Podcasts about violin partita

On this Earth path from the International Space Station, we selected a flight starting with the Atlantic coast, passing over the Sahara, the Mediterranean Sea, Italy and on to Ukraine. Music is performed by Qingzhu Weng who won the International BachFest 2022 competition with this stunning performance of the Violin Partita #2 in D minor: Chaconne movement, by Johann Sebastian Bach. Considered one of the most challenging works for violin, the performance is superb. Series: "Arts Channel " [Arts and Music] [Show ID: 40099]

در این اپیزود به سراغ تابلویی از هانس هولباین، نقاش آلمانی رفتیم و سعی میکنیم با کمک نامه های ژان دانتوی از تابلو سر در بیاریملینک عکس باکیفیت تابلو:https://upload.wikimedia.org/wikipedia/commons/thumb/8/88/Hans_Holbein_the_Younger_-_The_Ambassadors_-_Google_Art_Project.jpg/2078px-Hans_Holbein_the_Younger_-_The_Ambassadors_-_Google_Art_Project.jpgلینک عکس خیلی باکیفیت و با حجم بالا از تابلو:https://upload.wikimedia.org/wikipedia/commons/8/88/Hans_Holbein_the_Younger_-_The_Ambassadors_-_Google_Art_Project.jpgقطعات موسیقیPersian March, Persischer Marsch - Johann Strauss IIAlkan - Etude op.39 no.12 - Le Festin D EsopeBach-Friedman - Bourrée (from Violin Partita 1 in B minor, BWV 1002) Hosted on Acast. See acast.com/privacy for more information.

07 02 2023 - Sarabande From Violin Partita No. 2 In D Minor, BWV 1004 by Snowmass Chapel

Johann Sebastian Bach - Violin Partita No. 3: Gavotte Ilya Kaler, violin More info about today's track: Naxos 8.570277-78 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Johann Sebastian Bach - Violin Partita No. 2: Chaconne Wolf Harden, piano trans. Ferruccio Busoni More info about today's track: Naxos 8.555699 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Johann Sebastian Bach - Violin Partita No. 2: Chaconne Bruce Levingson, piano arr. Johannes Brahms More info about today's track: Dorian Sono Luminus DSL-92245 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Johann Sebastian Bach wrote his Partita in D minor for solo violin, BWV 1004, from the year 1717 to 1723. It has been suggested that this partita, and especially its last movement, was conceived as a tombeau in memory of Bach's first wife Maria Barbara Bach (who died in 1720). The partita contains five movements, given in Italian as: Allemanda, Corrente, Sarabanda, Giga and Caccona.

Possibly the most famous organ work ever written, the Toccata and Fugue in D minor is instantly recognizable by its first few notes.  But... are those the notes that Bach wrote?  The answer might surprise you...  In fact, this cornerstone of the organ repertoire has flummoxed so many musicians and music scholars through the generations, it's no wonder that it gets so much attention -- and that's not including the notoriety it began to develop as a piece of stock music for horror films in the silent film era.  It found a wide audience in 1940 when it was featured in Walt Disney's Fantasia, in an orchestral transcription by Leopold Stokowski, and since then, it has enjoyed more mainstream success than most classical pieces ever see.  We dive into the mysteries at the heart of the piece, as we move from thrilling cadence to thrilling cadence, toward the very end of the work, where Alex's favorite moment hits: a surprise ending that would have given the audiences of the 1700's just as much of a delighted shock as it gives us today.  Toccata and Fugue in D minor, performed by Leo van Doeselaar for the Netherlands Bach Society: https://www.youtube.com/watch?v=Pi0IuyTS_ic Orchestral version by Leopold Stokowski featured in Disney's Fantasia (1940): https://www.youtube.com/watch?v=z4MQ7GzE6HY Article which theorizes that this work (BWV 565) and the Chaconne from Violin Partita no. 2 (BWV 1004) are arrangements of lute pieces:  https://www.jstor.org/stable/30044126 Violin piece featured in this episode as an example of bariolage technique: "Partita no. 3" by J. S. Bach (BWV 1006), performed by Shunske Sato for the Netherlands Bach Society: https://www.youtube.com/watch?v=gYT1JUq0k04 An informative (if a little snarky) video essay, aimed at non-musicians: "Why Pipe Organs Sound Scary": https://www.youtube.com/watch?v=WT934eTbmuY

Welcome back!  For our first episode of Season 2, we dive into one of the great violin solo pieces. And there is a rich well of musical material here in the Violin Partita No. 2. Alex's moment features the technical prowess of the soloist, Shunske Sato -- a bravura section of flurrying fast arpeggiated figures.  But even more profound is the structure of the Chaconne: a cyclical theme that moves from minor to major to minor, and seems as if it could circle around and around, into eternity. Violin Partita No. 2 in D minor (BWV 1004) as performed by Shunske Sato, Netherlands Bach Society: https://www.youtube.com/watch?v=pnK6R5ej6Hg We now have over 20,000 podcast downloads!  Thanks to all our new and continuing listeners!  And thanks as always to the Netherlands Bach Society, who are in their 100th season this year. Cheers!

A client visits Holmes and Watson with a frankly bizarre tale which sounds like an elaborate hoax, but Holmes nevertheless sets off on the path to uncovering the mystery. The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle is in the public domain worldwide. This is a Willow Audiobook read by Stephen Alexander. Music used is by Kevin MacLeod (https://incompetech.filmmusic.io/): "Mystery Bazaar" "Sneaky Snitch" "Reign Supreme" "Division" Also used is "Violin Partita no. 2, BWV 1004 - 3. Sarabande" by J S Bach, sourced from https://musopen.org. To stay updated with Willow Audiobooks, you can follow us on social media. Just search for Willow Audiobooks on Instagram, Facebook and Twitter, or you can visit our webpage at www.stephenalexanderwillis.com/willowaudiobooks. If you're enjoying this audiobook, why not leave a rating or a review on iTunes, or wherever you happen to get your podcasts? Instagram/Facebook: @WillowAudiobooks Twitter: @WillowAudiobook https://www.stephenalexanderwillis.com/willowaudiobooks

That is a line from a hymn. Jay says it must apply to Bach's Cello Suites, which players of that instrument get to live with all life long — through good times and (maybe most important) bad. Of course, all of the pieces on this program may be called “great companions”: from the pens of composers famous and obscure. An appetizing, companionable episode. Bach, Allegro assai, Brandenburg Concerto No. 2 Bach-Rachmaninoff, Preludio, Violin Partita in E major Tchaikovsky-Wild, Pas de quatre, “Swan Lake” Bach, Sarabande, Cello Suite in C minor Mancini, “Quanto dolce è quell'ardore” Dalza, “Calata ala spagnola” Monteverdi, “Quel sguardo sdegnosetto” Price, F., “Down a Southern Lane” Trad., arr. F. Price, “My Soul's Been Anchored in the Lord”

Acclaimed classical violinist Jennifer Koh joins us live from the studios of NPR in New York City. Not only is she a virtuoso player, she is one of the great champions of contemporary composers, having commissioned more than 70 works from a brilliant and diverse group of composers from all over the world. Ms. Koh will be playing a concert on Sunday, January 27 at 5:30pm at Baltimore's Hebrew Congregation, performing a program of Beethoven Sonatas and a modern piece by Vijay Iyer, with her frequent concert partner, pianist Shai Wosner, as part of the Shriver Hall Concert Series. We're delighted to welcome Jennifer Koh to Midday, today. She talks about her art and her upcoming concert, and performs two short solo pieces: “Kinski Paganini,” by Missy Mazzoli, and the Sarabande from the Violin Partita in D Minor by Johann Sebastian Bach. The show's closing music today is from the first movement of Beethoven's Sonata for Violin and Piano No 1. in D Minor, Op. 12, performed by Jennifer Koh and Shai Wosner at the Aspen Music Festival and School, in July 2015

Introducing Season 4 of the Creative Strings Podcast! In this episode I share my newly released arrangement of Bach’s Violin Partita #2 (Giga) and preview the upcoming interviews in this season of the Creative Strings Podcast including Regina Carter, Andrea Whitt, Stash Wyslouch, and Joan Griffing. Subscribe to the Creative Strings Podcast wherever you listen to your podcasts to catch all of these interviews and more! Check out the full split screen video: http://bit.ly/HowesBachVideo Check out my accompanying blog post: http://bit.ly/2vxHHrS Subscribe to my YouTube Channel for more content: http://bit.ly/HowesYouTube Thanks so much to our sponsors Yamaha and Electric Violin Shop for supporting the Creative Strings Podcast. Their support makes it possible to invest in the production of each episode and bring you great stories and discussions. Please take a moment to visit Electric Violin Shop, your one-stop shop for electric instruments, amps, gear, accessories, and most of all, expertise. Use code CHOWES at checkout and take 5% off of your order. Call 866-900-8400 to get your questions answered on “all things electric strings.” While you are talking to EVS, be sure to ask them about the new Yamaha Electric Violin. I’ve been a Yamaha performing artist for almost 20 years now and am very proud to be a part of the Yamaha family.

Violinist/fiddle player Gaelynn Lea came to Houston fresh off of performing at South by Southwest and spent some time with the Classical Classroom(and Skyline Sessions – check out her video performances!). She talks about how music has gradually become her life. From first finding an instrument that was right for her body as a kid (she has a rare condition called Brittle Bones Disease that means she’s got different physical challenges than others), to meeting and collaborating with Alan Sparhawk (of the band Low), to winning the Tiny Desk Contest and selling her home to go on tour. Music in this episode: Violin Partita, No 1 in B Minor “Gentle,” by Low from Ones and Sixes Plus, music performed by Gaelynn Lea Audio production by Todd “Turnt Up” Hulslander with dinosaur acts by Dacia Clay and help from Mark DiClaudio.

Today's episode features soloist, chamber musician, and recording artist Guy Tuneh.  Guy was on the podcast way back in 2007, and a lot has changed for him in the intervening years.  His previous interview was one of our most popular episodes of all time, and in this talk we go even deeper, digging into why Guy makes music, how he approaches every single note he plays, and what motivates him to search out new repertoire and bring it to the double bass. Guy has been working on several new recording projects, and we feature two of them today.  We are including an excerpt from Beethoven’s Romance in G Major before the interview, and we close out the episode with a complete track of Guy performing Bach's Allemande from the Violin Partita in D minor. You can learn about Guy’s upcoming solo appearances, recordings, and other details at his website guytuneh.com and on his Facebook page.  We also have a video version of this episode on YouTube.  Enjoy!

  PART 1: LATE TO THE PARTY Andres Segovia. Even the mention of his name elicits tones of hushed reverence in certain circles. But in the 70’s, there was a backlash against the style of playing that Segovia popularized. I began my guitar studies at a time when the guitar world was reassessing Segovia’s legacy. As a result, I was a latecomer to recognizing the genius of Andres Segovia.   Recordings: David Russell, Capriccio Arabe by Fransisco Tárrega from Reflections of Spain “Ding Dong the Witch is Dead” from The Wizard of Oz Oscar Ghiglia, “Allegro Moderato” from Sonata III by Manuel Ponce from Ponce Guitar Collection Volume 3 Theme Music: Matthew Cochran, “Cicadas at the Equinox” from Vapor Trail from a Paper Plane   Commercial Break: Season Sponsor, Strings By Mail Music Bed: Pat Metheny, “Fast” from Electric Counterpoint by Steve Reich   PART 2: SEGOVIA ON RECORD Approaching Segovia’s recordings requires that you set aside a few modern expectations. We’re used to hearing music that’s been created in pristine conditions—soundproof booths, advanced microphone technology, digital editing software, etc. Segovia came along at a time when recorded music was just getting started. On his 1920’s recordings, you’re hearing the guy through a ribbon microphone with no processing, no reverb, very few edits, if any at all. What you’re hearing is just him. It’s basically a live performance captured on the best sound equipment available at the time.   Recordings: Andrés Segovia, Recuerdos de la Alhambra by Francisco Tàrrega from The Art of Segovia Andrés Segovia, “Allegro Con Spirito” from Guitar Sonata Op 77, “Omaggio a Boccherini” by Mario Castelnuovo-Tedesco from The Art of Andres Segovia Vol. 5 Andrés Segovia, “Canción” from Suite Compostelana by Frederic Mompou, from The Segovia Collection Andrés Segovia, Sevillana by Joaquín Turina from The Art of Segovia Lionel Loueke, “Ami-O” from Mwaliko   PART 3: A GUITARIST WITH A MISSION STATEMENT…THAT’S RIGHT, A MISSION STATEMENT Nicholas Goluses talks about Segovia’s vision for the guitar. Nick is Professor of Guitar at the Eastman School of Music. He’s been there for over 20 years now and in that time has racked up enough awards and honors to fill up his own garage and maybe yours and mine as well. Oh, and he’s a total badass guitar player.   Recordings: Nicholas Goluses, Variations and Fugue on La Folia d’España by Manuel Ponce from From Afar John Williams, “Allegro Preciso” from Concerto for Guitar & Small Orchestra by Heitor Villa-Lobos. English Chamber Orchestra conducted by Daniel Barenboim.   Commercial Break: Peghead Nation Music bed: Punch Brothers, “Flippen” from Who’s Feeling Young Now?   PART 4: GRAN TORINO, OR GET YOUR FILTHY HANDS OFF MY FINGERINGS Segovia had a hands-on approach when it came to commissioning pieces from composers. We talk about Segovia’s fruitful and affectionate relationship with the Mexican composer Manuel Ponce, and the collaboration between the two.   For die-hard enthusiasts and aspiring professional classical guitarists, THE way to learn Segovia’s approach was to play for him in a masterclass. But that could get a bit dicey. The old guy could be cantankerous, especially if you didn’t cotton to his ideas. There’s a certain poignancy to all of this that, a lot of times, gets missed in the conversation. Yeah, Segovia was a bully. And, yeah, he had a tendency to be snobbish and dictatorial about his approach to the guitar. But you know, through his efforts to popularize the guitar as a respected concert instrument, he created a necessary reaction against his own vision of beauty. We hear from David Foster Wallace’s 2005 commencement address titled “This is Water”, and ask some fundamental questions about the responsibility inherent in artistic life to think independently.    But thankfully, some of those people who cultivated their own vision of beauty continue to draw from Segovia’s enormous well. Nicholas Goluses has the last word about how his approach to the guitar has changed over the years, and how that approach is at least partially influenced by Segovia.   Recordings: Andrés Segovia, “Allegro Moderato” from Sonata Romantica by Manuel Ponce, from Andrés Segovia, Dedication Andrés Segovia, “Gavotte en Rondeau” from Violin Partita in E Major, BWV 1006 by Johann Sebastian Bach, from The Art of Andrés Segovia David Foster Wallace, “This is Water” Andrés Segovia, “Asturias” from Suite Española No 1, Op 47 from The American Decca Recordings   Videos referenced: https://www.youtube.com/watch?v=DJrEl4Nsmsg https://www.youtube.com/watch?v=PWA0HEOFHpo https://www.youtube.com/watch?v=x2xh0YW1R4o https://www.youtube.com/watch?v=CNjNXuGQaAE https://www.youtube.com/watch?v=fVV10Higj9E https://www.youtube.com/watch?v=wiAbqfaYGwk https://www.youtube.com/watch?v=7aINpJzg5Bs https://www.youtube.com/watch?v=1GY3i8EqYPA https://www.youtube.com/watch?v=3OFXIG_3P40 https://www.youtube.com/watch?v=1nXJ744velc https://www.youtube.com/watch?v=s-69wdduiOE https://www.youtube.com/watch?v=4_neeq6ObEM&spfreload=1 https://www.youtube.com/watch?v=XZDA1crTi9A https://www.youtube.com/watch?v=QxWCYLLZRNw  

A partir del titular de El País “la corrupción coloniza al PP” analizamos la corrupción y la falsedad del titular por ser ésta previa al caso Gürtel. La corrupción está causada mayoritariamente por la falta de control del poder, debida a la ausencia de separación de poderes, y en menor medida por la discrecionalidad administrativa. Es difícil la diferenciación entre actos políticos y administrativos. En los primeros rige la potestad discrecional y su control es difícil. En los segundos, relativos a la potestad reglada, cabe su control mediante el poder judicial, aunque es limitado porque actúa cuando se le solicita y tiene un retraso de años. En todo caso es difícil distinguir entre la discrecionalidad y la arbitrariedad. Existe el añadido de que el poder judicial está corrupto por la introducción del tribunal constitucional, que es de carácter político, con lo que dicho control es imposible. ERC protege a Artur Mas, impidiendo que aparezca en una comisión de investigación motivada por el caso Pujol. La degeneración cultural en España ha llevado a la situación en la que se llama democrático justamente a lo que no pertenece a la esfera de la democracia, que es lo susceptible de ser dirimido en base a votación entre mayorías y minorías. Hace falta representación -y que los elegidos tengan mayoría absoluta- y separación de poderes. El uso de la palabra “democracia” no es casual puesto que busca aprovecharse de la confusión entre el derecho a votar y democracia. Lo que se entiende en España por referéndum es en realidad un plebiscito puesto que para que no sea así no ha de plantearse en términos de sí o no y tener 3 ó más opciones. Ha conducido el programa Adrián Perales, con la participación de Daniel Sancho y Antonio García-Trevijano. En la parte técnica participaron Jacobo Olmedo y Manu Ramos. Música: El bolero de Ravel, Violin Partita 3 en E Mayor - Bach

A partir del titular de El País “la corrupción coloniza al PP” analizamos la corrupción y la falsedad del titular por ser ésta previa al caso Gürtel. La corrupción está causada mayoritariamente por la falta de control del poder, debida a la ausencia de separación de poderes, y en menor medida por la discrecionalidad administrativa. Es difícil la diferenciación entre actos políticos y administrativos. En los primeros rige la potestad discrecional y su control es difícil. En los segundos, relativos a la potestad reglada, cabe su control mediante el poder judicial, aunque es limitado porque actúa cuando se le solicita y tiene un retraso de años. En todo caso es difícil distinguir entre la discrecionalidad y la arbitrariedad. Existe el añadido de que el poder judicial está corrupto por la introducción del tribunal constitucional, que es de carácter político, con lo que dicho control es imposible. ERC protege a Artur Mas, impidiendo que aparezca en una comisión de investigación motivada por el caso Pujol. La degeneración cultural en España ha llevado a la situación en la que se llama democrático justamente a lo que no pertenece a la esfera de la democracia, que es lo susceptible de ser dirimido en base a votación entre mayorías y minorías. Hace falta representación -y que los elegidos tengan mayoría absoluta- y separación de poderes. El uso de la palabra “democracia” no es casual puesto que busca aprovecharse de la confusión entre el derecho a votar y democracia. Lo que se entiende en España por referéndum es en realidad un plebiscito puesto que para que no sea así no ha de plantearse en términos de sí o no y tener 3 ó más opciones. Ha conducido el programa Adrián Perales, con la participación de Daniel Sancho y Antonio García-Trevijano. En la parte técnica participaron Jacobo Olmedo y Manu Ramos. Música: El bolero de Ravel, Violin Partita 3 en E Mayor - Bach

El día 19 de junio se tiene previsto coronar a Felipe VI pero no hay prevista una ley que blinde a Juan Carlos desde el momento en que deje de ser rey. Esa ley, específica para una persona, tardará un tiempo en el que queda expuesto el borbón al ordenamiento jurídico como el resto de españoles. Comentamos esta circunstancia y sus consecuencias. Para el segundo asunto, referente a Ucrania, hemos comentado la noticia de las conversaciones que han tenido Putin y Petro Poroshenko en Normandía, durante las conmemoraciones del desembarco famoso de la II Guerra Mundia. Jose María Alonso nos aporta detalles el horror de los despiadados ataques que se han producido en el Este de Ucrania durante el gobierno de Yatseniuk. Continúa Trevijano explicando su Teoría Pura de la República. En este caso no explica la formación y origen de la Asamblea Legislativa, reunión de todos los diputados de distrito, que representa a la nación por medio del Consejo de Legislación. Este surge de la Asamblea Nacional. Se explica sus funciones. En la República Constitucional esta es la forma por la cual el poder legislativo (nación) es independiente del poder ejecutivo (estado). Se comenta, por último, los ejemplos de la Revolución Francesa cuando cortaron la cabeza a Luis XVI y la nación se apoderó del estado, acabando así con la separación de poderes. En España fue al revés: el estado sometió a la nación. Ha conducido el programa Adrián Perales, con la ayuda de Jacobo, la intervención de D. Antonio García Trevijano y, desde Varsovia, Jose María Alonso además de la colaboración técnica de Pedro Gómez y Manu Ramos. Música: El Bolero de Ravel, Violin Partita 3 en E Mayor - Bach, Danza Rusa (Cascanueces) - Tchaikovsky Enlaces MCRC: http://www.diariorc.com/ https://www.facebook.com/groups/republicaconstitucional/

El día 19 de junio se tiene previsto coronar a Felipe VI pero no hay prevista una ley que blinde a Juan Carlos desde el momento en que deje de ser rey. Esa ley, específica para una persona, tardará un tiempo en el que queda expuesto el borbón al ordenamiento jurídico como el resto de españoles. Comentamos esta circunstancia y sus consecuencias. Para el segundo asunto, referente a Ucrania, hemos comentado la noticia de las conversaciones que han tenido Putin y Petro Poroshenko en Normandía, durante las conmemoraciones del desembarco famoso de la II Guerra Mundia. Jose María Alonso nos aporta detalles el horror de los despiadados ataques que se han producido en el Este de Ucrania durante el gobierno de Yatseniuk. Continúa Trevijano explicando su Teoría Pura de la República. En este caso no explica la formación y origen de la Asamblea Legislativa, reunión de todos los diputados de distrito, que representa a la nación por medio del Consejo de Legislación. Este surge de la Asamblea Nacional. Se explica sus funciones. En la República Constitucional esta es la forma por la cual el poder legislativo (nación) es independiente del poder ejecutivo (estado). Se comenta, por último, los ejemplos de la Revolución Francesa cuando cortaron la cabeza a Luis XVI y la nación se apoderó del estado, acabando así con la separación de poderes. En España fue al revés: el estado sometió a la nación. Ha conducido el programa Adrián Perales, con la ayuda de Jacobo, la intervención de D. Antonio García Trevijano y, desde Varsovia, Jose María Alonso además de la colaboración técnica de Pedro Gómez y Manu Ramos. Música: El Bolero de Ravel, Violin Partita 3 en E Mayor - Bach, Danza Rusa (Cascanueces) - Tchaikovsky Enlaces MCRC: http://www.diariorc.com/ https://www.facebook.com/groups/republicaconstitucional/

Today we cover a listener question about fingerings for the Giga, or Gigue, from J.S. Bach's Violin Partita #2. Using this piece as an example, musician/teacher Laurel Thomsen gives guidelines for choosing good fingerings - those that facilitate clarity, phrasing, and interpretive flow. A version of the Gigue with Laurel's recommended fingerings and bowings can be found on her site, www.laurelthomsen.com, through the "Podcast" link in the navigation bar. To learn more about Laurel please visit www.laurelthomsen.com Want updates about Laurel's educational material and performances? Just search Laurel Thomsen Music on Facebook and consider offering your support with a "like". Want to have your question answered on the podcast? Send Laurel an email at laurel@laurelthomsen.com --- Support this podcast: https://anchor.fm/violingeek/support