Podcasts about Jam band

Celebrating 5 Years of the Podcast – Special Anniversary Episode!We've hit a major milestone — five incredible years of the podcast — and we're celebrating with a jam-packed, double-length episode just for you!In this special anniversary edition, Sharla and Daniel reflect on the early days of the podcast, share some behind-the-scenes stories from over the years, and look ahead to what's next for the show.Here's what you'll hear in this extra-special episode:A heartfelt audio postcard from our new friends in HaitiAn inspiring interview with the founders of SupergroopA fun chat with the creative team behind Roti RollsA lively panel with the “Bonnaroo Podcast Avengers”, featuring The Roo Report, Bonnadude, Roo Hamm, and Taco from The What PodcastWe want to give a huge THANK YOU to our listeners — your support has meant the world to us. Over the past five years, we've built unforgettable memories and lifelong connections, and we're just getting started.Support the showProceeds from Story Time at the Roo Bus support The TOTEM Foundation, a 501(c)(3) non-profit dedicated to supporting underserved individuals through music communities. Donate below, or support TOTEM monthly by becoming a Patreon of the show.

Our featured guest is Debbie Jamison from The Deb Jam Band. In this interview, we discuss Debbie's background, early bands, how she met her late husband, Jimi Jamison, her studio work, and her touring life. Apple - https://bit.ly/3rqqZLP Spotify - https://bit.ly/3EJOGBO YouTube - https://bit.ly/3UgqsY2   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.

My long-time friend, Peter Scott Ruben, is the best guitar player I know, having personally watched him jam with some of the great rock and blues musicians of the seventies (Joe Perry in his pre-Aerosmith days and Kim Simmonds of The Savoy Brown Blues Band are two who immediately come to mind -- I read that Simmonds died two years ago in England and the band had to break up after an amazing fifty-five year run). Since then, Peter has fronted his own bands, and has also carried on his father's legacy as leader of the premier special events orchestra/band in Philadelphia, through which he met "the great one," Frank Sinatra, at a White House gig the orchestra was playing during the Reagan administration back in the 1980's. He also donned a wig a few years ago and played as Eric Clapton in a Cream tribute concert (and I seem to recall he even played a set as Jimmi Hendrix). In addition to his amazing playing, he knows way more about music than anyone in my social orbit so, now that he has embarked on an Act 3 career performing a Frank Sinatra and Bobby Darin one-man tribute show (having bought performing rights to the original Nelson Riddle and other Sinatra/Darin charts), I thought it would be fun to pick his brain here on Pizza Quest regarding why he thinks Sinatra is the greatest performer of all time as well as to see if together we could create a top ten list as well as a Mt. Rushmore top four list of the greatest of the greats. It was so much fun recording this episode -- as you will see and hear -- that I plan on inviting him back to do a similar retrospective on the greatest guitar players and also another on the best bands and performing groups of our time.  Peter and I used to stay up all night during our college days talking about stuff like this, so I know he's game for it, as you will hear in this conversation in which we explore not only Sinatra's greatness but also dive deeply into the why and how of what made him the GOAT (and why Bobby Darin was the prince in waiting until he died way too young). So, as we like to say, it's more about the quest than it is about the pizza, and this time around we jump into Peter Ruben's quest for what distinguishes the good from the great when it comes to musical artists. The topic may have changed, but the game remains the same -- and the quest never ends....

I'm super excited to have Jeremy Kaplan on Roadcase for this week's episode. Jeremy plays keys in @dogsinapile, one of the most exciting jam bands on the scene today. I love dogs in general, and appropriately, Dogs In A Pile is one of my favorite bands out there today!!I spoke to Jeremy as the Dogs were coming off a four-show run in snowy Steamboat Springs, and we sit down to chat about everything from growing up hyper-focused on music (almost to a fault), to receiving a scholarship from Billy Joel's foundation to attend Long Island School for the Arts, and eventually ending up at Berklee School of Music. I talk to Jeremy about all things Dogs, about his (secret) superpower, and how everything he knows about life, he attributes to his love of music. Jeremy and I go deep down all the roads in this fun conversation!! Jeremy is a super-generous spirit — an open book — he's super thoughtful, and possesses an infectious love of what he does. This is truly a great one!!============================Show Notes:More info on Dogs In A Pile, and their current Spring Tour, here Here are links to a few things we talked about during the show:Jeremy's Rig Run Down, click hereMichael McDonald's memoir, What A Fool Believes, co-written with actor/author Paul Reiser, hereThe Real Frank Zappa Book, hereThanks for listening!!  Don't forget to leave a review describing what you enjoyed most about this episode!!=============================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

This week we are joined in-studio by Jack McGrane , Chris Stein, and Baby Boy, organizers of Mojo Family Fest 2025! We dive right into the creative whirlwind that includes wild ideas like using EEG technology for live brain wave displays on stage, all of which make Mojo Family Fest a one-of-a-kind experience and explore the lessons learned from five years of crafting the Mojo Fest, where patience and perseverance have cultivated a vibrant community hub. Returning to the same location for the first time has simplified planning, allowing the festival to thrive and rejuvenate its attendees without the burnout of larger events. From wizard-themed shows and Black Sabbath tributes to the shared love for Phish and the Jam Band scene at large, Mojo Family Fest is rich with memorable moments and unexpected surprises. Whether you're a seasoned festival-goer or a first-timer, this festival, complete with promises to keep the spirit of community and celebration alive, encouraging us all to hydrate, look out for one another, and cherish the connections forged through music. Head over to www.bodhimojo.com for tickets! -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -20% OFF & FREE SHIPPING IN THE US from The Grateful Mountain with the PROMO CODE: NSR20 INTRO MUSIC PROVIDED BY - Young & Sick MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music

Recorded Live November 13, 2023on Mark Pires YouTube Channel.No Script, No Music to start,.. Everything you here is created live in the moment.www.linktr.ee/markpires

Mike and Steve from Soma Kirtan take us on an incredible journey, sharing how their roots in punk and hardcore music evolved into a deep appreciation for the Grateful Dead, and ultimately to Kirtan Music. They bring a unique perspective that intertwines music with spirituality, resulting in a sound that resonates with authenticity and soul. We're honored to have them discuss their latest musical ventures and how their spiritual practices have shaped both their personal and professional lives. Our conversation traverses the fascinating landscape where punk rock ethos meets spiritual journeys, shedding light on how these seemingly disparate worlds can converge. Mike and Steve discuss the transformative nature of taking on new spiritual names and how communities, whether jam bands or spiritual gatherings, create profound connections. We explore the power of Kirtan and other spiritual music practices, drawing parallels to the communal experience of punk and Jam Band shows, all while touching on the complexities of cultural appreciation and the inspirations that drive their creativity. As we wrap up, we reflect on the importance of maintaining authenticity and navigating personal growth amidst spiritual exploration. From setting personal practice standards to rewriting narratives of past traumas, this episode is a testament to the power of music and spirituality in fostering understanding and connection. Follow SOMA Kirtan on IG @soma_kirtan Support SOMA on BandCamp HERE -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -20% OFF & FREE SHIPPING IN THE US from The Grateful Mountain with the PROMO CODE: NSR20 INTRO MUSIC PROVIDED BY - Young & Sick MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music

Drew and Zinno shre their thoughts on the Dave Matthews Band

In 2005, Les Claypool spawned an idea that would form Electric Apricot, a fictitious jam band of goofballs and misfits chasing their dream gig at Festeroo. The "band" formed and recorded some tracks at Rancho Relaxo in early 2005 before hitting the road that spring for some gigs that allowed them to gather live footage in between principle shooting slots. The film had a limited theatrical release, but gathered enough steam for physical releases of the film (2007) and soundtrack (2008). We chart this curiousity and dig into the hidden jokes and references throughout the film, and its significance to the jam scene for people in the know - thank you to our Primatrons! Get involvedInstagramFacebookEmailBurn your money 

Subscriber-only episodeSend us a textIn this episode, I review the Goose concert I attended here in Toronto last week. It was my first time seeing them, and I really enjoyed it! I highly recommend checking them out...Subscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

Get familiar with 3420, a talented three-piece ensemble that has spent the last six years developing a sound and a continuously-evolving and expanding live show that manages to stand out for all of the right reasons in the hyper-competitive Denver music scene.  We catch up with Josh, Martin & Stryker just a week before tomorrow's show at The Ogden Theater in Denver opening up for the OG Michal Menert alongside Poldoore & MIDIcinal. We chat about their chance meeting at Sonic Bloom, the growing pains of touring as an up-and-coming artist, and the joys of landing gigs alongside pioneers of the music scene at major festivals like Resonate in Suwanee.

10 лет Atomic Jam Band. История, репертуар коллектива и их выступления с джазовыми музыкантами. Беседуем с одним из основателей группы, барабанщиком Толиком Смирновым. Ведущая Александра Ромашова

Jed has been on a run as of recent where he wants to go and see Jam Bands at local breweries and restaurants... but are you going to be jamming with Jed?!

Text us about this show.The Jeremiah Jams Band carries on the jam band traditions of The Grateful Dead, Phish, and the Dave Matthews Band, but then they add their own secret sauce to the recipe. Jeremiah Jams, leader and namesake of the group, is here to talk about the jam band vibe, growing up in a Deadhead household, the various rhythm section combinations that guarantee no two live gigs are the same, and making all this music with his wife, Emily. Plus we're dishing up three original tracks by the Jeremiah Jams Band that will have you groovin' right into 2025!"Inside Groove Out" performed by The Jeremiah Jams Bandwritten by Jeremiah & Emily Jams℗ 2023 Jeremiah Jams Band. Used with permission of Jeremiah Jams."Uncle Buck" performed by The Jeremiah Jams Bandwritten by Jeremiah & Emily Jams℗ 2024 Jeremiah Jams Band. Used with permission of Jeremiah Jams."Moonlight Star" performed by The Jeremiah Jams Bandwritten by Jeremiah & Emily Jams℗ 2021 Jeremiah Jams Band. Used with permission of Jeremiah Jams.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All ...

Hailed by American Songwriter for their "mind-bending musicality," moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft. For three decades, the band has corralled myriad musical forms on a truly original journey rich with crafty, clever songwriting and astonishing resourcefulness. Fueled by an impassioned fan base, moe. has spent much of those thirty years on the road, encompassing countless live performances marked by eclectic wit, deep friendship, and exploratory invention. Having built an enduring legacy with hard work and a confirmed commitment to creativity and community, moe. seem as surprised as anyone to find themselves at such a significant landmark.  Spotify https://open.spotify.com/artist/2ZfHMUPrxoZNDTBPHmmdhj?si=UUPsZqMuQsuuSW0W0e8pdg https://www.moe.org  https://www.Instagram.com/moetheband   Music Matters podcast is hosted by pro musician, producer, and Sports Illustrated photographer Darrell Craig Harris who is based in Las Vegas, Nevada. The series has reached over 400,000 streams in 40 countries. MMP receives gear support from Shure Microphones,.Focusrite, and others. Intro and outro voice overs provided by Nigel John Farmer from www.VoiceWrapStudio.com in France. Our thanks to Rodney Hall FAME Recording Studios in Muscle Shoals, Alabama for our intro and outro backing music clip.    Contact us at inquiry@darrellcraigharris.com Social: www.Instagram.com/musicmatterspodcastofficial www.Facebook.com/musicmatterspodcastofficial https://www.Youtube.com/@musicmatterspodcast https://www.Twitter.com/musicmattersdh  Website www.MusicMattersPodcast.com  support our mission by joining us on Patreon! https://www.Patreon.com/MusicMattersPodcast        

The last time Brendan Johnson of Stella Ruze was on the show, it was with his bandmate Katie O'Donnell, and it was less than a week before the world shutdown in March of 2020 (Dan didn't have another in-person guest for nearly a year and a half). It's been almost five years, but Brendan comes back to talk to Dan about the band, some line-up and life changes amidst them, and how embracing improvisation and extended instrumental sections gave them their latest LP, 'Origin'. Brendan and Dan get into their love of live improvisation, namely the band Phish, and the difference between proper "jamming" and just extended soloing. 'Origin' is available December 20th wherever you get your digital music, and on vinyl through the band's website. Stella Ruze will play an LP release show at Ardmore Music Hall on December 21st with Hezekiah Jones and Brittany Ann Tranbaugh. 

Brian Murray is my guest for this week's episode, and I'm happy to report that I've finally achieved my dream of interviewing a Dog. Brian, of course, plays guitar for fast-rising jam band Dogs in a Pile — which has been killing it out there this year. Brian sat down to chat with me during a break in their current Fall Tour, and we get into it all, from his regular treks as a kid to Madison Square Garden to feed his passion for live music, to meeting his future bandmates at Berklee College of Music. Brian talked to me in his deliberate and thoughtful manner about what this all means to him, his development as a musician and a human, and how his family supported and inspired his love for all things musical. it's an inspiring and touching conversation with this future jam band icon.For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

On this episode of The Bandwich Tapes, I sit down with Matt Mundy to discuss his incredible musical journey, which is deeply rooted in family heritage and a love for bluegrass. We dive into the evolution of bluegrass music, breaking down the role of various instruments and how academic influences have helped shape modern sounds.Matt opens up about his early years in music, playing with family, and the joy of making music together. He also shares some memorable stories, including his experiences playing with Wendy Bagwell and his later transition to working with Bruce Hampton and the Aquarium Rescue Unit. We talk about the significance of rhythm in bluegrass, the importance of being a team player, and how the lessons he learned from his bandmates helped shape his playing style.We even discuss some of Matt's collaborations with well-known musicians like Bela Fleck, the rise of jam bands, and how he handles performance anxiety—a common challenge for so many in the music world. Matt also talks about teaching as a way to understand music on a deeper level and reflects on the joy of passing on his love for music to younger players. Music from the Episode:Up and Running (Béla Fleck)Goldrush (Mark & Matt Mundy)Stomp (Mark & Matt Mundy)Dead Presidents (Bruce Hampton & the Aquarium Rescue Unit)The Landing (Béla Fleck)Mo' Better Blues (Mark Mundy, Matt Mundy, Jeff Sipe, & Brad Williams)Thank you for tuning in! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. And please spread the word about the show!The theme song, "Playcation," was written by Mark Mundy.

01. The Circling Sun - Spirits (Part 2) 02. Trevor Dandy - Is There Any Love 03. Wild Fire - The Dealer 04. Hot Pepper - Cancion Ritual ( Ritual Song ) 05. Alessandro Alessandroni - Baby Come Down 06. Jam Band '80 - Jammin' (With The Jam Band) 07. Andrea True Connection - Party Line (Ashley Beedle's Heavy Disco Edit) 08. Charanga 76 - No Nos Pararan (Ain't No Stopping Us Now) 09. Kid Creole & The Coconuts presenting Coati Mundi - Que Pasa / Me No Pop I 10. Woolfy - Odyssey 11. Afrodesia - Meet in Tunis 12. World Brain - It's All True 13. Andre Gibson - Thankful for You Com Rui M. Teixeira

This week JD chats with Harrison Garcia. Harrison is a comedian and co-owner of Western Sky Bar and Taproom. Topics discussed include but are not limited to: the current state of Rock ‘n' Roll, getting on the news, and what makes a band a Jam Band. Please remember to like, subscribe, rate, review, and tell a friend!Follow LHRB on Facebook, Instagram @lefthandrightbrain, Twitter @LHRBpodcast, or just hit us up old school on the website lefthandrightboainpod.comCheck out all the other podcasts on The Mile High Life Network!

Phil Lesh: A Legacy of Love and MusicIn this episode of the Deadhead Cannabis Show, Larry Mishkin pays tribute to the late Phil Lesh, the iconic bassist of the Grateful Dead, who passed away at the age of 84. The conversation reflects on Phil's significant contributions to music, his unique style of playing the bass, and the profound impact he had on the Grateful Dead and the music community. Larry shares personal anecdotes, highlights Phil's musical journey, and discusses the recent tribute by Phish, who honored Phil by performing 'Box of Rain' shortly after his passing. The episode culminates in a heartfelt reflection on Phil's legacy and the love he brought to his music and fans. This conversation reflects on the life and legacy of Phil Lesh, a key figure in the Grateful Dead, discussing his musical contributions, memorable performances, and the impact of his passing. The dialogue also touches on the evolving landscape of marijuana legislation, youth usage trends, and the medical benefits of cannabis, alongside a critical look at political maneuvers in Florida regarding cannabis reform. Chapters00:00 Introduction and Tribute to Phil Lesh10:05 Phil Lesh's Musical Journey and Contributions17:07 Phish's Tribute to Phil Lesh25:31 Phil Lesh's Legacy and Impact36:16 Reflections on Phil Lesh's Life and Music47:26 Musical Reflections and Setlists48:51 Remembering Phil Lesh49:39 The Beatles and Their Impact52:32 Unbroken Chain: A Grateful Dead Classic56:16 Marijuana News and Medical Benefits01:01:30 Florida's Political Landscape on Cannabis01:11:19 Youth Marijuana Use Trends01:16:56 Driving Under the Influence of Cannabis01:24:56 Phil Lesh's Return to Music Takeaways:Phil Lesh was a pivotal figure in the Grateful Dead.His return to singing 'Box of Rain' was a significant moment.Phil's bass playing redefined the role of the instrument in rock music.Phish honored Phil Lesh with a performance of 'Box of Rain'.Phil's contributions to music extend beyond the Grateful Dead.He was known for his virtuosic bass playing and musical exploration.Phil Lesh's legacy is celebrated by fans and musicians alike.The Grateful Dead created a unique community among their fans.Phil's influence can be seen in many modern jam bands.His passing marks a significant loss for the music world.  Phil Lesh's passing at 84 marks a significant loss for the music community.The Beatles' influence on music is profound, with songs like 'Why Don't We Do It In The Road' showcasing their creativity.'Unbroken Chain' is a complex piece that highlights Phil's musical genius.Cannabinoids have been shown to provide significant relief for chronic pain with minimal side effects.Bipartisan support for cannabis reform is growing, even in states like Florida.Youth marijuana use has decreased significantly in states that have legalized cannabis.Research indicates that THC levels in blood do not directly correlate with driving impairment.Phil Lesh's love for marijuana and its benefits is well-documented in his music and life.The final performance of 'Box of Rain' encapsulates the essence of the Grateful Dead's journey.Enjoying cannabis responsibly is essential for both health and safety. Sound Bites:"Phil Lesh was the beating heart of the band.""Box of Rain marked the return of Phil Lesh.""Phil brought immense joy to everyone around him.""Phil Lesh passed away at the age of 84.""Why Don't We Do It In The Road?""Unbroken Chain is one of the big songs."      .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Back in June, I had author David Cain on to tell us about his book Infinite Dead: A Daily Guide to Grateful Dead Concert Performances Volume 2: July. I wanted to have him back on to talk about the first volume, which covers all the Dead shows during October. David made some time to come back on and I'm so glad he did. Very few bands deserve an in-depth look at a band's live show, the Grateful Dead is at the top of that list. Infinite Dead is a new, groundbreaking guide to Grateful Dead concerts. Authoritative and entertaining, Volume 1 features detailed reviews of every Grateful Dead concert performed in the month of October—over 200 shows, including: The three-set, acoustic-electric performances at The Warfield in San Francisco and Radio City Music Hall in New York City;Their five-night “final” stand at the Winterland Ballroom in 1974; andThirteen Halloween performances, from their first in 1966 to their last in 1991.Also included in this volume is the band's revival of “Dark Star” (10/9/89 Hampton Coliseum), “St. Stephen” (10/11/83 Madison Square Garden), and “Turn On Your Love Light” (10/16/81 Melkweg). What better month to talk about The Dead than the month of October!David Cain has been listening to the music of the Grateful Dead for over forty years, including seeing live performances of the band in twenty-five cities in thirteen states during the course of three decades. David's writing on music, sports, and other subjects has appeared in publications ranging from Addicted To Noise to USA Today's Baseball Weekly. David lives in the San Francisco Bay Area.Purchase a copy of Infinite Dead: A Daily Guide to Grateful Dead Concert Performances Volume 1: OctoberVisit the Infinite Dead website Episode Playlist ---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe 

In the latest edition of our 2024 Rock Hall Spotlight episodes, we are joined by podcast guest extrodinaire and Dave Matthews Band fan, Michael Bagfford to deep dive into DMB's first five studio albums.

After a brief hiatus due to illness, Derrick and Jeff return with an update on the future of the studio. In this episode, they feature an interview with Gene Nunez, guitarist for The Deb Jam Band, discussing his rich musical history, including his time as a studio musician at Shoe Productions and his projects in Memphis.   HOW TO SUPPORT If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Chris, Todd, and John discuss the nature of jam-bandery, The Raid: Redemption, Linkin Park, Scientology, the debate, right wing pro-russia grifts, and a potential 9 hour video essay about Beck. outro // https://www.youtube.com/watch?v=5sxPi22ikMA for the full ep and more, subscribe at patreon.com/beepbeeplettuce 

Hello, Puzzlers! Puzzling with us today: comedian, writer, and director for the new Peacock series Mr. Throwback, David Wain! Join host A.J. Jacobs and his guests as they puzzle–and laugh–their way through new spins on old favorites, like anagrams and palindromes, as well as quirky originals such as “Ask Chat GPT” and audio rebuses. Subscribe to The Puzzler podcast wherever you get your podcasts!  "The Puzzler with A.J. Jacobs" is distributed by iHeartPodcasts and is a co-production with Neuhaus Ideas.  Our executive producers are Neely Lohmann and Adam Neuhaus of Neuhaus Ideas, and Lindsay Hoffman of iHeart Podcasts. The show is produced by Jody Avirgan and Brittani Brown of Roulette Productions.  Our Chief Puzzle Officer is Greg Pliska. Our associate producer is Andrea Schoenberg.See omnystudio.com/listener for privacy information.

Kris Myers was born on April 5, 1977. Receiving a drum kit at the age of 8, he took an early interest in jazz, rock and punk music. During high school Myers co-started his first musical outfit, a ska/punk band called the Skalawags. The group received a decent amount of success but denied an offer to tour Japan to instead pursue college degrees. Myers attended Elmhurst College from 1995 – 1999 where he was a music major and the drummer in the Elmhurst College Jazz Band. Under director Doug Beach, the Elmhurst College Jazz Band played gigs in the U.S. and Internationally at events such as the Umbria Jazz Festival, Jakarta Jazz Festival and the Montreaux Jazz Festival. In 2001 Myers enrolled in DePaul University where he earned his master's degree in jazz drumming and was a member of the Rob Parton Orchestra.  In addition to his involvement in school bands, Myers was playing in festivals with a variety of jazz artists such as Nicholas Payton, Diane Schuur, Randy Brecker, Dennis DiBlasio as well as local musicians Mark Colby and John McLean.  Myers also was a member of Chicago jazz fusion band Kick the Cat.  Myers began playing drums for progressive-rock band Umphrey's McGee in 2003 following the departure of original drummer Mike Mirro. With Myers at the helm, Umphrey's has released ten albums and maintains a rigorous touring schedule of over 100 live shows per year.  Umphrey's has performed at legendary festivals and venues such as Bonnaroo, Lollapalooza, Austin City Limits, Fuji Rock Festival, South by Southwest, Red Rocks, The Ryman Theatre, The Beacon Theatre and more. With Umphrey's, Myers has shared the stage with countless notable musicians such as Buddy Guy, Huey Lewis, Ivan Neville, Les Claypool, Stephen Perkins, Mike Keneally, Joshua Redman, Bela Fleck, Taj Mahal, Victor Wooten, Adrian Belew, Stanley Jordan, Gene Ween, Derek Trucks and Jason Bonham. In 2011 Myers was honored with the title of Best Jam Band Drummer by DRUM Magazine, beating jamband stalwarts such as Butch Trucks (The Allman Brothers) and Jon Fishman (Phish). In 2018, Myers was featured on the cover of Modern Drummer's July issue. Myers placed second in the Experimental Rock category of the publication's “Readers Poll Awards” behind St. Vincent drummer Matt Johnson. When he's not behind the drum kit, Myers enjoys playing golf, attending concerts, hiking and collecting art.    Some Things That Came Up:  -2:30 Kris's multi genre style  -3:00 Rabid fans  -4:45 The Umphrey's McGee audition turned into a 21 year gig and counting -6:30 Kris's previous band was Kick The Cat  -11:00 Maintaining a list of all the venues the band has played  -11:30 Red Rocks is fave venue as well as The Fox Theater in Oakland and The Ryman in Nashville -14:00 Vic Salazar !!! The ambassador of the drum community -16:40 The rider!  The love of milk chocolate!  -18:00 Stretching, fitness center, yoga -19:40 The documentary “Frame By Frame” -21:20 The Grateful Dead's Mickey Hart.. “most impressive” -23:40 The cover of Modern Drummer magazine in 2018!  -24:30 Dauz pads! Used by Rush and Nine Inch Nails  -26:45 Writing material together as a band  -27:40 Producer Greg Majors and Manny Sanchez -30:30 Different sets every night. Choosing from 14 studio albums. Responsible for all songs at all times  -35:40 collaboration with Huey Lewis. Met at The Jammy Awards in 2006. -43:00 Kris loves practicing impressions  -44:30 Stewart Copeland, Buddy Rich, Vinnie Colaiuta, Keith Carlock, Steve Gadd 49:50 The art of mashups, inspired by DJ culture  -50:15 Kris songs background vocals while playing insane music  -52:00 Rotator Cuff repair surgery. 6 month rehab, but ready after 4 months  -54:00 Local gigs and charity work  -54:50 Getting to do the “Boom Smack” -55:50 “David's Den” for mental health  -56:15 Wedding preparation  -57:20 “The Fave 5”   Follow: www.umphreys.com www.krismyersdrums.com  FB: @krismyers IG: @krismyersdrums YouTube: @krismyersdrums   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

In this New Music Friday episode, we speak with the members of Downers Groove, a great jam band from the Chicagoland area.   We talk about their formation 12 years ago their love of music and their upcoming performance at the 12th Annual Homegrown Arts and Music Festival.

Red Matter (formerly Terrapin) discuss their new music, new direction and if CT jam bands have had their time in the sun!

Read the hard-hitting People.com article that started it all!Watch Chris on WGN morning news. Check out the book Cardinal Sins by Charlotte House. Follow Chris on Instagram and check out his alter ego, Danny Mustang, the world's first (& only) leaf blower stand-up comedian. Have Questions? Send yours to askjeff@comeonover.com! Listen to The Jewel Bag's EP SHITTIN' HITZ!Listen to all of Jeff's Tunes on SOUNDCLOUD!Subscribe to JEFF'S YOUTUBE CHANNEL!

This week we look into the Top 3 stories of the week Jamband Superfans / Future of Phish / Festival Troubles Support the Channel: If you enjoyed this please follow, like, and subscribe @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.

In Episode 129 we answer a listener question: how many waves of Jamband are there, and what are they? We spend the majority of the episode exploring the history of Jambands and chatting through how we have seen the larger genre evolve over the last 50+ years. In addition we count down our ten favorite albums of 2024 so far. Up front we finally chat Phish at Sphere, plus catch up on Goose and Eggy through the first half of 2024. Thanks as always for listening and supporting! We'll see you later this summer!— — — Check us out on Apple Music: Beyond The Pond Podcast SongsYou can find us on Twitter: @_beyondthepondPlease check out Osiris Media at: OsirisPod.comCheck out Episode Notes & Recommendations at: https://medium.com/@sufferingjukeSend us an email: beyondthepondpodcast@gmail.comPlease leave us a review on iTunes!Until next time, we'll see you beyond the pond… Hosted on Acast. See acast.com/privacy for more information.

"From Morning Dew to Dark Star: The Grateful Dead's Masterpiece Concert in 1973"Larry Mishkin's featured concert is the Grateful Dead's legendary performance at Robert F. Kennedy Stadium on June 10, 1973. This show is celebrated as one of the band's greatest, partly because of its remarkable opening with "Morning Dew," a song that symbolized the special nature of the event. The concert, part of a two-day festival with the Allman Brothers Band, included an extraordinary setlist and performances that have become iconic.The show started with "Morning Dew," a rare and significant opener, setting the tone for the night. The first set included 13 songs, ending with an 18-minute "Playing in the Band." The second set opened with a 22-minute "Eyes of the World," followed by Jerry Garcia singing "Morning Dew," "Stella Blue," and "Warfrat," which was a rare combination for a single show. The set also featured a 12-minute "Bird Song" and an 11-minute "Here Comes Sunshine," showcasing the band's range and intensity.A highlight of the concert was a 26-minute "Dark Star" that led into a sequence of "He's Gone," "Warfrat," "Truckin'," and "Sugar Magnolia," making for an over-hour-long jam to close the second set. The encore was equally impressive, featuring eight songs with guest performances by Dicky Betts and Butch Trucks from the Allman Brothers Band. This show exemplified the Grateful Dead's ability to create a transcendent musical experience.Larry also discusses the song "Wave That Flag," played for the last time at this concert, which evolved into "US Blues." This track, notable for its evolving lyrics and style, was a precursor to a fan-favorite encore tune.In music news, Larry highlights the release of Widespread Panic's new LP, "Snake Oil King," their first in nine years, set to be released on June 14, 2024. The band, known for their jam band status, recorded the album at John Keane Studio in Athens, Georgia, and it features six tracks with high-quality vinyl mastering.The discussion also touches on Dead and Company's recent performances at the Sphere in Las Vegas, noting the innovative visuals and varied setlists. The band continues to break out new tunes and maintain the excitement of live shows.Finally, a humorous note mentions a Phish fan who was banned from all MSG venues for posting a video of himself taking a bong hit inside the Sphere during a concert, highlighting the strict enforcement of venue policies. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Jamband alert for this week's episode with Jen Meyerhardt!! Jen is co-owner and co-producer of Northlands Music and Arts Festival taking place June 14-15 in Swanzey, NH and talked to me about her impressive history in the legal jungle and how that prepared her for the live events production world.A native of New Canaan, CT, with a law degree and years of experience in Silicon Valley, Jen is also a long-time jamband fan and lover of live music, who now brings her impressive life experiences and go-getter attitude to even greater heights. We talked what it means to truly lean into her lifelong passion for live music to bring some of the industry's premier jam bands to play a humble New Hampshire hamlet year after year.It's an inspiring story of following one's dream, listening to the music play, and heeding the call to see where it all may take you. Jen's long strange trip serves as an inspiration to all, while perhaps more importantly, her journey represents a shining beacon and role model for diversity and women's representation at the highest level of live music events, and I'm all about it!!   For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

WELCOME BACK!! It's a brand new season full of special announcements. It's the first show in several weeks so if you guessed that Derrick and Jeff's intro is a dumpster fire then you guessed right. But as always in good fun. The boys run down what the new season looks like, why the long wait and a new special weekly series.  Today's featured guest is Eric Stone, vocalist for The Deb Jam Band. In addition to learning more about The Deb Jam Band, the gang talks about Eric's start as a vocalist and musician in church growin up, his experiences in touring the chitlin circuit for several years, his first plastic guitar, his sparkly shoes and much much more. Eric's story is rich with history and came to play. Fun was had by all!!      HOW TO SUPPORT If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community.    Venmo - @therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.   

Twisted Sister's founding guitarist and manager, Jay Jay French is the guest. There's pizza headlines, and the pizza topic is: "Jerry Garcia and 'The Pizza Tapes'". Jay Jay French is a guitarist and manager of the multi platinum selling band, Twisted Sister. He hosts the The Jay Jay French Connection: Beyond the Music podcast. He has been a columnist for Inc.com and is the author of 2021's “Twisted Business: Lessons from My Life in Rock 'n Roll”.Hear Jay Jay discuss his Pac-Man addiction, life as a bar band, New York history, and the pizza perks that come from being in Twisted Sister. This podcast is brought to you by Ooni Pizza Ovens. Go to Ooni.com for more information.Follow us for more information!Instagram: @pizzapodparty @NYCBestPizza @AlfredSchulz4Twitter: @PizzaPodParty @ArthurBovino @AlfredSchulzTikTok: @thepizzapodpartyThreads: @pizzapodparty @NYCBestPizza @AlfredSchulz4

This week, we discuss David Makalaster, often referred to as Mak 1, which brings Purple Onion to life after the ambient opening track. Mak 1 and 2 somewhat bookend the Pruple Onion record, and we discuss this first installment in near-isolation, but it's difficult to separate the two. Lots of lyrical references to unpack, and the mass of instrumentation makes for a busy and full musical experience. It's also the first exposure to Skerik's fancy sax for many fans, and boy, does he deliver. Plus, we have live cuts from over the years and lineups/iterations of Les's solo bands. Get involved:InstagramFacebookEmailBurn your money 

As we begin to peel back the layers of Les Claypool's 2002 album Purple Onion, we discuss the background of the record, its place in (and out) of its time, the inspiration for the title, and we discuss the title track's ambience and ambiguous lyrics. Purple Onion stands as the jump-start to the Les Claypoo; 2000s solo career in terms of writing and performing original material with the Frog Brigade, Fancy Band, Fungi Band - whatever the name of the iteration, it's based on a Claypool record. Grab your local, organic produce and join us. Get involved:InstagramFacebookEmailBurn your money 

On this episode of At Home with Mark Jason Shadrick (Premier Guitar) and I will be discussing our favorite Jam-band studio albums. Yes, we know that the live shows are where it's at, but what are those studio gems we both love? Bring your nerdy jam-band questions/thoughts and kick back with your tie-died hacky sack! No judgement I had several of those. Hosted on Acast. See acast.com/privacy for more information.

I sit down to chat with my buddy Mike Palmisano about his life as a Teacher, Youtuber, Dad and newly established Jamband connoisseur. Hosted on Acast. See acast.com/privacy for more information.

It's Chris & Chris & DAVE on today's episode!This season Chris & Chris attempt to determine the best record of 1994 using their 5 category rubric:1. Production2. Average Song Score3. Vocals & Lyrics4. Musicianship5. Listenability & LegacyFollow along with us all season to see which album comes out on top!E-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcastMyspace:TBDArtwork by Tida Osotsapa.

Are These Rats In A Jam Band?

"Reflecting on the Grateful Dead's Capitol Theatre Shows and Toby Keith smoking with Willie Nelson"Larry Michigan discusses the Grateful Dead's historic show at the Capitol Theatre on February 19, 1971. Larry reminisces about the atmosphere of the venue and the significance of the performance, highlighting the debut of several iconic Dead songs. The discussion delves into the band's evolving musical style, particularly the transition from psychedelic blues to Americana influences. He explores the historical context surrounding the show, including Mickey Hart's departure from the band and the impact of manager Lenny Hart's embezzlement. He also touches upon the significance of the show's release in the "From the Vault" series and discuss other notable releases in the Dead's catalog. Additionally, Larry provides updates on Bob Weir and Wolf Brothers' postponed performances with the National Symphony Orchestra and share news about upcoming music releases.  Grateful DeadFebruary 19, 1971 (53 years ago)Capitol TheatrePort Chester, NYGrateful Dead Live at Capitol Theatre on 1971-02-19 : Free Borrow & Streaming : Internet Archive The second of the legendary six night run at the Capitol Theatre in late February, 1971:Feb. 18, 19, 20, 21, 23, and 24 INTRO:                  Loser                                Track #3                                2:55 – 4:24 Hunter/Garcia tune that was released on “Garcia”, Jerry's first solo album, in January, 1972, the last song on side one of the album.  It was a standard first set tune, part of a rotating number of Jerry first set ballads including Candyman, It Must Have Been The Roses, High Time, Row Jimmy, To Lay Me Down and others. A very sweet melodic tune that tells a great story by way of a beautiful piece of music.  SECOND time playedPlayed a total of 353 timesFirst time:  “Last”night 2.18.71Last:  June 28, 1995, The Palace of Auburn Hills, outside Detroit                               THIS SHOW: Last year we covered the Feb. 18th show famous as the debut for Bertha, Greatest Story, Loser, Wharf Rat and Playin In The Band and the Beautiful Jam out of Wharf Rat and back into Dark Star.  It was also Mickey's last show before his almost three year hiatus before he returned for the final 1974 show before the band's 1975 year off February 19th show is just as historical:  The band's first show without Mickey since he joined the band in 1967.  Many people theorize that this was Mickey's response to his father, Lenny Hart who was the band's manager stealing almost $155,000 of the band's assets before disappearing.  Although he was eventually located by a private detective hired by the band and arrested in San Diego on July 26, 1971, convicted and spent six months in jail, the money was never returned.  The song, “He's Gone” is based on Lenny Hart's embezzlement and disappearance.  Ashamed by his father's actions, Mickey left the band after the 2.18.71 Capitol Theater show returning full time in 1975.  Lenny died of natural causes on Feb. 2, 1975.  According to Dennis McNally, "Mickey went to the funeral home, cleared the room, took out the snakewood sticks that had been his inheritance, played a traditional rudimental drum piece, "The Downfall of Paris" on Lenny's coffin, and split." Starting with this show, the band became a very lean mean fighting machine with just five members (Jerry, Bobby, Phil, Bill and Pig) until Keith jointed the band seven months later in September.  On this night, the band played the five songs debuted the night before and debuted Deal and Birdsong.  Pig also has a strong showing this night leading the band through four standouts:             Hurts Me Too            Smokestack Lightning:  the third to last time it would be played with Pig in the band            Easy Wind:  the second to last time it would be played without Pig in the band            Good Lovin  This really marked the beginning of the band's hard shift away from psychedelic blues (Primal Dead) to the more Americana style music that began with Workingman's and American Beauty.  Within a year, Pig would be very ill with just enough energy left for the Europe '72 tour.  But this night, he was rocking the house like only he could do.  Here is the first of his four featured songs:  SHOW No. 1:      Hurts Me Too                                Track # 5                                2:08 – 3:42 Great showcase number for Pig featuring his singing and harp playing.  We got just a bit of Jerry's lead but all this great music is too long to fit into one clip – don't want Dan getting mad at me! "It Hurts Me Too" is a blues standard that is "one of the most interpreted blues [songs]".[1] First recorded in 1940 by Tampa Red in Chicago, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many artists.  Release on May 10th with Tired of Your Reckless Ways on the B-side. In 1949, Tampa Red recorded a variation of "It Hurts Me Too", titled "When Things Go Wrong with You".[9] It was recast in the style of a Chicago blues, with electric guitar and a more up to date backing arrangement. The song was a hit and reached number nine on Billboard'sRhythm & Blues Records chart in 1949.[10] (The original "It Hurts Me Too" was released before Billboard or a similar reliable service began tracking such releases, so it is difficult to gauge which version was more popular, although the former's title won out over the latter's.) Although the song retained the refrain "When things go wrong, so wrong with you, it hurts me too", Tampa Red varied the rest of the lyrics somewhat. This would become the pattern for future versions, in which succeeding artists would interpret the song with some of their own lyrics. Noted covers:            Elmore James            Junior Wells            Grateful Dead – with Pig singing the vocals.  Was first released by the Dead on Europe '72 album.  After Pig left the band, the song was retired.             The Dead played the song a total of 59 times            First:    May 19, 1966 at the Avalon Ballroom, San Francisco            Last:     May 24, 1972 at the Lyceum Ballroom in London (last show of Europe '72 tour             “FROM THE VAULT”: This entire show was released by the Dead as “Three From The Vault” in 2007.  The “From The Vault” series, launched by the Band in 1991 with One From The Vault – August 13, 1975 at The Great American Music Hall, with first live performance of the songs from Blues For Allah.  In 1992 the Dead released “Two From The Vault” – August 23 and 24, 1968 at the Shrine Auditorium in Los Angeles.  Then, along came Dick Latvala and his Dead scene changing Dick's Picks series which was wildly popular, so much so that the In The Vault Series was put on hold.  For 15 years.  Until 2007 when they circled back to the original series of live releasees with Three From The Vault which features the same show we are talking about today from the Capitol Theatre.  That was it for In The Vault releases.  The Dead did have several other “Vault” like releases – multi-track recordings including Hundred Year Haul, Dozin' At The Knick, Fallout From the Phil Zone, Terrapin Station, Live At the Fillmore East 2.11.69, Ladies and Gentlemen, the Grateful Dead, Nightfall of Diamonds, Trucking Up To Buffalo and so many more. They just stopped calling them “From The Vault”.  Dick's Picks, of course would go on to have a total of 36 releases, the last few releases coming after Dick's death in 1999.  Which led into the still wildly popular Dave's Picks from David Lemieux who took over for Dick and now has 49 releases and still going strong.  And “short” lived, but generally popular  “Roadtrips” series.  And all of the box sets that are all amazing but too numerous to name except for the Complete Recordings, the four-night run at the Fillmore West from Feb. 27 to March 2, 1969 – four shows with the band at the peak of Primal Dead, and Europe '72 which consists of the live recordings for all of the shows on that tour.  Another milestone for the Dead in terms of their ever expanding reputation for Jam Band, psychedelic, and amazing song catalogue, even at that “early” stage of the band's existence.  SHOW No. 2:      Playin In The Band                                Track # 7                                2:23 – 4:05                                            By:  Weir and Hunter "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan).The instrumental break of "Playing in the Band" was introduced as early as the February 19, 1969 "Celestial Synapse" show at the Fillmore West, in which it appears somewhat indistinct from the preceding and following jams.[5] The completed song was also included on Mickey Hart's 1972 solo album Rolling Thunder within "The Main Ten", making reference to the song's time signature of 10/4.  "The Main Ten" appears on Dick's Picks Volume 16, from their performance at the Fillmore West on November 8, 1969. On that set, it appears in the middle of "Caution (Do Not Stop On Tracks)".During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it" It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire, usually as a second set pre-drums jumping off point for jams to who knows where. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with over 600 performances. If you download this show from Archive.org, and play this track, at the 3:20 mark during the mid-song jam, they get to the point where they would normally dive back in but instead, Bobby plays on for an almost additional 30 seconds and then just dives back in to the song.  He is clearly still working it out.  Over the course of the Europe '72 tour, it was played almost every night as Bobby finally worked it outThis is all really good stuff. SECOND time ever played 661 times (No. 1)                First – “last: night's show, Feb. 18, 1971 Capitol Theatre                Last:       July 5, 1995 at Riverport Amphitheater, Maryland Heights, MO outside of St. Louis.                SHOW No. 3:      Greatest Story Ever Told (The Pump Song)                              Track #13                           Start – 1:41               By Weir, Hart and Robert Hunter (some give credit to Rev. Gary Davis)               Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972),[1] was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah"[2] and "Death Don't Have No Mercy" Released on:AceRolling Thunder, as "The Pump Song"Dead SetDick's Pick's, vol. 6Europe '72 box setLots of other releases              Per Hunter:  "Also known as "Pumpman" and "Moses"--I wrote this to the rhythm of the pump in Mickey Hart's well."                Released on Ace on May 1, 1972              First song on the album with Bobby setting a rocking tone              Another tune that was played almost every night of and refined during the Europe '72 tour                             283 times              First:  “last night” 2.18.71              Last:  June 27, 1995 at the Palace at Auburn Hills outside Detroit               SHOW No. 4:      Bird Song                                Track #15                           :42 – 2:15               By Garcia and Hunter              Second song on Garcia              Robert Hunter originally wrote the song as a tribute for Janis Joplin. Phil Lesh now sings "All I know is something like a bird within him sang", transfering it Jerry Garcia instead A regular for the Dead, and still played by Dead and Co., Bobby and Phil and Friends. Beautiful song, even for the fist time you know it's going to be special. Played 301 tines              First:  This is it!              Last:   June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   OUTRO:                Deal                                Track #17                                Start – 1:33  May 16, 2023 by Chris Huber of Chill One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel. Although it would move around a bit in the set list early on, this debut version is consistent with the ultimate tradition of the song closing out the first set.  Even in JGB sets it was a first set closer.  And would always leave you waiting through the break to see how they were going to kick off the second set and keep the show moving along.  For a first time played, this version stays true to the version we all know and love from a few years later.                            Played 428 times              First:  This is IT              Last:  June 18, 1995, Giants Stadium in East Rutherford, NJ Thank you. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Another hilarious prank on Dave blows up in Hunter's face and leaves him gazing into the abyss of his Jam Band past, compliments of Jerry Garcia.

It seems antithetical to describe anything Claypool-related as pleasant, but that's the word which comes to mind for this jaunt. The vocal layering is a highlight here, as well as the imadery produced by the lyrics. Feel the gravel between your toes and dance your way through this episode of Primus Tracks!Get involved:InstagramFacebookEmailBurn your money

Goose and their fans descended on the Hampton Coliseum for the 10th annual Goosemas weekend, and we all collectively blasted off into space for a truly epic experience. With an "In Space" theme announced, the band took us to 4 unique planets and played 4 outstanding sets that included never before played covers, segues, and song arrangements that left everyone's faces appropriately melted. For those that are new to Goose, don't worry, we help correlate a lot of the music and our experiences to DMB ones as well. The entire experience was amazing and we hope you all enjoy our recap of Goosemas X!

So, the first music episode was very broad, we talked about classic rock guys, it was fun. This time we narrowed our focus to Jam Band Guys I talk about my old jam band drug dealer, we learn about chompers, custies and wooks.  We also checked out one of the Grateful Dead "Dicks Picks" songs in its entirety. We found some bad husbands (of course) You can find Gavin at https://twitter.com/gavinmatts and his special Progression is at https://www.youtube.com/watch?v=sXswAbQYPDE There is much more Chris at youtube.com/noteveashow and twitter.com/notevenashow and of course https://www.patreon.com/notevenashow And for more Guys content, streams and SHOCKTOBER: a deep dive into shock jocks you can click patreon.com/murderxbryan twitter.com/murderxbryan and twitch.tv/murderxbryan

Who is Oz? Why is he floating? What does this have to do with John C. Lilly? We tackle all of these questions and more to gain an understanding of the second track from Oysterhead's The Grand Pecking Order, a compact number that tangentially broaches the metaphysical. Plus, song history, live tracks, and Josh helps you avoid cults, FOR FREE. Get involved:InstagramFacebookEmailBurn your money

We continue our Primus-adjacent chronology with the 2001 release by Oysterhead, The Grand Pecking Order. This record came about after Les Claypool, Trey Anastasio, and Stewart Copeland reconvened at Trey's barn in Vermont many months after their only planned gathering, a one-off (at the time) show in May 2000 in New Orleans. In this episode, we chart the band's formation and development of the record, and we also do our due diligence to the record's first track, Little Faces, including mining the first performance for some nuggets that would resurface on this studio cut. Find Lalo @LaloFierro on Instagram! Lalo modles Les's bass parts, and makes some fascinating observations about technique and style. Get involved:InstagramFacebookEmailBurn your money

Ryen opens with some NBA Tales From the Couch, including Kevin Durant's Suns debut and why he's finally out on Anthony Davis (0:32). Then he chats with former NBA coach P.J. Carlesimo about the surging Bucks and the Jokic, Giannis, and Embiid MVP race before sharing his favorite early KD memories (27:59). Finally the guys talk about jam bands and closing it out with life advice (1:01:23). Host: Ryen Russillo Guest: P.J. Carlesimo Producers: Kyle Crichton and Steve Ceruti Learn more about your ad choices. Visit podcastchoices.com/adchoices