Podcasts about rowdy ways

„False Prophet“ ist der einzige Song auf Bob Dylans im Juni 2020 erschienenem Album „Rough and Rowdy Ways“, für den es zwei offizielle Musikvideos gibt: eine Grafik-animierte Version mit dem Text, die andere mit einem Standbild, das ein Skelett in Smoking und Zylinder zeigt, welches eine Spritze in seiner rechten Hand hat. InWeiterlesen

As a huge thank you to the people who have very generously donated some of their hard earned scratch to us over on our Ko-Fi account, we came up with the idea of letting people give us non-Queen songs to talk about and vote on. This week's song was requested by Michele Stagman-Kurlander. If Kev were to title this episode, he'd probably call it "I'm just like Anne Frank" or possibly, "like Indiana Jones".The third episode in this podcast-within-a-podcast covers the lead track from Bob Dylan's 2020 release "Rough and Rowdy Ways", the tongue-in-cheek, yet playfully introspective, "I Contain Multitudes".If you want to get involved in the Kofi Klub, you can make a donation here: https://ko-fi.com/seasidepodreview and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow us onTwitter: @queenseasideFacebook: @seasidepodreviewBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://podcasters.spotify.com/pod/show/ultimate-catalogue-clashAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

The Richard Syrett Show, June 19th, 2024 Fact-free debate sees Yonge-Dundas Square renamed https://torontosun.com/opinion/columnists/fact-free-debate-sees-yonge-dundas-square-renamed  Brian Lilley – Columnist with Post Media THE CULT OF CLIMATE CHANGE Climate change and urban violence https://www.sipri.org/commentary/blog/2024/climate-change-and-urban-violence-critical-knowledge-gap   Is Climate Change Driving Home Insurance Higher? https://slate.com/business/2024/06/floods-storms-inflation-florida-texas-home-insurance-climate-change-economy.html  Tony Heller – Geologist, Weather Historian, and the Founder of Real Climate Science dot com Dr. Fauci's new book “On Call” comes out this week, what should we expect? https://apnews.com/article/anthony-fauci-memoir-june-on-call-c1a5ffac822ab31e791a63f69ccfd61d https://www.yahoo.com/news/5-takeaways-from-dr-anthony-faucis-new-memoir-173444297.html RFK Jr. is on track to miss the CNN debate amid race to get on state ballots https://www.nbcnews.com/politics/2024-election/rfk-jr-miss-cnn-debate-race-get-state-ballots-rcna157290 Tony Lyons, Co-Founder of American Values 2024, the RJK Jr., SuperPac, Attorney, and President of Skyhorse Publishing Big win on the pride propaganda front! Molson's Toronto brewery decides NOT to replace its huge Canadian flag with a rainbow flag https://www.rebelnews.com/big_win_on_the_pride_propaganda_front_molson_s_toronto_brewery_decides_not_to_replace_its_huge_canadian_flag_with_a_rainbow_flag   David Menzies – Rebel News Mission Specialist THIS DAY IN ROCK HISTORY Dancing in the Streets – Martha and The Vandellas I Feel the Earth Move – Carole King Frankenstein – Edgar Winter Key West – Bob Dylan   1964 - Martha and the Vandellas Martha and the Vandellas recored one of Motown's signature songs 'Dancing in the Street' at Hitsville U.S.A. in Detroit, Michigan. Written by Marvin Gaye, William "Mickey" Stevenson and Ivy Jo Hunter the song reached No.2 on the Billboard Hot 100 chart and No.4 in the UK. Many artists have covered the song including, the Mamas & the Papas, David Bowie and Mick Jagger, The Kinks, Grateful Dead and Little Richard.   1971 - Carole King Carole King started a five week run at No.1 on the US singles chart with 'It's Too Late / I Feel The Earth Move'. Both songs were from her million selling Tapestry album.   1973 - Edgar Winter Edgar Winter's US No.1 hit 'Frankenstein' was awarded a Gold record. Winter named the song because of how many cuts and patches were contained in the original studio tape.   2020 - Bob Dylan Bob Dylan released his 39th studio album Rough and Rowdy Ways. It became Dylan's highest-charting album on the Billboard 200 in more than a decade and it marked his seventh consecutive decade of charting top 40 albums, making him the only artist to date to accomplish this feat.   Jeremiah Tittle – Co-Host of “The 500 with Josh Adam Myers” Podcast. CEO/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Embark on a nostalgic joyride as Vinnie Giacalone joins me for a recollection of friendship and discovering music, beginning 45 years ago.  We recall the night The Police "Every Little Thing She Does is Magic" inspired my unique dance style, a curious mix of Snoopy's happy moves and The Blues Brothers. Laughter is in the air as we revisit Vinny's brakeless bike escapades, marking a trail from our reckless past to present-day triumphs such as 'The Organized Guy,' Vinny's own venture, now celebrating a decade. These tales of past follies and successes are the symphony of our shared history, underscored by the profound absence of guitar virtuoso Randy Rhoads, whose untimely passing took place the same day as my triumphant dance debut.In a crescendo of personal revelations, Vinnie unveils his top five albums, including gems like "Sgt. Pepper's" and "Rumors," and The Doors "Morrison Hotel," not as a ranked list, but as gateways to cherished memories. Jimmy and I, then meander through diverse musical landscapes, from Billy Joel's "Piano Man," "Van Halen II," The Cure, and Depeche Mode singles. The finale brings us to a live Bob Dylan performance, where the fusion of timeless classics and the fresh tracks from "Rough and Rowdy Ways" left us captivated. A tip of the hat to our guest, Vinny Giacalone, for the shared memories, - a symphony of tales, tunes, and timeless reflections.Vinnie can be contacted at vinnie@theorganizedguy,com or check out his website at theorganizedguy.com.Please Like and Follow our Facebook page Music In My Shoes. You can reach us at musicinmyshoes@gmail,com.

When we go slippin' and a-slidin' into Sal's Speakeasy in Ashland tomorrow night for our latest gig, we'll bring with us one of our all-time favorite party tunes. The song that we call “You Got Me Slippin'” is loosely based on a classic Jimmy Reed piece from 65 years ago at the very dawn of rock 'n' roll. And to further Floodify the fun, we also inject a few old Bob Dylan verses right in the middle of it just for glee (a shout-out to your grandpa's sword, pictures on a board and fistfights with the milkman… you know, the usual stuff….)The Jimmy Reed OriginalInspiration for it all, as we say, is a blues that Jimmy Reed recorded in 1959. Vee-Jay Records released it as “Baby What You Want Me to Do,” but honestly, everybody we knew back then called it "You Got Me Runnin'" because of its opening lines (You've got me runnin' / You've got me hidin' / You've got me run, hide, hide, run…)It was a chart hit for Reed and, as with many of his songs, it appealed to listeners across various genres, with numerous subsequent covers by other artists. While Reed himself received the sole songwriting credit for the number, blues historian Gerard Herzhaft notes, “Like almost all of Reed's pieces and whatever the official credits are, it is an original composition by his wife, (Mary) Mama Reed."Covers and TributesThe song continues to be performed and recorded — notably by Etta James and by Elvis Presley — making it perhaps the most covered of all of Reed's tunes, spawning versions by blues, R&B and rock artists.Flood fans might remember that our own version — complete with the addition of those Bob Dylan lyrics from his 1965 “On the Road Again” — is the opening track on our 2016 Live, In Concert album.Incidentally, our Dylan insertion was a bit prescient. While Bob himself has never recorded a Reed song as far as we know, he did pay tribute to the blues great with the song “Goodbye Jimmy Reed” on the 2020 Dylan album, Rough and Rowdy Ways. (And by the way, last month we got to hear Dylan sing that one in person when he rolled into downtown Huntington to appear live at the Keith-Albee theater.)So, Do We Have a Date?Remember, this Saturday night The Flood will be bringing our take on the Reed song — and a whole lot more — to Sal's Speakeasy, 1624 Carter Avenue in beautiful downtown Ashland, Ky. We play from 6 to 9. Call ahead to save a table near the bandstand, then come on down and party with us.And speaking of dates, hope you're also making plans to join us at Huntington's Alchemy Theatre this New Year's Eve for our big “Flood at 50” birthday bash. All the details are on the new website, FloodAt50.com. And if you're on Facebook, “like” the page there at www.facebook.com/the.flood.at.fifty That'll keep you up to date on the latest details. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Rob welcomes back BobCats Henry Bernstein and Matt Simonsen to discuss the most recent leg of the ROUGH AND ROWDY WAYS tour. This Episode is for FM+ Subscribers Only. If you're not yet a subscriber, you'll hear a special preview version of this episode. To hear the full episode, sign up for FM Pods + in Apple Podcasts or at FMPods.com. Have a question or comment? Contact: https://fmpods.com/podcasts/poddylan Follow us on Twitter: @Pod_Dylan POD DYLAN "Jukebox" T-Shirt now available: https://www.etsy.com/shop/RobKellyCreative Complete list of all songs covered so far: Pod Dylan Songs This podcast is part of the FM Podcast Network. Thanks for listening!

Nashville Country Jamboree - "Me And Bobby McGee" [0:00:00] Nashville Country Jamboree - "Kiss an Angel Good Morning" [0:10:58] Johnny Cash - "Daddy Sang Bass" [0:13:13] Eddy Arnold - "By The Time I Get To Phoenix" [0:15:33] Music behind DJ: Carmen Mastren - "Carmen's Medley" - Banjorama [0:18:22] Ray Price - "For The Good Times" [0:22:11] Lefty Frizzell - "Saginaw, Michigan" [0:25:39] Roger Miller - "Dang Me" [0:28:40] Music behind DJ: Carmen Mastren - "Medley #2" [0:31:30] Bob Dylan - "Crossing The Rubicon" - My Rough and Rowdy Ways [0:34:59] Bob Dylan - "Most Likely You Go Your Way And I'll Go Mine" [0:43:26] Bob Dylan - "To Be Alone With You" - Nashville Skyline [0:46:55] Bob Dylan - "I've Made Up My Mind to Give Myself to You" - My Rough and Rowdy Ways [0:47:21] Music behind DJ: Chet Atkins - "I Ain't Gonna Work Tomorrow" [0:53:32] Merle Haggard - "Medley" [0:55:59] https://www.wfmu.org/playlists/shows/133956

Nashville Country Jamboree - "Me And Bobby McGee" [0:00:00] Nashville Country Jamboree - "Kiss an Angel Good Morning" [0:10:58] Johnny Cash - "Daddy Sang Bass" [0:13:13] Eddy Arnold - "By The Time I Get To Phoenix" [0:15:33] Music behind DJ: Carmen Mastren - "Carmen's Medley" - Banjorama [0:18:22] Ray Price - "For The Good Times" [0:22:11] Lefty Frizzell - "Saginaw, Michigan" [0:25:39] Roger Miller - "Dang Me" [0:28:40] Music behind DJ: Carmen Mastren - "Medley #2" [0:31:30] Bob Dylan - "Crossing The Rubicon" - My Rough and Rowdy Ways [0:34:59] Bob Dylan - "Most Likely You Go Your Way And I'll Go Mine" [0:43:26] Bob Dylan - "To Be Alone With You" - Nashville Skyline [0:46:55] Bob Dylan - "I've Made Up My Mind to Give Myself to You" - My Rough and Rowdy Ways [0:47:21] Music behind DJ: Chet Atkins - "I Ain't Gonna Work Tomorrow" [0:53:32] Merle Haggard - "Medley" [0:55:59] https://www.wfmu.org/playlists/shows/133956

Collecting around 50 original, in-depth interviews, Pledging My Time: Conversations with Bob Dylan Band Members (out June 27 on EWP Press) is the first look at Bob Dylan's career entirely from the perspective of the musicians standing a few feet away from him on stage – from his earliest days in the ‘60s all the way through the 21st century Never Ending Tour. With a few exceptions, these artists are not household names, but they have in many cases spent years making music with one of the most revered and mysterious artists in the world.The world of Dylan's bands and his road life has seemed fairly impenetrable for decades now. Many people in this book have never spoken before about their time with Dylan, or certainly not in as much depth. Interviewees span every era of Dylan's career, from Ramblin' Jack Elliott and Martin Carthy talking about the early folk scene up through Benmont Tench and Alan Pasqua talking about recording Rough and Rowdy Ways. This guest list guiding the backstage tour also includes one-off sit-ins, behind- the-scenes touring personnel, and even a notable Grammy Awards stage-crasher.If Dylan is, as he famously put it back in 1965, a “song and dance man,” these are the people who have sung and danced alongside him.

Collecting around 50 original, in-depth interviews, Pledging My Time: Conversations with Bob Dylan Band Members (out June 27 on EWP Press) is the first look at Bob Dylan's career entirely from the perspective of the musicians standing a few feet away from him on stage – from his earliest days in the ‘60s all the way through the 21st century Never Ending Tour. With a few exceptions, these artists are not household names, but they have in many cases spent years making music with one of the most revered and mysterious artists in the world.The world of Dylan's bands and his road life has seemed fairly impenetrable for decades now. Many people in this book have never spoken before about their time with Dylan, or certainly not in as much depth. Interviewees span every era of Dylan's career, from Ramblin' Jack Elliott and Martin Carthy talking about the early folk scene up through Benmont Tench and Alan Pasqua talking about recording Rough and Rowdy Ways. This guest list guiding the backstage tour also includes one-off sit-ins, behind- the-scenes touring personnel, and even a notable Grammy Awards stage-crasher.If Dylan is, as he famously put it back in 1965, a “song and dance man,” these are the people who have sung and danced alongside him.

This week we're going back to the 1960s with Boston Strangler! Join us as we learn about the Boston PD's bad advice to women, raids on queer communities, the death of Albert DeSalvo, and more! Sources: James H. Hammond, "Boston 'Strangler' Flees Hospital; Women Are Told to Lock Doors," The Washington Post (25 Feb 1967): 1.  Douglas Crocket, "What Did the Five Strangle Victims Have in Common?" Boston Globe (24 Aug 1962): 4.  Charles Claffey, "9 Stranglings Still Unsolved--And Circle of Fear Widens," Boston Globe (15 Sep 1963): 38.  "Police Working Without Result on Stranglings," Boston Globe (8 July 1962): 6.  Douglas Crocket, "Police Have Queried 3000 Persons in Strangling Case," Boston Globe (20 Jan 1963): 9.  Evening star. [volume] (Washington, D.C.), 09 Dec. 1962. Chronicling America: Historic American Newspapers. Lib. of Congress. https://chroniclingamerica.loc.gov/lccn/sn83045462/1962-12-09/ed-1/seq-7/  "What Police Say: 'Women Too Trusting.. Careless'." Boston Globe (1960-), Sep 19, 1965. "Public Faces/Private Lives," The History Project: Documenting LGBTQ Boston, https://www.historyproject.org/exhibition/public-faces-private-lives  Robert B. Kenney, "South Cove Branded Degenerates' Hangout," Boston Globe (8 July 1965): 1.  Joseph Keblinsky, "The Dapper Strikes Out," Boston Globe (11 Jly 1965): A4.  "Remember Scollay Square?" Boston Globe (2 November 1963): 4.  "Rowdy Ways of Scollay Sq. Soon Will Go: Proper Boston Stands the Death Watch," Chicago Daily Tribune (11 March 1962): B8.  Anthony J. Yudis, "Renewal to Oust 28 Liquor Spots: Battle for South Cove," Boston Globe (30 May 1965): 11.  Sixtieth Annual Report of the Police Commissioner for the City of Boston for the Year Ending December 31, 1965. https://hdl.handle.net/2027/hvd.hl2k7i?urlappend=%3Bseq=33%3Bownerid=116415389-37  Blackwood, Harold. "What People Talk about: Boston Revisited After 20 Years, Ex-Navy Man Likes what He Sees." Boston Globe (1960-), Apr 14 1963, p. 1. ProQuest.  Jan Brogan, The Combat Zone: Murder, Race, and Boston's Struggle for Justice (University of Massachusetts Press, 2021). https://www.jstor.org/stable/j.ctv29g2gxr.6  Anne Gray Fischer, "Boston: The Place is Gone! Policing Black Women to Redevelop Downtown," in The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (University of North Carolina Press, 2022). https://www.jstor.org/stable/10.5149/9781469665061_fischer.8   "DeSalvo, Confessed Boston Strangler, Found Stabbed to Death in Prison Cell," New York Times, 11/27/1973, available at https://www.nytimes.com/1973/11/27/archives/desalvo-confessed-boston-strangler-found-stabbed-to-death-in-prison.html Susan Kelly, "The Boston Stranglers," Kensington, 2013. Nathan Smith, "The Tenacious Woman Reporters Who Helped Expose the Boston Strangler," Smithsonian, available at https://www.smithsonianmag.com/history/the-tenacious-women-reporters-who-helped-expose-the-boston-strangler-180981786/ Kevin Slane, "Separating Fact From Fiction in the Boston Strangler Movie," Boston.com, available at https://www.boston.com/culture/movies/2023/03/17/boston-strangler-movie-whats-real-not/ https://en.wikipedia.org/wiki/Boston_Strangler_(film)

Follow OBM on Twitter and Instagram -    This episode of 'Music Worth Hearing' puts a spotlight on the album 'Rough And Rowdy Ways' by Bob Dylan. 

In Part 2, Luke and I discuss the esoteric connections and intersections with the figures of Blake and Ginsberg. We talk about in the influence of Emmanuel Swedenborg and Gnosticism on the worldviews of both Blake and Ginsberg, how Ginsberg saw Buddhism and Gnosticism as being connected in a syncretic way, and what contemporary artists could be viewed as ‘carrying on the Blakean torch' in our own popular culture. Dr Luke Walker has published widely on the intersections between British Romantic poetry, American counterculture, and esotericism.His publications include "‘One physical-mental inspiration of thought': Allen Ginsberg and Black Mountain poetics", in The Beats, Black Mountain, and New Modes in American Poetry, ed. Matt Theado (2021), “Beat Britain: poetic vision and division in Albion's ‘underground'”, in The Routledge Handbook of International Beat Literature, ed. A. Robert Lee (2018), “Tangled up in Blake: the triangular relationship among Dylan, Blake, and the Beats”, in Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2, ed. James Rovira (2018), “Allen Ginsberg's ‘Wales Visitation' as a neo-Romantic response to Wordsworth's ‘Tintern Abbey'”, in Romanticism journal (2013), and “Allen Ginsberg's Blakean Albion,” in Comparative American Studies journal (2013). Most recently, Luke co-edited a special issue of the Bulletin of the John Rylands Library, on “The Artist of the Future Age: William Blake, Neo-Romanticism, Counterculture and Now” (2022). He is now writing a book entitled William Blake and Allen Ginsberg: Romanticism, Counterculture and Radical Reception.PROGRAM NOTESDr. Luke Walker:academia.edu page: (99+) Luke Walker | Home - Academia.eduTwitter: Luke Walker (@DrLukeWalker) / TwitterSelected Articles:(99+) Tangled Up in Blake: the Triangular Relationship among Dylan, Blake, and the Beats | Luke Walker - Academia.edu(99+) Allen Ginsberg's Blakean Albion | Luke Walker - Academia.edu(99+) Beat Britain: poetic vision and division in Albion's 'underground' | Luke Walker - Academia.edu(99+) Psychedelic Romanticism: Ginsberg, Blake and Wordsworth | Luke Walker - Academia.edu(99+) 'One physical-mental inspiration of thought': Allen Ginsberg and Black Mountain Poetics | Luke Walker - Academia.eduWilliam Blake Archive: The William Blake ArchiveAllen Ginsberg sings William Blake's 'The Nurse's Song': Allen Ginsberg sings William Blake's "The Nurse's Song" - YouTubeMike Goode, 'Blakespotting': (99+) Blakespotting | Mike Goode - Academia.eduAllen Ginsberg: The Allen Ginsberg Project - AllenGinsberg.org'Wichita Vortex Sutra': Allen Ginsberg: Wichita Vortex Sutra (chriscander.com)Bob Dylan 'Tempest': Bob Dylan - Tempest (Official Audio) - YouTube'Rough and Rowdy Ways': I Contain Multitudes - YouTube'Subterranean Homesick Blues': Bob Dylan - Subterranean Homesick Blues (Official HD Video) - YouTubeOTHER RESOURCES:patti smith: official siteHome - Kae TempestJohn Higgs – Author of Love And Let Die, William Blake Vs The World, Watling Street and The KLFTheme Music: Daniel P. SheaOther music: Stephanie Shea

In Part One, Luke discusses the great influence of the poet and artist William Blake on Allen Ginsberg, one of the most influential people from the Beat Generation and the ‘counterculture' movement of 1960s United States. He also talks in detail about Ginsberg's “Blake Vision,” the name Ginsberg gave to a series of extraordinary events in his life in 1948. We then discuss Luke's article “Tangled Up in Blake” that focuses on Ginsberg's views about Bob Dylan and their complex relationship. Lastly, we talk about the influence of Buddhism on Ginsberg and how this affected his views about Blake and his worldview in general.Dr Luke Walker has published widely on the intersections between British Romantic poetry, American counterculture, and esotericism.His publications include "‘One physical-mental inspiration of thought': Allen Ginsberg and Black Mountain poetics", in The Beats, Black Mountain, and New Modes in American Poetry, ed. Matt Theado (2021), “Beat Britain: poetic vision and division in Albion's ‘underground'”, in The Routledge Handbook of International Beat Literature, ed. A. Robert Lee (2018), “Tangled up in Blake: the triangular relationship among Dylan, Blake, and the Beats”, in Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2, ed. James Rovira (2018), “Allen Ginsberg's ‘Wales Visitation' as a neo-Romantic response to Wordsworth's ‘Tintern Abbey'”, in Romanticism journal (2013), and “Allen Ginsberg's Blakean Albion,” in Comparative American Studies journal (2013). Most recently, Luke co-edited a special issue of the Bulletin of the John Rylands Library, on “The Artist of the Future Age: William Blake, Neo-Romanticism, Counterculture and Now” (2022). He is now writing a book entitled William Blake and Allen Ginsberg: Romanticism, Counterculture and Radical Reception.PROGRAM NOTESDr. Luke Walker:academia.edu page: (99+) Luke Walker | Home - Academia.eduTwitter: Luke Walker (@DrLukeWalker) / TwitterSelected Articles:(99+) Tangled Up in Blake: the Triangular Relationship among Dylan, Blake, and the Beats | Luke Walker - Academia.edu(99+) Allen Ginsberg's Blakean Albion | Luke Walker - Academia.edu(99+) Beat Britain: poetic vision and division in Albion's 'underground' | Luke Walker - Academia.edu(99+) Psychedelic Romanticism: Ginsberg, Blake and Wordsworth | Luke Walker - Academia.edu(99+) 'One physical-mental inspiration of thought': Allen Ginsberg and Black Mountain Poetics | Luke Walker - Academia.eduWilliam Blake Archive: The William Blake ArchiveAllen Ginsberg sings William Blake's 'The Nurse's Song': Allen Ginsberg sings William Blake's "The Nurse's Song" - YouTubeMike Goode, 'Blakespotting': (99+) Blakespotting | Mike Goode - Academia.eduAllen Ginsberg: The Allen Ginsberg Project - AllenGinsberg.org'Wichita Vortex Sutra': Allen Ginsberg: Wichita Vortex Sutra (chriscander.com)Bob Dylan 'Tempest': Bob Dylan - Tempest (Official Audio) - YouTube'Rough and Rowdy Ways': I Contain Multitudes - YouTube'Subterranean Homesick Blues': Bob Dylan - Subterranean Homesick Blues (Official HD Video) - YouTubeOTHER RESOURCES:patti smith: official siteHome - Kae TempestJohn Higgs – Author of Love And Let Die, William Blake Vs The World, Watling Street and The KLFTheme Music: Daniel P. SheaOther music: Stephanie Shea

Bob Dylan ce monstre sacré ! Bob Dylan a vendu plus de 125 millions d'albums à travers le monde – et, à 80 ans, il poursuit toujours ses concerts avec une tournée actuelle. Son 39e album Rough and Rowdy Ways est sorti en 2020 et a été acclamé par la critique ! Sacré Bob Dylan qui a été récompensé en 2016 par le Prix Nobel de littérature "pour avoir créé dans le cadre de la grande tradition de la musique américaine, de nouveaux modes d'expression poétique". Rien que ça ! Bob Dylan a aussi transmis sa passion pour la musique à des amis ou sa famille, surtout à son fils Jakob Dylan, né en 1969, et musicien professionnel dès la fin des années 80 dans son groupe The Wallflowers. Jakob Dylan a aussi sorti deux albums solos. Le 16 octobre 1992, au Madison Square Garden de New York, a lieu un événement majeur, le "Bob Dylan : 30th anniversary Concert Celebration". Stevie Wonder y offre une version inspirée du classique "Blowin'in the Wind". Eric Clapton reprend " Don't Think Twice, It's All Right ", Neil Young, qui interprète " All Along The Watchtower " en compagnie de Booker T and The Mg's. Mais il y avait aussi Chrissie Hynde des Pretenders, Roger McGuinn des Byrds, Sinead O'Connor, Tom Petty, The Band, the O'Jays et George Harrison. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock.

Join our Discord community - https://discord.gg/E43RK8Fk. This week, Prof. D. Quentin Miller (Suffolk) joins us to discuss Bob Dylan's Grammy winning album Time Out of Mind on its 25th Anniversary. What does a great album mean to us in the streaming age? Also, more historic home run balls, Cleveland's surge, Astro & Dodger firsts, and more baseball as the season draws to a close.Check It Out:Prof. Miller recommends "Shuggie Bain," a novel by Douglas Stuart (not Douglas Adams).D. Quentin Miller at Suffolk Univ. - https://tinyurl.com/hooksmiller Books by D. Quentin Miller at bookshop.org - https://tinyurl.com/hooksdqmbooks Errata: The book about the album Prof. Miller reviewed is "Dreams and Dialogs in Dylan's Time Out of Mind," by Graley Herren (2021). The second Dylan single released before Rough and Rowdy Ways  in 2020 was "I Contain Multitudes." Hooks & Runs - www.hooksandruns.comHooks & Runs Discord -  https://discord.gg/E43RK8FkHooks & Runs playlists on Spotify - https://tinyurl.com/hooksspotifyHooks & Runs on Twitter - https://twitter.com/hooksandrunspcCraig Estlinbaum on TwitterLink: https://twitter.com/CraigEstlinbaumAndrew Eckhoff on Tik Tok (it's true)Link: https://www.tiktok.com/@hofffestRex von Pohl (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/Opening and closing music, "Caroline" by Craig Estlinbaum. All rights reserved.This podcast and this episode are copyright Craig Estlinbaum, 2022, all rights reserved.  

"Play That Rock'n'Roll" proudly presents the sixth and final part of our special mini-series that details the incredible life and career of the one and only Bob Dylan. We are joined by my friend Chris to explore Dylan's full studio catalog, broken down by decade. In this episode, we cover Bob's 2012 album "Tempest", his numerous high profile awards from prestigious organizations, his trilogy of "standards" covers records, and his 2020 return with "Rough and Rowdy Ways". We also discuss a recent local controversy involving one of Bob's songs, and we reflect on how our various opinions about Bob and his music evolved over the course of this mini-series. Thank you to everyone who tuned in! Follow us on Twitter at: https://twitter.com/playthatpodcast​​ Find us on facebook at: https://www.facebook.com/playthatpodcast

Daniel and Kelly are listening to Dylan one random song (and now show) at a time. This episode features Dylan's latest West Coast leg of the Rough and Rowdy Ways world tour – May 31, 2022 at Arlene Schnitzer Concert Hall in Portland, Oregon. Part 1 (1:00) — Initial Thoughts (on Portland, Yondr, money laundering, demographics and Dylan's voice (1:00) Part 2 (12:00) — Watching the River Flow — Band Intros — Most Likely You'll Go Your Way (And I'll Go Mine) — I Contain Multitudes — False Prophet — When I Paint My Masterpiece — Black Rider — I'll Be Your Baby Tonight — Interpreter Shoutout — Bob's Manic Claps — When was the last time Bob was in Portland? 2014 — My Own Version of You — Crossing the Rubicon — To Be Alone With You — Key West — Gotta Serve Somebody — Discourse on Tony's hat and losing most of a $22 vodka soda — I Made Up My Mind to Give Myself to You — Melancholy Mood (featuring Stray Cat Strut) — Mother of Muses (but should've been Must Be Santa) — Goodbye Jimmy Reed — Band Intros hard to hear — Every Grain of Sand (Not Salt) Part 3 (47:45) — Final Thoughts (summaries, thinking of time and seeing bands we love into old age and a post-show riff on Waffle/Huddle House Follow us: sotwpod.com | twitter | instagram Playlists: see that my playlist is kept clean If you're inclined: patreon Next show: Sooner rather than later...

This episode continues the expedition we began last week, following the musical map Dylan has drawn for us as the spring tour winds to a close. The weekly news segment “20 Pounds of Headlines” keeps you updated on the itinerary for the final week of Dylan's spring tour, updates you on the appeal result for Claudia Levy's suit against Dylan, and updates you on ticket availability for the festivities surrounding the opening of the Bob Dylan Center. In "Who Did It Better?" we ask you to tell us who did "Maybe Baby" better: Waylon Jennings or Buddy Holly? Go to our Twitter page @RainTrains to vote.

Hey Dude, while listening to KPCC on the radio, I heard a mashup episode of Snap Judgement and Love + Radio, featuring Nick van der Kolk interviewing Glynn Washington. The whole thing made me trip on the blurred lines between podcasting and radio.QUOTE: "I freakin' love radio."CHARACTERS: Will Smith, Chris Rock, Nick van der Kolk, Glynn Washington, Bob Dylan, Johnny Cash, Evo Terra,Tee Morris, Tim Coyne, Lightnin' Hopkins, Les Blank, Muddy Waters, Howlin' WolfSETTINGS: Wawona, Ukraine, Altadena, Los Angeles, The Brewery Art Colony, Barbara's at the BreweryPODCASTS/RADIO: Verge of the Fringe, Love + Radio, KPCC, Snap Judgement, Podcast Hall of Fame, Dawn and Drew, Keith and the Girl, Podcasting for Dummies, Podiobooks, Podcamp, Podcast Movement, National Public Radio, Bob Dylan's Theme Time Radio Hour, SiriusXMTHINGS: Kombucha, Motion Picture Academy, Rock and Roll Hall of Fame, Rough and Rowdy Ways, Every Grain of Sand, Blowin' in the Wind, Blues, Video Killed the Radio StarSOUNDS: Laguna Sawdust Cowbell Chimes footsteps, birds, jet, freeway, virgin cocktail, hornGENRE: storytelling, personal narrative, personal journalPHOTO: "Wawona Podcast Studio" iPhone XSRECORDED: April 2, 2022 from the "Wawona Lawn" under the flight path of the Bob Hope Airport in Burbank, CaliforniaGEAR: Sony ICD PX370 digital voice recorder and Sony ECM CS3 "tie-clip" microphone.HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwreckedand host of Create Art Podcast)DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised. 

Hey Dude, while listening to KPCC on the radio, I heard a mashup episode of Snap Judgement and Love + Radio, featuring Nick van der Kolk interviewing Glynn Washington. The whole thing made me trip on the blurred lines between podcasting and radio. QUOTE: "I freakin' love radio." CHARACTERS: Will Smith, Chris Rock, Nick van der Kolk, Glynn Washington, Bob Dylan, Johnny Cash, Evo Terra, Tee Morris, Tim Coyne, Lightnin' Hopkins, Les Blank, Muddy Waters, Howlin' Wolf SETTINGS: Wawona, Ukraine, Altadena, Los Angeles, The Brewery Art Colony, Barbara's at the Brewery PODCASTS/RADIO: Verge of the Fringe, Love + Radio, KPCC, Snap Judgement, Podcast Hall of Fame, Dawn and Drew, Keith and the Girl, Podcasting for Dummies, Podiobooks, Podcamp, Podcast Movement, National Public Radio, Bob Dylan's Theme Time Radio Hour, SiriusXM THINGS: Kombucha, Motion Picture Academy, Rock and Roll Hall of Fame, Rough and Rowdy Ways, Every Grain of Sand, Blowin' in the Wind, Blues, Video Killed the Radio Star SOUNDS: Laguna Sawdust Cowbell Chimes footsteps, birds, jet, freeway, virgin cocktail, horn GENRE: storytelling, personal narrative, personal journal PHOTO: "Wawona Podcast Studio" iPhone XS RECORDED: April 2, 2022 from the "Wawona Lawn" under the flight path of the Bob Hope Airport in Burbank, California GEAR: Sony ICD PX370 digital voice recorder and Sony ECM CS3 "tie-clip" microphone. HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.    

Dylan has told us that he is a musical expeditionary. In the midst of his band introductions throughout the fall and spring tours he mentioned performers local to the city he is playing. Join us for this two-part series where we draw a musical map of the musical expedition Dylan has led us on even as the spring tour winds to a close. In "20 Pounds of Headlines," we round up news from the world of Bob Dylan, which updates you on the imminent itinerary of Dylan's tour and alerts you to the appearance of a Dylan song in a popular new streaming show, news on 4k UHD releases for THE LAST WALTZ and PAT GARRETT & BILLY THE KID, and alerts you that Dylan's November book, THE PHILOSOPHY OF MODERN SONG can now be pre-ordered through Simon & Schuster. In "Who Did It Better?" we ask you to vote this week to tell us who did "It's All Over Now, Baby Blue" better: Richie Havens or The Seldom Scene? Listen to the episode, then go to our Twitter page @RainTrains to vote!

On today's progam, Listening Lyrics plays "Murder Most Foul" and spends a little time analyzing the song. This is done by means of playing some of the music Dylan mentions in the song. From Wikipedia: "Murder Most Foul" by Bob Dylan is the 10th and final track on his 39th studio album, Rough and Rowdy Ways (2020). It was released as the album's lead single on March 27, 2020, through Columbia Records. The song addresses the 1963 assassination of President John F. Kennedy in the context of the greater American political and cultural history. The song, Dylan's first original music released since 2012, generated an enormous amount of commentary. At 16 minutes, 56 seconds, it is the longest song he has released, eclipsing 1997's "Highlands" by 25 seconds.

POD DYLAN Episode 186 - Rough and Rowdy Ways Tour Rob welcomes an all-star panel of Bobcats--Henry Bernstein, Brittany Kula, Allison Rapp, and Omar Uddin--to discuss their experiences seeing Bob Dylan live on the Rough and Rowdy Ways Tour! Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_Dylan4 You can find POD DYLAN on these platforms: Apple Podcasts: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Amazon Music Spotify Stitcher Complete list of all songs covered so far: http://fireandwaterpodcast.com/podcast/pod-dylan-the-songs This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Writer-director Michael Glover Smith has seen Bob live 77 times. He joins me for a deep dive into Rough and Rowdy Ways the album and the world tour. He also provides insights into Bob's work in films and shares how hearing the Traveling Wilburys when he was 13 sparked his fandom. You can follow Michael Glover Smith on Twitter @whitecitycinema and read his work at whitecitycinema.com. For Bob Dylan news, follow host Matt Steichen on Twitter @Matt_Stike --- Support this podcast: https://anchor.fm/the-bobcats/support

On our eighth bonus episode, co-hosts Micajah and Rob share their love for Bob Dylan's latest album, as well as their experience seeing Dylan in concert last month in Louisville, Kentucky. As always, we want to thank our sponsor Anchor for making this episode happen. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Comedy writer Daniel Radosh initiated the Twitter hashtag #BD969, celebrating every officially released Dylan song, as well as posting four Spotify playlists for The 80th Birthday: Bob Dylan For Beginners. We discuss these gems and open up the contentious topic of Dylan's album cover art, from best to worst and everything in between. Other albums covered include 1974's Planet Waves (“it feels like it's about to spring on you and scratch your eyes out”) and Rough and Rowdy Ways (“very danceable!”).Daniel, who has written a book on Contemporary Christian Rock, considers Oh Mercy “a Christian album from a different perspective” and introduces us to Larry Norman (Father of Christian Rock), whose song Righteous Rocker #1 clearly inspired Bob's Gotta Serve Somebody. Join us for a righteously inspirational episode!Daniel Radosh is an American journalist. He is a senior writer/producer for The Daily Show with Trevor Noah on the Comedy Central TV network. Previously, he was a staff writer for The Daily Show with Jon Stewart and a contributing editor at The Week. He also writes for The New Yorker, Entertainment Weekly, Esquire, GQ, Mademoiselle, McSweeney's Quarterly Concern, New York Magazine, The New York Times, Playboy, Salon and Slate.Daniel's blog, Radosh.net, was named one of the "top 25 blogs" by Time magazine. His book, Rapture Ready! Adventures in the Parallel Universe of Christian Pop Culture, was published in 2008. In 2029, Daniel co-created the satirical political TV sitcom Liberty Crossing.Daniel's four Spotify playlists to spotlight 80 songs for Dylan's 80th birthday:ICONSESSENTIALSDEEP CUTSRARE GEMSTrailerTwitterSpotify playlistListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 8th July 2021This show is part of Pantheon Podcasts

Comedy writer Daniel Radosh initiated the Twitter hashtag #BD969, celebrating every officially released Dylan song, as well as posting four playlists for The 80th Birthday: Bob Dylan For Beginners. We discuss these gems and open up the contentious topic of Dylan's album cover art, from best to worst and everything in between. Other albums covered include 1974's Planet Waves (“it feels like it's about to spring on you and scratch your eyes out”) and Rough and Rowdy Ways (“very danceable!”).Daniel, who has written a book on Contemporary Christian Rock, considers Oh Mercy “a Christian album from a different perspective” and introduces us to Larry Norman (Father of Christian Rock), whose song Righteous Rocker #1 clearly inspired Bob's Gotta Serve Somebody. Join us for a righteously inspirational episode!Daniel Radosh is an American journalist. He is a senior writer/producer for The Daily Show with Trevor Noah on the Comedy Central TV network. Previously, he was a staff writer for The Daily Show with Jon Stewart and a contributing editor at The Week. He also writes for The New Yorker, Entertainment Weekly, Esquire, GQ, Mademoiselle, McSweeney's Quarterly Concern, New York Magazine, The New York Times, Playboy, Salon and Slate.Daniel's blog, Radosh.net, was named one of the "top 25 blogs" by Time magazine. His book, Rapture Ready! Adventures in the Parallel Universe of Christian Pop Culture, was published in 2008. In 2019, Daniel co-created the satirical political TV sitcom Liberty Crossing.Daniel's four playlists, to spotlight 80 songs for Dylan's 80th birthday:ICONSESSENTIALSDEEP CUTSRARE GEMSTrailerTwitterEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 8th July 2021This show is part of Pantheon Podcasts

Al bijna dertig jaar volgt Gijsbert Kamer voor de Volkskrant de popmuziek. Dertig jaar waarin honderden artiesten de revue passeerden en het muzikale landschap van eind vorige en begin deze eeuw vulden. In wat zomaar de laatste vaderlandse aflevering van de BOBcast zou kunnen zijn, is hij opnieuw te gast nadat hij eerder Dylans meest recente album ‘Rough and Rowdy Ways' besprak. Maar waar staat Dylan in dat muzikale landschap dat Gijsbert Kamer probeerde te begrijpen? En wat heeft de BOBcast toegevoegd aan zíjn Bob?

We're joined by drummer, producer and composer Brendan Canty from the legendary Washington, D.C. bands, Fugazi and Rites of Spring. Crucial matters discussed include: Brendan's journey within the D.C. punk and hardcore scene that lead him to Rites of Spring and Fugazi; our mutual love of Bob Dylan's new record, Rough and Rowdy Ways; the anniversary of Fugazi's stunning second release, Repeater; Brendan's film work with and fandom of Wilco; Brendan's stellar gig scoring for NASA; and so much more. 

In Chapter 2 of Definitely Dylan's mini series on Bob Dylan's Rough And Rowdy Ways, Laura discusses the myth and mystery of creation in “My Own Version Of You” and “Mother Of Muses”.What insight can these very different songs give us into the creative process of the songwriter? How do they portray the creator's role in society? And what does any of this have to do with the Nobel medal?Here's the radio episode in which we discuss Bob Dylan's borrowings from Billy “The Kid” Emerson's song “If Loving Is Believing” for Dylan's “False Prophet”.Definitely Dylan is now on Patreon, where you can support my work and get access to bonus episodes and more content.If you want to buy me a symbolic coffee to support my work, go to buymeacoffee.com/definitelydylanFor more info, please visit the Definitely Dylan website.Don't forget to follow the show on Twitter and Instagram.Get your own “This is what a Bob Dylan fan looks like” t-shirt, or the “I Contain Multitudes” tote bag in the shop!

Bob Dylan á plötu ársins í bresku tónlistarblöðunum Uncut og Mojo í ár auk þess sem platan hans; Rough and Rowdy ways, sem kom út síðasta sumar er í öðru sæti á lista Metacritic yfir plötur ársins en þar er öll gagnrýni ársins tekin saman. Ég hlustaði á plötuna þegar hún kom út en fannst hún frekar leiðinleg og nennti ekki að gera henni skil hérna í Rokklandi - Dylan aðdáandinn sem ég er. Ég varð hreinlega fyrir vonbrigðum með plötuna. En ákvað að hlusta á hana betur og fjalla um hana í dag - mér hlýtur að hafa yfirsést eða heyrst snilldin úr því hún fær svona góða dóma. Við heyrum nokkur lög af henni í þættinum í dag auk þess sem Guðmundur Andri Thorsson Dylan aðdáandi og sérfræðingur og þingmaður flytur okkur stutta hugvekju um Dylan og plötuna. Þar fyrir utan er ég svo með helling af splunkunýrri músík með fólki eins og Al Green, Sycamore Tree , Taylor Swift, Ingu Björk Ingadóttur, Willie Nelson, Cygnus, Celeste og David Bowie sem hefði einmitt orðið 74 ára á föstudaginn ef hann hefði lifað og í dag eru 5 ár frá því hann lést.

Bob Dylan á plötu ársins í bresku tónlistarblöðunum Uncut og Mojo í ár auk þess sem platan hans; Rough and Rowdy ways, sem kom út síðasta sumar er í öðru sæti á lista Metacritic yfir plötur ársins en þar er öll gagnrýni ársins tekin saman. Ég hlustaði á plötuna þegar hún kom út en fannst hún frekar leiðinleg og nennti ekki að gera henni skil hérna í Rokklandi - Dylan aðdáandinn sem ég er. Ég varð hreinlega fyrir vonbrigðum með plötuna. En ákvað að hlusta á hana betur og fjalla um hana í dag - mér hlýtur að hafa yfirsést eða heyrst snilldin úr því hún fær svona góða dóma. Við heyrum nokkur lög af henni í þættinum í dag auk þess sem Guðmundur Andri Thorsson Dylan aðdáandi og sérfræðingur og þingmaður flytur okkur stutta hugvekju um Dylan og plötuna. Þar fyrir utan er ég svo með helling af splunkunýrri músík með fólki eins og Al Green, Sycamore Tree , Taylor Swift, Ingu Björk Ingadóttur, Willie Nelson, Cygnus, Celeste og David Bowie sem hefði einmitt orðið 74 ára á föstudaginn ef hann hefði lifað og í dag eru 5 ár frá því hann lést.

For the first time in Sound Opinions history, hosts Jim DeRogatis and Greg Kot round out their top 10 lists of the Best Albums of 2020 in this bonus, podcast-only exclusive. Become a member on Patreon: https://www.patreon.com/soundopinionsMake a donation via PayPal: https://bit.ly/36zIhZK Record a Voice Memo and email it to interact@soundopinions.org Featured Songs:Bob Dylan, "False Prophet," Rough and Rowdy Ways, Columbia, 2020Soccer Mommy, "crawling in my skin," color theory, Loma Vista, 2020Jyoti, "Mama, You Can Bet!," Mama, You Can Bet!, EONE, 2020Bob Mould, "Leather Dreams," Blue Hearts, Merge, 2020Porridge Radio, "Born Confused," Every Bad, Secretly Canadian, 2020Lydia Loveless, "September," Daughter, Honey You're Going To Be Late, 2020IDLES, "War," Ultra Mono, Partisan, 2020Margo Price, "That's How Rumors Get Started," That's How Rumors Get Started, Loma Vista, 2020Coriky, "Too Many Husbands," Coriky, Dischord, 2020Drive-By Truckers, "Thoughts and Prayers," The Unraveling, ATO, 2020

‘Het antwoord mijn vriend, waait vluchtig in de wind. Het antwoord waait vluchtig in de wind'. Zo. Doe het maar eens. ‘Michelle' vertalen. Of ‘Yesterday'. Of ‘Blowin' in the Wind'. Zo'n teks die in graniet gehouwen is. Robbert-Jan Henkes en Erik Bindervoet deden het allemaal: het verzameld werk van zowel The Beatles als - op ‘Rough and Rowdy Ways' na - dat van Dylan omkatten in zingbaar Nederlands. Dus wie kan ons beter vertellen hoe ze nou eigenlijk in elkaar zitten, die teksten van Dylan. En wat dat zegt over zijn talent. En hoe moeilijk is dat, Dylan vertalen? Sleutelwoord daarbij in deze BOBcast met Erik Bindervoet: paniek!

On the 19th of June, 2020, Bob Dylan released his 39th studio album, Rough And Rowdy Ways, his first collection of original songs in eight years.In the first chapter of this Definitely Dylan mini-series, Laura begins her exploration of the new album by going back to Dylan's 2016 Nobel win. What's the difference between songs and literature? Who's the secret hero of Rough And Rowdy Ways? And what does Homer have to do with all this? Listen to find out!Definitely Dylan is now on Patreon, where you can support my work and get access to bonus episodes and more content.If you want to buy me a symbolic coffee to support my work, go to buymeacoffee.com/definitelydylanFor more info, please visit the Definitely Dylan website.Don't forget to follow the show on Twitter and Instagram.Get your own “This is what a Bob Dylan fan looks like” t-shirt, or the “I Contain Multitudes” tote bag in the shop!

Harvard's Dr. Richard Thomas teaches a course on Bob Dylan. He discusses the new Bob Dylan album "Rough and Rowdy Ways" and his biography "Why Bob Dylan Matters."

Alejandro Lingenti, Hernán Ferreirós y Pablo Strozza conversan sobre el nuevo disco de Bob Dylan.

POD DYLAN Episode 130 - Rough and Rowdy Ways Rob welcomes back renowned music critic Tom Moon to discuss their first impressions of Bob Dylan's newest album, ROUGH AND ROWDY WAYS. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_Dylan Subscribe to the show on Apple Podcasts: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Complete list of all songs covered so far: http://fireandwaterpodcast.com/podcast/pod-dylan-the-songs Buy this album on Apple Music: https://music.apple.com/us/album/rough-and-rowdy-ways/1512248541 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

The raft of renaming going on right now obviously hasn't spared popular culture. The Dixie Chicks and Lady Antebellum are now The Chicks and Lady A, respectively. Björk's record label changed its name. Democrats want to rename John Wayne Airport. FedEx has formally asked the Washington Redskins to change their name, and Guilford's board of education voted to drop the town's "Indians" nickname. And, while Splash Mountain is going to keep being called Splash Mountain, it won't be based on Song of the South anymore. And: The King of Staten Island is the sixth feature film directed by Judd Apatow. It stars Pete Davidson (who also co-wrote the movie with Apatow and Dave Sirus) as a 24-year-old high school dropout who lives with his mother on Staten Island. It's available for rental on digital platforms. Some other stuff that happened over the last month, give or take: Carl Reiner, Comedy Legend and 'Dick Van Dyke Show' Creator, Dies at 98 Joel Schumacher, Director of Batman Films and 'Lost Boys,' Dies at 80 Hugh Downs, Perennial Small-Screen Fixture, Is Dead at 99A longtime host of both "Today" and "20/20," for many years he held the Guinness-certified record for most total hours on commercial network television. Legendary Batman writer, Denny O'Neil dies at age 81 Benny Mardones, 'Into the Night' Singer-Songwriter, Dead at 73 At 99, Al Jaffee Says Goodbye to Mad MagazineAs a send-off for the cartoonist, the satirical publication has prepared an all-Jaffee issue that includes his final Fold-In. Olivia de Havilland, the Last Remaining Star of Old Hollywood, Turns 104 The Long Battle Over 'Gone With the Wind'The 1939 blockbuster once symbolized the ultimate in mass entertainment. But African-Americans have protested against it from the start, even if white America didn't want to hear it. The Gentlemanly Hater's Guide to Gone With the WindThe Hollywood classic is a soap opera and a war movie smashed together. It’s also really, really racist. 'Jaws' Is Still Devouring Us. SOS!In 1975, this thriller freaked out the world, scaring us out of the water and creating the summer-blockbuster template. It was also a warning. 'Back To The Future' At 35: Looking Back On The Movie That Made America Great Again Heads Up, Hollywood: Agents Can Vote For Oscars Now Academy delays 2021 Oscars ceremony because of coronavirus Broadway Will Remain Closed Through the Rest of the YearThe industry has not yet set a reopening date, but said it would now refund tickets through Jan. 3. Chuck E. Cheese Files for Bankruptcy Walmart Will Convert Parking Lots Into Drive-Ins This Summer, Teams with Tribeca For Touring Screening Series 'The Trip to Greece' tops New Zealand box office as cinemas return to full capacity Unsubscribe: The $0-budget movie that 'topped the US box office' Bob Dylan Has a Lot on His MindIn a rare interview, the Nobel Prize winner discusses mortality, drawing inspiration from the past, and his new album, "Rough and Rowdy Ways." Jon Stewart Is Back to Weigh In The end of credits: why doesn't Netflix want us to watch them?The end credits are an unsexy but important part of the experience -- but streaming platforms seem to be interested only in getting us to the next piece of content A Redditor Revealed He Left His Wife Over His Funko Pops Collection And People On Twitter Had Thoughts"$500 a month?! How many Funko Pops is that? Where do you put all the Funkos?!" Batman Returns! Michael Keaton in Talks to Play Bruce Wayne in 'The Flash' MovieThat plot will introduce general audiences to the idea of the multiverse, one of the of core concepts underpinning DC Comics Producer Effie Brown: "People Didn't Want to Work With Me" After Calling Out Matt Damon on 'Project Greenlight' Diversity Issues Black Performers and Other Minority Alums of The Second City and The UCB Join Forces, Asking Their Theaters To Do better Many newsrooms are now capitalizing the B in Black. Here are some of the people who made that happenIt took years of work behind the scenes, both with the Associated Press and despite seemingly sacred style rules. NFL To Play Black National Anthem Before Week One Games, Considers Placing Police Violence Victims' Names on Jerseys, Helmets Jeremy Piven Is Available For A Zoom Call If You Have A Spare... $15,000?! A 'Reimagined' Beavis and Butt-Head Is Coming to Comedy Central GUESTS: Rebecca Castellani - A music writer for the Red Hook Star Revue Rich Hollant - Principal at CO:LAB, founder of Free Center, and commissioner on cultural affairs for the city of Hartford Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Harvard Classics professor Richard Thomas discusses his book "Why Bob Dylan Matters" and offers his opinions on Bob Dylan's latest album "Rough and Rowdy Ways."

Bob Dylan's new album "Rough and Rowdy Ways" kind of took over the mood of this show. Enjoy the six cuts from that album and some good stuff from others too.

A review of Bob Dylan's 39th album, Rough and Rowdy Ways. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On Friday 19 June, Bob Dylan releases Rough and Rowdy Ways, his first album of original songs in eight years. Here's all the info you need to know to bring you up to speed on the whats, the whys, and the whos.Here is the link to the Dylan interview with Douglas Brinkley in the New York Times.Definitely Dylan is now on Patreon, where you can support my work and get access to bonus episodes and more content.You can purchase the album here.And if you'd like to buy your “This is what a Bob Dylan fan looks like” t-shirt or the “I Contain Multitudes” tote bag, you can do that here. All proceeds from the shop during the month of June will be donated to Black Lives Matter. Thank you!