Podcasts about Aeneas

***⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠ *** Next Chapter Podcasts presents the complete Play On Podcast series, Troilus and Cressida, in its entirety. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠NEXTCHAPTERPODCASTS.COM⁠ for more about the Play On Podcast Series. Visit ⁠PLAYONSHAKESPEARE.ORG⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *** Hector's wife, Andromache, and his sister, Cassandra, beg him not to fight, sharing ominous dreams they've had foretelling his death. His father, King Priam, joins them, begging his son not to go into battle but Hector refuses to break his vows and is joined by his brother Troilus, who is eager for vengeance. Pandarus brings a letter from Cressida which Troilus reads and rips in fury. As the battle begins, Thersites stands on the sidelines mocking everyone in the fray until he is confronted by Hector and crumples at his feet. Troilus fights both Diomedes and Ajax and Hector fights Achilles but spares him in an act of chivalry. Patroclus is killed.  Achilles, heartbroken, gathers his group of mercenary soldiers (the Myrmidons) to hunt for Hector. Thersites mocks Menelaus and Paris as they fight until he's confronted by Margarelon and runs away. Hector sits down to rest after killing a Greek soldier for his armor when Achilles and his Myrmidons arrive and surround him before slaughtering him in cold blood. Troilus, enraged, rallies the retreating Trojans before cursing and rejecting Pandarus, who is left alone to deliver a scathing epilogue. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Romulus and Remus is one of the most famous myths from the ancient world. But the Romans believed the founding of their city stretched far beyond the tale of the twin brothers. Heroes, kings and exiles all played a part in Rome's legendary beginnings.Tristan Hughes is joined by Jeremy Armstrong to explore the myths behind the founding of Rome. Why did the Romans link their origins to figures like Aeneas and Romulus? What do these stories reveal about Roman identity? And could there be any historical truth behind the legends of Rome's earliest days?MOREOrigins of Rome's EmpireListen on AppleListen on Spotify The Kings of RomeListen on AppleListen on Spotify Presented by Tristan Hughes. Audio editor is Tim Arstall. The producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week, PLUS early access ad-free podcasts and subscriber-only episodes. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

***⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *** Patroclus trades insults with Thersites until Achilles breaks it up with news that he will keep his oath with Queen Hecuba to make peace with the Trojans out of his love for her daughter, Polyxena. Hector, Troilus and the rest of the Trojan leaders arrive in the Greek camp to negotiate a possible truce. Diomedes leaves the gathering and Ulysses and Troilus secretly follow him to Calchas's tent. Diomedes calls for Cressida, who comes out to meet him. Troilus and Ulysses watch as Diomedes flirts with Cressida, with Thersites mocking the whole scene from afar. Cressida tries to figure out a way to keep Diomedes satisfied without breaking her loyalty to Troilus. She offers him the bracelet Troilus gave her then tries to get it back but Diomedes won't let her have it. She finally gives in and agrees to let Diomedes into her tent, bidding a sad farewell to Troilus, who has seen the whole thing from his hiding place. He rages in despair and disbelief as Ulysses tries to get him to leave. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fr Peter George Flynn brings on Oxford classicist Sam Troy to talk through Christopher Nolan's Odyssey and what Hollywood cut from Homer's original — including most of the comedy and nearly all of the gods. The conversation turns to Pope Francis's own fondness for the Aeneid, and the image of Aeneas carrying his father out […] L'articolo Catechesis – Was St Paul a Secret Classicist? – Fr Peter George Flynn OFMConv and Sam Troy proviene da Radio Maria.

In Acts 9, Peter encountered a man named Aeneas who had been paralysed for eight years. Recognising his need, Peter did not anoint him with oil or lay hands on him. Instead, he simply declared, “Aeneas, Jesus Christ heals you. Arise and make your bed.” Immediately, Aeneas got up. There was no gradual recovery, no delay; the healing was instantaneous. The miracle demonstrated the power and authority of Jesus Christ working through His servant. Later in the same chapter, we read of another remarkable miracle. A faithful believer named Tabitha (also called Dorcas) had died. Peter sent all the mourners out of the room, then knelt down and prayed. Only after praying did he turn to the body and say, “Tabitha, arise.” At once she opened her eyes, and when she saw Peter, she sat up. These miracles remind us that the power displayed was not Peter's own. He acted in complete dependence on the Lord, speaking and acting in faith as the Holy Spirit directed him. The same Jesus who healed the sick and raised the dead during His earthly ministry continued His work through the apostles by the power of the Holy Spirit.

***⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *** As dawn breaks, the lovers bid each other a tearful farewell, exchanging love tokens: Troilus gives Cressida a silver bracelet and she gives him a necklace. Diomedes arrives to take Cressida to the Greek camp as Paris, Aeneas and Deiphobus speed off to the battlefield. Meanwhile, Ajax rouses the Grecian nobles in his excitement for the single combat with Hector. They humor him until Cressida arrives. One by one, each of the commanders try to force Cressida to kiss them. She uses her wit and sarcasm to keep them at bay. Ulysses ridicules her as a loose woman until Aeneas arrives to inform them that because Ajax and Hector are cousins, their duel cannot be to the death. The two combatants go at each other but settle for a draw. Hector is invited into the Greek camp to feast. All is well until Achilles arrives and vows to kill Hector in battle the next day. Troilus pulls Ulysses aside and asks him to take him to Calchas's tent so that he can visit Cressida. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pastor Jim preached from Acts 9:32-43, highlighting Peter's healing of Aeneas and the raising of Tabitha (Dorcas), two miracles that led many people to turn to faith in Christ. He also explained that in Scripture, all believers are called saints, emphasized that Jesus Christ alone is our mediator, and challenged Christians to demonstrate the transforming power of God's saving grace through genuine love and compassionate service to others.New here or need prayer?We would love to connect with you. Visit: https://form.church/connectionGive online: https://subsplash.com/u/-QJD4RD/give

Try the BibleACTS app!: https://bibleacts.goodbarber.app/subscribe Shop "Cut to the Heart" apparel: https://cut2theheart.com In this episode, we continue our verse-by-verse study through **Acts 9**, where the fiercest persecutor of the early Church encounters the risen **Jesus Christ** and is completely transformed. Saul's dramatic conversion marks a turning point in the book of Acts and demonstrates the power of God's grace to change even the hardest heart. In this study, we discuss: * Saul's persecution of the early Church * His encounter with Jesus on the road to Damascus * The role of Ananias in Saul's conversion and baptism * Saul's immediate proclamation that Jesus is the Son of God * How genuine faith produces a transformed life * Saul's escape from those seeking to kill him * Barnabas encouraging the believers to receive Saul * The healing of Aeneas and the raising of Tabitha (Dorcas) Acts 9 reminds us that no one is beyond the reach of God's mercy. When a person truly encounters Christ, their life is changed, their priorities are transformed, and they become a witness to the very gospel they once opposed. Watch, listen, and grow in your faith — and subscribe for more verse-by-verse Bible teaching, podcast discussions, and biblical commentary. #Acts9 #BibleStudy #Paul #Saul #Conversion #DamascusRoad #BibleCommentary #ChristianPodcast #VerseByVerse #JesusChrist

If you're Jason, and you need to find that golden fleece in order to escape the curse of the man with the one sandal, and then get back to your hometown of Iolcus to reclaim the throne from Uncle Stealy, don't let some six-armed heaving monsters, midnight mistaken identity, and the loss of Superman (Heracles) slow you down. This week Jeff and Dave resume their voyage through the story of the Argonauts by polishing off the adventures of Book I. But has any epic hero lacked more luster than this guy? When Hercules goes off to find something to replace his now toothpicked oar, and his trustee squire Hylas gets nymphnapped, the hulking brute is off the boat from grief and on the hunt for the ensnared lad. This is the perfect time for Jason to step up, act like Achilles, Aeneas, or at least Odysseus. Instead, the whole nested tale has more than a Whiff of Elpenor™ quality to it, and Jason sits brooding, quietly. Tune in to take a deeper look into this Hellenistic epic. Is it big book, big problem, à la Callimachus, or does Apollonius win this round?

***⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠⁠ *** Just as Troilus and Cressida finally unite, her father Calchas, a traitor who betrayed Troy to join the Greeks, petitions the Greek generals to trade for her so he can have her with him again. Agamemnon orders Diomedes to supervise the exchange. Ulysses then convinces the Greek commanders to rile up Achilles by walking past his tent without acknowledging him. When Achilles asks Ulysses what's going on, Ulysses tells him Ajax is the new hero because he took up Hector's challenge, but that if Achilles would break off his secret relationship with a Trojan princess and get back to fighting, his could restore his reputation. Thersites rubs it in by reporting that Ajax is strutting around the Greek camp completely full of himself. Achilles tells Thersites he wants to see Hector at his tent after the fight. Back in Troy, Diomedes arrives at Aeneas's home to finalize the prisoner exchange for Cressida. Aeneas rushes to Troilus's house to break the news to him. He gets there just as Pandarus is teasing the couple in their love nest. When Aeneas finally delivers the royal decree demanding that Cressida be handed over immediately, Troilus is devastated, and Cressida swears she will not leave. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this evening sermon Pastor Rockhill traces Peter's missionary travels through the Gentile regions of Lydda, Sharon, and Joppa, showing how the risen Christ continued to build His church through the ministry of His apostle. The central burden is that Peter possessed no power in himself; every mighty work was done in the name and by the authority of the living Jesus Christ, confirming the word of the gospel so that many turned to the Lord. Expounding the healing of the paralyzed Aeneas and the raising of Tabitha, called Dorcas, Pastor Rockhill draws out the faith of Peter and of those he served. He lingers on the meaning of "saints" as ordinary believers made holy by justification through faith, not a special class of super-Christians, and he honors Dorcas as a faithful woman who abounded continually in good works and charitable deeds toward the poor and the widows. Doctrinally the sermon dwells on the sovereignty of God over life and death, the confirming purpose of apostolic miracles, and the fulfillment of Christ's promise in John 14 that His disciples would do His works to the Father's glory. Pastor Rockhill notes how Peter's lodging with Simon the tanner foreshadows the passing away of the old ceremonial order and the gathering of Jew and Gentile into one body in Christ. By way of application, he calls the congregation to live faithfully for the Lord even in small, hidden acts of service, to rest not in signs and wonders but in the Spirit and the truth of God's written Word, and to bear witness so that Christ may draw many to Himself.

***⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠ *** Thersites delights in insulting Patroclus, Achilles, Agamemnon and everyone they command. When Agamemnon arrives with his entourage, Achilles withdraws into his tent and refuses to meet with him. Agamemnon turns to Ajax and heaps praise on him, encouraging him to be their champion in single combat with Hector instead of Achilles. Back at the palace in Troy, Pandarus meets with Paris and Helen in their decadent love nest to make excuses for Troilus's absence from their dinner. Helen persuades him to sing them a love song before sending him on his way. Pandarus finds Troilus anxiously awaiting Cressida in an orchard and finally brings the lovers together. They promise each other complete fidelity with Pandarus as their witness before hurrying into a bedroom to consummate their relationship. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Doug joins the circle from a backyard, phone propped in the grass, raking leaves for an eighty-five-year-old piano teacher who can no longer garden. What follows is a teaching on sorrow — what it's for, how to hold it without gripping — and then a guided practice for letting personal pain become a blessing for others. Drawing on Richard Rohr's The Tears of Things, the Law of One, and the Christian Paschal Mystery, this episode moves from reflection into experience with the Sacrament of Solidarity, a heart-centered practice offered entirely under free will. In this episode The mundane is sacred. Why an ordinary evening of raking leaves is exactly the right ground for this teaching. Spiritual melancholia and clinical depression. Doug, a therapist, draws the line carefully: depressive disorders are real and deserve real treatment. Alongside them sits a spiritual sadness that works less like a malfunction and more like a gift. Gratitude for all that was; yes to all that will be. The Hammarskjöld refrain that anchors the evening, prayed over one member of the circle standing between a home she is leaving and a home she is entering. The Paschal Mystery. Loss and renewal. Learning to die well without gripping — or, as M put it more beautifully than any theology that night, learning to keep your hands open. Joy is not happiness. Happiness may be the opposite of sadness; joy is something else — the felt movement of life, available inside heartbreak wherever there is perspective and a sense of meaning. Everything laments. The phrase lacrimae rerum comes from Virgil; the wisdom of Rohr's book comes from the Hebrew prophets, whose arc runs from rage through sorrow into compassion. Lament as an archetype of release rather than revenge or repair. One body, one Earth. Humanity as the feeling, self-aware membrane of the planet — and what happens when the cells refuse to grieve. Ra's "quiet horror." Why a world where the positively oriented outnumber the negative can still feel so negative — and why it's the good ones who carry that particular ache. The Sacrament of Solidarity. The full guided practice, offered step by step. The practice, in brief A free-will meditation moving undirected energy up through the centers and out as directed blessing: Unite your heart with the others — you are not alone. Find the swirling red-orange sphere of sorrow and anger below the navel. Surrender the need to control the outcome; let it rise to the membrane below the heart. Watch it turn emerald green as it enters the heart, the seat of universal love. Ask, freely: Do you wish to use your pain to bless others? Let it settle behind the throat as a message of love, ready to be delivered. Open the indigo inner eye to those carrying heartache across the world. Release a violet ray from the crown, directed with will and faith: You are not alone. I am here with you. Your pain is understood. I will help you carry this. Breathe. Out: I wish you well-being and peace. In: I wish for myself well-being and peace. Return to the body with gratitude, and with the sense of having transmuted pain into blessing. Sources & references Richard Rohr, The Tears of Things: Prophetic Wisdom for an Age of Outrage (Convergent, 2025). Rohr's most personal book, which he has described as a summation of his teaching. See also his conversation with Oprah, and his Greenbelt Festival interview on how the title came about. On the title and its sources. The phrase lacrimae rerum — "the tears of things" — is Virgil's, from Aeneid I.462, where Aeneas weeps before a mural of the war dead. Rohr has said the phrase stayed with him from his Latin studies. The book's substance, though, comes from the Hebrew prophets — Amos, Hosea, Isaiah, Jeremiah, Ezekiel, Jonah — whose writings move from rage and accusation into lamentation and, finally, compassion. Rohr calls this pattern "sacred criticism": confronting evil and injustice while holding the wholeness of history and the interconnectedness of every living being. Dag Hammarskjöld — "For all that has been, thanks; to all that shall be, yes." The Law of One (Ra Material): Session 17.23 — the Earth only seems negatively oriented; the appearance comes from "the quiet, shall we say, horror which is the common distortion which those good, or positively oriented, entities have towards the occurrences" of the present. Session 46.9 — anger as "the undirected, or random, energy." Ra teaches acceptance as the key to the positive use of catalyst, and control as the key to the negative — the same turn the practice asks for below the heart. The Paschal Mystery — the Christian pattern of death, letting go, and renewal. The Bodhisattva tradition — those who return to help humanity with its suffering by teaching us to lament well. Brené Brown — on "foreboding joy," the reflex to brace for catastrophe in our happiest moments. For reflection this week Hold one another in your hearts. If sadness or disappointment surfaces, don't fret it — it's an opening to transmute into shared blessing. That's the gateway back to joy. This episode touches on grief, despair, and suicidal pain. If you're carrying that kind of weight, please don't carry it alone — reach out to someone you trust or to a professional. The whole point of a sacrament of solidarity is that no one is meant to lament by themselves.

Allow God To Use You And ALWAYS Give Him The Credit. After All, He Is The One Who Did It. Acts 9:32-35 32As Peter traveled about the country, he went to visit the Lord's people who lived in Lydda. 33There he found a man named Aeneas, who was paralyzed and had been bedridden for eight years. 34“Aeneas,” Peter said to him, “Jesus Christ heals you. Get up and roll up your mat.” Immediately Aeneas got up. 35All those who lived in Lydda and Sharon saw him and turned to the Lord.

***⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠ *** As Agamemnon and his Generals argue in the Greek camp, the Trojan Aeneas arrives to deliver Hector's challenge to a duel in single combat. When the brute Ajax hears about the proclamation, he beats the foul-mouthed slave Thersites for not telling him what it says. Achilles and Patroclus come to Thersites' rescue and defend him from Ajax even though Thersites insists on insulting all of them. Back in the Royal Palace of Troy, Priam and his sons Hector, Paris and Troilus dine in the Trojan Council Chamber and debate whether to surrender Helen to end the war. Hector argues she isn't worth the bloodshed and that it's the honorable thing to do. They are interrupted by their mad sister, Cassandra, who enters and prophesies that if they do not let Helen go, Troy will burn. Troilus and Paris argue to keep her nonetheless, ultimately deciding to continue the fight. Back in the Greek camp, Ajax hopes to be picked as the champion to fight Hector. Thersites curses them all. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠NEXTCHAPTERPODCASTS.COM⁠ for more about the Play On Podcast Series. Visit ⁠PLAYONSHAKESPEARE.ORG⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drop us a note about the podcast. Peace sounds simple until you ask what it's built on. We start with Acts 9:31 and let Scripture set the standard: the church grows stronger when believers live in fear of the Lord and walk in the encouragement of the Holy Spirit. From there, we get painfully practical, asking whether that same reverence shows up in our churches, our families, our schools, and the choices we make when no one is watching. If you care about Christian discipleship, spiritual growth, and a biblical worldview that actually touches daily life, this conversation will meet you where you are. We also pause on Genesis 2:24–25 to talk about Christian marriage as a covenant of leaving, cleaving, and becoming one flesh. That thread runs straight into the story of Saul's bold witness and Peter's ministry in Acts 9, including the healing of Aeneas and the raising of Tabitha. These aren't just dramatic moments, they're reminders that courage, compassion, and obedience can turn hearts back to God and strengthen a whole community. Psalm 132 and Proverbs add a generational lens, pointing to worship, legacy, and the honor of family. Then we widen the frame to moral accountability in public life, reflecting on a disturbing 1955 UK criminal case as a warning about what happens when evil is minimized and people stay silent. We pair that sober note with a Medal of Honor story of duty and sacrifice, and we close with American Christian heritage voices like Patrick Henry and President Ulysses S. Grant tied to Proverbs 14:34: “Righteousness exalts a nation.” If this encouraged or challenged you, subscribe, share the episode, and leave a review so more people can find the show.#Proverbs14#UlyssesSGrant#ChristianNationSupport the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribeCountryside Book Serieshttps://www.amazon.com/Countryside-Book-J-T-Cope-IV-ebook/dp/B00MPIXOB2 America's Christian Heritage Podcasthttps://www.buzzsprout.com/2622483

The word "rise" rings through these chapters like a bell. A paralyzed man rises from a mat he hadn't left in eight years. A dead woman named Tabitha rises and takes Peter's hand. And Peter himself sees a vision that shakes off a lifetime of assumptions about who's in and who's out in the kingdom of God when a sheet full of unclean animals drops from heaven and a voice says, "Rise, Peter. Kill and eat!" Little resurrections, one after another, each one showing the inbreaking of God's Kingdom in this world.  The Rev. Ben Maton, pastor of Immanuel Lutheran Church in Charlottesville, VA, joins the Rev. Dr. Phil Booe to study Acts 9:32-10:23. To learn more about Immanuel in Charlottesville, visit immanuelcharlottesville.com. The book of Acts picks up where the Gospels leave off. Jesus has risen. He has ascended. And now what? Acts answers that question. Luke tells the story of how the Holy Spirit built the Church from a handful of frightened disciples in Jerusalem into a movement that reached Rome itself. Along the way, you get Pentecost, the first sermons, the first martyrs, the conversion of Paul, the first church councils, shipwrecks, riots, and the persistent, stubborn work of God through Word and Sacrament even when His people didn't have a plan. If you've ever wondered how we got from Easter morning to the Church you sit in today, this is the book. Tune in for this new series on Thy Strong Word with Pastor Phil Booe and guest pastors as we open up the Book of Acts.  Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.

Jesus Christ, through Peter, heals Aeneas and raises Dorcas back to life. The miraculous power of Jesus points us toward His ultimate healing, of saving sinners to everlasting life. Jesus is alive, He is the Head of His Church, no one is too far gone from His healing power, and He is indeed making all things new. Christians are to share what Jesus has done in their life, so that others would turn to Him.

What keeps us from praying with confidence? In Acts 9, Peter prays for Aeneas to be healed and Tabitha to be raised from the dead to remind us that the Holy Spirit is still at work today. Too often we lower our expectations, relying on ourselves more than on God and settling for safe prayers instead of bold faith.This message invites us to move from self-consciousness to God-consciousness, trusting God's character and joining Him in what He's already doing. As we surrender our lives to Him and step out in faith, we discover there's always more of the Holy Spirit than we've experienced, and that God still delights in doing the impossible.

What keeps us from praying with confidence? In Acts 9, Peter prays for Aeneas to be healed and Tabitha to be raised from the dead to remind us that the Holy Spirit is still at work today. Too often we lower our expectations, relying on ourselves more than on God and settling for safe prayers instead of bold faith.This message invites us to move from self-consciousness to God-consciousness, trusting God's character and joining Him in what He's already doing. As we surrender our lives to Him and step out in faith, we discover there's always more of the Holy Spirit than we've experienced, and that God still delights in doing the impossible.

Barockoper im Hoodie. In Ingolstadt wird Henry Purcells "Dido und Aeneas" radikal neu gedacht. Regisseurin Magdalena Schnitzler verbindet Breakdance, Beatbox und Orchesterklang zu einem emotionalen Gegenwartsdrama.

***⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠ *** The lovesick Trojan prince Troilus is so consumed by his infatuation with Cressida that he refuses to fight in the endless Trojan war with the Greeks, lamenting his woes to Cressida's uncle, Pandarus, who serves as the go-between for the lovers. Aeneas arrives with news that Troilus's brother, Paris, has been wounded by Menalaeus in battle, persuading Troilus to rejoin the fight. Inside the Trojan Citadel, Cressida gets the gossip from her friend Alexandra before Pandarus arrives to sing Troilus's praises. Together, Pandarus and Cressida watch the Trojan warriors return from battle. Pandarus keeps heaping praise on Troilus as Cressida remains aloof, but once alone, she confesses she's only playing “hard to get” in order to keep Troilus interested. Meanwhile, in the Greek encampment outside Troy, the Generals Agamemnon, Nestor and Ulysses lament that the war has dragged on for years without victory. Ulysses blames it on a breakdown of hierarchy and order brought on by Achilles' mocking their leadership, whipping the Greeks into a frenzy of anger and frustration. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

A @Christadelphians Video: Join **we, the Christadelphians**, for this **outstanding** and **thought-provoking** Bible exposition with Sam Tomkins as we continue our series on *Peter after the Resurrection*. In part four, ‘Healing and Hope in Sharon', we witness God's **wonderful** preparation of Peter for a watershed moment—the opening of the gospel to the Gentiles.This **revealing** study traces Peter's journey through Lydda and Joppa, where two miraculous healings (Aeneas and Tabitha) become powerful pictures of the spiritual condition of the nations—lame and dead, yet raised to walk before God. With **insightful** connections to Cornelius in Caesarea, we see how God spare no effort to transform Peter's heart, moving him from ritual separation to embracing the very people he once avoided.You'll be captivated by the **expositional** depth as we uncover Old Testament echoes—Psalm 41, Exodus 30, Leviticus 20—and the stunning symbolism of Joppa as the place where Gentile raw material was brought for the temple. This is a **wonderful** reminder that our Heavenly Father works patiently behind the scenes in our lives too, preparing us for His purposes.Whether you're a long-standing believer or new to Scripture, this video will inspire and strengthen your faith. Don't miss the climactic moment when Peter declares, “Of a truth I perceive that God is no respecter of persons.”##

A @Christadelphians Video: ## YouTube Video DescriptionJoin **we, the Christadelphians**, for this **outstanding** and **thought-provoking** Bible exposition with Sam Tomkins as we continue our series on *Peter after the Resurrection*. In part four, ‘Healing and Hope in Sharon', we witness God's **wonderful** preparation of Peter for a watershed moment—the opening of the gospel to the Gentiles.This **revealing** study traces Peter's journey through Lydda and Joppa, where two miraculous healings (Aeneas and Tabitha) become powerful pictures of the spiritual condition of the nations—lame and dead, yet raised to walk before God. With **insightful** connections to Cornelius in Caesarea, we see how God spare no effort to transform Peter's heart, moving him from ritual separation to embracing the very people he once avoided.You'll be captivated by the **expositional** depth as we uncover Old Testament echoes—Psalm 41, Exodus 30, Leviticus 20—and the stunning symbolism of Joppa as the place where Gentile raw material was brought for the temple. This is a **wonderful** reminder that our Heavenly Father works patiently behind the scenes in our lives too, preparing us for His purposes.Whether you're a long-standing believer or new to Scripture, this video will inspire and strengthen your faith. Don't miss the climactic moment when Peter declares, “Of a truth I perceive that God is no respecter of persons.”##

In Acts 9:32–35, we see a simple but powerful story: a man, a bed, a word, a healing, and a whole region changed.Aeneas had been bedridden and paralyzed for eight years, but when Peter spoke the name of Jesus over his situation, everything changed. Jesus didn't just heal him — He called him to get up, take responsibility, and leave behind the place that had defined him for too long.This message is for anyone who feels stuck, shut down, spiritually passive, or tired of going through the motions. Because motion is not the same as progress, and comfort can quietly become a prison.Where have you become bedridden? In your marriage? Your integrity? Your calling? Your walk with God?Healing is a gift, but getting up is a choice.When one man got up, two towns were impacted. Aeneas didn't preach a sermon — he lived one.

This sermon centers on the transformative power of Jesus' resurrection, revealed through Peter's miraculous healings of Aeneas and Tabitha. These miracles display Christ's power to restore both physical and spiritual life. We also saw how Jesus can work His power through imperfect instruments (like us) to demonstrate His authority over death and paralysis—both physical and spiritual.

In "This Is My Door," Apostle Jim Raley continues the Aftershocks series with a powerful word from Acts 9:32-43. Acts 2 was the epicenter, and everything that follows is the aftershock still rumbling along the fault lines of Pentecost. This message takes us to two people most preachers treat as separate stories. A paralyzed man named Aeneas in Lydda and a beloved disciple named Dorcas in Joppa. One frozen. One dead. Two cities, two miracles, and one fault line running through both. Through their stories, Apostle Raley reminds us that frozen is not finished, that the same Pentecostal power still breaks every destructive cycle, and that God wants to raise what we have stopped fighting for. Joppa means "the door." The Holy Spirit has been searching you out, and this is your door. Stop washing what God wants to raise, get a "yet" praise in your mouth, and walk through into your new beginning. Acts 9:32-43 | Psalm 42:11 | Ezekiel 37:3 Stay connected at https://calvaryfl.com

Send us a message!We follow the early church through persecution, surprising growth, and Spirit-powered ministry as the gospel pushes beyond Jerusalem. We also wrestle with motives, repentance, and reconciliation when God turns enemies into family and calls us to make peace. • persecution scatters believers and spreads the good news into Judea and Samaria • Philip's preaching in Samaria and the city's joy through deliverance and healing • Simon's attempt to purchase spiritual power and Peter's sharp call to repent • Philip guided to the Ethiopian eunuch, Scripture explained from Isaiah to Jesus • baptism and rejoicing as the gospel reaches beyond borders • Saul's road to Damascus encounter with Jesus and the cost of following him • Ananias obeying through fear and Saul filled with the Holy Spirit • Saul preaching boldly, facing plots, and Barnabas vouching for him • Peter healing Aeneas and raising Tabitha as many turn to the Lord Be a Barnabas today. Who needs you to show up for them? At outloudbible.com, you can find free resources to help you study the Bible. And while you're there, send us a message to say hi, or start a conversation about having us at your church or event. If Outloud Bible has been a valuable part of your understanding of the Bible, please consider supporting the ministry by visiting outloudbible.com.Support the showCheck out outloudbible.com for helpful study resources, and to discover how to bring the public reading of God's word to your church, conference, retreat, or other event.

Dr. Justin Dancer teaching through Acts 9:32-43Life is filled with moments we wish we could undo, but God specializes in second chances. Through Peter's ministry in Acts 9, we discover that God is the God of restoration, resurrection, and revamping our lives. Whether something in your life needs to be restored like Aeneas who was healed from paralysis, resurrected like Tabitha who was raised from the dead, or revamped like Peter's thinking about cleanliness, Jesus has the power to transform every situation. As long as we have breath in our lungs, we have another chance with God to experience His miraculous work in our broken places.https://sermons.hopemontgomery.com/sermon/hopechurchmontgomery/hope-church-livestream-05312026

In episode 21 of season four of the Sunday Extra podcast, Pastor Matt Sturdivant, Pastor Jeremy, Pastor Jake Myers, and Pastor Luke Myers gather around the table to recap and expand on the previous Sunday's sermon from Acts 9:18-43. The big idea of the message was that God develops who He calls — and while a calling can be immediate, the preparation for that calling is always a process. Four key lessons were drawn from the passage: immediate obedience doesn't guarantee immediate results; God often does His deepest work in hidden seasons; opposition should be reframed as confirmation, not contradiction; and we all need people to help us grow and step into our calling. The team then digs into the portion of Acts 9 that didn't make it into Sunday's sermon — Peter's private ministry in Acts 9:32-43. Peter heals a paralyzed man named Aeneas in the name of Jesus Christ, and raises a beloved disciple named Dorcas back to life in Joppa. Both miracles result in widespread belief, with Acts 9:35 noting that "all the residents of Lydda and Sharon saw him, and they turned to the Lord." Pastor Matt also highlights Acts 9:31 as a powerful summary statement on the state of the early church — walking in the fear of the Lord, encouraged by the Holy Spirit, and multiplying — not merely surviving. The conversation closes with a rich discussion on the "challenge of the decades," a framework originally taught by their founding pastor, which maps out the spiritual and personal challenges unique to each decade of life. The team encourages those under 30 not to despise their development season, and those over 40 to stay faithful even when progress feels slow. They also challenge listeners who feel lonely to take personal responsibility — to get into a group, take a risk, and stop waiting for community to come to them — because as Pastor Matt puts it, you cannot fulfill your calling in isolation. Wisdom Through the Decades (Wisdom Conference)

Reading Acts 9:32-43 as Peter goes throughout Judea performing miracles and sharing the gospel, including healing a man named Aeneas and a woman named Tabitha. Visit wwutt.com for all our videos!

Acts of the Apostles chapter 9 records the dramatic conversion of Saul, a fierce persecutor of Christians, who encounters Jesus on the road to Damascus. Blinded by the heavenly light, Saul is humbled and transformed as God calls him to become a chosen instrument for spreading the Gospel. Through Ananias, Saul receives healing, the Holy Spirit, and baptism, then immediately begins preaching Christ boldly. The chapter also highlights miracles through Peter, including the healing of Aeneas and the raising of Tabitha (Dorcas). Acts 9 powerfully shows that no one is beyond God's reach, and that His grace can completely transform a life for His purpose. Hashtags: #Acts9 #SaulToPaul #TransformedByGrace #JesusChangesLives #ChosenVessel #HolySpiritPower #FaithAndPurposeBecome a supporter of this podcast: https://www.spreaker.com/podcast/sendme-radio--732966/support.“Thank you for listening to SendMe Radio — where we share the Gospel, inspire faith, and keep you connected with powerful stories and updates from around the world. Don't forget to like, share, and subscribe so you never miss a message.And remember — you can listen to SendMe Radio streaming 24/7 at www.sendmeradio.net or simply say: ‘Hey Alexa, play SendMe Radio.'

Heidi Bolt shares in our series, Acts. This week in Acts 9:19b-43 we look at the stories of Paul in Damascus and Jerusalem, Aeneas, and Dorcus.

Are you consuming the mission — or carrying it?That question alone could change your life. In this powerful Mother's Day message from the Unstoppable series, Co-Lead Pastor Tai McNeely brings a clarifying, convicting, and encouraging word from Acts 9:31-42 that every believer needs to hear. The mission Jesus started didn't stop when He left — it multiplied. And you are part of that.Week 5 of Unstoppable: A Journey Through the Book of Acts picks up in the second half of Acts 9, where Peter heals a paralyzed man named Aeneas and raises a woman named Tabitha from the dead. But this message isn't just church history. It's a direct word to anyone who has ever wondered: Does my faith really matter? Does what I do make a difference?Pastor Tai walks us through what it looks like for ordinary believers — just like Peter — to carry the mission of Jesus in everyday spaces. From a father who has been handing out Bible tracts for 40 years, to a Purpose Group that transformed the life of a woman who almost didn't walk through the door — this episode is full of real stories, practical takeaways, and Holy Spirit fire.In this episode, you'll hear:✔️ Why Jesus said it was actually better for Him to go — and what that means for you right now✔️ The powerful difference between consuming the mission and carrying it✔️ How large-scale revival is always connected to the private obedience of ordinary people✔️ Why you are a conduit of God's power — not the source of it✔️ What Peter's healing ministry reveals about how God still moves through His Church today✔️ Practical action steps for how to continue the mission right where you areThis one will stir something in you. Whether you're a long-time believer or brand new to faith, you have a role in what God is doing. Don't wait until you feel qualified. Don't assume someone else will do it.Greater is He that is in you.

fWotD Episode 3294: Golden Bough (Aeneid) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 12 May 2026, is Golden Bough (Aeneid).The Golden Bough is a fantastical object described in the Aeneid, an epic poem by the Roman poet Virgil composed between 29 and 19 BCE narrating the adventures of the Trojan hero Aeneas after the Trojan War. The episode of the Golden Bough is found in its sixth book and is part of Aeneas's journey into the Underworld. The bough itself acts as proof of Aeneas's divine favour, and allows him to pass into the Underworld. He is tasked to find it in an expansive forest, which he accomplishes with the aid of his mother, the goddess Venus, and to remove it from its host tree. Although Aeneas has been told that it would come easily, if his journey is ordained by fate, Virgil describes the bough as briefly hesitating before he takes it.Virgil's portrayal of the bough has no direct literary antecedents, though it draws on several precedents from literature, folklore and philosophy. Scholars have connected it with, among others, the Golden Fleece in the story of the Argonauts; symbolic objects associated with deities such as Hermes, Dionysus and Circe; and the branches carried by prospective initiates into the Eleusinian Mysteries, a Greek religious rite centred on a symbolic journey into the Underworld. Virgil associates it with both death and immortality, partly by way of symbolic associations in Graeco-Roman culture between gold and the gods. It also recalls ideas put forth by the Roman philosopher Lucretius as to the nature of the soul. The episode of the Golden Bough was parodied by authors including Virgil's contemporary Ovid, and drawn upon by later Roman poets including Lucan and Valerius Flaccus.Early interpretations of the Golden Bough tended to give it an allegorical function, particularly via Pythagorean and Neoplatonist philosophy, which viewed it as symbolic of the choice between virtue and vice. Medieval commentators often considered it a symbol of wisdom, and several Christian theologians interpreted it as representing Christian wisdom and virtue. In the sixteenth century, it became a heraldic symbol of the Florentine House of Medici. Early modern receptions of the bough, including those of François Rabelais and Jonathan Swift, were often parodic or obscene. In the twentieth century, scholars following the Harvard School interpretation of the Aeneid argued that Virgil's use of the bough reflected his ambivalence towards Aeneas and the latter's mission to set in motion the rise of the Roman Empire. Other critics have highlighted echoes between the episode of the Golden Bough and the morally charged deaths of two of Aeneas's antagonists, Dido and Turnus.In the fourth or fifth century CE, the commentator Servius connected the bough to rex Nemorensis, a priest of the goddess Diana at Lake Nemi whose office was passed on by the killing of its holder. This equation influenced the anthropologist James George Frazer, who used the bough for the title of his 1890 work on comparative religion. The bough is recalled in Dante Alighieri's Divine Comedy and was the subject of an 1834 painting by J. M. W. Turner, which was used as the frontispiece for the early editions of Frazer's book. It was an influential motif in the "Byzantium" poems of W. B. Yeats and in the poetry of Seamus Heaney, who made several translations of Virgil's account of the episode. Scholars have also drawn parallels between the Golden Bough and significant objects in the novels of J. R. R. Tolkien.This recording reflects the Wikipedia text as of 00:53 UTC on Tuesday, 12 May 2026.For the full current version of the article, see Golden Bough (Aeneid) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.

In this week's message, TA taught through Acts 9:32-43 and showed how the healing of Aeneas and the raising of Tabitha point to one central truth: Jesus is healer. These miracles reveal Jesus' power not only over physical brokenness, but also over our broken relationship with God through his death and resurrection.

In this week's message, TA taught through Acts 9:32-43 and showed how the healing of Aeneas and the raising of Tabitha point to one central truth: Jesus is healer. These miracles reveal Jesus' power not only over physical brokenness, but also over our broken relationship with God through his death and resurrection.

Eric Hutchinson, associate professor of classics and chairman of Collegiate Scholars Program at Hillsdale College, joins host Scot Bertram to discuss the foundations of Roman mythology, best practices for teaching Virgil's The Aeneid, and the differences between Aeneas and other heroes of antiquity. Learn more: https://k12.hillsdale.edu/See omnystudio.com/listener for privacy information.

The Gospel was never meant to stand still. In this message, we follow Peter as he moves from Lydda to Joppa, where miracles spark revival, mercy leaves a lasting legacy, and God begins to break down long-held barriers. Through the healing of Aeneas and the raising of Tabitha, we see that Jesus restores what is broken and uses ordinary people to display extraordinary grace. Where is God calling you to move, to serve, and to go?

Verse by verse study through the book of Acts Chapter Nine and Verse Thirty Three

Week Two of our poetry and garden project is here (a poem read, a garden visited each week). We arrive in April with Aeneas' "sudden" encounter with his mother Venus in disguise as a huntress on the Libyan cliffs and a humble side-street garden in Brooklyn. To see a full image of the garden and the article for this week head over to https://theuplands.substack.com/p/the-aeneid-and-an-april-garden-brooklyn 

3. Epic Plots, Underworlds, and the Human Cost of Destiny Guest Authors: Scott McGill and Susanna Wright (5)This segment explores the *Aeneid*'s plot, following Aeneas's journey from the ashes of Troy to the founding of a new Roman lineage in Italy. The authors examine Virgil's "conversation" with Homer, blending Odyssean wandering with Iliadic warfare. They delve into the terrifyingly visual depiction of the underworld and the "magnificently gory" battle scenes that reflected ancient Roman aesthetics. Significant focus is placed on the human cost of Aeneas's mission, particularly the tragic treatment of female characters like Dido, whose powerful voice often overshadows the hero's own restrained and sometimes frustrating inner life. (6)1650 AENEAS VS TURNUS

4. Roman Exceptionalism and the Complexity of Power Guest Authors: Scott McGill and Susanna Wright (7)The final discussion addresses the *Aeneid* as a document of Roman exceptionalism, justifying Augustus's empire as a divinely ordained destiny. However, McGill and Wright argue the poem transcends mere propaganda by emphasizing the human scale and showing sympathy for Aeneas's adversaries, Dido and Turnus. They interpret Virgil's portrayal of weak or coercive kings as a potential critique of the era's shifting power dynamics. Ultimately, the work reflects the "veneer of Republicanism" Augustus maintained while establishing absolute rule, making the *Aeneid* a complex exploration of political transition and the hazards of individual power. (8)1915 AENEID

The duo analyzes Persia's historical resilience, noting that even Rome struggled to subdue the empire and eventually had to treat it as an equal. They argue Americans lack "cultural sensibility," viewing Iran through modern clichés rather than recognizing its history of surviving imperialism. A thought experiment explores the potential for internal collapse, suggesting that both the US and Iran risk fracturing into independent, warlord-led "statelets" if central authority fails.1700 AENEAS

Join 3 of 7 as they recap a grueling, rain-soaked Proving Grounds mission with Troop 11, announce April registration, and thank Patreon supporters and partner Bear Performance Nutrition. The main discussion walks through Acts 9–10: Saul's conversion and growth in Damascus, his escape and brief visit to Jerusalem, Peter's healing miracles (Aeneas and Tabitha), and the pivotal vision that opens the gospel to Gentiles through Cornelius. Key themes include evidence of the Spirit, cultural barriers being broken, and the components of Peter's gospel message.   Check out Bare Performance Nutrition and use code "3of7" for 10% OFF! https://www.bareperformancenutrition.com   Check out 3 of 7 Project https://www.3of7project.com Apply for our courses at: https://www.3of7project.com/train Thank you for supporting Three of Seven Podcast on Patreon at: www.patreon.com/threeofseven Three of Seven Project Store: https://3of7project.myshopify.com/pages/shop Nuff Said.

DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 1450 DIDO WELCOMES AENEAS TO CARTHAGE

ROMAN EXCEPTIONALISM VS. HUMAN TRAGEDY Colleagues Scott McGill and Susanna Wright. They discuss whether the Aeneid justifies Roman empire or tells a human story. McGill argues the poem survives because it creates sympathy for antagonists like Dido and Turnus. They explore how Virgil portrays the costs of empire and Aeneas's rage, complicating the narrative of Augustan propaganda. NUMBER 12

SHOW 12-25-25 THE SHOW BEGINS WITH DOUBTS ABOUT THE MODERN STORY OF MARY AND HER FAMILY. 1868 NAZARETH SEPPHORIS AND THE HISTORICAL CONTEXT OF MARY'S LIFE Colleague James Tabor. Tabor identifies Sepphoris, a Roman capital near Nazareth, as Mary's birthplace. He reimagines Jesus and Joseph as "tektons" (builders) working in this urban center rather than simple carpenters. This proximity meant Mary witnessed Romanbrutality and the city's destruction, influencing her family's spiritual views on the Kingdom of God. NUMBER 1 INVESTIGATING THE NAME PANTERA Colleague James Tabor. Tabor explores the name "Pantera," found in rabbinic texts and on a Roman soldier's tombstone. He suggests this might be a family name rather than a slur, investigating the possibility that Jesus's father was a relative or soldier, which challenges the theological narrative of a virgin birth. NUMBER 2 RECLAIMING THE HISTORICAL JEWISH FAMILY Colleague James Tabor. Highlighting the Protoevangelium of James, Tabor contrasts its depiction of a perpetual virgin Mary with historical evidence of a large Jewish family. He argues Mary had numerous children and that her parents were likely wealthy property owners in Sepphoris, integrating Jesus into a close-knit extended family. NUMBER 3 JAMES THE JUST AS TRUE SUCCESSOR Colleague James Tabor. Tabor asserts James, Jesus's brother, was the movement's true successor, not Peter. Citing Acts and the Gospel of Thomas, he notes James led the Jerusalem council and stood at the cross. Tabor argues the "beloved disciple" entrusted with Mary's care was this blood brother, not Johnthe fisherman. NUMBER 4 THE HEADQUARTERS ON MOUNT ZION Colleague James Tabor. Tabor describes excavations on Mount Zion, identifying a first-century house foundation as the "upper room" and headquarters of the early movement. He visualizes Mary as the matriarch in this courtyard, welcoming pilgrims and apostles like Paul, and establishes James as the leader of this house synagogue. NUMBER 5 THE FLIGHT TO PELLA AND MARY'S DEATH Colleague James Tabor. Tabor discusses the Christian flight to Pella during the Roman revolt. He speculates Mary died before this event, likely around 49–63 CE, and was buried on Mount Zion. Consequently, she disappears from the New Testament record, which shifts focus to Peter and Paul after the Jerusalem church's dispersal. NUMBER 6 THE TALPIOT TOMB AND DNA EVIDENCE Colleague James Tabor. Discussing the Talpiot tomb, Tabor details ossuaries bearing names like "Jesus son of Joseph" and "Mariamne." He argues statistical clusters and potential DNA evidence suggest this is the Jesus family tomb, positing that physical remains support historical existence without necessarily negating the concept of spiritual resurrection. NUMBER 7 THE Q SOURCE AND MARY'S TEACHINGS Colleague James Tabor. Tabor identifies the "Q" source as a collection of ethical teachings shared by Matthew and Luke. He attributes these core values—such as charity and humility—to a family tradition taught by Mary to Jesus, James, and John the Baptizer, aiming to restore Mary'shistorical influence as a teacher. NUMBER 8 VIRGIL'S RURAL ORIGINS AND AUGUSTAN CONNECTION Colleagues Scott McGill and Susanna Wright. The guests discuss Virgil's birth in 70 BCE near Mantua and his rural upbringing, which influenced his poetry. They trace his move to Rome during civil war and his eventual connection to Augustus, noting that Virgil promised a grand epic for the emperor in his earlier work, the Georgics. NUMBER 9 TRANSLATING THE SOUND AND METER OF VIRGIL Colleagues Scott McGill and Susanna Wright. The translators explain choosing iambic pentameter over dactylic hexameter to provide an English cultural equivalent to the original's epic feel. They describe their efforts to replicate Virgil's auditory effects, such as alliteration and assonance, and preserve specific line repetitions that connect characters like Turnus and Camilla. NUMBER 10 THE AENEID'S PLOT AND HOMERIC INFLUENCES Colleagues Scott McGill and Susanna Wright. McGill and Wright summarize the plot, from Troy's destruction to the war in Italy. They analyze Virgil's dialogue with Homer, noting how the poem's opening words invoke both the Iliad's warfare and the Odyssey's wanderings. They also highlight the terrifying, visual nature of Virgil's depiction of the underworld. NUMBER 11 ROMAN EXCEPTIONALISM VS. HUMAN TRAGEDY Colleagues Scott McGill and Susanna Wright. They discuss whether the Aeneid justifies Roman empire or tells a human story. McGill argues the poem survives because it creates sympathy for antagonists like Dido and Turnus. They explore how Virgil portrays the costs of empire and Aeneas's rage, complicating the narrative of Augustan propaganda. NUMBER 12 CLODIA'S PRIVILEGE AND CICERO'S AMBITION Colleague Douglas Boin. Boin introduces Clodia, a privileged woman from an ancient Roman family on Palatine Hill. He contrasts her aristocratic, independent nature—manifested in her name spelling—with the rise of Cicero, a talented outsider. Boin frames their eventual conflict as a clash between established power and ambitious newcomers. NUMBER 13 THE POLITICS OF TRIBUNES AND REFORM Colleague Douglas Boin. Boin details the divide between the Optimates and Populares. He explains how Clodia and her brother Clodius used the office of Tribune—the "people's protector" with veto power—to enact reforms. This strategy allowed them to challenge the Senate's authority and set the stage for Clodius's political dominance. NUMBER 14 THE TRIAL OF RUFUS AND CICERO'S MISOGYNY Colleague Douglas Boin. Boin describes a trial where Clodia accused her ex-lover Rufus of poisoning. Cicero defended Rufus by launching misogynistic attacks on Clodia, calling her "cow-eyed" and alleging incest. Boin argues this famous speech unfairly solidified Clodia's negative historical reputation while obscuring the political power she wielded. NUMBER 15 THE DEATH OF CLODIUS AND THE REPUBLIC'S END Colleague Douglas Boin. Boin recounts the violent death of Clodius by rival gangs, marking a turning point toward the Republic's collapse. He views Clodia's subsequent disappearance from history as a symbol of the loss of women's influence and civic rights, framing her story as a cautionary tale about political violence. NUMBER 16

PREVIEW Guests: Scott McGill and Susanna Wright. Rice University classicists McGill and Wright discuss their new translation of Virgil's Aeneid, a "Hollywood worthy" epic detailing the origins of Rome. The narrative follows Aeneas leading a band of refugees from the burning ruins of Troy westward to their destined home in Italy. Their journey is fraught with the goddess Juno's opposition, leading to a detour in Carthage and a tragic romance with Dido. The poem concludes with a fierce war in Italy, ending abruptly as Aeneas kills his rival Turnus, securing the legacy where Trojansultimately become Romans. MORE TONIGHT AUGUSTUS, OCTAVIA AND LIVIA, LISTENING TO A READING OF THE AENEID BY VIRGIL HIMSELF