Podcast appearances and mentions of edward iv

In this riveting episode of History Rage, we journey into the mediaeval past with the indomitable Philippa Langley, historian, writer, and the driving force behind the discovery of King Richard III's remains and delve into the myths and misconceptions surrounding one of history's most debated monarchs, Richard III.Introducing Philippa Langley:- Discover Philippa's transition from a career in advertising to becoming a renowned historian, ignited by a renewed passion for Richard III.- Learn about her groundbreaking projects, including the "Looking for Richard" project and the "Missing Princes Project."Richard III's Reign Reassessed:- A deep dive into Richard III's legal reforms and their lasting impact on English law, including the presumption of innocence and blind justice.- Understand Richard's divergence from his brother Edward IV's policies and his efforts to ensure justice and fairness for all subjects.Perceptions and Realities:- Discuss the divide between Richard's support in the North and opposition in the South, and how these regional differences shaped his reign.- Examine the popular support Richard garnered as a just ruler and how his northern roots influenced his governance.Uncovering the Truth:- Philippa shares insights from the "Missing Princes Project," revealing evidence of the survival of Edward IV's sons beyond Richard's reign.- Address the challenges of overcoming entrenched historical narratives and the role of young historians in reshaping our understanding of the past.Join us as Philippa Langley passionately argues for a re-evaluation of Richard III, challenging centuries-old misconceptions with evidence-based research. For more on Philippa's work, explore her books "The Lost King" and "The Princes in the Tower," and visit revealingrichardiii.com.You can check out the Richard III Society of Great Britain at www.richardiii.netYou can follow History Rage on Twitter @HistoryRage or Paul individually @PaulBavill and let us know what you wish people would just stop believing using the Hashtag #HistoryRage.You can join our 'Angry Mob' on Patreon as well. £5 per month gets you episodes 3 months early, access to livestreams, the invite to choose questions, entry into our prize draws and the coveted History Rage mug. Subscribe at www.patreon.com/historyrageFollow History Rage on Social MediaFacebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Stay Angry, Stay Informed - History Rage Hosted on Acast. See acast.com/privacy for more information.

Edward IV had a lot of mistresses. But one of them stood out. Let's talk about Jane Shore. Hosted on Acast. See acast.com/privacy for more information.

Join host Natalie Grueninger as she welcomes historian and author Philippa Langley to the "Talking Tudors" podcast. This episode dives into Langley's extensive research on the enigmatic disappearance of the Princes in the Tower during Richard III's reign. Discover the meticulous forensic approach Langley employs in the Missing Princes Project, an investigation that questions the long-held beliefs about the fate of these royal boys. Langley shares insights from her detective-like inquiry that challenges traditional Tudor narratives and presents new evidence regarding the surviving heirs of Edward IV. Listen in to explore how Tudor propaganda shaped historical accounts and learn about the unique methods used to uncover truths buried in history. Visit Philippa Langley's official website.  https://www.philippalangley.co.uk/index.html Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon Learn more about The Katharine of Aragon Legacy Lectures https://www.eventbrite.co.uk/e/historians-supporting-peterborough-cathedral-tickets-1222676521389?aff=oddtdtcreator  

On this day in 1495, Anne of York, daughter of Edward IV and sister of Queen Elizabeth of York, married Thomas Howard, the future 3rd Duke of Norfolk. But this was far more than just a royal love story—it was a political gamble that shaped the future of the powerful Howard family.   Just ten years earlier, Thomas Howard's family had been on the losing side at the Battle of Bosworth. His father and grandfather had fought for Richard III against Henry Tudor, and yet now, Henry VII had approved a marriage between his own sister-in-law and the son of a former enemy.   - Why did Henry VII allow this match? - How did it shape the Howards' future at the Tudor court? . And what happened to Anne after this grand wedding?   Listen now to uncover the strategic marriage that helped forge one of Tudor England's most powerful families!   #TudorHistory #AnneOfYork #ThomasHoward #TudorCourt #RoyalMarriage #HistoryLovers #MedievalHistory 

Did Richard III really murder the Princes in the Tower?Join Matt Lewis to dive into the enigmatic tale of the Princes in the Tower, joined by expert Philippa Langley. The discussion traverses recent discoveries that shed new light on the disappearance of Edward IV's young sons. Highlighting the rigorous research of the Missing Princes Project, Langley reveals groundbreaking evidence, from accounting receipts to witness statements, supporting the survival of the princes beyond King Richard III's reign.Gone Medieval is presented by Matt Lewis and edited by Amy Haddow. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 13th November 2024. The winner will be contacted via Twitter. Show references: https://www.cambridgesciencecentre.org/Facebook | Twitter | Instagram | YouTube| LinkedIn https://www.linkedin.com/in/rebecca-porter-8a0b85121/Becca is a seasoned development and business strategist with over five years in the leadership team at Cambridge Science Centre (CSC). She has played a pivotal role in driving CSC's strategic growth, securing transformative results, including a 50% increase in income and establishing key partnerships that help sustain CSC's mission.Her expertise in fundraising, stakeholder engagement, and business development has been integral to CSC's evolution. Representing CSC at external events, Becca engages with stakeholders across academia, industry, and government, fostering impactful relationships that strengthen the organisation's community presence and reach.Before joining CSC, Becca held the position of Licensing Manager at the RSPB, where she led efforts to negotiate intellectual property rights for product-based partnerships. Her strategies resulted in an increase in profit, underscoring her strong commercial acumen and collaborative approach.With a professional background enhanced by six years of international experience with Carnival Corporation in Miami, Florida, Becca brings a global perspective to her work. Her ability to connect and communicate across diverse sectors reflects her adaptability and understanding of complex business landscapes.Becca's approach is marked by her commitment to expanding CSC's impact and access to science engagement, helping inspire the next generation of learners. Her ongoing efforts to cultivate partnerships and innovate within her field underscore her dedication to making science accessible and engaging for all. https://www.linkedin.com/in/andrew-g-farrer-ph-d-25a18976/Andrew Farrer is the Head of Programmes and Delivery at Cambridge Science Centre. A biological anthropologist by background, he started at the Centre as a Science Communicator travelling around communities and schools on the Roadshow programme. In his current position, he makes sure the team has what they need to deliver the very best in science communication. His PhD used ancient DNA to understand how the human microbiota (the bacterial community living on and in the human body – and keeping us alive!) changed in Britain over the last 1,000 years. Alongside this, he used his passion for science and interest in theatre to develop a science communication programme to bring together the interdisciplinary academics at the Australian Centre for Ancient DNA – an effort that resulted in new international collaborations. He has just got back from a cycling tour in the country of Georgia, where he evaded angry guard dogs, navigated roads that were active building sites, and managed to avoid falling off until the last day! The trip was amazing though! https://www.linkedin.com/in/mandy-curtis-688a33111/Mandy Curtis is the Head of Exhibitions at Cambridge Science Centre. She has been with the Cambridge Science Centre since its opening in 2013, beginning as a Science Communicator, then progressing through the Education team and into Product Development. In her current role as Head of Exhibitions, Mandy oversees everything that is in and delivered at the Centre. She is also responsible for the Centre's overall look, building maintenance, and alarm systems, as well as keeping the shop stocked with STEM-related items.Previously, Mandy worked in the pharmaceutical industry and as a school lab technician, where she also ran a STEM club. She was actively involved in Scouting in her village for over 15 years, remaining on the Executive Committee after her own children left and leading sessions for science-related badges, along with serving as the camp cook.Mandy enjoys walks along the beach in Norfolk with her very large dog, visiting as often as she can. She also loves having her children and their partners back home, especially since they return to their own homes afterward!  Transcription: Paul Marden: Welcome to Skip the Queue podcast for people working in and working with visitor attractions. I'm your host, Paul Marden. In July this year, Cambridge Science Centre opened its new building, returning to the real world after having been a science centre without a building for several years. In today's episode, I'm joined by some of their team. Andrew Farrer, Head of Programmes and Delivery, Rebecca Porter, Head of Development, and Mandy Curtis, the Head of Exhibitions. And we'll talk about the trials and tribulations of opening a new building from scratch and the benefits now the site has opened. Paul Marden: Hello, everyone. Welcome to Skip the Queue. Becca, Andrew, Mandy, lovely to see you. Really good to talk to you about the experience that you've had recently at Cambridge Science Centre, returning to the real world and having your own physical building for the Science Centre. Paul Marden: For listeners, I've had a little part to play because Rubber Cheese worked with CSC on the journey building websites. So I know a little bit about what's going on, but there's a whole load of stuff. I'm sure there's loads of anecdotes and stories that you're going to be able to tell us all about the trials and tribulations of building a brand new science centre from scratch. Before we get to that, it would be really nice if we did our icebreaker question. So I'm going to do one for each of you. Okay. So it doesn't matter which order I go in because you're not going to get any benefit from knowing what the question was. All right, so I'm going to start with you, Becca, because you're first. First on my. On my list. Okay. Paul Marden: What one thing would you make a law that isn't one already? Rebecca Porter: Oh, that is very interesting. I'm not sure. the rest of those. Andrew Farrer: The rest of us are feeling a bit nervous at this stage. Yeah, Becca's law is Andrew is no longer allowed in any meeting. Rebecca Porter: Yeah, yeah, that's a good one. I'll go with that. Paul Marden: That's very specific. I think when I come to power, not if I come to power, I don't think I dive that spec. I might go more broad. It might be about abolishing foods that I cannot abide eating or something like that. Not particularly. Take one of my team out of a meeting. Seems a little bit wasteful. Andrew Farrer: You don't know what I'm like in meetings. Paul Marden: Andrew, what is the biggest mistake you've made in your life? Andrew Farrer: Working with Becca, obviously. No, no. I just digest. Biggest mistake I've made in my life. There's a lot of things in the moment are very stressful and you think, oh, my. What? Why am I here? Why did I do this? Why did I not think more or think less or whatever? But everything that was probably, this is a massive mistake in the moment just turned out to be a really good story in hindsight. Paul Marden: Yeah, absolutely. Andrew Farrer: No, I'm happy with all of them. Paul Marden: There's some things that you think, oh, gosh, I really wish I could have deleted that from my memory completely. I spent a year doing a PhD and then dropped out because I realised that I didn't like working in a box on my own. But I don't think I would actually go back and not spend that year doing what I was doing, because it took quite a lot to realise that I don't like sitting in a box on my own and I actually like having other people around me. Yeah. At the time, it didn't, sitting on the bench at Egham Station, deciding, what am I doing with my life? It didn't feel like that was such a great decision that I'd made. Andrew Farrer: No, but they're all part of the sort of fabric that makes up the next decision, aren't they? Paul Marden: So, yeah, the rich tapestry. Andrew Farrer: That's it. That's the rich tapestry of life. Paul Marden: And, Mandy, I'm going to go for one last one, actually. It's not too dissimilar to what were just talking about. What was your dream job when you were growing up? Mandy Curtis: Before I answer that, I just have to give you my answer to Becca's question, because it's something I discussed at a previous job. If I could make one law, it would be that there was only one type of black sock. Rebecca Porter: That's actually a brilliant answer. Paul Marden: Again, hyper specific. Mandy Curtis: No. Trying to pair up all those black socks and none of them are quite the same. That is so annoying. So, yeah, that would be my law. Paul Marden: I don't think I need. I think I could broaden it and just say, there is only one type of sock, because my daughter's sock drawer is not black. There's not a single black sock in there. Mandy Curtis: I couldn't do that to Andrew. Andrew Farrer: You leave my socks out of it. Mandy Curtis: My actual question, when I was small, I had, in my mind, I wanted to be a scientist. Throughout all the jobs I've ever had, that's pretty much what I've been. And the job I had before this, I worked as a school lab technician and my boss came to me one day and said, “I've just got an email from Cambridge Science Centre. Looking for science communicators. I think you'd be really good at it. Why don't you apply? And I did.” And that was when it was, yeah, this is what I should always have done. Paul Marden: So interesting, isn't it? That's not a natural leap, is it, from a lab technician in a school to being a science communicator. But there's so much about teaching which is just telling the story and engaging people and making them want to do stuff, isn't it? Mandy Curtis: Yeah. It's surprising that there are a lot of parallels. Yeah. The thinking on your feet being one of the biggest ones. Rebecca Porter: I actually used to want to be a marine biologist when I was younger, and then I realised growing up that I'm nowhere near the sea where I am now, so that was slightly problematic. And also I saw the movie Jaws for the first time as a child and it terrified me and I quickly changed my mind about that. Paul Marden: Okay, let's segue from Mandy in your science communicator role, because I think it's a good segue. Let's talk a little bit about the journey that you've been on at Cambridge Science Centre over the last few years. Andrew, I'm going to start talking to you, mate, because I remember vividly last year I was at the association of Science and Discovery Centres conference and you were on stage with the guys from We The Curious, and you were talking about what it was to be a science centre without a building. Yeah. And the work that you guys were doing in the community for the listeners that weren't at the conference. Let's just take a step back and talk about the background of Cambridge Science Centre. You had a physical building, didn't you? Paul Marden: And you moved out of there and you spent a period of time being remote, virtual. I don't know what the quite the right term is, but you spent a while on the road. What prompted that to leave the previous centre? Andrew Farrer: Yeah. So that question that was being asked in the conference that what is a science centre without the building? It's really something that's very much in the fabric, the DNA of Cambridge Science Centre. The organisation is 11 years old now and through that time being an organisation that has a science centre and also being an organisation that does the outreach, which is what we would call like going out into the community and into schools and being in the spaces of the people that you're most wanting to engage, both of those things have existed in parallel and that there are strengths to both having a physical centre and being able to do that kind of Outreach and Cambridge Science Centre from the very beginning that brought those two things together and maximised the benefits of both in service of the other, really. Andrew Farrer: So what if you had all of the assets of a full science centre, but you could take them out on the road? What if you have the flexibility of kits that could be taken out the road, that you could do them in a space that you control? So that has always been part of things. We've had, you know. The new Science Centre that has just opened is the third permanent location that the organisation has had in its lifetime. And the decision to leave the previous one was something that was taken by the whole team. We got everyone around the table. This was post COVID. We were still coming out of having been truly remote. We're all about being hands on with science, which is very difficult in the world where you're not allowed touch anything or stand close to anyone, you know. Andrew Farrer: So we had to do a lot of stuff to respond to that. And then we came out of that situation, world came out of that situation and were sort of reconsidering what we wanted to do and how we wanted to do it. And the Science Centre we had up until that point, until 2022, you know, had been a fabulous space. We've done some amazing stuff in it. We were very closed of what we've done there. But were just finding with the goals we had, with what we wanted to move on to, it was no longer a space that could fit that set of targets. So the question, what was Science Centre without a building? Wasn't that question stepping up because we decided to lose the building? Andrew Farrer: It was kind of, it became a bit more of a focus, but really about the fixed space. Taking a step back for a moment while we really thought about what we wanted. And then we got the amazing opportunity that I'm sure we'll be talking about in a sec with the Science park and Trinity College, which brought that having a fixed space back up on par with the Science Centre without a building. And those two are still. They've always been, they were and they are continuing to be in parallel. And we're just about ready to open up one of our new pop up sign centres. That would be a space out in New England which is going to run there for the future as well, which will run in parallel to this fixed space. Andrew Farrer: So it's not a new question for us, it will never be an old question for us. It is what Cambridge Science Homeset is brilliant. Paul Marden: And during that period where you were without a fixed home, what really worked well for you, what was effective about that outreach programme and that was a became the sole focus for a period of time?Andrew Farrer: I mean were building on what was what we've been learning and what had been working well for that point I guess the last nine years. Yeah. So we knew that our exhibits, our hands on exhibits where you can, you don't just see a phenomenon, you can experience that moment, you've been affected, they're all possible. And so we could take them out. And we'd done that before with setting up sort of science engagement zones in banks and leisure centres. The corner of ASDA one time I think and we evolved that during just after Covid into these pop up science into these fully fledged kind of spaces that were on sort of par with the fixed space. Andrew Farrer: And we really lent into that, created these full, effectively full science centres with those exhibits, with the shows, with the activities, with the science communicators who could have the conversations with people and engage with the kids and answer questions and have a bit of fun and have a laugh, all that kind of stuff. In spaces that were underused in the community. We could take over empty shop units. We were in balance of rural museums. We've been all over the place and we are in those communities. We become part of the communities in the spaces. They already know it. Yeah. And that sort of eases that sort of barrier. Oh, I've got to go to the science place. Because suddenly the place part of that is their place. Yeah. And we're all about making the science. Andrew Farrer: It's as open and fun as possible and building up with whatever level anyone walks in with. So that was, it really was really kind of having the opportunity to hone that ability to create the proper full science centre spaces. And in getting that honed that raised our level on well, what is the fixed science centre? If you can have a fixed thing, what can you do bigger and better there? Which in Eintrum Nadia will want to speak to later. Because some of the new exhibits are phenomenal and they come out of the learning we've had from being on the road and being able to engage people in their spaces and give them a reason now to come to this space. Paul Marden: I'm guessing that when you go out into their space rather than making them come to you get to meet and see very different people. You know, the barrier that exists in somebody having to come to your building means there's a lot of people, there's a lot of young people, there's A lot of families for whom a great day out is not automatically thought of, you know, when they're thinking about what they're going to do at the weekend, they might not necessarily think of a science centre because it's just not what they consider to be fun. But if you go out to them, into their spaces where they are familiar, in the corner of Asda, in the Rural Museum or whatever, you're. You're getting closer to the people that don't normally walk into a science centre. Andrew Farrer: Absolutely, yeah. It's all about. Every single person has some form of barrier that they have to deal with. And, you know, many people have many more barriers than others. No matter what we do, there are still barriers to overcome, but it's about dropping those as low as you can and thinking about getting people across them and supporting them and getting them across them. So, I mean, absolutely, if you say if you're in their space, you remove the whole suite of barriers that exist into travelling to a fixed science centre, which is something we're thinking about and trying to then reduce those. For the fixed science centre. There are other barriers that apply. Andrew Farrer: Even though you're in their space and you've still got to do a lot of thinking and a lot of work to make sure it's an inviting space that they feel they're able to come into, that they can then get comfortable in, and then they can start asking questions and playing with things and break that kind of, oh, it's not for me bubble. Because it definitely is for everyone. You want each other play. Paul Marden: Yeah. Even so, making it an inviting space and making them want to take that step over the threshold into wherever the space is that you are. I've watched kids I'm thinking of a year ago, I was at the London Transport Museum and they had a big exhibition all around sustainability in their exhibition space, which is, I don't know, ⅓ or 3/4 of the way around the museum. And you could just see these kids just stood at the edge watching because they didn't feel confident that they could step into the space and immerse themselves into what was happening in that space. And you've just got to. You've got to make it easy for them to take that step over the threshold, haven't you? Andrew Farrer: Absolutely, yeah. And it's the reason that we have so many different ways of engaging, that the exhibits are there with the activities are there, that the shows are there, that the communicators are there, because people will do that in different ways. What they're comfortable starting to approach, you know, is different from the depth you can give them later. And people will do it in very different ways. But one of the early pop up science centres we had a day where we had, we partnered with a group from the University of Cambridge called Chaos with a student science engagement team. Paul Marden: Right. Andrew Farrer: And their name is apt, but they're brilliant. They're brilliant. And they were all around the earth and all of these different activities and it was really interesting because we noted that, you know, almost to a Percy, everyone walked in, every kid, every adult and they went straight to our exhibits. Not because Chaos wasn't inviting, not because they didn't have cool things, not because they were pushing people away in any way. But it was exactly as you say it was that moment to be like, I don't know, this space, here's a thing that's non threatening, it's not going to ask me a question. But the Chaos were asking kind of questions that were going to, you know, they were going to get at someone for. But you don't know that when you're first walking. Andrew Farrer: No, you play with the exhibit, you start to, you know, that's the safe thing, you start to see what it's doing and then you receive. People build up the confidence, exactly as you say, and then they kind of wander over and suddenly they were just doing laps of the space were in. Just like repeat visiting every one of these activities. Brilliant. You know, and that's a mini version of the journey we want to take people on across their lives. Paul Marden: Yeah. Okay, so question for all three of you then. What was the motivation then really behind returning to a fixed building? Was it an aspiration that you always had, that you wanted to return to a fixed centre or what was the driver for that? Rebecca Porter: We've absolutely always had an aspiration to have a fixed venue in Cambridge. Obviously the clue is in the name Cambridge Science Centre. And we knew that we needed that nucleus, that hub that we could operate all of our other engagements from. And certainly from a supporting organisation perspective, it's very useful for us when we're having those conversations with external stakeholders about the opportunities to get involved with a physical space as well as our outreach programme. So certainly from that point of view, we had an objective to find one. Interestingly, we'd done a piece of work with a group, there's a network in the city called Cambridge Ahead and as part of Cambridge Ahead they have a young advisory committee and we'd done a scoping exercise with the young advisory committee Thinking about that positioning, where we wanted to be. Rebecca Porter: And the key takeaway from their research was that we needed a sort of peripheral location, so an edge of city location that was accessible, that could work for, work well for schools, but would also still allow us to have that public engagement. And for us as an organisation, we really wanted to deepen our relationship with some of the communities that were existing a bit on the margins of the city, particularly those in the north that do suffer from varying levels of deprivation. And Cambridge is a very interesting place because despite the fact that it's got this really illustrious heritage and it's seen as being very affluent, actually it's the most unequal city in the uk, or certainly in England. Paul Marden: Oh, is it really? Rebecca Porter: Yeah. And so we wanted to be able to have our physical space closer to those communities that need more access, need more support, more guidance, so that we could bridge a gap between them and between the Cambridge Science park, which is our new home, but not just the science park, the wider ecosystem and the other research and innovation parks. So, yes, absolutely. We always had an objective to get another physical space operating. Paul Marden: Lovely. So, Becca, I'm guessing this doesn't all come for free and that somebody's got to fund the work to get the centre together. And that's your job really, isn't it, to find people to help you do that, say, how'd you go about doing that? Rebecca Porter: So absolutely everything that we do is completely reliant on the support of like minded organisations and individuals. So we go about in lots of different ways. We have a wonderful board of trustees who are very engaged with the work that we do and they help to make introductions to us in their networks. But it really is a case of going out and doing a lot of footwork, understanding what organisations are operating in our space and what their objectives are in terms of community engagement and how do we align with that. So there's a lot of research that goes on in the background to figure out who we should be talking to. Rebecca Porter: It's wonderful being in a city like Cambridge because 9 times out of 10, most of the companies we talk to do have some objective to do something around STEM engagement in particular. And they're also very supportive of our own objective, which is to widen participation and increase diversity. So they understand that the work that we're doing with those children from the most underserved communities is absolutely vital. So that makes it quite an easy story, quite a compelling story to tell. But we are, we're hugely lucky to have the supporters that we do. And I think key supporters for us are obviously the Cambridge Science park team who enabled the transition into our new venue. Because it was, it all seemed to just line up perfectly really that our own internal discussions around where we wanted to position ourselves. Rebecca Porter: We knew we wanted to deepen our own relationships with these various communities. We knew we needed some kind of peripheral centre space. Unbeknownst to us at the time, but happening in parallel, the Science park team were also considering their relationship with their neighbouring communities and how they can enhance that and do more. Because the Science park is actually, it's a very porous space. So not all of the research and innovation parks are quite the same. But Cambridge Science park absolutely wants to be open to its local communities. It wants them to come in, spend time in the green spaces there and understanding a bit about the different companies that are working within the park. And the Science park as well as the main land owner, which is Trinity College University of Cambridge, again are very keen to support STEM engagement where they can. Rebecca Porter: So it felt like they, our objectives at the time as well as the Science Park's objectives just meshed together beautifully and that resulted in us having this transformational opportunity to be inside the heart of the Science park and alongside that in wider discussions with some of the stakeholders of the park. Specifically were introduced to some of the property development companies that are operating in there who again were very supportive of what we're trying to achieve, but also had the vision to understand that not only are we supporting the local communities, but we're offering a conduit for supporting their tenants. So how can we help them to realise their tenants ambitions? And so they've been very supportive as well. Rebecca Porter: And we're also incredibly lucky to have a suite of organisations that we refer to as our Executive Council, who are our corporate partners that are the lifeblood of our organisation. Their funding and their support underpins everything that we do. So I want to just recognise our Executive Council members in particular, but also the key stakeholders for us with the new centre are the Science Park, Trinity College, Brockton Everlast, an organisation called LifeArc and ARM the microprocessing chip company. So yes, they're all major stakeholders and we're very lucky to have them. Paul Marden: That's amazing. So the Executive Council, that's quite interesting. What do they have some influence over the work that you do and the direction that you take? It's more than just them handing over sponsorship money, it's actually an engagement in what you do. Rebecca Porter: Absolutely. Nothing that we do is transactional, so we don't ever take anyone's money and run. We always try to offer reciprocal programme opportunities, staff engagement opportunities, and with our executive council members, they really do help shape and influence the trajectory of the organisation. So we have regular meetings with them, we talk to them about what our plans are, where they think there may be opportunities that we aren't perhaps looking at, that we could be exploring or should be exploring. And they certainly do have that. That level of influence over the direction of the organisation in general. Paul Marden: And then I suppose the choice of the location is partly driven by those relationships that you built with Trinity College and the Science park. And I guess it was collaborative, the choice of the location itself. Yeah, you didn't go looking for a building with some shortlist. There was. You built a partnership with these people and together you found the space that worked for all of you. Rebecca Porter: Yeah, absolutely. In fact, the space that we're currently occupying is a pre existing building, so it's called the Trinity Centre and it actually was a conferencing space with a catering facility on site as well as the park barbers, interestingly. And so through the relationship with Trinity College and through the discussions with the team in the park, we recognise that actually the space could be working a bit harder, not just for the science park, but for the wider community. And so we essentially repurposed one half of the ground floor of that existing building and Mandy's done a fabulous job turning that space into what is now our new Science Centre. So, yes, I mean, personally, I think having been in that space a lot, if you didn't know it was a conference centre before we took it over, I don't think you'd ever guess that. Rebecca Porter: So, yeah, it's been really wonderful. Paul Marden: You just cued me up perfectly to turn to Mandy. How do you go about filling a space with all the amazing exhibits to make it from a conference venue into this exciting and inviting science centre? How did you even go about doing that? Did somebody give you a blank sheet of paper and tell you off you go, just do whatever you like? Mandy Curtis: Well, pretty much it was a blank slate to work with. But then of course, we've got all our experience from the years leading up to this. So we've got a suite of exhibits that we know work and we know which ones we wanted to take forward, which ones we wanted to build on and expand on. So although in some ways it was a blank slate, it was very much a guided blank slate. So it's still a. For a Science centre. It's still a relatively small space, so we made the decision early on that we wouldn't have themed areas. So we're not big enough to have a space corner and a biology corner. So we've gone for an experiential centre. So you come in for the experience, you come in for one of the most. The thing for me is intergenerational play and learning. Mandy Curtis: So families coming in together, there's something for everyone. So that led the thinking and the decision making with exhibits and I reached out to lots of different people, existing standing exhibit makers, and some people have never made anything like this before. So we've got a real mix here. But what was important was that it's not somewhere where you walk, where the kids walk in, press a button and walk away. It was about prolonged active engagement. So each exhibit has layers of interaction. So you can come in, do one thing, come back another time and do something different or within the same visit, you can build on what you're doing. So, yeah, it's very much about the experience. Paul Marden: So is there an aspiration for the kids and the families to revisit to you? Do you want to create this space where they want to return several times over the space of a year or even as they grow up? You're supporting them through different things that interest them? Mandy Curtis: Absolutely. That's. That's very much what it's about. We have a membership where you want to create the feeling of belonging, of being. This is a place to come with annual membership, you can come as many times as you like. Lots of the exhibits will be the same, but because of the way we've made them and we've prepared them, there's always something different to do with them. And also we have a programme of shows and lab activities that constantly change, so there's always something different and new to do in the space. Paul Marden: Have you got particular audiences in mind that you want to appeal, make the space appealing to? Mandy Curtis: Yeah, we have a very specific audience and I call that everybody. That everything here can be reached by anybody. That's. Yeah, I don't exclude or include anybody. That's why. That's part of the layering. So younger kids, less able kids, older people, there's something here for everyone. I mean, obviously we have an age range for children that is most suitable, but there are also things for younger kids. There's. I mean, quite often we get families coming in and the adults are saying, well, this is way too good for just kids. And that's exactly how I feel about it as well. It's. It's a family place, it's for pretty much any age group, any. Any abilities. Yeah. Paul Marden: So how do you make that. If you're appealing to everyone, how do you make it more inclusive to kids with challenges? Kids with send difficulties, for example? How do you provide something that can enrich everybody's understanding of science? Mandy Curtis: It's really about having some familiar things here in two different ways. So there's familiarity in that. We've got some of our classic exhibits on site, so if people have ever been to one of our previous sites, there'll be things that they recognise from there, but also bringing in things from the outside world, from their world at home. So one of the exhibits is a paper plane launcher. I mean, who hasn't made a paper plane? So it's stuff that they're familiar with, but come here and do it and it just brings out a whole new level. So we talk about ways you can build a better paper plane, ways you can adjust your paper plane, and then, of course, just putting it through the launcher is just incredible fun. So it's taking stuff that people know about and can relate to and that's really important. Mandy Curtis: So some of the, some concepts that we want to get across are potentially outside of people's experiences completely. But if we can present it in a way that starts at level that they're familiar with, they can relate to and engage with, then there's a progression through and we're able to get concepts across that you might, if you went straight in at the top level, you just, it just wouldn't engage them in the same way. Rebecca Porter: To add to that, I just wanted to say that our magic pixie dust, if you will, that brings everything to life, really are our team of science communicators. So that also, you know, that's what, you know, brings every experience in the Science Centre to life is our wonderful team. Paul Marden: Yeah, I mean, that's this, that. That's like every good attraction, isn't it? It's never about the physical space, it's about the feelings that you get and it's the people that are there that help you build that feeling, isn't it? That's why it's a magical place that makes people want to come back, isn't it? How do you also serve that very local community? Have you found that by locating yourselves on the science park, where you are close to those areas of multiple deprivation within the city? Have you found that just mere locality is enough to encourage people in or are you actively doing things to bring that local audience to you? Rebecca Porter: Absolutely both. So we're already doing a lot with one particular community. There's a part of the city called King's Hedges and we see a group of children there once a week for an after school club and have just started transitioning that club from their own space. We've been operating it in their community centre but now they are coming to us, which is fabulous. And one thing that I've really loved since we've opened the new venue is our proximity to those particular communities. An example of how much more accessible we are is that we did a soft launch before we did our major public opening in the summer with some local schools, one of which was King's Hedges Primary School, and the teachers were able to just walk the children to us and that's never been possible before. Rebecca Porter: And we've got much bigger plans to expand the community focused piece to other parts of the city because we would really love to have at least four days a week where we're running an after school club of some description for groups around the city that face additional barriers. So, yeah, we are all over that. Paul Marden: That's amazing. It sounds so exciting. I run a coding club for kids at my daughter's school. A lot of it is about the engagement that the kids have. They don't get that enrichment outside in those STEM technology. So for you guys to be reaching out to that local community and offering that after school provision for them to be engaged in science, then there's a group of kids that just must lap that up. They must love it. Rebecca Porter: Absolutely. And I think Andrew's always said that for us, we obviously there's lots of extracurricular clubs. You've got drama clubs and dance clubs and acting clubs, but very rarely do you come across anything science focused. And what we would love to see moving forward is that's normalised that actually you can go to an after school club, that it's all about science and it's just part of the everyday offering that's available to children, particularly those local to us. Paul Marden: And have you found, I mean, it's probably too early to tell, but have you found that it's beginning to blur the lines of the science park into the community? Because there's something about Cambridge, isn't there? And the whole he's a world leading hub of science and driving science forward and making science commercially valuable happens at that point where the university meets the rest of the community around it. Are you seeing that you bringing the kids into the space is beginning to open their eyes to what is possible for them on their own doorstep. In terms of science. Andrew Farrer: Yeah, I think we are seeing the first steps of that, you know, in your previous questions and what Mandy and Becca have said, I think they've, you know, referenced and alluded to the layers. We're talking about the new centre as if, you know, it's open and therefore it's done. It's not done, we're not done, you know, and yes, getting those exhibits in there and all of the work that Mandy put into making them so generalist enough in the sense that, you know, these age ranges, these ability ranges, these, you know, whatever range you want to talk about can access them. But then it is, what's the programming? We only really launched, the soft launch was end of June. The big launch was, you know, end of July. Really. Andrew Farrer: That only covers 2 of the audiences that we're on, which is the schools and the sort of public inverted commas. There's the everyone this half term we've started that work with the North Cambridge Community Partnership Club that has been moved in that Becca was talking about. But that is very much step one next year is all about filling those four afternoon slots with such a variety that work in such a different way. It's about bringing in the schools throughout the days, throughout the week. It's about flexing those weekends. As Mandy said, it's about finding what all of these different organises, local and more further afield want, need, what their questions are, things like that. Andrew Farrer: We're here to respond so we can create sessions that the generalist concept of the centre might support those in the send community, but we can create a session where it's okay. This will be the quieter session. This will be where we'll have timings on the exhibits that allow will change the lighting. And we're still sort of exploring and thinking about how we do that. Right. So that the experiences is just as good, just as strong, just as inspiring and isn't affected by the fact that something might have been slightly altered. And there's a flip side to that. There are people who are much better at engaging when there's a lot going on. It's almost like there's a hyper sensitivity. There's things to think about on that side as well. Andrew Farrer: So this is a project that 2025 will see a lot of work on, but really is a never ending process. As long as there are people and as long as there are individuals which can help deliverance, then we are there to make sure. That everyone gets the access and that means using all of the physical kit, we've got all of these physical spaces and our team to respond as, you know, as much as we can. So. Paul Marden: So is there much for you? Did your team of science communicators have to do much to get themselves ready to return to the physical space? Or did they walk in the door and it just felt like home straight away? And they were delivering what they've been delivering for 11 good years? Andrew Farrer: Yeah, there was an element of coming home and there's an element of this is what we do. Because as I said, the outreach and the permeable space are singing in harmony, as it were. But this new space does have. It's new and it's bigger and better and more accessible than anything we've been able to do for. And that has brought things that we haven't experienced before. So we, you know, we made ourselves as kind of theoretically ready as we could. There have been challenges both from a practical running an event venue to how do we. How do we do silent science communication when we are constantly learning? We've changed things already, you know, we're flexing and responding and they affect the things that we wanted to bring in the future that I was referencing before they change each plan. Andrew Farrer: And we have a lovely timeline, it's very exciting, very big map, lots of post its that shows where we want things to start happening, but each of those responds to that. So there's no one single ready. And again, even when you are as close to ready as might exist, just like the programmes that we offer, that readiness evolves as well. You keep learning. Paul Marden: Of course. So what were those challenges then? What can we share with listeners? What were some of the things that if you had another swing at it, you'd do differently through this process that you've gone through this transition? Andrew Farrer: That links back to your, what was your biggest mistake? We only knew we learned because we tried something that didn't in theory worked, you know. Yeah, I mean, there's just some sort of like general practical thinking. You implement a system and then only when it's actually put through its paces you realise, oh, hang on, there's this like scenario tangent that we haven't thought about. There's, you know, there's a few things on that front about practically running the. Running the space. As Becca said, that the science park is porous, but we are one of the big things that is now bringing the public in. So there's, you know, murmuring is in that as well because that porosity has been used in the way it hasn't been previously. And we've been thinking about when are people coming during the day, when are they. Andrew Farrer: Their repeat visits happening? Which means when do we cycle the lab activities in the show? Talking about, you know, we can do a different show every day but you know, that's probably overkill because people aren't going to come quite every day. But actually what cycle are they coming on so that we can make sure that we, you know, we're providing sort of an awe inspiring moment and a set of curiosity experiences on a wide variety of different topics so that we can find that thing that sparks everyone. Mandy Curtis: Just to add to what Andrew said, I think it would be hard to label anything we've done as a mistake because we wouldn't be where we are now if we hadn't gone through the process we did. So even stuff, very few things that didn't quite work out well, we've learned from and we've moved on and we've built on. So everything has, I feel everything we've done and has been a positive experience. It's all been, you know, it's all been good. Paul Marden: It's a very philosophical approach to it, isn't it? The idea that it's never done, the project isn't over, it just continually, you know, it needs continual tweaking and continual improvement. Andrew Farrer: It's a scientific approach, if anything.Mandy Curtis: Much as I promised I would be laying down in a dark room by now, I'm not and I won't be. And we're still, you know, there's, we're planning, we're moving forward and looking to next year at the programmes and what we can offer. So yeah, there's always something more to do. Paul Marden: Once again, you're queuing me up for my next question, which was really what do the goals look like for the future? You've done this massive project, returning to a physical space and getting it ready and opening it up and welcoming people in. Where do you go now? What are the aspirations for the next couple of years? Mandy Curtis: It's more of the same, better, more different, looking at different approaches at different audiences. We're going to be. I'm already planning and writing the STEM Tots programme for next year. So that's the younger kids, the preschoolers, so there's new audiences all the time to move into. There's school holidays, you know, kids have been over here over the summer for the next school holiday, they're going to want something different. So we're thinking about that, how we can encourage people to come back, what we can offer, what different things, different collaborations. However many companies on the science park. I don't know, Becca probably does. There's people we haven't even spoken to yet. So there's just opportunities everywhere still. Rebecca Porter: For us, I would say that we are, it's definitely a programmes expansion piece next year. So we need to really solidify what we've got now with our new venue and start building out those different audiences and what the different programmes for each audience will look like. And then it's also making sure that our Popup science centre in Wisbeach continues to go from strength to strength. And so certainly, although we've got this fabulous new venue, we don't lose focus on the outreach work that we're doing as well as building up, building momentum around our support. And Andrew's doing a really wonderful job putting some work into our logic model and our theory of change. And so again it's mapping that out and then how we can link that to, to our, to the work that we're doing. Rebecca Porter: The supporting organisations, what role can they play in pushing forward our logic model? In particular, we talk a lot about emotions, skills and actions as being what underpins our logic model and it's how can our different partners lean into those things? Are there organisations that want to support the emotions piece? Can we do a skills focused programme with another organisation? So there's still lots of mapping to be done, but hugely exciting stuff. Andrew Farrer: Opening the doors to the centre was really only the beginning. Now it's making the absolute amount, squeezing every bit of juice out of this amazing fruit that we've been lucky enough to be supported to build for ourselves. Paul Marden: Stretching your analogy just a little bit there, but it's a very good point. Andrew Farrer: What analogy if you can't stretch it to its unfathomable limits? Paul Marden: Andrew, one last question because I think a couple of you have mentioned the Popup Science Centre. Tell me a little bit about what is that and what's the plan for the future? Andrew Farrer: Yeah, so our Popup science centres are fully fledged science centres. They appear in community spaces. So the ones that I mentioned earlier and they feature our hands on exhibits, they feature our shows, they feature our activities and we are in November moving into a empty well, it's currently empty, but we're about to fill it chalk unit right in the heart of Wisbeach in the Fenland area. So the Fenland region which is on the north of Cambridge, one of these areas that if transport around the area is difficult, sort of deprivation in that area. But there are some great pieces of science, technology, engineering and maths, you know, organisations working in those areas as well. Andrew Farrer: But it's one of those places where for all of the efforts we put into breaking down the barriers to come into the fixed space, that's one of the areas that we're really struggling. So we're going to that there'll be a fully fledged science centre which will be open to schools and the public on those points through the year to go in, to explore, to have these workshops, to have these shows, to engage, to chat. We are kind of, this is coming off the back of, one of these 18 months long project where we've had these pop up science centres sort of around Fenland. This is kind of where we're settling in and really sort of digging our heels in a little bit. So sort of phase two will start to become much more co development with the community. Andrew Farrer: We've been able to spend 18 months getting to know the people of this area and then importantly getting to know us. It's now exactly back to what I was talking about earlier. It's been sort of equivalent of the kids walking in and seeing the exhibits and having a play. Now we're ready, both of us and them to have this conversation about well what should a time centre be for you specifically? And honestly we don't know what that will be. But next summer Cambridge Centre and Wis beach will become this whole new thing where there might be forensic escape rooms happening. There could be some giant chain reactions going on with balls and bean bags flying everywhere. People could be building cardboard cities. Andrew Farrer: I've got no idea because it's actually not down to us, it's down to the people who want to answer the questions that are part of their lives. Paul Marden: Wowzers. It's just amazing. I'm so excited for you. I'm so pleased because it's been a project that I've been watching from the sidelines growing. I'm so pleased that the project's not over and that there's an aspiration to really push this thing and squeeze it for all it's worth. Andrew Farrer: Just like my analogies. Paul Marden: Absolutely. Lastly, we always ask for a book recommendation and you're going to bankrupt me because I've invited three of you on here. So I'm going to get three book recommendations. So what are your recommendations, Becca? Rebecca Porter:  First, first for you, I would say I'm actually a huge fan of an author called Philippa Gregory. And so my favourite book would be The White Queen by Philippa, which is all about Elizabeth Woodville. And Shima was married to I believe Edward IV during the Plantagenet era. So I love a bit of historical fiction. So that's my one. Paul Marden: Aha. Okay. So my colleague and co host Oz, big into historical reenactment. I'm sure that would be a book that would appeal to him. Andrew, what about you mate? What's your recommendation? Andrew Farrer: I have a book this is about I've had for years. I mean it's a kid's book really. It's a book called Aquila by someone called Andrew Norris and it's one of these books that it's about a short book. I keep revisiting it every now and again. It's just a story I've always engaged with. But it's funny, looking at it now, it almost seems very relevant. So it's about two young high school lads who on a school field trip get passed away from the rest of their class and end up falling into a cave and discovering a Roman centurion skeleton and by him what turns out to be an alien spaceship. So the navy spaceship have been on earth for some 2,000 years. Andrew Farrer: And the rest of the book is they don't want to just tell everyone else that the spaceship is here and it's them figuring out okay, well we can't take it home now because we're on a feeder trip so we've got to figure out a way to come back and get it home without anyone seeing it. And then they've got to learn how it works. And it turns out that it's kind of got AI function I guess and it can talk but because it was previously used by Roman, it taught in Latin. So they have to learn Latin. It turns out it's run by water. They figure out how much water. And it's a really brilliant story about these kids solving all of these problems around having quite that fun Canadian spaceship. Andrew Farrer: But at the same time their teachers are aware that these two kids who've classically not engaged at school at all are suddenly asking all of these really weird non class related questions. And yeah, they figure out the whole spaceship thing but think it's story they've made up for themselves. And so I give them the actual support and engagement they need in school to learn better than they were. But everyone misses that the spaceship is totally real, that these kids are flying off like Mount Everest on the weekend. So I love that. Paul Marden: Excellent. That sounds really good. That sounds like one I need to read to my daughter. Mandy, last but not least, what's your recommendation? Mandy Curtis: Just to say Andrew's book was made into a kids' TV series that I remember watching. Yeah, I've just. The most recent book I've read was one from way back. Not fiction. It was Life on Earth, David Attenborough and I reread read it often. It was the series that really sent me on my way to where I am now when I. I was doing unusually a zoology A level and my teacher played us the videos of Life on Earth and yeah, I've never got, never moved away from it. So yeah, that's the book I've read most recently and would recommend. Paul Marden: What, what a recommendation as well. That's a lovely one. So, dear listeners, as you know, if you go over to X and retweet the show, tweet and say I want Becca or Andrew or Mandy's book and the first person that does that will get that book sent to them. And I think as we got through recommendations, three of you could choose any one of those and we'll make an exception and bankrupt the marketing budget. Guys, it has been absolutely lovely talking to you and finding out a little bit more about the story of the journey that you've been on recently. And I think we should get back together again soon and find out how the pop up is going and what's actually filling that vacant shop because I think that's a really exciting proposition. But thank you for joining me today. Paul Marden: It's been absolutely marvellous. Mandy Curtis: Thank you. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! Help the entire sector:Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsFill in your data now (opens in new tab)

In the second episode of our Wars of the Roses series, Edward IV secures the English throne after his victory at the bloody Battle of Towton. But his betrayal by Warwick the 'Kingmaker' throws the house of York into disarray once again. The civil war reignites, and only after immense bloodshed will a new dynasty will arise - that of the Tudors. England's political landscape would be changed forever.Once again we're joined by Matt Lewis, historian, author and host of our sister podcast, Gone Medieval.Produced by James Hickmann and edited by Dougal Patmore.Enjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Sign up HERE for 50% off for 3 months using code ‘DANSNOW'.We'd love to hear from you - what do you want to hear an episode on? You can email the podcast at ds.hh@historyhit.com.You can take part in our listener survey here.

Queen She-wolf: The saga of Margaret of Anjou comes to an end. Welcome back to the third installment in our Margaret of Anjou series. Today we're discussing Margaret's dramatic journey as Queen of England during the War of the Roses, her struggle against mental illness, her relentless fight for her family's throne, and her eventual tragic downfall. The episode features a mix of history, humor, and reflective commentary on how Margaret's legacy has been shaped by the victors' narrative. We reference a few of our previous episodes in this one, and you can find all of our ladies of the Wars of the Roses on this page. Our intro/disclaimer is by The Persistence podcast Time stamps: 02:55 The Civil War and Margaret's Struggles 15:19 Margaret's Exile and Edward IV's Reign 23:47 Margaret's Reluctant Alliance with Warwick 27:19 Warwick's Victory and Henry VI's Restoration 28:33 Edward IV's Return and Margaret's Setback 30:51 Margaret's Final Stand 44:11 Margaret's Return to France and Final Years 45:53 Margaret's Legacy and Historical Impact Some sources: Red Roses by Amy License Rex Factor Podcast Margaret of Anjou: Passionate Mother by Carole Levin  This episode is sponsored by Factor. Head to factormeals.com/queenspod50 And use code queenspod50 to get 50% off your first box plus 20% off your next month. Queens podcast is part of Airwave Media podcast network. Please get in touch with advertising@airwavemedia.com if you would like to advertise on our podcast. Want more Queens? Head to our Patreon, check out our merch store and follow us on Instagram! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Fascinating Life of Jane Shore: The Real Walk of Shame Wars of the Roses week continues! In this episode from the Patreon vault, we get a Katy's Corner episode that delves into the captivating story of Jane Shore, the famous mistress of King Edward IV of England. From her origins as Elizabeth Lambert, her tumultuous marriage, and her surprising relationship with Edward IV, to her impactful role in medieval society. Learn about Jane's famous 'Walk of Shame,' which later inspired a notable scene in Game of Thrones, and discover details about her later life and legacy. Here's some cool reading material for you...  https://www.historyextra.com/period/medieval/the-secret-intimacies-of-edward-iv-multiple-marriages-and-a-same-sex-affair/ https://historytheinterestingbits.com/2017/05/06/the-infamous-jane-shore/ https://www.ancient-origins.net/history-famous-people/jane-shore-0011174 Queens podcast is part of Airwave Media podcast network. Please contact advertising@airwavemedia.com if you would like to advertise on our podcast.Want more Queens? Head to our Patreon, check out our merch store and follow us on Instagram! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we compare and contrast the rollercoaster lives of four of the daughters of Edward IV and Elizabeth Woodville.   Related Episodes S1 - 052 Cecily of York | Tudoriferous (podbean.com)   Join our Patreon family for yet more episodes - Tudoriferous | creating a Podcast discussing the great, good and mad Tudor Era | Patreon

One of the many daughters of Edward IV and Elizabeth Woodville.  She could tell us so much about what it was like to be in sanctuary, the fate of the Princes in the Tower and whether Perkin Warbeck was who he said he was.  She won't...but she could.   Related Episodes S1 - 002 Margaret Beaufort Countess of Richmond | Tudoriferous (podbean.com)   Join our Patreon family for yet more episodes - Tudoriferous | creating a Podcast discussing the great, good and mad Tudor Era | Patreon

The Portuguese-Canadian singer-songwriter Nelly Furtado has sold more than 40 million records worldwide and won awards including a Grammy. Her upbeat, genre-defying pop music dominated the charts in the 2000s, from her break out hit I'm Like A Bird to her 2006 album Loose and its stand out hit Maneater. After finding that her music had been rediscovered by a whole new generation of fans on social media, she's back with 7, her first album since 2017.In February 2021, a coup returned Myanmar to military rule, overthrowing the democratically elected government. Under the regime, violence against civilians has escalated, with thousands jailed, tortured and killed – although the numbers are believed be much higher. At least three million people have been displaced. Just two weeks ago, a UN Report outlined the gendered impact of the coup: It found that military forces have committed widespread forms of sexual violence. However, despite the coup's devastating impact, women and girls are taking on key roles within the resistance movement. Also this month, there have been separate news reports that women are being conscripted into the military. Nuala discussed the situation with Tin Htar Swe, the former head of The BBC's Burmese Service.Woman's Hour broadcast from Lord's Cricket Ground as England faced New Zealand for the culmination of a five-match T20 International series and to mark 25 years since the Marylebone Cricket Club, that runs Lord's, allowed women to become members. During the programme she spoke to World Cup winning cricketer Ebony Rainford-Brent and the England and Wales Cricket Board's Head of the Women's professional game, Beth Barrett-Wild. She also spoke to girls about why they love playing cricket. Nuala was also given a tour of Lord's – taking in the spots of most significance to women's history at the ground. She heard about Baroness Rachel Heyhoe Flint and Martha Grace, the mother of a player who is considered one of the all time greats, W. G. Grace. Her tour guide Rachel Pagan met her just outside the ground. Taking children out of school during term time was in the news this week as the new Education Secretary Bridget Phillipson said there "will have to be consequences" for parents who fail to keep their children in school. It's illegal to take children out without the school's permission. Minimum fines, imposed by local authorities, for taking children out of class without permission for five school days will rise from £60 per child to £80 per child from August.. In her first interview since taking up the post, the education secretary spoke to the BBC's education correspondent Branwen Jeffries. We hear from parent, Laura Melling who recently went viral on TikTok for discussing a fine she'd received after taking her young daughters out of school for a holiday during term time and we spoke to journalist and parenting author Lorraine Candy.Annie Garthwaite's second novel, The King's Mother, tells the story of historical figure Cecily Neville, mother of Edward IV and Richard III. Annie believes Cecily's role in the Wars of the Roses has been hugely underestimated by historians and her novel places her firmly at the heart of the action. Essie Fox has written five historical novels and her most recent, The Fascination, is set in the world of Victorian theatres and travelling fairs. They join Nuala to discuss the challenge of writing the stories of women who have been overlooked by the history books.Adele, one of the world's best-selling music artists, has revealed in an interview ahead of her concerts in Munich next month, that she will be stepping back from music temporarily after growing tired of the slog of fame and missing her old life. She talks about her "tank being empty" and the author and broadcaster Emma Gannon joined Anita to talk about when it all gets a bit much.Presenter: Anita Rani Producer: Annette Wells Editor: Rebecca Myatt

The middle and end of the Wars of the Roses is arguably the most complicated period of this history, with big personalities and power players fighting for the top spot in the game of thrones.   In episode three of this series, we hope to unpack the reigns of Edward IV through to the Battle of Bosworth, asking along the way when the real end to the Wars of the Roses was?  Curator Charles Farris is joined by Historic Royal Palaces' Research Lead Dr Laura Tompkins and Dr James Ross from the University of Winchester. 

One of the most iconic musicals of all time, Hello, Dolly!, has returned to the London Palladium, with Jerry Herman's unforgettable score including Put On Your Sunday Clothes, Before the Parade Passes By, It Only Takes a Moment and Hello, Dolly! It's a huge, no-expense-spared production, with a cast of 40, and the legendary Imelda Staunton as the witty and charming matchmaker Dolly Levi. Jenna Russell plays the millineress Irene Molloy. Jenna is well known for her TV roles in Call The Midwife and Eastenders, and many theatre roles, including Guys and Dolls, Merrily We Roll Along, and her Olivier award-winning turn as Dot in Sunday In The Park With George. Nuala McGovern speaks to Jenna about the revival of Hello, Dolly! and the show's message to new audiences. In February 2021, a coup returned Myanmar to military rule, overthrowing the democratically elected government. Under the regime, violence against civilians has escalated, with thousands jailed, tortured and killed – although the numbers are believed be much higher. At least three million people have been displaced. Just two weeks ago, a UN Report outlined the gendered impact of the coup: It found that military forces have committed widespread forms of sexual violence. However, despite the coup's devastating impact, women and girls are taking on key roles within the resistance movement. Also this month, there have been seperate news reports that women are being conscripted into the military. Nuala discusses the situation with Tin Htar Swe, the former head of The BBC's Burmese Service. Nine-year-old Ella Adoo-Kissi-Deborah was the first person in the world to have air pollution listed as a cause of death. She lived near the South Circular Road in Lewisham, South East London and died of a fatal asthma attack in 2013. Her mother, Rosamund, who has been campaigning since her daughters death, is now seeking is seeking an official apology from the government as her high court claim against them heads to trial. She explains why she wants an official apology from the government. Nuala also speaks to Sophie Howe who is the former First Generation Commissioner for Wales where she advised the government on policy around transport and climate change - she now does this for other countries. SAnnie Garthwaite's second novel, The King's Mother, tells the story of historical figure Cecily Neville, mother of Edward IV and Richard III. Annie believes Cecily's role in the Wars of the Roses has been hugely underestimated by historians and her novel places her firmly at the heart of the action. Essie Fox has written five historical novels and her most recent, The Fascination, is set in the world of Victorian theatres and travelling fairs. They join Nuala to discuss the challenge of writing the stories of women who have been overlooked by the history books.Presented by Nuala McGovern Producer: Louise Corley

Today we are delighted to chat to the author Annie Garthwaite about her new historical fiction novel ‘The King's Mother', which has been published by Penguin. Of course, her debut novel 'Cecily' also makes an appearance.This book features four royal women, all of whom were mothers to the future kings: Marguerite of Anjou, Cecily Neville, Elizabeth Woodville and Margaret Beaufort. Their sons Edward of Westminster, Edward IV, Richard III, Edward V and Henry VII were all at point or another, in line for the crown of England, with the latter emerging victorious at the Battle of Bosworth.What relationships did these women have? How did the Wars of the Roses affect their friendships, especially after their sons started vying for the throne?Let's find out.Find Annie's books here:Cecilyhttps://www.penguin.co.uk/books/320814/cecily-by-garthwaite-annie/9780241990971https://blackwells.co.uk/bookshop/product/Cecily-by-Annie-Garthwaite/9780241990971 (shipping to USA)The King's Motherhttps://www.penguin.co.uk/books/454933/the-kings-mother-by-garthwaite-annie/9780241631270https://blackwells.co.uk/bookshop/product/9780241631270?a_aid=prh (shipping to USA)London Walking ToursIf you would like to join Natalie on one of her walking tours in London, please follow the links:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/ .For more history fodder, please browse https://www.reignoflondon.com/ and https://www.ifitaintbaroque.art/ Hosted on Acast. See acast.com/privacy for more information.

A turbulent period in English history, the War of the Roses was a dynastic conflict between the Lancaster and York houses that lasted from 1455 to 1487, fundamentally altering the English monarchy. The Yorkists experienced victories at battles like St Albans and Towton, with Edward IV briefly deposing Henry VI until Henry Tudor's victory at Bosworth Field in 1485 brought unity and marked the beginning of the Tudor dynasty.

Today we are delighted to chat to the author Danielle Burton about her book ‘Anthony Woodville: Sophisticate or Schemer?' Anthony was the brother of England's Queen Elizabeth Woodville, who famously married Edward IV and was mother to the Princes in the Tower, the eldest of which - Edward Prince of Wales was Anthony's ward for many years.Tune in and find out more about this sophisticated (or scheming?) person in this, first solo biography.Find Danielle's book here:https://www.amberley-books.com/anthony-woodville.htmlIf you would like to join Natalie on one of her walking tours in London, please follow the links:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/ https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/ https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355 .For more history fodder, please browse https://www.reignoflondon.com/ and https://www.ifitaintbaroque.art/ Hosted on Acast. See acast.com/privacy for more information.

Tune in to find out all about the Battle of Towton of 1461. Why does this battle matter? Our guest Chris Riley - of The Historians Magazine - chats to us today.You can find Chris on @chrisrileyhistory on IG and linktr.ee/pastandpresentmediaIf you would like to become a member of The Historians Magazine, please see https://thehistoriansmagazine.com/ .Here's a link to one of our favourite books about the Anarchy and The White Ship disaster:https://www.pen-and-sword.co.uk/Edward-IV-and-the-Wars-of-the-Roses-Paperback/p/3174/aid/1238https://www.pen-and-sword.co.uk/Battles-of-the-Wars-of-the-Roses-Hardback/p/22238/aid/1238https://www.amberley-books.com/the-wars-of-the-roses.htmlhttps://www.amberley-books.com/edward-iv.htmlhttps://thehistorypress.co.uk/publication/william-shakespeare-the-wars-of-the-roses-and-the-historians/https://thehistorypress.co.uk/publication/towton-1461/If you would like to join Natalie on one of her walking tours in London, please follow the links:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355 .For more history fodder, please browse https://www.reignoflondon.com/ and https://www.ifitaintbaroque.art/ Hosted on Acast. See acast.com/privacy for more information.

In this episode of A Brief History, we look at another daughter of Edward IV and Elizabeth Woodville. Today we look at Anne of York. Want a commercial-free experience? Head over to Patreon! Love learning about the Tudors and royal history in general? Head over to my website! -- Credits: Host: Rebecca Larson --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support

In this episode of A Brief History, I discuss another daughter of Edward IV and Elizabeth Woodville - Katherine or York. Like the rest of her siblings, Katherine's life was eventful and dramatic. Born a Plantagenet princess with potential husbands in Spain and Scotland, she married a descendant of King Edward I instead. Tiverton Castle  Looking for a commercial-free experience? Head over to Patreon! -- Credits: Hosted by: Rebecca Larson --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support

In this week's episode, I discuss why I decided to return to the character of Caina after twenty-nine novels. This week's coupon is for the audiobook of GHOST IN THE INFERNO as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE INFERNO for 75% off at my Payhip store with this coupon code: WINTERINFERNO The coupon code is valid through March 14th, 2024. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 189 of the Pulp Writer Show. My name is Jonathan Moeller. Today is February the 23rd, 2024 and today we are talking about the return of Caina Kardamnos. Before we get to our main topics, we will have Coupon of the Week and then an update on my current writing projects. First up, let's do Coupon of the Week. This week's coupon is for the audiobook of Ghost in the Inferno, as excellently narrated by Hollis McCarthy. You can get the audiobook of Ghost in the Inferno for 75% off at my Payhip store with this coupon code: WINTERINFERNO and that is WINTERINFERNO. The coupon code is valid through March the 14th, 2024. So if you find yourself needing an audiobook to break up the winter doldrums and weather, we've got one ready for you. So now for a progress update on my current writing projects. I'm pleased to report that Sevenfold Sword Online: Leveling is out at Amazon and Kindle Unlimited, since I have found that LitRPG books tend to do the best while they're in Kindle Unlimited. It is going a little better than expected, which is nice, and if you want to check out the book, you can read it at Amazon. My main writing project now is Ghost in the Veils, hence The Return of Caina Kardamnos title for this episode and I am 25,000 words into it, which puts me on Chapter 6 of 21. I am also 31,000 words into Wizard Thief, the second book in the Half-Elven Thief series and that should come out after Ghost in the Veils. I'm also 3,000 words into Cloak of Titans, the next Nadia book. So the order these will all come out in is Ghost in the Veils needs to come out first because it has recording slot scheduled for the middle of April. So it needs to be done and out by then. I will finish Wizard Thief after that and then Cloak of Titans. In an audiobook news, the recording and proofing for Shield of Storms' audiobook is done, and it's currently working its way through quality assurance on the various platforms, so hopefully it should be available on your audio platform of choice before much longer. 00:02:07 Reader Comments and Questions Now, before we get to our main topic, let's have a few questions and comments from listeners and readers. Reader NK asks: Hi, I would like to know what LitRPG is. Haven't come across it before and also do we need to complete reading the Sevenfold Sword series before Sevenfold Sword Online to better enjoy this story? In answer your question NK, LitRPG is generally defined as a story that uses the conventions and structures of online role-playing games like MMORPGs. They can be either fantasy or science fiction or blend a bit of both. Typically in these stories, either the protagonist is magically zapped into a game world or is playing the game while trying to balance some sort of crisis in both the game and real life, which is the approach I took for Sevenfold Sword Online. In answer to the second half of your question, Sevenfold Sword Online isn't actually connected to Sevenfold Sword. The premise is that it's 700 years in the future and that an evil corporation has built a hit virtual reality MMORPG using the books of a long dead author (i.e. me) as source material for the setting. In hindsight, I wish I had made the setting completely unconnected to anything else I had written, because it seems to confuse some readers, but too late now I suppose so, hopefully that will answer your question. Now we have a question from reader Justin. For context for that question, I recently had to get a new desktop computer after my old one died and this is in fact the first podcast episode I am recording using the new computer. So if it sounds really weird, I blame the computer, or more accurately, I probably should blame Windows 11. But anyway, with that in mind, here is our question from Justin: Good luck to you with your new computer. I switched to laptops for my computing needs. The lower power draw and portability are handy when you're going off grid. I'm used to you working on three series at once. You put that up a notch. Is this to reduce burnout and possibly writer's block? In answer to that question, the reason I got a desktop was because I do a lot of cover design and graphic design, which is not always the greatest on laptops because that needs a lot of processing power, a lot of RAM, and perhaps most importantly, a lot of storage. In answer to the writing question, the only thing that's changed is I'm not doing a Ridmark and Andomhaim book every other month. I am going to keep writing Ridmark and books set in Andomhaim but I've been writing a Ridmark/Andomhaim book every other month pretty much since summer 2013, so I'd like to change it up a little bit and do more of other things. So while I am going to continue the Shield Wars series and I am going to write Shield of Darkness soon, I'm not going to start writing it until after Cloak of Titans is done, if you remember my order of projects from earlier in the show. I don't feel at risk of burnout or getting exasperated with writing. I just have been writing Ridmark and Andomhaim setting for so long that while I would like to continue writing that I would like to write more of other things as I go along. 00:05:08 Main Topic: The Return of Caina Kardamnos Now to our main topic: the return of Caina Kardamnos. As I mentioned earlier on the show, I'm now 25,000 words into Ghost in the Veils, which puts me also at chapter six in the second book of the Ghost Armor Series, the immediate sequel to Ghost in the Serpent from late 2023. I have to admit that when I finished Ghost in the Sun in the Ghost Night series in 2021 (I believe that was), I thought I was done with Caina. The reason for that was I just didn't have any idea of what to where to go or what to do with the character after Ghost Night. Part of that, I admit, was that Caina had become powerful and influential and I am cynically suspicious of people like that and wasn't sure I could write someone like that as a protagonist. Though that was less a concern as I went on since writing Ridmark and Tyrcamber, and Dragontiarna and then Dragonskull and the Shield War gave me a good bit of practice. So I finally had a good enough idea to return to Caina as a protagonist, and I think it was a confluence of four different ideas. The first idea was perhaps the most obvious one: what if Caina found out she had stepchildren? There are lots of potential story dynamics with stepchildren, but I thought the most interesting setup would be if Kylon had children he didn't know about and the mother Kalliope Agramemnos had kept them secret from him, except Kylon loves Caina and Kalliope is in awe of Caina. So Caina, out of necessity, becomes the linchpin holding this family together, since neither Kylon nor Kalliope can stand each other. There are a lot of potential character arcs and conflicts that can be generated in the inherent tension of that situation. The second core idea came from medieval nobles. If you've read any histories of medieval Europe, one of the main themes of the Middle Ages is that men primarily wielded the political and military power. But some women, by sheer force of will, charisma, tenacity, and cunning came to wield great power themselves. There are in fact quite a few examples. Probably the most famous one nowadays would be Queen Eleanor of Aquitaine, who was married to two different kings and the mother to two more or three (depending on how you count and if you include Henry II's eldest son, Young Henry, as the actual king or not). She kept her son Richard on the throne of England during his captivity after the Third Crusade and she was one of the chief architects of his release. Had Eleanor lived longer, and her son John listened to more of her advice, probably King John's reign would have been more successful and he would not be remembered primarily in the United States as the cowardly Prince John from that one animated Disney movie with the anthropomorphic animals. Perhaps the most successful example is Margaret Beaufort, who basically engineered her son Henry VII's ascension to the English throne at the end of the Wars of the Roses, and then served as one of his primary advisors for the entirety of his reign. In fact, she even outlived Henry VII by a year and then lived long enough to advise her grandson Henry VIII for the first year after he became king. A less successful example and contemporary with Margaret Beaufort, would be Margaret of Anjou, wife of King Henry VI and mother of his heir. Margaret of Anjou was one of the driving forces behind the Wars of the Roses but lost everything when her husband and son were killed and she died in poverty in France while her enemy Edward IV ruled in England. Blanche of Castile was her son Louis IX's regent when he went on crusade. Countess Matilda of Tuscany helped force the settlement in the Investiture Controversy and the Holy Roman Emperor, the southern dukes of the Holy Roman Empire, and the Pope all wanted Matilda as their ally. Perhaps the most striking example would be Sichelgaita of Lombardy, wife of the rapacious Norman adventurer Robert Guiscard. Guiscard started out as a penniless, landless knight and ended up conquering Sicily and a lot of Italy. He was known as greedy, cunning, and ruthless. His eventual tomb had the epitaph “Here lies Guiscard, the terror of the world.” It seems that Sichelgaita was in every way suited to be the wife of a freebooting warlord like her husband. Guiscard fought a lot of wars and Sichelgaita usually donned armor to battle alongside him. At the Battle of Durham in 1081 Guiscard's troops started to break and run while fighting the soldiers of the Byzantine Empire. Sichelgaita rode after the fleeing troops, berating them for their cowardice, and evidently the prospect of her displeasure was so fearsome that Guiscard's troops turned around and won the battle. It should also be known at this point in her life, Sichelgaita was in her forties and had borne Giscard eight children, so clearly a very resilient lady. So now that Caina is powerful and influential maybe historical events like these can provide inspirations for plot lines. Caina would still occasionally put on a shadow cloak and go out and break into places because this is, after all, a fantasy novel. The third idea was that someone must be in charge. I mentioned earlier that I had misgivings about writing protagonists with power and influence, but I've come to realize that is an incomplete view. The thing about power and influence is that someone is going to be in charge. It's just human nature. No matter how something is organized, someone must be in charge and bear the burden of leadership, and hopefully it will be someone with an eye on the greater good. I've thought about this concept a lot in 2023. I know several people in 2023 who, after much agonizing, left some of the traditional helping professions like medicine and education not because of dislike of the admittedly stressful work, but because the leadership was so stupid and so malicious as to create an unsustainable work environment. Like a leader can be stupid and well-intentioned, and a leader can be malicious and clever and an organization can still function, but stupidity and malice together are unsustainable. Alas, the contemporary United States and United Kingdom have no shortage of malicious and stupid leadership, but that's beyond the scope of the podcast about writing. So in the end, someone is going to be in charge, someone is going to have to wield power and influence. Hopefully it is someone who will act in the name of the greater good (I already did some of that with Caina in Ghost in the Council towards the second half of the Ghost Night series). That can make, in my opinion, for in a compelling protagonist. Fourth and finally, fantasy creatures. Way back in the 2000s when I was originally trying to sell the first Caina novels, all the agents and publishers fulminated on how they didn't want to see any novels with traditional fantasy creatures like elves and orcs and dwarves and serpent men and so forth. So when I wrote the kind of books I wrote them without any of that, which continued when I moved into self-publishing, though I was always a little sore about that, even years later. Now I think I have a firm enough grasp on the setting that I can introduce some traditional fantasy creatures into the Caina books, hopefully in a way that makes sense within the context of Caina 's very well-established world. So those four ideas came together for Ghost in the Serpent, and we shall hopefully see more of them in Ghost in the Veils. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. Our reminder that you can listen to all the back episodes on https://thepulpwritershow.com and many of them now have transcripts (note: Episodes 144-189 currently have transcripts). If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

As the daughter of a king, her life was never her own, but after the death of her second husband in 1499 she married for love - only to lose the lavish life she had always known. Today we explore the life of Cecily Plantagenet, York princess and daughter of Edward IV and Elizabeth Woodville. -- Credits: Hosted by: Rebecca Larson -- #medieval #medievalhistory #tudors #tudorhistory #princess #kings #queens #england #englishhistory #cecilyofyork #yorkprincess --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support

Join us this month and explore the love stories of the past.Over the next few weeks we'll be sharing with you our chats to various historians and we'll be covering all the ways that Royals can come together, be it through arranged marriage, secret engagements or chance meetings. I Would Not Wish Any Companion in the World but You...On this, the third episode of our Valentines series, we're focussing on the theme of marriages and unions that happened based on an unlikely choice. One is a monarch, and their partner (married or not) was with them only because of the love they shared.To help us get to know there couples better, we invited Chris Riley, Clemmie Bennett and Catherine Curzon.Chris shared the stories of the unions between Harold Godwinson and Edith Swanneck, as well as Edward IV and Elizabeth Woodville.Clemmie spilled the mead on a couple that wasn't technically together but definitely belongs on this list: Elizabeth I & Robert Dudley, Earl of Leicester. Did or didn't they? ...Catherine the Great (sorry, Catherine Curzon) tells us all about the love affair and the 'open marriage' between the famous Russian Empress and her most famous favourite.Chris writes for The Historians Magazine, please find it here:https://thehistoriansmagazine.com/Please find Clemmie's debut Tudor novel here: https://www.amazon.co.uk/Apple-Tree-Clemmie-Bennett-ebook .Our favourite book of Catherine's when it comes to the Georgian era; it covers most of the courts of Europe and connects the royal dots in most surprising of ways:https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238 .For more history fodder please visit https://www.ifitaintbaroque.art/ and https://www.reignoflondon.com/To book a walking tour with Natalie and talk more about the medieval Royal London, please visithttps://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/ Hosted on Acast. See acast.com/privacy for more information.

Anthony Woodville, Earl Rivers: brother of Elizabeth Woodville, brother-in-law of King Edward IV, uncle of King Edward V. When Edward IV died, Anthony was tasked with bringing the new King to England for his coronation. The trip didn't go as planned.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by Numbers, published by Pen and SwordDanielle BurtonBlog: voyagerofhistory.wordpress.comInsta: @voyagerofhistoryTwitter: @PrincessBurtonFB: Danielle BurtonCreative Director: Lindsey LindstromMusic: History by Andy_Grey via Audio Jungle, Music Broadcast LicenseLet's shake up history together!@shakeuphistory

Tonight, we'll read “The Maiden of the Mist” or “Anne of Geierstein”, by Sir Walter Scott, published in 1829. It is set mainly in Switzerland, shortly after the Battle of Tewkesbury in the 1400s. This episode originally aired in January of 2021. In this story, two exiles are on a secret mission to the court of Charles the Bold, Duke of Burgundy, hoping to gain his help in regaining the English crown from Edward IV. The two Englishmen get into difficulties in the Swiss mountains. They meet Countess Anne and her family, who are involved in the politics of the newly independent Swiss Confederation and plan to confront Charles with complaints about his conduct towards the Swiss nation. This book is part of a long series called The Waverley Novels. For nearly a century, they were among the most popular and widely read novels in Europe. Because Scott did not publicly acknowledge authorship until later, the series takes its name from Waverley, the first novel of the series released. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode provides a brief overview of the life of a monarch is one of my personal favorites. We look at his battle for the throne, his marriage to Elizabeth Woodville and more! -- Credits: Hosted by: Rebecca Larson Edited by: Rebecca Larson Voice over by: David Black Images: Public Domain --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support

Born to the captivating Edward IV and Elizabeth Woodville, Elizabeth of York was the greatest heiress in England and sister to the "Prince's in the Tower". Her marriage to Henry Tudor brought the Wars of the Roses to its close and established the new Tudor dynasty, but who was the real woman and why is her story seldom explored at any length?

Iain Dale talks to historian Charlotte Gauthier about the life and two reigns of King Edward IV.

So, there were those two boys in the Tower of London, Edward V,  King of England, who was 12, and Richard of Shrewsbury, Duke of York, who was 9, and they disappeared one summer after their uncle Richard declared them illegitimate and became King Richard III.  And it was a total mystery as to what happened to them, and still is, and Richard III was not king for very long before Henry Tudor, who was on one side descended from Tudur ap Gronwy Fychan, which made the English no never mind, but on the other side descended from King Edward III, and so was a claimant to the throne of England by blood if you squinted your eyes and looked sideways, was a very good claimant to the throne on account of winning the Battle of Bosworth, after which King Richard was buried under a future car park. Henry was king, then, and there weren't any more men left from the family of Richard III and Edward IV,  because the princes in the  tower had disappeared and everybody, including us, thought they were dead. But maybe they weren't !  Maybe they got away! They maybe escaped the Tower and went to Flanders! And that kind of imagining allowed for Lambert Simnel and Perkin Warbeck, both of whom, four years apart, claimed to be either Edward V, or Richard Duke of York, or even their cousin George.  Both of them became the center of rebellions. Both of them lost the fight for the crown. One was allowed to be a castle worker and the other was kept at court until he misbehaved once too often and got executed. So we explain all that. And Anne explains all of the pretenders to the English throne.  And what is Michelle's rabbit hole, this episode? The ACTUAL BED that was made for the wedding of Henry and Elizabeth. No, really. She got a book about it and it's her favorite part of this whole hoopla. 

Becca Segovia is a graphic designer who has taken the history world by storm thanks to her truly magnificent digital recreations of some of histories most iconic characters, from Anne Boleyn to Julius Caesar, Joan of Arc to Edward IV, Becca's work is a stunning example of using technology to bring to life faces from our past!

The most unforgivable crime in Richard III has to be when the king orders the murder of his two young nephews, Edward and Richard. But what if Richard III was framed? Philippa Langley is the amateur historian whose commitment to righting a historical wrong led to the discovery of Richard III's remains a decade ago. Langley wasn't a scholar—she was a screenwriter and a member of the Richard III Society. But she had become certain that Richard was the victim of Tudor propaganda, and that Shakespeare's play had a key role in the slander. Langley convinced academic historians and archaeologists at the University of Leicester to excavate the parking lot where she believed Richard was buried. Those experts did find a body, and DNA analysis confirmed that the remains belonged to Richard III. That discovery led to further insights about the historical Richard. The physical deformities of Shakespeare's character were Tudor inventions. Far from being a “bunch-backed toad,” the real Richard III had nothing more than a case of scoliosis. Since discovering the body in 2012, Philippa Langley and a team of collaborators have worked on cleaning up Richard's reputation. Her new book, The Princes in the Tower, examines Richard's most famous alleged crime: the murder of his two nephews, the sons of Edward IV. Investigating their disappearance as a 500-year-old cold case, Langley uncovers evidence that the princes survived Richard III's reign… and points to another suspect for their eventual deaths. Langley talks with Barbara Bogaev about tracking down two of history's most famous missing persons. Philippa Langley's new book, The Princes in the Tower: Solving History's Greatest Cold Case, is out now from Pegasus Books. From the Shakespeare Unlimited podcast series. Published December 19, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Recent discoveries sponsored by the Richard III Society have opened new discussions about the Princes in the Tower. Nathen Amin weighs in about the likelihood the boys survived.Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by Numbers, published by Pen and SwordNathen Aminnathenamin.com@nathenaminHenry VII and the Tudor Pretenders: Simnel, Warbeck, and WarwickThe House of Beaufort: The Bastard Line that Captured the CrownTudor WalesCreative Director: Lindsey LindstromMusic: History by Andy_Grey via Audio Jungle, Music Broadcast LicenseLet's shake up history together!@shakeuphistory

The mystery of the Princes in the Tower has been beguiling history fans for a very long time. Did they escape? Did they die? Were they the 'pretenders' that Henry Tudor had to defeat? Did Uncle Richard have anything to do with their disappearance? Why was their aunt Margaret of Burgundy preparing for an invasion to England after the Battle of Bosworth?Eleven years after finding Richard III's skeleton, Philippa Langley sheds light on what could have happened to the young sons of Edward IV. Gemma and Natalie exchange opinions on the results of this investigation of the 'history's coldest case'. One thing is clear: the princes are definitely wanted, dead or alive.Here's a link to Philippa Langley's latest book on the Princes, published by The History Press: https://www.thehistorypress.co.uk/publication/the-princes-in-the-tower/9781803995427/If you would like to join Natalie on one of her walking tours in London - two of which feature Richard and the Princes in the Tower, please follow the links:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/and here's more on Richard III from our blog:https://www.ifitaintbaroque.art/post/the-mythology-of-richard-iii-famous-or-infamoushttps://www.ifitaintbaroque.art/post/richard-iii-by-philippa-langley-and-michael-jones Hosted on Acast. See acast.com/privacy for more information.

She was the sole daughter of a royal countess, Margaret Pole, and thus a great-niece of two of England's kings, Edward IV and Richard III, and yet Ursula Pole, Baroness Stafford's life is seldom explored at length. She would manage to avoid involvement in the scandal that tore her family apart, living twelve years into the reign of Queen Elizabeth I, but who was she, this long forgotten daughter of the house of Plantagenet?

hat was the question king Edward IV asked the representatives of the Steelyard in 1469. And he had a good reason to ask, because tensions between the English and the Hansa had escalated, ships were captured, and people got killed. He wanted to know who to negotiate with and in particular, who could sign a binding agreement that would put an end to this.The answer he got was not very satisfactory....The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansAnd finally, bibliography. I would like to add a few worksto our usual list, in particular:Jahnke,Carsten: Die Hanse | Reclam VerlagJahnke, Carsten: Netzwerke in Handel und Kommunikation ander Wende vom 15. zum 16. Jahrhundert am Beispiel zweier Revaler Kaufleute. Netzwerke(hansischergeschichtsverein.de)JustynaWubs-Mrozewicz and Stuart Jenks, eds. The Hanse in Medieval and Early ModernEurope. The Northern World: North Europe and the Baltic c. 400–1700 AD:

Chapter 1 What's The Hollow CrownThe Hollow Crown is a historical non-fiction book written by Dan Jones. It explores the Wars of the Roses, a series of civil wars in England during the 15th century, which ultimately led to the end of the Plantagenet dynasty and the rise of the Tudor dynasty. Jones offers a comprehensive and engaging narrative of this tumultuous period in English history. He delves into the personalities and rivalries of key figures such as Richard II, Henry IV, Henry V, Henry VI, Richard III, and Henry VII. The book provides a detailed account of the political maneuvering, battles, and dynastic struggles that defined this era.In addition to presenting a chronological retelling of events, Jones also offers analysis and interpretations of the broader significance of the Wars of the Roses. He examines how these conflicts shaped the monarchy, nobility, and society in England, as well as their repercussions and legacy.Overall, The Hollow Crown is highly regarded for its accessible writing style, meticulous research, and comprehensive coverage of a pivotal period in English history. It appeals to both general readers interested in history and scholars seeking a deeper understanding of this complex era.Chapter 2 Is The Hollow Crown A Good Book"The Hollow Crown" is a book written by English historian and television presenter Dan Jones. Published in 2014, it focuses on the War of the Roses, a series of civil wars fought in England in the 15th century. The book covers the events leading up to the conflict, describes the key battles and characters involved, and explores the impact of the wars on England.Overall, "The Hollow Crown" has received positive reviews from readers and critics. It is praised for its engaging narrative style, detailed research, and its ability to make complex historical events accessible to a wide audience. Dan Jones is known for his ability to bring history to life, making it an enjoyable read for both history enthusiasts and casual readers.However, it's important to note that individual opinions on books can vary. If you are interested in the War of the Roses or medieval history, "The Hollow Crown" could be a good book for you to read. It may be helpful to read some reviews or excerpts from the book to determine if the writing style and subject matter align with your personal preferences.Chapter 3 The Hollow Crown SummaryThe Hollow Crown by Dan Jones is a historical book that tells the story of the Wars of the Roses, a turbulent period of English history that took place in the 15th century.The book begins by providing an overview of the political and social landscape of England during this time, explaining the power struggles between the House of Lancaster and the House of York, which were the two main factions involved in the wars. Jones introduces the key players, including the Lancastrian king Henry VI, his queen Margaret of Anjou, and the Yorkist leader Richard, Duke of York.The book then delves into the series of battles and political maneuvers that make up the Wars of the Roses. Jones provides detailed accounts of significant events such as the Battle of Towton, where the Yorkists emerged victorious, and the subsequent reign of Edward IV, the first Yorkist king.Jones also explores the complex relationships and treachery within the royal families, including the Wars of the Roses being fought within families. He highlights the role of figures such as Richard Neville, the Earl of Warwick, who was known as the "Kingmaker" for his ability to influence the outcome of battles and shape the course of events.In addition to the military and political aspects, Jones also pays attention to the social and cultural impact of the Wars...

That was the question king Edward IV asked the representatives of the Steelyard in 1469. And he had a good reason to ask, because tensions between the English and the Hansa had escalated, ships were captured, and people got killed. He wanted to know who to negotiate with and in particular, who could sign a binding agreement that would put an end to this. The answer he got was not very satisfactory.... The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansAnd finally, bibliography. I would like to add a few worksto our usual list, in particular:Jahnke,Carsten: Die Hanse | Reclam VerlagJahnke, Carsten: Netzwerke in Handel und Kommunikation ander Wende vom 15. zum 16. Jahrhundert am Beispiel zweier Revaler Kaufleute. Netzwerke(hansischergeschichtsverein.de)JustynaWubs-Mrozewicz and Stuart Jenks, eds. The Hanse in Medieval and Early ModernEurope. The Northern World: North Europe and the Baltic c. 400–1700 AD:

Willy Willy Harry Stee, Harry Dick John Harry Three, One Two Three Neds, Richard Two, Henry's Four Five Six.........then who? King Edward IV that's who!The tale of bloody battles continues as Edward returns for a second stab at the crown as Charlie Higson makes sense of civil wars and the struggle for ultimate power. This episode's proper historian is James Hawes, author of The Shortest History Of England.Plus! A special guest historian returns as Helen Castor brings us the sad postscript to the incredible Margaret Of Anjou Hosted on Acast. See acast.com/privacy for more information.

Willy Willy Harry Stee, Harry Dick John Harry Three, One Two Three Neds, Richard Two, Henry's Four Five Six......... What happens when a King goes wrong? The story of Henry VI and his battles with Edward IV continues as Charlie Higson tells the story of one of history's biggest power struggles. And you thought the Roy family were bad!! Plus we hear about the formidable Margaret Of Anjou as we welcome back Helen Castor, author of She Wolves, Joan Of Arc & Blood & Roses Hosted on Acast. See acast.com/privacy for more information.

Lacey Bonar Hull returns to the show to discuss one of our favorite historical mysteries - the disappearance of the sons of Edward IV and Elizabeth Woodville from the Tower of London. Course Information (Worldwide) Promo code: dynasty -- Credits: Hosted by: Lacey Bonar Hull ⁠TudorsDynastyPodcast.com⁠ ⁠YouTube.com/TudorsDynasty⁠ ⁠Patreon.com/TudorsDynasty --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support

Willy Willy Harry Stee, Harry Dick John Harry Three, One Two Three Neds, Richard Two, Henry's Four Five Six.........The story of Henry VI is a tangled one, intertwined with Edward IV and, not something to be rushed. So over the next two episodes, Charlie Higson unpicks the story of a man who became king, then was deposed only to become king again, only to be deposed.....again!It's a fascinating story which takes in a couple of wars, one civil and one against the French and even Joan of Arc makes an appearance.Helping Charlie make sense of all this is the excellent Helen Castor, author of Joan Of Arc and Blood & Roses Hosted on Acast. See acast.com/privacy for more information.

We've got something a little different for you today! The Princes in the Tower is a historical mystery that has fascinated people for centuries. The princes are the two young sons of Edward IV of England who entered the Tower of London in 1483 and never seen again. Many believe they were murdered by their uncle, Richard III, who then became king. The mystery has inspired countless books, plays, and even movies. Despite the lack of concrete evidence, the story of the Princes in the Tower continues to capture the imagination of people today. And today, we're getting to the bottom of it! No, just kidding. This stuff is way too complicated, but we are examining it with some magic from our new best friend, Tandy. We've asked her to come on the show with her tarot deck and help us gain some insight into this historical mystery that has captivated so many for so long. Also, if you're interested in working with Tandy some more, here's how! You can join her mentoring program or check out any of her other services. Magical mentoring: https://www.unicornwellnessstudio.com/a/2147488915/EmHa3EVz Unicorn wellness: https://www.unicornwellnessstudio.com/a/27402/EmHa3EVz ---------------- Thanks HelloFresh! Go to HelloFresh.com/50baddest and use code 50baddest for for 50% off plus free shipping! Queens podcast is part of Airwave Media podcast network. Please contact sales@advertisecast.com if you would like to advertise on our podcast. Want more Queens? Head to our Patreon, check out our merch store and follow us on Instagram! Our awesome new intro music is thanks to @1touchproduction ! Learn more about your ad choices. Visit megaphone.fm/adchoices

Donaldson regales us with tales of Edward IV, the "Bro King." He loves the ladies. He loves the cash. He loves his bros.

In this episode we dive into the family de la Pole, another branch of cousins to the Tudors not to be confused with the Pole's (their mother was a sister to Edward IV) who were unlucky, and also made some bad bets that played out on the stage of European politics. Tudorcon Streaming tickets at englandcast.com/TudorconOnlineTudor Learning Circle is at www.TudorLearningCircle.comThanks for listening! Hosted on Acast. See acast.com/privacy for more information.

What do skeletal remains from the fifteenth century tell us about one of the largest and bloodiest battles of the Wars of the Roses? The Battle of Towton — fought on 29 March 1461 in North Yorkshire — was a decisive victory for the Yorkists over the Lancastrians, resulting in Edward IV taking the throne from Henry VI.Skeletons found in a mass grave at Towton Hall in 1996 shed new light on the battle. In this episode of Gone Medieval, Matt Lewis talks to Dr. Jo Buckberry about what has been learned from these remains about the battle and the injuries these men suffered.This episode was edited by Anisha Deva and produced by Rob Weinberg.We've teamed up with Tripsmiths to provide our History Hit subscribers the opportunity to join Matt Lewis, on a 2 night break to delve into the story of King Richard III. You'll be travelling through 500 years of history to explore his life, death, and rediscovery. Go to historyhit.com/leicester to book now.If you're enjoying this podcast and are looking for more fascinating Medieval content then subscribe to our Medieval Monday newsletter here >If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android > or Apple store > Hosted on Acast. See acast.com/privacy for more information.

Historian Nathen Amin explains how the marriage between Henry Tudor and Elizabeth of York was the foundation of a new dynasty and a royal family with descendants still on the throne today.  Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydNathen Aminnathenamin.com@nathenamin@nathan.aminBooks: Henry VII and the Tudor Pretenders (2021), The House of Beaufort (2017), York Pubs (2016), Tudor Wales (2014)Creative Director: Lindsey LindstromMusic: History by Andy_Grey via Audio Jungle, Music Broadcast LicenseLet's shake up history together!@shakeuphistory

Welcome to This Week in Royal History, where we're exploring the world outside the Tudors with royal history highlights from a variety of centuries. This week we look at the following people: Sophia Charlotte of Hanover, Amelia Sophia Eleanor (daughter of George II), Eleanor of England (daughter of Henry II), Charles II of Spain, Anne of York (daughter of Edward IV), Edmund Tudor, and Sophia (daughter of George III). -- Commercial FREE for patrons! Love the Tudors? Read the stories of the Tudors on Tudors Dynasty! Shop Tudors Dynasty Merchandise -- Credits: Hosted by: Rebecca Larson Opening Music: Light And Breezy (Loopable} by chilledmusic Free download: https://filmmusic.io/song/9393-light-and-breezy-loopable License (CC BY 4.0): https://filmmusic.io/standard-license --- Send in a voice message: https://anchor.fm/rebecca-larson/message

Amidst the picturesque rolling hills of the Cotswolds, Sudeley Castle stands out as a thing of beauty. Its rich history dates back centuries and explores the stories of some of the most well-known royal figures in history. Welcome to this special episode on Sudeley Castle and its connection to Kateryn Parr, Thomas Seymour, and Lady Jane Grey. We'll begin with Edward IV. See images of Sudeley here: Sudeley from above Ruins of Parr's Presence Chamber -- Commercial FREE for patrons! Love the Tudors? Read the stories of the Tudors on Tudors Dynasty! Shop Tudors Dynasty Merchandise -- Credits: Hosted by: Rebecca Larson Opening Music: Mystical Autumn by MusicLFiles Free download: https://filmmusic.io/song/9755-mystical-autumn License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles --- Send in a voice message: https://anchor.fm/rebecca-larson/message

The last of our Yorkist consorts (though technically first of the Tudors), Elizabeth of York was the daughter of Elizabeth Woodville and Edward IV, experiencing all the drama and tribulations of the Wars and the Roses and Richard III before helping to kickstart the Tudor dynasty by marrying Henry VII. Elizabeth would have a key role in reconciling Yorkists to Henry VII's rule and proved a popular figure, but would that be enough for the Rex Factor? See acast.com/privacy for privacy and opt-out information.

We move onto the Yorkist consorts with Elizabeth Woodville, Queen Consort to Edward IV. Originally a Lancastrian, she was an unlikely and controversial consort, who had to endure great hardship and loss through the Wars of the Roses, facing off against Margaret of Anjou, Warwick the Kingmaker and Richard III. Find out whether she can survive the Wars of the Roses and whether she is worthy of the Rex Factor. See acast.com/privacy for privacy and opt-out information.