Podcasts about princes

Fatal Police Shooting Caught On A Camera He Bought. He had responded to a complaint in a high crime area and got into an altercation with a suspect. During the altercation the suspect was able to take his pistol. The suspect then stood over him and pointed the pistol at him. He was able to utilize his bail out device. And his K-9 Princes then exited the unit and engaged the suspect. In a powerful episode now streaming on the Law Enforcement Talk Radio Show and Podcast website, on Apple Podcasts, Spotify, YouTube, and most every major Podcast platform. The suspect struck K-9 Princes in the head causing her to have a fractured skull. K-9 Princes never stopped the fight and was able to allow him to retrieve his back up weapon. He then fired numerous shots and neutralized the threat. Law Enforcement Talk Radio Show and Podcast social media like their Facebook , Instagram , LinkedIn , Medium and other social media platforms. The attack and incident was captured on a dashcam that the Officer had purchased from his own money. That video is what eventually cleared him of wrongdoing. Look for supporting articles about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium , Blogspot and Linkedin . Retired Investigator and Sergeant Jay “Packy” Dempsey is our guest, he is a 25-year veteran of law enforcement and a 6-year Military Policeman in the Alabama Army National Guard. Over the course of his career, he served as a dual-purpose K-9 officer for more than 22 years, specializing in narcotics, criminal, and marine theft investigations. Rising through the ranks, he became a SWAT team commander and dedicated much of his life to protecting his community. Fatal Police Shooting Caught On A Camera He Bought. Dempsey's work has taken him into some of the toughest investigations, including murders, rapes, bank robberies, and stolen vehicles. With his cadaver dogs, he helped recover multiple bodies and located more than 80 stolen vessels and marine-related equipment. His expertise also extended into instructionserving as an FBI and NRA-certified firearms instructor, as well as an ASP, Mace, Taser, and NNDDA K-9 instructor. His outstanding service earned him recognition as a five-time Officer of the Year and recipient of the National Award for Bravery in the Line of Fire. Available for free on their website and streaming on Apple Podcasts, Spotify, and other podcast platforms. But beyond the accolades, Dempsey's story is one of survival, faith, and redemption. His book, The Fastest 4 Seconds, is a true account backed by eyewitness testimony, investigators, news articles, and even dashboard camera footage from the Dallas County Sheriff's Office in Selma, Alabama. It covers the events leading up to and following a shooting that unfolded in just four seconds after a one-minute struggle with a suspect. The book not only documents the incident and the investigation but also shines a light on the hidden battle that followed, undiagnosed PTSD, addictions, and the near collapse of everything he held dear. Through it all, Dempsey testifies to the undeniable hand of God working miracles in his life. Today, he shares his experiences with law enforcement academies and Christian men's groups, teaching the hard truth. Fatal Police Shooting Caught On A Camera He Bought. Jay “Packy” Dempsey always wanted to work in law enforcement. The only way to get in the door and start his law enforcement career was to volunteer. Working as a pulp mill helper at the local paper plant, Packy volunteered as a reserve deputy for the sheriff's department on his nights off. Packy saw that the sheriff's department did not have a K-9 unit, so after volunteering for two years, Packy bought a German shepherd puppy, named her Princess, and trained her to become a narcotics K-9. Eventually, Packy was hired by the sheriff's department to work at the jail. Over time, he worked his way to the narcotics division. However, as his career soared, his first marriage failed. His wife at the time had not signed up for the life of a police officer's wife. After getting his personal life back on track, Packy almost lost it all on a muggy December day when he answered a loitering complaint at former Craig Air Force Base on the outskirts of Selma. The Law Enforcement Talk Radio Show and Podcast episode is available for free on their website , Apple Podcasts , Spotify and most major podcast platforms. While trying to arrest one of the loitering teens for crack cocaine possession, the teen, overpowered Packy, taking his gun and pointing it at Packy's head. Using a special remote, Packy released Princess from the back of his patrol vehicle, and she came to his rescue. Princess distracted Walker long enough for Packy to draw his backup weapon and apply deadly force. The reporting and aftermath that ensued pitted the community against Packy as civil rights activists labeled Packy a murderer. Fortunately, he had the entire incident on film due to a dash camera that he bought and installed from his own personal budget. Eventually cleared him of any wrong doing, Packy returned to police work and eventually had to leave the Sheriff's Officer to have a successful career at the Orange Beach Police Department with Princess. The narrative ends in Orange Beach, Alabama where Princess retired and eventually succumbed to cancer at age 14. In the United States, police fatally shoot more than 1,100 people annually, with 1,270 people killed by police in 2024 alone, the highest number in a decade. The full podcast episode is streaming now on Apple Podcasts, Spotify, and across Facebook, Instagram, and LinkedIn. On May 14, 2024, the FBI's Uniform Crime Reporting (UCR) Program released Officers Killed and Assaulted in the Line of Duty, 2023 Special Report and data from the Law Enforcement Employee Counts on the FBI's Crime Data Explorer. Officers Killed and Assaulted in the Line of Duty, 2023 Special Report, provides preliminary counts of law enforcement officers killed and assaulted in 2023, as well as an in-depth analysis of law enforcement officers who were killed or assaulted from 2014 through 2023, based on the data voluntarily provided by law enforcement agencies to the FBI's UCR Program. Fatal Police Shooting Caught On A Camera He Bought. The study of the data reveals, from 2021 to 2023, more officers were feloniously killed (194) than in any other consecutive three-year period in the past 20 years (73 officers in 2021, 61 officers in 2022, and 60 officers in 2023). Information about offenders of officer felonious killings in 2023 show there were 57 offenders, 54 were male, more than half were white, 8 were reported as having a mental illness, and there were 32 violent prior arrests/offenses from an unknown number of offenders. You can find the show on Facebook, Instagram, Pinterest, X (formerly Twitter), and LinkedIn, as well as read companion articles and updates on Medium, Blogspot, YouTube, and even IMDB. From 2014 through 2023, the South region had the most line-of-duty deaths yearly compared to other regions. There was a 38% decrease in line-of-duty deaths in the region in 2023 (20 deaths) compared to 2022 (32 deaths). Last year marked the lowest number of line-of-duty deaths in the South since 2015 (19 deaths). While there has been a slow decline of officers feloniously killed in the line of duty over the past three years, a study of the data shows the rate of officers assaulted has increased each of the past three years. Agencies reported 79,091 officers were assaulted in 2023, marking the highest officer assault rate in the past 10 years. Most officer assaults occurred when responding to simple assaults against a non-officer (6,783 incidents), followed by drug/narcotic violations (4,879). The number of officers assaulted and injured by firearms has climbed over the years, reaching a 10-year high in 2023 with approximately 466 officers assaulted and injured by firearms. Fatal Police Shooting Caught On A Camera He Bought. Police shootings are a significant source of trauma that can lead to post-traumatic stress disorder (PTSD) and other serious mental health consequences for involved officers, witnesses, and families. Law enforcement officers are exposed to an average of 178 critical incidents throughout their careers, compared to the general population's two to three traumatic events. A police shooting is considered a highly severe critical incident that can trigger "post-shooting trauma," a form of PTSD. Available for free on their website and streaming on Apple Podcasts, Spotify, and other podcast platforms. The studies reviewed suggest elevated rates of PTSD among those exposed to firearm violence, with particularly high levels of PTSD found among witnesses of mass shootings and firearm injury survivors. Additionally, these studies indicate that certain factors, such as closer proximity to the incident and closer relationship to the victims, increase one's risk for developing PTSD. Gaps in the current literature are discussed, as well as directions for future study. Firearm violence remains a significant public health concern, and identifying its impacts and potential risk factors such as PTSD will be crucial for interventions aimed at addressing this problem. He eventually left the Dallas County Alabama Sheriff's Office due to extreme pressure and joined the Orange Beach, Alabama Police Department, where he continued his career and eventually retired from. Jay talks about that decision and what lead up to it. Fatal Police Shooting Caught On A Camera He Bought. Look for supporting articles about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium , Blogspot and Linkedin . He wrote the book The Fastest 4 Seconds. You can help contribute money to make the Gunrunner Movie . The film that Hollywood won't touch. It is about a now Retired Police Officer that was shot 6 times while investigating Gunrunning. He died 3 times during Medical treatment and was resuscitated. You can join the fight by giving a monetary “gift” to help ensure the making of his film at agunrunnerfilm.com . Background song Hurricane is used with permission from the band Dark Horse Flyer. You can contact John J. “Jay” Wiley by email at Jay@letradio.com , or learn more about him on their website . Get the latest news articles, without all the bias and spin, from the Law Enforcement Talk Radio Show and Podcast on Medium , which is free. “If you enjoy the show,” John Jay Wiley adds, “please share it with a friend or two, or three. And if you're able to leave an honest rating or review, it would be deeply appreciated.” The Law Enforcement Talk Radio Show and Podcast is available for free on Apple Podcasts, Spotify, YouTube, and LETRadio.com, among many other platforms. Stay connected with updates and future episodes by following the show on Facebook, Instagram, LinkedIn, their website and other Social Media Platforms. Find a wide variety of great podcasts online at The Podcast Zone Facebook Page , look for the one with the bright green logo. Be sure to check out our website . Be sure to follow us on X , Instagram , Facebook, Pinterest, Linkedin and other social media platforms for the latest episodes and news. Listeners can tune in on the Law Enforcement Talk Radio Show website, on Apple Podcasts, Spotify, YouTube, and most every major Podcast platform and follow updates on Facebook, Instagram, and other major News outlets. You can find the show on Facebook, Instagram, Pinterest, X (formerly Twitter), and LinkedIn, as well as read companion articles and updates on Medium, Blogspot, YouTube, and even IMDB. Fatal Police Shooting Caught On A Camera He Bought. Attributions Fastest 4 Seconds The Selma Times Journal Scott Silverii Ashley Harris Paul FBI   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

https://archive.org/download/princes-of-the-universe-437-peacemake-2-and-alien-earth/Princes%20of%20the%20Universe%20437%20Peacemake%202%20and%20Alien%20Earth.wav 

On this week's edition of Le Show Harry brings us regular features like News of the Godly, News of Musk Love, News of A.I., News of the Atom, Truth Social Audio with Donald Trump, News of the Warm, The Apologies of the Week, News of Smart World, and News from the Land of 4,000 Princes. He also considers why the government shutdown has already gone down The Memory Hole, plays great music, and contemplates a new name for the program.

Dans cette édition :L'écrivain franco-algérien Boualem Sansal, récemment gracié en Algérie, s'est entretenu avec l'écrivain Kamel Daoud et a partagé son expérience de détention, son impatience de rentrer en France et son espoir de voir les relations entre la France et l'Algérie s'améliorer.La France a rendu hommage aux 130 victimes des attentats du 13 novembre 2015, notamment lors d'une cérémonie à l'église Saint-Ambroise où de nombreux fidèles sont venus prier et se recueillir.L'équipe de France de football a remporté son match contre l'Ukraine 4-0 au Parc des Princes, avec un doublé de Kylian Mbappé, et s'est ainsi qualifiée pour la Coupe du Monde 2026.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :Les habitants du quartier Lariboisière à Paris dénoncent les nuisances causées par les salles de shoot installées dans leur quartier, entre école et maternité, avec des scènes d'injection et de violence qui impactent leur sécurité et leur qualité de vie.L'écrivain franco-algérien Boualem Sansal, hospitalisé à Berlin, donne de ses nouvelles depuis son lit d'hôpital, avec un moral combatif et l'envie de rentrer rapidement en France.Dix ans après les attentats du 13 novembre 2015, les commémorations se sont achevées avec l'inauguration d'un jardin mémoriel à Paris, en présence du président Macron qui a rendu hommage aux victimes.La comédie musicale "Chicago" est à l'affiche du Casino de Paris, avec une nouvelle interprète française dans le rôle principal, Chaim, qui a dû passer un casting avec l'équipe de production américaine.Les Bleus se qualifient pour la Coupe du Monde 2026 après leur victoire 4-0 contre l'Ukraine au Parc des Princes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:03:34 - 100% PSG - Le billet - L'équipe de France s'est imposé 4-0 face à l'Ukraine au Parc des Princes et s'est qualifié officiellement pour la Coupe du Monde aux États-Unis au Canada et au Mexique. Dans ce succès, Hugo Ekitike a brillé et marqué énormément de points auprès de Didier Deschamps. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Après leur victoire écrasante 4 à 0 face à l'Ukraine au Parc des Princes

Dans cette édition :Les habitants du quartier Lariboisière à Paris dénoncent les nuisances causées par les salles de shoot installées dans leur quartier, entre école et maternité, avec des scènes d'injection et de violence qui impactent leur sécurité et leur qualité de vie.L'écrivain franco-algérien Boualem Sansal, hospitalisé à Berlin, donne de ses nouvelles depuis son lit d'hôpital, avec un moral combatif et l'envie de rentrer rapidement en France.Dix ans après les attentats du 13 novembre 2015, les commémorations se sont achevées avec l'inauguration d'un jardin mémoriel à Paris, en présence du président Macron qui a rendu hommage aux victimes.La comédie musicale "Chicago" est à l'affiche du Casino de Paris, avec une nouvelle interprète française dans le rôle principal, Chaim, qui a dû passer un casting avec l'équipe de production américaine.Les Bleus se qualifient pour la Coupe du Monde 2026 après leur victoire 4-0 contre l'Ukraine au Parc des Princes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :L'écrivain franco-algérien Boualem Sansal, récemment gracié en Algérie, s'est entretenu avec l'écrivain Kamel Daoud et a partagé son expérience de détention, son impatience de rentrer en France et son espoir de voir les relations entre la France et l'Algérie s'améliorer.La France a rendu hommage aux 130 victimes des attentats du 13 novembre 2015, notamment lors d'une cérémonie à l'église Saint-Ambroise où de nombreux fidèles sont venus prier et se recueillir.L'équipe de France de football a remporté son match contre l'Ukraine 4-0 au Parc des Princes, avec un doublé de Kylian Mbappé, et s'est ainsi qualifiée pour la Coupe du Monde 2026.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Après leur victoire écrasante 4 à 0 face à l'Ukraine au Parc des Princes

Au sommaire de Radio foot internationale, ce jeudi soir à 21h10 TU : Grand débrief des éliminatoires Coupe du monde 2026. Afrique + Europe : on vous raconte tout ! Nigeria – Gabon et RDC – Cameroun. Au Parc des Princes, suivez en fil rouge France-Ukraine : les Bleus tout près du Mondial. Grand débrief des éliminatoires Coupe du monde 2026 Afrique + Europe : on vous raconte tout !   Nigeria – Gabon et RDC – Cameroun : les barrages au Maroc passés au crible, enjeux XXL et verdicts décisifs ! Au Parc des Princes, suivez en fil rouge France – Ukraine : les Bleus tout près du Mondial… une victoire et la qualif' est dans la poche !   Autour d'Annie Gasnier : Yoro Mangara & Franck Simon. Antoine Grognet en direct du Parc des Princes. Édition : David Fintzel — Technique/Réalisation : Laurent Salerno.

Au sommaire de Radio foot internationale, ce jeudi soir à 21h10 TU : Grand débrief des éliminatoires Coupe du monde 2026. Afrique + Europe : on vous raconte tout ! Nigeria – Gabon et RDC – Cameroun. Au Parc des Princes, suivez en fil rouge France-Ukraine : les Bleus tout près du Mondial. Grand débrief des éliminatoires Coupe du monde 2026 Afrique + Europe : on vous raconte tout !   Nigeria – Gabon et RDC – Cameroun : les barrages au Maroc passés au crible, enjeux XXL et verdicts décisifs ! Au Parc des Princes, suivez en fil rouge France – Ukraine : les Bleus tout près du Mondial… une victoire et la qualif' est dans la poche !   Autour d'Annie Gasnier : Yoro Mangara & Franck Simon. Antoine Grognet en direct du Parc des Princes. Édition : David Fintzel — Technique/Réalisation : Laurent Salerno.

Dans cette édition :Le 13 novembre 2015, la France a été frappée par des attentats terroristes, faisant 130 victimes. Dix ans après, le pays rend hommage à ces victimes à travers des cérémonies et des commémorations.Le président Emmanuel Macron s'est rendu sur les différents lieux des attentats, dont le Bataclan et le Stade de France, pour honorer la mémoire des disparus.Une cérémonie solennelle s'est tenue Place Saint-Gervais à Paris, avec des performances artistiques et des discours, notamment celui du président.L'équipe de France de football a également rendu hommage aux victimes en observant une minute de silence avant son match contre l'Ukraine au Parc des Princes.Sur la Place de la République, les Français se sont rassemblés pour se recueillir et rendre hommage aux victimes, dans une ambiance empreinte d'émotion.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :L'écrivain franco-algérien Boualem Sansal, détenu pendant près d'un an en Algérie, a été gracié et transféré en Allemagne pour y être soigné d'un cancer de la prostate, après des efforts diplomatiques de la France et de l'Allemagne.La France commémore les 10 ans des attentats du 13 novembre 2015 à Paris, avec des cérémonies et hommages aux victimes, aux forces de l'ordre et aux secouristes intervenus ce soir-là.L'équipe de France de football affronte l'Ukraine au Parc des Princes, avec une forte émotion liée aux attentats de 2015, dans un match décisif pour la qualification à la prochaine Coupe du Monde.Le débat sur la réforme des retraites à l'Assemblée nationale a abouti à une suspension du projet, fruit d'une alliance entre le Parti socialiste et le Rassemblement national.Le budget de la sécurité sociale a été transmis au Sénat sans vote à l'Assemblée nationale.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'équipe de France n'est plus qu'à un pas d'une qualification pour le Mondial 2026, un succès contre l'Ukraine jeudi (20h45) au Parc des Princes, étant suffisant pour valider son ticket pour la phase finale, la dernière avec Didier Deschamps à sa tête. Pour motiver ses troupes, Deschamps pourra toujours invoquer le souvenir du 19 novembre 2013 quand les Français, battus 2-0 à Kiev en barrages aller, avaient réussi à renverser une situation bien compromise en l'emportant 3-0 au retour au Stade de France pour accéder à la Coupe du monde 2014. Une soirée magique et fondatrice pour un technicien nommé à peine un an et demi auparavant. Depuis, il s'est systématiquement qualifié pour les autres compétitions majeures. Analyse de la méthode "DD" avec Éric Silvestro et Cédric Chasseur autour de Philippe Sanfourche.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :L'écrivain franco-algérien Boualem Sansal, détenu pendant près d'un an en Algérie, a été gracié et transféré en Allemagne pour y être soigné d'un cancer de la prostate, après des efforts diplomatiques de la France et de l'Allemagne.La France commémore les 10 ans des attentats du 13 novembre 2015 à Paris, avec des cérémonies et hommages aux victimes, aux forces de l'ordre et aux secouristes intervenus ce soir-là.L'équipe de France de football affronte l'Ukraine au Parc des Princes, avec une forte émotion liée aux attentats de 2015, dans un match décisif pour la qualification à la prochaine Coupe du Monde.Le débat sur la réforme des retraites à l'Assemblée nationale a abouti à une suspension du projet, fruit d'une alliance entre le Parti socialiste et le Rassemblement national.Le budget de la sécurité sociale a été transmis au Sénat sans vote à l'Assemblée nationale.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :Le 13 novembre 2015, la France a été frappée par des attentats terroristes, faisant 130 victimes. Dix ans après, le pays rend hommage à ces victimes à travers des cérémonies et des commémorations.Le président Emmanuel Macron s'est rendu sur les différents lieux des attentats, dont le Bataclan et le Stade de France, pour honorer la mémoire des disparus.Une cérémonie solennelle s'est tenue Place Saint-Gervais à Paris, avec des performances artistiques et des discours, notamment celui du président.L'équipe de France de football a également rendu hommage aux victimes en observant une minute de silence avant son match contre l'Ukraine au Parc des Princes.Sur la Place de la République, les Français se sont rassemblés pour se recueillir et rendre hommage aux victimes, dans une ambiance empreinte d'émotion.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Wars of the Roses began their final spasm, and in this chapter we explore how Richard, Duke of Gloucester, Lord Protector of England, sitting in the mansion of a rich London Grocer near Bishopsgate, would, over a series of a few weeks, turn into Richard III, King of England. But more than the traditional narrative, it is an exploration of London in those weeks- what did they hear, what did they see, and above all, how did they respond. From mobs pouring into Westminster Abbey, to a significant moment of silence in the Guildhall, from crowds listening in stunned silence around St Paul's Cross, to cheering the coronation, London witnessed and partook in all events. How loyal were they to this man? Were they indeed, as Shakespeare later called them, his ‘duteous citizens'? Cover contains a detail of The Princes in the Tower by John Everett Millais (1878).

Jérôme Rothen se chauffe contre un autre consultant, un éditorialiste ou un acteur du foot.

Rayan Cherki, qui n'avait pas pu confirmer ses débuts réussis en sélection en juin en raison d'une blessure, a une nouvelle chance de briller dans un match décisif jeudi (20h45) contre l'Ukraine où la France peut décrocher son billet pour le Mondial 2026. Les absences d'Ousmane Dembélé et Désiré Doué laissent une place au dribbleur lyonnais, qui a produit ses premières étincelles avec Manchester City depuis son retour de blessure qui l'a privé des rassemblements de septembre et octobre. La complicité qu'il est en train de nouer avec Erling Haaland chez les Citizens laisse imaginer le même genre de connexion avec son avant-centre chez les Bleus, Kylian Mbappé. L'ancien lyonnais sera-t-il titulaire au Parc des Princes à la place de Michael Olise ? Marquera-t-il des points dans l'esprit de Didier Deschamps ? Écoutez Philippe Sanfourche et Nicolas Georgereau. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

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The Redeemer has arrived and we discuss the elements of Pat Mills's past work that has used to create him.  Alongside that, we discuss the process of Printing and longingly look at the Taint as it draws to a close. That word is still funny dammit.

Links from the Show:Abes Recap Article:https://www.belloflostsouls.net/2025/11/warhammer-the-old-world-i-went-to-a-narrative-event-and-so-should-you.htmlBattleGrounds:https://battlegroundsgamecenter.com/Merch: https://strength-hammer-apparel-2.creator-spring.com/Follow us on Instagram: https://www.instagram.com/strength_hammer/https://www.instagram.com/fit_hammer/https://www.instagram.com/neillarocca/Check out more content at https://linktr.ee/StrengthHammer#warhammer #warhammerfantasy #warhammer40k #ageofsigmar #wargaming #theoldworld

On this week's edition of Le Show, Harry bring us regular features like News of Forever Chemicals, News of Musk Love, News of A.I., News of Smart World, News from the Land of 4,000 Princes, News of Crypto-Winter, The Apologies of the Week, and News of the Warm. He also considers holiday music, Dick Cheney's passing, and plays great music.

Au sommaire de Radio foot internationale, ce mercredi 5 novembre 2025 (16h10 & 21h10 TU) : La Ligue des Champions, les affiches de la soirée avec notamment : OM – Atalanta. Retour sur les temps forts de mardi : PSG chute au Parc face au Bayern ; Real Madrid refroidi à Anfield ; Monaco se relance dans le Grand Nord ! OM – Atalanta Les Olympiens doivent renouer avec la victoire pour rester en course à la qualif'. Le Vélodrome attend un héros : le soir d'Aubameyang ? Clés et enjeux d'un match déjà décisif.   Retour sur les temps forts de mardi : PSG chute au Parc face au Bayern Paris s'incline 1–2 : doublé de Luis Díaz, expulsé par la suite, nouvelles blessures pour Dembélé, Hakimi qui pourrait rater sa CAN et Nuno Mendes ! Un coup d'arrêt brutal pour les hommes de Luis Enrique… Retour sur terre pour les Parisiens ? Real Madrid refroidi à Anfield Liverpool 1–0 Real : un Mac Allister inspiré, un Real impuissant. Première défaite de l'ère Xabi Alonso sur le continent: les Madrilènes au top en Liga encore trop juste pour l'Europe ? Monaco se relance dans le Grand Nord ! Bodø/Glimt 0–1 Monaco : Balogun buteur, premier succès en C1, et un Rocher qui respire enfin. La qualif' est de nouveau dans le viseur !   Autour d'Annie Gasnier, nos consultants du jour : Bruno Constant, Nabil Djellit et Dominique Sévérac. Édition : David Fintzel — Technique/Réalisation : Laurent Salerno.

Au sommaire de Radio foot internationale, ce mercredi 5 novembre 2025 (16h10 & 21h10 TU) : La Ligue des Champions, les affiches de la soirée avec notamment : OM – Atalanta. Retour sur les temps forts de mardi : PSG chute au Parc face au Bayern ; Real Madrid refroidi à Anfield ; Monaco se relance dans le Grand Nord ! OM – Atalanta Les Olympiens doivent renouer avec la victoire pour rester en course à la qualif'. Le Vélodrome attend un héros : le soir d'Aubameyang ? Clés et enjeux d'un match déjà décisif.   Retour sur les temps forts de mardi : PSG chute au Parc face au Bayern Paris s'incline 1–2 : doublé de Luis Díaz, expulsé par la suite, nouvelles blessures pour Dembélé, Hakimi qui pourrait rater sa CAN et Nuno Mendes ! Un coup d'arrêt brutal pour les hommes de Luis Enrique… Retour sur terre pour les Parisiens ? Real Madrid refroidi à Anfield Liverpool 1–0 Real : un Mac Allister inspiré, un Real impuissant. Première défaite de l'ère Xabi Alonso sur le continent: les Madrilènes au top en Liga encore trop juste pour l'Europe ? Monaco se relance dans le Grand Nord ! Bodø/Glimt 0–1 Monaco : Balogun buteur, premier succès en C1, et un Rocher qui respire enfin. La qualif' est de nouveau dans le viseur !   Autour d'Annie Gasnier, nos consultants du jour : Bruno Constant, Nabil Djellit et Dominique Sévérac. Édition : David Fintzel — Technique/Réalisation : Laurent Salerno.

PSG – Bayern : Le Retour À La Réalité ?

Au sommaire de Radio foot internationale, ce mardi 4 novembre 2025 à 16h10 TU & 21h10 TU : Quatrième journée de Ligue des Champions : c'est parti ! Trois affiches pour vibrer, trois styles, trois ambiances. PSG / BAYERN MUNICH. LIVERPOOL / REAL MADRID. BODØ/GLIMT / MONACO. PSG / BAYERN MUNICH Choc au Parc ! Deux équipes invaincues en C1 — Kompany prévient : «Il faudra un match parfait pour battre Paris». Duel tactique, gestion des stars et des absences : qui prendra l'ascendant dans ce sommet européen ? Cédric de Oliveira, qui sera toute la soirée sur notre antenne en direct du Parc des Princes, nous racontera l'atmosphère et les enjeux du soir.   LIVERPOOL / REAL MADRID Anfield en ébullition : le Real veut poursuivre son sans-faute, Liverpool doit répondre, porté par son public. Les Reds peuvent-ils stopper la machine madrilène ? Qui fera basculer ce classique européen ?   BODØ/GLIMT / MONACO Virée au nord du Cercle polaire ! Bodø/Glimt impose son intensité, Monaco doit s'adapter au froid, au rythme et à l'enjeu pour espérer relancer sa campagne. Les hommes du Rocher peuvent-ils ramener les trois points de Norvège ? Autour d'Annie Gasnier, nos consultants du jour : Manu Terradillos, Said Amdaa et David Lortholary. Édition : David Fintzel — Technique/Réalisation : Laurent Salerno.

Au sommaire de Radio foot internationale, ce mardi 4 novembre 2025 à 16h10 TU & 21h10 TU : Quatrième journée de Ligue des Champions : c'est parti ! Trois affiches pour vibrer, trois styles, trois ambiances. PSG / BAYERN MUNICH. LIVERPOOL / REAL MADRID. BODØ/GLIMT / MONACO. PSG / BAYERN MUNICH Choc au Parc ! Deux équipes invaincues en C1 — Kompany prévient : «Il faudra un match parfait pour battre Paris». Duel tactique, gestion des stars et des absences : qui prendra l'ascendant dans ce sommet européen ? Cédric de Oliveira, qui sera toute la soirée sur notre antenne en direct du Parc des Princes, nous racontera l'atmosphère et les enjeux du soir.   LIVERPOOL / REAL MADRID Anfield en ébullition : le Real veut poursuivre son sans-faute, Liverpool doit répondre, porté par son public. Les Reds peuvent-ils stopper la machine madrilène ? Qui fera basculer ce classique européen ?   BODØ/GLIMT / MONACO Virée au nord du Cercle polaire ! Bodø/Glimt impose son intensité, Monaco doit s'adapter au froid, au rythme et à l'enjeu pour espérer relancer sa campagne. Les hommes du Rocher peuvent-ils ramener les trois points de Norvège ? Autour d'Annie Gasnier, nos consultants du jour : Manu Terradillos, Said Amdaa et David Lortholary. Édition : David Fintzel — Technique/Réalisation : Laurent Salerno.

Le sujet fort de l'actualité foot du jour vu par Jérôme Rothen et la Dream Team.

Le sujet fort de l'actualité foot du jour vu par Jérôme Rothen et la Dream Team.

Semi-auto deer rifles are the Kings of fast follow-up shots, the Dukes of deer drives, and Princes of pie-plate precision (kidding on that last part). A cultural norm in some regions and nearly absent in others, semi-autos often prove much more accurate than many folks give them credit for. Tune in to this podcast where Mark Boardman and Ryan Muckenhirn talk all about the iconic semi-auto deer rifle and its place amongst the hunting ranks.As always, we want to hear your feedback! Let us know if there are any topics you'd like covered on the Vortex Nation™ podcast by asking us on Instagram @vortexnationpodcast

***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** Richard hires the murderer Tyrell to finish off the Princes in the Tower. Richmond demands his Earldom but flees when Richard brushes him off. Ratcliffe brings news that the Bishop of Ely has joined Richmond. When Elizabeth and the Duchess confront him, Richard uses the opportunity to convince Elizabeth to give him her daughter in marriage in order to preserve her line. He celebrates his triumph until Stanley informs him that Richmond is on his way to England, sending him into a rage. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe” Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Southwest Radio Ministries for an enlightening discussion on 'Angels Eternal: War of the Princes' by Micah Van Hus. Delve into the unseen spiritual battles and biblical mysteries, exploring topics such as angels, demonic entities, and spiritual warfare. This episode of 'Watchman on the Wall' brings Micah Van Hus and Pastor Larry Spargiamino together for a roundtable discussion, providing insights into the spiritual realm and its impact on the physical world.

https://archive.org/download/princes-of-the-universe-435-fantastci-four/Princes%20of%20the%20Universe%20435%20Fantastci%20Four.mp3 

Een heerlijke Champions League-avond staat ons vanavond te wachten. Niet alleen komt PSV in actie tegen Olympiakos, een duel waarbij de Eindhovenaren goede zaken kunnen doen. Maar verder spelen Liverpool en Real Madrid tegen elkaar op Anfield en titelverdediger Paris Saint-Germain en Bayern München treffen elkaar in het Parc des Princes.In de AD Voetbalpodcast bespreken Johan Inan en Etienne Verhoeff de wedstrijden en Rik Elfrink vertelt vanuit Griekenland het laatste nieuws over PSV. Ook komt het spel, of beter het uitblijven van vastigheid en voetbal, bij Ajax aan bod en de plannen van Feyenoord om de Kuip aan te pakken. Beluister de hele AD Voetbalpodcast nu via AD.nl, de AD App of jouw favoriete podcastplatform.Bestel het boek De vraag van Vandaag hier: https://webwinkel.ad.nl/product/de-vraag-van-vandaagSupport the show: https://krant.nl/See omnystudio.com/listener for privacy information.

PSG – Bayern : Le Choc Que Toute L'Europe Attend

On this week's edition of Le Show, Harry brings us regular features like News of NiceCorps, News of Smart World, News from the Land of 4,000 Princes, News of A.I., News of the Godly, News of Musk Love, Truth Social Audio with Donald Trump, The Apologies of the Week, The Side Effects of the Week, and News of Crypto-Winter.

Jesus Followers Should Fear, Respect, and Praise God's Power, Sovereignty, and Holiness; but in Life's Trials They Should “fear not for I {Jesus} am with you always” MESSAGE SUMMARY: You should fear, respect, and praise God's power, Sovereignty, and Holiness; but, as a Jesus Follower, you should “fear not” in life's trials and tribulations or at your time of judgment. As David's praise tells us in Psalms 103:13: “As a father has compassion on his children, so the Lord has compassion on those who fear Him.”. David models again and again, in Psalms, how we should praise God. For example, in Psalms 146, David says: "Put not your trust in Princes; Praise the Lord! Praise the Lord, Oh my soul!". When we are wondering how to praise the Lord, we can read one of David's Psalms to God like David's praises to the Lord in Psalms 112:1-2: “Blessed is the man who fears the LORD, who greatly delights in his commandments! His offspring will be mighty in the land; the generation of the upright will be blessed.". Also, we learn in Proverbs 1:7, the “fear of the Lord” and “wisdom” are closely linked: “The fear of the LORD is the beginning of knowledge; fools despise wisdom and instruction.".   These verses from the Old Testament point to the fear, respect, and praise that God warrants and demands from His power, sovereignty, and Holiness. On the other hand, as we see when the Apostle John quotes Jesus from Revelation 1:17-18, when Jesus, in all His power and Glory, reassures us of God's Grace and His plan for working out the Salvation and Eternal Life for all those that have accepted Jesus as their Savior: “When I saw him, I fell at his feet as though dead. But he laid his right hand on me, saying, ‘Fear not, I am the first and the last, and the living one. I died, and behold I am alive forevermore, and I have the keys of Death and Hades.'”.   TODAY'S PRAYER: Lord, Sabbath rest is truly an unbelievable gift! Thank you that there is nothing I can do to earn your love; it comes without any strings attached. As I close my eyes for these few minutes before you, all I can say is, thank you! In Jesus' name, amen.  Scazzero, Peter. Emotionally Healthy Spirituality Day by Day (p. 133). Zondervan. Kindle Edition. TODAY'S AFFIRMATION: Today, I affirm that because of what God has done for me in His Son, Jesus, I AM A CHILD OF GOD. Yet to all who received Him, to those who believed in His Name, He gave the right to become children of God-- children born not of natural descent, nor of human decision or a husband's will, but born of God. John 1:12f SCRIPTURE REFERENCE (ESV): Revelation 1:17-18; Psalms 118:1-20; Proverbs 1:7; Psalms 73a:1-14. A WORD FROM THE LORD WEBSITE: www.AWFTL.org. THIS SUNDAY'S AUDIO SERMON: You can listen to Archbishop Beach's Current Sunday Sermon: “The Interior Life – Maintenance of the Inner Man -- Part 8: The Body; Giving Life to the Spirit Soul” at our Website: https://awordfromthelord.org/listen/    DONATE TO AWFTL: https://mygiving.secure.force.com/GXDonateNow?id=a0Ui000000DglsqEAB

This episode we start to get more into the material culture of the period with court fashion, as we look at the court robes that went along with the updated court ranks.  Granted, we only have a few resources, but from those it does seem like we can construct at least a plausible idea of what the court may have looked like at this time. For more discussion, check out the blogpost:  https://sengokudaimyo.com/podcast/episode-137   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 137:  Courtly Fashion. In the New Year's ceremony, the court officials lined up in front of the Kiyomihara Palace, arranged by their relative court rank, dressed in their assigned court robes.  The effect was impressive—the rows of officials painting the courtyard like the bands of color in a rainbow, albeit one with only a couple of hues.  The fact that they were all wearing the same style of dress and black, stiffened gauze hats only added to the effect.  The individual officers were all but lost in what was, at least in outward form, a single, homogenous machine of government, just waiting for the command of their monarch to attend to the important matters of state. We are covering the reign of Ohoama no Ohokimi, aka Ama no Nunahara oki no mabito no Sumera no Mikoto, aka Temmu Tennou.  Last episode we went over the changes he had made to the family titles—the kabane—as well as to the courtly rank system.  For the former, he had consolidated the myriad kabane and traditional titles across Yamato into a series of eight—the Yakusa no Kabane.   These were, from highest to lowest: Mabito, Asomi, Sukune, Imiki, Michinoshi, Omi, Muraji, and Inaki.  By the way, you might notice that "Mabito" actually occurs in Ohoama's posthumous name:  Ama no Nunahara oki no mabito, which lends more credence to the idea that that kabane was for those with a special connection to the royal lineage. Besides simplifying and restructuring the kabane, Ohoama also reformed the court rank system.  He divided the Princely ranks into two categories:  Myou, or Bright, and Jou, or Pure.  For the court nobles the categories were:                Shou – Upright                Jiki – Straight                Gon – Diligent                Mu – Earnest                Tsui – Pursue                Shin – Advancement Each category was further divided into four grades (except for the very first princely category, Myou, which was only two).  Each grade was then further divided into large, "dai", or broad, "kou". And this brings us to our topic today. Along with this new rank system, Ohoama's administration also instituted a new set of court sumptuary laws. Some are vague in the record—we can just make assumptions for what is going on based on what we know from later fashion choices.  Others are a little more clear.  We'll take a look at those sumptuary laws, particularly those that were directly associated with the new court rank system, but we'll also look at the clothing styles more generally. To start with, let's talk about what we know about clothing in the archipelago in general.  Unfortunately, fabric doesn't tend to survive very well in the generally acidic soils of the Japanese archipelago.  Cloth tends to break down pretty quickly.  That said, we have fragments here and there and impressions in pottery, so we have some idea that there was some kind of woven fabric from which to make clothing out of. And before I go too far I want to give a shout out to the amazing people at the Kyoto Costume Museum.  They have a tremendous website and I will link to it in the comments.  While there may be some debate over particular interpretations of historical clothing, it is an excellent resource to get a feel for what we know of the fashion of the various periods.  I'll also plug our own website, SengokuDaimyo.com, which has a "Clothing and Accessory" section that, while more geared towards Heian and later periods, may still be of some use in looking up particular terms and getting to know the clothing and outfits. At the farthest reaches of pre-history, we really don't have a lot of information for clothing.  There is evidence of woven goods in the Jomon period, and we have Yayoi burials with bits of cloth here and there, but these are all scraps.  So at best we have some conjecture as to what people were wearing, and possibly some ability to look across the Korean peninsula and see what people had, there. There are scant to no reliable records from early on in Japanese history, and most of those don't really do a great job of describing the clothing.  Even where we do get something, like the Weizhi, one has to wonder given how they tended to crib notes from other entries. There is at least one picture scroll of interest: Portraits of Periodical Offering of Liang, or Liáng -Zhígòngtú.  It is said to have been painted by Xiao Yi in the early 6th century, and while the original no longer exists there is an 11th century copy from the time of the Song Dynasty.  The scroll shows  various ambassadors to the Liang court, including one from Wa.  The Wa ambassador is shown with what appears to be a wide piece of cloth around his hips and legs, tied in front.  His lower legs are covered in what we might call kyahan today: a rather simple wrap around leg from below the knee to the foot.  He has another, blue piece of cloth around his shoulders, almost like a shawl, and it is also tied in front.  Then there is a cloth wrapped and tied around his head. It's hard to know how much of this depiction is accurate and how much the artist was drawing on memory and descriptions from things like the Weizhi or Wei Chronicles, which stated that the Wa people wore wide cloths wrapped around and seamlessly tied As such, it may be more helpful to look at depictions actually from the archipelago: specifically, some of the human-figured haniwa, those clay cylinders and statues that adorned the burial mounds which gave the kofun period its name.  Some of these haniwa are fairly detailed, and we can see ties, collars, and similar features of clothing. These haniwa primarily seem to cluster towards the end of the Kofun period, in the later 6th century, so it is hard to say how much they can be used for earlier periods, though that is exactly what you will typically see for periods where we have little to know evidence.  I'm also not sure how regional certain fashions might have been, and we could very much be suffering from survivorship bias—that is we only know what survived and assume that was everything, or even the majority. Still, it is something. Much of what we see in these figures is some kind of upper garment that has relatively tight sleeves, like a modern shirt or jacket might have, with the front pieces overlapping create a V-shaped neckline.  The garment hem often hangs down to just above the knee, flaring out away from the body, and it's held closed with ties and some kind of belt, possibly leather in some cases, and in others it looks like a tied loop of cloth.  There is evidence of a kind of trouser, with two legs, and we see ties around the knee.  In some cases, they even have small bells hanging from the ties.  Presumably the trousers might have ties up towards the waist, but we cannot see that in the examples we have. We also see individuals who have no evidence of any kind of bifurcated lower garment.  That may indicate an underskirt of some kind, or possibly what's called a "mo"—but it could also be just a simplification for stability, since a haniwa has a cylindrical base anyway.  It is not always obvious when you are looking at a haniwa figure whether it depicts a man or woman: in some cases there are two dots on the chest that seem to make it obvious, but the haniwa do come from different artisans in different regions, so there is a lot of variability. We also see evidence of what seem to be decorative sashes that are worn across the body, though not in all cases.  There are various types of headgear and hairstyles.  Wide-brimmed and domed hats are not uncommon, and we also see combs and elaborate hairstyles depicted.  On some occasions we can even see that they had closed toed shoes.  For accessories, we see haniwa wearing jewelry, including necklaces (worn by both men and women), bracelets, and earrings.  In terms of actual human jewelry, early shell bracelets demonstrate trade routes, and the distinctive magatama, or comma shaped jewel, can be found in the archipelago and on the Korean peninsula, where it is known as "gogok".  Based on lines or even colored pigment on the haniwa, it appears that many of these outfits were actually quite heavily decorated.  Paint on the outfits is sometimes also placed on the face, suggesting that they either painted or tattooed themselves, something mentioned in the Wei Chronicles.  We also have archaeological examples of dyed cloth, so it is interesting that people are often depicted in undyed clothing.  There is one haniwa that I find particularly interesting, because they appear to be wearing more of a round-necked garment, and they have a hat that is reminiscent of the phrygian cap: a conical cap with the top bent forward.  These are traits common to some of the Sogdians and other Persian merchants along the silk road, raising the possibility that it is meant to depict a foreigner, though it is also possible that it was just another local style. If we compare this to the continent, we can see some immediate difference.  In the contemporaneous Sui dynasty, we can see long flowing robes, with large sleeves for men and women.  The shoes often had an upturned placket that appears to have been useful to prevent one from tripping on long, flowing garments.  Many of these outfits were also of the v-neck variety, with two overlapping pieces, though it is often shown held together with a fabric belt that is tied in front.  The hats appear to either be a kind of loose piece of fabric, often described as a turban, wrapped around the head, the ends where it ties together trailing behind, or black lacquered crowns—though there were also some fairly elaborate pieces for the sovereign. As Yamato started to import continental philosophy, governance, and religion, they would also start to pick up on continental fashion.  This seems particularly true as they adopted the continental concept of "cap rank" or "kan-i". Let's go over what we know about this system, from its first mention in the Chronicles up to where we are in Ohoama's reign. As a caveat, there is a lot we don't know about the details of these garments, but we can make some guesses. The first twelve cap-ranks, theoretically established in 603, are somewhat questionable in their historicity, as are so many things related to Shotoku Taishi.  And their names are clearly based on Confucian values:  Virtue, Humanity, Propriety, Faith, Justice, and Wisdom, or Toku, Nin, Rei, Shin, Gi, and Chi.  The five values and then just "Virtue", itself. The existence of this system does seem to be confirmed by the Sui Shu, the Book of Sui, which includes a note in the section on the country of Wa that they used a 12 rank system based on the Confucian values, but those values were given in the traditional Confucian order vice the order given in the Nihon Shoki.   The rank system of the contemporaneous Sui and Tang dynasties was different from these 12 ranks, suggesting that the Yamato system either came from older dynasties—perhaps from works on the Han dynasty or the Northern and Southern Dynasty, periods—or they got it from their neighbors, Baekje, Silla, and Goguryeo.  There does seem to be a common thread, though, that court rank was identifiable in one's clothes. As for the caps themselves, what did they look like?  One would assume that the Yamato court just adopted a continental style cap, and yet, which one? It isn't fully described, and there are a number of types of headwear that we see in the various continental courts. Given that, we aren't entirely sure exactly what it looked like, but we do have a couple of sources that we can look at and use to make some assumptions.  These sources l ead us to the idea of a round, colored cap made of fabric, around the brim that was probably the fabric or image prescribed for that rank.  It is also often depicted with a bulbous top, likely for the wearer's hair, and may have been tied to their top knot.     Our main source for this is the Tenjukoku Mandala Embroidery (Tenjukoku-mandara-shuuchou) at Chuuguuji temple, which was a temple built for the mother of Prince Umayado, aka Shotoku Taishi.    This embroidery was created in 622, so 19 years after the 12 ranks would have been implemented. It depicts individuals in round-necked jackets that appear to have a part straight down the center.  Beneath the jacket one can see a pleated hem, possibly something like a "hirami", a wrapped skirt that is still found in some ceremonial imperial robes.  It strikes me that this could also be the hem of something like the hanpi, which was kind of like a vest with a pleated lower edge.  Below that we see trousers—hakama—with a red colored hem—at least on one figure that we can see.  He also appears to be wearing a kind of slipper-like shoe. As for the women, there are a few that appear to be in the mandala, but it is hard to say for certain as the embroidery has been damaged over the years. That said, from what we can tell, women probably would have worn something similar to the men in terms of the jacket and the pleated under-skirt, but then, instead of hakama, we see a pleated full-length skirt, or mo.  We also don't have a lot of evidence for them wearing hats or anything like that. The round necked jacket is interesting as it appears to be similar to the hou that was common from northern China across the Silk Road, especially amongst foreigners.  This garment  came to displace the traditional robes of the Tang court and would become the basis for much of the court clothing from that period, onwards.  The round necked garment had central panels that overlapped, and small ties or fastenings at either side of the neck to allow for an entirely enclosed neckline.  This was more intricate than just two, straight collars, and so may have taken time to adopt, fully. The next change to the cap-rank system was made in 647, two years into the Taika Reform.  The ranks then were more directly named for the caps, or crowns—kanmuri—and their materials and colors.  The ranks translate to Woven, Embroidered, Purple, Brocade, Blue, Black, and finally "Establish Valor" for the entry level rank. The system gets updated two years later, but only slightly.  We still see a reference to Woven stuff, Embroidery, and Purple, but then the next several ranks change to Flower, Mountain, and Tiger—or possibly Kingfisher.  These were a little more removed from the cap color and material, and may have had something to do with designs that were meant to be embroidered on the cap or on the robes in some way, though that is just speculation based on later Ming and Qing court outfits. Naka no Ohoye then updates it again in 664, but again only a little.  He seems to add back in the "brocade" category, swapping out the "flower", and otherwise just adds extra grades within each category to expand to 26 total rank grades. And that brings us to the reforms of 685, mentioned last episode.  This new system was built around what appear to be moral exhortations—Upright, Straight, Diligent, Earnest, etc.  And that is great and all, but how does that match up with the official robes? What color goes with each rank category?  Fortunately, this time around, the Chronicle lays it out for us pretty clearly. First off we are given the color red for the Princely ranks—not purple as one might have thought.  Specifically, it is "Vermillion Flower", hanezu-iro, which Bentley translates as the color of the "Oriental bush" or salmon.  In the blogpost we'll link to a table of colors that the founder of Sengoku Daimyo, Anthony Bryant, had put together, with some explanation of how to apply it.  I would note that there is often no way to know exactly what a given color was like or what shades were considered an acceptable range.  Everything was hand-dyed, and leaving fabric in the dye a little longer, changing the proportions, or just fading over time could create slightly different variants in the hue, but we think we can get pretty close. From there we have the six "common" ranks for the nobility.  Starting with the first rank, Upright, we have "Dark Purple".  Then we have "Light Purple".  This pattern continues with Dark and Light Green and then Dark and Light Grape or Lilac.  Purple in this case is Murasaki, and green here is specifically Midori, which is more specifically green than the larger category of "Aoi", which covers a spectrum of blue to green.  The grape or lilac is specifically "suou", and based on Bentley's colors it would be a kind of purple or violet. The idea is that the official court outfits for each rank would be the proper color.  And yes, that means if you get promoted in rank, your first paycheck—or rice stipend—is probably going to pay for a new set of official clothes.  Fortunately for the existing court nobles at the time, in the last month of 685, the Queen provided court clothing for 55 Princes and Ministers, so they could all look the part. And the look at court was important.  In fact, several of the edicts from this time focus specifically on who was allowed—or expected—to wear what.  For instance, in the 4th month of 681, they established 92 articles of the law code, and among those were various sumptuary laws—that is to say, laws as to what you could wear.  We are told that they applied to everyone from Princes of the blood down to the common person, and it regulated the wearing of precious metals, pearls, and jewels; the type of fabric one could use, whether purple, brocade, embroidery, or fine silks; and it also regulated woollen carpets, caps, belts, and the colors of various things. And here I'd like to pause and give some brief thought to how this played into the goals of the court, generally, which is to say the goal of creating and establishing this new system of governance in the cultural psyche of the people of the archipelago.  From the continental style palaces, to the temples, and right down to the clothing that people were wearing, this was all orchestrated, consciously or otherwise, to emphasize and even normalize the changes that were being introduced.  When everything around you is conforming to the new rules, it makes it quite easy for others to get on board. The court had surrounded themselves with monumental architecture that was designed along continental models and could best be explained through continental reasoning.  Even if they weren't Confucian or Daoist, those lines of reasoning ran through the various cultural and material changes that they were taking up.  Sure, they put their own stamp on it, but at the same time, when everything is right in front of you, it would become that much harder to deny or push back against it. And when you participated in the important rituals of the state, the clothing itself became a part of the pageantry.  It reinforced the notion that this was something new and different, and yet also emphasized that pushing against it would be going against the majority.  So court uniforms were another arm of the state's propaganda machine, all designed to reinforce the idea that the heavenly sovereign—the Tennou—was the right and just center of political life and deserving of their position.  Getting back to the sumptuary laws and rank based regulations: It is unfortunate that the record in the Nihon Shoki doesn't tell us exactly how things were regulated, only that they were, at least in some cases.  So for anything more we can only make assumptions based on later rules and traditions.  A few things we can see right away, though.  First is the restriction of the color purple.  Much as in Europe and elsewhere in the world, getting a dark purple was something that was not as easy as one might think, and so it tended to be an expensive dye and thus it would be restricted to the upper classes—in this case the princely and ministerial rank, no doubt.  Similarly brocade and fine silks were also expensive items that were likely restricted to people of a particular social station for that reason. The mention of woolen rugs is particularly intriguing.  Bentley translates this as woven mattresses, but I think that woolen rugs makes sense, as we do have examples of woolen "rugs" in Japan in at least the 8th century, stored in the famous Shousouin repository at Toudaiji temple, in Nara.  These are all imported from the continent and are actually made of felt, rather than woven.  As an imported item, out of a material that you could not get in the archipelago, due to a notable lack of sheep, they would have no doubt been expensive. The funny thing is that the carpets in the Shousouin may not have been meant as carpets.  For the most part they are of a similar size and rectangular shape, and one could see how they may have been used as sleeping mattresses or floor coverings.  However, there is some conjecture that they came from the Silk Road and may have been originally meant as felt doors for the tents used by the nomadic steppe peoples.  This is only conjecture, as I do not believe any of these rugs have survived in the lands where they would have been made, but given the size and shape and the modern yurt, it is not hard to see how that may have been the case.  Either way, I tend to trust that this could very well have meant woolen rugs, as Aston and the kanji themselves suggest, though I would understand if there was confusion or if it meant something else as wool was not exactly common in the archipelago at that time or in the centuries following. The last section of the regulations talks about the use of caps and belts.  The caps here were probably of continental origin:  The kanmuri, or official cap of state of the court nobles, or the more relaxed eboshi—though at this time, they were no doubt closely related. In fact, a year later, we have the most specific mention to-date of what people were actually wearing on their heads: there is a mention of men tying up their hair and wearing caps of varnished gauze.  Earlier caps related to the cap rank system are often thought to be something like a simple hemisphere  that was placed upon the head, with a bulbous top where the wearer's hair could be pulled up as in a bun. The kanmuri seems to have evolved from the soft black headcloth that was worn on the continent, which would have tied around the head, leaving two ends hanging down behind.  Hairstyles of the time often meant that men had a small bun or similar gathering of hair towards the back of their head, and tying a cloth around the head gave the effect of a small bump.  This is probably what we see in depictions of the early caps of state.  Sometimes this topknot could be covered with a small crown or other decoration, or wrapped with a cloth, often referred to as a "Tokin" in Japanese.  But over time we see the development of hardened forms to be worn under a hat to provide the appropriate silhouette, whether or not you actually had a topknot (possibly helpful for gentlemen suffering from hair loss).  And then the hat becomes less of a piece of cloth and more just a hat of black, lacquered gauze made on a form, which was much easier to wear.  At this point in the Chronicle, the cap was likely still somewhat malleable, and would made to tie or be pinned to that bun or queue of hair.  This explains the mention of men wearing their hair up.  This pin would become important for several different types of headgear, but ties were also used for those who did not have hair to hold the hat on properly. Two years after the edict on hats, we get another edict on clothing, further suggesting that the court were wearing Tang inspired clothing.  In 685 we see that individuals are given leave to wear their outer robe either open or tied closed. This is a clue that this outer robe might something akin to the round-necked hou that we see in the Tenjukoku Mandala, where the neck seems to close with a small tie or button.  However, we do see some examples, later, of v-necked garments with a tie in the center of the neck, so that may be the reference..  Opening the collar of the formal robes was somewhat akin to loosening a necktie, or unbuttoning the top button of a shirt.  It provided a more relaxed and comfortable feeling.  It could also be a boon in the warm days of summer.  Leaving it closed could create a more formal appearance. The courtiers also had the option of whether or not to wear the "Susotsuki", which Bentley translates as "skirt-band".  I believe this refers to the nai'i, or inner garment.  This would often have a pleated hem—a suso or ran—which would show below the main robe as just a slight hem.  Again, this is something that many would dispense with in the summer, or just when dressing a bit more casually, but it was required at court, as well as making sure that the tassles were tied so that they hung down.  This was the uniform of the court.  We are also told that they would have trousers that could be tied up, which sounds like later sashinuki, though it may have referred to something slightly different.  We are also given some regulations specifically for women, such as the fact that women over 40 years of age were allowed the discretion on whether or not to tie up their hair, as well as whether they would ride horses astride or side-saddle.  Presumably, younger women did not get a choice in the matter.  Female shrine attendants and functionaries were likewise given some leeway with their hairstyles. A year later, in 686, they do seem to have relaxed the hairstyles a bit more: women were allowed to let their hair down to their backs as they had before, so it seems that, for at least a couple of years, women under the age of 40 were expected to wear their hair tied up in one fashion or another. In that same edict, men were then allowed to wear "habakimo".  Aston translates this as "leggings" while Bentley suggests it is a "waist skirt".  There are an example of extant habakimo in the Shousouin, once again, and they appear to be wrappings for the lower leg.  It actually seems very closely related to the "kyahan" depicted all the way back in the 6th century painting of the Wo ambassador to Liang. Even though these edicts give a lot more references to clothing, there is still plenty that is missing.  It isn't like the Chroniclers were giving a red carpet style stitch-by-stitch critique of what was being worn at court.  Fortunately, there is a rather remarkable archaeological discovery from about this time. Takamatsuzuka is a kofun, or ancient burial mound, found in Asuka and dated to the late 7th or early 8th century.  Compared to the keyhole shaped tombs of previous centuries, this tomb is quite simple: a two-tiered circular tomb nestled in the quiet hills.  What makes it remarkable is that the inside of the stone burial chamber was elaborately painted.  There are depictions of the four guardian animals, as well as the sun and the moon, as well as common constellations.  More importantly, though, are the intricate pictures of men and women dressed in elaborate clothing. The burial chamber of Takamatsuzuka is rectangular in shape.  There are images on the four vertical sides as well as on the ceiling.  The chamber is oriented north-south, with genbu, the black tortoise, on the north wall and presumably Suzaku, the vermillion bird, on the south wall—though that had been broken at some point and it is hard to make out exactly what is there. The east and west walls are about three times as long as the north and south walls.  In the center of each is a guardian animal—byakko, the white tiger, on the west wall and seiryuu, the blue—or green—dragon on the east.  All of these images are faded, and since opening of the tomb have faded even more, so while photos can help, it may require a bit more investigation and some extrapolation to understand all of what we are looking at. On the northern side of both the east and west wall we see groups of four women.  We can make out green, yellow, and red or vermillion outer robes with thin fabric belt sashes, or obi, tied loosely and low around the waist.  There is another, lightly colored—possibly white, cream or pink—that is so faded it is hard to make out, and I don't know if that is the original color.  These are v-necked robes, with what appear to be ties at the bottom of the "v".  Around the belt-sash we see a strip of white peaking out from between the two sides of the robe—most likely showing the lining on an edge that has turned back slightly.  The cuffs of the robe are folded back, showing a contrasting color—either the sleeves of an underrobe or a lining of some kind.  Below the outer robe is a white, pleated hem—possibly a hirami or similar, though where we can make it out, it seems to be the same or similar color as the sleeves.  Under all of that, they then have a relatively simple mo, or pleated skirt.  The ones in the foreground are vertically striped in alternating white, green, red, and blue stripes.  There is one that may just be red and blue stripes, but I'm not sure.  In the background we see a dark blue—and possibly a dark green—mo.  At the base of each mo is a pleated fringe that appears to be connected to the bottom of the skirt.  The toe of a shoe seems to peek out from underneath in at least one instance.  They don't have any obvious hair ornaments, and their hair appears to be swept back and tied in such a way that it actually comes back up in the back, slightly.  They appear to be holding fans and something that might be a fly swatter—a pole with what looks like tassels on the end. In comparison, at the southern end of the tomb we have two groups of men.  These are much more damaged and harder to make out clearly.  They have robes of green, yellow, grey, blue, and what looks like dark blue, purple, or even black.  The neckline appears to be a v-necked, but tied closed, similar to what we see on the women.  We also see a contrasting color at the cuff, where it looks like the sleeves have turned back, slightly.  They have belt-sashes similar to the women, made of contrasting fabric to the robe itself.  Below that we see white trousers, or hakama, and shallow, black shoes.  On some of the others it is suggested that maybe they have a kind of woven sandal, but that is hard to make out in the current image.  On their heads are hats or headgear of black, stiffened—probably lacquered—gauze.  They have a bump in the back, which is probably the wearer's hair, and there is evidence of small ties on top and larger ties in the back, hanging down.  Some interpretations also show a couple with chin straps, as well, or at least a black cord that goes down to the chin.  They carry a variety of implements, suggesting they are attendants, with an umbrella, a folding chair, a pouch worn around the neck, a pole or cane of some kind, and a bag with some kind of long thing—possibly a sword or similar. The tomb was originally found by farmers in 1962, but wasn't fully examined until 1970, with an excavation starting in 1972.  The stone at the entryway was broken, probably from graverobbers, who are thought to have looted the tomb in the Kamakura period.  Fortunately, along with the bones of the deceased and a few scattered grave goods that the robbers must have missed, the murals also survived, and somehow they remained largely intact through the centuries.  They have not been entirely safe, and many of the images are damaged or faded, but you can still make out a remarkable amount of detail, which is extremely helpful in determining what clothing might have looked like at this time—assuming it is depicting local individuals. And there is the rub, since we don't know exactly whom the tomb was for.  Furthermore, in style it has been compared with Goguryeo tombs from the peninsula, much as nearby Kitora kofun is.  Kitora had images as well, but just of the guardian animals and the constellations, not of human figures. There are three theories as to who might have been buried at Takamatsuzuka.  One theory is that it was one of Ohoama's sons.  Prince Osakabe is one theory, based on the time of his death and his age.  Others have suggested Prince Takechi.  Based on the teeth of the deceased, they were probably in their 40s to 60s when they passed away. Some scholars believe that it may be a later, Nara period vassal—possibly, Isonokami no Maro.  That would certainly place it later than the Asuka period. The third theory is that it is the tomb of a member of one of the royal families from the Korean peninsula—possibly someone who had taken up refuge in the archipelago as Silla came to dominate the entire peninsula.  This last theory matches with the fact that Takamatsuzuka appears to be similar to tombs found in Goguryeo, though that could just have to do with where the tomb builders were coming from, or what they had learned. That does bring up the question of the figures in the tomb.  Were they contemporary figures, indicating people and dress of the court at the time, or were they meant to depict people from the continent?  Without any other examples, we may never know, but even if was indicative of continental styles, those were the very styles that Yamato was importing, so it may not matter, in the long run.     One other garment that isn't mentioned here is the hire, a scarf that is typically associated with women.  It is unclear if it has any relationship to the sashes we see in the Kofun period, though there is at least one mention of a woman with a hire during one of the campaigns on the Korean peninsula.  Later we see it depicted as a fairly gauzy piece of silk, that is worn somewhat like a shawl.  It is ubiquitous in Sui and Tang paintings of women, indicating a wide-ranging fashion trend.  The hire is a fairly simple piece of clothing, and yet it creates a very distinctive look which we certainly see, later. Finally, I want to take a moment to acknowledge that almost everything we have discussed here has to do with the elites of society—the nobles of the court.  For most people, working the land, we can assume that they were probably not immediately adopting the latest continental fashions, and they probably weren't dressing in silk very much.  Instead, it is likely that they continued to wear some version of the same outfits we see in the haniwa figures of the kofun period.  This goes along with the fact that even as the elite are moving into palaces built to stand well above the ground, we still have evidence of common people building and living in pit dwellings, as they had been for centuries.  This would eventually change, but overall they stuck around for quite some time.  However, farmers and common people are often ignored by various sources—they aren't often written about, they often aren't shown in paintings or statues, and they did often not get specialized burials.  Nonetheless, they were the most populous group in the archipelago, supporting all of the rest. And with that, I think we will stop for now.  Still plenty more to cover this reign.  We are definitely into the more historical period, where we have more faith in the dates—though we should remember that this is also one of the reigns that our sources were specifically designed to prop up, so we can't necessarily take everything without at least a hint of salt and speculation, even if the dates themselves are more likely to be accurate. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

PSG - Nice | Debrief ⚽️PODCAST FOOTBALL AU COEUR DU PARIS SAINT GERMAIN

In this engaging conversation, Chris Enriquez (On the Might of Princes, Spotlights, New Noise Magazine) shares his journey from being a fill-in drummer to a full-time member of the band Spotlights, discussing the challenges and triumphs of being a musician in today's music landscape. The discussion delves into the importance of community, the role of media in promoting underground music, and the resurgence of emo and DIY music culture. Chris reflects on the evolution of emo and post-hardcore, the impact of social media on music discovery, and the significance of DIY venues in fostering local music scenes. The conversation concludes with reflections on the legacy of influential bands and the future of music culture.Power chords and crashing boards. Mikey, Tom, and Justin talk music, hockey, and anything else that gets in their way. Tom and Mikey are lifelong friends that grew up on Long Island during the glory days of alternative music where our local bands were As Tall As Lions, Brand New, Taking Back Sunday, Bayside, The Sleeping, Envy on the Coast, you get the point. We spent many nights together at The Downtown, catching any pop-punk, indie, hardcore, or emo band that came through. This was not a phase, Mom! Fast forward 20 years and we are still just as passionate about the scene as we were during our girl jeans and youth XL band tees days. Tom and Mikey are diehard New York Islanders fans, but Justin (Bolts fan) likes to remind us that we are #notanislespodcast. As we got older we realized we can like more than one thing and running beside our love for music has always been our love for hockey. We have realized we are not alone in this thinking, actually there are many of us that love these two things! This podcast explores just how connected they are!NEW EPISODE EVERY TUESDAY! SUBSCRIBE SO YOU NEVER MISS A GREAT INTERVIEW!#poppunk #punk #emo #hardcore #hockey #nhl #podcast #elderemo #bardownbreakdown #bardownbreakfest

***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** In the parking garage outside The Tower, Richard coaches Buckingham on how to act distraught. The Mayor arrives with Catesby and recoils in horror when Ratcliffe delivers Hastings' head. In order to keep her own, she promises to tell the citizens that Hastings was a traitor who deserved to die. Once she leaves, Richard tells Buckingham to spread the word that King Edward was father to countless illegitimate children, including the two Princes. Later, Richard is planted as a guest on the Maximum Rock-n-Roll Radio Show to pose as a devout Christian and give the impression that he does not want to be King unless the people demand it. Buckingham stages a call into the show to plead with Richard to take the throne, saying that if he doesn't, there will be rebellion. Richard pretends to be reluctant but eventually gives in. Later, outside The Tower parking garage, the Duchess, Elizabeth, Anne and Dorset assemble to visit the Princes, but Brackenbury refuses to let them in. Dorset flees to France to join forces with Richmond. Anne agrees to be crowned in order to save the Princes. Elizabeth goes to Sanctuary to save herself and the Duchess goes to her death. Later, King Richard sits on the throne at The Temple Beautiful with Buckingham at his side, celebrating their rise to power. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Lords and Ladies, Princes and Princesses, allow us to address the court. We, the jesters of movie discussion, do humbly submit to you, our royal and loyal listeners, our picks for movies centered around royalty. Pod save our kings and queens! Learn more about your ad choices. Visit megaphone.fm/adchoices

Unearth the chilling mystery of the lost princes of the Tower of London—betrayal, power, and murder. Were they victims of ambition or survivors of deceit? History's darkest royal secret awaits. Learn more about your ad choices. Visit megaphone.fm/adchoices

People are ending it all at Disney, RFK is counting sperm and Prince Andrew is giving up his title. Only little girls believe in Princes anyway. WWW.UNCOMMONGOODS.com/PAPERS for 15% off! Watch Greg's latest special, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠“You Know Me” and subscribe on YouTube!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email caption submissions to FitzdogRadio@gmail.com subject line: “Comic Contest” Get the Sunday Papers coozie: Venmo: @gibbonstime $10 In the Venmo notes, put your name and address Get in touch (or send logos/songs): fitzdogradio@gmail.com Find Mike on Venmo here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://venmo.com/u/GibbonsTime⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Make sure to follow Greg and Mike on Instagram:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Greg Fitzsimmons: @GregFitzsimmons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mike Gibbons: @GibbonsTime ⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Lady Catherine Gordon: Wife of Perkin Warbeck| Tudor & Wars of the Roses History In this special rerun from Katy's Corner (originally released to Patreon in 2022), Katy dives into the fascinating, often overlooked life of Lady Katherine Gordon, wife of the infamous pretender Perkin Warbeck — aka the guy who pretended to be Richard Duke of York (of the Princes in the Tower fame). This episode is a perfect little snack for fans of Tudor history, Wars of the Roses drama, and under-told stories of women in history. Time stamps: 00:00 Introduction to Queen's Podcast 00:57 Lady Elizabeth Gordon: The Mysterious Wife of Perkin Warbeck 01:24 Catherine's Scottish Roots and Family Dynamics 05:41 Marriage to Perkin Warbeck 08:04 Life at the Scottish Court and Perkin's Ambitions 16:36 Capture and Life in England 24:32 Catherine's Later Years and Legacy Sources:  https://tudorsdynasty.com/king-henry-vii-and-the-mystery-of-lady-catherine-gordon/  https://thehistoryofengland.co.uk/resource/catherine-gordon-and-perkin-warbeck/ https://thehistoryjar.com/tag/perkin-warbecks-son/ Queens podcast is part of Airwave Media podcast network. Please get in touch with advertising@airwavemedia.com if you would like to advertise on our podcast. Want more Queens? Head to our ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠, check out our⁠⁠⁠⁠⁠⁠ merch store⁠⁠⁠⁠⁠⁠, and follow us on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit megaphone.fm/adchoices