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"Dance Talk” ® with Joanne Carey with special guest Samuel Pott, founder and artistic director of Nimbus Dance.In this episode of "Dance Talk” ® with Joanne Carey interviews Samuel Pott, the artistic director of Nimbus Dance. They explore his journey into dance, the founding of Nimbus Dance, and the upcoming world premiere of the re-imagined Firebird. They touch on the collaboration with the New Jersey Symphony, the thematic elements of Firebird, and the personal connections that inform the work.Together they discuss the benefits of dance, the importance of community engagement, and the creative process behind reimagining classic works. Samuel shares insights from his experiences with the Martha Graham Dance Company and emphasizes the significance of authenticity in storytelling through dance.Samuel Pott (Founding Artistic Director) founded Nimbus in 2005 . Mr. Pott's work as a performer, choreographer, educator, and arts leader, is dedicated to the authentic, humanistic, and equitable engagement that emerges in individuals and in communities through deep exploration and learning in the dance and the arts.Under his direction, the organization has toured nationally, built the Nimbus Arts Center at The Lively in Downtown Jersey City, developed the School of Nimbus which serves over 400 students onsite and many thousands in offsite community programs annually, and become the largest contemporary dance organization in the State of New Jersey. Mr. Pott's choreography has embodied the organization's endless fascination with exploration and engagement with important themes of the day, and collaboration with artists from many genres, among them: composers Daniel Bernard Roumain, Samson Young, Judd Greenstein, Aaron Parks, and Qasim Naqvi; visual artists Nicola Lopez, Bryant Small, Laia Cabrera/Isabelle Duverger, Theda Sandiford; and writers Alysia Souder and Rashad Wright. Pott maintains a multi-year artistic partnership with the New Jersey Symphony. Mr. Pott's 20+ original works for Nimbus are complemented by his commitment to support the work of diverse established and emerging choreographers through commissions, including: Dawn Marie Bazemore, Sofia Nappi, Darshan Singh Bhuller, Yoshito Sakuraba, Pedro Ruiz, Vernard Gilmore and Korhan Basaran. As a performer, Mr. Pott danced as a soloist with the Martha Graham Dance Company, performing in iconic roles–the Husbandman in Appalachian Spring, Agamemnon in Clytemnestra, and Adam in Embattled Garden–and new choreographic works created by a range of leading contemporary choreographers including Larry Kegwin, Ann Bogart, Robert Wilson, and Lar Lubovitch. Prior to joining the Graham company, Mr. Pott performed as a lead dancer with American Repertory Ballet, Oakland Ballet, and Savage Jazz Dance Company, in a wide range of new and classical repertory. A recipient of Choreography Fellowships from the New Jersey State Council on the Arts in 2008, 2017, and 2023, and named a Distinguished Teaching Artist by the Council in 2012, Pott was one of 25 arts leaders nationally selected for the Association of Performing Arts Presenters' (APAP) inaugural Leadership Fellows Program, serves on the Dance Advisory Council for New Jersey Performing Arts Center and the Diversity, Equity, and Inclusion Committee for ArtPride NJ, and is a co-founder of the Jersey City Arts Council.To get tickets to see Nimbus Dance, March 7th, 8th & 9th and to catch this world premiere click belowhttps://www.njsymphony.org/events/detail/the-firebird-with-xian-zhangTo learn more about the company and their programshttps://www.nimbusdance.org/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Neste episódio:01 – Judd Greenstein com Roomful of Teeth - AEIOU -6'17''02 – Anat Pick - Tongue Trum 3 - 3'14''03 – Murray Schafer - Miniwanka 5'25''04 – Giovanni Fontana - Frammenti d'ombre e penombre (2003)- 4'37''Total: 19'29”- Produção, gravação, edição e locução: Marcelo Brissac- Música “Drácula” usada no prefixo e sufixo, autoria de Marcelo Brissac e Livio Tragtenberg
We’re finally back in the streets -- but are we ready to reimagine how we share public space? This week, a trip through the century-long fight between cars, bikes, and people. Kai Wright takes us on a bike tour across Brooklyn - alongside Streetsblog New York reporter Dave Colon - to survey the ways in which inequity is built into the blacktop. Former New York City Traffic Commissioner Sam Schwartz a.k.a. Gridlock Sam shares a behind-the-scenes look at the history of the city’s streets and how our relationship to public space has transformed - for better or worse. WNYC transportation reporter Stephen Nessen talks about Vision Zero, the push for biking infrastructure and why mayoral candidates’ rhetoric about safe streets is revolutionary. Read Stephen's latest reporting on Gothamist, including “Who Will Be The Next Vision Zero Mayor?” And we hear a clip of an artistic rendition of the battle for the city’s streets through “A Marvelous Order,” an opera conceived by three artists: composer Judd Greenstein, poet Tracy K. Smith, and visual artist and director Joshua Frankel. The selection features Megan Schubert as Jane Jacobs; with Eliza Bagg, Kelvin Chan, Marisa Clementi, Tomás Cruz, Lucy Dhegrae, Christopher Herbert, and Kamala Sankaram; conducted by David Bloom, and instrumentals by NOW Ensemble. Companion listening for this episode: “Government: A Love-Hate Story” (4/12/21) How did Americans come to think so poorly of government? And how did Joe Biden come to be the first modern president who’s even tried to change our minds? “Zoned for Resistance” (7/10/20) Chicago’s Little Village has been hit hard by COVID-19, but after a botched demolition left it coated in dust, one lifelong activist and her community are standing together while apart. “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC. We want to hear from you! Connect with us on Twitter @WNYC using the hashtag #USofAnxiety or email us at anxiety@wnyc.org.
Episode 34 with Colleen Bernstein Colleen Bernstein is Black Swamp Concert Artist heavily involved in arts education, performance collaboration, diversity awareness and community engagement. Strength and Sensitivity, her ongoing music and arts project, aims to connect and engage artists across gender, racial, ethnic, sexual orientation, and disability spectrums. - - - - 2 Free months of Primephonic with promo code: BLACKSWAMP http://bit.ly/PrimephonicVC - - - - Connect with Colleen www.colleenbernstein.com Facebook: https://www.facebook.com/colleen.bernstein Instagram: https://www.instagram.com/colleendbern/ YouTube: https://www.youtube.com/c/ColleenBernstein Music from this episode Rebonds a by Iannis Xenakis: https://www.youtube.com/watch?v=i0j_b566i8s La Bicicleta de Cristal by Angélica Negrón: https://www.youtube.com/watch?v=O7IQ2iSIH8w We Shall Be Turned by Judd Greenstein: https://www.youtube.com/watch?v=J9TnNF8z7e8 Chorale by Richard Albagli: https://www.youtube.com/watch?v=oTGGdpd9qBs Strength & Sensitivity: Ann Arbor - Highlight Reel: https://www.youtube.com/watch?v=T_JF0_HSriI From My Little Island by Robert Aldridge: https://www.youtube.com/watch?v=8J-JezP91J0 - - - - Sound Solution Project (ends 04/30/21) Percussion Ensemble Showcase - - - - Get Social with Black Swamp: Newsletter: http://bit.ly/BSPFam BSP Fam: https://www.facebook.com/groups/BSPFam/ Facebook: https://www.facebook.com/blackswampperc/ Instagram: https://www.instagram.com/blackswamppercussion/ Twitter: https://twitter.com/blackswamp - - - - Primephonic ad features Music by John Vallis (johnvallis.bandcamp.com) Licensed under Creative Commons: By Attribution 3.0
I talk with composer and co-director of New Amsterdam Records Judd Greenstein. We discuss the messiness of genre, the different benefits of live and recorded music, the transparency of collaboration in certain music, the idea of influence, the role of feedback on the creative process, the elusive “blank page,” and more! New episodes every Tuesday! Be sure to subscribe. Follow me on Instagram and Twitter @isabelhagen_ and check out isabelhagen.com Check out juddgreenstein.com and newamrecords.com
In response to criticism from attendees at a concert in late 2019, the Minnesota Orchestra took another look at its engagement with audiences of color. Garrett, who was very vocal about this infamous performance, addresses his concerns with Sam Bergman, a violist and 20-year member of the orchestra. In this opus, Sam discusses his journey as a musician, shares his social media strategy, and gives an inside look at the audition process at one of the nation’s great orchestras. In the prelude, Garrett tells Scott about his own journey into a professional orchestra, and the two briefly discuss the implications of taking on a non-leadership role in the arts. The opus concludes with Sam’s performance of In Teaching Others We Teach Ourselves by composer Judd Greenstein. Episode Playlist Wolfgang Amadeus Mozart – Overture to The Marriage of Figaro Wolfgang Amadeus Mozart - “Der Hölle Rache” (from The Magic Flute) Judd Greenstein – Change Judd Greenstein – In Teaching Others We Teach Ourselves
The message from Silicon Valley seems to be that self-driving cars are the way of the future. This week, On the Media considers the history behind the present-day salesmanship. Plus, why transit rights mean much more than point-A-to-point-B mobility. Also, a new opera about Robert Moses and Jane Jacobs. 1. Angie Schmitt [@schmangee], national reporter at Streetsblog, on the "heartwarming" stories of Americans who walk miles and miles to work. Listen. 2. Peter Norton, professor of history at University of Virginia's Department of Engineering and Society, and Emily Badger, urban policy reporter for the New York Times, on the past, present and dazzling future of self-driving car salesmanship. Listen. 3. Judd Greenstein [@juddgreenstein], composer, on the in-progress opera, A Marvelous Order. Listen. 4. Kafui Attoh, professor of urban studies at the CUNY Graduate Center, on the deeper political meanings of "transit rights." Listen. This episode originally aired on November 23, 2018. Music from this week's show: Dan Deacon — USA III: RailIggy Pop — The PassengerGary Numan — CarsJudd Greenstein — ChangeJudd Greenstein — A Marvelous OrderBrian Eno — Music For Airports On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.
The message from Silicon Valley seems to be that self-driving cars are the way of the future. This week, On the Media considers the history behind the present-day salesmanship. Plus, why transit rights mean much more than point-A-to-point-B mobility. Also, a new opera about Robert Moses and Jane Jacobs. 1. Angie Schmitt [@schmangee], national reporter at Streetsblog, on the "heartwarming" stories of Americans who walk miles and miles to work. Listen. 2. Peter Norton, professor of history at University of Virginia's Department of Engineering and Society, and Emily Badger, urban policy reporter for the New York Times, on the past, present and dazzling future of self-driving car salesmanship. Listen. 3. Judd Greenstein [@juddgreenstein], composer, on the in-progress opera, A Marvelous Order. Listen. 4. Kafui Attoh, professor of urban studies at the CUNY Graduate Center, on the deeper political meanings of "transit rights." Listen. This episode originally aired on November 23, 2018. Music from this week's show: Dan Deacon — USA III: RailIggy Pop — The PassengerGary Numan — CarsJudd Greenstein — ChangeJudd Greenstein — A Marvelous OrderBrian Eno — Music For Airports
The message from Silicon Valley seems to be that self-driving cars are the way of the future. This week, On the Media considers the history behind the present-day salesmanship. Plus, why transit rights mean much more than point-A-to-point-B mobility. Also, a new opera about Robert Moses and Jane Jacobs. 1. Angie Schmitt [@schmangee], national reporter at Streetsblog, on the "heartwarming" stories of Americans who walk miles and miles to work. Listen. 2. Peter Norton, professor of history at University of Virginia's Department of Engineering and Society, and Emily Badger, urban policy reporter for the New York Times, on the past, present and dazzling future of self-driving car salesmanship. Listen. 3. Judd Greenstein [@juddgreenstein], composer, on the in-progress opera, A Marvelous Order. Listen. 4. Kafui Attoh, professor of urban studies at the CUNY Graduate Center, on the deeper political meanings of "transit rights." Listen. Music from this week's show: Dan Deacon — USA III: RailIggy Pop — The PassengerGary Numan — CarsJudd Greenstein — ChangeJudd Greenstein — A Marvelous OrderBrian Eno — Music For Airports On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.
Listen to rhythmic music, whether for percussion, string quartet or vocal duet for this New Sounds. Hear works from percussionist Ian David Rosenbaum, Kelly Moran, and the Jasper String Quartet, and a vocal duet from Meredith Monk and Robert Een. From the recent record, Unbound, by the Jasper String Quartet, hear a non-stop motoring work by Judd Greenstein, “Four on the Floor.” Usually the term applies to thumping dance-club bangers, but in this work, pairs of instruments work “with and against each other, until they settle their differences and combine into a shared groove,” according to the composer. Hear music with rhythmic intensity, for prepared piano, with and without electronics from Kelly Moran, and her record, Bloodroot, which is where minimalism and black metal collide. Then, listen to music from Hauschka, who layers player piano with prepared piano. Also, listen to Inuit-style breathing games from Meredith Monk and cellist/vocalist Robert Een, from her long-form work, "Facing North," inspired by the Canadian wilderness. Then, listen to increasingly tricky and complex rhythms in a work by David Crowell for percussionist Ian David Rosenbaum. Plus, hear a work –"Redwood"- involving saxophone and interlocking guitar parts from Empyrean Atlas, the band of composer/multi-instrumentalist David Crowell. And more. PROGRAM #3960, We've Got Rhythms (First Aired: 3/15/2017) ARTIST: Ian David RosenbaumWORK: David Crowell: Celestial Sphere, excerpt [1:00]RECORDING: Memory PalaceSOURCE: Vision Into ArtINFO: naxosdirect.com ARTIST: Jasper String QuartetWORK: Judd Greenstein: Four on the Floor [10:45]RECORDING: UnboundSOURCE: Sono Luminus/New AmsterdamINFO: jasperstringquartet.bandcamp.com ARTIST: Kelly MoranWORK: Celandine [3:06]RECORDING: BloodrootSOURCE: Telegraph Harp TH 011INFO: kellymoran.bandcamp.com ARTIST: HauschkaWORK: Constant Growth Fails [4:08]RECORDING: What IfSOURCE: Temporary Residence RecordsINFO: hauschka.bandcamp.com ARTIST: Christian Frederickson, Jason Noble, Ryan RumeryWORK: To Be One Of Them [1:00]RECORDING: The Painted Bird: AmidstSOURCE/INFO: christianfrederickson.bandcamp.com ARTIST: Ian David RosenbaumWORK: David Crowell: Celestial Sphere [9:50]RECORDING: Memory PalaceSOURCE: Vision Into ArtINFO: naxosdirect.com ARTIST: Empyrean AtlasWORK: Redwood [5:11]RECORDING: Empyrean AtlasSOURCE/INFO: empyreanatlas.bandcamp.com ARTIST: Christian Frederickson, Jason Noble, Ryan RumeryWORK: To Be One Of Them [1:00]RECORDING: The Painted Bird: AmidstSOURCE/INFO: christianfrederickson.bandcamp.com ARTIST: Bang on a Can All-StarsWORK: Michael Gordon: Gene Takes a Drink [5:57]RECORDING: Field RecordingsSOURCE: Cantaloupe MusicINFO: bangonacan.org ARTIST: Meredith Monk & Robert EenWORK: Keeping Warm & Arctic Bar [8:45]RECORDING: Facing NorthSOURCE: ECM #1482 INFO: ecmrecords.com
Beautiful new music from Alice Coltrane Turiyasangitananda, Larkin Grimm, and Canadian pianist/composer Chilly Gonzales. Plus a riveting new piece by Judd Greenstein performed by Philadelphia's Jasper Quartet.
On today's episode I talk to violist Nadia Sirota. Based in New York, Nadia is a Juilliard-trained violist best known for her singular sound and expressive execution and she's worked with a number of amazing contemporary composers like Nico Muhly, Judd Greenstein, and Missy Mazzoli. Her debut album First Things First was released in 2009 on New Amsterdam Records and was cited as a record of the year by The New York Times. In addition to her work as a soloist, Nadia is a member of yMusic, ACME (the American Contemporary Music Ensemble) and Alarm Will Sound, and has lent her viola to recording and concert projects by artists such as Grizzly Bear, Dirty Projectors, Anohni and Arcade Fire. In 2015, she won a Peabody Award for her podcast Meet the Composer. This is the website for Beginnings, subscribe on iTunes, follow me on Twitter.
On this week's Snacky Tunes, Greg Bresnitz interviews Claire Wadsworth of the restaurant La Copine. La Copine began as a pop-up kitchen in 2009. Chef Nikki Hill partnered with singer-songwriter Claire Wadsworth in Philadelphia, where they started their business serving farm-to-table brunch on a food cart. In 2012, Nikki and Claire moved to California. Now living in Yucca Valley, they have opened their first restaurant in Flamingo Heights. After the break, a live in-studio performance by violinist Nadia Sirota. “A one-woman contemporary-classical commissioning machine” (Pitchfork), violist Nadia Sirota is best known for her singular sound and expressive execution, coaxing works and collaborations from the likes of Nico Muhly, Daníel Bjarnason, Valgeir Sigurðsson, Judd Greenstein, Marcos Balter, and Missy Mazzoli. Her debut album First Things First (New Amsterdam Records) was named a record of the year by The New York Times, and her follow-up Baroque (Bedroom Community and New Amsterdam) has been called “beautiful music of a higher order than anything else you will hear this year” by SPINMedia website PopMatters. Nadia also hosts the Meet the Composer podcast on Q2 Music, exploring the work of living composers through her interviews and musical selections.
We are featuring double bassist Gaelen McCormick on today’s episode. Gaelen is a member of the Rochester Philharmonic, teaches at Nazareth College and the Eastman Community Music School and is the author of Mastering the Bow, a two-part series for bass. Part one is based on the violin studies of Franz Wohlfahrt, and part two features off-the-strings strokes. We had a wonderful conversation about her early years in music, studying with Jeff Turner for graduate school (and you can listen to Jeff on the podcast—he was a guest back on episode 26), structuring practice time, the George Vance Progressive Repertoire series, and many other topics. Before and after the interview, we feature Gaelen and Ed Paulsen performing a couple of Dave Anderson’s wonderful duets, and you can check out our interview with Dave on episode 75 of the podcast. About Gaelen: Ms. McCormick has been a member of the Rochester Philharmonic’s bass section since 1995. Before joining the RPO, she held positions with regional orchestras such as the Erie (PA) Philharmonic, the Binghamton Philharmonic and the Albany Symphony. Ms. McCormick has performed regularly with other major orchestras, including the Buffalo Philharmonic and the Syracuse Symphony. She holds degrees in performance from the Eastman School and Carnegie Mellon University. Teaching the double bass to students of all ages has become a significant part of Gaelen’s life. She joined the faculty of Nazareth College in 2010, and has been the bass instructor for the Eastman Community Music School since 2001. She enjoys working with talented high school aged string players in the summer at Eastman’s Music Horizons program where she teaches chamber music and gives bass lessons. In 2003, she was invited to teach for the year at Duquesne University’s City Music Center, a program for talented, pre-college students. Gaelen has given masterclasses and recitals at Ithaca College, Williams College, the College of St. Rose, and Roberts Wesleyan College. In 2013, she gave classes on double bass technique at both the International Society of Bassists convention in Rochester and the NYSSMA Winter Conference. “Mastering the Bow”, the first of three books on double bass bow technique, was published by Carl Fischer in 2013, and the second will be published during the 2014 season. Playing chamber music has been a passion for Ms. McCormick. Before moving to Rochester, she often performed with the St. Cecilia Chamber Orchestra (Albany, NY) as their sole bassist. During her tenure in Pittsburgh, she became the founding bassist of the Pittsburgh Live Music Chamber Orchestra. She was the founding member of the innovative string quintet “Gibbs and Main”, and recorded a cd of tango standards with them, and commissioned a new work for the ensemble by Judd Greenstein. In recent summers, she has been performing with the Music in the Mountains chamber orchestra, a festival based in Durango, Colorado. She is frequently invited to play chamber music with musicians from around the country in festivals such as the Roycroft Chamber Music Festival and the Syracuse New Music Ensemble. This summer, Ms. McCormick will make her debut appearance at the Canandaigua Lake Chamber Music Festival. Gaelen has been involved in volunteering and arts advocacy, and is proud to be the representative for the RPO in the International Conference of Symphony and Opera Musicians. She is honored to be a member of Phi Kappa Phi and Pi Kappa Lambda, groups recognizing and supporting excellence in the humanities and in music specifically. In her spare time, Gaelen enjoys kayaking, Argentine tango and West Coast swing dancing, and spending time with her toddler Clara.
1 - "Deuxième air de furies" da/from "Suite da/from opera Hypollite et Aricie" (Rameau). Orquestra Barroca do XXII Festival Juiz de Fora. Luis Otavio Santos, regente/conductor. 2 - "Clearing, Dawn, Dance" (Judd Greenstein). Ensemble ymusic. 3 - Canto do canário belga/ Brazilian birdcall. 4 - "Jingle Black" (Gerson King Combo). Gerson King Combo.
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