Podcasts about Aeneas

The duo analyzes Persia's historical resilience, noting that even Rome struggled to subdue the empire and eventually had to treat it as an equal. They argue Americans lack "cultural sensibility," viewing Iran through modern clichés rather than recognizing its history of surviving imperialism. A thought experiment explores the potential for internal collapse, suggesting that both the US and Iran risk fracturing into independent, warlord-led "statelets" if central authority fails.1700 AENEAS

Dr. Smith examines two healing events in Acts, emphasizing that miracles validate the message and the power behind them, not ends in themselves. Jesus highlights the importance of having names written in heaven over miraculous abilities. The healings of Aeneas, who was paralyzed, and Tabitha, who died, demonstrate a larger purpose: moving from darkness to light. Aeneas is told to "make his bed," symbolizing embracing a new life and leaving behind his past suffering. Tabitha's resurrection allowed her to continue her charitable work, benefiting many. These healings underscore that God's work transforms individuals and benefits their communities.

Dr. Smith examines two healing events in Acts, emphasizing that miracles validate the message and the power behind them, not ends in themselves. Jesus highlights the importance of having names written in heaven over miraculous abilities. The healings of Aeneas, who was paralyzed, and Tabitha, who died, demonstrate a larger purpose: moving from darkness to light. Aeneas is told to "make his bed," symbolizing embracing a new life and leaving behind his past suffering. Tabitha's resurrection allowed her to continue her charitable work, benefiting many. These healings underscore that God's work transforms individuals and benefits their communities.

Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

In Acts 9:32–43, Peter heals a man named Aeneas and restores a woman named Dorcas to life. Pastor Doug Horner preaches a message today called "The Greatest Miracle."

“Truly I tell you, the one who believes in me will also do the works that I do. And he will do even greater works than these, because I am going to the Father. Whatever you ask in my name, I will do it so that the Father may be glorified in the Son. If you ask me anything in my name, I will do it.” John 14:12-14 CSBJesus is speaking to his disciples after the Passover Feast - the last supper - and he's telling them he's leaving but they can't follow him yet. Thomas says, “We don't know where you are going? How can we know the way?” John 14:5Jesus, “I am the way, the truth, and the life. If you know me, you will also know my father. From now on you do know him and have seen him.” John 14:6Jesus, “The words I speak to you I do not speak on my own. The Father who lives in me does His works. Believe me that I am in the father and the father is in me. Otherwise, believe because of the works themselves.” John 14:10-11“Have this mind among yourselves, which is yours in Christ Jesus, who, though he was in the form of God, did not count equality with God a thing to be grasped, but emptied himself, by taking the form of a servant, being born in the likeness of men. And being found in human form, he humbled himself by becoming obedient to the point of death, even death on a cross.”Philippians 2:5-8(ESV)All that Jesus did, God did through him. Jesus is telling us that we have access to the Father through Him, and in Him we can do greater works than even Jesus did. Do you feel qualified? God Qualifies the Called“God does not call the qualified. He qualifies the called.” Mark Batterson, The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest FearsWe see this throughout scripture. Here are just a few examples: Joseph - A despised younger brother sold into slavery then imprisoned. Genesis 37, 39 God helps him interpret dreams - saves his family and Egypt from a famine. Gen. 39, 41Moses - Not eloquent, slow of speech and tongue - killed someone Exodus 4:10-12 2:1-12 God calls him to lead the people out of Egypt. Exodus 3:10-12David - A shepherd boy and the youngest son. 1 Samuel 16:11 God gives him strength and courage to kill a giant - becomes King 1 Samuel 17:45-47The First Disciples - Fishermen, a tax collector, other unspecified jobs - Matt. 3:18-21 Jesus calls them to be fishers of men. Matthew 4:19 Jesus commissions them to make disciples of all nations. Matt. 28:16-20 Jesus sends them to preach, to have authority to cast out demons. Mark 3:14-15Saul/Paul - Persecuted early Christians and tried to destroy the church Gal. 1:13 Preaches that Jesus is the Son of God and spreads the gospel to gentiles Acts 9:20 Romans 3:23 NIV “For all have sinned and fall short of the glory of God.” God Qualified Peter to do the Miraculous Fisherman turned disciple - Matt. 4:18-20Walked on water - Matt. 14:28-31Renamed Peter (Rock) from Simon - John 1:42 Matt. 16:18Confesses Jesus is the Messiah - Matt. 16:18Rebuked Jesus and was corrected - Matt. 16:21-23 Saw Jesus Transfigured - Matt. 17:1-5Cut off the servant's ear - John 18:10Denied knowing Jesus 3 times - Matt. 26:69–75, Mark 14:66–72, Luke 22:55–62, and John 18:15-27Restored by Jesus (Feed my sheep) - John 21:15-19-------------------------------- Preached at Pentecost- first sermon - 3,000 people come to believe - Acts 2 Healed a lame man - Acts 3:1-10Preached in Solomon's Colonnade - second sermon - 5,000 believe - Acts 3:11- Acts 4:4Arrested and testified about Jesus before the Sanhedrin - Acts 4:1-22 Judgment resulting in death of Ananias and Sapphira - Acts 5:1-10Healed the sick and those with “unclean spirits” - Acts 5:12-16Arrested, put on trial and flogged - Acts 5:17-42Healed a paralyzed man, Aeneas - Acts 9:32-35Raised Tabitha (Dorcas) from the dead - Acts 9:36-43Received a vision, then defended the gospel being for Gentiles too- Acts 10 - Acts 11:18 Imprisoned again then rescued by an angel - Acts 12:1-18 Writes 1 & 2 Peter Crucified around 66 yrs. OldNotes From Time Before Jesus Ascended: During his time as a disciple of Jesus, Peter saw many miracles and experienced some directly - walking on water - coin in the fish's mouth - mother-in-law healed. Disciples were given authority to heal and cast out demons. Matt. 10, Luke 9Reasonable to think Peter had done miracles while Jesus was alive too. The specific miracles Peter does begin in Acts, after the resurrection and the coming of the Holy Spirit at Pentecost. Notes About Peter's Specific Miracles First sermon: after the Holy Spirit descended upon them and they started speaking in different tongues. Some sneered and tried to say they were drunk. Peter spoke up and and rebuke them and gave his first sermon. Takes a lot to speak in front of a large group. Jerry Sinfield joke: people would rather be the one in the coffin than giving the eulogy. 3,000 people were baptized after his message! Healed a lame man: A man who couldn't walk since birth was carried to the temple so he could beg as people came by. Peter and John walked by and he asked them for money. Peter said, “I don't have silver or gold but what I do have I give you. In the name of Jesus Christ of Nazareth, get up and walk! Then, taking him by the right hand he raised him up, and at once his feet and ankles became strong.” Acts 3:6-7 Peter was doing as Jesus did! BY FAITH: Acts 3:16 Peter tells the people, “By faith in his name, his name has made this man strong…” Judgment resulting in death of Ananias and Sapphira: Acts 5:1-10Ananias and his wife Sapphira sold some property but decided to keep some for themselves. Shows Peter had supernatural knowledge of the actual amount Ananias and Sapphira sold their property for. When Ananias came in and lied to the Holy Spirit he died. After Sapphira came in and lied about the amount too, Peter prophesied she would die too. Healed the sick and those with “unclean spirits”: Acts 5:12-16Many signs and wonders were being done among the people through the hands of the apostles. They were all together in Solomon's Colonnade. 13 No one else dared to join them, but the people spoke well of them. 14 Believers were added to the Lord in increasing numbers—multitudes of both men and women. 15 As a result, they would carry the sick out into the streets and lay them on cots and mats so that when Peter came by, at least his shadow might fall on some of them. 16 In addition, a multitude came together from the towns surrounding Jerusalem, bringing the sick and those who were tormented by unclean spirits, and they were all healed.Healing Aeneas a paralyzed and bedridden man of 8 years.Acts 9:34 “Peter said to him, “Aeneas, Jesus Christ heals you. Get up and make your bed, and immediately he got up.” Raised Tabitha (Dorcas) from the dead! Dorcas was a disciple - a follower of Jesus She became sick and diedTwo other disciples went and got Peter who was in a nearby town.He sent everyone out of the room. He knelt, prayed and told her to get up! Peter went from being a fisherman to a fisher of men! Jesus called Peter and Peter followed him until the day Peter died around 66 years old. God Calls Us to Follow Him And he said to them, “Follow me, and I will make you fishers of men.” Matthew 4:19 "If anyone would come after me, let him deny himself and take up his cross daily and follow me" Luke 9:23, Matthew 16:24 "Whoever follows me will not walk in darkness, but will have the light of life" John 8:12 "My sheep hear my voice, and I know them, and they follow me" John 10:27 "If anyone serves me, he must follow me; and where I am, there will my servant be also" John 12:26 Notes: Peter started off as a fisherman. He was called to follow Jesus and he did.Through walking and talking with Jesus and watching and listening, Peter learned who Jesus was. After 3 years, it didn't stop him from making mistakes. Called out many times He kept believing and learning and growing. He kept followingAfter Jesus ascended into Heaven and the disciples were in the upper room, the Holy Spirit came upon them, and then Peter started to lead.Do as Jesus did! Matthew 28:19-20 “Go therefore and make disciples of all nations, baptizing them in the name of the father and of the son and of the holy spirit teaching them to observe everything I have commanded you. And remember I am with you always to the end of the age.” We've been commissioned to go out into the world to do miraculous things. Leading people into the fullness of forgiveness and redemption and who they are called to be in Christ is no less than miraculous! Jesus dying, defeating death, and redeeming us from our sins is a miracle! The fullness of that miracle won't fully be realized until we die but there is nothing more miraculous than being made clean and living with our creator. God Equips Us With different gifts Romans 12:6-8 Prophesying, Serving, Teaching, Encouraging, Giving, Leading, Showing Mercy“We have different gifts, according to the grace given to each of us. If your gift is prophesying, then prophesy in accordance with your faith; 7 if it is serving, then serve; if it is teaching, then teach; 8 if it is to encourage, then give encouragement; if it is giving, then give generously; if it is to lead, do it diligently; if it is to show mercy, do it cheerfully”Through the Holy Spirit 1 Corinthians 12:7-11A message of wisdom, a message of knowledge, faith, gifts of healing, miraculous powers, prophecy, distinguishing between spirits, speaking in tongues, interpreting tongues“Now to each one the manifestation of the Spirit is given for the common good. 8 To one there is given through the Spirit a message of wisdom, to another a message of knowledge by means of the same Spirit, 9 to another faith by the same Spirit, to another gifts of healing by that one Spirit, 10 to another miraculous powers, to another prophecy, to another distinguishing between spirits, to another speaking in different kinds of tongues, and to still another the interpretation of tongues. 11 All these are the work of one and the same Spirit, and he distributes them to each one, just as he determines.”Through the grace given to us through Jesus 2 Timothy 1:9-10“…not because of anything we have done but because of his own purpose and grace….”“He has saved us and called us to a holy life—not because of anything we have done but because of his own purpose and grace. This grace was given us in Christ Jesus before the beginning of time, 10 but it has now been revealed through the appearing of our Savior, Christ Jesus, who has destroyed death and has brought life and immortality to light through the gospel.”With qualities that keep us from being unfruitful 2 Peter 1:3-8 Faith, Goodness, Self-Control, Endurance, Godliness, Brotherly Affection, Love“His divine power has given us everything required for life and godliness through the knowledge of him who called us by his own glory and goodness. 4 By these he has given us very great and precious promises, so that through them you may share in the divine nature, escaping the corruption that is in the world because of evil desire. 5 For this very reason, make every effort to supplement your faith with goodness, goodness with knowledge, 6 knowledge with self-control, self-control with endurance, endurance with godliness, 7 godliness with brotherly affection, and brotherly affection with love. 8 For if you possess these qualities in increasing measure, they will keep you from being useless or unfruitful in the knowledge of our Lord Jesus Christ.”John 15:1-8 Jesus is the vine and we are the branches. Those who remain in him will produce much fruit, because we can do nothing without him. Romans 8:11 “And if the Spirit of him who raised Jesus from the dead lives in you, then he who raised Christ from the dead will also bring your mortal bodies to life through his Spirit who lives in you.”If the Spirit of God, who raised Jesus from the dead, lives in you - (Romans 8:11) then you don't have to do this in your own strength. You have the strength of God with you. No matter how strong you are on your own, you are not strong enough without the power of God living inside you. He's given us everything we need to live for Him! God is calling you to follow Him! As you step out in faith and obedience, he equips you with what you need and qualifies you for what he calls you to do. Acts 4:13 NIV - When they saw the courage of Peter and John and realized that they were unschooled, ordinary men, they were astonished and they took note that these men had been with Jesus.

Musicians of Ma'alwyck is teaming up with Excelsior Vocal Ensemble to present Henry Purcell's “Dido & Aeneas.” The opera continues to mesmerize audiences more than 300 years after its premiere. They pair it with a work by Purcell's teacher and friend John Blow: “Ode on the Death of Henry Purcell.” Performances are scheduled for Friday, February 20 at 7 p.m. at the Bethesda Episcopal Church in Saratoga Springs, New York and Sunday, February 22 at 3 p.m. at Troy Savings Bank Music Hall in Troy, New York.

Zeus will Gaia von der Last der Menschen befreien. Um die Menschheit zu dezimieren, plant er einen großen Krieg. Paris wird zum trojanischen Prinzen. Oinone sitzt weinend am Fluss. Der Wald wird abgeholzt. Das Übel nimmt seinen Lauf und Kassandra kann es nicht verhindern. Personen: Zeus, Gaia, Momos, Helena, Paris (Alexander / Alexandros), Menelaos, Hermione, Tyndareus, Oinone, Priamos, Hekabe, Agelaos, Hektor, Deiphobos, Kassandra, Apollon, Aphrodite, Hera, Athene, Thetis, Peleus, Aeneas, Anchises, Eros, Iris, Agamemnon, Krateus, Kolluthos, Hermes, Chariten, Horen. Orte: Troja (Ilion), Sparta, Mykene, Berg Ida, Kreta, Sidon, Eurotas, Hellespont Sonstiges: Trojanischer Krieg, Epischer Zyklus, Kypria, Leichenspiele, Urteil des Paris, Schwur der Freier, Raub der Helena, trojanische Flotte, Orakel, Prophezeiung, Apollons Fluch, Zankapfel, Steady-Extra: Hymnus an Aphrodite LINKS https://linktr.ee/daschaosundseinekinder STAMMBÄUME u. SCHAUBILDER https://steady.page/de/chaoskinder/posts/9476fd9d-75cd-475b-88b1-d320569b23f0?utm_source=chatgpt.com LITERATUR https://steadyhq.com/de/chaoskinder/posts/b59d1093-cdff-4158-8dca-bc0ac992d47c MUSIK https://www.youtube.com/watch?v=zfnRMIFHHrE FR „Le Chaos et ses enfants“ https://podcasters.spotify.com/pod/show/lechaosetsesenfants?utm_source=chatgpt.com MASTODON @daschaosundseinekinder https://mastodon.social/@daschaosundseinekinder INSTAGRAM @chaos.kinder https://www.instagram.com/chaos.kinder/?utm_source=chatgpt.com MAIL chaoskinderkontakt@gmail.com STEADY https://steadyhq.com/de/chaoskinder/about PAYPAL https://www.paypal.com/donate/?hosted_button_id=VB2QKC88H9NYJ CHAOS-SHOP https://chaoskind.myshopify.com/

On 23 December last year, Rowling changed her Twixter home page header and cameo with this tweeted explanation:The Charm Bracelet header features thirteen charms on nine links:Rowling tweeted an addendum about the Psalter and Jack in the Box charms:Nick Jeffery dropped an explanatory post two days later at the Hogwarts Professor weblog: J. K. Rowling Drops All the Strike 9 Clues for Christmas! It remains the only complete survey of the pieces and compendium of what Serious Strikers around the world have discovered about them.Beatrice Groves, author of Literary Allusion in Harry Potter, wrote up her charm bracelet thoughts at ‘The Strike Ellacott Files' a month later. In ‘Charms, Psalms & Golden Clues: A brace(let) of clues for Strike 9,' Prof Groves discusses the magical quality of charms as talismans and even incantational song:Rowling points out in this 2013 piece the link between the name given to charm bracelets and the magical world: ‘Why do we call those little masterpieces “charms” if not in allusion to their talismanic properties?… they are personal amulets.' To charm someone is also to slightly to bewitch them, something Rowling plays with when Riddle exerts his charm on Ginny and literally possesses her: ‘If I say it myself, Harry, I've always been able to charm the people I needed.' Witch Weekly's Most-Charming-Smile Award is given to a smile that is both literally, as well as metaphorically, bewitching.The word ‘charm' comes, through French, from the Latin ‘carmen' which means ‘song, verse, oracular response, incantation.' Its first meaning in English, therefore, was the magical one: ‘the chanting or recitation of a verse supposed to possess magic power or occult influence; incantation, enchantment; hence, any action, process, verse, sentence, word, or material thing, credited with such properties; a magic spell; a talisman, etc.' (Oxford English Dictionary). From the sixteenth century onwards, ‘charm' meant ‘anything worn about the person to avert evil or ensure prosperity' because such amulets might contain the text of such a charm. And thinking about this made me aware for the first time of how in the most important charms in Harry Potter – the Fidelius Charm and the Patronus Charm – the word is not simply a synonym for spell but encodes this original, protective meaning. These magical ‘Charms' like the charms on charm bracelets encode what Rowling calls ‘talismanic properties.'Nick and John invited Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels to talk about these charms, especially about what she had written briefly on the subject. The goals of this conversation? * To introduce the subject to everyone not familiar with the Christmas tweets and bracelet-header, * to discuss the ‘Why?' of this present to Strike fans everywhere, * to speculate about the meaning of the bracelet pieces individually and in a series, and * to brainstorm their qualities as clues for Strike9, the penultimate novel in the decalogy.Which is a lot! The good news is that the conversation never flagged and the revelations and possible meanings of the charms, thirteen in total on nine links, reward anyone listening in.Nick starts off the conversation with a review of the six charm bracelets in Rowling's life and writing, one of which was a long forgotten piece in the margins of a Rowling web site:[You can read about those internet ‘Easter Eggs' in ‘Hidden Photos at Rowling's Website' here, here, here, and here.]Nick offered as a guiding idea for our conversation the likelihood that the nine links in the bracelet were meaningful, i.e., that they reflected the structure of the book for which the bracelet is meant to be a clue. There are thirteen charms, he noted, but certainly Rowling-Galbraith could have had a thirteen link chain made if she hadn't thought the nine links more than sufficient, even a pointer to Strike 9 being a nine Part mystery. Since, as Nick noted, she has trouble even passing up a shop selling charms, it seems likely she has been collecting the pieces for this one for some time. Perhaps this bracelet is a “target” toward which she has been writing with these books. It is certainly not something she just threw together for a header photo shoot. The trio elected to read the circular collection of charms, consequently, as pieces with individual meaning — as magical talismans of sorts per Prof Groves — and as a ring composition, with both aspects indicating the place and meaning of the piece in the book.After a brief discussion of why Rowling, Inc., would release this set of clues now, with another Strike novel or Bronte Studios television adaptation in the distant future — John offered the possibility that this bit of fan servicing was meant as a touch of appeasement qua Christmas gift to the many fans disappointed with Hallmarked Man — Elizabeth, John, and Nick tackled the thirteen charms on nine links.In Part One of their conversation, they talk about * the heart shaped engagement ring box;* the golden diamond-laden egg;* the anchor;* the two angels; and * the Trojan horse.Their preliminary conclusions at the half-way point?Mrs. Murray in her Nativity gift to her readers offers them clues not only to the next Strike-Ellacott novel but to the meaning of human life. Each of these five charms is a symbol with obvious and not so obvious Christian meaning. John reconsidered his answer to the ‘Why now?' in light of this avalanche of symbolism; instead of it being fan servicing to rescue the brand, he thinks it may be Rowling's attempt — on the most celebrated remnant Christian holiday in a post-Christian world — to reset her serious readers' understanding of what she is about as a writer, what sort of transformation she is trying to create via story within her readers.Part two of this interpretative deep dive into Rowling's artistry in metallurgical symbolism, her “charm work” literary alchemy, will follow shortly. There are five links with seven charms to come — Jack in the Box, Hourglass, White Rose, Crocodile, Corvid, Psalter, and the Head of Persephone — all as rich in meaning as the first four links.Below are links to subjects mentioned in this first conversation and additions not discussed but discovered after the fact, all shared for your consideration and comments!Thank you as always from the Hogwarts Professor team for your joining us with special appreciation to our paid subscribers!Subjects that Elizabeth, Nick, and John Discussed: The Heart Shaped Engagement Ring Charm:* The first, fourth, fifth, and ninth links are clasped objects with surprises inside,* Ink Black Heart and Deathly Hallows: The Heart is Not About Emotions and Affection but the Human Spiritual Center (John, October 2022)* Hallmarked Man, Part Five: The Center of Strike 8 is about “Inner Light” (Ed Shardlow)* Gold as “solid light” and diamonds as “inner light,” both reflecting in nature the Light of God's Word or Logos that is found with in every man (cf., John 1:9 and Rowling's comments about Casual Vacancy being “all about” her belief that “the light of God shines in every soul”);* The consequent symbolism of a golden wedding/engagement band with two diamonds;* The human being as a ‘heart in a box' either enlightened ‘gold and diamonds' or a dark ‘jack in the box' devil* The two-stone ring, as Nick notes, is a “me and you” ring, alluding to a certain theme song. Also, Elizabeth notes, Robin is faced with a choice between two very different types of proposals, so the duality of the ring in the box connects to that conundrum, and since that is apparently where 9 will begin, it gives us a good idea that we are right in “reading” the bracelet starting with this oneThe Gold Diamond-Laden Egg Charm:* Assuming it is an ‘Easter Egg,' the two meanings of that phrase;* Again, ‘gold and diamonds,' as above; * Paschal meaning of Eggs: The custom of exchanging colored eggs entered the life of the Church. The symbolic meaning of the egg as the beginning of a new life was known even earlier. Christians saw in this symbol confirmation of their faith in the coming general resurrection. The Easter egg's red color symbolized the all-conquering Divine Love, which alone could destroy hell!The Foul-Anchor Charm:* ‘Strike 9 to Heads to Portsmouth!' (Nick, September 2025)* Foul Anchor (Wikipedia);* Eagle, Globe, and Anchor (Wikipedia);* Meaning of ‘Hector' in Homeric Greek is ‘Holding Fast,' and, by interpretation, ‘anchor;'* The Greek word for ‘Anchor' found in the New Testament is ἄγκυρα, pronounced ‘ang-chor-a;' * Hebrews 6:19:13 For when God made promise to Abraham, because he could swear by no greater, he sware by himself,14 Saying, Surely blessing I will bless thee, and multiplying I will multiply thee.15 And so, after he had patiently endured, he obtained the promise.16 For men verily swear by the greater: and an oath for confirmation is to them an end of all strife.17 Wherein God, willing more abundantly to shew unto the heirs of promise the immutability of his counsel, confirmed it by an oath:18 That by two immutable things, in which it was impossible for God to lie, we might have a strong consolation, who have fled for refuge to lay hold upon the hope set before us:19 Which hope we have as an anchor of the soul, both sure and stedfast, and which entereth into that within the veil;20 Whither the forerunner is for us entered, even Jesus, made an high priest for ever after the order of Melchisedec.* Meaning of "Anchor of the Soul" in Hebrews 6:19?The Immediate Context of Hebrews 6:13-20The writer reassures wavering Jewish Christians by citing God's oath to Abraham (Genesis 22:16-17). Two “unchangeable things” (God's promise and His oath, v. 18) make it “impossible for God to lie.” The “hope set before us” (v. 18) functions as an anchor that has already “entered … behind the curtain” (v. 19), where Jesus, our High Priest, intercedes (v. 20; cf. 4:14-16).Anchor as Hope: Theological Significance1. Objective, not subjective: “hope” (ἐλπίς) is grounded in the historical, bodily resurrection of Jesus (1 Corinthians 15:17-20).2. Already-but-not-yet: the anchor is cast forward into the heavenly holy of holies, securing believers' future inheritance (1 Peter 1:3-4) while exerting a present stabilizing pull.3. Firm and secure: βεβαία (reliable) and ἀσφαλής (incapable of slipping). The compound assures permanence beyond circumstantial change (Malachi 3:6).Christ Our Forerunner Behind the VeilThe anchor “enters” (εἰσερχόμενον, pres. tense) the inner sanctuary “behind the curtain,” alluding to the Day of Atonement (Leviticus 16). Jesus is πρόδρομος (“forerunner,” v. 20), implying that others will follow where He has gone (John 14:2-3). The anchor-rope is His indestructible life (Hebrews 7:16), tethering the believer to God's throne of grace.* Hence its use as a symbol within Christianity: Christ having defeated death is an anchor to those members of His Mystical Body which anchors them to life after death, “beyond the veil;”* The pairing of the anchor charm with the golden egg on the second link of the bracelet reinforces this Paschal symbolism;* Charles Williams' “Co-inherence” ideas: “Who Saved Draco's Soul?” Co-Inherence in Harry PotterThe Two Angels Charms (paired on Link three)* Cupid and Psyche? Maybe!* Angels? Ghosts?* Orlando drawings! A Silkworm flash-back to the Monkey-Bag with the essential clue inside…The Trojan Horse Charm* Trojan Horse (Wikipedia)In Greek mythology, the Trojan Horse (Greek: δούρειος ίππος, romanized: doureios hippos, lit. ‘wooden horse') was a wooden horse said to have been used by the Greeks during the Trojan War to enter the city of Troy and win the war. The Trojan Horse is not mentioned in Homer's Iliad, with the poem ending before the war is concluded, and it is only briefly mentioned in the Odyssey. It is described at length in the Aeneid, in which Virgil recounts how, after a fruitless ten-year siege, the Greeks constructed a huge wooden horse at the behest of Odysseus, and hid a select force of men inside, including Odysseus himself. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. That night, the Greek force crept out of the horse and opened the gates for the rest of the Greek army, which had sailed back under the cover of darkness. The Greeks entered and destroyed the city, ending the war.Metaphorically, a “Trojan horse” has come to mean any trick or stratagem that causes a target to invite a foe into a securely protected bastion or place. A malicious computer program that tricks users into willingly running it is also called a “Trojan horse“ or simply a “Trojan”.* Could the Strike Series be a Re-telling of Virgil's Aeneid? (John, July 2017)If Cormoran Strike's story is Rowling's postmodern re-telling of the Aeneid, then the Fates theme is more than apt.It is all about, after all, the hero's destiny or fate to recreate Troy in Italy as Rome, a fate which it is pointless for Aeneas to resist. The refugee from Troy, son of the goddess of beauty, is forced ever onward, often over-riding his preferences and pledges, to his destiny to found Rome as the New Troy. A soldier in an eastern country ‘coming home,' Aeneas is a wounded man, haunted by his divine mother, a man of destiny forced to leave a beautiful, powerful woman who curses him at his departure.Sound familiar? The Aeneid is a reverse reflection and re-telling of Homer's Iliad and Odyssey in that it's first six books are about the Trojan's travels and the last six relate his battles with the local tribes in Latium. It seems possible that Rowling might be trying to do with the Aeneid what she did with the Weird Sisters of Macbeth, namely, present what seems to be a tale of inevitability or fate, something prophesied or otherwise seemingly inescapable, as a function really of character choice.In the Peg-Legged PI's story that could mean Rowling's revisiting fate vs choice vis a vis whether he is able to choose to take-or-leave an investigation of Leda's death (and face the dangers inherent in threatening his biological father, Jonny Rokeby) or whether he feels doomed to follow it to its end, whatever the costs to him and to those he loves.* The Trojan Horse is the wisdom of Athene as given to Odysseus, her favorite. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

This week we're in Acts 9 and yes — it includes a woman named Dorcas

King Carl's Adventure by Aeneas by 826 Valencia

In this deeply moving compilation episode of The Burn Podcast, Ben Newman brings together three extraordinary stories that challenge everything we think we know about limits. This episode isn't about accepting circumstances—it's about refusing them. It's about the line between what the world labels as facts and the truth YOU choose to live by. And it's about what ignites greatness when YOU'RE told YOU don't measure up.The journey begins with Aeneas Williams, whose path to the NFL was anything but traditional. He didn't step onto a college football field until his junior year, and even then, doubt followed him. A coach once told him he was too slow to ever make it in the league. That may have been the verdict—but Aeneas refused to let it become his reality. Through relentless work and unbreakable belief, he turned skepticism into fuel and built a Hall of Fame career. His story is a reminder that outside opinions don't define YOUR potential—YOUR conviction does.Next, we hear from Andrew Whitworth, a Super Bowl champion and the 2021 Walter Payton Man of the Year. Known for both his dominance on the field and his leadership beyond it, “Big Whit” represents what longevity, discipline, and purpose truly look like. Over nearly 20 years in the NFL, he showed that greatness isn't about moments—it's about showing up, rep after rep, day after day, with intention and heart.We close with the powerful story of Antoine Bethea, a man who was told he didn't fit the mold. Too small. Too light. Too overlooked. On National Signing Day, he had no Division I or II offers. But Antoine didn't wait for permission—he walked on at Howard University, trusted himself, and carved out a career that included a Super Bowl title and three Pro Bowl selections. His journey proves that when YOU silence the doubt and lean into YOUR burn, ceilings disappear.Don't let the world set YOUR boundaries.YOU choose who YOU become._______________________Watch Here: https://youtu.be/qGKDVWnz2F0Listen Here: https://www.theburnpodcast.com_______________________Learn about upcoming events and coaching: https://www.workwithbnc.comGet Ben's latest book The STANDARD:  https://amzn.to/3DE1clY1stWork directly with Ben: https://www.bennewmancoaching.comConnect with Ben Newman:Instagram: https://www.instagram.com/continuedfightFacebook: https://www.facebook.com/Continuedfight/Twitter: https://twitter.com/ContinuedFightLinkedIn: https://www.linkedin.com/in/ben-newman-b0b693Qlogix: www.Q-logix.com/benhttps://www.bennewmancoaching.com************************************ Learn about our Upcoming events and programs:https://www.workwithbnc.comLet's work TOGETHER https://www.bennewmancoaching.comLet's work together to write YOUR next book- BNC PublishingSend us a message Order my latest book The STANDARD: Winning at YOUR Highest Level: https://amzn.to/3DE1clY1st Phorm | The Foundation of High Performance Nutrition1stPhorm.com/bnewman Connect with me everywhere else: Instagram: https://www.instagram.com/continuedfight Facebook: https://www.facebook.com/Continuedfight/ Twitter: https://twitter.com/ContinuedFight Linkedin: https://www.linkedin.com/in/ben-newman-b0b693

Join 3 of 7 as they recap a grueling, rain-soaked Proving Grounds mission with Troop 11, announce April registration, and thank Patreon supporters and partner Bear Performance Nutrition. The main discussion walks through Acts 9–10: Saul's conversion and growth in Damascus, his escape and brief visit to Jerusalem, Peter's healing miracles (Aeneas and Tabitha), and the pivotal vision that opens the gospel to Gentiles through Cornelius. Key themes include evidence of the Spirit, cultural barriers being broken, and the components of Peter's gospel message.   Check out Bare Performance Nutrition and use code "3of7" for 10% OFF! https://www.bareperformancenutrition.com   Check out 3 of 7 Project https://www.3of7project.com Apply for our courses at: https://www.3of7project.com/train Thank you for supporting Three of Seven Podcast on Patreon at: www.patreon.com/threeofseven Three of Seven Project Store: https://3of7project.myshopify.com/pages/shop Nuff Said.

Acts 9:32-43 32 Now as Peter went here and there among them all, he came down also to the saints who lived at Lydda. 33 There he found a man named Aeneas, bedridden for eight years, who was paralyzed. 34 And Peter said to him, “Aeneas, Jesus Christ heals you; rise and make your bed.” […] The post The Kindness of God Leads to Repentance (Acts 9:32-43) first appeared on Hope of Christ Church.

The Fellowship of Christian Athletes' exciting local radio program, Heart of the Athlete, airs Saturdays at 9:30 am MST on 94.5 FM and 790 AM Boise's Solid Talk. The show is hosted by local FCA Director, Ken Lewis. This program is a great opportunity to listen to local athletes and coaches share their lives, combining sports with their faith in Jesus Christ each week!Our relationships will demonstrate steadfast commitment to Jesus Christ and His Word through Integrity, Serving, Teamwork and Excellence.NNU Box 3359 623 S University Blvd Nampa, ID 83686 United States (208) 697-1051 klewis@fca.orghttps://www.fcaidaho.org/Podcast Website: https://www.790kspd.com/podcast-heart-of-the-athlete/

Virgil's The Aeneid—Rome's national epic tracing Aeneas' legendary journey from Troy's ruins to Rome's foundations. A tale of exile, war, destiny, and the costs of empire. Translated by John Dryden, narrated by Mark Cassidy.

Acts 9:32-43

The Fellowship of Christian Athletes' exciting local radio program, Heart of the Athlete, airs Saturdays at 9:30 am MST on 94.5 FM and 790 AM Boise's Solid Talk. The show is hosted by local FCA Director, Ken Lewis. This program is a great opportunity to listen to local athletes and coaches share their lives, combining sports with their faith in Jesus Christ each week!Our relationships will demonstrate steadfast commitment to Jesus Christ and His Word through Integrity, Serving, Teamwork and Excellence.NNU Box 3359 623 S University Blvd Nampa, ID 83686 United States (208) 697-1051 klewis@fca.orghttps://www.fcaidaho.org/Podcast Website: https://www.790kspd.com/podcast-heart-of-the-athlete/

DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 1450 DIDO WELCOMES AENEAS TO CARTHAGE

SHOW 12-25-25 THE SHOW BEGINS WITH DOUBTS ABOUT THE MODERN STORY OF MARY AND HER FAMILY. 1868 NAZARETH SEPPHORIS AND THE HISTORICAL CONTEXT OF MARY'S LIFE Colleague James Tabor. Tabor identifies Sepphoris, a Roman capital near Nazareth, as Mary's birthplace. He reimagines Jesus and Joseph as "tektons" (builders) working in this urban center rather than simple carpenters. This proximity meant Mary witnessed Romanbrutality and the city's destruction, influencing her family's spiritual views on the Kingdom of God. NUMBER 1 INVESTIGATING THE NAME PANTERA Colleague James Tabor. Tabor explores the name "Pantera," found in rabbinic texts and on a Roman soldier's tombstone. He suggests this might be a family name rather than a slur, investigating the possibility that Jesus's father was a relative or soldier, which challenges the theological narrative of a virgin birth. NUMBER 2 RECLAIMING THE HISTORICAL JEWISH FAMILY Colleague James Tabor. Highlighting the Protoevangelium of James, Tabor contrasts its depiction of a perpetual virgin Mary with historical evidence of a large Jewish family. He argues Mary had numerous children and that her parents were likely wealthy property owners in Sepphoris, integrating Jesus into a close-knit extended family. NUMBER 3 JAMES THE JUST AS TRUE SUCCESSOR Colleague James Tabor. Tabor asserts James, Jesus's brother, was the movement's true successor, not Peter. Citing Acts and the Gospel of Thomas, he notes James led the Jerusalem council and stood at the cross. Tabor argues the "beloved disciple" entrusted with Mary's care was this blood brother, not Johnthe fisherman. NUMBER 4 THE HEADQUARTERS ON MOUNT ZION Colleague James Tabor. Tabor describes excavations on Mount Zion, identifying a first-century house foundation as the "upper room" and headquarters of the early movement. He visualizes Mary as the matriarch in this courtyard, welcoming pilgrims and apostles like Paul, and establishes James as the leader of this house synagogue. NUMBER 5 THE FLIGHT TO PELLA AND MARY'S DEATH Colleague James Tabor. Tabor discusses the Christian flight to Pella during the Roman revolt. He speculates Mary died before this event, likely around 49–63 CE, and was buried on Mount Zion. Consequently, she disappears from the New Testament record, which shifts focus to Peter and Paul after the Jerusalem church's dispersal. NUMBER 6 THE TALPIOT TOMB AND DNA EVIDENCE Colleague James Tabor. Discussing the Talpiot tomb, Tabor details ossuaries bearing names like "Jesus son of Joseph" and "Mariamne." He argues statistical clusters and potential DNA evidence suggest this is the Jesus family tomb, positing that physical remains support historical existence without necessarily negating the concept of spiritual resurrection. NUMBER 7 THE Q SOURCE AND MARY'S TEACHINGS Colleague James Tabor. Tabor identifies the "Q" source as a collection of ethical teachings shared by Matthew and Luke. He attributes these core values—such as charity and humility—to a family tradition taught by Mary to Jesus, James, and John the Baptizer, aiming to restore Mary'shistorical influence as a teacher. NUMBER 8 VIRGIL'S RURAL ORIGINS AND AUGUSTAN CONNECTION Colleagues Scott McGill and Susanna Wright. The guests discuss Virgil's birth in 70 BCE near Mantua and his rural upbringing, which influenced his poetry. They trace his move to Rome during civil war and his eventual connection to Augustus, noting that Virgil promised a grand epic for the emperor in his earlier work, the Georgics. NUMBER 9 TRANSLATING THE SOUND AND METER OF VIRGIL Colleagues Scott McGill and Susanna Wright. The translators explain choosing iambic pentameter over dactylic hexameter to provide an English cultural equivalent to the original's epic feel. They describe their efforts to replicate Virgil's auditory effects, such as alliteration and assonance, and preserve specific line repetitions that connect characters like Turnus and Camilla. NUMBER 10 THE AENEID'S PLOT AND HOMERIC INFLUENCES Colleagues Scott McGill and Susanna Wright. McGill and Wright summarize the plot, from Troy's destruction to the war in Italy. They analyze Virgil's dialogue with Homer, noting how the poem's opening words invoke both the Iliad's warfare and the Odyssey's wanderings. They also highlight the terrifying, visual nature of Virgil's depiction of the underworld. NUMBER 11 ROMAN EXCEPTIONALISM VS. HUMAN TRAGEDY Colleagues Scott McGill and Susanna Wright. They discuss whether the Aeneid justifies Roman empire or tells a human story. McGill argues the poem survives because it creates sympathy for antagonists like Dido and Turnus. They explore how Virgil portrays the costs of empire and Aeneas's rage, complicating the narrative of Augustan propaganda. NUMBER 12 CLODIA'S PRIVILEGE AND CICERO'S AMBITION Colleague Douglas Boin. Boin introduces Clodia, a privileged woman from an ancient Roman family on Palatine Hill. He contrasts her aristocratic, independent nature—manifested in her name spelling—with the rise of Cicero, a talented outsider. Boin frames their eventual conflict as a clash between established power and ambitious newcomers. NUMBER 13 THE POLITICS OF TRIBUNES AND REFORM Colleague Douglas Boin. Boin details the divide between the Optimates and Populares. He explains how Clodia and her brother Clodius used the office of Tribune—the "people's protector" with veto power—to enact reforms. This strategy allowed them to challenge the Senate's authority and set the stage for Clodius's political dominance. NUMBER 14 THE TRIAL OF RUFUS AND CICERO'S MISOGYNY Colleague Douglas Boin. Boin describes a trial where Clodia accused her ex-lover Rufus of poisoning. Cicero defended Rufus by launching misogynistic attacks on Clodia, calling her "cow-eyed" and alleging incest. Boin argues this famous speech unfairly solidified Clodia's negative historical reputation while obscuring the political power she wielded. NUMBER 15 THE DEATH OF CLODIUS AND THE REPUBLIC'S END Colleague Douglas Boin. Boin recounts the violent death of Clodius by rival gangs, marking a turning point toward the Republic's collapse. He views Clodia's subsequent disappearance from history as a symbol of the loss of women's influence and civic rights, framing her story as a cautionary tale about political violence. NUMBER 16

ROMAN EXCEPTIONALISM VS. HUMAN TRAGEDY Colleagues Scott McGill and Susanna Wright. They discuss whether the Aeneid justifies Roman empire or tells a human story. McGill argues the poem survives because it creates sympathy for antagonists like Dido and Turnus. They explore how Virgil portrays the costs of empire and Aeneas's rage, complicating the narrative of Augustan propaganda. NUMBER 12

PREVIEW Guests: Scott McGill and Susanna Wright. Rice University classicists McGill and Wright discuss their new translation of Virgil's Aeneid, a "Hollywood worthy" epic detailing the origins of Rome. The narrative follows Aeneas leading a band of refugees from the burning ruins of Troy westward to their destined home in Italy. Their journey is fraught with the goddess Juno's opposition, leading to a detour in Carthage and a tragic romance with Dido. The poem concludes with a fierce war in Italy, ending abruptly as Aeneas kills his rival Turnus, securing the legacy where Trojansultimately become Romans. MORE TONIGHT AUGUSTUS, OCTAVIA AND LIVIA, LISTENING TO A READING OF THE AENEID BY VIRGIL HIMSELF

Become a supporter of this podcast: https://www.spreaker.com/podcast/his-hop-radio-podcast--3366700/support. Stay Connected with His Hop Radio Download the His Hop Radio App today (available on all major platforms).

Today on Ascend: The Great Books Podcast, we are discussing Fitt 1 of Sir Gawain and the Green Knight with Dcn. Garlick, Dr. Justin Jackson of Hillsdale College, Chivalry Guild, and Banished Kent.Check out thegreatbookspodcast.com for our reading schedule.Check out our WRITTEN GUIDE to Sir Gawain and the Greek Knight (posted soon!).Episode SummaryThe panel dives into the 14th-century Middle English masterpiece Sir Gawain and the Green Knight, exploring its mysterious single-manuscript survival, alliterative brilliance, and rich layers of meaning in Fit 1. From the Troy-to-Britain prologue to the shocking arrival of the Green Knight and the beheading game, the discussion uncovers dualities, temptations, and the clash between chivalric courtesy and Christian virtue that make this Christmas tale profoundly relevant.Why Sir Gawain and the Green Knight Is Worth ReadingThis poem stands as one of the greatest works of English literature because it masterfully blends adventure, humor, moral depth, and spiritual insight. As Dr. Jackson notes, it survived by miracle in a single tiny manuscript, yet offers the “greatest chivalric romance” alongside exquisite theological literacy. It probes timeless questions—how do pride, fear, courtesy, and faith collide in a fallen world?—without easy answers, forcing readers to wrestle with their own choices. Tolkien saw it as a meditation on seductive worldly culture versus Christian ethos; the guests highlight its realistic portrayal of human imperfection amid high ideals. Beautifully crafted (alliteration, bob-and-wheel, vivid imagery), often funny, and profoundly Christian, it humanizes the heroic while elevating humility and grace—perfect for Christmas reflection on mortality, temptation, and redemption.Key Discussion PointsManuscript & Poet: A unique survival with Pearl, Cleanness, and Patience; anonymous poet of astounding skill in alliterative revival.Historical Frame: Begins with Troy's fall and Aeneas (traitor in medieval legend) leading to Brutus and Britain—history as “bliss and blunder.”Arthur's Court: Young, vital Arthur is admirable yet “somewhat childish,” craving marvels or “life for life” combat.Guinevere's Gray Eyes: Symbol of wisdom/clarity, yet ambiguous; benchmark of beauty later challenged.Green Knight's Duality: Terrifying green giant vs. courtly noble—tempting fear/violence vs. courtesy/mercy.The Game: Explicitly “stroke for stroke,” not beheading; court's violent interpretation reveals failures.Tolkien's Lens: Tension between seductive chivalric/courtly culture and higher Christian virtue.Gawain's Intervention: Praised as humble, loyal self-sacrifice to shield Arthur.Notable QuotesDr. Jackson: “The poem is giving you two readings throughout, and then it wants to see which one are you going to appropriate.”Deacon Garlick: “This text captures my imagination… knowledge is an antecedent to love.”George (via Tolkien): “Gawain… as a matter of duty and humility and self-sacrifice.”Resources & RecommendationsTolkien's translation and scholarly editionJames Winny's facing-page translationDr. Jackson's Hillsdale online course lecture (watch after finishing the poem to avoid spoilers)Next episode: Fits 2–3 with Dr. Tiffany Schubert. Join the discussion on Patreon or X!

In this message, the speaker Jordan reflects on the spiritual openness of young adults at the new MSU campus venue before delving into Acts 9:32-43. The sermon highlights the apostle Peter continuing the ministry of Jesus by performing two miracles: the healing of Aeneas and the resurrection of Tabitha (Dorcas). Jordan emphasizes that these physical healings and resurrections served to demonstrate Jesus's power to forgive sins and grant new life, ultimately causing many people in Liddah and Joppa to believe.Subscribe to AfterWords on Apple Podcasts, Spotify, or wherever you listen to podcasts.Download a copy of the Exodus JournalVisit us online: rivchurch.comFollow us on InstagramSend us feedback: podcast@rivchurch.comSubscribe to AfterWords on Apple Podcasts, Spotify, or wherever you listen to podcasts.Visit us online: rivchurch.comFollow us on InstagramSend us feedback: podcast@rivchurch.com

In this message, Pastor Tony uses the movie Elf to frame a discussion about divine power versus secular "magic." Examining Acts 9:32-43, the sermon details two key miracles performed by Peter: the instantaneous healing of Aeneas, who had been paralyzed for eight years, and the surprising resurrection of the beloved disciple Tabitha. These acts of power lead to widespread belief in the cities of Liddah and Joppa, demonstrating that encountering Jesus's power fundamentally changes lives and communities.Subscribe to AfterWords on Apple Podcasts, Spotify, or wherever you listen to podcasts.Download a copy of the Exodus JournalVisit us online: rivchurch.comFollow us on InstagramSend us feedback: podcast@rivchurch.comSubscribe to AfterWords on Apple Podcasts, Spotify, or wherever you listen to podcasts.Visit us online: rivchurch.comFollow us on InstagramSend us feedback: podcast@rivchurch.com

n this message, Hezekiah uses the analogy of a child's milestones to frame his discussion of seemingly small, significant moments in life and faith. Analyzing Acts 9:32-43, Mickey focuses on the Apostle Peter's miracles—the instantaneous healing of the paralyzed Aeneas and the resurrection of Tabitha (Dorcas). He emphasizes that Peter's actions were rooted in Jesus's power, and that the ultimate purpose of the miracles was not the temporary fix but causing people to believe and turn to the Lord.Subscribe to AfterWords on Apple Podcasts, Spotify, or wherever you listen to podcasts.Download a copy of the Exodus JournalVisit us online: rivchurch.comFollow us on InstagramSend us feedback: podcast@rivchurch.comSubscribe to AfterWords on Apple Podcasts, Spotify, or wherever you listen to podcasts.Visit us online: rivchurch.comFollow us on InstagramSend us feedback: podcast@rivchurch.com

Acts 9:32-43 demonstrates that the gospel works through us when we prioritize being present with people in their suffering, as Peter traveled strengthening believers before any miracles occurred. The transformation of Lydda and Sharon after Aeneas's healing, and Joppa after Dorcas's resurrection, shows that God uses individual encounters to spark community-wide movements. Peter staying with Simon the tanner—considered unclean by Jews—reveals another evidence: the gospel breaks down barriers we've built between ourselves and those God wants to reach.

Join Samuel Goldsmith on The Good Food Podcast as he welcomes celebrated cookery writer Skye McAlpine for a festive, food-filled conversation perfect for anyone looking for Christmas cooking inspiration and holiday hosting tips. Skye shares the stories behind her new book, The Christmas Companion, and reveals how she brings warmth, style, and a little magic to the holiday season. Discover Skye's unique blend of Venetian and English Christmas traditions, her go-to holiday recipes, memorable kitchen “disasters,” and her smart approach to stress-free festive entertaining. From the secrets to a standout Christmas cake to the art of embracing easy festive shortcuts, Skye offers practical advice to elevate your celebrations without the overwhelm. Whether you're planning a cosy family Christmas, hosting a festive gathering, or simply searching for new holiday food ideas, this episode is packed with inspiration, laughter, and plenty of seasonal cheer. Skye McAlpine is a cookery writer who believes that food tastes best when shared with others. She is the author of three other books, A Table in Venice, A Table for Friends and A Table Full of Love, writes a monthly column for The Sunday Times and has contributed to publications from around the world, including vogue.com, Vanity Fair, Corriere della Sera and Conde Naste Traveller. In 2021 she launched her own created range of homeware, Skye McAlpine TAVOLA. Skye divides her time between London and Venice with her husband, Anthony, and her two sons, Aeneas and Achille. Subscribers to the Good Food app via the App Store get the show ad-free, plus regular bonus content. Download the Good Food app to get started. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jeremy Armstrong, Professor of Classics & Ancient History at the University of Auckland and author of Children of Mars: The Origins of Rome's Empire,  joins the show to discuss the early history of Rome, the role of family and clan in the structure of its military, the transition from monarchy to republic, and the nature of warfare during this formative period.  ▪️ Times 02:28 The Problems of Early History 06:05 Warfare in Early Rome: A Complex Picture 11:52 The Importance of Myths in Roman Identity 15:01 Aeneas and Romulus: Founding Figures of Rome 18:00 The Significance of Aeneas in Roman Culture 20:48 The Function of Rome 33:09 The Role of Land and Mobility in Early Rome 36:07 Understanding the Monarchy and Military Structure 42:32 Transition from Monarchy to Republic 53:26 The Impact of the Sack of Rome 1:01:27 Shifting Towards Imperial Ambitions Follow along on Instagram, X @schoolofwarpod, and YouTube @SchoolofWarPodcast Find more content on our School of War Substack

What if healing is far bigger than the miracle headline? We follow Peter into the quiet rooms of Acts 9 where there are no stages, no microphones, and no grand speeches—only grief, prayer, and the kind of mercy that stitches a neighborhood back together. Aeneas walks. Tabitha rises. But the deeper story is how dignity is restored, belonging is renewed, and a community finds hope again.We share why divine healing feels complicated for so many of us, especially when prayers seem to go unanswered. Then we widen the frame Luke gives us: healing is not only about bodies made whole, it's about people carried back into community. Through Tabitha's everyday service—needle, thread, and faithful presence—we see how quiet acts can heal a city long before a miracle ever makes news. Peter's first move is to kneel and pray, reminding us that prayer isn't leverage to make God act; it's attention that helps us join what God is already doing.You'll hear how the Holy Spirit guides without fanfare, forming Peter to cross new boundaries—from staying with Simon the tanner to opening doors for Gentiles. We trace a simple rhythm that keeps surfacing in Acts: prayer births mercy, mercy reveals the Spirit, and mercy in motion becomes mission. People turn to God not through arguments, but because they witness restoration they deeply desire.If you're longing for practical steps, we offer three: be interruptible, be present, and be faithful. Leave margin for the nudge. Enter the room before you offer a fix. Serve with small acts that carry heaven's weight. Press play to rethink healing, see mercy as mission, and imagine how your ordinary life can make space for extraordinary grace. If this resonates, subscribe, share with a friend, and leave a review so others can find the conversation.Support the showIf you enjoyed this episode, consider subscribing to Madison Church on your favorite podcast platform. Your feedback means the world to us, so please take a moment to leave a review and share the podcast with your friends and family.For inquiries, suggestions, or collaboration opportunities, please reach out to us at help@madisonchurch.com. For the latest updates and behind-the-scenes content, follow us on social media: Facebook Instagram YouTube New episodes are released every Monday, so mark your calendars and join us weekly! If you'd like to support the show, you can make a donation here. Your generosity helps us continue to bring you meaningful content. This podcast is intended for general informational purposes only. The views expressed by the hosts or guests are their own and do not necessarily reflect the opinions of Madison Church. Any reliance you place on such information is strictly at your own risk. For detailed information regarding our terms of use and privacy policy, please visit our website.Thank you for being part of the Madison Church community! We appreciate your support.

Our pilgrim has been set free--crowned and mitered, in fact--and can wander at will through the dense, thick wood that tops Mount Purgatory.The opening lines of Canto XXVIII are fully from the pilgrim's point of view. They offer us a wealth of naturalistic detail that looks simple on first blush but that will get layered with sedimentary meaning over the next five and a half cantos.This place is unprecedented in all of COMEDY. Let's see it for what it is, without delving into the exact answers to the questions of where we are. Join me, Mark Scarbrough, for the opening lines of the third "chapter" of PURGATORIO.Here are the segments for this episode of WALKING WITH DANTE:[01:17] My English translation of the passage: PURGATORIO, Canto XXVIII, lines 1 - 21. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:11] First detail: eagerness as the prime motivation.[06:08] Second detail: first hints about the prominent poetics in the passage.[08:42] Third detail: naturalistic imagery that isn't.[11:04] Fourth detail: the beginnings of polyphony (and dissonance).[13:09] Fifth detail: the pine forest at Classe.[14:47] First nuanced point: wandering away and perhaps a resonance with Geryon.[17:50] Second nuanced point: a Saharan wind in this verdant place (and perhaps an echo of Juno's storm that drives Aeneas into Dido's arms).[20:31] First major interpretive node: constancy as the changed strategy for the poem.[23:08] Second major interpretive node: the four verdant or forested landscapes of COMEDY before this one.[31:57] Rereading the passage: PURGATORIO, Canto XXVIII, lines 1 - 21.

In this Bible Story, we see the work of God through Peter. One man is restored from being crippled for eight years. Another is dead and raised to life. In this, we see the will of God moving people out of their beds into a life of purpose. This story is inspired by Acts 9:32-43. Go to https://www.BibleinaYear.com and learn the Bible in a Year.Today's Bible verse is Acts 9:34 from the King James Version.Episode 224: Peter, walking the streets of Lydda preaching the Gospel to all who would listen, came to a man named Aeneas. Aeneas had been bedridden for eight years but God had sent Peter there to heal him. And at a word, Aeneas was healed and God used this healing to bring many people to Him. Meanwhile, in Joppa, a disciple named Tabitha became ill and died. Her friends sent for Peter at once and when he arrived he took Tabitha by the hand and told her to arise. God restored life to Tabitha’s body and many people celebrated God’s goodness with her.Hear the Bible come to life as Pastor Jack Graham leads you through the official BibleinaYear.com podcast. This Biblical Audio Experience will help you master wisdom from the world’s greatest book. In each episode, you will learn to apply Biblical principles to everyday life. Now understanding the Bible is easier than ever before; enjoy a cinematic audio experience full of inspirational storytelling, orchestral music, and profound commentary from world-renowned Pastor Jack Graham.Also, you can download the Pray.com app for more Christian content, including, Daily Prayers, Inspirational Testimonies, and Bedtime Bible Stories.Visit JackGraham.org for more resources on how to tap into God's power for successful Christian living.Pray.com is the digital destination of faith. With over 5,000 daily prayers, meditations, bedtime stories, and cinematic stories inspired by the Bible, the Pray.com app has everything you need to keep your focus on the Lord. Make Prayer a priority and download the #1 App for Prayer and Sleep today in the Apple app store or Google Play store.Executive Producers: Steve Gatena & Max BardProducer: Ben GammonHosted by: Pastor Jack GrahamMusic by: Andrew Morgan SmithBible Story narration by: Todd HaberkornSee omnystudio.com/listener for privacy information.

Dido, Queen of Carthage is the earliest of Christopher Marlowe's known plays, possibly written while he was still a student at Corpus Christi College in Cambridge whose college library held a copy of Virgil's Aeneid, the principal source of the story. The play was co-authored by a fellow Cambridge undergraduate Thomas Nashe, although Nashe's contribution is now thought to have been a minor one. It was acted by the "Children of Her Maiestie's Chappell " around 1587.The play tells of the tragic love affair between Dido, Queen of Carthage, and Aeneas, a survivor from the destruction of Troy who is voyaging to Italy to build a new city. When Aeneas and his men are driven ashore near Carthage he and Dido fall in love and plan to marry. But Hermes, the messenger of the Gods, reminds Aeneas of his divinely decreed mission to found Rome.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dido, Queen of Carthage is the earliest of Christopher Marlowe's known plays, possibly written while he was still a student at Corpus Christi College in Cambridge whose college library held a copy of Virgil's Aeneid, the principal source of the story. The play was co-authored by a fellow Cambridge undergraduate Thomas Nashe, although Nashe's contribution is now thought to have been a minor one. It was acted by the "Children of Her Maiestie's Chappell " around 1587.The play tells of the tragic love affair between Dido, Queen of Carthage, and Aeneas, a survivor from the destruction of Troy who is voyaging to Italy to build a new city. When Aeneas and his men are driven ashore near Carthage he and Dido fall in love and plan to marry. But Hermes, the messenger of the Gods, reminds Aeneas of his divinely decreed mission to found Rome.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Aeneas had been paralyzed for eight years, and his very name means praise. Peter understood that if praise could rise again from the bed, then the power of God would begin to move—and things would change for His glory!

It's time to talk about the shocking, the dramatic, the THRILLING and also, the kind of confusing end of Virgil's Aeneid. What a journey it's been! The story is never truly over, but as we leave Aeneas behind we have to ask--did Virgil mean for it to end this way? With Turnus' blood spilled ruthlessly on the ground and after that, the dark? Some say no--this is an incomplete ending that would have horrified the Emperor Augustus. I say yes--and Augustus would have been delighted. What do you say? Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Read my latest essay on AI cand ancient Jewish wisdom: https://www.civitasinstitute.org/research/ai-and-the-divine-test Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

PREVIEW: Augustine the African: St. Augustine's Profound Identification with Dido Guest: Professor Catherine Conybeare Catherine Conybeare, a classicist and author of Augustine the African, emphasizes St. Augustine as a man who lived his entire life in what was then the Roman province of Africa, now Algeria—the breadbasket of Rome—except for three or four years spent in Rome and Milan. The Aeneid, the story of Aeneas founding Rome, was absolutely fundamental to Augustine's education and was intended to acculturate him to admire Rome and the Roman legacy. However, Augustine, instead of admiring Aeneas, fell in love with Dido. He refers to the great wanderer and founder Aeneas dismissively as "just some Inas or other," yet he emphasizes that he weeps again and again over Dido's death. Dido was the mythical founder of Carthage, which Augustine knew as the greatest and most glamorous city while growing up. Conybeare suggests that this passionate identification with Dido is importantly part of how Augustine self-identified as an African in a Roman world. 1915 AENEID

The planets are aligning, the moment is almost here, the fates are sealed...or are they?? Today, in our penultimate episode, right as Aeneas looks poised to take up the mantle of his destiny and live out the greatness that Augustus will one day inherit, everything seems to fall apart. The Gods throw up their hands, and the Rutulians go ferociously to war against the Trojans. Can it be that Virgil actually doesn't want us to know what happens next? Can it be the future of Rome is not as guaranteed as it seemed to be? Find out on this episode--plus, advice for writers to hone their skills. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Read my latest essay on why AI can't do your writing for you: https://rejoiceevermore.substack.com/p/writing-is-thinking Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

Today on Young Heretics: a violent and unjust seizure of indigenous land!!! At least, according to Juno and the Furies, goddesses of retribution and blood guilt. Actually, the situation in Rome and in the Aeneid is a lot more complicated than that, which is one reason why the conclusion of the poem is a refreshingly sophisticated antidote to our often-oversimplified conversations about history, territory, colonialism, and the sins of the past. Plus: a mailbag question about Charlie Kirk and Julius Caesar. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

The Deep with Erika Ahern is sponsored by Taylor Frigon Capital Management, serving clients at every stage of wealth: from first-time investors to high-net-worth families and organizations seeking full-service wealth guidance. Taylor Frigon provides institutional asset management solutions tailored to the needs of individuals, families and small businesses: https://cvote.it/taylorfrigonIt's not just you. The news as of late feels like it couldn't get any heavier. One horrific event after another has left us all feeling shocked, fearful, and disheartened. In this episode of The Deep, Erika turns to the ancient story of Aeneas to help us find direction as to how we should respond when everything seems to be burning down around us. Timestamps:0:00 - Intro: Everything feels like it's burning down!2:15 - Ad (Taylor Frigon Capital Management)3:36 - Why do we feel like we're watching Troy burn?5:00 - Gen Z isn't so optimistic about our nation's future5:44 - The problem with a passive response9:06 - Aeneas and 3 things necessary to rebuild10:41 - St. Augustine, virtuous men, and society12:14 - These simple truths are what change the world13:29 - Tactics: what to do in the face of everything burning down15:48 - Conclusion: There is hope to be had!Sources from this video:https://circle.tufts.edu/sites/default/files/2025-04/genz_democracy_report_2025.pdfhttps://firstthings.com/augustines-apocalypseand-our-own/#:~:text=Who%20would%20believe%20that%20Rome,time%20with%20a%20certain%20serenitySubscribe to the LOOPcast on YouTube: https://www.youtube.com/@theLOOPcast

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1500 VIRGIL READING AENEID TO OCTAVIAN AND OCTAVIA 

  Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1500

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1915 AENEID

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1793 VIRGIL READING TO OCTAVIAN, OCTAVIA, LIVIA

CBS EYE ON THE WORLD WITH JOHN BATCHELOR THE SHOW BEGINS IN TAIWAN FRETTING IT IS ABOUT TO BE ABANDONED...... 9-24-25 FIRST HOUR 9-915 Steve Yates of Heritage Foundation discussed concerns that Trump might pause Taiwan weapons sales for a Chinatrade deal. He warned against tactical concessions, noting Xi Jinping's historically broken promises regarding militarization. 915-930 Rebecca Grant of Lexington Institute explained China uses gray zone harassment strategy. The US counters by establishing agile defense "nodes" and adapting Army and Marine Corps doctrine to operate from small terrain features. 930-945 Charles Burton criticized Canadian Prime Minister Mark Carney's focus on economic engagement with China. He called Chinese EVs "spy machines on wheels" and noted high youth unemployment drives young people to remote rural areas. 945-1000 Charles Burton criticized Canadian Prime Minister Mark Carney's focus on economic engagement with China. He called Chinese EVs "spy machines on wheels" and noted high youth unemployment drives young people to remote rural areas. SECOND HOUR 10-1015 Andrew McCarthy and Thaddeus McCotter debate Trump's Venezuelan boat strikes. McCarthy questions whether drug boats equal naval attacks, noting drug trafficking is historically a felony, not war. McCotter highlights Congress's desire to avoid difficult votes. 1015-1030 Andrew McCarthy and Thaddeus McCotter debate Trump's Venezuelan boat strikes. McCarthy questions whether drug boats equal naval attacks, noting drug trafficking is historically a felony, not war. McCotter highlights Congress's desire to avoid difficult votes. 1030-1045 Kevin Frazier testified that Congress needs a national vision to manage data center infrastructure and mitigate local impacts. He stressed vulnerable undersea cables are neglected and urged academics to prioritize teaching and public-oriented research. 1045-1100 Kevin Frazier testified that Congress needs a national vision to manage data center infrastructure and mitigate local impacts. He stressed vulnerable undersea cables are neglected and urged academics to prioritize teaching and public-oriented research. THIRD HOUR 1100-1115 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1115-1130 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1130-1145 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1145-1200 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. FOURTH HOUR 12-1215 Simon Constable noted strong year-over-year price increases for aluminum, copper, iron, and steel. He highlighted that 99% of US West Coast seafood samples contained microplastics, calling the situation frightening. 1215-1230 Simon Constable noted strong year-over-year price increases for aluminum, copper, iron, and steel. He highlighted that 99% of US West Coast seafood samples contained microplastics, calling the situation frightening. 1230-1245 Bob Zimmerman reports the FAA approved SpaceX's Starship recovery at Boca Chica. Zimmerman criticized the proposed US Spaceport Act as a $10 million political slush fund that increases red tape. 1245-100 AM Bob Zimmerman reports the FAA approved SpaceX's Starship recovery at Boca Chica. Zimmerman criticized the proposed US Spaceport Act as a $10 million political slush fund that increases red tape.

Preview: Scott McGill and Susannah Wright detail Aeneas's journey from destroyed Troy to Italy in Virgil's Aeneid, a story of refugees, opposition by Juno, and the origins of Rome. 1614 FALL OF TROY

...And also, pizza. Kind of. This might be one of the coolest parts of Virgil ever, and even though I've been reading the Aeneid since high school, I feel like I only just figured it out. One of the most famous lines of the poem—forsan et haec olim meminisse iuvabit, “one day it will be pleasing to remember even these things—finds its answer in Book 7, when Aeneas arrives on shore and has to face the possibility of war with the, erm...indigenous Latinx peoples. So much to discuss, here, and a great mailbag question about how to deal with situations you can't change. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com Read my essay on why we should read in thea ge of AI: https://www.thefp.com/p/what-happens-if-no-one-reads-culture-education  

In this Bible Story, we witness the righteous anger of Jesus. During the Passover, corrupt money-changers and religious leaders exploit people’s desire to worship. So Jesus fashions a whip and drives them out. This story is inspired by John 2:13-23, John 3: 1-21, Numbers 21:4-9. Go to BibleinaYear.com and learn the Bible in a Year.Today's Bible verse is John 2:15 from the King James Version.Episode 178: As Jesus entered the temple gates during Passover, His eyes were open to the corruption of that sacred place. Where there should have been awe and a sense of holiness, a marketplace existed. Instead of forgiveness, the religious leaders were requiring fees. Jesus could not stand this happening in God’s temple, so He drove out the buyers, sellers, and the money changers! The temple priests challenged Him on this but Jesus did not falter. Later that evening though, one of the Pharisees came to Him to know more about who He was and what He came to do.Hear the Bible come to life as Pastor Jack Graham leads you through the official BibleinaYear.com podcast. This Biblical Audio Experience will help you master wisdom from the world’s greatest book. In each episode, you will learn to apply Biblical principles to everyday life. Now understanding the Bible is easier than ever before; enjoy a cinematic audio experience full of inspirational storytelling, orchestral music, and profound commentary from world-renowned Pastor Jack Graham.Also, you can download the Pray.com app for more Christian content, including, Daily Prayers, Inspirational Testimonies, and Bedtime Bible Stories.Visit JackGraham.org for more resources on how to tap into God's power for successful Christian living.Pray.com is the digital destination of faith. With over 5,000 daily prayers, meditations, bedtime stories, and cinematic stories inspired by the Bible, the Pray.com app has everything you need to keep your focus on the Lord. Make Prayer a priority and download the #1 App for Prayer and Sleep today in the Apple app store or Google Play store.Executive Producers: Steve Gatena & Max BardProducer: Ben GammonHosted by: Pastor Jack GrahamMusic by: Andrew Morgan SmithBible Story narration by: Todd HaberkornSee omnystudio.com/listener for privacy information.

And now for something completely different. The Odyssey portion of our tour is over, and the Iliad portion will now begin. But wait! Wasn't the Iliad a poem about war? And isn't Aeneas supposed to do battle for Latium? So why is it all sunshine, butterflies, and love goddesses? Today we launch into Part II of the poem with a passage that has bamboozled scholars for centuries, and of course I will deliver the definitive interpretation so that everyone can stop arguing. Plus: a plot summary of what's to come, and advice on reading classic literature if you're having trouble understanding it. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com Listen to my sister's podcast, Storytime for Grownups: https://faithkmoore.com/storytime-for-grownups/ EPIC, the Musical: https://faithkmoore.com/storytime-for-grownups/ Stephen Fry, Odyssey: https://a.co/d/1rIbSBu Gareth Hinds, The Odyssey: A Graphic Novel: https://a.co/d/2kClqmN