerciales tenían que cruzar necesariamente por ahí.De algún modo, entre guerras y alianzas, las aldeas fueron uniéndose formando una especie de federación que les permitía protegerse frente a enemigos comunes.A pesar de los esfuerzos de la arqueología, sabemos aún poco de los orígenes de Roma. Hacia el siglo I dC (1000 años después de que existiera Roma) los romanos inventaron una historia legendaria sobre su origen y situaron el comienzo en un 21 de abril del año 753 antes de Cristo.Pero la leyenda arranca mucho antes, en la guerra de Troya, la mayor historia mítica de la antigüedad. En ella hay un personaje, Eneas, hijo de Afrodita, huye del incendio cargando en hombros a su padre anciano y llevando de la mano a su hijo pequeño. Es un símbolo de que el héroe troyano lleva consigo la sabiduría del pasado y el porvenir. Realiza un viaje mítico -parecido a la Odisea- y acaba en la península itálica fundando una ciudad, Alba Longa.Mucho tiempo después, un descendiente de Eneas, Amulio, destronó a su hermano Numitor, se hizo ilegítimamente con el poder, mató a sus hijos y consagró como sacerdotisa vestal a su hija Rhea Silvia. Las vestales eran unas sacerdotisas muy importantes en el mundo romano que debían permanecer célibes. De ese modo el malvado de Amulio se aseguraba que no habría descendencia de Numitor.Pero un día, cuando Silvia estaba descansando, el dios Marte se le apareció y la fecundó. El historiador que lo cuenta, Tito Livio, añade “o eso dijo ella para excusarse”. El caso es que nacieron dos gemelos, Rómulo y Remo. El rey ordenó que los mataran, pero sus cazadores, apiadados de los niños, los abandonaron en un cesto a la orilla del Tíber. Por allí pasó una loba, que acababa de perder a sus crías, se compadeció y los amamantó (también aquí, añade Tito Livio que las prostitutas de Roma eran llamadas a veces “lupae”, por lo que vaya usted a saber…)El caso es que los niños fueron recogidos por un cazador, cuya esposa había perdido a su hijo, que los crió como propios, hasta que fueron mayores.Los niños, ya crecidos descubrieron su origen y marcharon a Alba Longa, destronaron al usurpador, y decidieron fundar una ciudad en el lugar dónde habían sido amamantados por la loba, pero surgieron diferencias entre ellos y Rómulo mató a Remo, convirtiéndose así en el primer rey de la Historia de Roma. Evidentemente toda la historia de Rómulo y Remo es inventada, pero las leyendas nos sirven para conocer qué piensa un pueblo sobre sí mismo. En este caso tenemos un origen mítico que enlaza con la guerra de Troya. En cierto modo los romanos se consideraban descendientes de los troyanos. Además, su fundador remoto (Eneas) es hijo de Afrodita, mientras que Rómulo y Remo son hijos de Marte. Amor y Guerra. Tampoco el hecho de que fueran criados por una loba es indiferente: el lobo siempre ha sido un animal temido y admirado por su inteligencia y por su fuerza. Alguien que crece con leche de loba es una especie de Spiderman antiguo.Nos quedaría por interpretar el fratricidio. Se trata de un crimen horrendo que quebrantaba el fas, el orden natural de las cosas, y acarreaba terribles consecuencias. En la historia de Roma, Rómulo mata a su hermano porque éste se burla de la ciudad que ha fundado su hermano. La moraleja es que la ciudad de Roma es sagrada y que, si fuera necesario, sería lícito incluso matar a un hermano con tal de salvarla. Patriotismo puro.La leyenda continúa explicando cómo se pobló la ciudad. Por un lado, invitaron a todos los fugitivos de Italia. Todo ladrón, asesino, estafador… que huyera de su pueblo era bienvenido en Roma (algo que por otro lado ha sido habitual en las repoblaciones, también se establecía en la Edad Media aquello de “mata al rey y vete a Murcia”, porque los delincuentes eran perdonados si vivían un año en las tierras conquistadas a los musulmanes).Pero, aunque con esta oferta consiguieron poblar la ciudad, según la leyenda, les faltaban mujeres. Dada la calaña de los primeros romanos es probable que ningún habitante de los pueblos cercanos quisiera que su hija se casara con un romano. Decidieron convocar una fiesta para celebrar la fundación de la ciudad e invitaron a los sabinos, un pueblo cercano. Emborracharon a los visitantes y, cuando estaban dormidos, les robaron a sus hijas, y se “casaron” con ellas. (En la antigüedad el matrimonio era el hecho de yacer con alguien, no era un acto solemne).Cuando los sabinos se despertaron, se enfadaron bastante al ver que sus hijas habían sido raptadas por los romanos. Declararon la guerra a los romanos, pero las sabinas -las raptadas- se interpusieron entre ellos diciendo que “si ganaban la guerra sus padres, ellas quedarían viudas, mientras que si ganaban los romanos -sus nuevos esposos- quedarían huérfanas”, así que mejor tener la fiesta en paz y convivir todos juntos.El ejemplo es muy significativo de la situación de la mujer en el siglo VIII antes de Cristo: lo de menos es que ella consintiera su matrimonio. Lo importante era tener un marido que la protegiera. Pero también dice mucho de la inteligencia y sagacidad de las mujeres. Probablemente en este contexto la solución de las sabinas era la más inteligente, aunque a nosotros nos parezca cruel y brutal.La historia de Roma, tanto la real como la inventada, nos demuestra la tenacidad de un pueblo que creía en sí mismo y en su designio inmortal. Eso les hizo sobreponerse a mil desastres, epidemias, guerras, volcanes… El ejemplo de Roma no es el de haber triunfado siempre sino el de haberse sobrepuesto a cada caída. Precisamente, cuando dejaron de creer en sí mismos, fueron derrotados.

This episode is Part 2 of a two part reading of my short story, "Rhea Silvia," from my January 2018 story & poem collection Our Lady of the Dark Country (https://www.ptreyesbooks.com/book/9780999696606). Please listen to Part 1, the previous episode, before Part 2, or it won't make much sense! :) This is a retelling of the tale of Rhea Silvia, the so-called mother of Rome— mother of Romulus and Remus, twin brothers who were later suckled by a wolf, and who founded that great and terrible city, which paved the way for so much of the imperialism that we still live within the story of. In this telling, I try to dig beneath imperial Rome, exploring some of the last traces of the tribal cultures that had occupied the lands of Italy since prehistoric times, and that still persisted even under Roman ideology and rule. Rhea Silvia, in my mind, comes from a line of indigenous Latin people; her name suggests a far old woodland power, Vestal and yet wild. In the introduction I discuss a bit more about this, including pre-Latin, non Indo European languages. Please note that there is sensitive material in Part 2—indirect mention of rape & direct mention of violence— as there was in the original, and in this time in history. Not in any way gratuitous I pray, but necessarily present. I make this note tor listeners for whom this might be triggering. I will say though, that while the story of Rhea Silvia is certainly tragic, I hope my telling is one of deep hope and redemption. Story begins at 3:00 PODCAST ART: Catherine Sieck PODCAST MUSIC: Giannis Linardakis (Cretan lute, traditional) PODCAST SOUND EDITING: Simon Linsteadt ABOUT THE PODCAST: Welcome to Kalliope's Sanctum, a biweekly story podcast hosted by writer Sylvia V. Linsteadt. This podcast is dedicated to Kalliope, primordial and first Muse of epic poetry and ecstatic song in ancient Greece. This podcast is a place of sanctuary for her oldest stories. It is a return to the wild garden, to the spring, to the ground of being & the source of inspiration in the Earth. Here, we honor Kalliope as Muse of Earth. Here, you will find some of the stories beneath the stories of Old Europe: short fictional/poetic pieces written and read by Sylvia that explore elements of indigenous Old European mythology, with a focus on pre-Hellenic (pre-Patriarchal) Greece. Come sit with us in the honeyed light, among the ripe pomegranates, in Kalliope's sanctuary, where the stories that arise directly from the ground of being and lifeforce can still be safely told and celebrated. Come lean against the sun-warmed stones, with the fragrance of propolis & myrrh in the air, and the trees heavy with autumn quince. This is the garden before the fall, a sanctuary for all hearts in this time. Join us, and be revived. ABOUT SYLVIA V. LINSTEADT: Sylvia V. Linsteadt is a novelist, poet, scholar of ancient history, myth and ecology, and artist. She divides her time between California & Crete, where she is currently working on a novel set in Minoan times. Her published fiction includes the middle grade children’s duology The Stargold Chronicles— The Wild Folk (Usborne, June 2018) and The Wild Folk Rising (Usborne, May 2019)— Our Lady of the Dark Country, a collection of short stories (January 2018) and Tatterdemalion (Unbound, Spring 2017); her works of nonfiction include The Wonderments of the East Bay (Heyday 2014), and Lost Worlds of the San Francisco Bay Area (Heyday, Spring 2017). Website: www.sylvialinsteadt.com/ Patreon: www.patreon.com/ Instagram: www.instagram.com/sylviavlinsteadt/ Newsletter: tinyletter.com/sylvialinsteadt

This episode is Part 1 of a two part reading of my short story, "Rhea Silvia," from my January 2018 collection Our Lady of the Dark Country. (https://www.ptreyesbooks.com/book/9780999696606) It is a retelling of the tale of Rhea Silvia, the so-called mother of Rome— mother of Romulus and Remus, twin brothers who were later suckled by a wolf, and who founded that great and terrible city, which paved the way for so much of the imperialism that we still live within the story of. In this telling, I try to dig beneath imperial Rome, exploring some of the last traces of the tribal cultures that had occupied the lands of Italy since prehistoric times, and that still persisted even under Roman ideology and rule. Rhea Silvia, in my mind, comes from a line of indigenous Latin people; her name suggests a far old woodland power, Vestal and yet wild. In the introduction I discuss a bit more about this, including pre-Latin, non Indo European languages. Please note that there is sensitive material —rape— in this story, as it is in the original. Not in any way gratuitous, but present. I make this note tor listeners for whom this might be triggering; it isn't until part 2, but if you would rather not listen from the beginning, I wanted to give this warning. I will say though, that while the story of Rhea Silvia is certainly tragic, I hope my telling is one, ultimately, of deep hope and redemption. Story begins at 10:06. PODCAST ART: Catherine Sieck PODCAST MUSIC: Giannis Linardakis (Cretan lute, traditional) PODCAST EDITING: Simon Linsteadt ABOUT THE PODCAST: Welcome to Kalliope's Sanctum, a biweekly story podcast hosted by writer Sylvia V. Linsteadt. This podcast is dedicated to Kalliope, primordial and first Muse of epic poetry and ecstatic song in ancient Greece. This podcast is a place of sanctuary for her oldest stories. It is a return to the wild garden, to the spring, to the ground of being & the source of inspiration in the Earth. Here, we honor Kalliope as Muse of Earth. Here, you will find some of the stories beneath the stories of Old Europe: short fictional/poetic pieces written and read by Sylvia that explore elements of indigenous Old European mythology, with a focus on pre-Hellenic (pre-Patriarchal) Greece. Come sit with us in the honeyed light, among the ripe pomegranates, in Kalliope's sanctuary, where the stories that arise directly from the ground of being and lifeforce can still be safely told and celebrated. Come lean against the sun-warmed stones, with the fragrance of propolis & myrrh in the air, and the trees heavy with autumn quince. This is the garden before the fall, a sanctuary for all hearts in this time. Join us, and be revived. ABOUT SYLVIA V. LINSTEADT: Sylvia V. Linsteadt is a novelist, poet, scholar of ancient history, myth and ecology, and artist. She divides her time between California & Crete, where she is currently working on a novel set in Minoan times. Her published fiction includes the middle grade children’s duology The Stargold Chronicles— The Wild Folk (Usborne, June 2018) and The Wild Folk Rising (Usborne, May 2019)— Our Lady of the Dark Country, a collection of short stories (January 2018) and Tatterdemalion (Unbound, Spring 2017); her works of nonfiction include The Wonderments of the East Bay (Heyday 2014), and Lost Worlds of the San Francisco Bay Area (Heyday, Spring 2017). Website: www.sylvialinsteadt.com/ Patreon: www.patreon.com/ Instagram: www.instagram.com/sylviavlinsteadt/ Newsletter: tinyletter.com/sylvialinsteadt

各位朋友大家好，歡迎收聽謙信的歷史廣場，我是主講人謙信，無論您是否是第一次收聽，請讓我表達感謝。很多人對於歷史都有一種刻板、先入為主的印象，就是死板、沈悶、一大堆史料的東西，但是讓我們想想，歷史不就是過去的人做過、經過的事情記錄嗎？我們今天作的事情也是未來的歷史，怎麼會無聊呢？其實最大的原因大概是我們成長教育過程給我們的印象吧！ 有句話謙信一直放在心中：「這個世界上沒有新鮮事。」意思是我們現在所發生的事情，其實過去早已經發生過，只是以不同形式呈現而已！現在我們常苦於憂慮、挫折、不安、頹圮的心情，甚至是面臨選擇的關頭，在多不勝數的心靈雞湯與勵志課程、甚至是正面能量都四處滿溢的現代，我想最佳的解答是在自己；正確的說是在自己眼前，那就是歷史，我們經歷的，過去一定有人也有過，只是形式與時代不同，謙信不是什麼心靈講師，只是一個愛說故事的人，誠心希望在某日某地的某人，會因為我的某段節目有所啟發、甚至是改變原來負面的想法，又或者是面臨猶疑不定的關頭，能夠下定決心決斷，這對我來說就是最大的榮耀！ 在節目開始之前，如果您喜歡提供的內容，不管您從什麼管道收聽，您的訂閱就是對我最大支持，喜歡的話，請記得訂閱我的頻道並留好評，喜歡的話也分享、推薦給您的好友圈，更歡迎您告訴謙信您有興趣的話題，會在後續的內容中加入您的意見。節目的文字稿與我自己讀過的延伸閱讀建議，請在瀏覽器輸入kshin.co ，來到『謙信的歷史廣場』，都會有您想要的資料，現在也在網站將我的著作《從杜甫的眼中看見真實三國》電子書第一卷，以pdf的方式提供給大家線上閱讀，只要回答幾各位問題，也會在每週一收到謙信的電子報，有上週的Podcast與推薦延伸閱讀的書籍，讓我提醒您補充有用的歷史知識。如果有想要討論節目內容或是抒發想法，FB也有開設『謙信自由討論廣場』社團，歡迎加入一起討論切磋歷史，期待與您相遇！ 各位聽眾大家好，歡迎收聽謙信的歷史廣場，這次是從神話傳說來說歷史，主題是永恆之城羅馬與母狼傳說。 大概很少朋友沒有聽過羅馬這個義大利的名城，相關人物最有名的就是蓋烏斯·尤利烏斯·凱撒，還有羅馬競技場等，甚至奧黛麗赫本主演的經典電影『羅馬假期』也是在這取景，即使說了這麼多，還是很難把羅馬說盡，就讓謙信試著從羅馬神話的角度來談談這座城市。 在開始之前先解說一下羅馬神話與希臘神話本質上的差別，希臘神話講述宇宙的由來和本質，涉及許多神明、英雄及神秘生物，包括希臘人自身所參與的各種秘儀與宗教儀式的起源，簡單來說是希臘宗教的起源，如果你想要了解他們的宗教、政治環境與整個古希臘文明，那麼理解這些神話背後的本質就是必要的。 相反地，羅馬並沒有如同希臘的神話系統，或是神明之間鬥爭的傳說，這些在羅馬是不存在的，現在我們看到的羅馬神話是到了羅馬共和末期的詩人模仿希臘撰寫的。羅馬神話的特色是擁有非常完善的儀式、祭司和一群互相關連的神，輔以大量關於羅馬的誕生和發展的傳說，在其中主要作用者是人，神有時才會插手，簡單來說就是描述神與神以及神與人之間錯綜複雜的關係。 快速說完羅馬神話特點後，回到主題羅馬上，根據他們的神話記載，這座後來的永恆之城是在公元前753年4月21日奠基開始發展的，關鍵人物是一對雙胞胎羅穆盧斯 Romulus 和瑞摩斯 Remus。兩兄弟的父母非常與眾不同，母親是據說有希臘神話中特洛伊王室血脈的雷亞·西爾維亞 Rhea Silvia，當時她是個維斯塔祭司，一天夜裡雷亞·西爾維亞據說與戰神馬爾斯交合，一種說法瑪爾斯來到神廟裡玷汙她，另一種說法是瑪爾斯化成狼侵犯她。如果是真的，兩兄弟繼承的血脈可是不同凡響；父親馬爾斯不僅是羅馬神話眾神之王朱庇特與天后朱諾之子（朱庇特就同於希臘神話的宙斯，朱諾就同於希拉），更是愛神維納斯的愛人，未來勇猛羅馬軍團崇拜的主神，也讓羅馬人有時自稱「瑪爾斯之子」，另外在歐洲許多拉丁語系中星期二的語意來源就是從瑪爾斯而來，意為瑪爾斯之日或者火星之日，如義大利語（martedi）、西班牙語（martes）、法語（mardi）。 兩兄弟出生前的情況卻不是太樂觀，他們的外祖父努米特與兄弟阿穆利烏斯是從特洛伊逃出的埃涅阿斯（這在謙信之前特洛伊那篇有稍微提到）的後代。他們的父親死後努米特成為阿爾巴朗格的國王，兄弟阿穆利烏斯掌握王家寶藏，包括埃涅阿斯帶出的特洛伊財寶。..... 您喜歡這次謙信提供的內容嗎？或者什麼意見或是建議可以提供給我嗎？如果可以在您收聽的管道或是打kshin.co，在『謙信的歷史廣場』留下您的意見，幫助我改進缺點以提供更好的節目，或者您有想聽的內容，也可以與我分享，會盡量在往後節目中提供。網站除了有文字稿外，還有謙信讀過的延伸閱讀，對於主題有興趣的朋友，記得去看看喔！如果喜歡還是請您分享給朋友喔！再次謝謝您的收聽，期待下一期節目與您相遇！

Romulus and Remus, written by Brittany Garcia and narrated by Nitin Sil: https://www.ancient.eu/Romulus_and_Remus/ If you like our audio articles, please support us by becoming a member or donating to our non-profit company: - www.ancient.eu/membership/ - www.ancient.eu/donate/ - www.patreon.com/ahe Nitin Sil also has a Youtube channel on history: - www.youtube.com/channel/UCTYmTYuan0fSGccYXBxc8cA In Roman mythology, Romulus and his twin brother Remus were the children of Rhea Silvia and Mars (or in some variations the demi-god hero Hercules). Romulus and Remus are best known for being the founders of the city of Rome. Their story is recorded by many authors including Virgil who claims their birth and adventures were fated in order for Rome to be founded.

Partial Transcripthttp://www.thetaleofrome.com/rome-003Hello, this is Abel, speaking from Beijing, China.Welcome to the Tale of Rome, Episode 3 — Roman M Seeking F.Last week we saw how, after many generations, Rome was established at the edge of the river Tiber, and we also saw how Romulus, Numitor's grandson—and son of Rhea Silvia and god Mars, became the first King of Rome.I think if for a common man there is nothing as sweet as having a home of his own, for a man the size of Romulus, there couldn't have been anything sweeter than having a city of his own.The only tiny problem for the moment was that his city was still not able to defend itself, and it also couldn't grow.So, we are going to see how Romulus addressed these two issues of high priority.[…]After Romulus founded his city, it became pretty obvious that it would be necessary to attract people to the city.Rome needed new inhabitants.To that end, Romulus opened the gates of his city, but what happened next was that the first immigrants to the new city were, to put it in nice words, characters of a colorful past.OK, let's be more honest here! The first arrivals were people on the run from other places.Fallen or escaped gladiators, crooks and beggars, fugitive slaves and prisoners of war, people who owed too much money and people who used to collect too much money from others, pimps and smugglers, pickpockets and murderers, and a whole lot more.You name it, Rome had it!Anyone who offended any of men's laws or any of god's laws, moved to Rome to have a fresh start.[…]

Partial TranscriptHello, this is Abel, speaking from Beijing, China.http://www.thetaleofrome.com/rome-002Welcome to the Tale of Rome, Episode 2 — Immaculate Conception.Last Week we saw how Aeneas managed to escape Troy, and how he finally settled on the western coast of Italy. And we saw how his son came to found a city named Albalonga.Today we will see how his grand-grandchildren prepare the stage for us, so that we get to see how Rome as founded.And to get there, today we've got it all.Traitors.Vultures bring messages from the gods.An amazing saving of two babies floating in a basket along a river. We even have a woman conceiving children in a rather miraculous way, something that people in the western civilizations call an “Immaculate Conception.”[…]After Ascanius, the kingship was passed from father to son for many generations, until we got to the 13th generation, and the power came to rest upon the shoulders of a man called Numitor.As Numitor became King of Albalonga, his brother Amulius watched, filled with jealousy and hatred.Soon enough, Amulius decided to take the throne all to himself, and by lying to the people of Albalonga, and by using false rumors, Amulius managed to chase Numitor out of the city.The sons of Numitor were killed without any mercy.But Amulius decided to spare the life of Numitor's daughter, a woman called Rhea Silvia, and instead of killing her, he ordered her to become a Vestal Virgin. By converting her into a Vestal, Amulius felt assured that she would not have any children, and there would be no threat to his own future generations.A Vestal Virgin, as historians explain to us, spent her whole life dedicated to the service of the goddess Vesta, goddess of the home and the heart.Vestals had to fulfill three conditions in order to be accepted in the temple of Vesta, where they would be in charge of keeping the divine flame on, for all eternities.One: they had to be virgin.Two: they had to come from a prominent family of the society.Three: they had to be incredibly beautiful.[…]

Partial Transcript http://www.thetaleofrome.com/rome-003 Hello, this is Abel, speaking from Beijing, China. Welcome to the Tale of Rome, Episode 3 — Roman M Seeking F. Last week we saw how, after many generations, Rome was established at the edge of the river Tiber, and we also saw how Romulus, Numitor’s grandson—and son of Rhea Silvia and god Mars, became the first King of Rome. I think if for a common man there is nothing as sweet as having a home of his own, for a man the size of Romulus, there couldn’t have been anything sweeter than having a city of his own. The only tiny problem for the moment was that his city was still not able to defend itself, and it also couldn’t grow. So, we are going to see how Romulus addressed these two issues of high priority. […] After Romulus founded his city, it became pretty obvious that it would be necessary to attract people to the city. Rome needed new inhabi...

Hello, this is Abel, speaking from Beijing, China. Welcome to the Tale of Rome, Episode 2 — Immaculate Conception. http://www.thetaleofrome.com/rome-002 Last Week we saw how Aeneas managed to escape Troy, and how he finally settled on the western coast of Italy. And we saw how his son came to found a city named Albalonga. Today we will see how his grand-grandchildren prepare the stage for us, so that we get to see how Rome as founded. And to get there, today we've got it all. Traitors. Vultures bring messages from the gods. An amazing saving of two babies floating in a basket along a river. We even have a woman conceiving children in a rather miraculous way, something that people in the western civilizations call an "Immaculate Conception." ... After Ascanius, the kingship was passed from father to son for many generations, until we got to the 13th generation, and the power came to rest upon the shoulders of a man called Numitor. As Numitor became King of Albalonga, his brother Amulius watched, filled with jealousy and hatred. Soon enough, Amulius decided to take the throne all to himself, and by lying to the people of Albalonga, and by using false rumors, Amulius managed to chase Numitor out of the city. The sons of Numitor were killed without any mercy. But Amulius decided to spare the life of Numitor's daughter, a woman called Rhea Silvia, and instead of killing her, he ordered her to become a Vestal Virgin. By converting her into a Vestal, Amulius felt assured that she would not have any children, and there would be no threat to his own future generations. A Vestal Virgin, as historians explain to us, spent her whole life dedicated to the service of the goddess Vesta, goddess of the home and the heart. Vestals had to fulfill three conditions in order to be accepted in the temple of Vesta, where they would be in charge of keeping the divine flame on, for all eternities. One: they had to be virgin. Two: they had to come from a prominent family of the society. Three: they had to be incredibly beautiful. ...

Hello, this is Abel, speaking from Beijing, China. Welcome to the Tale of Rome, Episode 3 — Roman M Seeking F. Last week we saw how, after many generations, Rome was established at the edge of the river Tiber, and we also saw how Romulus, Numitor's grandson—and son of Rhea Silvia and god Mars, became the first King of Rome. I think if for a common man there is nothing as sweet as having a home of his own, for a man the size of Romulus, there couldn't have been anything sweeter than having a city of his own. The only tiny problem for the moment was that his city was still not able to defend itself, and it also couldn't grow. So, we are going to see how Romulus addressed these two issues of high priority. ... After Romulus founded his city, it became pretty obvious that it would be necessary to attract people to the city. Rome needed new inhabitants. To that end, Romulus opened the gates of his city, but what happened next was that the first immigrants to the new city were, to put it in nice words, characters of a colorful past. OK, let's be more honest here! The first arrivals were people on the run from other places. Fallen or escaped gladiators, crooks and beggars, fugitive slaves and prisoners of war, people who owed too much money and people who used to collect too much money from others, pimps and smugglers, pickpockets and murderers, and a whole lot more. You name it, Rome had it! Anyone who offended any of men's laws or any of god's laws, moved to Rome to have a fresh start. ...

Monica is an artist blacksmith who lives and works in California.  Working closely with a wide-range of clients and demonstrates her techniques in workshops and conferences across the country.   What We Talked About Monica has been blacksmithing for 12 years. She went to a local Hamer-in at Weaverville, CA and took a class with Mark Aspery. This sparked her passion for the craft. She then sought out opportunities to learn and apprentice with experienced blacksmiths such as Toby Hickman and Daniel Miller. She spent 2 years as an apprentice with Toby. 4 years later she quit her job at the welding fabrication shop and built and off grid shop on her and her husband’s land. Monica tells us how her husband built her forge shop from the ground up that is completely off the grid! The shop has solar and hydro power along with a backup diesel generator if needed.  When Monica was asked to be a demonstrator at ABANA, she knew she wanted to show the sliding dovetail joint techniques that she has been perfecting for the last 4 years. Regarding her thought process on the sculpture design that she came up with for the ABANA demo she thought about where in your body would a sliding dovetail joint fit. Naturally it would be at the biggest pivot joint in your body, at the hips, where the spine connects to the pelvic bone. Deeper research into the pelvic bone pointed Monica to Greek Mythology. The word “Ilium” comes from the word “ilia” and “ilia” is another name for Rhea Silvia.  Rhea Silvia was the mother of Romulus and Remus who founded Rome, therefore Rhea or Ilia can be interpreted to be the mother of civilization.  When Monica works with metal she is always trying to understand the connection between the civilized world and the natural world. For her Ilia design she will start with 1” square stock to make the Ilium or the hip bones, she will use ¾” square bar to make the tailbone (or the tenon part of the dovetail joint) and the wedge pin, representing the spine, will be made from 1’2” square stock. Monica studied woodworking in college and made some wooden dovetail joints before and she had always wanted to make that joint in metal. The first metal dovetail joint she made was about 4 years ago and she has been perfecting the techniques, angles and ways to use them. Mike Limb will be Monica’s assistant at ABANA and they have been friends for many years. Monica met Mike Limb at the Weaverville Hammer-in and they have both grown their blacksmith skills together there. Monica Coyne’s Links: Website – http://www.monicacoyneartistblacksmith.com/  Facebook - https://www.facebook.com/MonicaCoyneArtistBlacksmith   A Big Thank You to today’s sponsor – ABANA 2016 Conference, http://www.abana.org/Conferences/2016/index.html If you enjoyed this episode, I would love it if you would support the show by: telling your friends. sharing this episode using the social sharing buttons below. subscribing to the show and leaving a rating and review in iTunes.  Not sure how?  Just follow these simple steps here or watch the short video tutorial, http://youtu.be/rq4OCyRGjHc?list=UUH3MfNZLXlKgionAs6kMT_Q subscribing to the show in Stitcher, http://www.stitcher.com/s?fid=54499&refid=stpr Thanks so much for your support!    

Jacques Blanchard was one of the most important painters active in Paris in the first half of the seventeenth century. His principal rivals were Simon Vouet and Philippe de Champaigne. Born in Paris in 1600, Blanchard served an apprenticeship with his uncle, a little known painter called Nicolas Bollery. He made a trip to Italy, on his way stopping in Lyon, where he worked for a time as an assistant to the painter Horace Le Blanc (1620-24). In Rome (1624-26) he would have encountered the art of Caravaggio and his followers as well as that of the Carracci and their pupils, such as Guido Reni. On his way back he spent some time in Venice (c. 1626-28) where he was particularly affected by the sensuous art of such painters as Titian and Veronese. After a brief spell working in Turin at the court of the Duke of Savoy (c. 1628) he returned to France and set himself up in Paris in 1629. Blanchard died young in 1638 and his Parisian career thus lasted less than a decade. He is mainly notable as a painter of mythological and allegorical subjects, many of these painted on commission as part of decorative schemes in the houses of a newly wealthy administrative class. For example he decorated a gallery in the Parisian hôtel of the powerful Superintendent of Finance, Claude de Bullion in which a series of mythological scenes representing the seasons, now destroyed, attracted fulsome praise from contemporaries. Although he received a few commissions for altarpieces and painted many small devotional paintings (of the ‘Madonna and Child’, for example), he is memorable not for the religious sentiment of his art, but for its frank sensuousness. It is this which earned him among his contemporaries the nickname of the ‘French Titian’ and which places him in a pivotal position in the development of French art between the eroticism of the court art of Fontainebleau in the 16th-century and that of Boucher in the 18th century. The subject of our painting is a key episode in the story of the founding of Rome. The vestal virgin Rhea Silvia lay down to sleep next to a stream in a wood, loosened the front of her clothing and ‘opened her bosom to catch the breeze’. The God Mars encountered her in this state and ravished her in her sleep. This encounter resulted in the birth of the twins Romulus and Remus who founded the city of Rome. The unusual upright, squarish format of the canvas strongly suggests that the painting was originally part of a decorative scheme. It would have been set into the panelling of a room along with other paintings on related themes. It is probable that the scheme as a whole treated the history of Rome or, perhaps more likely given Blanchard’s favoured subject matter, the Loves of the Gods. There is no commission recorded in the documents or early printed sources which certainly relates to this painting. However, the style and quality of the canvas suggest it is a late work and it could conceivably have been painted as part of a major decorative commission on which Blanchard was working at his death for Claude de Bullion in the Château of La-Grange-le-Roi. Blanchard’s inventory records that the contract for this commission was passed in March 1638, some eight months before the artist’s death. Unfortunately it does not record the subject of the scheme and the identification with this canvas is therefore conjectural.