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Listen to rhythmic music, whether for percussion, string quartet or vocal duet for this New Sounds. Hear works from percussionist Ian David Rosenbaum, Kelly Moran, and the Jasper String Quartet, and a vocal duet from Meredith Monk and Robert Een. From the recent record, Unbound, by the Jasper String Quartet, hear a non-stop motoring work by Judd Greenstein, “Four on the Floor.” Usually the term applies to thumping dance-club bangers, but in this work, pairs of instruments work “with and against each other, until they settle their differences and combine into a shared groove,” according to the composer. Hear music with rhythmic intensity, for prepared piano, with and without electronics from Kelly Moran, and her record, Bloodroot, which is where minimalism and black metal collide. Then, listen to music from Hauschka, who layers player piano with prepared piano. Also, listen to Inuit-style breathing games from Meredith Monk and cellist/vocalist Robert Een, from her long-form work, "Facing North," inspired by the Canadian wilderness.  Then, listen to increasingly tricky and complex rhythms in a work by David Crowell for percussionist Ian David Rosenbaum. Plus, hear a work –"Redwood"- involving saxophone and interlocking guitar parts from Empyrean Atlas, the band of composer/multi-instrumentalist David Crowell. And more.  PROGRAM #3960, We've Got Rhythms (First Aired: 3/15/2017)   ARTIST: Ian David RosenbaumWORK: David Crowell: Celestial Sphere, excerpt [1:00]RECORDING: Memory PalaceSOURCE: Vision Into ArtINFO: naxosdirect.com ARTIST: Jasper String QuartetWORK: Judd Greenstein: Four on the Floor [10:45]RECORDING: UnboundSOURCE: Sono Luminus/New AmsterdamINFO: jasperstringquartet.bandcamp.com ARTIST: Kelly MoranWORK: Celandine [3:06]RECORDING: BloodrootSOURCE: Telegraph Harp TH 011INFO: kellymoran.bandcamp.com ARTIST: HauschkaWORK: Constant Growth Fails [4:08]RECORDING: What IfSOURCE: Temporary Residence RecordsINFO: hauschka.bandcamp.com ARTIST: Christian Frederickson, Jason Noble, Ryan RumeryWORK: To Be One Of Them [1:00]RECORDING: The Painted Bird: AmidstSOURCE/INFO: christianfrederickson.bandcamp.com ARTIST: Ian David RosenbaumWORK: David Crowell: Celestial Sphere [9:50]RECORDING: Memory PalaceSOURCE: Vision Into ArtINFO: naxosdirect.com ARTIST: Empyrean AtlasWORK: Redwood  [5:11]RECORDING: Empyrean AtlasSOURCE/INFO: empyreanatlas.bandcamp.com ARTIST: Christian Frederickson, Jason Noble, Ryan RumeryWORK: To Be One Of Them [1:00]RECORDING: The Painted Bird: AmidstSOURCE/INFO: christianfrederickson.bandcamp.com ARTIST: Bang on a Can All-StarsWORK: Michael Gordon: Gene Takes a Drink [5:57]RECORDING: Field RecordingsSOURCE: Cantaloupe MusicINFO: bangonacan.org ARTIST: Meredith Monk & Robert EenWORK: Keeping Warm & Arctic Bar [8:45]RECORDING: Facing NorthSOURCE: ECM #1482 INFO: ecmrecords.com

Hear prog-marching band music from Chicago's Mucca Pazza, ambient-gothic Norwegian-Icelandic music from the duo Jo Berger Myhre & Ólafur Björn Ólafsson, jazz-tronic ambient minimalism from London's Portico Quartet, and new work from Danish experimental supergroup Girls in Airports. Also, hear new music by Molly Joyce for cellist Nick Photinos, new work from Kaki King & the Porta Girevole Chamber Orchestra, and more. Hear ambient-gothic music from Norwegian bassist Jo Berger Myhre and Icelandic drummer Ólafur Björn Ólafsson  in their composed work, “1000%,” which was recorded in an abandoned Reykjavik warehouse.  Also, listen to driving indie jazz from the Danish experimental ensemble, Girls in Airport, recorded live in Germany. Plus, hear a sample from Brooklyn's own Afrobeat big band, Antibalas.  There’s a new release from Chicago’s “interdisciplinary instrumental music and performance ensemble” – or circus-spectacle alt marching band, Mucca Pazza. It’s a bit proggy (Yes, Weather Report, Rush) and perhaps hard to march to, but “[t]he band spent eight years practicing counting to seven before they were ready to record this piece.” There’s also a new work by Terry Riley for Del Sol String Quartet, “Dark Queen Mantra,” featuring guitarist Gyan Riley. Plus listen to music by Kaki King - arranged for guitar and orchestra from her forthcoming Live At Berklee release. Listen to music from Eighth Blackbird founding cellist Nick Photinos; it’s a work by Molly Joyce, originally for for baroque cello and pre-recorded electronics, called “Sit and Dance.” Also, there’s music from London-based composer & producer Leah Kardos, which was made using analogue instruments and technologies, from her record, Rococochet. August & September 2017 New Releases (Special Podcast)(Similar to Show #4018, airdate: 8/31/2017)    ARTIST: Jo Berger Myhre & Ólafur Björn ÓlafssonWORK: 1000%, excerpt [1:00]RECORDING: The Third ScriptSOURCE: Hubro MusicINFO: hubromusic.com ARTIST: Mucca PazzaWORK: Andy Deitrich: Barbarous Relic [3:30] RECORDING: Barbarous RelicSOURCE/INFO: store.muccapazza.com ARTIST: Leah KardosWORK: Malio Malio [2:35]RECORDING: RococochetSOURCE: Bigo & TwigettiINFO: bigoandtwigetti.bandcamp.com ARTIST: Portico QuartetWORK: Current History [6:07] RECORDING: Art In The Age Of AutomationSOURCE: Gondwana RecordsINFO: porticoquartet.bandcamp.com ARTIST: AntibalasWORK: Gold Rush, excerpt [1:30]RECORDING: Live on Soundcheck, 9/15/17 SOURCE: This tune appears on Where the Gods are in PeaceINFO: antibalas.bandcamp.com ARTIST: Jo Berger Myhre & Ólafur Björn ÓlafssonWORK: 1000%  [6:42]RECORDING: The Third ScriptSOURCE: Hubro MusicINFO: hubromusic.com ARTIST: Girls in AirportsWORK: King's Birthday [3:28]RECORDING: LiveSOURCE: Edition Records EDN1097INFO: girlsinairports.bandcamp.com ARTIST: Nick PhotinosWORK: Molly Joyce: Sit and Dance [6:34] RECORDING: Petits ArtefactsSOURCE: New Amsterdam RecordsINFO: newamsterdamrecords.bandcamp.com ARTIST: Del Sol String Quartet, Gyan RileyWORK: Terry Riley: III. Dark Queen Mantra [11:49] RECORDING: Dark Queen MantraSOURCE: Sono Luminus 92215INFO: delsolquartet.com ARTIST: Kaki King, Porta Girevole Chamber Orchestra, Gabriela Sofia Gomez Estevez, student conductorWORK:  Magazine [5:30]RECORDING: Live At BerkleeSOURCE: BIRN Cooperative RecordingsINFO: smarturl.it/KakiKingLive

Hear music that begins with classical instruments, like the string quartet, piano, or an orchestra, but which is then augmented, enhanced by electronics, percussion, or preparation. Listen to works by English violinist, pianist, and composer Poppy Ackroyd, Netherlands-based composer Peter Adriaansz, and cinematic music from the augmented string quartet amiina. The versatile Dutch pianist Saskia Lankhoorn plays a specially-prepared piano over a bed of droning sine tones in a work by Seattle-born, Netherlands-based Peter Adriaansz, “Attachments III.” Then, hear music by the Icelandic outfit, amiina, which was once the touring string quartet with Sigur Ros, and has now expanded to include percussion & electronics. From amiina, hear selections from their standalone original live score to the 1913 film Fantômas, that lord of terror, creator of fear, and genius of evil who initially came to live in the crime fictions of French writers. Then, listen to "Rave," music for piano and pre-recorded electronics by Molly Joyce for longtime friend and collaborator, pianist Vicky Chow from her record, Aorta. Also, hear music for percussion and electronics by John Luther Adams, featuring Glenn Kotche, from the long-form work, Ilimaq. Plus, listen to grand music for amplified orchestra by English composer Andrew Poppy from a record released on ZTT Records in the mid-eighties. PROGRAM #3927,  classical instruments, contemporary sounds  (First Aired 12-8-2016)         ARTIST: Andrew PoppyWORK: 32 Frames for Amplified Orchestra, excerpt [1:00]RECORDING: The Artefact SeriesSOURCE: ZTT Records 186INFO: ztt.com   ARTIST: Saskia Lankhoorn, pianoWORK: Peter Adriaansz: Attachments III [7:52]RECORDING: EnclosuresSOURCE: Ergodos ER 25INFO: ergodos.ie ARTIST: Poppy AckroydWORK: Birdwoman [5:36]RECORDING: FeathersSOURCE: Denovali RecordsINFO: denovali.com ARTIST: George Hurd EnsembleWORK: Tethering Bird, excerpt [:38]RECORDING: Navigation Without NumbersSOURCE: Innova 937INFO: innova.mu ARTIST: AmiinaWORK: Guðmundur Vignir Karlsson: Crocodile [5:39]RECORDING: FantômasSOURCE/INFO: amiina.com ARTIST: Andrew PoppyWORK: 32 Frames for Amplified Orchestra [8:39]RECORDING: The Artefact SeriesSOURCE: ZTT Records 186INFO: ztt.com   ARTIST: AmiinaWORK: Solrun Sumarlidadottir: Café [3:25]RECORDING: FantômasSOURCE/INFO: amiina.com ARTIST: RestroyWORK: Skin, excerpt [:46]RECORDING: Saturn ReturnSOURCE: Milk Factory Productions INFO: milkfactoryproductions.bandcamp.com ARTIST: Vicky ChowWORK: Molly Joyce: Rave [11:17]RECORDING: Aorta SOURCE: NWAM083INFO: newamrecords.com ARTIST:  John Luther Adams & Glenn KotcheWORK: John Luther Adams: Ilimaq , Ascension [3:06]RECORDING: IlimaqSOURCE: Cantaloupe Music 21112INFO: johnlutheradams.bandcamp.com

South African guitarist Guy Buttery visits the studio to perform music from his latest self-titled record. Hear virtuosic feats of bending, tapping, picking, harmonics, and other techniques and textures yet to be named for guitar. Dig into his latest record on which he has collaborated with South African musicians Vusi Mahlasela, kora-to-guitar wizard Derek Gripper, and blues guitarist Dan Patlansky, along with a piece for sarangi and mbira – “From Srinagar.”  More pictures from the session here: Facebook.com/newsounds  Guy Buttery plays a custom-made Casimi guitar, a “piano that fits in a guitar case,” made of very dense & heavy African blackwood, and sporting double carbon-fiber truss rods to handle the bending of the neck.  Plus, music from the late Malian guitarist and griot Tiécoro Sissoko, who played for many years as a sideman with Toumani Diabate in Bamako.  Listen to the title track from his only recording, “Keme Borama.”  PROGRAM #3893, With Guy Buttery (First Aired 8-30-2016)       ARTIST: Guy Buttery with Piers FacciniWORK: The Upper Reaches [5:09]RECORDING:  Guy ButterySOURCE/INFO: guybuttery.bandcamp.com ARTIST: Guy ButteryWORK: A Piece for Rudolf Fritsch [5:20]RECORDING: Live, WNYC 8/25/16SOURCE: This performance not commercially available. INFO: A version with William Ackerman is available at guybuttery.bandcamp.com ARTIST: Guy ButteryWORK: From Srinagar [3:32],  To Goulimine [feat. Dan Patlansky] [03:05]RECORDING:  Guy Buttery SOURCE/INFO: guybuttery.bandcamp.com ARTIST: Guy ButteryWORK: Verbosity [4:00]RECORDING: Live, WNYC 8/25/16SOURCE: This performance not commercially available. INFO: The studio version is available at guybuttery.bandcamp.com ARTIST: Guy ButteryWORK: Two Chords & The Truth [feat. Derek Gripper] [3:40]RECORDING:  Guy Buttery SOURCE/INFO: guybuttery.bandcamp.com ARTIST: Guy ButteryWORK: Werner Meets Egberto in Manaus [5:17]RECORDING: Live, WNYC 8/25/16SOURCE: This performance not commercially available. INFO: A version featuring Vusi Mahlasela is available at guybuttery.bandcamp.com ARTIST: Tiécoro SissokoWORK: Keme Borama [4:38]RECORDING: Keme BoramaSOURCE: KSK Records CD 013INFO: kskrecords.bandcamp.com  

                                                               photo of Playa Cuatro on 1/24/15 crowd by Josh TimmermansWidespread Panic just finished four nights in the Dominican Republic at Panic en la Playa Cuatro - and to my ears it sounded like the boys were having a really fine time of it.... plus there were some sweet guest performances as well (more of that in part two).So I figured I would pare down the 12 hours of music to a two part PaniCast of highlights.Part one includes highlights from night number one, two and three... ENJOY!!January 24, 2015For What It's Worth >Sell Sell >Stop Go >Blue Indian(Fire on the Mountain jam during Stop Go)Waiting on the Bus >Jesus Just Left Chicago >Love TractorJanuary 25, 2015Coconut >Walk OnRebirtha(Not Fade Away and Jessica jams and China Cat Sunflower tease during Rebirtha)January 26, 2015Barstools and Dreamers >DrumsSOURCE INFO(all four nights of Cuatro)Bennett Schwartz1/24/15Schoeps ccm41>DinA>KC5>CMC6>analog>788T (HPF 0) 24/48FOB/DFC 40' back , stand and @ 9'1/25/15 and 1/26/15Schoeps ccm41>DinA>KC5>CMC6>analog>788T (HPF 0) 24/48FOB/DFC 40' back , stand and @ 8'DOWNLOAD the cast here(right click to save to hard drive):Everyday Companion Podcast 72Click here to subscribe through iTunes.

Jimmy Herring circa 1994In the spring of 1994 the Grateful Dead were still touring, I got married and began my graduate studies at DePaul University. Working full-time in the printing and publications department of my alma mater and going to school full time left me with little time for live music or much of a social life.But in the summer of 1994, all I had to do was work full time... and take some of my precious earned vacation time to see some music.After 25 years of actively seeking out live musical experiences, the summer of 1994 stands out as a highlight. In particular, the ten day period of July 14 - 24, 1994 stands out as one of the most ambitious musical experiences of my life.Thursday 7/14/94 - work 9 - 5, Widespread Panic, The Vic (Aquarium Rescue Unit opened)Friday 7/15/94 - work 9 - 5Saturday 7/16/94 drive 5.5 hours to Ames, IA -  Widespread Panic, People's Bar and GrillSunday 7/17/94 - drive back to ChicagoMonday 7/18/94 - work 9 - 5, 3 hour drive to the Riverbend Campground outside of Noblesville, IN.Tuesday 7/19/94 - Grateful Dead, Deer Creek AmpitheatreWednesday 7/20/94 - Grateful Dead, Deer Creek AmpitheatreThursday 7/21/94 - Grateful Dead, Deer Creek AmpitheatreFriday 7/22/94 - drive back to Chicago, celebrate birthday at Martyrs'Saturday 7/23/94 - Grateful Dead, Soldier Field, ChicagoSunday 7/24/94 - Grateful Dead, Soldier Field, Chicago5 Dead shows, 2 Panic shows and 3 full days of work in 11 days.But you are here to hear about Widespread Panic.That July 14th show at the Vic was originally scheduled for a larger venue, the newly opened Skyline Stage on Navy pier. But Peter Frampton used his own PA a couple of weeks earlier which led to the venue not allowing Widespread to use their PA....  I'll add that this change in venue happened after the band and crew had arrived in the early morning of July 14 to set the stage.Several dozen people were turned away at the door of the Vic because of overcrowding and the air conditioning failed before the band even hit the stage.The Aquarium Rescue Unit (without Col. Bruce but with Kofi Burbridge on keys and flute and Paul Henson on vocals) opened for Panic. I wonder if Jimmy Herring ever had a sense of deja vu when sharing the stage with  Widespread Panic? Or perhaps being in the Aquarium Rescue Unit was like LIVING in deja vu!I featured the final two songs and the encore of Panic's one set show back in PaniCast #4....PaniCast #4 - Sweating to July 14, 1994 The Vic Theatre, Chicago.This week I bring you the opening of the first set up through the drum break in Papa's Home.I've also added a couple of great radio studio performances from 1993 and some silly interviews...July 14, 1994The Vic TheatreChicago, IL(set one opener)Heroes >Weight of the World,PilgrimsPorch SongMay 3, 1993KTCZ 97.1 StudiosMinneapolis, MNInterviewWonderingJuly 14, 1994 continuesLittle Kin,It Ain't No Use >Travelin' LightMay 10, 1993WDET 101.9 FMDetroit, MIInterviewHenry Parsons DiedJuly 14, 1994 continuesJunior,Stop-Go >Papa's HomeJuly 14, 1994 Aquarium Rescue Unit (opening for Widespread Panic)Vic TheatreChicago, ILFixin' to Die(calling out to 'Garrie' during the song... same Garrie?)Jimmy Herring on guitarOteil Burbridge on bass/vocalsApartment Q258 on drumsKofi Burbridge on keys/flutePaul Henson on vocalsLISTENER'S GUIDE:7/14/94Listen how Weight of the World starts with Dave melodically driving the song forward until Mikey takes control and leads into the third verse. This allows DAS to switch to a percussive slap bass technique, nearly teasing 'We Want the Funk....' at one point.The Pilgrims intro is so mellow, almost like they backing into the song. Feeling confident and conversational in the way they are playing....  - and so we listen, and if it's real good, and we shake.And then Houser takes a solo and the heat is on!Check out the jam that begins about 5 and a half minutes into Ain't No Use.... soaring, triumphant, lovely.And again around the 5 and a half minute mark in Papa's Home a graceful and confident jam. Houser's leads are reminiscent of a yet-to-be-written Surprise Valley.5/3/93 and 5/10/93Being asked by radio DJs about being from Athens and REM must've gotten old and you can't blame JB Jack the Jester for trying to have a little fun with them in the process. I just love JB talking about Sunny in the 5/10 interview; 'Sometimes he rubs them. Sometimes he shakes them.'7/14/94 ARUThe band calls out for "Gary" during Fixin' to Die.... leaving me wondering if they were somehow calling out to Garrie Vereen....SOURCE INFO:7/14/94Source: SBD > DAT @ 48.0khz > Analog(master)Transfer: Analog(master) > Tascam DA-45HR @ 44.1khz > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC(level 6)Converted and edited by D.P. SwintSeeded by Patrick Wood5/3/93Source: FM > Cass (?) > CDTransfer: Pioneer CD-070 > HHB 800 > EAC (secure) > CDWave > MKWAct SHN v.3 flac 5/10/93Source: FM > Cass (?) > CDTransfer: Pioneer CD-070 > HHB 800 > EAC (secure) > CDWave > MKWAct SHN v.3 > flac7/14/94 Aquarium Rescue Unit Source: SBD > DA-P20 @ 48.0khzTransfer: Tascam DA-45HR > Audiophile 24/96 USB > WaveLab 5.01a > CDwave > FLAC(level 6)Converted and edited by D.P. SwintPhoto: screen shot from YouTube video of ARU in Jacksonville circa 1994https://www.youtube.com/watch?v=t7-dxV4_D-EDOWNLOAD the cast here(right click to save to hard drive):Everyday Companion Podcast 71Click here to subscribe through iTunes.

Good evening Ladies and Gents! It is hard to believe it has been SIX YEARS since we stopped doing these little nuggets of goodness...For this next first time out of the gate I am including some tasty treats from the start of spring tour 1999.The band is feeling firey right of the gate in Philly - in particular, listen for JBs vocal embellishments during the second chorus of Let's Get Down to Business.The quintessential Pleas > Chilly from Salem features a lazy jammy intro to Pleas that was indicative of how the band would get things going in Spring '99.Get excited about 1999, because I am going to be featuring a few more tracks from this under-appreciated Spring Tour in future weeks!I finish everything off with a couple of selections from the Stockholm Syndrome tour of 2004 at the Gothic in Denver Colorado. Stockholm Syndrome is a side project of David Schools featuring Jerry Joseph on guitar and vocals, Eric McFadden on lead guitar, Wally Ingram on drums and Danny Dziuk on keys. Their version of North is driving and includes a ZZ Top tease while their funky version of Coudn't Get it Right features a Down on the Farm tease.And finally, please tell your friends and neighbors we are back. Believe it or not these 'casts take a good bit of time to produce and it would be a waste if people weren't sharing this wonderful music.And finally a BIG THANK YOU to all of the tapers and fans who make these recordings and this wonderful project called the Everyday Companion possible.Peace, TedApril 10, 1999Electric FactoryPhiladelphia, PA(set one opener)Let's Get Down to Business,Pigeons,B of D >Rebirtha >Red Hot Mama >Diner >Greta >Goin' Out WestApril 9, 1999Salem, VA(set 2 opener)Pleas >Chilly Water >Dyin' Man >Chilly WaterStockholm SyndromeAugust 6, 2004Gothic TheaterEnglewood, CONorth >Couldn't Get it RightSource Info:4/10/99Source: Schoeps MK4 > Reutelhuber > DA-P1 @ 48 kHzLocation: FOB / DFC / ORTF / 6ftTaped by Jim Finn. Clone courtesy of Carter Lyle. Transferred by BobbyHurley.4/9/99Source:  (fob/dfc) Schoeps mk4 (ortf @ 6.5 ft.) > Reutelhuber > DA-P1 @ 48 kHzTaped by:  Jim Finn  (clone courtesy of Carter Lyle)Transfer by:  BobbyHurleyStockholm Syndrome8/6/04Taped and transferred by Todd RamsdenSource:  FOB, 3' LoC, Drink rail:  Audix m1290 > Lunatec V3 (optical out) > Nomad JB3DOWNLOAD the cast here(right click to save to hard drive):Everyday Companion Podcast #70Click here to subscribe through iTunes.