Podcasts about Romulus

Elles nourrissent au sein les enfants, les leurs et ceux des autres, et sont payées pour ce lait. La nourrice est celle qui nourrit, des nouveau-nés placés chez elles, ou « sur lieu », au domicile des employeurs, bébés. Jusqu'à l'invention des laits maternisés, aucune alternative à l'allaitement n'existait pour nourrir un bébé. Les femmes, nouvelles accouchées, pouvaient ainsi en plus de leur enfant allaiter ceux des autres, ce qui n'était pas sans risque, ni pour elles ni pour les enfants dont elles avaient la charge.   L'allaitement, un marché Le métier de nourrices est ancestral, réglementée, encadrée depuis l'Antiquité, car allaiter hier d'autres bébés que le sien a longtemps été un métier, même aussi un vaste marché : l'allaitement mercenaire a économiquement soutenu des régions entières en Europe, en France au début du XVIIIè et au XIXè. D'abord répandu chez les aristocrates et les bourgeois, le « nourrissage » se développe à la révolution industrielle. Il devient rapidement évident que le travail à l'usine est mieux payé que celui des champs. Les campagnes se sont ainsi vidées de leur main-d'œuvre partie travailler en ville, à l'exception des nourrices qui se voient confier les enfants d'ouvriers, d'artisans ou de la petite bourgeoisie. À Lyon, en 1840, Louis-René Villermé, médecin, enquête chez les soyeux et écrit : « Presque tous les nouveau-nés sont placés en nourrice dans les départements voisins car les mères gagnent plus d'argent à travailler dans les ateliers de soie plutôt qu'à élever leurs enfants. Elles récupèrent le bébé quand il est sevré ou généralement quand il marche. » À la fin du XIXè, en France, 10% des nourrissons étaient mis en nourrice, près de deux-tiers des bébés dans les grandes villes. Les nourrices, rarement aux affaires, devaient passer par des intermédiaires pour trouver de nouveaux bébés à garder.  Les femmes, des marchandises comme les autres ? Pour « Nourrices », son premier roman, Séverine Cressan a enquêté sur l'identité des nourrices, leur milieu social, leurs conditions de vie et de travail, elle s'est interrogée sur les liens créés par le lait entre un enfant et sa mère, et ce même lien quand le lait n'est pas celui de sa mère, quel est-il ? Comment naît l'attachement, l'amour entre mère et enfant ? Comment se construit-il et se renforce-t-il ? Quelles solidarités entre les mères ? Son récit est sensuel et bouleversant. Il pose aussi la question des relations entre les frères et sœurs de sang et de lait – rappelle les mythes et les légendes qui entourent ces relations : Remus et Romulus, depuis l'Antiquité, et les interdits associés, dans certaines religions, comme dans l'Islam par exemple où frères et sœurs de lait ont l'interdiction de se marier. La fin de l'allaitement mercenaire avec l'essor du biberon et du lait maternisé La loi Roussel (1874) marque un tournant : elle impose un contrôle administratif strict sur les nourrices et les placements d'enfants, dans le but de lutter contre la mortalité infantile encore très élevée. Ce contrôle évite et réduit de fait l'attractivité de la mise en nourrice, mais c'est l'invention du lait maternisé, une alternative au nourrissage et au biberon qui scelle la fin de l'allaitement mercenaire. La fonction de nourrice change alors de nature, en 1977, les nourrices deviennent officiellement des assistantes maternelles, elles sont les nounous qui gardent encore aujourd'hui les enfants en l'absence de leurs parents. Avec Séverine Cressan, autrice. « Nourrices » est son premier roman, il est publié aux éditions Dalva. Pour aller plus loin - Lait maternel (émission Le Goût du monde) - Nourrices, quand les filles des champs veillent sur les enfants des autres - L'historienne Anne Martin-Fugier à propos des « nourrices sur lieu et à emporter », France Culture, 27 avril 1978 - Association des lactarium de France. Programmation musicale : Going home de Dominique fils Aimé. Une recette de flan au baobab, blanc comme le lait, de Harouna Sow issue de la saison 1 de l'émission Recette de poche.

Elles nourrissent au sein les enfants, les leurs et ceux des autres, et sont payées pour ce lait. La nourrice est celle qui nourrit, des nouveau-nés placés chez elles, ou « sur lieu », au domicile des employeurs, bébés. Jusqu'à l'invention des laits maternisés, aucune alternative à l'allaitement n'existait pour nourrir un bébé. Les femmes, nouvelles accouchées, pouvaient ainsi en plus de leur enfant allaiter ceux des autres, ce qui n'était pas sans risque, ni pour elles ni pour les enfants dont elles avaient la charge.   L'allaitement, un marché Le métier de nourrices est ancestral, réglementée, encadrée depuis l'Antiquité, car allaiter hier d'autres bébés que le sien a longtemps été un métier, même aussi un vaste marché : l'allaitement mercenaire a économiquement soutenu des régions entières en Europe, en France au début du XVIIIè et au XIXè. D'abord répandu chez les aristocrates et les bourgeois, le « nourrissage » se développe à la révolution industrielle. Il devient rapidement évident que le travail à l'usine est mieux payé que celui des champs. Les campagnes se sont ainsi vidées de leur main-d'œuvre partie travailler en ville, à l'exception des nourrices qui se voient confier les enfants d'ouvriers, d'artisans ou de la petite bourgeoisie. À Lyon, en 1840, Louis-René Villermé, médecin, enquête chez les soyeux et écrit : « Presque tous les nouveau-nés sont placés en nourrice dans les départements voisins car les mères gagnent plus d'argent à travailler dans les ateliers de soie plutôt qu'à élever leurs enfants. Elles récupèrent le bébé quand il est sevré ou généralement quand il marche. » À la fin du XIXè, en France, 10% des nourrissons étaient mis en nourrice, près de deux-tiers des bébés dans les grandes villes. Les nourrices, rarement aux affaires, devaient passer par des intermédiaires pour trouver de nouveaux bébés à garder.  Les femmes, des marchandises comme les autres ? Pour « Nourrices », son premier roman, Séverine Cressan a enquêté sur l'identité des nourrices, leur milieu social, leurs conditions de vie et de travail, elle s'est interrogée sur les liens créés par le lait entre un enfant et sa mère, et ce même lien quand le lait n'est pas celui de sa mère, quel est-il ? Comment naît l'attachement, l'amour entre mère et enfant ? Comment se construit-il et se renforce-t-il ? Quelles solidarités entre les mères ? Son récit est sensuel et bouleversant. Il pose aussi la question des relations entre les frères et sœurs de sang et de lait – rappelle les mythes et les légendes qui entourent ces relations : Remus et Romulus, depuis l'Antiquité, et les interdits associés, dans certaines religions, comme dans l'Islam par exemple où frères et sœurs de lait ont l'interdiction de se marier. La fin de l'allaitement mercenaire avec l'essor du biberon et du lait maternisé La loi Roussel (1874) marque un tournant : elle impose un contrôle administratif strict sur les nourrices et les placements d'enfants, dans le but de lutter contre la mortalité infantile encore très élevée. Ce contrôle évite et réduit de fait l'attractivité de la mise en nourrice, mais c'est l'invention du lait maternisé, une alternative au nourrissage et au biberon qui scelle la fin de l'allaitement mercenaire. La fonction de nourrice change alors de nature, en 1977, les nourrices deviennent officiellement des assistantes maternelles, elles sont les nounous qui gardent encore aujourd'hui les enfants en l'absence de leurs parents. Avec Séverine Cressan, autrice. « Nourrices » est son premier roman, il est publié aux éditions Dalva. Pour aller plus loin - Lait maternel (émission Le Goût du monde) - Nourrices, quand les filles des champs veillent sur les enfants des autres - L'historienne Anne Martin-Fugier à propos des « nourrices sur lieu et à emporter », France Culture, 27 avril 1978 - Association des lactarium de France. Programmation musicale : Going home de Dominique fils Aimé. Une recette de flan au baobab, blanc comme le lait, de Harouna Sow issue de la saison 1 de l'émission Recette de poche.

Rómulo y Remo, la loba, el fratricidio y la fundación de Roma forman parte de uno de los relatos más poderosos de la Antigüedad. Pero... ¿qué hay de mito y qué de construcción cultural en esta historia? A partir de la serie Romulus, en este episodio exploramos cómo los romanos explicaron su propio origen y cómo esos mitos fueron moldeados para dar sentido a una comunidad, a su violencia y a su identidad. Lejos de buscar una verdad literal, analizamos el contexto arqueológico, social y antropológico que se esconde tras las leyendas fundacionales, desmontando el relato tradicional para entender por qué Roma necesitó contarse a sí misma de esa manera. Te lo cuentan María V. y Antonio G. ✌️ Victoria Podcast pertenece al Canal de 🏭Factoría Casus Belli ⭐Victoria Podcast forma parte del 📀 Sello Ivoox Originals, por lo que solo lo podrás escuchar en esta plataforma. 📚 Zeppelin Books zeppelinbooks.com es un sello editorial de la 🏭 Factoría Casus Belli. ⚡SUSCRÍBETE para recibir cada semana un nuevo programa en tu iVoox. ❤️Danos un LIKE si crees que nos lo hemos merecido. 👍Estamos en TWITTER como @PodcastVictoria https://twitter.com/PodcastVictoria 💪SI QUIERES APOYARNOS puedes hacerlo con el 🆒botón azul de apoyar, y por un euro y medio al mes tendrás ACCESO ANTICIPADO de 4 semanas a todos los programas, y además SIN PUBLICIDAD. También ACCESO AL HISTÓRICO que son los programas que llevan 1 año publicados. 📠 Si quieres contratar publicidad o episodios patrocinados en este podcast: 👉 https://www.advoices.com/victoria-podcast-historia Las imágenes de la portada se usan con fines divulgativos y los derechos pertenecen a sus creadores. 🎭Las OPINIONES expresadas en este programa de pódcast, son de exclusiva responsabilidad individual. Que cada palo aguante su vela. ⚛️ El logotipo de Victoria y de la Factoría Casus Belli están diseñados por Publicidad Fabián publicidadfabian@yahoo.es Muchas gracias por escucharnos, y hasta la próxima. V561 🏛 Romulus - La Creación de ROMA

#rpg #rpgiveaway #rpggames #rpgdemesa #rpgdice #roll20 #foundryvtt #tocadodragao #mdtRPG"Enviados em uma nave comercial da Wayland-Yutani —A USS BABYLON — com destino a LV226 sofre um evento mecânico e agora sua tripulação deve encontrar uma maneira de consertar a nave e se dirigir a estação Romulus e Remus... logo eles descobrem que não estão sozinhos."Um RPG Do Toca Do Dragão

#podcast #progressive #Democrats #Michigan #Trump #MAGA #Republicans #Politics #News #DemocraticSocialism #DylanWegela #CorporateGreed #CorporateCorruption #GovernmentCorruption #GordieHoweBridge #EpsteinClass #EpsteinFiles #BillionaireClass #WealthInequality #WorkingClass #Economy #Immigration #ICE #Farmers #Tariffs #BigTech #DataCenters #olympics ##Authoritarianism #Democracy #LeftOfLansing Here's Episode #168 of Michigan's Premier Progressive Podcast!00:00-15:30: More Epstein/Moroun Corruption/Tariffs/ICEPat Johnston discusses how it appears some information related to Dear Leader Trump in the Epstein Files was withheld. We learned how the MAGA billionaire family who owns The Ambassador Bridge gave $1million to a pro-MAGA PAC just before Trump announced his intentions to block a public bridge from opening. Supreme Court decides against the Trump Regime's insane tariff scheme, but he's already placed new tariffs to hurt the working class. And working class Michiganders showed up to protest a planned ICE detention center in Romulus. 15:07-38:02: State Rep. Dylan WegelaProgressive Democratic Michigan State Rep. Dylan Wegela of the 26th House District talks about why he's part of the Democratic Socialists of America, and how working class Michiganders are finding it harder to get ahead in an economy designed to work for the billionaire Epstein Class. Wegela talks about his work on reigning-in ICE activity in Michigan, and his fight against A.I. data centers. Sign the Mop-Up Michigan ballot initiative! 38:03-53:04: Olympics RantPat needed a little time to rail against MAGA hypocrisy and misogyny during the Winter Olympic Games. 53:05-55:21: EndingPlease, subscribe to the podcast, download each episode, and give it a good review if you can!leftoflansing@gmail.comLeft of Lansing is now on YouTube as well!https://www.patreon.com/cw/LeftofLansingVote on this week's Left of Lansing Poll! Music provided by Wanderbeats. To hear the latest project, visit Space Leopard on various streaming sites, or visit: https://www.youtube.com/@SpaceLeopardNOTES:"Hundreds rally as Romulus council rejects ICE detention center plan." By Katherine Dailey of Michigan Advance "Data center moratoriums pile up in Michigan. No one knows if they'll work." By Kelly House of Bridge Michigan "Michigan lawmakers unveil plan to repeal data center tax breaks." By Kelly House of Bridge Michigan "ICE detained a Minnesota teen, labeled him an ‘unaccompanied minor,' and lost him." By Susan Du of The Minnesota Star Tribune "Why I And You Love Alysa Liu." By Joe Wrote in Joe Wrote "What Americans think of the Epstein files, according to Reuters/Ipsos polling." By Reuters "America needs immigrants — ICE is doing more harm than good." By Dr. Sheldon H. Jacobson of The Hill "Justice Department withheld and removed some Epstein files related to Trump." By Stephen Fowler of NPR "Moroun gave $1M to PAC supporting Trump prior to president's tirade over Gordie Howe Bridge." By Ben Solis of Michigan Advance "Soybean tariffs challenge Michigan growers." By Madison Merrill of Spartan Newsroom

Romulus protest, city leaders push back on proposed ICE facility Detroit City Council OK's $400K+ settlement for land near airport Clawson flag shop prepares for America250 amid shifting pride, patriotism

February 24, 2025 ~ Marie Osborne, WJR's Director of Community Affairs and News discusses the ongoing battle over and ICE facility in Romulus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

February 24, 2026 ~ Chaos continues in Mexico. The Russia/Ukraine war started 4 years ago. Romulus city council says no to ICE facility. President Trump to deliver first State of the Union address of second term and the day's biggest headlines. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

On our radar this week… “The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.” George Orwell wrote those words 76 years ago in “1984” – seemingly the operating manual for Donald Trump's administration. In fact, Trump used those exact words in a campaign speech and has lived by them ever since.  George Orwell also wrote: “Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.” Every day is an exercise in taking attention away from the growing coverup of the Epstein files and financial corruption, with Trump apparently terrified that his sordid decades-long history as a sexual predator will finally catch up with him.  It's a stark contrast with England, where the Andrew formerly known as “Prince” is celebrated his 66th birthday in police custody as England actually holds the powerful accountable for the Epstein-led sexual abuse of children, while in Epstein's home country the White House continues to coverup the crimes of the rich and powerful … very possibly a group that includes Trump. Case in point: the Department of Justice spoke four separate times to a woman who credibly accused Donald Trump of having sex with a 13-year-old he met through Jeffrey Epstein—but most accusations against the president appear to have been removed from the government's documents on the alleged sex trafficker.  A part of Trump's defense is also right out of “1984”: “Who controls the past controls the future. Who controls the present controls the past.” That means silencing his critics including the late night comedians who, in the tradition of Will Rogers, lampoon him non-stop. But the tactic is backfiring: Kimmel's banishment lasted a few days, and Stephen Colbert has become even more focused in the last weeks of his days on CBS. The made-for-YouTube video of Colbert with Texas Senate candidate James Talarico has racked up more than 7.5 million views which is triple the Colbert TV show ratings. And Talarico raised a staggering $2.5-million in the day following the incident. Trump wants everything possible named after him. Now, he apparently wants to profit from those efforts: his company has filed papers to trademark use of his name at airports even as his Florida fans in the state's legislature pass a bill to rename Palm Beach International Airport in his honor and he pressures Congress to rename Dulles Airport. If signed into law, the Palm Beach International change would cost the airport $5.5 million to remake signs, uniforms, promotional products, equipment, and more, according to Palm Beach County's department of airports. Also on our radar The Supreme Court kicked off another Trump tantrum by axing his tariffs. The war between Dozing Donald and the court he thought he controlled is now started. Trump got a little nap time during the initial meeting of his made-up Institute for Peace, nodding off repeatedly in front of the world leaders who had ponied up the $1-billion membership fee. Before nap time, Trump pledged a $10-billion U.S. contribution to what amounts to his personal slush fund – ignoring the constitutional requirement that spending needed to be authorized by Congress. Governor Whitmer attended the Munich International Security Conference. At the conference, she joined AOC, and Trump's NATO ambassador on a panel discussion where she was highly critical of Trump's economic war with Canada has driven our neighbors to the north to get cozy with China. Independent gubernatorial candidate Mike Duggan has a new problem. His campaign claimed union endorsements he hasn't received. It's a near certainty that the Service Employees International Union and the United Auto Workers will ultimately endorse Jocelyn Benson. Benson, meanwhile, picked up the endorsement of the Michigan Nurses Association. Mark has a new neighbor. ICE has opened a regional headquarters next door to my office … and also is opening a detention center in Romulus. Nobody's happy about this except Stephen Miller. Is this a staging area for masked ICE agents outside Democratic-leaning voting sites in southeast Michigan this November? And we can't unwatch the incredibly insane 90-second, taxpayer-funded video of RFK Jr. and Kid Rock flexing and sweating, apparently to promote physical fitness. RFK thankfully did not include snorting cocaine from toilet seats as part of his workout regimen. On a far more serious note, we recognize the unique contributions of two men we lost this week: the internationally known Rev. Jesse Jackson, and one of the “good guys” who made Michigan State government work better over his decades of service, our friend Bill Gnodtke. On Tuesday, west Michigan Congresswoman Hilary Scholten went inside an ICE concentration camp. Scholten, who was an immigration attorney before being elected to Congress, joins this week’s conversation. Congresswoman Scholten is a fourth-generation West Michigander. Prior to her election in 2022 she was an immigration attorney who served in the U.S. Department of Justice.  Scholten began her own career as a social worker, working with people affected by issues of housing and homelessness. During this time, she worked with individuals in the LGBTQ community who were facing homelessness and housing insecurity—often because of their sexual orientation or gender identity.  Congresswoman Scholten obtained her law degree from the University of Maryland Thurgood Marshall School of Law, and then went on to clerk for the U.S. Court of Appeals for the Second Circuit in their special unit focused on immigration issues. Following her clerkship, she joined the Justice Department through the Attorney General Honors Program, where she continued to work on matters of immigration and civil rights. In Congress she serves on the House Committee on Transportation and Infrastructure and the House Committee on Small Business. We’re now on YouTube every week! Click here to subscribe. A Republic, If You Can Keep It is sponsored by ©Clay Jones/claytooz.com  

Pourquoi personne ne sait plus suivre un protocole sanitaire ?Cette semaine, on enfile nos combinaisons (celles qui ont des trous, visiblement) pour analyser la saga Alien, de ses origines métaphysiques à ses derniers cris dans l'espace.Au programme de cette expédition dont vous ne reviendrez probablement pas :Prometheus : Où l'on apprend que les créateurs de l'humanité sont de très mauvaise humeur le matin.Alien: Covenant : David joue de la flûte, et soudain, tout le monde passe un très mauvais quart d'heure.Alien: Romulus : On fait le point sur le petit dernier. Est-ce qu'on a enfin retenu la leçon sur les œufs bizarres dans les couloirs sombres ? (Spoiler : non).On décortique les choix de Ridley Scott, les expériences biologiques foireuses et on essaie de comprendre pourquoi, après 40 ans, les humains continuent de mettre leur visage au-dessus de trucs gluants.

February 17, 2026 ~ Reverend Jess Jackson passes away. US and Iran hold another round of nuclear talks. A number of long term road projects are set to start. ICE confirms plans for a detention center in Romulus. 3 dead and 3 wounded in shooting at Rhode Island high school hockey game. Democrats introduce bill to stop President Trump from blocking the opening of the Gordie Howe Bridge and the day's biggest headlines. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

February 17, 2026 ~ Kirk Pinho, Senior Commercial Real Estate Reporter for Crain's Detroit Business discusses plans for an ICE detention facility in Romulus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:03:26 - Charline explose les faits - par : Charline Vanhoenacker - Estrosi et Ciotti ont été amis pendant plus de 20 ans, aujourd'hui ce sont les frères ennemis, puisqu'ils s'affrontent âprement pour ravir Nice… C'est un peu les Rémus et Romulus de la Promenade des Anglais… les Abel et Caïn de la pissaladière. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:26 - Charline explose les faits - par : Charline Vanhoenacker - Estrosi et Ciotti ont été amis pendant plus de 20 ans, aujourd'hui ce sont les frères ennemis, puisqu'ils s'affrontent âprement pour ravir Nice… C'est un peu les Rémus et Romulus de la Promenade des Anglais… les Abel et Caïn de la pissaladière. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

WE MADE IT! One hundred episodes in and we finally got to the founding of Rome. Just under thirty-nine hours of content later, we finally get to the point of the podcast. Romulus and Remus set out to found a city, but will it be Rome or Remoria? Will it be on the Palatine or the Aventine hill? Only one combination can win- and only one twin will leave the founding alive...Sources for this episode:TBA

Romulus and Remus have been ejected into the Tiber by their granduncle/possibly father Amulius- but Fate has other plans. The boys wash up near a fig tree and survive by getting suckled by a she-wolf- all of which spells bad news for Amulius of Alba Longa...Sources for this episode:Boitani, L., Phillips, M. & Jhala, Y. V. ( 2023)  Canis lupus (amended version of 2018 assessment). The IUCN Red List of Threatened Species 2023: e.T3746A247624660. Dio (1961), Dio's Roman History (Volume I). Translated by E. Cary. London and Cambridge, Massachusetts: William Heinemann Ltd. and Harvard University Press.Eutropius (1760), Eutropius; Epitome of the Roman History. London: Printed for W. Johnston et al.Livy (1971), The Early History of Rome. Translated by A. de Sélincourt. Harmondsworth: Penguin Books Ltd.Plutarch (1938), Plutarch's Lives (Volume I). London and New York: J. M. Dent & Sons Ltd. And E. P. Dutton & Co. Inc.Sextus Aurelius Victor (2004), Origo Gentis Romanae: The Origin of the Roman Race. Translated by K. Haniszewski, L. Karas, K. Koch, E. Parobek, C. Pratt and B. Serwicki. Canisius College Translated Texts 3. Canisius College, Buffalo, New York.Author unknown (date unknown), Nuremberg Chronicle: being the Liber Chronicarum of Dr. Hartmann translated in English. Morse Library, Beloit College.

#rpg #rpgiveaway #rpggames #rpgdemesa #rpgdice #roll20 #foundryvtt #tocadodragao #mdtRPG"Enviados em uma nave comercial da Wayland-Yutani —A USS BABYLON — com destino a LV226 sofre um evento mecânico e agora sua tripulação deve encontrar uma maneira de consertar a nave e se dirigir a estação Romulus e Remus... logo eles descobrem que não estão sozinhos."Um RPG Do Toca Do Dragão

January 21, 2026 ~ George Hunter, crime reporter for The Detroit News joins Kevin to discuss his article ‘Detroit area police, including Romulus, tackle crime tied to motels' Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dal teatro di strada ai grandi set, Giuseppe Boy racconta un'idea di recitazione fondata su versatilità, avventura e ascolto profondo del personaggio, tra cinema indipendente e grandi produzioni globali. Su Unica Radio, Giuseppe Boy si racconta con la calma di chi ha attraversato molti mondi senza mai fermarsi davvero. Attore, regista, poeta e performer, Giuseppe Boy è un artista poliedrico, capace di muoversi tra teatro di strada, cinema d'autore e grandi produzioni senza perdere mai identità. La recente vittoria come Miglior attore di cortometraggi al Miraband UK Film Awards di Londra per L'occhio di San Salvatore ha acceso nuovamente i riflettori su un percorso lungo, stratificato e coerente, costruito nel tempo più sull'esperienza che sull'etichetta. Giuseppe Boy e l'inizio tra caso e necessità L'ingresso di Giuseppe Boy nel mondo dello spettacolo non nasce da un progetto preciso, ma da una combinazione di incontri, curiosità e bisogno di espressione. Il teatro di strada e il mimo-clown diventano negli anni Ottanta il primo terreno di sperimentazione, un luogo libero dove mettersi alla prova senza filtri. In quel contesto, il corpo diventa linguaggio e il pubblico un interlocutore diretto. È qui che si forma l'idea di performance come esperienza viva, capace di lasciare tracce durature. Una visione che accompagnerà l'artista anche nelle successive incursioni nel cinema e nella poesia performativa. Dalla poesia ai set "di serie A" Prima ancora della cinepresa, la scrittura resta centrale. Giuseppe Boy non ama definirsi poeta, ma riconosce nella poesia il linguaggio che più gli appartiene. Un esercizio di sintesi e profondità che torna utile anche davanti alla macchina da presa. Il passaggio ai set televisivi arriva con produzioni importanti come Romulus, serie atipica per linguaggio e ambientazione, girata in un latino arcaico e immersa in scenari estremi. Per Giuseppe Boy, lavorare in una grande produzione non cambia l'essenza del mestiere: ciò che conta è l'energia condivisa, che sia con cinque persone o con una troupe di novanta. Il cinema come avventura Il cinema, per Giuseppe Boy, resta soprattutto un'avventura collettiva. Ogni progetto è un viaggio che richiede fiducia, ascolto e capacità di adattamento. Questo vale tanto per le grandi serie quanto per il cinema indipendente. Nel cortometraggio L'occhio di San Salvatore, diretto da Roberto D'Aprile, l'attore affronta uno dei ruoli più intensi della sua carriera: un uomo solo, in dialogo silenzioso con un luogo e con sé stesso. Un personaggio che attinge profondamente alla sua interiorità e alla sua formazione teatrale. Il riconoscimento internazionale e la maturità artistica Il premio londinese arriva in un momento di piena consapevolezza. Non come punto di arrivo, ma come conferma. Per Giuseppe Boy, il valore più grande non è solo il riconoscimento personale, ma la condivisione del successo con il gruppo che ha reso possibile i

A Romulus man is facing a long list of charges -- after allegedly pulling a gun and firing shots outside a middle school. WWJ's Tony Ortiz and Tracey McCaskill have the afternoon's top news stories.

Episode Title: "I Am The Doctor, Whether You Like It Or Not" - The Twin Dilemma Review THE GREAT REVERSAL: After three seasons of John defending Peter Davison against Jim's criticisms, the tables turn completely. Jim embraces Colin Baker. JIM'S SHOCKING TAKE: "I don't usually line up with Doctor Who fans because I did not like Caves of Androzani and I liked this. I liked Baker. If it's not what the show needed at this moment in time, it's definitely what I needed. I needed a Doctor who was more awake and doing things... larger." THE TWIN DILEMMA (March 22-30, 1984) Writer: Anthony Steven (first and only Doctor Who story - oldest writer at 67!) Director: Peter Moffatt (returning) The Legend: Doctor Who Magazine 2009 poll - Caves of Androzani came in #1. The Twin Dilemma came in #200... DEAD LAST. The Rift Begins: Saward wasn't happy with Baker's casting (thought he was miscast), didn't like JNT's stunt casting focus, and objected to JNT comparing Doctor Who to comedy show "Morecambe and Wise." THE DAVISON SLAM: The Shocking Lines: "I never really liked him anyway" "He had a sort of feckless charm" Definition of feckless: "Lacking initiative or strength of character; irresponsible" The Culprits: Either JNT (getting back at Davison for leaving?), Saward (who did the heavy rewrite), or Steven - but those lines don't get through without approval. Jim's Theory: "I can't see JNT being happy with Davison leaving after three years. This could be him being petty." STORY BREAKDOWN: Mathematical geniuses Romulus and Remus are abducted by mysterious Edgeworth and taken to Mestor on asteroid Titan Three. The newly regenerated, unstable Doctor picks a new outfit, declares himself "unregenerate," and plans to become a hermit with Peri. The twins' father alerts authorities. Police commander scrambles fighters to investigate the freighter - only survivor is pilot Hugo Lang who accuses the Doctor of the attack. The twins are forced to do calculations for Edgeworth (revealed as Azmael, a Time Lord and the Doctor's old teacher). Mestor plans to move two planets into Jaconda's orbit as "larders" to replenish the wasting planet. The Doctor realizes the calculations are off - the worlds will crash into the sun, destroying everything but scattering Mestor's gastropod eggs throughout the universe. Mestor demonstrates mind-possession on Azmael, threatening to take the Doctor's body. The Doctor destroys Mestor's slug body. Azmael dies exorcising Mestor's mind. Jacondans are freed. Lang stays to help with mop-up. The Doctor returns the twins to Earth. CHARACTER ANALYSIS: The Sixth Doctor - Every Previous Doctor Combined: Hartnell's there (not the lead initially, Peri has more agency) Troughton: "We must find this evil and destroy it!" Pertwee: Says "Eureka!" Tom Baker: The ego is BACK and turned up to 11 Davison: The violence continues, referenced regeneration fears New Affectation: Repeating words three times when incredulous or angry ("Sweet, sweet, sweet") Hugo Lang - The Space Dirty Harry: Jim's Justice League addition! "You might reach that gun before I can kill you" - classic action hero dialogue. Stays on Jaconda at the end despite having "no one to go back to." Kevin McNally plays Hugo (later Pirates of the Caribbean's Gibbs!) Azmael: Time Lord, the Doctor's favorite teacher (sorry, Borusa!). Controls Jaconda, calls them "my people" (why does a Time Lord want to rule a planet?). The Death Scene: John loved it - touched and warm between Azmael and the Doctor. "The finest teacher I ever had." Mestor: Giant slug with mind-control powers and embolism ray ("little bubbles, not good"). Finds Peri "pleasing" so doesn't kill her immediately (second ugly being attracted to Peri after Sharaz Jek). PRODUCTION DETAILS: New Title Sequence: Sparkly! Logo curved! Colin's face transitions from serious to smiling! The TARDIS: Has a chair! The Doctor calls the outside "hideous" - setup for attempting to fix chameleon circuit next story Trans-Mat Love: Jim adores that this technology persists throughout Who history. The Doctor turns it into a time travel device ("just a few little adjustments") Old Who Connections Everywhere: Braveheart Tegan reference Azmael knew Fourth Doctor Wine at the fountain (Big Finish goldmine!) Space police headquarters "straight out of Troughton's time" The Video Games: The twins face each other with what look like handheld gaming consoles - repurposed 1970s electronic games! John searched everywhere to identify them. Actor Notes: Maurice Denham returns in Pertwee BBC audio "The Paradise of Death" and appeared with Roger Delgado in "The Slide" Edwin Richfield (Mestor) was Captain Hart in "The Sea Devils" The twins' real father played a gunrunner in "Caves of Androzani"! THE ENDING - "WHETHER YOU LIKE IT OR NOT": The Lines: "Wait a bit before criticizing my new persona" "I am the Doctor, whether you like it or not" The Delivery: Spoken directly to camera, directly to the audience. Then both smile - a wink? Softening the harshness? Jim's Question: "Why put that in there? You don't just have something like that unless you already felt you were getting pushback." The Speculation: Was it in original script or added during filming? Did it start as Doctor-to-Peri dialogue that got strengthened and shifted to Doctor-to-audience? The Challenge: "People will be like 'All right, let me give it another try.' This has been the thing about doing review shows - stuff I thought was garbage as a kid is really good now, and vice versa. The Meta Moment: Lots of meta at beginning and end - the story knows it's a transition. NEXT TIME: Patreon Exclusive #152 - Music, Colin Baker's comic debut, Season 21 Retrospective (the good, bad, and ugly), spoiler card revealing something about Season 22, Memory TARDIS spin, and a longer-than-usual episode! Then: Peter Davison Retrospective (Patreon) and 1970s Doctor Who retrospective (main feed hiatus episode)! Colin Baker fans - write in! "We need to hear from more people who like Colin Baker's Doctor. Drop us a line or leave a voicemail!" Subscribe on all platforms. Email thedoctorsbeardpodcast@gmail.com. Support at patreon.com/thedoctorsbeardpodcast for $3/month. Hashtags: #DoctorWho #TheTwinDilemma #SixthDoctor #ColinBaker #Regeneration #Peri #NicolaBryant #Season21Finale #NewDoctor #ExplosionInARainbowFactory #TechnicolorDreamcoat #WhetherYouLikeItOrNot #IAmTheDoctor #PeterDavison #Azmael #Mestor #Gastropods #HugoLang #Jaconda #AnthonyStevenGastropods #EricSaward #PeterMoffat #MoodCat #CatBadge #BipolarDoctor #ManicDepressive #ControversialDoctor #UnlikeableDoctor #CharacterArc #DavisonSlam #Feckless #ClassicWho #1984 #WorstDoctorWhoStory #Number200 #TablesTurned #JohnsRevenge #JimsStruggle #UnregeneratedDoctor #DoctorWhoPodcast #TheDoctorsBeardPodcast #Whovian #PodcastCommunity #DefyingExpectations #RebelSpirit

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Kids are ending their school day on edge right now in Romulus -- while police are there to monitor. This comes after a man tried to enter the school with a gun. WWJ's Tony Ortiz and Tracey McCaskill have the day's top news stories.

As we embrace resolutions and light up the skies with fireworks, it's time to mark the arrival of the New Year! All of us on the Do You Really Know team, hoping you soaked in the holiday vibes and send you our warm wishes for a splendid 2024. Today, planet Earth has set off on another full orbit around the sun, a journey which will span 365 days until we hit the reset button again next year. And that's why we now refer to January 1st as New Year's Day. But bear in mind, that wasn't always the case. We can trace back our calendar roots to the Romans and their initial 355-day calendar. That's right: 355, and not the 365 we're used to these days. That lunar-based system was credited to Numa Pompilius, the legendary second King of Rome, who succeeded Romulus. And it saw the New Year kick off in March, a nod to Mars, the Roman god of war.  When did January 1st appear then? What about elsewhere in the world? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: ⁠What is body neutrality?⁠ ⁠What are the most popular and unusual baby names in the UK?⁠ ⁠How can I return unwanted gifts?⁠ A podcast written and realised by Joseph Chance. First Broadcast: 1/1/2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

Show 12-26-25 The show begins in doubts of the veneration of Cicero. and the derogation of Aggripina Minor. 1880 SULLA SACKING ROME ROME BEFORE THE EMPERORS: CICERO'S RISE Colleague Josiah Osgood. John Batchelor introduces Josiah Osgood to discuss Marcus Tullius Cicero, a "new man" who rose to political prominence through legal skill in the 1st century BCE. They examine Cicero's debut defense of Roscius, accused of patricide, a crime punished by being sewn into a sack with animals. Cicero proved Roscius was framed by relatives seeking to seize his inheritance, establishing his reputation for storytelling and detective work. NUMBER 1 THE PROSECUTION OF VERRES Colleague Josiah Osgood. Cicero takes on the corruption trial of Gaius Verres, the governor of Sicily who looted art and money from the province. Although Cicero usually defended clients to earn favors, he prosecuted Verres to align with political shifts demanding reform. Verres was backed by the Senateestablishment and Sulla's followers, making Cicero's move a bold attack by an outsider against a "crooked establishment" to cleanse the government. NUMBER 2 CICERO VS. CATILINE: THE CONSPIRACY BEGINS Colleague Josiah Osgood. Cicero captivated the jury against Verres by describing the governor partying while pirates raided Syracuse, causing Verres to flee into exile. Later, Cicero achieved the consulship by defeating Catiline, an aristocrat who became his bitter rival. Desperate after losing the election again, Catiline conspired with a fashionable group of young men to overthrow the government, leading to a showdown with Cicero in the Senate. NUMBER 3 THE EXECUTION MISTAKE Colleague Josiah Osgood. Cicero ordered the execution of five high-ranking Romancitizens allied with Catiline without a trial, believing them to be traitors who forfeited citizenship. This decision, made despite Julius Caesar's suggestion of life imprisonment, became a major political error. Cicero's gloating and refusal to grant due process alienated the public and powerful figures, turning him into a target for the populist movement and threatening his future career. NUMBER 4 THE BONA DEA SCANDAL Colleague Josiah Osgood. A scandal erupts when Publius Clodius infiltrates the women-only Bona Dea ceremony at Caesar's house disguised as a female musician, allegedly to pursue Caesar's wife. Although Cicero initially hesitated, he testified against Clodius, destroying his alibi that he was out of town. This testimony created a dangerous enemy in Clodius, who, despite the sacrilege charge, managed to secure an acquittal through bribery. NUMBER 5 EXILE AND THE TEMPLE OF LIBERTY Colleague Josiah Osgood. Seeking revenge, Clodius transitions to plebeian status to become a tribune and passes a law punishing anyone who executed citizens without trial, specifically targeting Cicero. Forced into exile, Cicero flees Rome while Clodius destroys his mansion on Palatine Hill. Clodiusdedicates the site to the goddess Liberty as a political coup and a humiliation to Cicero, while also harassing Cicero'swife, Terentia, who remained in Rome. NUMBER 6 THE IDES OF MARCH Colleague Josiah Osgood. Cicero returns to a Rome on the brink of civil war, eventually being pardoned by the victor, Caesar. Resenting Caesar's tyranny, Cicero seemingly encouraged Brutus but was not part of the assassination plot. On the Ides of March, Cicero witnessed the murder in the Senate; Brutus shouted Cicero's name while holding the bloody dagger, linking the orator to the restoration of the Republic in the public eye. NUMBER 7 THE DEATH OF CICERO Colleague Josiah Osgood. Following Caesar's death, Cicero returns to politics to oppose Mark Antony, delivering the "Philippics" and allying with young Octavian. This strategy backfires when Octavianreconciles with Antony, leading to a kill order against Cicero for his anti-Caesar rhetoric. Cicero is assassinated, possibly meeting his death with theatrical heroism by extending his neck to the soldiers, a scene likely popularized by his loyal secretary Tiro. NUMBER 8 THE SABINE WOMEN AND AUGUSTAN HISTORY Colleague Emma Southon. Emma Southon discusses A Rome of One's Own, examining history through women's perspectives. They analyze the myth of the Sabine women, abducted by Romulus to populate Rome. This story, recorded by Livy to flatter Augustus, culminates in Hersilia and the women intervening in battle to unite the warring fathers and husbands. It establishes women as the "glue" holding Romanfamilies and society together. NUMBER 9 LUCRETIA: VIRTUE AND SUICIDE Colleague Emma Southon. The discussion moves to Lucretia, the model of Roman female virtue. During a contest among husbands, Lucretia is found virtuously weaving wool while others party. This leads to her rape by Sextus Tarquinius, who threatens her reputation. To protect her honor, Lucretia confesses to her family and commits suicide, an act Augustus later used to define female virtue and which sparked the end of the monarchy. NUMBER 10 TULLIA AND THE BIRTH OF THE REPUBLIC Colleague Emma Southon. Contrasting Lucretia is Tullia, a figure of female ambition and wickedness. Tullia conspires with her brother-in-law to murder their spouses and her own father, the king, even driving over his body. Her crimes and the subsequent assault on Lucretia by her son, Sextus, justify the overthrow of the monarchy. Brutus uses Lucretia's body to incite the revolution that establishes the Roman Republic. NUMBER 11 CLODIA: THE PALATINE MEDEA Colleague Emma Southon. The segment focuses on Clodia, a wealthy, independent woman and sister of Clodius. Cicero, feuding with her brother, attacks Clodia's reputation during the trial of Caelius. In his speech Pro Caelio, Cicero characterizes her as a "Palatine Medea" and a seductress to discredit her claims of attempted poisoning. Unable to speak in court, Clodia is silenced by Cicero's rhetorical assassination of her character. NUMBER 12 JULIA: THE EMPEROR'S REBELLIOUS DAUGHTER Colleague Emma Southon. Augustus uses his daughter Julia as a political tool, marrying her to Marcellus, Agrippa, and finally the reluctant Tiberius to secure an heir. While she had five children with Agrippa, her forced marriage to Tiberius leads to rebellion. Julia engages in public adulterous affairs to humiliate her father, resulting in her permanent exile and eventual starvation by Tiberius after Augustus'sdeath. NUMBER 13 QUEENS OF BRITAIN: CARTIMANDUA AND BOUDICCA Colleague Emma Southon. This segment contrasts two British queens: Cartimandua and Boudicca. Cartimandua, queen of the Brigantes, collaborates successfully with Rome, understanding they are "not to be defeated, they're to be pleased." Conversely, Boudicca represents resistance; provoked by Roman mistreatment, she leads a rebellion but is defeated. While Tacitus claims Boudicca committed suicide to preserve honor, English schools celebrate her as a symbol of resistance against tyranny. NUMBER 14 WOMEN OF COMMERCE AND THE FRONTIER Colleague Emma Southon. We meet Julia Felix, a Pompeianentrepreneur who ran a luxury bath and dining complex, offering "bougie" experiences to the middle class before dying in the Vesuvius eruption. The discussion shifts to Vindolanda in Britain, where letters between Sulpicia Lepidina and Claudia Severa reveal a vibrant social life for women in military forts, including birthday parties and domestic luxuries like wild swan and imported wine. NUMBER 15 PERPETUA AND THE RISE OF CHRISTIANITY Colleague Emma Southon. The final segment discusses Perpetua, a young nursing mother and Christian convert in Carthage. Defying the Roman mandate to sacrifice to the emperor, she views suffering as redemptive rather than a punishment. Unlike Romans who viewed suicide by poison as honorable, Perpetua and her slave Felicity choose martyrdom in the arena, having their throats cut to demonstrate their faith, signaling the rise of Christianity. NUMBER 16

THE SABINE WOMEN AND AUGUSTAN HISTORY Colleague Emma Southon. Emma Southon discusses A Rome of One's Own, examining history through women's perspectives. They analyze the myth of the Sabine women, abducted by Romulus to populate Rome. This story, recorded by Livy to flatter Augustus, culminates in Hersilia and the women intervening in battle to unite the warring fathers and husbands. It establishes women as the "glue" holding Romanfamilies and society together. NUMBER 9

Journey back to the very beginnings of Rome, to the quiet hills and flow Tiber River where destiny stirred. Follow the story of Romulus and Remus, the legendary twins raised by a she-wolf, guided by fate, and destined to found a city that would change the world. This soothing tale blends Roman mythology, ancient history, and legendary origins in a gentle, sleep-inducing narrative perfect for dreamlike reflection. Let this sleep story lull you into restful sleep. 

Shawn and Paul are back, which means it's time for the guys to wrap up their look at the Alien and Predator franchises with a review of Alien: Romulus and Predator: Badlands. Will the guys like the kids of Romulus and the family dynamics of Badlands ior will they demand the return of Sigourney and Arnold?

From her living room in Romulus, 94-year-old Ardena Vaughn takes us from Black Bottom to the “tracks” in Romulus, weaving a lifetime of memories that tell the story of Legacy Black Detroit's past and its unfinished future. Born at Herman Kiefer and raised on Cameron Street, Ardena remembers marching in the alley when “Joe Louis would win” with tin tubs and cans, feeling the whole block erupt when the Brown Bomber put Detroit on the map. She recalls walking past the Chesterfield Lounge, hearing Dinah Washington and the hum of Black nightlife she was “too young to understand, but old enough to feel.” In this conversation she breaks down what it meant to move from the heart of the city to Romulus in the 1940s, where “the tracks” literally divided Black and white neighborhoods. Ardena shares how she became the first Black supervisor at a micro-measurements plant supplying airplanes and automobiles—“I don't even know how I got that job.” She talks about Saturdays riding back into the city for piano lessons, eating hot waffles with ice cream Kresge, and then coming home to build a life rooted in AME church, choir, and family. Still, her wisdom for future generations is simple: “Love everybody… try to be a good example… stay busy.” She still drives her 20-year-old Grand Am, still hosts the holidays, and still plays weekly Scrabble. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

Quand on parle de la chute de l'Empire romain, on imagine souvent un effondrement brutal, des barbares envahissant Rome et un empire s'écroulant en une nuit. En réalité, la fin de Rome fut un lent déclin, et son dernier empereur, Romulus Augustule, n'en fut que le symbole, plus que l'acteur.Romulus Augustule – diminutif d'« Auguste » – monta sur le trône en 475 après J.-C., à tout juste 15 ans. Il n'était pas choisi pour sa bravoure ou sa sagesse, mais pour sa commodité. Son père, Oreste, un ancien officier de l'armée romaine, avait renversé l'empereur légitime Julius Nepos et placé son propre fils sur le trône d'Occident. En vérité, Romulus n'était qu'une marionnette politique, un adolescent sans autorité réelle, manipulé par son père dans une cour rongée par les luttes de pouvoir.À cette époque, l'Empire romain d'Occident n'était plus que l'ombre de lui-même. Rome avait perdu son prestige, Ravenne était devenue la capitale, et les véritables maîtres du territoire étaient désormais les chefs barbares installés en Italie. Parmi eux se trouvait Odoacre, un chef germain au service de l'armée romaine. En 476, les troupes, majoritairement composées de mercenaires barbares, se révoltèrent contre Oreste, réclamant des terres en Italie. Devant son refus, elles se rangèrent derrière Odoacre. Oreste fut capturé et exécuté, et Odoacre marcha sur Ravenne.Plutôt que de faire exécuter le jeune empereur, Odoacre décida de l'épargner. Il le déposa du trône, lui fit remettre les insignes impériaux à l'empereur d'Orient, Zénon, et lui accorda une pension confortable. Ce geste, presque anodin, marqua pourtant un tournant majeur : c'est la fin officielle de l'Empire romain d'Occident, traditionnellement datée de 476 après J.-C.Romulus Augustule disparut ensuite de l'histoire. On ignore ce qu'il devint – certains affirment qu'il vécut paisiblement en Campanie, d'autres qu'il mourut jeune. Mais son nom lui-même, Romulus (le fondateur de Rome) et Augustule (le petit Auguste), semble avoir été une ironie du destin : le premier et le dernier empereur de Rome réunis dans un même nom.Son règne marqua la fin d'un monde vieux de plus d'un millénaire. Après lui, Rome ne fut plus jamais un empire dirigé depuis l'Italie, mais une mémoire, un héritage que les rois et les papes tenteront sans cesse de ressusciter. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Built Not Born Podcast (Episode 179)- Enri Pjetri: Rome Revealed - Gladiators, Emperors & Michelangelo's Secrets ⚔️

In ancient times a wolf gave birth to the first Italians and doomed the world. This is the very true story of that thing that I just said.  

Welcome back to The Cinedicate. On today's episode, we're crash-landing into Alien: Earth, the first-ever Alien TV series. We break down the hybrid identity of Wendy, the corporate wars brewing between Weyland Yutani and Prodigy, and ask the big questions: What will humanity become when evolution and technology collide? Was Alien Earth a worthy addition to the Alien legacy, or just another xenomorph cash grab?So whether you're a lifelong Alien fan, love a good sci-fi debate, or just wonder what happens when memory itself becomes a weapon, join us as we dig through the wreckage and chart the future of the franchise—right here on The Cinedicate.What to expect from the episode:First impressions, debates, and generational perspectives on the new Alien: Earth TV series, including discussion on its connections to the classic films, franchise fatigue, and whether it brings anything new to the Alien universe.Deep dive into the show's major themes: AI consciousness, biotech, corporate power, and the ethics of uploading human minds into synthetic bodies, with comparisons to real-world technology and other sci-fi stories like Blade Runner and Altered Carbon.Spirited discussion on the show's structure, pacing, and narrative choices, including debates over fan service vs. originality, unresolved storylines, the impact of streaming models, and recommendations about whether Alien: Earth is a must-watch for Alien fans (or if you should just go watch Romulus or Blade Runner instead).Episode Chapters 00:00:00 - Introduction to Alien: Earth & Central Themes 00:01:47 - Personal Entry Points to Alien Franchise 00:08:29 - First Impressions - Alien: Earth00:11:31 - Series' Retro Aesthetic00:13:48 - Narrative Structure and Release Strategy 00:17:52 - Alien: Earth vs. Alien Romulus / Retreading Franchise Territory 00:20:40 - Hybrid Identity, Biotech, and AI in Alien: Earth00:30:33 - AI Sentience, Deception, and Control—Parallels to Reality 00:36:59 - Xenomorphs' Role: Gore, Threat, and Audience Expectations 00:39:50 - Timeline and Canon Questions00:43:17 - Other Alien Species: Significance, Motivation, and Unanswered Mysteries 00:46:35 - Desire for Narrative Closure: Open-Ended Finale Critique 00:49:13 - Themes of Power Transfer 00:50:43 - AVP/Potential Crossovers & Franchise-Building Speculation 00:55:53 - The Formula and Essence of an Alien Movie 01:02:42 - Ethical Debate: Should Humanity Weaponize Alien Life or Technology? 01:14:18 - Government vs. Corporation: Who Should Contain Biohazards? 01:17:43 - Alien: Earth in the Context of other Alien Media 01:27:20 - Final Judgment 01:29:49 - Outro Hosted on Acast. See acast.com/privacy for more information.

Before Rome had kings or empires, it had a mother — then it erased her. The story of Romulus and Remus isn't about brotherhood or destiny; it's about branding, survival, and how the woman who gave Rome life was turned into a monster. Shallon Lester unpacks how image is power — and why losing control of your narrative can destroy you.TRAVEL WITH SHALLON: Do you need a 5-star adventure, high value friends and a big dose of culture? Join one of Shallon's jet-set trips to Europe, get more info at shallonlester.com

The Roman emperor Julian (r. 361-363 CE) was a man of action and of letters, which he employed in an effort to return the Empire to the light of the pagan gods, and reverse the Christianization of the empire advanced by his uncle Constantine and the sons of Constantine. This enterprise was inspired and guided by his conversion to the Neoplatonic philosophy and radical pagan Hellenism of Iamblichus and his disciples, and promoted by his production of Greek orations, letters, and satires. These works present a coherent vision of the providentially guided history and destiny of Rome as a series of foundations and refoundations enacted by rulers such as Romulus, Numa, and Caesar Augustus. As this book demonstrates, Julian offers an Iamblichean approach to the exegesis of the legends of Rome's founding, the allegories of Plato's dialogues, and myths of his own creation in order to articulate his own role in the refounding of the Empire. Furthermore, argues Jeremy Swist, approaching the wider examination of Julian's imperial self-image on these terms ends up nuancing and challenging common assumptions influenced by the rhetoric of his contemporary proponents. In his reverence for the gods and for philosophy, the emperor's self-construction embraces the identities of a statesman and soldier more than of a philosopher, of a Roman more than a Greek, and of a mere human rather than a semi-divine being. While distancing himself from the ideal models of philosophical virtue and imperial founding that inspire his own actions, he adopts a different set of exemplary figures as mirrors of himself. New Books in Late Antiquity is sponsored by Ancient Jew Review Jeremey Swist is Assistant Professor of Romance and Classical Studies at Michigan State University. Click here for The Symposium of the Caesars, and here for his talk on Julian and Constantinople. His dissertation spotlight from AJR is here. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Roman emperor Julian (r. 361-363 CE) was a man of action and of letters, which he employed in an effort to return the Empire to the light of the pagan gods, and reverse the Christianization of the empire advanced by his uncle Constantine and the sons of Constantine. This enterprise was inspired and guided by his conversion to the Neoplatonic philosophy and radical pagan Hellenism of Iamblichus and his disciples, and promoted by his production of Greek orations, letters, and satires. These works present a coherent vision of the providentially guided history and destiny of Rome as a series of foundations and refoundations enacted by rulers such as Romulus, Numa, and Caesar Augustus. As this book demonstrates, Julian offers an Iamblichean approach to the exegesis of the legends of Rome's founding, the allegories of Plato's dialogues, and myths of his own creation in order to articulate his own role in the refounding of the Empire. Furthermore, argues Jeremy Swist, approaching the wider examination of Julian's imperial self-image on these terms ends up nuancing and challenging common assumptions influenced by the rhetoric of his contemporary proponents. In his reverence for the gods and for philosophy, the emperor's self-construction embraces the identities of a statesman and soldier more than of a philosopher, of a Roman more than a Greek, and of a mere human rather than a semi-divine being. While distancing himself from the ideal models of philosophical virtue and imperial founding that inspire his own actions, he adopts a different set of exemplary figures as mirrors of himself. New Books in Late Antiquity is sponsored by Ancient Jew Review Jeremey Swist is Assistant Professor of Romance and Classical Studies at Michigan State University. Click here for The Symposium of the Caesars, and here for his talk on Julian and Constantinople. His dissertation spotlight from AJR is here. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Roman emperor Julian (r. 361-363 CE) was a man of action and of letters, which he employed in an effort to return the Empire to the light of the pagan gods, and reverse the Christianization of the empire advanced by his uncle Constantine and the sons of Constantine. This enterprise was inspired and guided by his conversion to the Neoplatonic philosophy and radical pagan Hellenism of Iamblichus and his disciples, and promoted by his production of Greek orations, letters, and satires. These works present a coherent vision of the providentially guided history and destiny of Rome as a series of foundations and refoundations enacted by rulers such as Romulus, Numa, and Caesar Augustus. As this book demonstrates, Julian offers an Iamblichean approach to the exegesis of the legends of Rome's founding, the allegories of Plato's dialogues, and myths of his own creation in order to articulate his own role in the refounding of the Empire. Furthermore, argues Jeremy Swist, approaching the wider examination of Julian's imperial self-image on these terms ends up nuancing and challenging common assumptions influenced by the rhetoric of his contemporary proponents. In his reverence for the gods and for philosophy, the emperor's self-construction embraces the identities of a statesman and soldier more than of a philosopher, of a Roman more than a Greek, and of a mere human rather than a semi-divine being. While distancing himself from the ideal models of philosophical virtue and imperial founding that inspire his own actions, he adopts a different set of exemplary figures as mirrors of himself. New Books in Late Antiquity is sponsored by Ancient Jew Review Jeremey Swist is Assistant Professor of Romance and Classical Studies at Michigan State University. Click here for The Symposium of the Caesars, and here for his talk on Julian and Constantinople. His dissertation spotlight from AJR is here. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Roman emperor Julian (r. 361-363 CE) was a man of action and of letters, which he employed in an effort to return the Empire to the light of the pagan gods, and reverse the Christianization of the empire advanced by his uncle Constantine and the sons of Constantine. This enterprise was inspired and guided by his conversion to the Neoplatonic philosophy and radical pagan Hellenism of Iamblichus and his disciples, and promoted by his production of Greek orations, letters, and satires. These works present a coherent vision of the providentially guided history and destiny of Rome as a series of foundations and refoundations enacted by rulers such as Romulus, Numa, and Caesar Augustus. As this book demonstrates, Julian offers an Iamblichean approach to the exegesis of the legends of Rome's founding, the allegories of Plato's dialogues, and myths of his own creation in order to articulate his own role in the refounding of the Empire. Furthermore, argues Jeremy Swist, approaching the wider examination of Julian's imperial self-image on these terms ends up nuancing and challenging common assumptions influenced by the rhetoric of his contemporary proponents. In his reverence for the gods and for philosophy, the emperor's self-construction embraces the identities of a statesman and soldier more than of a philosopher, of a Roman more than a Greek, and of a mere human rather than a semi-divine being. While distancing himself from the ideal models of philosophical virtue and imperial founding that inspire his own actions, he adopts a different set of exemplary figures as mirrors of himself. New Books in Late Antiquity is sponsored by Ancient Jew Review Jeremey Swist is Assistant Professor of Romance and Classical Studies at Michigan State University. Click here for The Symposium of the Caesars, and here for his talk on Julian and Constantinople. His dissertation spotlight from AJR is here. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.The gofundme for Cam and his family can be found here: https://gofund.me/5bdcc779bTwitter: @comicrundownInstagram: @comicbookrundownThreads: @comicbookrundownEmail: comicbookrundown@gmail.comHosted by Joe Janero, Ron Hanes, Charlie Shaw and Chris Balga Edited by Joe JaneroTheme song provided by Cam Malidor Find our t-shirts at Redbubble and TeePublic https://www.redbubble.com/shop/comic+book+rundown?ref=search_boxhttp://tee.pub/lic/vBbIJZ4eLQ0

David Ian Howe is an American anthropologist and archaeologist known for creating engaging educational videos about anthropology. David specializes in ethnocynology, the scientific and cultural study of the relationship between humans and dogs throughout history. David joins us to talk about the origins of dog and human relationships, how dogs helped humans evolve, dogs in ancient folklore, and other interesting topics... WELCOME TO CAMP!

Send us a textA dead station, a desperate crew, and something old that refuses to die—Alien: Romulus pulled us right back into the vent-crawling panic that made this franchise iconic. We unpack why the film's tighter cast, cleaner objectives, and suffocating design make every footstep louder and every choice sting. From that first breathless stalk to a jaw-dropping zero-G showdown, Romulus plays with darkness and silence like weapons, then detonates them at the perfect moment.What surprised us most was the heart: Andy, an outdated synthetic whose dad-joke warmth becomes a knife twist once corporate directives take hold. We dig into how that dual performance reframes trust and turns the station into a social minefield. Then we zoom out to the theme that binds the saga together—motherhood. Alien has always been about bodies, creation, and control; Romulus revitalizes those ideas with a pregnancy plot that heightens empathy and horror in equal measure. It's grotesque, yes, but it's also purposeful, echoing Ripley's lineage, Prometheus's surgical terror, and Resurrection's tragic offspring.Lore hounds, we see you. We trace the black goo breadcrumbs, a chilling chrysalis survival mechanic for xenos, and the risks and rewards of a controversial CGI likeness. When does nostalgia enrich the story, and when does it pull you out? We make the case that Romulus mostly uses its echoes to sharpen stakes—acid blood as a structural threat, environmental tricks that hint at how xenomorphs perceive prey, and character beats that hurt.By the end, we stack Romulus against the greats and ask the big question: did it just earn a place alongside the 1979 original? Hit play to hear our rankings, favorite moments, and spiciest takes. If you enjoy the breakdown, subscribe, share with a fellow sci-fi fan, and drop a five-star review—then tell us your own Alien power ranking.Romulus discussion starts at 18:48Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbAAlien (1979) Explained | Timeline, Canon, and Lore: https://www.youtube.com/watch?v=d9nmyTTlMvoSupport the show

When you imagine the city Rome, what comes to mind? Maybe the Colosseum, the Vatican, one of the largest empires in history, or delicious pasta? Rome isn't just Italy's capital; it's also one of the most influential cities in human history. In today's Thinking in English episode, we are going to take a journey through time, from the mythical founding of the city by Romulus and Remus, through the Roman Republic and Empire, the Middle Ages, the Renaissance, and finally to modern Rome. I'm not an expert on Italian history, but I loved researching this episode and I think this is such an interesting topic. You'll discover its myths, politics, art, and language, and of course learn plenty of useful English vocabulary along the way. Conversation Club - ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/thinkinginenglish⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TRANSCRIPT - https://thinkinginenglish.blog/2025/10/20/history-of-rome-english-vocabulary-lesson/ AD Free Episode - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/thinkinginenglish⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thinking in English Bonus Podcast -⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/collection/869866⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube Channel -⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@thinkinginenglishpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM - thinkinginenglishpodcast (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/thinkinginenglishpodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) ⁠⁠⁠⁠⁠⁠⁠ Borough by Blue Dot Sessions Contact ⁠⁠⁠⁠⁠⁠⁠⁠advertising@airwavemedia.com⁠⁠⁠⁠⁠⁠⁠⁠ to advertise on Thinking in English. Thinking in English is part of the ⁠⁠⁠⁠⁠Airwave Media podcast network.⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Good Brothers are once again delving into the wonderfully wild and sometimes canon DCAU tie-in comics with a look at the Batman The Animated Series comic Batman Adventure, Vol. 1, #21 which features a story of clashing monsters Man-Bat, Tygrus and Anthony Romulus aka The Wolf Man! The hosts discuss this wild tale of revenge from the evil Dr. Dorian against Batman and Selina Kyle, all the while he's got Man-Bat under his control and Romulus searching for him with Tygrus' help! What happens when these creatures ultimately collide and will Batman be able to escape before Dorian can perform life-altering experiments on him? Tune in to this week's special Bonus Episode of the DCAU Review for a complete recap and discussion about this wacky tale and more!Please Consider Supporting the Podcast:Become a monthly or one time supporter of the pod at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠buymeacoffee.com/DCAUReview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the pod on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spotify or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and please consider leaving us a 5-star review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our new YouTube Channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the pod by picking up some merch at our shop ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dcaureview.myspreadshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us: Twitter/X ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@DCAUReview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@DCAUReview⁠⁠⁠⁠⁠⁠⁠⁠⁠

"Itthobaal, I beg you! Release me from these bandages!" The Amelia Project is a production of Imploding Fictions. This episode features Alan Burgon as The Interviewer, Paul Waggot as Romulus, Julia C. Thorne as Alvina and Hemi Yeroham as Kozlowski. It was written and directed by Oystein Ulsberg Brager and Philip Thorne, with dialogue editing by Philip Thorne, sound design by Paul Kraner, music by Fredrik Baaden, graphic design by Anders Pedersen and production assistance by Maty Parzival. The episode was recorded at The Sound Company Studio in London and RedP Studio in Vienna. It is dedicated to Christine Bayuga! Website: https://ameliapodcast.com/  Transcripts: https://ameliapodcast.com/season-5  Patreon: https://www.patreon.com/ameliapodcast Donations: https://ameliapodcast.com/support Merch: https://ameliapodcast.dashery.com/  Bluesky: https://bsky.app/profile/theameliaproject.bsky.social Instagram: https://www.instagram.com/ameliapodcast/ Tumblr: https://www.tumblr.com/ameliapodcast X: https://twitter.com/amelia_podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Nerdpocalypse Podcast, the guys return to discuss thoughts on Final Destination: Bloodlines, HBO's Task, The Last Witch Hunter gets a sequel, director Fede Alvarez writing but not directing Alien: Romulus sequel, Tom Holland reads your fan ideas for Spider-Man and brings them to the studio, Benny Safdie and The Rock are reteaming for "Chicken Man," 1300+ artists sign pledge to not work with Israeli film institutions implicated in genocide, trailers for Last Samurai Standing, Die My Love, Dust Bunny, Bugonia, Wake Up Dead Man, and much more!CHECKED OUTFinal Destination: BloodlinesTaskTOPICS - Section 1The Last Witch Hunter sequel is now in the worksFede Álvarez is bailing on directing the Alien: Romulus sequelTom Holland reads your thoughts on Spider-Man and he caresTOPICS - Section 2Benny Safdie and The Rock rejoining for “Chicken Man”1300 artist pledge to not work with Israeli film institutions implicated in genocideTRAILERSLast Samurai StandingDie My LoveDust BunnyBugoniaWake Up Dead ManTNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium) $5 a month Access to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcast

It's time for April in ancient Rome which means overseas deities setting down roots, Romulus getting a free pass, sheep and much more. Episode notes with a transcription, reading list, links, images and supporting content on www.ancientblogger.com If you are on Reddit come and check out the AncientHistoryHound subreddit - don't forget to rate and review where you can. Music by Brakhage (Le Vrai Instrumental).

On August 16, 1987, one of the worst air disasters in US history took place at Detroit Metropolitan Airport in Romulus, Michigan.  There would be one survivor.  #Michigan #Mystery #tragedy  Written by Nina Innsted. Audio production by Bill Bert.  Follow Already Gone on Instagram 

Okay, in this episode (which was recorded back in 2024) Kieran, Paul and I discuss the Fede Álvarez film 'Alien: Romulus'. Kieran and Paul are big fans of this franchise and so there was much for us to chew on in this conversation.

We're nearing the end of our look at the Romulus characters, and this one is so memorable, neither of us could remember how he died…

Colossal says it's brought the dire wolf back from extinction — but the accuracy of that claim and the ethics of de-extinction are in question. This episode was produced by Devan Schwartz, edited by Jolie Myers, fact-checked by Laura Bullard, engineered by Andrea Kristinsdottir and Patrick Boyd, and hosted by Sean Rameswaram. Further reading: The Dire Wolf Is Back. Listen to Today, Explained ad-free by becoming a Vox Member: vox.com/members. Transcript at vox.com/today-explained-podcast. Colossal's Dire Wolves, Romulus and Remus, at one month old. Photo credit Business Wire. Learn more about your ad choices. Visit podcastchoices.com/adchoices