Podcasts about black prince

fWotD Episode 2983: Siege of Breteuil Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Saturday, 5 July 2025, is Siege of Breteuil.The siege of Breteuil was the investment (surrounding) of the Norman town of Breteuil, held by partisans of Charles II, King of Navarre, by French forces between April and about 20 August 1356. It was interrupted on 5 July when a small English army commanded by Henry, Earl of Lancaster, relieved and resupplied the town. The French king, John II, attempted to bring Lancaster to battle with the much larger French royal army, but Lancaster avoided this. John then renewed the siege of Breteuil.The French force attracted praise for its splendour and the high status of many of its participants, but it made little progress as the town was well-garrisoned and had been left by Lancaster with food for a year. John attempted to mine under the walls, to no avail. Meanwhile, Edward the Black Prince, the son and heir of the English king, assembled an Anglo-Gascon army at Bergerac in south-west France. On 4 August this marched into French-held territory, devastating the countryside as it went. At some point in August an unusually large mobile siege tower was pushed up to the walls of Breteuil and an assault launched. The defenders set fire to the tower and repulsed the attack, inflicting many casualties. Taking Breteuil became a matter of prestige for John and he refused to take the army south to face the Black Prince. Eventually, some time around 20 August, John gave the garrison of Breteuil free passage to the Cotentin in north-west Normandy and a huge bribe to persuade them to vacate Breteuil. All available French forces were then concentrated at Chartres to oppose the Black Prince. John and his army pursued the Black Prince's force, cut off their retreat and forced it to battle at Poitiers. The French were defeated with heavy casualties and John was captured.This recording reflects the Wikipedia text as of 00:30 UTC on Saturday, 5 July 2025.For the full current version of the article, see Siege of Breteuil on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Amy.

In this interview, Lamorna Ash, author of Don't Forget We're Here Forever: A New Generation's Search for Religion, and one of my favourite modern writers, talked about working at the Times Literary Supplement, netball, M. John Harrison, AI and the future of religion, why we should be suspicious of therapy, the Anatomy of Melancholy, the future of writing, what surprised her in the Bible, the Simpsons, the joy of Reddit, the new Pope, Harold Bloom, New Atheism's mistakes, reading J.S. Mill. I have already recommended her new book Don't Forget We're Here Forever, which Lamorna reads aloud from at the end. Full transcript below.Uploading videos onto Substack is too complicated for me (it affects podcast downloads somehow, and the instructions to avoid this problem are complicated, so I have stopped doing it), and to upload to YouTube I have to verify my account but they told me that after I tried to upload it and my phone is dead, so… here is the video embedded on this page. I could quote the whole thing. Here's one good section.Lamorna: Which one would you say I should do first after The Sea, The Sea?Henry: Maybe The Black Prince.Lamorna: The Black Prince. Great.Henry: Which is the one she wrote before The Sea, The Sea and is just a massive masterpiece.Lamorna: I'll read it. Where do you stand on therapy? Do you have a position?Henry: I think on net, it might be a bad thing, even if it is individually useful for people.Lamorna: Why is that?Henry: [laughs] I didn't expect to have to answer the question. Basically two reasons. I think it doesn't take enough account of the moral aspect of the decisions being made very often. This is all very anecdotal and you can find yourself feeling better in the short term, but not necessarily in the long-- If you make a decision that's not outrageously immoral, but which has not had enough weight placed on the moral considerations.There was an article about how lots of people cut out relatives now and the role that therapy plays in that. What I was struck by in the article that was-- Obviously, a lot of those people are justified and their relatives have been abusive or nasty, of course, but there are a lot of cases where you were like, "Well, this is a long-term decision that's been made on a short-term basis." I think in 10 years people may feel very differently. There wasn't enough consideration in the article, at least I felt, given to how any children involved would be affected later on. I think it's a good thing and a bad thing.Lamorna: I'm so with you. I think that's why, because also the fact of it being so private and it being about the individual, and I think, again, there are certain things if you're really struggling with that, it's helpful for, but I think I'm always more into the idea of communal things, like AAA and NA, which obviously a very particular. Something about doing that together, that it's collaborative and therefore there is someone else in the room if you say, "I want to cut out my parent."There's someone else who said that happened to me and it was really hard. It means that you are making those decisions together a little bit more. Therapy, I can feel that in friends and stuff that it does make us, even more, think that we are these bounded individuals when we're not.Henry: I should say, I have known people who've gone to therapy and it's worked really well.Lamorna: I'm doing therapy right now and it is good. TranscriptHenry: Today I am talking to Lamorna Ash. Lamorna is one of the rising stars of her generation. She has written a book about a fishing village in Cornwall. She's written columns for the New Statesman, of which I'm a great admirer. She works for a publisher and now she's written a book called, Don't Forget, We're Here Forever: A New Generation's Search for Religion. I found this book really compelling and I hope you will go and read it right now. Lamorna, welcome.Lamorna Ash: Thank you for having me.Henry: What was it like when you worked at the Times Literary Supplement?Lamorna: It was an amazing introduction to mostly contemporary fiction, but also so many other forms of writing I didn't know about. I went there, I actually wrote a letter, handwritten letter after my finals, saying that I'd really enjoyed this particular piece that somehow linked the anatomy of melancholy to infinite jest, and being deeply, deeply, deeply pretentious, those were my two favorite books. I thought, well, I'll apply for this magazine. I turned up there as an intern. They happened to have a space going.My job was Christmas in that I just spent my entire time unwrapping books and putting them out for editors to swoop by and take away. I'd take on people's corrections. I'd start to see how the editorial process worked. I started reading. I somehow had missed contemporary fiction. I hadn't read people like Rachel Kask or Nausgaard. I was reading them through going to the fiction pages. It made me very excited. Also, my other job whilst I was there, was I had the queries email. You'd get loads of incredibly random emails, including things like, you are cordially invited to go on the Joseph Conrad cycle tour of London. I'd ask the office, "Does anyone want to do this?" Obviously, no one ever said yes.I had this amazing year of doing really weird stuff, like going on Joseph Conrad cycling tour or going to a big talk at the comic book museum or the new advertising museum of London. I loved it. I really loved it.Henry: What was the Joseph Conrad cycling tour of London like? That sounds-Lamorna: Oh, it was so good. I remember at one point we stopped on maybe it was Blackfriars Bridge or perhaps it was Tower Bridge and just read a passage from the secret agent about the boats passing underneath. Then we'd go to parts of the docks where they believe that Conrad stayed for a while, but instead it would be some fancy youth hostel instead.It was run by the Polish Society of London, I believe-- the Polish Society of England, I believe. Again, each time it was like an excuse then to get into that writer and then write a little piece about it for the TLS. I guess, it was also, I was slightly cutting my teeth on how to do that kind of journalism as well.Henry: What do you like about The Anatomy of Melancholy?Lamorna: Almost everything. I think the prologue, Democritus Junior to the Reader is just so much fun and naughty. He says, "I'm writing about melancholy in order to try and avoid melancholy myself." There's six editions of it. He spent basically his entire life writing this book. When he made new additions to the book, rather than adding another chapter, he would often be making insertions within sentences themselves, so it becomes more and more bloated. There's something about the, what's the word for it, the ambition that I find so remarkable of every single possible version of melancholy they could talk about.Then, maybe my favorite bit, and I think about this as a writer a lot, is there's a bit called the digression of air, or perhaps it's digression on the air, where he just suddenly takes the reader soaring upwards to think about air and you sort of travel up like a hawk. It's this sort of breathing moment for a reader where you go in a slightly different direction. I think in my own writing, I always think about digression as this really valuable bit of nonfiction, this sense of, I'm not just taking you straight the way along. I think it'd be useful to go sideways a bit too.Henry: That was Samuel Johnson's favorite book as well. It's a good choice.Lamorna: Was it?Henry: Yes. He said that it was the only book that would get him out of bed in the morning.Lamorna: Really?Henry: Because he was obviously quite depressive. I think he found it useful as well as entertaining, as it were. Should netball be an Olympic sport?Lamorna: [laughs] Oh, it's already going to be my favorite interview. I think the reason it isn't an Olympic-- yes, I have a vested interest in netball and I play netball once a week. I'm not very good, but I am very enthusiastic because it's only played mostly in the Commonwealth. It was invented a year after basketball as a woman-friendly version because women should not run with the ball in case they get overexerted and we shouldn't get too close to contacting each other in case we touch, and that's awful.It really is only played in the Commonwealth. I think the reason it won't become an Olympic sport is because it's not worldwide enough, which I think is a reasonable reason. I'm not, of all the my big things that I want to protest about and care about right now, making that an Olympic sport is a-- it's reasonably low on my list.Henry: Okay, fair enough. You are an admirer of M. John Harrison's fiction, is that right?Lamorna: Yes.Henry: Tell us what should we read and why should we read him?Lamorna: You Should Come With Me Now, is that what it's called? I know I reviewed one of his books years ago and thought it was-- because he's part of that weird sci-fi group that I find really interesting and they've all got a bit of Samuel Delany to them as well. I just remember there was this one particular story in that collection, I think in general, he's a master at sci-fi that doesn't feel in that Dune way of just like, lists of names of places. It somehow has this, it's very literary, it's very odd, it's deeply imaginative. It is like what I wanted adult fiction to be when I was 12 or something, that there's the way the fantasy and imagination works.I remember there was one about all these men, married men who were disappearing into their attics and their wives thought they were just tinkering. What they were doing was building these sort of translucent tubes that were taking them off out of the world. I remember just thinking it was great. His conceits are brilliant and make so much sense, whilst also always being at an interesting slant from reality. Then, I haven't read his memoir, but I hear again and again this anti-memoir he's written. Have you read that?Henry: No.Lamorna: Apparently that's really brilliant too. Then he also, writes those about climbing. He's actually got this one foot in the slightly travel nature writing sports camp. I just always thought he was magic. I remember on Twitter, he was really magic as well. I spent a lot of time following him.Henry: Are you optimistic or pessimistic about the future of writing and literature and books and this whole debate that's going on?Lamorna: It's hard to. I don't want to say anything fast and snappy because it's such a complicated thing. I could just start by saying personally, I'm worried about me and writing because I'm worried about my concentration span. I am so aware that in the same way that a piano player has to be practising the pieces they're going to play all the time. I think partly that's writing and writing, I seem to be able to do even with this broken, distracted form of attention I've got. My reading, I don't feel like I'm getting enough in. I think that means that what I produce will necessarily be less good if I can't solve that.I've just bought a dumb phone on the internet and I hope that's going to help me by no longer having Instagram and things like that. I think, yes, I suppose we do read a bit less. The generation below us is reading less. That's a shame. There's so much more possibility to go out and meet people from different places. On an anthropological level, I think anthropology has had this brilliant turn of becoming more subjective. The places you go, you have to think about your own relationship to them. I think that can make really interesting writing. It's so different from early colonial anthropology.The fact that, I guess, through, although even as I'm saying this, I don't know enough to say it, but I was going to say something about the fact that people, because we can do things like substacks and people can do short form content, maybe that means that more people's voices are getting heard and then they can, if they want to, transfer over and write books as well.I still get excited by books all the time. There's still so much good contemporary stuff that's thrilling me from all over the place. I don't feel that concerned yet. If we all do stop writing books entirely for a year and just read all the extraordinary books that have been happening for the last couple of thousand, we'd be okay.Henry: I simultaneously see the same people complaining that everything's dying and literature is over and that we have an oversupply of books and that capitalism is giving us too many books and that's the problem. I'm like, "Guys, I think you should pick one."Lamorna: [laughs] You're not allowed both those arguments. My one is that I do think it's gross, the bit of publishing that the way that some of these books get so oddly inflated in terms of the sales around them. Then, someone is getting a million pounds for a debut, which is enormous pressure on them. Then, someone else is getting 2K. I feel like there should be, obviously, there should be a massive cap on how large an advance anyone should get, and then more people will actually be able to stay in the world of writing because they won't have to survive on pitiful advances. I think that would actually have a huge impact and we should not be giving, love David Beckham as much as I do, we shouldn't be giving him five million pounds for someone else to go to write his books. It's just crazy.Henry: Don't the sales of books like that subsidize those of us who are not getting such a big advance?Lamorna: I don't think they always do. I think that's the problem is that they do have this wealth of funds to give to celebrities and often those books don't sell either. I still think even if those books sell a huge amount of money, those people still shouldn't be getting ridiculous advances like that. They still should be thinking about young people who are important to the literary, who are going to produce books that are different and surprising and whose voices we need to hear. That feels much more important.Henry: What do you think about the idea that maybe Anglo fiction isn't at a peak? I don't necessarily agree with that, but maybe we can agree that these are not the days of George Eliot and Charles Dickens, but the essay nonfiction periodicals and writing online, this is huge now. Right? Actually, our pessimism is sort of because we're looking in the wrong area and there are other forms of writing that flourish, actually doing great on the internet.Lamorna: Yes, I think so too. Again, I don't think I'm internet worldly enough to know this, but I still find these extraordinary, super weird substats that feel exciting. I also get an enormous amount of pleasure in reading Reddit now, which I only just got into many, many years late, but so many fun, odd things. Like little essays that people write and the way that people respond to each other, which is quick and sharp, and I suppose it fills the gap of what Twitter was.I think nonfiction, I was talking about this morning, because I'm staying with some writers, because we're sort of Cornish, book talk thing together and how much exciting nonfiction has come out this year that we want to read from the UK that is hybrid-y nature travel. Then internationally, I still think there's-- I just read, Perfection by Vincenzo, but there's enough translated fiction that's on the international book list this year that gets me delighted as well. To me, I just don't feel worried about that kind of thing at all when there's so much exciting stuff happening.I love Reddit. I think they really understand things that other people don't on there. I think it's the relief now that when you type in something to Google, you get the AI response. It's something like, it's so nice to feel on Reddit that someone sat down and answered you. Maybe that's such a shame that that's what makes me happy now, that we're in that space. It does feel like someone will tell you not just the answer, but then give you a bit about their life. Then, the particular tool that was passed down by their grandparents. That's so nice.Henry: What do you think of the new Pope?Lamorna: I thought it was because I'd heard all the thing around fat Pope, thin Pope, and obviously, our new Pope is maybe a sort of middle Pope, or at least is closer to Francis, but maybe a bit more palatable to some people. I guess, I'm excited that he's going to do, or it seems like he's also taking time to think, but he's good on migration on supporting the rights of immigrants. I think there's value in the fact of him being American as this being this counterpoint to what's happening in America right now. If feels always feels pointless to say because they're almost the idea of a Pope.I guess, Francis said that, who am I to judge about people being gay, but I think this Pope has so far has been more outly against gay people, but he stood up against JD Vance and his stupid thoughts on theology. I'm quietly optimistic. I guess I'm also waiting for Robert Harris's prophecy to come true and we get an intersex Pope next. Because I think that was prophecy, right? What he wrote.Henry: That would be interesting.Lamorna: Yes.Henry: The religious revival that people say is happening, particularly among young people, how is AI going to make it different than previous religious revivals?Lamorna: Oh, that's so interesting. Maybe first of all, question, sorry, I choked on my coffee. I was slightly questioned the idea if there is a religious revival, it's not actually an argument that I made in the book. When I started writing the book, there wasn't this quiet revival or this Bible studies and survey that suggests that more young people are going to church hadn't come out yet. I was just more, I guess, aware that there were a few people around me who were converting and I thought it'd be interesting if there's a few, there'll be more, which I think probably happens in every single generation, right? Is that that's one way to deal with the longing for meaning we all experience and the struggles in our lives.I was speaking to a New York Times journalist who was questioning the stats that have been coming out because first it's incredibly small pool. It's quite self-selecting that possibly there are people who might have gone to church already. It's still such a small uptick because it makes it hard to say anything definitive. I guess in general, what will the relationship be between AI and religion?I guess, there are so many ways you could go with that. One is that those spaces, religious spaces, are nicely insulated from technology. Not everywhere. Obviously, in some places they aren't, but often it's a space in which you put your phone away. In my head, the desire to go to church is as against having to deal with AI or having to deal with technology being integrated to every other aspect of my life.I guess maybe people will start worshiping the idea of the singularity. Maybe we'll get the singularity and Terminator, or the Matrix is going to happen, and we'll call them our gods because they will feel like gods. That's maybe one option. I don't know how AI-- I guess I don't know enough about AI that maybe you'll have AI, or does this happen? Maybe this has happened already that you could have an AI confession and you'd have an AI priest and they tell you--Henry: Sure. It's huge for therapy, right?Lamorna: Yes.Henry: Which is that adjacent thing.Lamorna: That's a good point. It does feel something about-- I'm sure, theologically, it's not supposed to work if you haven't been ordained, but can an AI be ordained, become a priest?Henry: IndeedLamorna: Could they do communion? I don't know. It's fascinating.Henry: I can see a situation where a young person lives in a secular environment or culture and is interested in things and the AI is the, in some ways, easiest place for them to turn to say, "I need to talk about-- I have these weird semi-religious feelings, or I'm interested." The AI's not going to be like, "Oh, really? That's weird." There's the question of will we worship AI or whatever, but also will we get people's conversions being shaped by their therapy/confessors/whatever chat with their LLM?Lamorna: Oh, it's so interesting. I read a piece recently in the LRB by James Vincent. It was about AI relationships, our relationship with AI, and he looked at AI girlfriends. There was this incredible case, maybe you read about it, about a guy who tried to kill the Queen some years back. His defense was that his AI girlfriend had really encouraged him to do that. Then, you can see the transcripts of the text, and he says, "I'm thinking about killing the Queen." His AI girlfriend is like, "Go for it, baby."It's that thing there of like, at the moment, AI is still reflecting back our own desires or refracting almost like shifting how they're expressed. I'm trying to imagine that in the same case of me saying, "I feel really lonely, and I'm thinking about Christianity." My friend would speak with all of their context and background, and whatever they've got going on for them. Whereas an AI would feel my desire there and go, "That's a good idea. It says online this." It's very straight. It would definitely lead us in directions that feel less than human or other than human.Henry: I also have this thought, you used to, I think you still do, but you see it less. You used to get a Samaritan's Bible in every hotel. The Samaritans, will they start trying to install a religious chatbot in places where people--? There are lots of ways in which you could use it as a distribution mechanism.Lamorna: Which does feel so far from the point. Not to think about the gospels, but that feeling of something I talk about in the book is that, so much of it is human contact. Is that this factor of being changed in the moment, person to person. If I have any philosophy for life at the moment is this sense of desperately needing contact that we are saved by each other all the time, not by our telephones and things that aren't real. It's the surprise.I quote it in the book, but Iris Murdoch describes love is the very difficult realization that someone other than yourself is real. I think that's the thing that makes us all survive, is that reminder that if you're feeling deeply depressed, being like, there is someone else that is real, and they have a struggle that matters as much as mine. I think that's something that you are never going to get through a conversation with a chatbot, because it's like a therapeutic thing. You are not having to ask it the same questions, or you are not having to extend yourself to think about someone else in those conversations.Henry: Which Iris Murdoch novels do you like?Lamorna: I've only read The Sea, The Sea, but I really enjoyed it. Which ones do you like?Henry: I love The Sea, The Sea, and The Black Prince. I like the late books, like The Good Apprentice and The Philosopher's Pupil, as well. Some people tell you, "Don't read those. They're late works and they're no good," but I was obsessed. I was absolutely compelled, and they're still all in my head. They're insane.Lamorna: Oh, I must, because I've got a big collection of her essays. I'm thinking is so beautiful, her philosophical thought. It's that feeling, I know I'm going the wrong-- starting in the wrong place, but I do feel that she's someone I'd really love to explore next, kind of books.Henry: I think you'd like her because she's very interested in the question of, can therapy help, can philosophy help, can religion help? She's very dubious about therapy and philosophy, and she is mystic. There are queer characters and neurodivergent characters. For a novelist in the '70s, you read her now and you're like, "Well, this is all just happening now."Lamorna: Cool.Henry: Maybe we should be passing these books out. People need this right now.Lamorna: Which one would you say I should do first after The Sea, The Sea?Henry: Maybe The Black Prince.Lamorna: The Black Prince. Great.Henry: Which is the one she wrote before The Sea, The Sea and is just a massive masterpiece.Lamorna: I'll read it. Where do you stand on therapy? Do you have a position?Henry: I think on net, it might be a bad thing, even if it is individually useful for people.Lamorna: Why is that?Henry: [laughs] I didn't expect to have to answer the question. Basically two reasons. I think it doesn't take enough account of the moral aspect of the decisions being made very often. This is all very anecdotal and you can find yourself feeling better in the short term, but not necessarily in the long-- If you make a decision that's not outrageously immoral, but which has not had enough weight placed on the moral considerations.There was an article about how lots of people cut out relatives now and the role that therapy plays in that. What I was struck by in the article that was-- Obviously, a lot of those people are justified and their relatives have been abusive or nasty, of course, but there are a lot of cases where you were like, "Well, this is a long-term decision that's been made on a short-term basis." I think in 10 years people may feel very differently. There wasn't enough consideration in the article, at least I felt, given to how any children involved would be affected later on. I think it's a good thing and a bad thing.Lamorna: I'm so with you. I think that's why, because also the fact of it being so private and it being about the individual, and I think, again, there are certain things if you're really struggling with that, it's helpful for, but I think I'm always more into the idea of communal things, like AAA and NA, which obviously a very particular. Something about doing that together, that it's collaborative and therefore there is someone else in the room if you say, "I want to cut out my parent."There's someone else who said that happened to me and it was really hard. It means that you are making those decisions together a little bit more. Therapy, I can feel that in friends and stuff that it does make us, even more, think that we are these bounded individuals when we're not.Henry: I should say, I have known people who've gone to therapy and it's worked really well.Lamorna: I'm doing therapy right now and it is good. I think, in my head, it's like it should be one among many and I still question it whilst doing it.Henry: To the extent that there is a religious revival among "Gen Z," how much is it because they have phones? Because you wrote something like, in fact, I have the quote, "There's a sense of terrible tragedy. How can you hold this constant grief that we feel, whether it's the genocide in Gaza or climate collapse? Where do I put all the misery that I receive every single second through my phone? Church can then be a space where I can quietly go and light a candle." Is it that these young people are going to religion because the phone has really pushed a version of the world into their faces that was not present when I was young or people are older than me?Lamorna: I think it's one of, or that the phone is the symptom because the phone, whatever you call it, technology, the internet, is the thing that draws the world closer to us in so many different ways. One being that this sense of being aware of what's happening around in other places in the world, which maybe means that you become more tolerant of other religions because you're hearing about it more. That, on TikTok, there's loads of kids all across the world talking about their particular faiths and their background and which aspera they're in, and all that kind of thing.Then, this sense of horror being very unavoidable that you wake up and it is there and you wake up and you think, "What am I doing? What am I doing here? I feel completely useless." Perhaps then you end up in a church, but I'm not sure.I think a bigger player in my head is the fact that we are more pluralistic as societies. That you are more likely to encounter other religions in schools. I think then the question is, well then maybe that'll be valuable for me as well. I think also, not having parents pushing religion on you makes kids, the fact of the generation above the British people, your parents' generations, not saying religion is important, you go to church, then it becomes something people can become more curious about in their own right as adults. I think that plays into it.I think isolation plays into it and that's just not about technology and the phone, but that's the sense of-- and again, I'm thinking about early 20s, mid 20s, so adults who are moving from place to place, who maybe feel very isolated and alone, who are doing jobs that make them feel isolated and alone, and there are this dearth of community spaces and then thinking, well, didn't people used to go to churches, it would be so nice to know someone older than me.I don't know how this fits in, but I was thinking about, I saw this documentary, The Encampments, like two days ago, which is about the Columbia University encampments and within that, Mahmood Khalil, who's the one who's imprisoned at the moment, who was this amazing leader within the movement and is from Palestine. The phone in that, the sense about how it was used to gather and collect people and keep people aware of what's happening and mean that everyone is more conscious and there's a point when they need more people in the encampments because the police are going to come. It's like, "Everyone, use your phone, call people now." I think I can often be like, "Oh no, phones are terrible," but this sense within protest, within communal activity, how valuable they can be as well.I haven't quite gotten into that thought. I don't know, basically. I think it's so hard. I've grown up with a phone. I have no sense of how much it plays a part in everything about me, but obviously, it is a huge amount. I do think it's something that we all think about and are horrified by whilst also seeing it as like this weird extension of ourselves. That definitely plays into then culturally, the decisions we make to either try and avoid them, find spaces where you can be without them.Henry: How old do you think a child should be when they're first given a phone? A smartphone, like an iPhone type thing?Lamorna: I think, 21.Henry: Yes?Lamorna: No, I don't know. I obviously wouldn't know that about a child.Henry: I might.Lamorna: I'd love to. I would really love to because, I don't know, I have a few friends who weren't allowed to watch TV until they were 18 and they are eminently smarter than me and lots of my other friends. There's something about, I don't know, I hate the idea that as I'm getting older, I'm becoming more scaremongering like, "Oh no, when I was young--" because I think my generation was backed in loads of ways. This thing of kids spending so much less time outside and so much less time being able to imagine things, I think I am quite happy to say that feels like a terrible loss.I read a piece recently about kids in New York and I think they were quite sort of middle-class Brooklyn-y kids, but they choose to go days without their phones and they all go off into the forest together. There is this sense of saying giving kids autonomy, but at the same time, their relationship with a phone is not one of agency. It's them versus tech bros who have designed things that are so deeply addictive, that no adult can let go of it. Let alone a child who's still forming how to work out self-control, discipline and stuff. I think a good parenting thing would be to limit massively these completely non-neutral objects that they're given, that are made like crack and impossible to let go of.Henry: Do you think religious education in schools should be different or should there be more of it?Lamorna: Yes, I think it should be much better. I don't know about you, but I just remember doing loads of diagrams of different religious spaces like, "This is what a mosque looks like," and then I'd draw the diagram. I knew nothing. I barely knew the difference between the Old Testament and the New Testament. In fact, I probably didn't as a teenager.I remember actually in sixth form, having this great philosophy teacher who was talking about the idea of proto antisemitism within the gospels. I was like, "Wait, what?" Because I just didn't really understand. I didn't know that it was in Greek, that the Old Testament was in Hebrew. I just didn't know. I think all these holy texts that we've been carrying with us for thousands of years across the world have so much in them that's worth reading and knowing.If I was in charge of our R.E., I would get kids to write on all holy texts, but really think about them and try and answer moral problems. You'd put philosophy back with religion and really connect them and think, what is Nietzsche reacting against? What does Freud about how is this form of Christianity different like this? I think that my sense is that since Gove, but also I'm sure way before that as well, the sense of just not taking young people seriously, when actually they're thoughtful, intelligent and able to wrestle with these things, it's good for them to have know what they're choosing against, if they're not interested in religion.Also, at base, those texts are beautiful, all of them are, and are foundational and if you want to be able to study English or history to know things about religious texts and the practices of religion and how those rituals came about and how it's changed over thousands of years, feels important.Henry: Which religious poets do you like other than Hopkins? Because you write very nicely about Hopkins in the book.Lamorna: He's my favorite. I like John Donne a lot. I remember reading lots of his sermons and Lancelot Andrews' sermons at university and thinking they were just astonishingly beautiful. There are certain John Donne sermons and it's this feeling of when he takes just maybe a line from one of Paul's letters and then is able to extend it and extend it, and it's like he's making it grow in material or it's like it's a root where suddenly all these branches are coming off it.Who else do I like? I like George Herbert. Gosh, my brain is going in terms of who else was useful when I was thinking about. Oh it's gone.Henry: Do you like W.H. Auden?Lamorna: Oh yes. I love Auden, yes. I was rereading his poems about, oh what's it called? The one about Spain?Henry: Oh yes.Lamorna: About the idea of tomorrow.Henry: I don't have a memory either, but I know the poem you mean, yes.Lamorna: Okay. Then I'm trying to think of earlier religious poets. I suppose things like The Dream of the Rood and fun ways of getting into it and if you're looking at medieval poetry.Henry: I also think Betjeman is underrated for this.Lamorna: I've barely read any Betjeman.Henry: There's a poem called Christmas. You might like it.Lamorna: Okay.Henry: It's this famous line and is it true and is it true? He really gets into this thing of, "We're all unwrapping tinsely presents and I'm sitting here trying to work out if God became man." It's really good. It's really good. The other one is called Norfolk and again, another famous line, "When did the devil first attack?" It talks about puberty as the arrival of the awareness of sin and so forth.Lamorna: Oh, yes.Henry: It's great. Really, really good stuff. Do you personally believe in the resurrection?Lamorna: [chuckles] I keep being asked this.Henry: I know. I'm sorry.Lamorna: My best answer is sometimes. Because I do sometimes in that way that-- someone I interviewed who's absolutely brilliant in the book, Robert, and he's a Cambridge professor. He's a pragmatist and he talks about the idea of saying I'm a disciplined person means nothing unless you're enacting that discipline daily or it falls away. For him, that belief in a Kierkegaardian leap way is something that needs to be reenacted in every moment to say, I believe and mean it.I think there are moments when my church attendance is better and I'm listening to a reading that's from Acts or whatever and understanding the sense of those moments, Paul traveling around Europe and Asia Minor, only because he fully believed that this is what's happened. Those letters and as you're reading those letters, the way I read literature or biblical writing is to believe in that moment because for that person, they believe too. I think there are points at which the resurrection can feel true to me, but it does feel like I'm accessing that idea of truth in a different way than I am accessing truth about-- it's close to how I think about love as something that's very, very real, but very different from experiential feelings.I had something else I wanted to say about that and it's just gone. Oh yes. I was at Hay Festival a couple of weeks ago. Do you know the Philosopher Agnes Callard?Henry: Oh, sure.Lamorna: She gave a really great talk about Socrates and her love of Socrates, but she also came to my talk and she and her husband, who I think met through arguing about Aristotle, told me they argued for about half a day about a line I'd said, which was that during writing the book, I'd learned to believe in the belief of other people, her husband was like, "You can't believe in the belief of other people if you don't believe it too. That doesn't work. That doesn't make sense." I was like, "That's so interesting." I can so feel that if we're taking that analytically, that if I say I don't believe in the resurrection, not just that I believe you believe it, but I believe in your belief in the resurrection. At what point is that any different from saying, I believe in the resurrection. I feel like I need to spend more time with it. What the slight gap is there that I don't have that someone else does, or as I say it, do I then believe in the resurrection that moment? I'm not sure.I think also what I'm doing right now is trying to sound all clever with it, whereas for other people it's this deep ingrained truth that governs every moment of their life and that they can feel everywhere, or perhaps they can't. Perhaps there's more doubt than they suggest, which I think is the case with lots of us. Say on the deathbed, someone saying that they fully believe in the resurrection because that means there's eternal salvation, and their family believe in that too. I don't think I have that kind of certainty, but I admire it.Henry: Tell me how you got the title for this book from an episode of The Simpsons.Lamorna: It's really good app. It's from When Maggie Makes Three, which is my favorite episode. I think titles are horribly hard. I really struck my first book. I would have these sleepless nights just thinking about words related to the sea, and be like, blue something. I don't know. There was a point where my editor wanted to call it Trawler Girl. I said, "We mustn't. That's awful. That's so bad. It makes me sound like a terrible superhero. I'm not a girl, I'm a woman."With this one, I think it was my fun title for ages. Yes, it's this plaque that Homer has put-- Mr. Burns puts up this plaque to remind him that he will never get to leave the power plant, "Don't forget you're here forever."I just think it's a strong and bonkers line. I think it had this element of play or silliness that I wanted, that I didn't think about too hard. I guess that's an evangelical Christian underneath what they're actually saying is saying-- not all evangelicals, but often is this sense of no, no, no, we are here forever. You are going to live forever. That is what heaven means.That sense of then saying it in this jokey way. I think church is often very funny spaces, and funny things happen. They make good comedy series when you talk about faith.Someone's saying she don't forget we're here forever. The don't forget makes it so colloquial and silly. I just thought it was a funny line for that reason.Then also that question people always ask, "Is religion going to die out?" I thought that played into it. This feeling that, yes, I write about it. There was a point when I was going to an Extinction Rebellion protest, and everyone was marching along with that symbol of the hourglass inside a circle next to a man who had a huge sign saying, "Stop, look, hell is real, the end of the world is coming." This sense of different forms of apocalyptic thinking that are everywhere at the moment. I felt like the title worked for that as well.Henry: I like that episode of The Simpsons because it's an expression of an old idea where he's doing something boring and his life is going to slip away bit by bit. The don't forget you're here forever is supposed to make that worse, but he turns it round into the live like you're going to die tomorrow philosophy and makes his own kind of meaning out of it.Lamorna: By papering it over here with pictures of Maggie. They love wordplay, the writers of The Simpsons, and so that it reads, "Do it for her," instead. That feeling of-- I think that with faith as well of, don't forget we're here forever, think about heaven when actually so much of our life is about papering it over with humanity and being like, "Does it matter? I'm with you right now, and that's what matters." That immediacy of human contact that church is also really about, that joy in the moment. Where it doesn't really matter in that second if you're going to heaven or hell, or if that exists. You're there together, and it's euphoric, or at least it's a relief or comforting.Henry: You did a lot of Bible study and bible reading to write this book. What were the big surprises for you?Lamorna: [chuckles] This is really the ending, but revelation, I don't really think it's very well written at all. It shouldn't be in there, possibly. It's just not [unintelligible 00:39:20] It got added right in the last minute. I guess it should be in there. I just don't know. What can I say?So much of it was a surprise. I think slowly reading the Psalms was a lovely surprise for me because they contain so much uncertainty and anguish, and doubt. Imagining those being read aloud to me always felt like a very exciting thing.Henry: Did you read them aloud?Lamorna: When I go to more Anglo Catholic services, they tend to do them-- I never know how to pronounce this. Antiphonally.Henry: Oh yes.Lamorna: Back and forth between you. It's very reverential, lovely experience to do that. I really think I was surprised by almost everything I was reading. At the start of Kierkegaard's Fear and Trembling, he does this amazing thing where he does four different versions of what could be happening in the Isaac and Abraham story underneath.There's this sense of in the Bible, and I'm going to get this wrong, but in Mimesis, Auerbach talks about the way that you're not given the psychological understanding within the Bible. There's so much space for readers to think with, because you're just being told things that happened, and the story moves on quickly, moment by moment. With Isaac and Abraham, what it would mean if Isaac actually had seen the fact that his father was planning to kill him. Would he then lose his faith? All these different scenarios.I suddenly realised that the Bible was not just a fixed text, but there was space to play with it as well. In the book, I use the story of Jacob and the angel and play around with the meaning of that and what would happen after this encounter between Jacob and an angel for both of them.Bits in the Gospels, I love the story of the Gerasene Demoniac. He was a knight. He was very unwell, and no one knew what to do with him. He was ostracised from his community. He would sit in this cave and scream and lacerate himself against the cave walls. Then Jesus comes to him and speaks to him and speaks to the demons inside him. There's this thing in Mark's Gospel that Harold Bloom talks about, where only demons are actually able to perceive. Most people have to ask Christ who he really is, but demons can perceive him immediately and know he's the son of God.The demons say that they are legion. Then Jesus puts them into 1,000 pigs. Is it more? I can't remember. Then they're sent off over the cliff edge. Then the man is made whole and is able to go back to his community. I just think there's just so much in that. It's so rich and strange. I think, yes, there's something about knowing you could sit down and just read a tiny bit of the Bible and find something strange and unusual that also might speak to something you've read that's from thousands of years later.I also didn't know that in Mark's Gospel, the last part of it is addended, added on to it. Before that, it ended with the women being afraid, seeing the empty tomb, but there's no resolution. There's no sense of Christ coming back as spirit. It ended in this deep uncertainty and fear. I thought that was so fascinating because then again, it reminds you that those texts have been played around with and thought with, and meddled with, and changed over time. It takes away from the idea that it's fixed and certain, the Bible.Henry: What did you think of Harold Bloom's book The Shadow of a Great Rock?Lamorna: I really loved it. He says that he treats Shakespeare more religiously and the Bible more like literature, which I found a funny, irreverent thing to say. There's lovely stuff in there where, I think it was Ruth, he was like, maybe it was written by a woman. He takes you through the different Hebrew writers for Genesis. Which again, becoming at this as such a novice in so many ways, realising that, okay, so when it's Yahweh, it's one particular writer, there's the priestly source for particular kinds of writing. The Yahwist is more ironic, or the God you get is more playful.That was this key into thinking about how each person trying to write about God, it's still them and their sense of the world, which is particular and idiosyncratic is forming the messages that they believe they're receiving from God. I found that exciting.Yes, he's got this line. He's talking about the blessings that God gives to men in Genesis. He's trying to understand, Bloom, what the meaning of a blessing is. He describes it as more life into a time without boundaries. That's a line that I just found so beautiful, and always think about what the meaning of that is. I write it in the book.My best friend, Sammy, who's just the most game person in the world, that you tell them anything, they're like, "Cool." I told them that line. They were like, "I'm getting it tattooed on my arm next week." Then got me to write in my handwriting. I can only write in my handwriting, but write down, "More time into life without boundaries." Now they've just got it on their arm.Henry: Nice.Lamorna: I really like. They're Jewish, non-practicing. They're not that really interested in it. They were like, "That's a good line to keep somewhere."Henry: I think it's actually one of Bloom's best books. There's a lot of discussion about, is he good? Is he not good? I love that book because it really just introduces people to the Bible and to different versions of the Bible. He does all that Harold Bloom stuff where he's like, "These are the only good lines in this particular translation of this section. The rest is so much dross.He's really attentive to the differences between the translations, both theologically but also aesthetically. I think a lot of people don't know the Bible. It's a really good way to get started on a-- sitting down and reading the Bible in order. It's going to fail for a lot of people. Harold Bloom is a good introduction that actually gives you a lot of the Bible itself.Lamorna: For sure, because it's got that midrash feeling of being like someone else working around it, which then helps you get inside it. I was reading that book whilst going to these Bible studies at a conservative evangelical church called All Souls. I wasn't understanding what on earth was going on in Mark through the way that we're being told to read it, which is kids' comprehension.Maybe it was useful to think about why would the people have been afraid when Christ quelled the storms? It was doing something, but there was no sense of getting inside the text. Then, to read alongside that, Bloom saying that the Christ in Mark is the most unknowable of all the versions of Christ. Then again, just thinking, "Oh, hang on." There's an author. The author of Mark's gospel is perceiving Christ in a particular way. This is the first of the gospels writing about Christ. What does it mean? He's unknowable. Suddenly thinking of him as a character, and therefore thinking about how people are relating to him. It totally cracks the text open for you.Henry: Do you think denominational differences are still important? Do most people have actual differences in dogma, or are they just more cultural distinctions?Lamorna: They're ritual distinctions. There really is little that you could compare between a Quaker meeting and a Catholic service. That silence is the fundamental aspect of all of it. There's a sense of enlighten.My Quaker mate, Lawrence, he's an atheist, but he wouldn't go to another church service because he's so against the idea of hierarchy and someone speaking from a pulpit. He's like, honestly, the reincarnated spirit of George Fox in many ways, in lots of ways he's not.I guess it becomes more blurry because, yes, there's this big thing in the early 20th century in Britain anyway, where the line that becomes more significant is conservative liberal. It's very strange that that's how our world gets divided. There's real simplification that perhaps then, a liberal Anglican church and a liberal Catholic church have more in relationship than a conservative Catholic church and a conservative evangelical church. The line that is often thinking about sexuality and marriage.I was interested, people have suddenly was called up in my book that I talk about sex a lot. I think it's because sex comes up so much, it feels hard not to. That does seem to be more important than denominational differences in some ways. I do think there's something really interesting in this idea of-- Oh, [unintelligible 00:48:17] got stung. God, this is a bit dramatic. Sorry, I choked on coffee earlier. Now I'm going to get stung by a bee.Henry: This is good. This is what makes a podcast fun. What next?Lamorna: You don't get this in the BBC studios. Maybe you do. Oh, what was I about to say? Oh, yes. I like the idea of church shopping. People saying that often it speaks to the person they are, what they're looking for in a church. I think it's delightful to me that there's such a broad church, and there's so many different spaces that you can go into to discover the church that's right for you. Sorry. I'm really distracted by this wasp or bee. Anyway.Henry: How easy was it to get people to be honest with you?Lamorna: I don't know. I think that there's certain questions that do tunnel right through to the heart of things. Faith seems to be one of them. When you talk about faith with people, you're getting rid of quite a lot of the chaff around with the politeness or whatever niceties that you'd usually speak about.I was talking about this with another friend who's been doing this. He's doing a play about Grindr. He was talking about how strange it is that when you ask to interview someone and you have a dictaphone there, you do get a deeper instant conversation. Again, it's a bit like a therapeutic conversation where someone has said to you, "I'm just going to sit and listen." You've already agreed, and you know it's going to be in a book. "Do you mind talking about this thing?"That just allows this opportunity for people to be more honest because they're aware that the person there is actually wanting to listen. It's so hard to create spaces. I create a cordon and say, "We're going to have a serious conversation now." Often, that feels very artificial. I think yes, the beauty of getting to sit there with a dictaphone on your notebook is you are like, "I really am interested in this. It really matters to me." I guess it feels easy in that way to get honesty.Obviously, we're all constructing a version of ourselves for each other all the time. It's hard for me to know to what extent they're responding to what they're getting from me, and what they think I want to hear. If someone else interviewed them, they would probably get something quite different. I don't know. I think if you come to be with openness, and you talk a bit about your journey, then often people want to speak about it as well.I'm trying to think. I've rarely interviewed someone where I haven't felt this slightly glowy, shimmery sense of it, or what I'm learning feels new and feels very true. I felt the same with Cornish Fisherman, that there was this real honesty in these conversations. Many years ago, I remember I got really obsessed with interviewing my mom. I think I was just always wanting to practice interviewing. The same thing that if there's this object between you, it shifts the dimensions of the conversation and tends towards seriousness.Henry: How sudden are most people's conversions?Lamorna: Really depends. I was in this conversation with someone the other day. When she was 14, 15, she got caught shoplifting. She literally went, "Oh, if there's a God up there, can you help get me out of the situation?" The guy let her go, and she's been a Christian ever since. She had an instantaneous conversion. Someone I interviewed in the book, and he was a really thoughtful card-carrying atheist. He had his [unintelligible 00:51:58] in his back pocket.He hated the Christians and would always have a go at them at school because he thought it was silly, their belief. Then he had this instant conversion that feels very charismatic in form, where he was just walking down an avenue of trees at school, and he felt the entire universe smiling at him and went, "Oh s**t, I better become a Christian."Again, I wonder if it depends. I could say it depends on the person you are, whether you are capable of having an instant conversion. Perhaps if I were in a religious frame of mind, I'd say it depends on what God would want from you. Do you need an instant conversion, or do you need to very slowly have the well filling up?I really liked when a priest said to me that people often go to church and expect to be changed in a moment. He's like, "No, you have to go for 20 years before anything happens." Something about that slow incremental conversion to me is more satisfying. It's funny, I was having a conversation with someone about if they believe in ghosts, and they were like, "Well, if I saw one, then I believe in ghosts." For some people, transcendental things happen instantaneously, and it does change them ultimately instantly.I don't know, I would love to see some stats about which kinds of conversions are more popular, probably more instant ones. I love, and I use it in the book, but William James' Varieties of Religious Experience. He talks about there's some people who are sick-souled or who are also more porous bordered people for whom strange things can more easily cross the borders of their person. They're more likely to convert and more likely to see things.I really like him describing it that way because often someone who's like that, it might just be described as well, you have a mental illness. That some people are-- I don't know, they've got sharper antennae than the rest of us. I think that is an interesting thought for why some people can convert instantly.Henry: I think all conversions take a long time. At the moment, there's often a pivotal moment, but there's something a long time before or after that, that may or may not look a conversion, but which is an inevitable part of the process. I'm slightly obsessed with the idea of quests, but I think all conversions are a quest or a pilgrimage. Your book is basically a quest narrative. As you go around in your Toyota, visiting these places. I'm suspicious, I think the immediate moment is bundled up with a longer-term thing very often, but it's not easy to see it.Lamorna: I love that. I've thought about the long tail afterwards, but I hadn't thought about the lead-up, the idea of that. Of what little things are changing. That's such a lovely thought. Their conversions began from birth, maybe.Henry: The shoplifter, it doesn't look like that's where they're heading. In retrospect, you can see that there weren't that many ways out of this path that they're on. Malcolm X is like this. One way of reading his autobiography is as a coming-of-age story. Another way of reading it is, when is this guy going to convert? This is going to happen.Lamorna: I really like that. Then there's also that sense of how fixed the conversion is, as well, from moment to moment. That Adam Phillips' book on wanting to change, he talks about our desire for change often outstrips our capacity for change. That sense of how changed am I afterwards? How much does my conversion last in every moment? It goes back to the do you believe in the resurrection thing.I find that that really weird thing about writing a book is, it is partly a construction. You've got the eye in there. You're creating something that is different from your reality and fixed, and you're in charge of it. It's stable, it remains, and you come to an ending. Then your life continues to divert and deviate in loads of different ways. It's such a strange thing in that way. Every conversion narrative we have fixed in writing, be it Augustine or Paul, whatever, is so far from the reality of that person's experience.Henry: What did the new atheists get wrong?Lamorna: Arrogance. They were arrogant. Although I wonder, I guess it was such a cultural moment, and perhaps in the same way that everyone is in the media, very excitedly talking about revival now. There was something that was created around them as well, which was delight in this sense of the end of something. I wonder how much of that was them and how much of it was, they were being carried along by this cultural media movement.I suppose the thing that always gets said, and I haven't read enough Dawkins to say this with any authority, but is that the form of religion that he was attempting to denigrate was a very basic form of Christianity, a real, simplified sense. That he did that with all forms of religion. Scientific progress shows us we've progressed beyond this point, and we don't need this, and it's silly and foolish.I guess he underestimated the depth and richness of religion, and also the fact of this idea of historical progress, when the people in the past were foolish, when they were as bright and stupid as we are now.Henry: I think they believed in the secularization idea. People like Rodney Stark and others were pointing out that it's not really true that we secularized a lot more consistency. John Gray, the whole world is actually very religious. This led them away from John Stuart Mill-type thinking about theism. I think everyone should read more John Stuart Mill, but they particularly should have read the theism essays. That would have been--Lamorna: I've only just got into him because I love the LRB Close Reading podcast. It's Jonathan Rée and James Wood. They did one on John Stuart Mill's autobiography, which I've since been reading. It's an-Henry: It's a great book.Lamorna: -amazing book. His crisis is one of-- He says, "The question of religion is not something that has been a part of my life, but the sense of being so deeply learned." His dad was like, "No poetry." In his crisis moment, suddenly realizing that that's what he needed. He was missing feeling, or he was missing a way of looking at the world that had questioning and doubt within it through poetry.There was a bit in the autobiography, and he talks about when he was in this deep depression, whenever he was at 19 or something. That he was so depressed that he thought if there's a certain number of musical notes, one day there will be no more new music because every single combination will have been done. The sense of, it's so sweetly awful thinking, but without the sense-- I'm not sure what I'm trying to say here.I found his crisis so fascinating to read about and how he comes out of that through this care and attention of beautiful literature and thinking, and through his love of-- What was his wife called again?Henry: Harriet.Lamorna: Harriet. He credits her for almost all his thinking. He wouldn't have moved towards socialism without her. Suddenly, humans are deeply important to him. He feels sorry for the fact that his dad could not express love or take love from him, and that that was such a terrible deficiency in his life.Henry: Mill's interesting on religion because he looks very secular. In fact, if you read his letters, he's often going into churches.Lamorna: Oh, really?Henry: Yes, when he's in Italy, because he had tuberculosis. He had to be abroad a lot. He's always going to services at Easter and going into the churches. For a secular person, he really appreciates all these aspects of religion. His stepdaughter was-- there's a diary of hers in their archives. She was very religious, very intense. As a young woman, when she's 16, 17, intensely Catholic or Anglo-Catholic. Really, it's quite startling.I was reading this thing, and I was like, "Wait, who in the Mill household is writing this? This is insane." There are actually references in his letters where he says, "Oh, we'll have to arrive in time for Good Friday so that she can go to church." He's very attentive to it. Then he writes these theism essays, right at the end of his life. He's very open-minded and very interrogatory of the idea. He really wants to understand. He's not a new atheist at all.Lamorna: Oh, okay. I need to read the deism essays.Henry: You're going to love it. It's very aligned. What hymns do you like?Lamorna: Oh, no.Henry: You can be not a hymn person.Lamorna: No. I'm not a massive hymn person. When I'm in church, the Anglican church that I go to in London now, I always think, "Remember that. That was a really nice one." I like to be a pilgrim. I really don't have the brain that can do this off the cuff. I'm not very musically. I'm deeply unmusical.There was one that I was thinking of. I think it's an Irish one. I feel like I wrote this down at one point, because I thought I might be asked in another interview. I had to write down what I thought in case a hymn that I liked. Which sounds a bit like a politician, when they're asked a question, they're like, "I love football." I actually can't think of any. I'm sorry.Henry: No, that's fine.Lamorna: What are your best? Maybe that will spark something in me.Henry: I like Tell Out My Soul. Do you know that one?Lamorna: Oh, [sings] Tell Out My Soul. That's a good one.Henry: If you have a full church and people are really going for it, that can be amazing. I like all the classics. I don't have any unusual choices. Tell Out My Soul, it's a great one. Lamorna Ash, this has been great. Thank you very much.Lamorna: Thank you.Henry: To close, I think you're going to read us a passage from your book.Lamorna: I am.Henry: This is near the end. It's about the Bible.Lamorna: Yes. Thank you so much. This has definitely been my favourite interview.Henry: Oh, good.Lamorna: I really enjoyed it. It's really fun.Henry: Thank you.Lamorna: Yes, this is right near the end. This is when I ended up at a church, St Luke's, West Holloway. It was a very small 9:00 AM service. Whilst the priest who'd stepped in to read because the actual priest had left, was reading, I just kept thinking about all the stories that I'd heard and wondering about the Bible and how the choices behind where it ends, where it ends.I don't think I understand why the Bible ends where it does. The final lines of the book of Revelation are, "He who testifies to these things says, Yes, I am coming soon. Amen. Come, Lord Jesus, the grace of the Lord Jesus be with God's people. Amen." Which does sound like a to-be-continued. I don't mean the Bible feels incomplete because it ends with Revelation. What I mean is, if we have continued to hear God and wrestle with him and his emissaries ever since the first overtures of the Christian faith sounded.Why do we not treat these encounters with the same reverence as the works assembled in the New Testament? Why have we let our holy text grow so antique and untouchable instead of allowing them to expand like a divine Wikipedia updated in perpetuity? That way, each angelic struggle and Damascene conversion that has ever occurred or one day will, would become part of its fabric.In this Borgesian Bible, we would have the Gospel of Mary, not a fictitious biography constructed by a man a century after her death, but her true words. We would have the conversion of the Ethiopian eunuch on the road between Jerusalem and Gaza from Acts, but this time given in the first person. We would have descriptions from the Picts on Iona of the Irish Saint Columba appearing in a rowboat over the horizon.We would have the Gospels of those from the early Eastern Orthodox churches, Assyrian Gospels, Syriac Orthodox Gospels. We would have records of the crusades from the Christian soldiers sent out through Europe to Jerusalem in order to massacre those of other faiths, both Muslim and Jewish. In reading these accounts, we would be forced to confront the ways in which scripture can be interpreted

Edward of Woodstock, famously known as the Black Prince, was held up as the epitomy of Medieval Chivalry. Matt Lewis is joined by the Black Prince's biographer, Michael Jones to discuss King Edward III's eldest son; how he took command of the English vanguard at the Battle of Crécy at just 16 years old, captured the French King at Poitiers, his potential as a king, and the enigmatic origins of his nickname.Gone Medieval is presented by Matt Lewis. It was edited by Amy Haddow. The producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

On this episode, we'll be talking about Royal Couples that truly fit the trope of Friends to Lovers.The title of the episode is Give Me Your Hand and Let Me All Your Fortunes Understand, meaning our couples today knew each other of old and had to get married for practical reasons, but they grew to love each other with time.  On the Royal Menu today we have:The Fair Maid Joan of Kent & Edward, the Black Prince (elder son of Edward III), as well as Anne Neville & Richard III.To help us understand these couples better, we've enlisted Sharon Bennett Connolly. Find Sharon here:@sharonbennettconnolly on InstagramWomen of the Norman Conquest:https://www.amberley-books.com/silk-and-the-sword.htmlHeroines of the Medieval World by Sharon:https://www.amberley-books.com/heroines-of-the-medieval-world-9781445689449.htmlWomen of the Anarchy by Sharon:https://www.amberley-books.com/discover-books/women-of-the-anarchy.htmlHeroines of the Tudor World :https://www.amberley-books.com/heroines-of-the-tudor-world.htmlScotland's Medieval Queens:https://www.pen-and-sword.co.uk/Scotlands-Medieval-Queens-Hardback/p/51759/aid/1238More Books by Sharon:https://www.pen-and-sword.co.uk/Sharon-Bennett-Connolly/a/3883Sharon's Website:https://historytheinterestingbits.com/silk-and-the-sword-the-women-of-the-norman-conquest/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/To book a walking tour with Natalie https://www.getyourguide.com/s/?q=supplier:252243 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In April 1769 a small British vessel sailing along the southern coast of Hispaniola discovered a shipwreck near the current border of Haiti and the Dominican Republic. An investigation found no survivors aboard. But they also found a log which identified that ship as the Black Prince. And there the mystery might have ended. But over the next eight years, “ship's crew members surfaced in unexpected places and recounted its demise.” That demise is part of the story in James H. Sweet's Mutiny on the Black Prince: Slavery, Piracy, and the Limits of Liberty in the Revolutionary Atlantic World. But so too is how the Black Prince came to be wrecked on the Hispaniolan reef; how its crew escaped; and how the owners of the ship, and the interest they represented, took their own revenge. Above all it is a story of how Atlantic slavery was linked not only to commerce, but nearly every other corner of the 18th century world. James H. Sweet is the Vilas-Jartz Distinguished Professor of History at the University of Wisconsin-Madison, and a past president of the American Historical Association. He has previously been the prize-winning author of Recreating Africa: Culture, Kinship, and Religion in the African-Portuguese World, 1441-1770 and Domingos Álvares, African Healing, and the Intellectual History of the Atlantic World.   

Down for the Cause This week Subrina, Tamia and Fran welcome the talented and award-winning actor Ronnie Rowe Jr. Known for his role as the Communications Officer on Star Trek: Discovery, Ronnie carries on the legacy of Nichelle Nichols' iconic character, Nyota Uhura, from the Original Series. From his portrayal of the Black Prince in a Hallmark Christmas movie to playing a Pullman Porter in the critically acclaimed series The Porter, Ronnie's diverse career is a must-hear. Plus, with his 2017 Best Actor award for Black Cop at the Vancouver Film Critics Circle, you won't want to miss his insights and stories. Tune in and listen to this incredible journey!
 Find and Follow Ronnie Rowe Jr:
 IMDb: https://www.imdb.com/name/nm1775597/
IG: https://www.instagram.com/ronnierowejr/ Watch “The Porter” (free trial): https://www.bet.plus/shows/the-porter Associate Producers: Sailor Marj, Karen Dramera and Stephanie Baker Thank you Dena Massenburg for our dope logo: @blackbeanz70
 Music: “Poppin off the Rip" Artist: RAGE Source: YouTube Audio Library 
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Down for the Cause This week Subrina, Tamia and Fran welcome the talented and award-winning actor Ronnie Rowe Jr. Known for his role as the Communications Officer on Star Trek: Discovery, Ronnie carries on the legacy of Nichelle Nichols' iconic character, Nyota Uhura, from the Original Series. From his portrayal of the Black Prince in a Hallmark Christmas movie to playing a Pullman Porter in the critically acclaimed series The Porter, Ronnie's diverse career is a must-hear. Plus, with his 2017 Best Actor award for Black Cop at the Vancouver Film Critics Circle, you won't want to miss his insights and stories. Tune in and listen to this incredible journey!
 Find and Follow Ronnie Rowe Jr:
 IMDb: https://www.imdb.com/name/nm1775597/
IG: https://www.instagram.com/ronnierowejr/ Watch “The Porter” (free trial): https://www.bet.plus/shows/the-porter Associate Producers: Sailor Marj, Karen Dramera and Stephanie Baker Thank you Dena Massenburg for our dope logo: @blackbeanz70
 Music: “Poppin off the Rip" Artist: RAGE Source: YouTube Audio Library 
 SUPPORT US ON PATREON
https://www.patreon.com/syfysistas
 SUBSCRIBE > LIKE > SHARE https://linktr.ee/syfysistas
 You can find the SyFy Sistas and our family of podcasts on The Trek Geeks Podcasts Network: https://trekgeeks.com FANSETS - Our pins...have character. We want to thank our friends at FanSets for being the presenting sponsor of the Trek Geeks Podcasts. Listen to the podcast to score 10% off your entire purchase: https://fansets.com STRANGER COMICS. THE BEST IN FANTASY COMICS! Listen to the podcast to score 10% off your entire purchase: http://www.strangercomics.com/

Edward III's son and heir, the Black Prince, rides through France in a reign of terror and destruction. He aims to goad the King of France into a fully fledged battle. When the French King finally reveals his hand, that battle suddenly seems like a very bad idea. Find out more about Proton Mail at proton.me/thisishistory A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Written and hosted by Dan Jones Producer - Georgia Mills Executive Producer - Louisa Field Production Manager - Eric Ryan Marketing - Kieran Lancini Sound Design - Amber Devereux Learn more about your ad choices. Visit podcastchoices.com/adchoices

  Missy... alone, unleashed, and unfettered. What does she get up to when the Doctor isn't around? Sometimes, Missy isn't the only bad person in the room. Sometimes, she meets others with their own naughty plans. And whoever they might be - medieval thieves, wayward students, renowned assassins - Missy will bring out the worst in them... 4.1 Missy and the Time Assassin by David Quantick Missy gets to meet a hero. But James Blakelock, Time Assassin doesn't quite live up to the legend - although he is very easy on the eye. Although she has places to be and species to annihilate, Missy can't help herself, so she tags along on James' next mission. After all, a little bit of assassination never hurt anyone... 4.2 Bad Apple Brigade by Freddie Valdosta Missy finds herself stranded on Brownsea Island with a troop of girls sent there to improve themselves. But these girls are troublemakers, and Missy has a few lessons to teach them. Only, they're not alone. Something lurking in the woods has history with Missy - but for her, that might be the future... 4.3 The Baron Robbers by Lou Morgan Bored and stranded in the 14th Century, Missy is looking for a way out. Any way at all. Luckily the spectacular ruby owned by Edward, the famed Black Prince, might be just what she needs to get her broken vortex manipulator working again. But someone else is after the ruby too - and the question is, who wants it more... and how low are they prepared to go to get it?  

The noble and gallant King of Bohemia, also known as John of Luxemburg because he was the son of the Emperor Henry of Luxemburg, was told by his people that the battle had begun. Although he was in full armour and equipped for combat, he could see nothing because he was blind. He asked his knights what the situation was and they described the rout of the Genoese and the confusion which followed King Philip's order to kill them. Ha,' replied the King of Bohemia. 'That is a signal for us.' […] 'My lords, you are my men, my friends and my companions-in-arms. Today I have a special request to make of you. Take me far enough forward for me to strike a blow with my sword.Because they cherished his honor and their own prowess, his knights consented. [..] In order to acquit themselves well and not lose the King in the press, they tied all their horses together by the bridles, set their king in front so that he might fulfil his wish, and rode towards the enemy.There also was Lord Charles of Bohemia, who bore the title and arms of King of Germany, and who brought his men in good order to the battlefield. But when he saw that things were going badly for his side, he turned and left. I do not know which way he went.Not so the good King his father, for he came so close to the enemy that he was able to use his sword several times and fought most bravely, as did the knights with him. They advanced so far forward that they all remained on the field, not one escaping alive. They were found the next day lying round their leader, with their horses still fastened together. "Anyone with even a passing interest in late medieval history will remember this scene from Froissart's description of the Battle of Crecy on August 26th, 1346. The Blind King of Bohemia, the epitome of chivalric culture riding into the midst of a battle striking at an enemy he cannot see, relying on his comrades to guide him. This deed made such an impression on the Edward, the Prince of Wales, known as the Black Prince that he honored his foe by adding the Bohemian ostrich feathers and the dead king's motto “Ich Dien”, to his own coat of arms. So to this day the Blind King's heraldic symbols and German motto features on Prince William's coat of arms, the Welsh Rugby Union Badge, some older 2p coins and various regiments in Britain, Australia, Canada and even Sri Lanka. But this death, call it heroic or foolish, was only the end of an astounding life. John Of Bohemia, very much against his own intentions, played a crucial role in the establishment of the key counterweight to French hegemony in Europe. No, not England, but a power centered on Prague, Vienna, Buda and Pest.Let's dive into this story…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon:

rown Wars: The Black Prince erzählt die Geschichte des hundertjährigen Krieges zur Zeit von Frankreich im 14. Jahrhundert neu. Diesmal gibt es einen dunklen Orden mit okkulten Kräften, den es zu besiegen gilt. Das Spiel ist ein klassisches Rundentaktik-Genre gepackt. Wir verwalten dabei unsere Truppen in einer eigenen Domäne. Diese können wir mit Ressourcen ausbauen, genauso wie unsere Truppen. In jeder Mission gibt es als Belohnung sowohl Ressourcen, als auch Geld und Erfahrung. Dabei leveln die Truppen und wir können sie sehr gut individualisieren durch unterschiedliche Skill- und Waffenoptionen, denn diese leveln auch mit. Wir schicken unsere Truppen zu Hauptmissionen, welche die Story weitererzählen, aber auch Nebenmissionen. Dabei ist die Art der Missionen stets sehr ähnlich und es gibt eher wenig Abwechslung. Die Grafik ist auch sehr altbacken und die Animationen stets ähnlich. Dennoch machte mir vor allem das Ausbauen der Domäne und die vielen Kämpferklassen zu verwalten viel Spaß, sodass es sich hier um einen soliden Genre-Vertreter handelt.

The Black Prince's Ruby has been thought to carry a dreadful curse for almost 800 years... but is there any truth to the suspicion? Find out today on The Devil Within. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Brad covers: > Rise of the Ronin > 1000xResist > Crown Wars: the Black Prince > Slay the Princess > Soul Link ...And more!

In this episode, Brad covers: > Rise of the Ronin > 1000xResist > Crown Wars: the Black Prince > Slay the Princess > Soul Link ...And more!

Tales from The Oval, presented by Tom Holland – host of The Rest is History - and Jon Surtees, launches with a fascinating delve into the history of Kennington.Listen on to discover how The Black Prince, a collection of charismatic medieval Knights, Charles I, a celebrity highwayman by the name of Jerry Abershaw, a forger called William Badger, the founder of Methodism John Wesley and the Chartists all played vital and fascinating roles in the history of The Oval.Before delving into the incredible history of the ground, which will be the focus of future episodes, the first episode explores the ancient history of Kennington and Vauxhall and features an incredible role call of the characters that have populated our part of south London for the last millennium.     Future episodes will be released every Wednesday, with episode 2 – coming on Wednesday May 29th – investigating the history of cricket on Kennington Common, the founding of Surrey CCC and the Club's glorious successes during the late Victorian period.Twitter:@surreycricket@holland_tom@JonnySurteesProducer: Will LewisExecutive Producers: Matt Thacker + Jon Surtees

Welcome to a brand new podcast from Tom Holland (The Rest is History) and Jon Surtees - Tales from The Oval.Over the course of an eleven episode series, Tom and Jon (editor of Wisden at The Oval) will conclusively demonstrate that The Oval ranks as the most historic sports venue in the world.As well as telling the stories of iconic cricketers who have adorned the ground, from WG Grace to Alf Gover, and from Jack Hobbs to Michael Holding, the podcast will nominate Surrey's greatest ever player, captain and team, and select the greatest ever innings and spell of bowling seen at the Oval.  But it is not all cricket! Tom and Jon will also be exploring how The Oval played a key role in the history of football and rugby; has hosted both American football and Aussie rules; and became the first ground in history to floodlight a sporting extravaganza, when torches were erected to illuminate the incredible Victorian sport of Pedestrianism.There is history too. The podcast ranges from the Middle Ages, when the Black Prince was a regular in Kennington, to the 18th century, when Jacobites and highwaymen were executed opposite what is now the Oval Tube, to the First and Second World Wars, when the ground was requisitioned, and numerous Surrey cricketers distinguished themselves in action.Tom and Jon will also be playing host to an incredible array of guests - among them, the great West Indies fast bowler Michael Holding, Test Match Special commentator Daniel Norcross, and former England cricketer Ebony Rainford-Brent.

This week the pod welcomes back Thomas Lecaque and John Wyatt Greenlee along with #HATM newcomer Anna Waymack to talk about maybe the best medieval movie ever made: A Knight's Tale. We talk Chaucer, romance, Heath Ledger, the Black Prince, and that fucking soundtrack. Let's go.About our guests:Thomas Lecaque is an associate professor of History at Grand View University in Des Moines, Iowa. He specializes in the nexus of apocalyptic religion and political violence. He has written for the Washington Post, Religion Dispatches, Foreign Policy and The Bulwark, among others. Follow him on Twitter: @tlecaque.John Wyatt Greenlee is  a medievalist and a cartographic historian.His academic research is primarily driven by questions of how people perceive and reproduce their spaces:  how movement through the world — both experiential and imagined — becomes codified in visual and written maps. You can find him on twitter at @greenleejw Anna Waymack, is a Ph.D. candidate in Cornell's Medieval Studies Program, and was selected as a fellow in Olin Library's Summer Graduate Fellowship for Digital Humanities in 2016. As part of that fellowship, Anna developed digital humanities expertise and produced a public website focused on an aspect of her research, Geoffrey Chaucer and the charge of raptus brought forth by Cecily Chaumpaigne.

In this episode of Bow & Blade, Michael and Kelly take another look at this important battle from the Hundred Years' War. How do a visit to the battlefield and the writings of an Italian chronicler change their views on how Edward the Black Prince gained his victory? You can help support this podcast on Patreon - go to www.patreon.com/medievalists

“For within the hollow crown that rounds the hollow temple of a king...” Richard II, son of the dashing Black Prince and grandson of Edward III, became King of England at only ten years old. By the age of fifteen he had overcome one of the most terrifying threats to the English Crown up to that point: the Peasants' Revolt of 1381. In the ensuing years, Richard's rule became increasingly autocratic. This, coupled with the threat of foreign invasion and his dangerous proclivity for favourites, increasingly alienated Richard's subjects, with rebel lords eventually taking up arms against the king. As the storm-clouds of civil war loomed large, King Richard II clung to his hollow crown…. Join Tom and Dominic as they discuss the events that resulted in Richard's deposition and mysterious death, and what his reign tells us the English monarchy in the 15th century. *The Rest Is History LIVE in 2024* Tom and Dominic are back onstage this summer, at Hampton Court Palace in London!  Buy your tickets here: therestishistory.com Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is compilation of Pro-Wrestling Altnative Commentaries recorded from 5/11/18 - 9/4/18 between Mark Radulich and Pat Mullin. They are as follows in the following order:TVPT - X-TRA: WWE Brawl For All - Bart Gunn Vs Godfather Commentary5/11/18Pat Mullin and Mark Radulich commentate over one of the WWE Brawl For All matches, Bart Gunn vs Godfather!TVPT X-TRA: WOSW - Fit Finlay vs Black Prince (Steve Prince) 5/23/18 Pat Mullin and Mark provide commentary over another classic match! A classic match from back in the day between Dave "Fit" Finlay and Black Prince (now known as Soldier Boy Steve Prince)TVPT X-TRA: Championship One Man Gang vs Jim Duggan UWF Dec 20th, 1986 7/14/18 It's Independence Day! Come celebrate July 4th as Pat Mullin and Mark Radulich watch a classic Jim Duggan Vs One Man Gang match from the UWF - because nobody is more American #merican than HOOOOO! Hacksaw Jim Duggan, tough guy!TVPT X-TRA Earthquake vs Tugboat (Supertape III '91) 8/23/18 Pat Mullin and Mark Radulich review a classic big man match between the men that would become The Natural Disasters, Earthquake and good 'ole Uncle Fred, Tugboat!TVPT X-TRA: NWA World Champion Ric Flair vs. Ted DiBiase 9/4/18 NWA World Champion Ric Flair vs. Ted DiBiase Mid South TV Dick Murdoch attacks DiBiase November 15, 1985Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76 alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76

By the late 14th century, England was in decline. Already weakened by the Hundred Years' War, both Edward III and his son, the Black Prince, had died, leaving the country in a perilous state. Richard II, the new king, was only a child. With the poor facing increasingly harsh poll taxes, and distrust of the nobility growing among them, an uprising broke out in southern England in 1381. It was led for the first time by peasants, a class of person invisible on the historical stage up to this point. The Peasants' Revolt would prove to be one of the most iconic events of English history, altering not only England's society and the fate of her monarchy, but also generating a new kind of grassroots radicalism.  Join Tom and Dominic as they discuss the outbreak of this landmark moment in the history of English socialism, building up to the climactic moment when Richard II and his men find themselves besieged in London by the rebel army surrounding her walls, under the leadership of the elusive Wat Tyler… *The Rest Is History LIVE in 2024* Tom and Dominic are back onstage this summer, at Hampton Court Palace in London!  Buy your tickets here: therestishistory.com Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the cut-throat world of Renaissance Florence, Alessandro - the illegitimate son of a Duke and a mixed-race servant - attempts to reassert the Medicis' faltering grip on the city state. But after just six years in power, Alessandro is murdered by his cousin while anticipating an adulterous liaison.In this edition of Not Just the Tudors, first released in August 2021, Professor Suzannah Lipscomb talks to Professor Catherine Fletcher, author of The Black Prince of Florence, about one man's spectacular rise to power against the odds, and his violent demise.This episode was produced by Rob Weinberg.Discover the past with exclusive history documentaries and ad-free podcasts presented by world-renowned historians from History Hit. Watch them on your smart TV or on the go with your mobile device. Get 50% off your first 3 months with code TUDORS sign up now for your 14-day free trial > You can take part in our listener survey here >

Iris Murdoch was a prolific writer, completing 26 novels and several philosophy books in her lifetime. She still holds the record for most Booker Prize shortlistings (a joint record with Margaret Atwood) and the Booker Prize trophy has recently been renamed the 'Iris' in her honour. This month, we've picked The Black Prince, which was shortlisted for the Booker in 1973, as our Book of the Month. It's a part-thriller, part-love story that follows Bradley Pearson – an elderly writer with a ‘block'. Adding and contributing to his torment are a host of predatory friends and relations: his melancholic sister, his ex-wife and her delinquent brother, and a younger, deplorably successful writer, Arnold Baffin. In this episode Jo and James share: Their thoughts on Iris Murdoch's novels Why Murdoch was an exceptionally funny writer, as well as a gifted one A brief biography of Murdoch A summary of The Black Prince What they thought about The Black Prince Who should read The Black Prince Reading list: The Black Prince by Iris Murdoch: https://thebookerprizes.com/the-booker-library/books/the-black-prince The Sea, The Sea by Iris Murdoch: https://thebookerprizes.com/the-booker-library/books/the-sea-the-sea Under the Net by Iris Murdoch A Severed Head by Iris Murdoch The Bloater by Rosemary Tonks A full transcript of the episode is available at our website. Follow The Booker Prize Podcast so you never miss an episode. Visit http://thebookerprizes.com/podcast to find out more about us, and follow us on Twitter, Instagram, Facebook and Tiktok @thebookerprizes. Learn more about your ad choices. Visit megaphone.fm/adchoices

References Aldo Grandi. Almirante. Biografia di un fascista. Milano: Sperling & Kupfer, 2014. Jack Greene and Alessandro Massignani. The Black Prince and the Sea Devils: The story of Valerio Borghese and the elite units of the Decima Mas. Cambridge, MA: Da Capo Press, 2004. Ray Moseley. Mussolini: the last 600 days of il Duce. Lanham, MD: Taylor Trade Publications, 2004. Nicola Rao. Trilogia Della Celtica. Milano: Sperling & Kupfer, 2014.

We return with a trope dissection this week, diving into love-hate relationships. Anime Discussed: Bungo Stray Dogs, Lovely Complex, Urusei Yatsura, The Case Study of Vanitas, Wolf Girl and Black Prince, Wotakoi --- Support this podcast: https://podcasters.spotify.com/pod/show/girltaku/support

In Part Two of our Hundred Years War series, we deal with Poitiers, and the lead up, the Black Death, the Black Prince and of course the battle itself. Gordon Corrigan, author of a number of histories of the Hundred Years War joins me to chat all things medieval warfare. And there's the small matter of a financial claim against France that Gordon is keen to pursue.You can listen to Part One here:The Hundred Years War with Gordon Corrigan. Part One: CrécyFilm Club is out on Tuesday with Steven Spielberg's 2005 thriller Munich, starring Eric Bana and Daniel Craig, and next Saturday we have Part 2 of my Parthenon Marbles series when I deal with the other side.Gordon Corrigan LinksPoitiers: Finest Hours Book 3Crécy: Finest Hours Book 1England Expects:The Battle of SluysA Great and Glorious Adventure: A Military History of the Hundred Years WarOllie LinksOllie on TwitterGordon Corrigan on Poitiers - Aspects of History

In this episode . . .On embracing creativity as an adult and finding flow state. A tour of all the plants and flowers I use in arrangements. Basic tips for bouquets and arrangements. The benefits of growing your own cut flowers. The book that taught me so much about arranging seasonal flowers: A Year in Flowers by Erin Benzakein. I get my spring bulbs from Flowerbulbsrus. (Not sponsored.) Specific plant varieties mentioned: Black Knight scabiosa, Costa Silver snapdragons, Black Prince snapdragons, Little Lime hydrangea, cosmos Apricot Lemonade, cosmos Snow Puff, ninebark Diablo, geranium Rose of Attar. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gardeningoutloud.substack.com

Peter Jackson, nicknamed the Black Prince, (born July 3, 1861, St. Croix, Virgin Islands—died July 13, 1901, Roma, Queensland, Australia), was an outstanding professional boxer. A victim of racial discrimination, he was denied a chance to fight for the world heavyweight championship while in his prime. This second part of Peter Jackson's story documents the difficulties he faced in trying to get his shot at the heavyweight title with famous names such as John L Sullivan and James Corbett drawing the color line and refusing to meet Jackson in the ring. The impact this would have on Jackson is a sad one and would ultimately lead to a decline and eventually his untimely demise. Subscribe https://podcasts.apple.com/gb/podcast/career-profiles/id1494210179 We are also available on Player FM, Spotify, Spreaker, and many more podcasting apps Follow us at: https://twitter.com/career_profiles https://www.facebook.com/btrboxingpodcast Become A Patron patreon.com/btrboxingpodcastnetwork Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Jackson, nicknamed the Black Prince, (born July 3, 1861, St. Croix, Virgin Islands—died July 13, 1901, Roma, Queensland, Australia), was an outstanding professional boxer. A victim of racial discrimination, he was denied a chance to fight for the world heavyweight championship while in his prime. This second part of Peter Jackson's story documents the difficulties he faced in trying to get his shot at the heavyweight title with famous names such as John L Sullivan and James Corbett drawing the color line and refusing to meet Jackson in the ring. The impact this would have on Jackson is a sad one and would ultimately lead to a decline and eventually his untimely demise. Subscribe https://podcasts.apple.com/gb/podcast/career-profiles/id1494210179 We are also available on Player FM, Spotify, Spreaker, and many more podcasting apps Follow us at: https://twitter.com/career_profiles https://www.facebook.com/btrboxingpodcast Become A Patron patreon.com/btrboxingpodcastnetwork Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Jackson, nicknamed the Black Prince, (born July 3, 1861, St. Croix, Virgin Islands—died July 13, 1901, Roma, Queensland, Australia), was an outstanding professional boxer. A victim of racial discrimination, he was denied a chance to fight for the world heavyweight championship while in his prime. Subscribe https://podcasts.apple.com/gb/podcast/career-profiles/id1494210179 We are also available on Player FM, Spotify, Spreaker, and many more podcasting apps Follow us at: https://twitter.com/career_profiles https://www.facebook.com/btrboxingpodcast Become A Patron patreon.com/btrboxingpodcastnetwork Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Jackson, nicknamed the Black Prince, (born July 3, 1861, St. Croix, Virgin Islands—died July 13, 1901, Roma, Queensland, Australia), was an outstanding professional boxer. A victim of racial discrimination, he was denied a chance to fight for the world heavyweight championship while in his prime. Subscribe https://podcasts.apple.com/gb/podcast/career-profiles/id1494210179 We are also available on Player FM, Spotify, Spreaker, and many more podcasting apps Follow us at: https://twitter.com/career_profiles https://www.facebook.com/btrboxingpodcast Become A Patron patreon.com/btrboxingpodcastnetwork Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Miles is joined by Prof. Anne Rowe (Chichester and Kingston) to celebrate the 50th Anniversary of what may be Murdoch's greatest novel. Anne is Visiting Professor at the IMRC at Chichester and Emeritus Research Fellow at Kingston. Her many books include 'Iris Murdoch' in the 'Writers and their Work' Series, which you can purchase at a discounted rate from the Society, here: https://irismurdochsociety.org.uk/product/iris-murdoch-writers-and-their-work/

Long known as "the Great Imposter" due to the frequency with which it was mistaken for ruby and other more commercial gemstones, Spinel is nonetheless a rare, beautiful and durable gem that is especially prized amongst dealers in the antique jewellery trade. Famous Spinels discussed include the Black Prince's Ruby and the Côte-de-Bretagne in the French Crown Jewells. www.courtville.ie A Tape Deck podcast

It's probably impossible to fully understand the events leading up to the Tudor dynasty without talking about perhaps the 14th century's most singular figure - at least from a historical perspective. John of Gaunt was the third son of King Edward III, and through beneficial marriages, became extremely rich in both land and money. His successes on the battlefield and the untimely death of his brother, Edward the Black Prince, made him a powerful political operator. But perhaps the most consequential thing John of Gaunt did was carry on a years-long extramarital affair with a woman named Katherine Swynford - resulting in four children who were given the surname "Beaufort." Theirs was a questionable lineage that would nevertheless have its day in the sun almost a century later. Learn more about your ad choices. Visit podcastchoices.com/adchoices

How good was John the Good?  Despite his dedication to honour and chivalry, John's reign is a hot mess, starting with the first outbreak of the Black Death, escalating into a murderous blood feud with Charles the Bad, and ending with a fun "holiday" with the Black Prince. Is John's personal courage and hutzpah enough to get him into the tournament, or will his lack of patience and wisdom be his downfall?Check out our friend Josh's podcast Grand Dukes of the West to learn more about the powerful land that will become a real thorn in France's side: Burgundy. ⚜️ Visit our Wordpress for episode images, score summaries, contact details and more! Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen.You can also support the show on Patreon! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives and bonus judgements.Support the show⚜️CATEGORIESBen and Eliza each give a score out of 10 for the first 4 categories. The 5th is determined by maths! The result is a total score out of 100. Enchanté: The shallow, first-impressions round: How fabulous and iconic an image have they passed down to us? En Garde: (A.K.A. “Selfish Wins”) How well did they gain and increase their personal power, either through scheming, statesmanship or good old fashion battles? Voulez-Vous: (A.K.A. “Selfless Wins”) How much would we want to live under their regime? How well did they better the world around them through law reforms and cultural projects? Ouh-Là-Là: How pearl-clutchingly scandalous were the events of their life, both in their time and down through the ages? How mad, bad and dangerous were they to know? La Vie en Throne: How many years did they reign, and how many of their children survived them? Read how these points are awarded. View all scores.

While the 14th century wasn't exactly a hotbed of feminist fervor in England, the place wasn't without its powerful and intriguing women. Joan of Kent was one. Though her family was caught up in the armed conflicts that ended the reign of Edward II, once Edward III threw off the restraints imposed by his mother, Isabella of France, he welcomed Joan's family - his relatives - back to his court. This might have been the happy end of Joan's role in history except for the little matter of her bigamy - and eventual marriage to Edward III's eldest son, Edward, the Black Prince. While the Black Prince did not live long enough to succeed his father, his union with Joan made her the mother of the final Plantagenet King of England, Richard II. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Once upon a time, a girl fell in love with an ancient god half-dog hybrid who kidnapped her. I dive into the history of the beauty and beast story to determine why anime is obsessed with retelling it in the weirdest ways possible. And tackle my own conflicting feelings about the series. SOCIAL MEDIA https://linktr.ee/theanimetea SUPPORT THE CHANNEL: Patreon: https://www.patreon.com/theanimetea Ko-Fi: https://ko-fi.com/theanimetea RESOURCES Anime Mentioned: - Wolf Children | 2013 - Vampire Knight | 2008 - Inuyasha | 2002 - Ancient Magus Bride | 2017 - Sacrificial Princess and the King of Beasts | 2023 - Fruits Basket | 2019 - Kakuriyo: Bed and Breakfast for Spirits | 2018 - Kamisama Hajimemashita (Kamisama Kiss) | 2012 - Sugar Apple Fairy Tale | 2023 - Belle | 2022 - The Girl From the Otherside | 2022 - Somali and The Forest Spirit | 2020 - Tale of Outcasts | 2023 - Monster Girl Doctor | 2020 - Beauty and the Beast | 1991 - Beauty and the Beast (Manga) - Beastars | 2020 - Zootopia | 2016 - Howl's Moving Castle | 2005 - My Little Monster | 2012 - Wolf Girl and Black Prince | 2014 - Frutis Basket -Prelude - | 2022 Articles: ⁠https://pastebin.com/tDN5WxFc⁠ LISTS https://anilist.co/user/theanimetea/animelist https://myanimelist.net/profile/theanimetea PURPOSE My name is Phoenix and I dive into the world of visual storytelling in anime and sometimes manga on a weekly basis.

The Black Prince has gained lands in Aquitaine and Gascony through his brutal and thorough attacks. But faced with financial difficulties, sickness, and a notable family death, can he retain his territories? Listen to Tom and Dominic as they conclude this epic four-part series on The 100 Years War.*The Rest Is History Live Tour 2023*:Tom and Dominic are going on an international tour in 2023 and performing in London, Edinburgh, Salford, Dublin, Washington D.C. and New York! Buy your tickets here: restishistorypod.comTwitter: @TheRestHistory @holland_tom @dcsandbrook Hosted on Acast. See acast.com/privacy for more information.

As the spectre of the Black Death haunts Europe, a more tangible foe terrorises the French king and his subjects: the Black Prince, Edward of Woodstock. After his great victory leading the vanguard at Crécy, he continues with his regular incursions into France, before eventually being cornered by John II and his vast army at Poitiers in 1356: has the Black Prince's luck finally run out?*The Rest Is History Live Tour 2023*:Tom and Dominic are going on an international tour in 2023 and performing in London, Edinburgh, Salford, Dublin, Washington D.C. and New York! Buy your tickets here: restishistorypod.comTwitter: @TheRestHistory @holland_tom @dcsandbrook Hosted on Acast. See acast.com/privacy for more information.

This week's chat is the 1st of 3 on the Hundred Years War, and we start with the Battles of Sluys, and the big one, Crécy. Gordon Corrigan (The Major) and distinguished historian talks through the early years of the war, with discussion on Joan of Arc - Heretic or witch? The Black Prince, Edward III and of course, the Longbow.Gordon's book is out now, and is an amusing read that gets you up to speed on the rivalry between England and France. No mindless French bashing here, just a fun chat on the English fight for the French throne.Gordon Corrigan LinksCrécy: Finest Hours Book 1England Expects:The Battle of SluysA Great and Glorious Adventure: A Military History of the Hundred Years WarOllie LinksOllie on TwitterFinest Hours: The Battle of Crécy - Aspects of History

WhistlePig Founder Raj Bhakta parted ways with the rye whiskey brand in 2019 after a contentious split. He's now released Bhakta Spirits 2013 Bourbon. Did you think he would be back in the business so quickly? Bhakta is laser-focused on the concept of vintages and will continue to push the envelope and in the meantime, this is available for $150. Click the link for more. https://robbreport.com/food-drink/spirits/bhakta-spirits-armagnac-finished-bourbon-1234817034/ Origami Sake has opened a new 22,000 square foot operation, right in the center of America's rice crop - Arkansas. Did you know that nearly 50% of the US rice is grown there? Well, it's a great coincidence that the water is also great for rice, with a mineral content and pH similar to rice growing regions in Japan. The timing of the Hot Springs operation appears to be spot-on too, as Sake demand and production have been steadily growing outside of Japan in recent years. To read more on the thorough story - click the link https://www.arkansasonline.com/news/2023/feb/26/sake-to-me/ The Boozebuddy Update is brought to you by Green Mountain Payments - helping local business owners save thousands of dollars by providing complimentary credit card processing equipment and zero cost credit card processing. Visit greenmountainpayments.com or posandzero.com today! If you're looking to make some top shelf Margaritas, don't reach for your ‘good tequila', reach for one that's going to be the best tequila for your margarita. I know, you think this is going to cost you, right? Shockingly the top recommended Espolon Blanco Tequila is only about $16 for a small bottle. To get the full list of 13 and how they ranked, head to the link. https://www.thedailymeal.com/1142742/the-13-best-tequilas-to-use-for-margaritas/ Buy me a Beer and get merch - https://ko-fi.com/boozebuddy Find all the show notes, links, and suggest a story at https://BoozebuddyUpdate.com *Affiliate links below* El Gato Retractable Green Screen - https://amzn.to/3gKm4jr LED Streaming Key Light Desktop - https://amzn.to/3TYfV10 Canon 80D - https://amzn.to/3JwYpiB MOMAN MA6 Lavalier Mic - https://amzn.to/3ZktFHf #theboozebuddyupdate #boozebuddy #boozebuddyupdate #beerindustry #boozenews #booze #whistlepig #bourbon #whiskey #whiskeylover #bourbonbarrelaged #bourbonhunting #origami #sake #sakebar #sakelover #arkansas #ricewine #margarita #margaritas #tequila #tequilacocktails #cocktails #homebartender the boozebuddy update, beer industry, global news, booze news, booze, Raj Bhakta, Whistlepig, Aged bourbon, WhistlePig Boss Hog, Black Prince, MGP Whiskey, Indiana, Corn spirits, malted barley, Origami Sake, Arkansas Rice, Arkansas, American Sake, Sake lover, Sake drink, Margarita, Tequila, BEst Margarita Tequila, Tequila Cocktails, Best Tequila Margarita, --- Support this podcast: https://podcasters.spotify.com/pod/show/boozebuddy/support

England and France are again battling it out in this episode of Bow & Blade. Michael and Kelly focus on this battle from the Hundred Years' War, where Edward the Black Prince would face off against King John II.  You can support this podcast and Medievalists.net on Patreon - go to https://www.patreon.com/medievalists

In the summer of 1346, English soldiers landed at Normandy and mounted a campaign that would become one of the most famous in the Hundred Years War. Historian Dan Jones joins the podcast again to talk about Edward III, the Black Prince, and his new novel, ESSEX DOGS. JOIN THE PILGRIMAGE TO CORNWALL! Support Noble Blood: — Bonus episodes, stickers, and scripts on Pareon — Merch! — Order Dana's book, 'Anatomy: A Love Story' and pre-order its sequel 'Immortality: A Love Story'See omnystudio.com/listener for privacy information.

It's not time to leave opals behind just yet! We've got More Magnificent Opals. Specifically, the very best of the best. The biggest, the rarest, the most beautiful; come and meet the cast: the Olympic and Aurora Australis, a pair of Fire & Flame Queens, a Black Prince, a Red Emperor, and a very impressive Halley... This is the pinnacle, the ultimate opals. Like so many epic gemstones, they each have their own tangled history: robberies, suicide, touring the world, million dollar auctions, and... changing the prehistoric fossil records? Yes. All this and more, on More Magnificent Opals.Please leave a rating/review if you're enjoying the podcast! It makes a huge difference in the algorithm to help the showPatreon for exclusive bonus episodes & merchandise: https://www.patreon.com/teaandgemstonespodcastWriter, Producer, Host - Jennifer Sieverling Music - Joseph McDade & Audionautix ---Stay Sparkly

This week's episode explores a controversial English leader who brilliantly commanded armies during the Hundred Years War in the Middle Ages. Celebrated in England yet hated in France...sometimes a hero, other times a villain. Listen now to hear which it was! - BarkBox Affiliate Link NordVPN Affiliate Link Thank you for listening Weirdos! Show the podcast some love by rating, reviewing, subscribing and sharing it today. Your support means so much to us. Let's stay in touch

We're joined by the brilliant jewellery conservator Bill Hawkes for a dazzling episode about the history of gems, the usefulness of pretty stones, and the intriguing secrets of the jewellery industry. Also tune in for an interview with geological conservator Kate Andrew about the hidden dangers of rock samples and why you should never bin an old label! 01:43 What are minerals? 03:00 Uses of gemstones – light, fading, and lasers! 06:14 Famous diamonds and their history 10:38 Cutting gemstones now and in the past 14:09 More gemstone chemistry 26:27 Hardness vs toughness 33:05 How do you identify gemstones? 41:41 How mucky jewellery gets and cleaning strategies 46:59 What to do if you don't know what you've got 48:43 Pigments and other uses of minerals 52:22 Organic gemstones 56:35 Interview with Kate Andrew Show Notes: - S11E02 Metals (Part 2): https://thecword.show/2022/05/18/s11e05-metals-part-2/ - Bill's website: https://www.williamhawkes.co.uk/ - Lasers and gemstones: https://www.illinoisscience.org/2019/01/surprising-uses-gemstones-ruby-laser/ - Koh-i-Noor diamond: https://en.wikipedia.org/wiki/Koh-i-Noor - Cullinan diamond: https://en.wikipedia.org/wiki/Cullinan_Diamond - Black Prince's Ruby: https://en.wikipedia.org/wiki/Black_Prince%27s_Ruby - Mohs scale of hardness: https://en.wikipedia.org/wiki/Mohs_scale_of_mineral_hardness - Gemstone colour chemistry: https://www.compoundchem.com/2014/06/29/what-causes-the-colour-of-gemstones/ - Gemmological Association of Great Britain: https://gem-a.com/ - National Association of Jewellers: https://www.naj.co.uk/ - Gemological Institute of America: https://www.gia.edu/ - Icon's guidance on geological specimens: http://natsca.org/sites/default/files/publications-full/care-and-conservation-of-geological-specimens.pdf Reading recommendations from Bill and Kate: - Gemstones by Cally Hall: https://www.amazon.co.uk/Gemstones-Cally-Hall/dp/0241436184/ - The Retail Jeweller's Guide by Kenneth Blakemore: https://www.amazon.co.uk/Retail-Jewellers-Guide-Kenneth-Blakemore/dp/0719800331 - Care and Conservation of Geological Materials by Frank Howie: https://www.amazon.co.uk/Care-Conservation-Geological-Material-Meteorites/dp/0750603712/ Support us on Patreon! http://www.patreon.com/thecword Hosted by Jenny Mathiasson, Kloe Rumsey, and William Hawkes. Intro and outro music by DDmyzik, used under a Creative Commons Attribution license. Made available under a Creative Commons Attribution-NonCommercial 4.0 International license. A Wooden Dice production, 2022.

1356 was a year of disaster for the French Crown. The Battle of Poitiers saw King John captured and taken to England, the French army significantly weakened, and central authority collapse. Back in France, John's oldest son the Dauphin Charles was struggling to hold it all together. English raids, peasant revolt, and Norman rebellion all caused headache after headache for the Dauphin while John and his youngest son Philip, now called the Bold for his exploits at Poitiers, had a comfortable English imprisonment. When John and Philip finally made it back to France, the King was determined to give Philip the Bold a proper token to show his gratitude, the wealthy and powerful Duchy of Burgundy. Time Period Covered: 1356-1364 Notable People: Philip of Rouvres, Philip the Bold, King Charles V, Charles the Bad, Etienne Marcel, King John the Good, Edward the Black Prince, Margaret of Flanders Notable Events/Developments: Battle of Poitiers, The Jacquerie, Treaty of Bretigny Check out the Passed Podcast! Cover Art by Brandon Wilburn Music by Zakhar Valaha

Actor James Purefoy joins Nikki Bedi and Richard Coles to talk about Fisherman's Friends One and All. From Mark Antony in Rome to The Black Prince in A Knight's Tale, James talks about his long and wide-ranging career. The Singh Twins are visual artists whose colourful and acclaimed work draws on traditional Indian techniques, Western medieval illuminated manuscripts and contemporary Western culture. They talk about their close bond and identifying as 'twindividuals'. Adeline Vining found a vintage Dior dress belonging to her grandmother in a suitcase in the attic. When she posted a TikTok of herself wearing the dress, she went viral. Fashion historians got involved, suggesting the dress was made by Christian Dior himself, and estimating its worth at £35,000. The discovery also helped Adeline uncover the story of her grandmother's life. Lesley Pearse has been a bestselling novelist for many years, and has lived an extraordinary life. After spending time in an orphanage, she found herself working as a bunny girl in Soho in her teens. When she became pregnant she was forced to give her son up for adoption. Years later she has reconnected with her son, and discovered the huge family she never knew she had. Also we have the Inheritance Tracks of producer and DJ Paul Oakenfold, who chooses Elvis Presley's Rubberneckin' and Marvin Gaye's What's Going On. Fisherman's Friends: One and All is in cinemas from 19th August. The Singh Twins' exhibition ‘Slaves of Fashion' is on at FirstSite in Colchester until 11th September. Lesley Pearse's latest novel Deception is available now. Producer: Tim Bano

It's time to go back to the medieval days, dear listeners. It's been a while since we covered a good old fashioned shitkicker in full plate, so here we go. Edward the Black Prince may have been born of noble blood, but his dad didn't want to raise no pansy. So he made Edward go out and win his position on the battlefield. And boy did Edward prove himself worthy. Enjoy!

Charles II (1660-85) was described by Ronald Hutton as the playboy monarch, naughty but nice, the hero of all who prized urbanity, tolerance, good humour, and the pursuit of pleasure above more earnest, sober or material virtues. Yet, like his grandfather he struggled to pay for it. Though Restoration England brought a new respect and freedom to the monarchy, the country had survived 11 years without the crown. He would test the patience of the establishment when his lifestyle and his faith drew him to the webs of Catholic Europe. Characters Charles II – King of England, Scotland and Ireland Catherine of Braganza – Queen consort of England, Scotland and Ireland James, duke of York – younger brother of Charles II Charles I – King of England, Scotland and Ireland (1625-49), father of Charles II James I – King of England, Scotland and Ireland (1603-25), grandfather of Charles II Henrietta Maria – Queen consort of England, Scotland and Ireland, mother of Charles II Henrietta Anne – younger sister of Charles II, duchess of Orleans Princess Mary – daughter of James, duke of York William of Orange – prince of Orange, husband of Princess Mary Oliver Cromwell – Lord Protector of the Commonwealth of England, Scotland and Ireland (1653-58) Richard Cromwell - Lord Protector of the Commonwealth of England, Scotland and Ireland (1658-59), son of Oliver Cromwell Thomas Fairfax – Parliamentarian commander and general of the New Model Army Prince Rupert of the Rhine – Royalist cavalry commander and colonial governor, cousin of Charles II George Monck – prominent English soldier John Lambert – Parliamentarian general Henry Ireton – Parliamentary general John Bradshaw - President of the High Court of Justice for the trial of Charles I Colonel Thomas Blood – Anglo-Irish officer Titus Oates – English Priest who fabricated the Popish plot Israel Tonge – English divine who helped fabricate the Popish plot Edmund Godfrey – English magistrate Edward Hyde, 1st earl of Clarendon – Lord Chancellor The CABAL - Lord Clifford, Earl of Arlington, Duke of Buckingham, Lord Ashley, Duke of Lauderdale George Pendrell – Catholic royalist Nell Gwynne - mistress of Charles II Barbara Villiers – mistress of Charles II William Harvey – physician and tutor of Charles II Christopher Wren – architect responsible for rebuilding 52 London churches Isaac Newton – mathematician and physicist Robert Boyle – philosopher, chemist, and physicist Edmund Halley – astronomer, geophysicist, and mathematician Louis XIV – King of France, cousin of Charles II Samuel Pepys – Diarist and President of the Royal society John Evelyn – diarist and writer Gilbert Burnet – contemporary historian and philosopher Figures from the past Henry V – King of England (1413-22) Richard III – King of England (1483-85) Edward, The Black Prince – son of Edward III and heir to the English throne Elizabeth II – Queen of the United Kingdom and the Commonwealth realms (1952-present) CREDITS Henry Purcell – The Old Bachelor bbc_period-bat_07019147 bbc_large-outd_07019157 bbc_horses---h_07039290 bbc_dusk-choru_nhu9679545 bbc_rain---rai_nhu0506113 366713__anandthethird__digging-in-dirt 240914__bdvictor__wheat-in-the-wind 516685__supreme1197__washingface 173930__johnsonbrandediting__water-pour bbc_crowds-che_07035075