Podcast appearances and mentions of anne neville

Why do we know so little about Anne Neville, despite her significant role in history?Anne Neville led a life shaped by power, tragedy, and shifting allegiances. Daughter of the formidable Warwick the Kingmaker, Anne was widowed at 15 before marrying Richard, Duke of Gloucester - later Richard III. Crowned alongside him in a dazzling coronation, Anne's reign was brief and marred by heartbreak, especially after the death of her only son.Matt Lewis reflects on Anne Neville's life of resilience and sorrow - and the political and social dynamics of Medieval women in power - with historian Joanna Laynesmith.MoreA Voice for Richard IIIhttps://open.spotify.com/episode/0KhcblgXYqBTqfMAaAG18uThe Wars of the Roses: Originshttps://open.spotify.com/episode/3DHhrD90zRN0IppdA29QXkGone Medieval is presented by Matt Lewis. It was edited by Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

On this episode, we'll be talking about Royal Couples that truly fit the trope of Friends to Lovers.The title of the episode is Give Me Your Hand and Let Me All Your Fortunes Understand, meaning our couples today knew each other of old and had to get married for practical reasons, but they grew to love each other with time.  On the Royal Menu today we have:The Fair Maid Joan of Kent & Edward, the Black Prince (elder son of Edward III), as well as Anne Neville & Richard III.To help us understand these couples better, we've enlisted Sharon Bennett Connolly. Find Sharon here:@sharonbennettconnolly on InstagramWomen of the Norman Conquest:https://www.amberley-books.com/silk-and-the-sword.htmlHeroines of the Medieval World by Sharon:https://www.amberley-books.com/heroines-of-the-medieval-world-9781445689449.htmlWomen of the Anarchy by Sharon:https://www.amberley-books.com/discover-books/women-of-the-anarchy.htmlHeroines of the Tudor World :https://www.amberley-books.com/heroines-of-the-tudor-world.htmlScotland's Medieval Queens:https://www.pen-and-sword.co.uk/Scotlands-Medieval-Queens-Hardback/p/51759/aid/1238More Books by Sharon:https://www.pen-and-sword.co.uk/Sharon-Bennett-Connolly/a/3883Sharon's Website:https://historytheinterestingbits.com/silk-and-the-sword-the-women-of-the-norman-conquest/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/To book a walking tour with Natalie https://www.getyourguide.com/s/?q=supplier:252243 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode we will talk about Anne Neville, married to a Lancastrian Heir, and Yorkist King. Show notes and transcript will be up at englandcast.comPatreon support at https://www.patreon.com/englandcastThank you so much! Hosted on Acast. See acast.com/privacy for more information.

In all the battles of the Wars of the Roses, with the focus on kings and warriors, we often lose sight of the women. Positioned to be queen first of Team Lancaster and eventually of Team York, Anne Neville is the focus of a new book by Rebecca Batley.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin QueenRebecca Batleythetravellinghistorianclub.wordpress.com@damagedbybooks on Instagram@thetravellingH2 on TwitterAnne Neville: Queen and Wife of Richard IIIAnn Walker: The Life and Death of Gentleman Jack's WifeHistory shows us what's possible.@shakeuphistory

Dans cette reco du weekend, un petit retour sur les séries royales comme le triptyque reine et princesses basé sur les romans de l'historienne Philippa Gregory, puis la dramédie The Great avec un twist moderne. The White Queen Diffusée sur la BBC en 2013 et sur Starz aux États-Unis, The White Queen est le premier pan du triptyque des adaptations des romans de Philippa Gregory. La mini-série suit la lutte de deux familles pour le trône d'Angleterre en 1464 : les York et les Lancaster, en retraçant librement la guerre des Deux-Roses (période historique qui a par ailleurs inspiré Game of Thrones). En coulisse, on suit l'histoire de trois femmes, Elizabeth Woodville (Rebecca Ferguson), Margaret Beaufort et Anne Neville, dont les manipulations vont avoir un impact déterminant pour l'avenir du pays. Une fresque prenante qui ne lésine pas sur les rebondissements dans son intrigue et nous tient haleine jusqu'au bout de ses 10 épisodes. Si vous voulez découvrir un pan méconnu de l'histoire britannique, foncez. https://youtu.be/ydneyl2S30o The White Princess Enfin, on continue dans l'époque des Tudor avec The White Princess, deuxième série de la trilogie. Dans ce drame historique, Jodie Comer, révélé pour le rôle de Villanelle dans Killing Eve, incarne ici Élisabeth d'York qui épouse le roi Henri VII pour des raisons diplomatiques. Si l'Angleterre est unifiée, la rivalité entre les deux clans va mettre en péril l'équilibre politique du pays. Même si l'exactitude historique n'est pas la première priorité de ces séries, il y a une fascination évidente que ce soit dans les complots à déjouer, les personnages manipulateurs et attachants à retrouver, ou tout simplement cette modernité qui rend l'historique intrigant. Au-delà de l'aspect narratif, visuellement, les décors et les costumes en jettent. https://youtu.be/TJ-q3_b3dkI The Spanish Princess Pour conclure cette ère, The Spanish Princess retrace l'histoire de la reine Catherine d'Aragon (Charlotte Hope) et du Roi Henri VIII (Ruairi O'Connor) au début du XVIe siècle. Ensemble ils font de l'Angleterre un pays puissant qui résiste à tous les conflits extérieurs. Mais la couronne devra faire face à une entrave : la difficulté de la reine à enfanter. Une femme forte, qui a su s'imposer en tant que politicienne, diplomate ou encore commandante militaire et qui mènera à bien ce nouveau combat pour sauver son amour. Et pour la touche moderne, la série met en lumière des sujets qui font écho à notre société actuelle : la représentation des différentes cultures. https://youtu.be/6UzaQZ1wid0 The Great La relation amoureuse tumultueuse entre Catherine II et le tsar Peter de Holstein-Gottorp qui se marient alors que la jeune fille n'a que 16 ans… The Great se concentre sur le complot de Catherine pour assassiner son mari et prendre le trône de Russie. Suite au succès du film La Favorite et de sa nomination aux Oscars, le scénariste australien Tony McNamara a profité de sa récente notoriété Outre-Atlantique pour adapter sa propre pièce sur la vie de Catherine The Great, impératrice de Russie. Si la série prend la forme de drame historique, il ne faut pas s'attendre ici à une quelconque velléité d'authenticité puisque l'accroche le dit elle-même, la série est « l'histoire plutôt fausse » de ces figures historiques. https://youtu.be/7zF4MLUqnyQ Ces séries très royales ont donné une identité forte à Lionsgate+ (anciennement Starzplay) qui maintenant fait partie de l'ADN même de la chaîne et de sa plateforme. Alors en proposant Becoming Elizabeth, c'est continuer dans le genre qui a fait la force de Starz.

Dans cette reco du weekend, un petit retour sur les séries royales comme le triptyque reine et princesses basé sur les romans de l'historienne Philippa Gregory, puis la dramédie The Great avec un twist moderne. The White Queen Diffusée sur la BBC en 2013 et sur Starz aux États-Unis, The White Queen est le premier pan du triptyque des adaptations des romans de Philippa Gregory. La mini-série suit la lutte de deux familles pour le trône d'Angleterre en 1464 : les York et les Lancaster, en retraçant librement la guerre des Deux-Roses (période historique qui a par ailleurs inspiré Game of Thrones). En coulisse, on suit l'histoire de trois femmes, Elizabeth Woodville (Rebecca Ferguson), Margaret Beaufort et Anne Neville, dont les manipulations vont avoir un impact déterminant pour l'avenir du pays. Une fresque prenante qui ne lésine pas sur les rebondissements dans son intrigue et nous tient haleine jusqu'au bout de ses 10 épisodes. Si vous voulez découvrir un pan méconnu de l'histoire britannique, foncez. https://youtu.be/ydneyl2S30o The White Princess Enfin, on continue dans l'époque des Tudor avec The White Princess, deuxième série de la trilogie. Dans ce drame historique, Jodie Comer, révélé pour le rôle de Villanelle dans Killing Eve, incarne ici Élisabeth d'York qui épouse le roi Henri VII pour des raisons diplomatiques. Si l'Angleterre est unifiée, la rivalité entre les deux clans va mettre en péril l'équilibre politique du pays. Même si l'exactitude historique n'est pas la première priorité de ces séries, il y a une fascination évidente que ce soit dans les complots à déjouer, les personnages manipulateurs et attachants à retrouver, ou tout simplement cette modernité qui rend l'historique intrigant. Au-delà de l'aspect narratif, visuellement, les décors et les costumes en jettent. https://youtu.be/TJ-q3_b3dkI The Spanish Princess Pour conclure cette ère, The Spanish Princess retrace l'histoire de la reine Catherine d'Aragon (Charlotte Hope) et du Roi Henri VIII (Ruairi O'Connor) au début du XVIe siècle. Ensemble ils font de l'Angleterre un pays puissant qui résiste à tous les conflits extérieurs. Mais la couronne devra faire face à une entrave : la difficulté de la reine à enfanter. Une femme forte, qui a su s'imposer en tant que politicienne, diplomate ou encore commandante militaire et qui mènera à bien ce nouveau combat pour sauver son amour. Et pour la touche moderne, la série met en lumière des sujets qui font écho à notre société actuelle : la représentation des différentes cultures. https://youtu.be/6UzaQZ1wid0 The Great La relation amoureuse tumultueuse entre Catherine II et le tsar Peter de Holstein-Gottorp qui se marient alors que la jeune fille n'a que 16 ans… The Great se concentre sur le complot de Catherine pour assassiner son mari et prendre le trône de Russie. Suite au succès du film La Favorite et de sa nomination aux Oscars, le scénariste australien Tony McNamara a profité de sa récente notoriété Outre-Atlantique pour adapter sa propre pièce sur la vie de Catherine The Great, impératrice de Russie. Si la série prend la forme de drame historique, il ne faut pas s'attendre ici à une quelconque velléité d'authenticité puisque l'accroche le dit elle-même, la série est « l'histoire plutôt fausse » de ces figures historiques. https://youtu.be/7zF4MLUqnyQ Ces séries très royales ont donné une identité forte à Starz qui maintenant fait partie de l'ADN même de la chaîne et de sa plateforme. Alors en proposant Becoming Elizabeth, c'est continuer dans le genre qui a fait la force de Starz.

In our second Right to Reply episode, we look back at the Yorkist consorts Elizabeth Woodville, Anne Neville and Elizabeth of York, comparing their scores and lives before then going through listener correspondence on the queens. See acast.com/privacy for privacy and opt-out information.

One of the more obscure English queens, despite being married to one of the most famous kings in Richard III, Anne Neville certainly had a dramatic life: daughter of Warwick the Kingmaker, married into the Lancastrian and Yorkist royal families, facing triumph and disaster throughout her life. We see whether we can shine more of a light on Anne and whether she has that certain something, we call... See acast.com/privacy for privacy and opt-out information.

Thank you to Sebnem for asking "Did Elizabeth of York really have an affair with Richard III?", something which has been popularised by the "Cousins' War" series of novels by Philippa Gregory and the TV adaptations of them.    Is there any truth to this idea? Was Elizabeth of York in love with Richard III? Did Richard and his niece become lovers? And did Richard III poison Anne Neville, his queen? Historian Claire Ridgway looks at what history tells us about Elizabeth of York and her uncle, Richard III.   You can see this podcast as a video at the following link: https://youtu.be/SiIWLs0X00E   Book recommendation: Elizabeth of York: The Forgotten Tudor Queen by Amy Licence Article for further reading: https://nerdalicious.com.au/history/elizabeth-of-york-and-her-kings-richard-iii/   -- Claire Ridgway Historian and author, founder of the Anne Boleyn Files and Tudor Society www.theanneboleynfiles.com www.tudorsociety.com www.elizabethfiles.com https://twitter.com/AnneBoleynFiles http://www.facebook.com/theanneboleynfiles https://www.instagram.com/anneboleynfiles/ https://twitter.com/thetudorsociety https://www.facebook.com/tudorsociety/ https://www.instagram.com/tudor.society/  

(Christine) In the 15th century, Anne Neville married twice, once to each side fighting in the Wars of the Roses. Her first husband was the Lancastrian heir and her second became a Yorkist king. In this episode, join Christine for a look at Anne’s life and the people in it, including her two husbands, and her sister Isabel. Click here for tips for Teaching with Podcasts! Or here to buy some FH Merch! We are now on Youtube with accessible captions checked by members of our team! And you can find out how to support us through our FH Patreon to help keep our content open access!

Hannah talks about Henry VII's frat boy days, Jillian does a killer Anne Neville impression, and Allison dons a very special hat. We also take a stab at solving a 500 year-old murder mystery! Social Media Links: Pinterest: https://www.pinterest.com/alltheteainhistory/Facebook: https://www.facebook.com/All-The-Tea-In-History-100721634896733Instagram: https://www.instagram.com/alltheteainhistory/Twitter: https://twitter.com/allthehistorteaPatreon: https://www.patreon.com/alltheteainhistory

In this episode of 'This Week in British History' -

Cette semaine, on vous a vanté les mérites de The Great, la dernière série Hulu à arriver sur la plateforme Starzplay en France. Ce drame historique nous a conquis par l’humour tordant de la satire qu’il dépeint. Pour cette nouvelle reco du week-end, on vous propose donc 3 autres séries d’époque qui devraient assouvir votre soif de costumes bariolés et de vocabulaire désuet. On évitera soigneusement les évidences comme The Crown ou Outlander, vous n’avez pas besoin de nous pour vous en parler ! Catherine The Great (Canal+) Si The Great explore, avec liberté, les débuts de Catherine II à la cour de Russie, la minisérie Catherine The Great s’intéresse elle aux dernières années de son règne. L’impératrice est incarnée magistralement par l’actrice Helen Mirren alors que l’on suit sa liaison avec un officier de la garde, Grigory Potemkin pendant qu’elle navigue entre les scandales et conflits qui la mèneront à la fin de son règne en 1796. La série nous offre une réalisation léchée et des performances d’acteurs qui forcent le respect. Les 4 épisodes sont disponibles sur myCANAL. Format : 4x60'Durée totale de visionnage : 4 heures https://www.youtube.com/watch?v=bNSacMPj1tE Dickinson (Apple TV+) C’était l’une des séries les plus convaincantes de la plateforme Apple TV+ à son lancement : Dickinson est un drame historique qui se concentre sur ses jeunes générations via le point de vue d’une aspirante poète, Emily Dickinson. Par ses thématiques abordées et son ton résolument moderne, la série a souvent été comparée à Euphora. Bien plus optimiste que sa consoeur, elle explore via son anachronisme des thématiques très actuelles comme la question du genre à une époque pourtant bien lointaine. Format : 10x32'Durée totale de visionnage : 5 heures 20 minutes https://www.youtube.com/watch?v=iBMeB6xG4rE The White Queen (Orange VOD) Enfin, on termine avec un pur drame historique diffusée sur la BBC en 2013 et sur Starz aux États-Unis, The White Queen. La minisérie suit la lutte de deux familles pour le trône d’Angleterre en 1464 : les York et les Lancastre. En coulisse, on suit l’histoire de trois femmes, Elizabeth Woodville, Margaret Beaufort et Anne Neville, dont les manipulations vont avoir un impact déterminant pour l’avenir du pays. Une fresque prenante qui ne lésine pas sur les rebondissements dans son intrigue et nous tient haleine jusqu’au bout de ses 10 épisodes. Si vous voulez découvrir un pan méconnu de l’histoire britannique, foncez. La série est disponible sur les VOD d’Orange et Microsoft et sera mise à disposition sur OCS à la demande à partir du 2 juillet. Format : 10x60'Durée totale de visionnage : 10 heures https://www.youtube.com/watch?v=ydneyl2S30o Comme toujours, n’hésitez pas à ajouter et noter ces séries sur votre calendrier BetaSeries !

Cette semaine, on vous a vanté les mérites de The Great, la dernière série Hulu à arriver sur la plateforme Starzplay en France. Ce drame historique nous a conquis par l’humour tordant de la satire qu’il dépeint. Pour cette nouvelle reco du week-end, on vous propose donc 3 autres séries d’époque qui devraient assouvir votre soif de costumes bariolés et de vocabulaire désuet. On évitera soigneusement les évidences comme The Crown ou Outlander, vous n’avez pas besoin de nous pour vous en parler ! Catherine The Great (Canal+) Si The Great explore, avec liberté, les débuts de Catherine II à la cour de Russie, la minisérie Catherine The Great s’intéresse elle aux dernières années de son règne. L’impératrice est incarnée magistralement par l’actrice Helen Mirren alors que l’on suit sa liaison avec un officier de la garde, Grigory Potemkin pendant qu’elle navigue entre les scandales et conflits qui la mèneront à la fin de son règne en 1796. La série nous offre une réalisation léchée et des performances d’acteurs qui forcent le respect. Les 4 épisodes sont disponibles sur myCANAL. Format : 4x60'Durée totale de visionnage : 4 heures https://www.youtube.com/watch?v=bNSacMPj1tE Dickinson (Apple TV+) C’était l’une des séries les plus convaincantes de la plateforme Apple TV+ à son lancement : Dickinson est un drame historique qui se concentre sur ses jeunes générations via le point de vue d’une aspirante poète, Emily Dickinson. Par ses thématiques abordées et son ton résolument moderne, la série a souvent été comparée à Euphora. Bien plus optimiste que sa consoeur, elle explore via son anachronisme des thématiques très actuelles comme la question du genre à une époque pourtant bien lointaine. Format : 10x32'Durée totale de visionnage : 5 heures 20 minutes https://www.youtube.com/watch?v=iBMeB6xG4rE The White Queen (Orange VOD) Enfin, on termine avec un pur drame historique diffusée sur la BBC en 2013 et sur Starz aux États-Unis, The White Queen. La minisérie suit la lutte de deux familles pour le trône d’Angleterre en 1464 : les York et les Lancastre. En coulisse, on suit l’histoire de trois femmes, Elizabeth Woodville, Margaret Beaufort et Anne Neville, dont les manipulations vont avoir un impact déterminant pour l’avenir du pays. Une fresque prenante qui ne lésine pas sur les rebondissements dans son intrigue et nous tient haleine jusqu’au bout de ses 10 épisodes. Si vous voulez découvrir un pan méconnu de l’histoire britannique, foncez. La série est disponible sur les VOD d’Orange et Microsoft et sera mise à disposition sur OCS à la demande à partir du 2 juillet. Format : 10x60'Durée totale de visionnage : 10 heures https://www.youtube.com/watch?v=ydneyl2S30o Comme toujours, n’hésitez pas à ajouter et noter ces séries sur votre calendrier BetaSeries !

She is one of the important female players of the Wars of the Roses. Here are the details of her fascinating and adventurous story. Show Notes: https://ancestralfindings.com/wars-of-the-roses-anne-neville/ Click Here to listen to the weekly podcast: https://ancestralfindings.com/podcast Weekly Giveaways: https://ancestralfindings.com/drawing Free eBooks: https://ancestralfindings.com/ebooks Hard To Find Surnames: https://ancestralfindings.com/surnames Social Media: https://www.facebook.com/AncestralFindings  https://www.instagram.com/ancestralfindings  https://www.twitter.com/ancestralstuff Support Ancestral Findings: https://ancestralfindings.com/donation #AnneNeville #AncestralFindings #WarsoftheRoses

Margaret Pole, Countess of Salisbury (14 August 1473 – 27 May 1541), was an English peeress. She was the daughter of George, Duke of Clarence, the brother of kings Edward IV and Richard III. Margaret was one of two women in 16th century England to be a peeress in her own right with no titled husband. One of the few surviving members of the Plantagenet dynasty after the Wars of the Roses, she was executed in 1541 at the command of Henry VIII, who was the son of her first cousin Elizabeth of York. Pope Leo XIII beatified her as a martyr for the Catholic Church on 29 December 1886. Margaret was born at Farleigh Hungerford Castle in Somerset, the only surviving daughter of George Plantagenet, 1st Duke of Clarence, and his wife Isabel Neville, who was the elder daughter of Richard Neville, 16th Earl of Warwick, and his wife Anne de Beauchamp, Countess of Warwick. Her maternal grandfather was killed fighting against her uncle, Edward IV of England, at the Battle of Barnet. Her father, already Duke of Clarence, was then created Earl of Salisbury and of Warwick. Edward IV declared that Margaret's younger brother Edward should be known as Earl of Warwick as a courtesy title, but no peerage was ever created for him. Margaret would have had a claim to the Earldom of Warwick, but the earldom was forfeited on the attainder of her brother Edward. Margaret's mother died when she was three, and her father had two servants killed whom he thought had poisoned her. George plotted against his brother, Edward IV, and was attainted and executed for treason; his lands and titles were forfeited. Edward IV died when Margaret was ten, and her uncle Richard, Duke of Gloucester, declared that Edward's marriage was invalid, his children illegitimate, and that Margaret and her brother Edward were debarred from the throne by their father's attainder. Married to Anne Neville, younger sister to Margaret's mother Isabel, Richard assumed the throne himself as Richard III. Richard III sent the children to Sheriff Hutton Castle in Yorkshire. He was defeated and killed in 1485 at the Battle of Bosworth by Henry Tudor, who succeeded him as Henry VII. The new king married Margaret's cousin Elizabeth of York, Edward IV's daughter, and Margaret and her brother were taken into their care. Soon young Edward, a potential York claimant to the throne, was moved to the Tower of London. Edward was briefly displayed in public at St Paul's Cathedral in 1487 in response to the presentation of the impostor Lambert Simnel as the "Earl of Warwick" to the Irish lords. Shortly thereafter, probably in November 1487, Henry VII gave Margaret in marriage to his cousin, Sir Richard Pole, whose mother was half-sister of the king's mother, Margaret Beaufort.[5] When Perkin Warbeck impersonated Edward IV's presumed-dead son Richard of Shrewsbury, 1st Duke of York, in 1499, Margaret's brother Edward was attainted and executed for involvement in the plot. Richard Pole held a variety of offices in Henry VII's government, the highest being Chamberlain for Arthur, Prince of Wales, Henry's elder son. When Arthur married Catherine of Aragon, Margaret became one of her ladies-in-waiting, but her entourage was dissolved when the teenaged Arthur died in 1502. When her husband died in 1505, Margaret was a widow with five children, a limited amount of land inherited from her husband, no salary and no prospects. Henry VII paid for Richard's funeral. To ease the situation, Margaret devoted her third son Reginald Pole to the Church, where he was to have an eventful career as a papal Legate and later Archbishop of Canterbury. Nonetheless, he was to resent her abandonment of him bitterly in later life. Additionally, Margaret, without adequate means to support herself and her children, was forced to live at Syon Abbey among Bridgettine nuns after her husband's death. She was to remain there until she returned to favour at the ascension of Henry VIII in 1509. --- Support this podcast: https://anchor.fm/allthingsplantagenet/support

Richard III is supposed to have been a conniving and megalomaniacal ruler. Henry Tudor believed he was a usurper, having wrested control of the crown and throne of England from his brother, Edward IV's, line of succession, which he later claimed was actually illegitimate. And he has stood accused of orchestrating the murders of his other elder brother George, Duke of Clarence, several advisors to his late brother King Edward IV, his own wife Anne Neville, and—most famously—his nephews, Edward V and Richard of Shrewsbury, the young Princes in the Tower. Was Richard the evil usurping murderer that the Tudors and William Shakespeare himself would have us believe? Or was he, as Richardians insist, a victim of smear campaigns and propaganda at the hands of the victors of England's bloodiest dynastic battle? Richard III: Tyrannical Murderer or Misunderstood King? That's the question we want to discuss in today's episode of The Bicks Do Shakespeare. Notes: "Richard III: The King in the Car Park" - Channel 4 documentary "Richard III: Fact or Fiction" "Britain's Real Monarch" with Tony Robinson

Anne Neville (11 June 1456 – 16 March 1485) was an English queen, the younger of the two daughters and co-heiresses of Richard Neville, 16th Earl of Warwick (the "Kingmaker"). She became Princess of Wales as the wife of Edward of Westminster (only son and heir apparent of King Henry VI) and then Queen of England as the wife of King Richard III. As a member of the powerful House of Neville, she played a critical part in the Wars of the Roses fought between the House of York and House of Lancaster for the English crown. Her father Warwick betrothed her as a girl to Edward, Prince of Wales, the son of Henry VI. The marriage was to seal an alliance to the House of Lancaster and halt the civil war between the two houses of Lancaster and York. After the death of Prince Edward, she married Richard, Duke of Gloucester, younger brother of King Edward IV and of George, Duke of Clarence, the husband of Anne's elder sister Isabel Neville. Anne became queen when Richard III ascended the throne in June 1483, following the declaration that Edward IV's children by Elizabeth Woodville were illegitimate. Anne Neville predeceased her husband by five months, dying in March 1485. Her only child was Edward of Middleham, who predeceased her. Anne Neville was born at Warwick Castle, the younger daughter of Richard Neville, 16th Earl of Warwick, and Anne de Beauchamp. Her father was one of the most powerful noblemen in England and the most important supporter of the House of York. Her grandfather's sister, Cecily Neville, was the wife of Richard, Duke of York, who claimed the crown for the House of York. Much of Anne Neville's childhood was spent at Middleham Castle, one of her father's properties, where she and her elder sister, Isabel, met two younger sons of the Duke of York: Richard, Duke of Gloucester (the future Richard III) and George, Duke of Clarence. Richard especially attended his knighthood training at Middleham since mid-1461 until at least the spring of 1465, or possibly since 1465 until late 1468. It is possible that even at this early stage, a match between the Earl's daughters and the young dukes was being considered. The Duke of York was killed on 30 December 1460 but, with Warwick's help, his eldest son became King Edward IV in March 1461. In July 1469, Lady Isabel married Clarence, while in July 1470, after the Earl of Warwick's flight to France and change of allegiance, Anne Neville was betrothed to Edward of Westminster, the Lancastrian heir to the throne of England, and married to him by the end of the same year. Middleham Castle came into the possession of the Neville family in 1270. The Earl of Warwick had been at odds with Edward IV for some time, resenting the rise in the king's favour of the new queen's family, the Woodvilles. In 1469, the earl tried to put his son-in-law George on the throne, but met resistance from Parliament. After a second rebellion against King Edward failed in early 1470, he was forced to flee to France, where he allied himself with the ousted House of Lancaster in 1470. With King Henry VI imprisoned in the Tower of London, the de facto Lancastrian leader was his consort, Margaret of Anjou, who was suspicious of Warwick's motives. To quell these suspicions, Anne Neville was formally betrothed to the son of Henry VI and Margaret of Anjou, Edward of Westminster, at the Château d'Amboise in France. They were married in Angers Cathedral, probably on 13 December 1470, to make Anne Neville the Princess of Wales. Warwick restored Henry VI to the throne in October 1470, however Edward IV returned to the country in March 1471 and quickly captured London and the person of Henry VI. The mentally troubled Henry VI was taken by Edward IV as a prisoner to the Battle of Barnet, where Warwick was killed on 14 April 1471. Edward IV then incarcerated Henry VI in the Tower of London. Following the decisive Yorkist victory at the Battle of Tewkesbury on 4 May, --- Support this podcast: https://anchor.fm/allthingsplantagenet/support

This week we take a brief tour of the Wars of the Roses, a series of battles that forever changed the landscape of British History and inspired George R.R. Martin to write A Song of Ice and Fire, the books on which Game of Thrones is based. As always, here are our sources:http://warsoftheroses.com/https://www.britannica.com/event/Wars-of-the-Roseshttps://www.britannica.com/event/Wars-of-the-Roseshttps://www.historic-uk.com/HistoryUK/HistoryofEngland/The-Wars-of-the-Roses/https://www.history.com/topics/british-history/wars-of-the-roses

Sam Baines joins Simon to sort the genetic wheat from the chaff in this episode recorded live at the Wellcome Genome Campus during Cambridge Science Festival. Postdoctoral fellow Anne Neville and Andy Yates, head of the Genomic Technology Infrastructure team, pitch suggestions for human improvement along with the studio audience and an emerald sea slug. The panel discuss elephant fit bits, an egalitarian society and why we should learn to love the microbes that live in and on us. If you enjoyed this podcast you can now become a patron of the show: www.patreon.com/leveluphuman Our theme music was written and performed by Laurence Owen. Graphics by Theo Weedon, web design by Ian Bridgeman and support from the Wellcome Trust. The producer is Rachel Wheeley. For more information, go to www.leveluphuman.com. See acast.com/privacy for privacy and opt-out information.

Anne Neville was born into great privilege and wealth, things were going great. Then everyone died. Which was bad, But she rose from the ashes of Tewkesbury to become the wife of England's most controversial king.SponsorListeners like YOU on Patreon - www.patreon.com/QueensofEnglandPodcastShownotesQoE website (QueensOfEnglandPodcast.com)QoE Podcast Facebook page (Facebook.com)QoE Podcast Twitter page (Twitter.com)For more on the topics discussed in this show click on the links below!QoE Wall of... See acast.com/privacy for privacy and opt-out information.

With Kirsty Lang. Philippa Gregory discusses her latest novel on the Plantagenets. The Kingmaker's Daughter focuses on Anne Neville, daughter of 15th century power magnate the Earl Of Warwick. As a girl, Anne is used as a pawn in her father's political battles. After his death she chooses to marry the handsome and ambitious Duke of Gloucester, the future King Richard III. Rupert Penry-Jones and Shaun Evans star in The Last Weekend, a TV adaptation of Blake Morrison's novel about male jealousy. Two couples spend the weekend in a remote holiday cottage, and the tension mounts as the men return to a 20 year old bet, with horrifying consequences. Rachel Cooke reviews. Jorge Amado, one of Brazil's most successful and prolific novelists, was born in August 1912, and enjoyed a writing career spanning more than 60 years. Kirsty explores Amado's work with Louis de Bernieres, whose Latin American trilogy predated the success of Captain Corelli's Mandolin, JP Cuenca, who recently featured on Granta's list of the best young Brazilian novelists, and writer Benjamin Moser. The film Dirty Dancing premiered in New York 25 years ago today. This coming-of-age drama, set in 1963 and starring Jennifer Grey as Baby and Patrick Swayze as Johnny, became an international hit, spawning a successful soundtrack album, sequel and stage musical. Writer Zoe Williams and broadcaster Paul Gambaccini consider the film's continuing appeal. Producer Nicki Paxman.