Podcasts about boccherini

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini's Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:06:36 - Le Bach du matin du mercredi 09 avril 2025 - Notre Bach du matin est un Bach pour quatuor à cordes. Non pas qu'on vienne découvrir que le compositeur ait écrit pour cette formation née après sa mort avec Boccherini, Haydn, Mozart, mais l'altiste du Quatuor Brodsky a eu l'idée d'arranger pour lui et ses camarades.

durée : 00:06:36 - Le Bach du matin du mercredi 09 avril 2025 - Notre Bach du matin est un Bach pour quatuor à cordes. Non pas qu'on vienne découvrir que le compositeur ait écrit pour cette formation née après sa mort avec Boccherini, Haydn, Mozart, mais l'altiste du Quatuor Brodsky a eu l'idée d'arranger pour lui et ses camarades.

Carlos Iribarren | El violonchelo es un instrumento que nos apasiona desde que apareciese, como protagonista absoluto, en el cuarto programa de Hoy Toca, allá por 2018. Aunque desde entonces hemos escuchado bastantes piezas en las que brilla, hoy queremos dedicarle un espacio a la combinación de 2 cellos, sin ningún otro acompañamiento. El motivo principal de esta selección es un concierto que tendrá lugar muy pronto, el sábado 1 de febrero de 2025 en el Ateneo de Madrid, con 2 cellistas españoles como protagonistas: el veterano intérprete de la OCNE Ángel Luis Quintana y el jovencísimo Alejandro Gómez Pareja, quienes se han unido en un proyecto que no descartan llamar “El relevo”, con la idea de la renovación como motor para seguir haciendo música de manera ininterrumpida. Carlos Iribarren ha escogido algunas piezas sacadas de las obras que Ángel Luis y Alejandro interpretarán en el concierto; es música de autores tan importantes como Offenbach, Boccherini y Gliere, responsables de la mejor música del mundo, la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Galantiškasis Boccherini – vienos melodijos autorius? Danielis Barenboimas ir jo požiūris į Fauré bei Francką. Iš roko grupės „Arcade Fire“ į šiuolaikinę akademinę muziką, arba albumas „First Sounds“. Saksofonininko JD Alleno muzikinės gelmės. Ir pagaliau, mažai žinomi Brucknerio kūriniai fortepijonui! Visa tai leidybinės naujienos „Kitame laike“!Ved. Domantas Razauskas

In deze uitzending hoort u een verscheidenheid aan romantische, barokke en klassieke muziek uit diverse Europese landen, met als toondichters: Grieg, Gorczycki, Boccherini, Soler, Theile, Vivaldi, Dell’Arpa en Melani, in een mix van bekende en onbekende componisten en uitvoerders.

Avui hem sentit: Quartet en sol major, op.44 n

Avui hem sentit: Quintet en do major, op. 30 n

Avui hem sentit: Concert per a violoncel i orquestra n

Avui hem sentit: Quintet en mi major, op. 11 n

Avui hem sentit: "Concert per a violoncel i corda n

El violonchelista español Josetxu Obregón nos presenta su nuevo álbum grabado junto al conjunto que dirige La Ritirata en donde interpreta quintetos de cuerda de Boccherini.

Luigi Boccherini schrieb mehr Werke als Beethoven. Wirklich berühmt ist davon aber nur noch ein einziges: Sein Menuett aus dem Streichquintett E-Dur op 13 Nr. 5 kennt man aus Filmen und taucht in sämtlichen Klassikcharts auf. Dabei hat der Komponist aus der Toskana, der die meiste Zeit in Madrid lebte, so viel mehr zu bieten... Von Christoph Vratz.

Le guitariste Philippe Mouratoglou est l'invité de ce podcast dédié à la guitare, un instrument qui symbolise l'Espagne mais dont l'histoire s'est aussi faite en Italie et que le musicien nous raconte au micro, à l'occasion de la sortie de son disque La Bellezza."La Bellezza", Philippe Mouratoglou (guitare), Label Vision FugitiveExtraits du disque diffusés dans ce podcast : Ricercare 38, Francesco da Milano (Piste 14)Introduction & Caprice, Giulio Regondi (Piste 2)Sonata Ommaggio a Boccherini, Castelnuovo-Tedesco (Piste 6)Culture Sur-Mesure est présenté par Anne-Sandrine Di Girolamo. Ce podcast fait partie de la chaîne LES ONDES DE L'IMMO.  Lui envoyer un mail ? contact@ondesdelimmo.com©️Musique composée par SHAM©️Anne-Sandrine DI GIROLAMO et SAS VADE©️Vignette : Gautier DorgèreHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Un voyage en Italie, voilà qui en séduirait plus d'un mais c'est avec le guitariste Philippe Mouratoglou que nous le ferons. Un voyage dans le temps, de la Renaissance au Modernisme, au son de la musique de quatre compositeurs aux styles très différents, mais unis par cette terre italienne si généreuse et si belle."La Bellezza", Philippe Mouratoglou (guitare), Label Vision FugitiveExtraits du disque diffusés dans ce podcast : Sonata Ommaggio a Boccherini, Castelnuovo-Tedesco (Piste 4)Ricercare 42, Francesco da Milano (Piste 3)Introduction & Caprice, Giulio Regondi (Piste 2)Culture Sur-Mesure est présenté par Anne-Sandrine Di Girolamo. Ce podcast fait partie de la chaîne LES ONDES DE L'IMMO.  Lui envoyer un mail ? contact@ondesdelimmo.com©️Musique composée par SHAM©️Anne-Sandrine DI GIROLAMO et SAS VADE©️Vignette : Gautier DorgèreHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The music of Luigi Boccherini is some of the most elegant and refined of the era that emerged out of the Baroque and eventually arrives at the Classical Era. Boccherini lived in this in-between time. He began writing polyphonic music and switched to homophonic writing after he met Sammartini. Both Sammartini and Boccherini were composers READ MORE The post 92. Boccherini: Our Hero Among Cellist Composers first appeared on Accelerando Podcast.

Schubert es va emmirallar en els grans cl

This Day in Legal History: Jamaican Independence On this day in legal history, February 9, 1962, marks a significant milestone for Jamaica as it achieved full independence, breaking away from the Federation of the West Indies. This pivotal moment in Jamaican history was the culmination of a long journey towards sovereignty, reflecting the island nation's desire for self-governance and control over its own destiny. Despite its newfound independence, Jamaica chose to remain a member of the British Commonwealth of Nations, signifying a continued, albeit altered, relationship with the United Kingdom.The transition to independence was not merely a political formality but a transformative legal and social shift that laid the foundation for Jamaica's future. As a fully independent nation, Jamaica adopted its own constitution, which established the legal framework for the government and guaranteed the rights and freedoms of its citizens. This constitution reflected Jamaica's unique identity and aspirations, incorporating both the legacy of British legal traditions and the influences of Jamaican culture and values.The decision to remain within the Commonwealth underscored Jamaica's commitment to maintaining ties with other nations that shared a common history and set of values, while also asserting its autonomy on the world stage. This dual approach allowed Jamaica to forge its path in international relations, trade, and legal cooperation, benefiting from the solidarity and support of the Commonwealth network.Jamaica's independence day is not only a celebration of its past struggles for sovereignty but also a recognition of the legal and democratic principles that continue to guide the nation. It serves as a reminder of the importance of self-determination, the rule of law, and the ongoing quest for justice and equality. As Jamaicans reflect on their journey since 1962, they celebrate the resilience and spirit that have defined their nation's history and look forward to a future shaped by their own hands.In the years following independence, Jamaica has made significant strides in developing its legal system, economy, and social structures, striving to address the challenges that face a modern nation while preserving the rich cultural heritage that is uniquely Jamaican. The anniversary of independence is not just a moment to reflect on the past but an opportunity to renew the commitment to building a just, prosperous, and equitable society for all Jamaicans.The recent affirmation of the suspension of 96-year-old Federal Circuit Judge Pauline Newman has sparked debate over the ethics laws governing the evaluation of federal judges for potential disability and misconduct. This decision, upheld by the US Judicial Conference's Committee on Conduct and Disability, marks only the third written decision in over three years by the panel, emphasizing the rarity of such actions. The Committee found no error in the investigation led by Chief Judge Kimberly A. Moore, indicating thorough compliance with procedural standards. However, this has led to discussions about whether the deference shown to the Judicial Council's decision was appropriate, particularly in the context of suspending an Article III judge.Legal experts are divided on the matter. While some, like Professor Arthur Hellman of the University of Pittsburgh, suggest that the standard of review might need to be more stringent when suspending a judge appointed by the president and confirmed by the Senate, others like Professor Paul Gugliuzza of Temple Law School see the Committee's deferential standard as fitting within typical appellate review practices. The case has also highlighted concerns over how the judiciary handles investigations of its own, with some arguing that there is generally too much deference to judges investigating peers, yet acknowledging that the Newman case is an example of the judiciary attempting accountability.Aliza Shatzman, from the Legal Accountability Project, pointed out broader issues related to the aging federal judiciary and the silence often maintained by judicial clerks and employees due to fear of reputational damage. The Newman case involved complaints from a former judicial assistant and a clerk about being assigned personal tasks, which Judge Newman allegedly dismissed as insignificant.Jeremy Fogel, a retired federal judge, suggested that the judiciary lacks a sophisticated system for assessing judges' cognitive functions, leading to ad hoc and confrontational situations. He proposed a regular assessment protocol to avoid personal conflicts and ensure fair evaluations. The controversy surrounding Judge Newman's suspension underscores the need for a more refined system to address the challenges posed by an aging judiciary, balancing the need for accountability with respect for the complexities of judicial service.Judge Newman's Upheld Suspension Has Some Questioning Ethics LawAt the U.S. Supreme Court, former President Donald Trump's legal challenge against being disqualified from the Colorado ballot for his alleged role in the 2021 Capitol insurrection appeared likely to succeed. During the proceedings, justices from both conservative and liberal wings expressed skepticism toward the argument that Trump could be removed from the ballot under the 14th Amendment, which prohibits individuals who engaged in insurrection against the U.S. from holding office. The case, triggered by a Colorado court's decision, has significant implications for the 2024 presidential election, where Trump is a leading Republican contender.The justices grappled with the application of the 14th Amendment's Section 3, questioning whether a state could unilaterally impact the national election outcome by disqualifying a presidential candidate. Chief Justice John Roberts and Justice Elena Kagan highlighted the potential for a few states to dictate election results, emphasizing the national scope of presidential eligibility. Meanwhile, Justice Brett Kavanaugh pointed out the democratic principle of allowing people to choose their candidates, suggesting that disqualifying Trump could disenfranchise voters.The attorney for the plaintiffs, Jason Murray, argued that Trump's actions to undermine the 2020 election results justified his disqualification, whereas Trump's lawyer, Jonathan Mitchell, contended that even if a candidate admitted to insurrection, Section 3 would allow them to run and potentially win, leaving any sanctions to post-election congressional action.Trump, speaking in Florida, expressed confidence in the Supreme Court and his legal arguments, viewing the case as part of a broader attempt to exclude him from the ballot. This Supreme Court case echoes the institution's critical role in the 2000 presidential election, with the justices revisiting historical precedents to interpret Section 3's enforcement.The debate also touched on the nature of the January 6 Capitol riot, with Mitchell asserting it was a riot rather than an insurrection, a point challenged by Justice Ketanji Brown Jackson. The case underscores the complex interplay between constitutional law, electoral politics, and the judiciary's role in adjudicating disputes that have far-reaching consequences for American democracy.Trump ballot disqualification bid gets skeptical US Supreme Court reception | ReutersGenesis Global, a cryptocurrency lender, has reached a settlement in a lawsuit brought by New York Attorney General Letitia James, marking a significant step in resolving its legal challenges amid bankruptcy proceedings. The lawsuit, filed last year by James, accused Genesis, along with its parent company Digital Currency Group (DCG) and the crypto firm Gemini Trust Co, of defrauding investors out of over $1 billion through the Gemini Earn program. This program allowed customers to lend their crypto assets to Genesis in return for interest.The settlement, pending approval by the U.S. Bankruptcy Court for the Southern District of New York, entails Genesis agreeing to halt its business operations within New York state. This development follows closely on the heels of Genesis settling another lawsuit with the U.S. Securities Exchange Commission concerning the same Earn program. As part of that settlement, Genesis agreed to a $21 million fine, contingent upon its ability to fully reimburse its customers during the bankruptcy process.These legal resolutions represent a crucial phase for Genesis as it navigates through bankruptcy, aiming to alleviate its legal entanglements and financial obligations. The outcomes of these settlements could significantly impact Genesis's future operations and its efforts to address the claims of its creditors and customers. Bankrupt Genesis Global settles NY Attorney General's lawsuit | ReutersThis week's closing theme is by Luigi Boccherini. Born on February 19, 1743, in Lucca, Italy, Boccherini was a distinguished composer and cellist of the Classical era, celebrated for his significant contributions to chamber music. His rich musical legacy is characterized by elegance, lyrical beauty, and the sophisticated use of the cello, an instrument he profoundly mastered and elevated in the classical music canon. Boccherini's extensive body of work includes over one hundred string quintets, quartets, and trios, alongside numerous symphonies and concertos. Despite his substantial output and unique style, Boccherini's compositions were somewhat overshadowed by his contemporaries, such as Haydn and Mozart. However, his works have gained increased recognition and appreciation over time for their inherent grace, inventiveness, and the delicate balance he achieved between melodic and harmonic elements, marking him as a pivotal figure in the development of chamber music in the Classical period. He is said to have evolved chamber music from the format developed by Haydn, elevating the cello to an equal place with the violin and viola. Today's piece is brought to us courtesy of The Internet Memory Foundation (formerly the European Archive Foundation) which is a non-profit foundation whose purpose is archiving content of the World Wide Web. It supports projects and research that include the preservation and protection of digital media content in various forms to form a digital library of cultural content.The piece we'll be closing out with is the minuet from his Quintet in C. Major, we hope you enjoy.  Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

"Stellen Sie sich vor, Sie wären einen Tag lang unsichtbar. Was würden Sie machen? Das ist die Dirigentin Katharina Müllner mal gefragt worden. Ihre Antwort. "Urlaub machen, weil ja dann alles gratis wäre." Eine in der Tat VERLOCKENDE Vorstellung. Urlaub hat Katharina Müllner zur Zeit nicht - und sie steht auch sehr sichtbar auf der Bühne. Sie probt in Nürnberg für ein Konzert mit der Nürnberger Staatsphilharmonie - mit Musik von Boccherini, Mozart und Walter Braunfels. Heute Mittag hat sie sich in Nürnberg ins Studio gesetzt und wir haben ein bisschen geplaudert

durée : 01:00:09 - Mathias Enard, écrivain - par : Priscille Lafitte - Quelle boussole musicale l'écrivain et traducteur Mathias Enard tient-il entre les mains ? Vers où le dirige son érudition, cette curiosité insatiable ? Voyage dans des contrées musicales contrastées, de Madrid au Caire en passant par l'Écosse, aux côtés de Boccherini, Oum Kalthoum et Beethoven. - réalisé par : Claire Lagarde

Vamos a remontarnos 56 millones de años para explorar una inteligencia no humana que se dio en la Tierra. En el marco de la saga de civilizaciones perdidas vamos a descubrir a la especie de aves silurianas que dominaron el mundo durante casi 2 millones de años y terminaron provocando un brutal cambio climático que es conocido como máximo termino Paleoceno-Eoceno. Indice: 1. Orígenes de los Silurianos 2. Forma de vida, reproducción y producción de recursos. 3. Ocaso de la especie. 4. Comentario Si te ha gustado, y crees que la literatura moderna en audio lo merece, dale un like que ayuda con el algoritmo. Muchas gracias por estar ahí. 📧¿Queréis contarnos algo? ficcionhistoriapodcast@gmail.com Telegram: https://t.me/HistoriaFiccionChat Facebook: https://www.facebook.com/ficcionhistoria/ Twitter: @ficcionhistoria Youtube: https://www.youtube.com/channel/UC8LXvT2vus9IQ1Sad-bjVsg Twitch: https://www.twitch.tv/historiaficcion Historia ficción forma parte de 📀 Ivoox Originals. • Créditos música the-path-of-the-goblin-king, The curtain rises, The snow queen, Wholesome, Thunderbird, by Kevin Macleod, Link: https://filmmusic.io/song/7078- the-path-of-the-goblin-king Texto final: Fragmento de “Canovas” escrito por Benito Perez Galdos. Musica de cierre: Boccherini. La Música Nocturna de Madrid Director JaeSik, https://www.youtube.com/watch?v=Y9niwzsq9DI Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

durée : 01:28:22 - En pistes ! du mercredi 08 novembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous poursuivons la semaine aux côtés d'Emilie et Rodolphe qui ont choisi pour vous ce matin la musique de Boccherini, de Vivaldi, de Dvorak, en passant par celle de Ravel, de Mendelssohn et Khachaturian. En pistes !

Aquesta setmana "Els homes cl

A phrase has crept up into our political discussion: “to know what time it is.” Jay begins this episode with a Rodgers & Hart song: “I Didn't Know What Time It Was.” Then we have Mozart, Boccherini, Rachmaninoff, Donizetti—a slew of interesting items. The episode ends with Louis Armstrong and His Hot Five. Rodgers & Hart, arr. Riddle, “I Didn't Know What Time It Was” Mozart, String Quartet in C, K. 465, first movement Boccherini, Quintet No. 4, “Fandango” movement Rachmaninoff, Serenade in B-flat minor, Op. 3, No. 5 Donizetti, excerpt from “Poliuto” Rachmaninoff, “Lilacs,” arranged by the composer for piano Rachmaninoff, “Lilacs” (song) Castelnuovo-Tedesco, Quintet in F major, Op. 143, first movement Atkins, “Heebie Jeebies”

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Ook vandaag staat in het teken van 'Pastorales', muziek met een herderlijk tintje. Luigi Boccherini is de laatste componist van deze week die met zijn pastorale een draai geeft aan het thema. We luisteren naar een gitaarkwintet: muziek voor vier strijkers en een klassieke ofwel Spaanse gitaar.

Jess Gillam and violinist Charlotte Saluste-Bridoux share their favourite music with each other, including the sublime voices of Dhafer Youssef and the Bulgarian State Television Female Vocal Choir, an intimate transcription of Gluck, joy and happiness from Boccherini and the Maccabees plus the unmistakable vibrato of Sidney Bechet.

Synopsis The “Three B's” are traditionally Bach, Beethoven, and Brahms, of course – but today we're offering Boccherini, Brahms, and Berio.The 20th century Italian composer Luciano Berio, noted for his avant-garde scores, was asked to orchestrate the F minor Clarinet Sonata by Johannes Brahms -- in 1986, for a Los Angeles Philharmonic concert featuring clarinetist Michele Zukofsky. Berio admired Brahms, and created a very respectful arrangement,  but Berio couldn't resist adding something of his own: a totally original 13-bar orchestral introduction that segues into the Brahms score. Eleven years earlier, on today's date in 1975, Berio's orchestration of one of the ”greatest hits” of the 18th century Italian composer Luigi Boccherini received its premiere performance in Milan. Originally a quintet for strings, Boccherini's “Night Music in the Streets of Madrid” was written around 1780 when he was living in Spain. This chamber work became very popular – even though Boccherini feared no one outside Madrid would understand it.  200 years after it was written, when asked to supply a short piece for the La Scala Orchestra in Milan, Berio arranged the final movement of Boccherini's quintet, music evoking the procession of Madrid's night watchmen signaling the midnight curfew. Music Played in Today's Program Johannes Brahms (arr. Luciano Berio) – Clarinet Sonata No. 1 in f, Op. 120, no. 1 Luigi Boccherini (arr. Luciano Berio) – Ritirata notturna di Madrid (Daniel Ottensamer, cl; Basel Symphony; Ivor Bolton, conductor.) Sony 19075982072

Our guests in this episode are a string quartet from Bakersfield. They all attend Stockdale High School, and they're all members of Bakersfield Youth Symphony Orchestra, so they call themselves the BYSO Quartet. They perform music by Bach, Boccherini, Brahms, Handel, Haydn, and Mozart.

Explore the captivating story of Andrea Amati, the pioneering violin maker whose artistry revolutionized the world of music. Discover his iconic designs, unrivalled craftsmanship, and enduring influence on violin making. Join us on this enchanting journey through history and immerse yourself in the legacy of Andrea Amati. Subscribe now to "The Violin Chronicles" and delve into the extraordinary world of violin making. In this second episode we look at Andrea Amati's life in Cremona and how church music and the reformation influenced the world of the artisans in this city. The music you have heard in this podcast is as follows. Bloom – Roo Walker Mafioso – Theo Gerard Casuarinas – Dan Barracuda Danny Yeadon Gamba Industrial music box – Kevin MacLeod Budapest - Christian Larssen Music of Cathedrals and forgotten temples Kevin MacLeod – Brandenburg Concerto No 4 Josquin des Pres – Missa l'homme Arme – Tallis Scholars Palestrina – Missa Papae Marcelli – Tallis Scholars Spem in Alium – Tallis Scholars ACO – Live in the studio Boccherini  

In his 2019 CSO debut, Spanish guitarist Pablo Sáinz-Villegas thrilled with “the profundities of his art,” along with “the sheen of his tone and the nobility of his rhythms,” wrote the Chicago Tribune. Sáinz-Villegas joins the ensemble in two pieces with bright Mediterranean character. Bernard Labadie, making a welcome return to the CSO, conducts the program, which also features dark-hued symphonies by Mozart and Boccherini. Learn more: cso.org/performances/22-23/cso-classical/boccherini-vivaldi-and-mozart-40

The current season of Fenimore Chamber Orchestra continues with a program titled “Powdered Wigs,” to be performed at Christ Church in Cooperstown, New York on March 18 at 3 p.m.

A leading Canadian-American cellist, gambist and researcher, Elinor Frey has made numerous recordings, many of which are world premieres and the result of long collaborations with other artists. The artistic director of Accademia de Dissonanti, an organisation for performance and research, she's performed throughout the world, and is now in Sydney making her Australian debut with the Australian Brandenburg Orchestra for a series of concerts entitled Spanish Steps. Elinor brings a wealth of knowledge and passion about Boccherini as well as lesser known composer Giuseppe Clemente Dall'Abaco, we find out about her remarkable collection of instruments, plus get a greater understanding about just how different cellos can be from one another.

What better way to ring in the New Year than with a freeranging discussion of the dreaded thirteenth arcanum of the tarot? Of all topics, surely death needs the least introduction. Or does it? To those of us who inhabit the castellated compounds of post-industrial privilege, it is perhaps too easy to forget the uninvited guest who skulks in the shadows, touching each of us in turn as he sidles past. "Nothing is certain except death and taxes," Benjamin Franklin once wrote. He was joking, of course. The truth is that death is the only certainty. Click here (https://www.thelasttuesdaysociety.org/event/towards-a-philosophy-of-magic-by-j-f-martel/) for information about JF's upcoming talk at the Last Tuesday Society. Header image: Detail from Harry Clarke's illustration for "The Masque of the Red Death," from the 1919 edition of Edgar Allan Poe's Tales of Mystery and Imagination. SHOW NOTES Brian George, Masks of Origin (https://untimelybooks.com/book/masks-of-origin/) Chris Leech, The Gnostic Tarot (https://www.welkintarot.com) Our Known Friend, Meditations on the Tarot (https://bookshop.org/a/18799/9781585421619) Rachel Pollock, Tarot Wisdom (https://bookshop.org/a/18799/9780738713090) Rachel Pollock, 78 Degrees of Wisdom (https://bookshop.org/a/18799/9781578636655) Edgar Allen Poe, “The Masque of the Red Death” (https://bookshop.org/a/18799/9781537015934) Weird Studies, Episode 2 on Garmonbozia (https://www.weirdstudies.com/2) Steven Spielberg (dir.), Indiana Jones and the Raiders of the Lost Ark (https://www.imdb.com/title/tt0082971/) Weird Studies, Episode 137 on Sunn O)))'s “Life Metal” (https://www.weirdstudies.com/137) Aleister Crowley, The Book of Thoth (https://bookshop.org/a/18799/9780877282686) Thomas Browne, “Urn Burial” (https://bookshop.org/a/18799/9781420948509) Federico Campagna, Technic and Magic (https://bookshop.org/a/18799/9781350044029) Alejandro Jodorowsky, The Way of Tarot (https://bookshop.org/a/18799/9781594772634) Sallie Nichols, Tarot and the Archetypal Journey (https://bookshop.org/a/18799/9781578636594) Clive Barker, Hellraiser (https://www.imdb.com/title/tt0093177/) Weird Studies, Episode 116 on “Blade Runner” (https://www.weirdstudies.com/116) George Gurdjieff (https://en.wikipedia.org/wiki/George_Gurdjieff), Armenian mystic Body without organs (https://en.wikipedia.org/wiki/Body_without_organs), philosophical concept Elizabeth Le Guin, Boccherini's Body (https://www.ucpress.edu/book/9780520240179/boccherinis-body) G. K. Chesterton, Orthodoxy (https://bookshop.org/a/18799/9781952410482) Weird Studies, Episode 126 with Matt Cardin (https://www.weirdstudies.com/126)

Aaron gives his impressions and reactions to the 1961 recording Three Centuries of Guitar. This is actually a 1973 repressing, as the original recording was on the Decca label. Wonderful music on this episode, my favorite being the Homage to Boccherini by Mario Castelnuevo-Tedesco, written in 1933. --- Send in a voice message: https://anchor.fm/powellguitar/message Support this podcast: https://anchor.fm/powellguitar/support

Donald Macleod presents another selection of composers who are most famous for a single work. Last Easter, Composer of the Week explored the lives of ten composers whose music we adore but mainly only for a lone composition. This week, Donald Macleod makes a second selection of classical ‘One Hit Wonders' - ten more composers who have been catapulted into the mainstream thanks to the surprising popularity of just one of their pieces. He's joined by pianist and music director, Yshani Perinpanayagam, to uncover these composers' stories and to share examples of their best music. We'll hear the familiar hits alongside plenty of captivating music that's less well-known. Music Featured: John Cage: 4'33'' (extract) John Cage: Hymns & Variations: Hymn A (After W. Billing's "Old North") John Cage: In a Landscape Jeremiah Clarke: Trumpet tune 'The Prince of Denmark's March' Jeremiah Clarke: Ode On The Death Of Henry Purcell (extract) Boccherini: String Quintet in E major, Op 11 No 5 (3rd mvt) Boccherini (arr. Grützmacher) Cello Concerto in B-Flat Major (2nd mvt) Boccherini: Guitar Quintet No 4 in D (3rd mvt) Monti: Czardas Monti: Noël de Pierrot, Act II, "Ô vous que j'adore" Rodrigo: Concierto de Aranjuez for Guitar and Orchestra Rodrigo: Cancíon y danza Presented by Donald Macleod Produced by Chris Taylor For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for More One Hit Wonders https://www.bbc.co.uk/programmes/m001g9nt And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Vuelve a Conocimientos Musicales una de las series más longevas del canal. Han llovido muchos programas, invitados y entrevistas desde aquel primer episodio en el que comenzamos a analizar la música desde una perspectiva histórica, y los que nos hayáis seguido desde entonces sabréis que nos hemos divertido mucho recorriendo el Renacimiento y el Barroco conociendo las obras y compositores que más influyeron en su correspondiente tiempo. Para seguir con este tipo de podcasts, os presentamos el episodio dedicado al Clasicismo Musical, que viene a ser el estilo artístico que dominó Europa durante el último cuarto del siglo XVIII. Con la independencia de los EEUU y la Revolución Francesa como hechos que marcaron la sociedad de aquel tiempo, charlamos y debatimos acerca de dos de los músicos más importantes de la Historia, Mozart y Haydn, quienes básicamente definen esta época en términos musicales. Sin embargo, también tendremos tiempo de descubrir a compositores de menos renombre como Boccherini, Cherubini o Clementi, que completan una época verdaderamente fecunda para nuestro arte favorito.

We have music from Boccherini and Schubert, both of whom feature on the classical music programme at the Glens over the next two weeks with Finghin Collins & the Solas Quartet. And Tom Sigafoos fills us in on next week's Allingham Festival programme and we look at What's On at the Hawk's Well, Model, LSC, Balor and for Samhain.

Carlos Iribarren | La guitarra española nos parece un instrumento maravilloso y hemos querido dedicarle un nuevo episodio en el que podamos escuchar algunas piezas maestras de talentos como Sanz, Boccherini, Tárrega, Barrios Mangoré o el cubano Leo Brouwer. También podremos disfrutar la primera obra de la historia que un compositor no guitarrista creó para este instrumento. Se trata de "La tumba de Debussy", del gaditano Manuel de Falla. Hoy nos visitan Amalia y Cristina Ramírez, 2 mujeres que están dedicando su vida profesional a este instrumento aunque no son guitarristas sino guitarreras porque no las tocan sino que las construyen. Y es que Guitarras Ramírez (Fotografía de 1967 de Bruce Berkow) tiene una historia apasionante, que comenzó en 1882 y ha sido protagonizada por 5 generaciones familiares y con apariciones de lujo, como la del maestro Andrés Segovia. Esperamos que disfrutes con esta nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

durée : 02:01:14 - Été Classique Matin du mercredi 17 août 2022 - par : Jérémie Rousseau - Promenade matinale estivale et musicale en compagnie de Jérémie Rousseau et Mozart, Boccherini, Elgar mais aussi Enesco, Schönberg, Janáček... - réalisé par : Emmanuel Benito

durée : 02:01:49 - Été Classique Matin du mercredi 10 août 2022 - par : François-Xavier Szymczak - Tandis que les King's Singers célèbrent Humpty Dumpty, œuf de comptine rencontré par Alice « De l'autre côté du miroir », Britten fait des variations sur Purcell, et Boccherini joue des castagnettes un Quintette avec guitare. - réalisé par : Sébastien Royer

durée : 00:28:39 - Pierre Fournier (4/5) - Ce matin, le violoncelliste Pierre Fournier interprète les répertoires baroques et classiques. Au programme, les concertos de Boccherini, Haydn et Carl Philipp Emanuel Bach !

Nicola Campogrande"MiTo Settembre Musica"https://www.mitosettembremusica.it/itUn cartellone comune tra Torino e Milano che esplora le relazioni tra la musica e la luce attraverso grandi capolavori e creazioni inedite. 116 concerti per la sedicesima edizione, con ospiti internazionali, eccellenze nazionali e programmi appositamente impaginati per un Festival sempre più inclusivo. Seguendo il filo conduttore del tema “Luci”, tutti i programmi dei concerti sono impaginati appositamente per proporre al pubblico una nuova esperienza d'ascolto, indagando le relazioni tra la musica e la luce: si tratta di sinestesie tra suoni e immagini che a volte emergono esplicitamente dalle indicazioni scritte dal compositore in partitura, come chiaro, scuro o luminoso, e altre volte sono il frutto di riflessioni suggerite dall'ascolto della musica.«L'idea, il gioco della luce è applicato a un cartellone che, volutamente, propone molti capolavori, pagine fondamentali, capisaldi della musica classica – spiega il direttore artistico Nicola Campogrande. Perché, soprattutto in un periodo complicato e drammatico come quello che stiamo attraversando, ci sembra bello e importante fare una sorta di appello ai brani che hanno segnato la storia, invitandoli metaforicamente ad essere con noi, a manifestarsi in sala da concerto come punti fermi, appigli culturali».Questa edizione intende, quindi, “illuminare” le grandi pagine della storia della musica attraverso accostamenti inediti, interpretazioni originali e nuove chiavi di lettura, anche con brani in prima esecuzione.Alcuni dei pilastri su cui si fonda l'edizione 2022 – ovvero internazionalità, capisaldi della musica classica e novità – sono già evidenti nella serata d'apertura del Festival intitolata “Luci immaginarie”, in programma lunedì 5 settembre all'Auditorium “Giovanni Agnelli” del Lingotto di Torino e martedì 6 settembre al Teatro alla Scala di Milano. Protagonista una grande compagine rinomata nel mondo come la londinese Philharmonia Orchestra diretta per l'occasione da John Axelrod, che propone capolavori come Peer Gynt di Grieg e Shéhérazade di Rimskij-Korsakov, abbinate alla prima esecuzione italiana di The imagined forest della giovanissima e pluri-premiata compositrice inglese Grace-Evangeline Mason. O ancora nel concerto conclusivo tutto mozartiano dal titolo “Cristalli”, sabato 24 settembre al Conservatorio di Torino e domenica 25 settembre al Conservatorio di Milano, dove la Mahler Chamber Orchestra, formazione europea nata nel 1997 sotto l'egida di Claudio Abbado, presenta senza direttore un programma inusuale con Leif Ove Andsnes in veste di solista.Tra gli ulteriori appuntamenti sinfonici da non perdere si segnalano il graditissimo ritorno al Festival, nella doppia veste di direttrice d'orchestra e soprano, della canadese Barbara Hannigan, che sul podio dell'Orchestra dell'Accademia Nazionale di Santa Cecilia propone la Sinfonia Il miracolo di Haydn e la Quarta Sinfonia di Mahler cantando nel Lied finale Das himmlische Leben (La vita celeste), il 16 al Teatro Dal Verme di Milano e il 17 all'Auditorium del Lingotto di Torino. Immancabile l'Orchestra Sinfonica Nazionale della Rai, guidata dal suo Direttore ospite principale, lo statunitense di origini messicane Robert Trevino, che affianca la Symphonie Fantastique di Berlioz alla prima italiana di The wonder of life di Régis Campo, il 9 all'Auditorium Rai di Torino e il 10 al Conservatorio di Milano. Concerto festoso, poi, per celebrare i duecento anni di indipendenza del Brasile con i giovani dell'effervescente Neojiba Orchestra - Orchestra Giovanile dello Stato di Bahia, diretta da Ricardo Castro, insieme a un'istituzione del pianoforte come la portoghese Maria João Pires che suona il Terzo Concerto op. 37 di Beethoven. Ritmi, colori e strumenti sudamericani sono parte della serata grazie alle pagine di Antônio Carlos Gomez, Heitor Villa Lobos e Jamberê Cerqueira, il 13 al Conservatorio di Milano e il 14 all'Auditorium del Lingotto di Torino.Altri attesi ritorni al Festival sono la leggenda del pianoforte Ivo Pogorelich, impegnato nel recital “Luci erranti” con fantasie di Mozart, Chopin e Schumann e con il Prélude di Ravel, il raffinato tenore inglese Ian Bostridge, che canta Les illuminations op. 18 di Britten, e ancora il violista Nils Mönkemeyer, che suona con il Bach Consort Wien in un concerto che esplora il barocco e il Novecento tra Sudamerica ed Europa.Scorrendo il programma di MITO gli amanti della musica barocca, e in particolare di Johann Sebastian Bach, trovano una ricca offerta declinata in concerti con musicisti di prestigio e proposte nelle quali i brani sono accostati in modo inusuale o vengono ripensate alcune pietre miliari del repertorio. Quattro pagine tra le più celebri del grande compositore tedesco sono interpretate dall'Amsterdam Baroque Orchestra diretta da Ton Koopman, mentre è curioso il concerto intitolato “La doppia arte della fuga”, nel quale il compositore Reinhard Febel, col suo Diciotto studi sull'Arte della fuga di Bach, rilegge il capolavoro, di cui si ascoltano tutte le note, in una sorta di remix – che suona molto attuale nell'epoca del digitale – affidato al Duo Tal & Groethuysen. Ed è ancora l'ascolto di un Bach insolito quello delle Variazioni Goldberg eseguite dal fisarmonicista Samuele Telari, così come è un concerto davvero singolare quello con due clavicembali accordati in due modi diversi e suonati da Luca Guglielmi.Tanta è l'attenzione che quest'anno MITO SettembreMusica dedica al pubblico dei più piccoli, ampliando e arricchendo la proposta artistica con novità assolute e grandi interpreti. E lo dimostrano anche i tre melologhi per adulti e bambini che contengono ben due commissioni del Festival 2022 in prima esecuzione assoluta: quella a Carlo Boccadoro, che ha creato Animalia – su testi di Martino Gozzi – per “Luci bestiali” (il 10 a Torino e l'11 a Milano), e quella a Federico Gon, che ha composto Il piccolo Franz e il pifferaio magico per “Monelli” (il 24 a Torino e il 25 a Milano). Sul palco del primo concerto Laura Curino come voce recitante e l'Ensemble Cameristico dell'Orchestra Filarmonica di Torino diretto dallo stesso Boccadoro, e del secondo Elio come voce recitante (al suo ritorno dopo l'edizione dello scorso anno) e l'Orchestra degli allievi dei Conservatori di Torino e Milano diretti da Andreas Gies. Infine, i giovani de LaFil guidati da Marco Seco, con la voce recitante di Licia Maglietta, sono protagonisti dell'appuntamento dal titolo “Elefanti”, che propone un doppio Babar: quello celebre dell' Histoire de Babar le petit éléphant di Poulenc e quello del compositore François Narboni intitolato Le voyage de Babar, creato sfruttando un testo originale di Brunhoff non utilizzato da Poulenc (17 a Torino e 18 a Milano).È in prima esecuzione assoluta, inoltre, la nuova versione da camera del melologo Enoch Arden op. 38 di Richard Strauss realizzata da Ruggero Laganà, impegnato anche al pianoforte, che vede protagonista l'attrice Lella Costa come voce recitante (il 19 a Torino, il 20 Milano). Luce accesa, poi, sulle prime esecuzioni italiane, tra cui spiccano One di James MacMillan e I still dance di John Adams interpretate rispettivamente dall'Orchestra I Pomeriggi Musicali diretta da James Feddeck (l'8 a Torino e il 9 a Milano) e da quella del Teatro Regio di Torino guidata da Stanislav Kochanovsky (il 23 a Torino e il 24 a Milano), impegnate in due programmi tra Inghilterra e Scozia e tra Stati Uniti e Francia.L'edizione 2022 di MITO SettembreMusica introduce altre due importanti novità. La prima è la presenza di un festival nel festival con quattordici pianisti italiani che offrono in luoghi decentrati delle due città altrettanti concerti monografici dedicati a grandi compositori, per approfondirne la cifra stilistica, la poetica e la tecnica pianistica. Dal Beethoven di Andrea Lucchesini al Rachmaninov di Alessandro Taverna, dallo Schubert di Filippo Gorini allo Skrjabin di Mariangela Vacatello, passando per lo Chopin di Gloria Campaner, il Liszt di Maurizio Baglini e il Čajkovskij di Benedetto Lupo, solo per citarne alcuni. L'altra vede – per la prima volta – la nascita di una residenza artistica al Festival. Si tratta del finlandese Meta4 Quartet, già applaudito nella scorsa edizione, che tiene tre concerti in entrambi i capoluoghi: suona in Absolute Jest di John Adams insieme all'Orchestra Sinfonica di Milano (sul podio Patrick Fournillier), pagina che rimanda a Beethoven e alla sua Nona, in programma grazie alla partecipazione del Coro del Teatro Regio di Torino, dopo aver ripercorso l'intera storia del quartetto d'archi, da Boccherini ad Adams, in due diversi appuntamenti. Uno degli aspetti distintivi del Festival è offrire appuntamenti in orari diversi nell'arco dell'intera giornata, da quelli serali in sedi prestigiose, come l'Auditorium "Giovanni Agnelli" del Lingotto, il Teatro alla Scala, l'Auditorium Rai "Arturo Toscanini", il Teatro dal Verme e i rispettivi conservatori delle due città, a quelli diurni, per arrivare a estendersi nei luoghi decentrati. Sono confermate le introduzioni all'ascolto dei concerti, quest'anno curate da Alberto Brunero e Stefano Catucci a Torino e da Gaia Varon, Oreste Bossini e Nicola Pedone a Milano.I prezzi sono ancora una volta molto contenuti: quelli per i concerti serali vanno dai 10 ai 25 euro (ma chi è nato dal 2008 in poi paga solo 5 euro); quelli serali in luoghi decentrati con i 14 pianisti italiani, gli appuntamenti pomeridiani e per i bambini sono invece proposti a 5 euro; non mancano, poi, i concerti gratuiti.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Continuation... This episode picks up from the previous one, Ep. 45, The Introduction to the 18th C. from The Violoncello and Its History, by Joseph Wasielewski. (Although dated as far as writing style is concerned, it is an incredible source for anyone interesting in expanding their knowledge about cello history and getting to know more cello music. It is a well-written book and I recommend it to all.) ITALY is the country in question. With it come some interesting characters, including Gabrieli, Cervetto, one cellist named Ferrari, and of course Boccherini. We also hear about the introducing of Thumb Position into cello playing as well as what instrument Bach wrote his famous Six Suites for solo violoncello for. Please join in on the nearly hour long journey of the first unambiguous look at cello playing. For those who would like to contribute to my project financially please click on either or both of the following links: PayPal.me/travelingcello https://www.patreon.com/travelingcello Give any amount for however long you wish. If you chose the subscription route via Patreon, you could be eligible to receive some great merch, i.e. a sticker, a mug, or a shirt. I hope you will look into the options! Have fun listening to this content. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/forgottencellomusic/message Support this podcast: https://anchor.fm/forgottencellomusic/support

In this episode, we look at the soundtrack of the 1995 movie of Sense and Sensibility by Patrick Doyle. We explore the themes used for the sisters contrasting both a classical style with emotional impactful moments and how their journey is told throughout. “Orchard House (Main Title)” - Little Women: Original Motion Picture Soundtrack by Thomas Newman, 1994 “My Father's Favorite” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Concerto in F Major for Piano and Orchestra, K 413: II Larghetto” - Mozart: The Piano Concertos, music by Wolfgang Amadeus Mozart, performed by Murray Perahia and the English Chamber Orchestra, 2006 “Quintet No. 1 for Guitar and Strings in D minor G. 445” - Boccherini: the Guitar Quintets, music by Luigi Boccherini, performed by Pepe Romero and Academy of St. Martin in the Fields, 1993 “A Particular Sum” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “My Father's Favourite (From “Sense and Sensibility”)” - The Music of Patrick Doyle: Solo Piano, music by Patrick Doyle, 2015 “All the Delights of the Season” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Third and Last Book of Songes, No. XV.  Weep you no more, sad fountains” - Dowland: The Collected Works, music by John Dowland, performed by Consort of Music, Anthony Rooley & Dame Emma Kirkby, 1978 “Weep You No More Sad Fountains” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, performed by Jane Eaglen, 1995 “All the Better for Her” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Patience” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “To Die for Love” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “The Dreame” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, performed by Jane Eaglen, 1995 “Devonshire” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Grant Me An Interview” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995 “Leaving London” - Sense and Sensibility - Original Motion Picture Soundtrack, music by Patrick Doyle, 1995

The Sophie, victorious, enters Mahon, as Jack reunites with Molly. There's an unexpected end to the Cacafeugo and two unexpected missions. We learn about peccant parts, revisit the Music Room in the Governor's House (with some Boccherini this time), remember Dillon, light up the sky and get close to the French. Ch 11.

Det er blevet mørkt, og du leder efter glimt af lys, og laver alverdens krumspring for at komme igennem vinteren. Henrik Lindstrand, Nina & Frederik, Salif Keita, Poppy Ackroyd, Boccherini er med til at guide dig gennem vintermørket. Produceret for DR af Munck Studios København.

Det er blevet mørkt, og du leder efter glimt af lys, og laver alverdens krumspring for at komme igennem vinteren. Henrik Lindstrand, Nina & Frederik, Salif Keita, Poppy Ackroyd, Boccherini er med til at guide dig gennem vintermørket. Produceret for DR af Munck Studios København.

Violinist Simon Maurer, Artistic Director of the Gabriel Chamber Ensemble, speaking about a performance on Sunday, November 7, 2021, at 3:00 pm at Jerusalem Lutheran Church, 25 Dock Street in Schuykill Haven, PA, featuring music of Mozart, Boccherini, Vivaldi, Piazzola and a new work by PA composer Rusty Banks, who will be the guitarist for the concert. Flamenco dancer Evita Conti will join the ensemble for 2 pieces. www.gabrielensemble.org/

  Lucie Tiberghien is a French and American theater director and translator, based in Brooklyn, NY. In 2018, she founded Molière in the Park, the first non-profit in Brooklyn solely dedicated to bringing free theater to Prospect Park on a yearly basis.  Last June, she co-presented with French Institute Alliance Francaise, a Tartuffe online that was dubbed "Revolutionary" by the New York Times theater critic. On October 24, 2020, Lucie Tiberghien will direct the School of Wives online, s show co-presented with the French Institute Alliance Francaise She was raised just outside Geneva where at an early age she began her career as a dancer (Grand Théâtre de Genève). She then moved to Paris after high school to further her training in music and dance, then went back to school to study history and political science. After graduating from Geneva Webster University she moved to New York to pursue a career in directing. Music by Maxime Boublil, Camille Berthault, Georges Bizet, Boccherini, Stephen J Rice

Novedades discográficas: Un acompañamiento 'singular'. Arias de CALDARA, ALBINONI, GABRIELI, VIVALDI, HAENDEL, PORPORA y BOCCHERINI. Cecilia Bartoli (mezzosoprano), Sol Gabetta (violonchelo). Cappella Gabetta. Violín y director: Andrés Gabetta. Escuchar audio