Podcasts about duncan browne

Les, Rodger and Dave reflect on the Moyes inspired turn around that sees us finish with 48 points. They debate if Europe is now a realistic aim for the Blues - there are many routes as proven this season with 9 teams qualifying. PLEASE READ: In 2021, Duncan Browne lost his life in a devastating attack in Liverpool City Centre. Since then, through Doing it For Duncan, Lee (@browner6) and his cousins have raised over £50,000 for The Walton Neuro Centre. Now, in 2025, they're going even bigger:A 130-mile coast-to-coast walk from Hull to Liverpool - nearly a marathon a day for 6 days straight, camping each night, finishing at Bramley Moore Stadium. If you can, please donate using the link below, share and help make a real difference. Thank you. https://gofund.me/5ca086e5 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Esta semana, en Islas de Robinson, clásicos en coordenadas de Folk-Rock británico entre 1971 y 1974. Canciones que hablan por sí solas. Suenan: ALAN HULL - "MONEY GAME" ("PIPEDREAM", 1973) / KEVIN COYNE - "BLAME IT ON THE NIGHT" ("BLAME IT ON THE NIGHT", 1974) / MICHAEL CHAPMAN - "ANOTHER SEASON SONG" ("DEAL GONE DOWN", 1974) / ROY HARPER - "TWELVE HOURS OF SUNSET" ("VALENTINE", 1974) / DUNCAN BROWNE - "MIGNON" (1973) / PETER HAMMILL - "AGAIN" (IN CAMERA", 1974) / JOHN CALE - "EMILY" ("FEAR", 1974) / RICHARD AND LINDA THOMPSON - "THE GREAT VALERIO" ("I WANT TO SEE THE BRIGHT LIGHTS TONIGHT", 1974) / TIR NA NOG - "TEESSIDE" ("STRONG IN THE SUN", 1973) / INCREDIBLE STRING BAND - "DREAMS OF NO RETURN" ("HARD ROPE & SILKEN TWINE", 1974) / C.O.B. - "OH BRIGHT EYED ONE" ("MOYSHE MCSTIFF AND THE TARTAN LANCERS OF THE SACRED HEART", 1972) / STRAWBS - "IN AMONGST THE ROSES" ("FROM THE WITCHWOOD", 1971) / LAL & MIKE WATERSON - "FINE HORSEMAN" ("BRIGHT PHOEBUS", 1972) Escuchar audio

Duncan John Browne, de Engelse singer-songwriter is Dood maar niet vergeten. Hij overleed op 28 mei 1993 op 46-jarige leeftijd aan kanker. Duncan Browne was de zoon van een officier van de Royal Air Force.…Continue Reading "IM: Duncan Browne"

Back in November last year, I spoke to Dean Williams and Oliver Atkin at Sleaford Town on how to run a football club whilst keeping other fans happy, why Sleaford is a good example of the community over the money and how some clubs have been taking over non-league football with the amount of money they have. A snippet from a DM from journalist Duncan Browne also features.

We're, like, totally back for Part II of our new wave extravaganza! But, no, we shan't gag you with a spoon. For this epic exploration, we welcome not one, but TWO Third Lads: Peter Godwin is the acclaimed singer, songwriter and musician who first entered the public eye in 1977 with the suave art rock of Metro, formed with Duncan Browne and whose signature track “Criminal World” was later covered by none other than David Bowie. After three albums, lineup shifts, and an increasing pop sensibility, Metro called it a day and Godwin struck out solo to release new wave era dance floor fillers such as “Baby's In The Mountains” “The Art Of Love” and the sublime classic “Images Of Heaven,” as well as writing, producing and playing for other notable musicians. Leah Lane is the insanely talented singer, songwriter and musician behind Dallas based post punk band Rosegarden Funeral Party, who have released a steady stream of hauntingly dark and beautiful music over the past 6 years . And Together, Peter and Leah make up the duo known as RE/Generation. The first fruit of their musical partnership is out now, a single featuring a cover of Bowie's “Absolute Beginners” and the gorgeous original “Beautiful Boy,” with more on the way.  During this segment, we'll count down from our #3 to #1 new wave albums, and delve further into Peter & Leah's music...including Leah's surprising musical obsession! Featured music during this episode: RE/GENERATION: 'Beautiful Boy' Rosegarden Funeral Party: 'Ill And Getting Worse' Proud members of the Pantheon Podcasts network. #musicpodcast #musicpodcasts #newwave #punkrock #synthpop #gothrock #classicalternative #1stwave #alternativerock #modernrock #mtvWe're, like, totally back for Part II of our new wave extravaganza! But, no, we shan't gag you with a spoon. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're, like, totally back for Part II of our new wave extravaganza! But, no, we shan't gag you with a spoon. For this epic exploration, we welcome not one, but TWO Third Lads: Peter Godwin is the acclaimed singer, songwriter and musician who first entered the public eye in 1977 with the suave art rock of Metro, formed with Duncan Browne and whose signature track “Criminal World” was later covered by none other than David Bowie. After three albums, lineup shifts, and an increasing pop sensibility, Metro called it a day and Godwin struck out solo to release new wave era dance floor fillers such as “Baby's In The Mountains” “The Art Of Love” and the sublime classic “Images Of Heaven,” as well as writing, producing and playing for other notable musicians. Leah Lane is the insanely talented singer, songwriter and musician behind Dallas based post punk band Rosegarden Funeral Party, who have released a steady stream of hauntingly dark and beautiful music over the past 6 years . And Together, Peter and Leah make up the duo known as RE/Generation. The first fruit of their musical partnership is out now, a single featuring a cover of Bowie's “Absolute Beginners” and the gorgeous original “Beautiful Boy,” with more on the way.  During this segment, we'll count down from our #3 to #1 new wave albums, and delve further into Peter & Leah's music...including Leah's surprising musical obsession! Featured music during this episode: RE/GENERATION: 'Beautiful Boy' Rosegarden Funeral Party: 'Ill And Getting Worse' Proud members of the Pantheon Podcasts network. #musicpodcast #musicpodcasts #newwave #punkrock #synthpop #gothrock #classicalternative #1stwave #alternativerock #modernrock #mtv Learn more about your ad choices. Visit megaphone.fm/adchoices

Let the good times roll with a two part extravaganza tackling a topic near and dear to our hearts…new wave albums! Journey back to the era when video killed the radio star, and a new crop of meaningful artists influenced by the spirit and freedom of punk rock captured our imagination. For this epic exploration, we welcome not one, but TWO Third Lads: Peter Godwin is the acclaimed singer, songwriter and musician who first entered the public eye in 1977 with the suave art rock of Metro, formed with Duncan Browne and whose signature track “Criminal World” was later covered by none other than David Bowie. After three albums, lineup shifts, and an increasing pop sensibility, Metro called it a day and Godwin struck out solo to release new wave era dance floor fillers such as “Baby's In The Mountains” “The Art Of Love” and the sublime classic “Images Of Heaven,” as well as writing, producing and playing for other notable musicians. Leah Lane is the insanely talented singer, songwriter and musician behind Dallas based post punk band Rosegarden Funeral Party, who have released a steady stream of hauntingly dark and beautiful music over the past 6 years . And Together, Peter and Leah make up the duo known as RE/Generation. The first fruit of their musical partnership is out now, a single featuring a cover of Bowie's “Absolute Beginners” and the gorgeous original “Beautiful Boy,” with more on the way.  Our first part contains great insights from Peter & Leah on their process and music separately and together, as well as our #5 and #4 picks. Then, stay tuned for the conclusion next week! Learn more about your ad choices. Visit megaphone.fm/adchoices

Let the good times roll with a two part extravaganza tackling a topic near and dear to our hearts…new wave albums! Journey back to the era when video killed the radio star, and a new crop of meaningful artists influenced by the spirit and freedom of punk rock captured our imagination. For this epic exploration, we welcome not one, but TWO Third Lads: Peter Godwin is the acclaimed singer, songwriter and musician who first entered the public eye in 1977 with the suave art rock of Metro, formed with Duncan Browne and whose signature track “Criminal World” was later covered by none other than David Bowie. After three albums, lineup shifts, and an increasing pop sensibility, Metro called it a day and Godwin struck out solo to release new wave era dance floor fillers such as “Baby's In The Mountains” “The Art Of Love” and the sublime classic “Images Of Heaven,” as well as writing, producing and playing for other notable musicians. Leah Lane is the insanely talented singer, songwriter and musician behind Dallas based post punk band Rosegarden Funeral Party, who have released a steady stream of hauntingly dark and beautiful music over the past 6 years . And Together, Peter and Leah make up the duo known as RE/Generation. The first fruit of their musical partnership is out now, a single featuring a cover of Bowie's “Absolute Beginners” and the gorgeous original “Beautiful Boy,” with more on the way.  Our first part contains great insights from Peter & Leah on their process and music separately and together, as well as our #5 and #4 picks. Then, stay tuned for the conclusion next week! Learn more about your ad choices. Visit megaphone.fm/adchoices

Seguimos en la isla desierta, naufragando apaciblemente con canciones de madrugada. Entre 1971 y 1973 esta semana. Suenan: FANNY - "LONG ROAD HOME" ("MOTHER'S PRIDE", 1973) / SPRING - "THIS WHOLE WORLD" ("SPRING", 1972) / CAROLE KING - "FEELING SAD TONIGHT" ("RHYMES & REASONS", 1972) / SHAUN HARRIS - "LOVE HAS GONE AWAY" ("SHAUN HARRIS", 1973) / CURT BOETCHER - "THE CHOICE IS YOURS" ("THERE'S AN INNOCENT FACE", 1973) / THOMAS & RICHARD FROST - "GOT TO FIND THE LIGHT" ("THOMAS & RICHARD FROST", 1972) / LAMBERT & NUTTYCOMBE - "LOVERS OR FRIENDS" ("AS YOU WILL", 1973) / COLIN BLUNSTONE - "EVERY SOUND I HEARD" ("ENNISMORE", 1972) / DUNCAN BROWNE - "SEND ME THE BILL FOR YOUR FRIENDSHIP" ("DUNCAN BROWNE", 1973) / STEALERS WHEEL - "OVER MY HEAD" ("FERGUSLIE PARK", 1973) / DON AGRATI - "HEATHER ANN" ("HOME GROWN", 1973)/ D'ARCY - "LONG WAY DOWN" ("BACK AT THE BEGINNING", 1972) / LAMB - "FLOTATION" ("CROSS BETWEEN", 1971) / EMMIT RHODES - "ONLY LOVERS DECIDE" ("FAREWELL TO PARADISE", 1973) / DION - "WINDOWS" ("YOU'RE NOT ALONE", 1971) / FRANÇOISE HARDY - "OCEAN" ("IF YOU LISTEN", 1972) / ROGER NICHOLS & PAUL WILLIAMS - "TIME" ("WE'VE ONLY JUST BEGUN", 1972) / Escuchar audio

This week Gaz is one at with the universe and spinning cosmic vibes from The Pop Group, Duncan Browne, Yes and Barry Ryan. Listen out for first play exclusives from Iggy Pop and Cleaners From Venus and let Gaz heal your soul with the Isley Brothers and Sly and the Family Stone. Tune into new broadcasts of Atlantic Tunnel every Monday from 4 - 6 PM EST / 9 - 11 PM GMT.For a complete track listing, visit: https://thefaceradio.comFacebook: https://www.facebook.com/AtlanticTunnel/Twitter: https://twitter.com/ATunnelradioEmail: atlantictunnell@thefaceradio.com Support The Face Radio with Patreon See acast.com/privacy for privacy and opt-out information.

K-Bo and Duke spend time hanging with drumming legend, Simon Phillips. Simon's credits include a who's-who of musicians including (just to name a limited few) Toto, The Who, Jack Bruce, Jeff Beck, Brian Eno, Anthony Jackson, David Gilmour, Big Country, Jon Anderson, Duncan Browne, Asia, Steve Hackett, Gary Moore, Steve Lukather, Mike Oldfield, Joe Satriani ,Michael Schenker, Hiromi, Judas Priest, his own band Protocol, and many more! Simon discusses what appears to be a trend toward smaller drum kits and his response is pretty enlightening. Aside from maintaining his status as both an in-demand session and touring/performing drummer, Simon his also recognized as a world-class recording engineer. He shares some interesting audio engineering history, and reveals how he began discovering and developing his own engineering techniques. He describes the process of adding bassist, Ernest Tibbs, to the Protocol lineup, and talks about the Protocol 30th anniversary tour. With regard to his enduring career, Simon opens up about playing drums hard. Simon talks about his drum sticks and the changes they went through; recording the legendary THERE AND BACK album with Jeff Beck and Jan Hammer; and then takes a detour to his racing hobby before returning to the topic of drumming.

In this episode Duncan Browne guides us through the world of the absolutely fabulous Gusbourne English Sparkling Wine.  I don't usually use the phrase ' off the charts' with respect to high quality in wine - mainly because its actually quite a rare thing! Nevertheless, that's exactly what I thought on each of the three occasions I had to taste these wines.  The Gusbourne vineyards are in Kent. They don't hold back with their ambition. its goes,'Our Vision is Simple. We Strive to Create the Finest Wines in the World'.  Today the wines of Gusbourne are carried by more Michelin starred restaurants around the world than I have the time to list here! The Vision would seem to be working. The vineyards are immaculate. The wines are very impressive. Listen here to Duncan as to how this impressive venture was born, why Kent and what is produced. It's a great story and really well told.  Sorry about the background 'atmosphere'! But it was a great launch  ... 

This week on Prog-Watch I'm spinning some great new(er) stuff from O.R.k., VAK, Mostly Autumn, Ed Wynne, Tim Bowness, and Weezer (yes, Weezer)! I'll also be mixing in some great older selections from a Guest DJ by the name of Reno Faoro! Reno's picks include stuff by Carmen, Minimum Vital, Duncan Browne, Bloodrock, and Golden Earring! If you haven't heard of some of these artists, I strongly suggest you come along for the ride and expand your “Prog-cabulary”! All are interesting and worth hearing!

PETE DELLO AND FRIENDS "Do I Still Figure In Your Life?" Into Your Ears (1971) Got Kinda Lost / Burger Cassette (2018) CS on Burger Records: http://burgerrecords.11spot.com/pete-dello-and-friends-into-your-ears.html LP/CS on Got Kinda Lost Records: https://www.gotkindalost.com/artist/pete-dello Originally issued in 1971 by Nepentha Records—presided over by Kinks/Troggs manager Larry Page—Into Your Ears is the sole full-length offering from Honeybus founder member Pete Dello (assisted by a coterie of close friends).The album is a wonderful, timeless work of incisive, plaintive folk-pop balladry and buoyant, idiosyncratic creations, led along by Dello’s honeyed voice (which eases effortlessly into falsetto) and expertly executed arrangements featuring minor orchestrations. Into Your Ears represents the zenith of Dello’s songwriting, comprised of primarily tunes written specifically for this project (supplemented by a few tracks intended for Honeybus which were re-cut for the occasion). The songwriting reflects a jovial playfulness, but also feelings of intense lovelorn longing, hope, wistfulness and moments that could serve as a great soundtrack to a break-up (with the brightness of delivery never making them ache with depression). Everything on Into Your Ears comes from personal life experiences, even if twisted through a unique prism, with the deep emotions, whimsical moments and orchestration that never clutters the arrangements all achieving perfect balance. But, above all, the songs resonate with a pure dedication to “pop” and beckon you to listen in repetition, until they’re at one with your very existence. There’s something present, timeless and at times nearly indescribable about this very special set of songs that can’t be pinpointed by simple equation. Widely regarded by Honeybus fans, ‘60s-‘70s collectors and anyone who’s happened into its beatific orbit, Into Your Ears is a lost classic deserving of further exposure. RIYL: Ray Brooks, Duncan Browne, John Cale’s Paris 1919, Ray Davies (The Kinks), Bill Fay, Nick Garrie, the early careers of Ralph McTell and Clifford T. Ward, etc.

The fourth episode featuring a lysergic freak out from Me Myself and Eye, acid folk from Just Others and Click, traumatizing funky children's music from The Stark Reality, some trippy Swedish music from Resan, dreamlike baroque pop from Duncan Browne and more.

1. Beat Dis - Bomb The Bass 2. Hello (Honky Tonk Mix) - The Beloved 3. Say It (Disco Citizen Mix) - ABC 4. Good Life (Indulgence Mix) - Inner City 5. Left To My Own Devices (New Toy Mix) - Pet Shop Boys 6. World (World In Action Mix) - New Order 7. Heart - Pet Shop Boys 8. That Way Again - Seven Red Seven 9. World In My Eyes (Sensoria Mix) - Depeche Mode 10. Don't Let My Love - T42 11. Oh L'amour (The Funky Sisters Remix) - Erasure 12. Pleasure Boys (Razormaid! Mix) - Visage 13. Images Of Heaven (Razormaid! Mix) - Peter Godwin 14. In Blue ... DJ (Razormaid! Mix) - Data 15. New Gold Dream (Razormaid! Mix) - Simple Minds Notes and other random things: First, apologies to Kon Kan fans. I had fully intended to include a remix of "I Beg Your Pardon" in this episode. But I didn't. Why? Well, I've found that early Sunday mornings are about the most opportune time for me to record podcasts now - really early. And in my half-awake, half-asleep state I cued up the wrong tune. In all my years of DJ-ing/podcasting, I can't ever recall cuing up a song I had no intention of using. It's funny, but I couldn't for the life of me figure out why the beats wouldn't match and it wasn't until 3 or so minutes later that I realized I was cuing up the wrong tune. At that point, I didn't have enough time to switch to a different song, so I just went with it. So, for all you Pet Shop Boys fans out there, you get two PSB tunes in this podcast with only a single song separating them. It works, I suppose, but I generally prefer to use only one song per artist in each 'cast. I guess there's a first time for everything, right? Speaking of a first time for everything, after 45 episodes, Bomb The Bass finally appears in song form and not in a production or remix vein. I alluded to "Beat Dis" in episode #41 as CRC featured the Bomb The Bass Mix of Depeche Mode's song "Strangelove" as the lead-off track. One of the early dance tracks to incorporate sampling into the mix, "Beat Dis" was the first single from Bomb The Bass (aka Tim Simenon) and had upwards of 72 samples contained within. Along with ground-breaking tracks, "Pump Up the Volume" by MARRS and "Theme from S'Express" by S'Express, "Beat Dis" heralded the arrival of sampling as a viable artform. The track was huge in Europe, reaching #2 on the UK Singles Chart. It also peaked at #1 on the Billboard Hot Dance Club Play Chart for one solitary week, marking the only charted hit for Bomb The Bass in the United States. I have a real soft spot for the track I'd like to mention next. The band is T42 and the track is "Don't Let My Love". These guys were on the upswing and on the cusp of breaking out in a big way from the Dallas-Ft.Worth market during my time there in the early 90s. Orignally a duo consisting of Jay Gillian and Jimron Goff, vocalist Will Loconto supplanted Goff as the lead singer in 1989. After the release of a cassette EP (remember those?) called Hot On Top, they gained steady airplay on 94.5 The Edge radio station, which was home to all the great alternative bands back in the day. One of my many record store haunts back then, Oak Lawn Records picked up the band for a 12" single of "Don't Let My Love", which did well enough to attract the attention of Columbia Records, who signed the group. They released the full-length album, Intruder, in 1992, which was produced by Paul Robb from Information Society. It's hard not to hear the similarities to Information Society on "Don't Let My Love" and other songs on the album as well. In an ironic twist, Loconto quit the band in 1993, setting out to work with Information Society. While Gillian brought in other musicians to keep the T42 fires burning, the band's star faded and the group melted wistfully into the retro ether. Still, they left behind some tasty pop sugar for our consumption, even doing a very respectable cover of "Let Me Go" by Heaven 17. If you're into upbeat electro-pop, Intruder is definitely worth a listen. And if you're from the DFW area, the album and this song should be a reminder of an excellent time when the DFW local music scene was king. Taken from his 1982 album of the same name, Peter Godwin's "Images In Heaven" resembles more of a cult classic than a bonafide mega-hit. Formerly a member of the short-lived glam rock band Metro, along with Duncan Browne and Sean Lyons, Godwin is probably best remembered for his solo effort, "Images In Heaven", though you'd be hard-pressed to find anyone outside of devout new wave lovers who are very familiar with the song. David Bowie may argue the "best-remembered" point, as Metro's song "Criminal World" made enough of an impression on Mr. Stardust to induce a cover tune. Still, outside of 1983's Correspondence album and a Best Of compilation released in 1998 on Oglio Records, Godwin's scant musical output has always left new wave junkies wishing for something more. Something more ... also the sentiment I feel about Seven Red Seven. Chicago natives and band mates, Mitchell Adrian and David Michael, formed the group in the early 90s and had only a couple of releases issued to minor success before going on to production work for other musicians. However, their time together as a band produced one of the more under-rated and under-appreciated synth-pop albums in Shelter, which was released on Speed Records in 1991. The album included the song here, "That Way Again" and "Thinking Of You" (which appeared in remix form in CRC episode #34). Both were issued as singles. However, the rest of the album, much like Intruder by T42, is a synth-pop delight and a must-have for any synth-pop completist, especially for fans of Red Flag, Cause & Effect, Anything Box, Cetu Javu and others. The group would record just one more album, Bass State Coma, in 1994, and an interesting cover of "Superstition" by Stevie Wonder before moving into the production field. Truly a shame their total musical output was not much, much greater. P.S. Go buy Shelter! The last band I'd like to mention in this episode is the band Data. Fronted by Georg Kajanus, who made waves in the 70s with his band Sailor, Kajanus left Sailor in 1978 to dabble in electronic music. From this, Data was born. The track here, In Blue ... DJ, is a hybrid mix by Razormaid! Records of a couple of tracks from Data's third and final album, Elegant Machinery. Their other releases include 1983's 2-Time and 1981's Opera Electronica. In 1995, Eternity Records released a compilation album called Accumulator containing the second and third albums in their entirety plus the track "Fallout" from the Opera Electronica album. That's it for this episode. I'll be back soon with another new episode. Thanks for listening!

Episode 3!Part 1: ORIGINALSLouis Bardales:Some of Us NoneA Tale of Two LampshadesChris Corsale:Be Yourself With MeShe's AutomaticNatalie Gaza:Constant MercyHa HaPart 2: COVERSLindsay Weinberg:Heaven's a Bar In Chicago by Molly Brennan & Spencer Meeks - original: https://www.youtube.com/watch?v=WNF0e9PtWGMLouis Bardales: Bridget by Natalie Gaza - original: https://soundcloud.com/natalie-gaza/bridgetAmerican Child by Chris Corsale - original: https://soundcloud.com/chriscorsale/american-child-demoCountry Song by Duncan Browne - original: https://www.youtube.com/watch?v=SL9pM9FqkHcChris Corsale:Born to Break by Natalie GazaI Looked at the Windchimes, Horrified by Louis Bardales How Come U Don't Call Me Anymore by Prince Natalie Gaza:Bird No Song by Louis BardalesPorch Light by Chris Corsale - original: https://soundcloud.com/chriscorsale/porch-lightObsidian by Steve Dawson - original: https://soundcloud.com/stevedawson/obsidian 

Episode 3!Part 1: ORIGINALSLouis Bardales:Some of Us NoneA Tale of Two LampshadesChris Corsale:Be Yourself With MeShe's AutomaticNatalie Gaza:Constant MercyHa HaPart 2: COVERSLindsay Weinberg:Heaven's a Bar In Chicago by Molly Brennan & Spencer Meeks - original: https://www.youtube.com/watch?v=WNF0e9PtWGMLouis Bardales: Bridget by Natalie Gaza - original: https://soundcloud.com/natalie-gaza/bridgetAmerican Child by Chris Corsale - original: https://soundcloud.com/chriscorsale/american-child-demoCountry Song by Duncan Browne - original: https://www.youtube.com/watch?v=SL9pM9FqkHcChris Corsale:Born to Break by Natalie GazaI Looked at the Windchimes, Horrified by Louis Bardales How Come U Don't Call Me Anymore by Prince Natalie Gaza:Bird No Song by Louis BardalesPorch Light by Chris Corsale - original: https://soundcloud.com/chriscorsale/porch-lightObsidian by Steve Dawson - original: https://soundcloud.com/stevedawson/obsidian