Podcasts about plantagenet

After surviving the Peasants' Revolt, Richard II comes out on top. He has violently suppressed the rebels  and married the well-credentialed Anne of Bohemia. But this Plantagenet has his eye on another playmate, the handsome Robert De Vere. Richard's wandering eye could spell disaster for England's fortunes. If you want to find out more about the last time a King had a handsome playmate, listen to This Is History's second bonus episode from season five. You can also find out more about Anne of Bohemia and the regal reputation she carried in this week's bonus episode. Head to our Patreon to  vote on future episodes, join in on some spicy court gossip on This Is History chat rooms, and hear from Dan and the rest of the royal council. We'd love to see you there: patreon.com/thisishistory A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Presented by Dan Jones Producer - Alan Weedon Senior Producer - Selina Ream Executive Producer - Louisa Field Production Manager - Jen Mistri Production coordinator - Eric Ryan Sound Design and Mixing - Amber Devereux Head of content - Chris Skinner Learn more about your ad choices. Visit podcastchoices.com/adchoices

ชมวิดีโอ EP นี้ใน YouTube เพื่อประสบการณ์การรับชมที่ดีที่สุด https://youtu.be/4pd7JSelHZc 8 Minute History เอพิโสดใหม่ ว่าด้วยเรื่องราวของ ‘Magna Carta' มหากฎบัตรที่เป็นทั้งแม่บทแห่งการรับรองสิทธิเสรีภาพของประชาชน และมรดกอันล้ำค่าแห่งโลกเสรีประชาธิปไตย เปิดฉากรุ่งอรุณแห่งเสรีภาพ ผ่านเหตุการณ์การเปลี่ยนผ่านอำนาจครั้งสำคัญบนเกาะอังกฤษ สู่การปกครองของราชวงศ์ ‘Plantagenet' พร้อมเบื้องหลังการขึ้นสู่อำนาจของ ‘พระเจ้าจอห์น' กษัตริย์ผู้เป็นตัวละครสำคัญของชนวนความขัดแย้งที่นำไปสู่การก่อกำเนิดมหากฎบัตร ‘Magna Carta' ในเวลาต่อมา

ชมวิดีโอ EP นี้ใน YouTube เพื่อประสบการณ์การรับชมที่ดีที่สุด https://youtu.be/4pd7JSelHZc8 Minute History เอพิโสดใหม่ ว่าด้วยเรื่องราวของ ‘Magna Carta' มหากฎบัตรที่เป็นทั้งแม่บทแห่งการรับรองสิทธิเสรีภาพของประชาชน และมรดกอันล้ำค่าแห่งโลกเสรีประชาธิปไตยเปิดฉากรุ่งอรุณแห่งเสรีภาพ ผ่านเหตุการณ์การเปลี่ยนผ่านอำนาจครั้งสำคัญบนเกาะอังกฤษ สู่การปกครองของราชวงศ์ ‘Plantagenet' พร้อมเบื้องหลังการขึ้นสู่อำนาจของ ‘พระเจ้าจอห์น' กษัตริย์ผู้เป็นตัวละครสำคัญของชนวนความขัดแย้งที่นำไปสู่การก่อกำเนิดมหากฎบัตร ‘Magna Carta' ในเวลาต่อมา

The Plantagenet Queens of England reigned over the middle ages. Some went on crusade, some marched to battle alongside their kings and one overthrew her husband and took control of England herself. The Plantagenet Queens consort were: Berengaria of Navarre Isabella of Angoulême Eleanor of Provence Eleanor of Castile Margaret of France Isabella of France Philippa of Hainault The lives of the many Kings and handful of Queens Regnant who have held dominion over the kingdom of England, and later the United Kingdom take center stage in history. But the lives of their spouses and mothers are often relegated to the wings. In this series we will learn the stories of the many Queens Consort and the handful of male consorts who have been at the monarchs' sides. Through love, hate, adultery and sometimes murder these women and men have played vital roles in the history of England. Join me every Tuesday when I'm Spilling the Tea on History! Check out my Youtube Channel: https://www.youtube.com/c/lindsayholiday Follow me on Facebook: https://www.facebook.com/profile.php?id=100091781568503 Instagram: https://www.instagram.com/historyteatimelindsayholiday/ Tik Tok: https://www.tiktok.com/@historyteatime Please consider supporting me at https://www.patreon.com/LindsayHoliday and help me make more fascinating episodes! Intro Music: Baroque Coffee House by Doug Maxwell Music: Yonder Hill and Dale by Aaron Kenny #HistoryTeaTime #LindsayHoliday Please contact advertising@airwavemedia.com if you would like to advertise on this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - #historia #historiamilitar Gracias a Emilio G. Carrillo de Albornoz conoceremos el origen de la familia real de los Plantagenet. Hablaremos de: - Enrique II - Ricardo I "Corazón de León" - Juan I "sin tierra" - Enrique III Recomiendo el libro de otro amigo del canal Daniel Fernández de Lis "Los Plantagenet" ** https://amzn.to/4fOcXr2 ** ----------------------------------------------------------------------------------------------------------------------- COMPRA EN AMAZON CON EL ENLACE DE BHM Y AYUDANOS ************** https://amzn.to/3ZXUGQl ************* ------------------------------------------------------------------------------------------------------- LOS LIBROS DE PACO https://franciscogarciacampa.com/libros/ ------------------------------------------------------------------------------------------------------ Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis o en PAYPAL https://www.paypal.me/bellumartis o en BIZUM 656/778/825 ---------------------------------------------------------------------------------------------------------------------- Conviértete en miembro de este canal y apoya nuestro trabajo https://www.youtube.com/channel/UCTtIr7Q_mz1QkzbZc0RWUrw/join -------------------------------------------------------------------------------------------------------------------- No olvidéis suscribiros al canal, si aún no lo habéis hecho. Si queréis ayudarnos, dadle a “me gusta” y también dejadnos comentarios. De esta forma ayudaréis a que los programas sean conocidos por más gente. Y compartidnos con vuestros amigos y conocidos. SIGUENOS EN TODAS LAS REDES SOCIALES ¿Queréis contactar con nosotros? Puedes escribirnos a bellumartispublicidad@hotmail.com como por WHATSAP o en BIZUM 656778825 Nuestra página principal es: https://bellumartishistoriamilitar.blogspot.comEscucha este episodio completo y accede a todo el contenido exclusivo de BELLUMARTIS PODCAST. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/618669

Richard the Lionheart is well-known for his travels to distant lands, time on crusade, and wrangling with international politics… But, less well known is the fact that his sister, Joanna Plantagenet (otherwise known as Joan of England, Queen of Sicily) led a life of adventure and danger to rival that of her famous brother. A princess, queen, prisoner and power player, she navigated the turbulent world of medieval politics with resilience and careful judiciousness. Emily Briffett speaks to author and historian Catherine Hanley to chart Joanna's extraordinary life and uncover why she deserves the title of the medieval 'Lionessheart'. (Ad) Catherine Hanley is the author of Lionessheart: The Life and Times of Joanna Plantagenet (The History Press, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Flionessheart%2Fcatherine-hanley%2F9781803995168. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hace ya tiempo hablábamos de Leonor de Plantagenet, un personaje muy importante de la Edad Media, y también han pasado por el podcast dos de sus hijas: Berenguela y Urraca. Hoy nos visita la tercera, Leonor de Castilla, que acabaría siendo reina de Aragón por su matrimonio con Jaime I el Conquistador. Leonor de Plantagenet tuvo dos hijas más, Blanca y Constanza, de las que hablaremos más adelante.

Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting - including civil war, deposition, the murder of kings and the ruthless execution of rebel lords - as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history. In today's episode, historians Caroline Burt and Richard Partington discuss the six Plantagenet kings who ruled during these two centuries, and the significance of these monarchs to England's emergent statehood. Drawing on original accounts and new scholarship, they explore the resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now.  Burt and Partington are joined in conversation by medieval historian and author, Helen Carr. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Well, we continue the story of the first of our Plantagenet Rulers - King Henry the 2nd. Andy is still interested in this topic, so we are going forward with more!  Come listen to Andy take Zach through some of what made him a great, and not so great Plantagenet king! This is going to be a long series, which is cool! 

Pako Gradaille has flexed an impressive range of historical topics and systems with his designs Plantagenet, Cuius Regio, Habemus Papam, and Onoda. We discuss how solitaire games can present challenging narratives, considerations when designing negotiation-based systems, and much more. https://gamefound.com/en/projects/saltandpepper/habemus-papamSend us a text

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain's national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII's life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family. Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created. The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it's possible to be soon emerges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

How did England's Plantagenet kings help form the English state, fight the Black Death, overcome rebellion, and engage in international wars—and how well did they do it? On this week's “Leaders and Legends” podcast, Profs. Caroline Burt and Richard Partington join us via Zoom from Britain to answer these very questions and discuss their magnificent book “Arise, England: Six Kings and the Making of the English State"About Veteran Strategies‘Leaders and Legends' is brought to you by Veteran Strategies—your local veteran business enterprise specializing in media relations, crisis communications, public outreach, and digital photography. Learn more at www.veteranstrategies.com. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dan answers some of the questions from the This Is History mailbox. How did mediaeval people know what day it was? What were the rules on naming a king? Plus, what are the best Plantagenet sights to see today? A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted by Dan Jones and Georgia Mills Producer - Dom Tyerman Executive Producer - Louisa Field Production Manager - Eric Ryan Marketing - Kieran Lancini Mixing - Gulliver Lawrence-Tickell Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dan is joined by food historian Annie Gray, to take a culinary voyage back in time to the feasts of the Plantagenet courts, and for a peek inside a peasant's pantry. Along the way, Annie busts plenty of Mediaeval food myths and introduces Dan to the strange delights of the 'open arse fruit'. A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted by Dan Jones and Annie Gray Producer - Dominic Tyerman Assistant Producer - Suhaar Ali Executive Producer - Louisa Field Production Manager - Eric Ryan and Jen Mistri Marketing - Kieran Lancini Mixing - Gulliver Lawrence-Tickell Learn more about your ad choices. Visit podcastchoices.com/adchoices

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 13th November 2024. The winner will be contacted via Twitter. Show references: https://www.cambridgesciencecentre.org/Facebook | Twitter | Instagram | YouTube| LinkedIn https://www.linkedin.com/in/rebecca-porter-8a0b85121/Becca is a seasoned development and business strategist with over five years in the leadership team at Cambridge Science Centre (CSC). She has played a pivotal role in driving CSC's strategic growth, securing transformative results, including a 50% increase in income and establishing key partnerships that help sustain CSC's mission.Her expertise in fundraising, stakeholder engagement, and business development has been integral to CSC's evolution. Representing CSC at external events, Becca engages with stakeholders across academia, industry, and government, fostering impactful relationships that strengthen the organisation's community presence and reach.Before joining CSC, Becca held the position of Licensing Manager at the RSPB, where she led efforts to negotiate intellectual property rights for product-based partnerships. Her strategies resulted in an increase in profit, underscoring her strong commercial acumen and collaborative approach.With a professional background enhanced by six years of international experience with Carnival Corporation in Miami, Florida, Becca brings a global perspective to her work. Her ability to connect and communicate across diverse sectors reflects her adaptability and understanding of complex business landscapes.Becca's approach is marked by her commitment to expanding CSC's impact and access to science engagement, helping inspire the next generation of learners. Her ongoing efforts to cultivate partnerships and innovate within her field underscore her dedication to making science accessible and engaging for all. https://www.linkedin.com/in/andrew-g-farrer-ph-d-25a18976/Andrew Farrer is the Head of Programmes and Delivery at Cambridge Science Centre. A biological anthropologist by background, he started at the Centre as a Science Communicator travelling around communities and schools on the Roadshow programme. In his current position, he makes sure the team has what they need to deliver the very best in science communication. His PhD used ancient DNA to understand how the human microbiota (the bacterial community living on and in the human body – and keeping us alive!) changed in Britain over the last 1,000 years. Alongside this, he used his passion for science and interest in theatre to develop a science communication programme to bring together the interdisciplinary academics at the Australian Centre for Ancient DNA – an effort that resulted in new international collaborations. He has just got back from a cycling tour in the country of Georgia, where he evaded angry guard dogs, navigated roads that were active building sites, and managed to avoid falling off until the last day! The trip was amazing though! https://www.linkedin.com/in/mandy-curtis-688a33111/Mandy Curtis is the Head of Exhibitions at Cambridge Science Centre. She has been with the Cambridge Science Centre since its opening in 2013, beginning as a Science Communicator, then progressing through the Education team and into Product Development. In her current role as Head of Exhibitions, Mandy oversees everything that is in and delivered at the Centre. She is also responsible for the Centre's overall look, building maintenance, and alarm systems, as well as keeping the shop stocked with STEM-related items.Previously, Mandy worked in the pharmaceutical industry and as a school lab technician, where she also ran a STEM club. She was actively involved in Scouting in her village for over 15 years, remaining on the Executive Committee after her own children left and leading sessions for science-related badges, along with serving as the camp cook.Mandy enjoys walks along the beach in Norfolk with her very large dog, visiting as often as she can. She also loves having her children and their partners back home, especially since they return to their own homes afterward!  Transcription: Paul Marden: Welcome to Skip the Queue podcast for people working in and working with visitor attractions. I'm your host, Paul Marden. In July this year, Cambridge Science Centre opened its new building, returning to the real world after having been a science centre without a building for several years. In today's episode, I'm joined by some of their team. Andrew Farrer, Head of Programmes and Delivery, Rebecca Porter, Head of Development, and Mandy Curtis, the Head of Exhibitions. And we'll talk about the trials and tribulations of opening a new building from scratch and the benefits now the site has opened. Paul Marden: Hello, everyone. Welcome to Skip the Queue. Becca, Andrew, Mandy, lovely to see you. Really good to talk to you about the experience that you've had recently at Cambridge Science Centre, returning to the real world and having your own physical building for the Science Centre. Paul Marden: For listeners, I've had a little part to play because Rubber Cheese worked with CSC on the journey building websites. So I know a little bit about what's going on, but there's a whole load of stuff. I'm sure there's loads of anecdotes and stories that you're going to be able to tell us all about the trials and tribulations of building a brand new science centre from scratch. Before we get to that, it would be really nice if we did our icebreaker question. So I'm going to do one for each of you. Okay. So it doesn't matter which order I go in because you're not going to get any benefit from knowing what the question was. All right, so I'm going to start with you, Becca, because you're first. First on my. On my list. Okay. Paul Marden: What one thing would you make a law that isn't one already? Rebecca Porter: Oh, that is very interesting. I'm not sure. the rest of those. Andrew Farrer: The rest of us are feeling a bit nervous at this stage. Yeah, Becca's law is Andrew is no longer allowed in any meeting. Rebecca Porter: Yeah, yeah, that's a good one. I'll go with that. Paul Marden: That's very specific. I think when I come to power, not if I come to power, I don't think I dive that spec. I might go more broad. It might be about abolishing foods that I cannot abide eating or something like that. Not particularly. Take one of my team out of a meeting. Seems a little bit wasteful. Andrew Farrer: You don't know what I'm like in meetings. Paul Marden: Andrew, what is the biggest mistake you've made in your life? Andrew Farrer: Working with Becca, obviously. No, no. I just digest. Biggest mistake I've made in my life. There's a lot of things in the moment are very stressful and you think, oh, my. What? Why am I here? Why did I do this? Why did I not think more or think less or whatever? But everything that was probably, this is a massive mistake in the moment just turned out to be a really good story in hindsight. Paul Marden: Yeah, absolutely. Andrew Farrer: No, I'm happy with all of them. Paul Marden: There's some things that you think, oh, gosh, I really wish I could have deleted that from my memory completely. I spent a year doing a PhD and then dropped out because I realised that I didn't like working in a box on my own. But I don't think I would actually go back and not spend that year doing what I was doing, because it took quite a lot to realise that I don't like sitting in a box on my own and I actually like having other people around me. Yeah. At the time, it didn't, sitting on the bench at Egham Station, deciding, what am I doing with my life? It didn't feel like that was such a great decision that I'd made. Andrew Farrer: No, but they're all part of the sort of fabric that makes up the next decision, aren't they? Paul Marden: So, yeah, the rich tapestry. Andrew Farrer: That's it. That's the rich tapestry of life. Paul Marden: And, Mandy, I'm going to go for one last one, actually. It's not too dissimilar to what were just talking about. What was your dream job when you were growing up? Mandy Curtis: Before I answer that, I just have to give you my answer to Becca's question, because it's something I discussed at a previous job. If I could make one law, it would be that there was only one type of black sock. Rebecca Porter: That's actually a brilliant answer. Paul Marden: Again, hyper specific. Mandy Curtis: No. Trying to pair up all those black socks and none of them are quite the same. That is so annoying. So, yeah, that would be my law. Paul Marden: I don't think I need. I think I could broaden it and just say, there is only one type of sock, because my daughter's sock drawer is not black. There's not a single black sock in there. Mandy Curtis: I couldn't do that to Andrew. Andrew Farrer: You leave my socks out of it. Mandy Curtis: My actual question, when I was small, I had, in my mind, I wanted to be a scientist. Throughout all the jobs I've ever had, that's pretty much what I've been. And the job I had before this, I worked as a school lab technician and my boss came to me one day and said, “I've just got an email from Cambridge Science Centre. Looking for science communicators. I think you'd be really good at it. Why don't you apply? And I did.” And that was when it was, yeah, this is what I should always have done. Paul Marden: So interesting, isn't it? That's not a natural leap, is it, from a lab technician in a school to being a science communicator. But there's so much about teaching which is just telling the story and engaging people and making them want to do stuff, isn't it? Mandy Curtis: Yeah. It's surprising that there are a lot of parallels. Yeah. The thinking on your feet being one of the biggest ones. Rebecca Porter: I actually used to want to be a marine biologist when I was younger, and then I realised growing up that I'm nowhere near the sea where I am now, so that was slightly problematic. And also I saw the movie Jaws for the first time as a child and it terrified me and I quickly changed my mind about that. Paul Marden: Okay, let's segue from Mandy in your science communicator role, because I think it's a good segue. Let's talk a little bit about the journey that you've been on at Cambridge Science Centre over the last few years. Andrew, I'm going to start talking to you, mate, because I remember vividly last year I was at the association of Science and Discovery Centres conference and you were on stage with the guys from We The Curious, and you were talking about what it was to be a science centre without a building. Yeah. And the work that you guys were doing in the community for the listeners that weren't at the conference. Let's just take a step back and talk about the background of Cambridge Science Centre. You had a physical building, didn't you? Paul Marden: And you moved out of there and you spent a period of time being remote, virtual. I don't know what the quite the right term is, but you spent a while on the road. What prompted that to leave the previous centre? Andrew Farrer: Yeah. So that question that was being asked in the conference that what is a science centre without the building? It's really something that's very much in the fabric, the DNA of Cambridge Science Centre. The organisation is 11 years old now and through that time being an organisation that has a science centre and also being an organisation that does the outreach, which is what we would call like going out into the community and into schools and being in the spaces of the people that you're most wanting to engage, both of those things have existed in parallel and that there are strengths to both having a physical centre and being able to do that kind of Outreach and Cambridge Science Centre from the very beginning that brought those two things together and maximised the benefits of both in service of the other, really. Andrew Farrer: So what if you had all of the assets of a full science centre, but you could take them out on the road? What if you have the flexibility of kits that could be taken out the road, that you could do them in a space that you control? So that has always been part of things. We've had, you know. The new Science Centre that has just opened is the third permanent location that the organisation has had in its lifetime. And the decision to leave the previous one was something that was taken by the whole team. We got everyone around the table. This was post COVID. We were still coming out of having been truly remote. We're all about being hands on with science, which is very difficult in the world where you're not allowed touch anything or stand close to anyone, you know. Andrew Farrer: So we had to do a lot of stuff to respond to that. And then we came out of that situation, world came out of that situation and were sort of reconsidering what we wanted to do and how we wanted to do it. And the Science Centre we had up until that point, until 2022, you know, had been a fabulous space. We've done some amazing stuff in it. We were very closed of what we've done there. But were just finding with the goals we had, with what we wanted to move on to, it was no longer a space that could fit that set of targets. So the question, what was Science Centre without a building? Wasn't that question stepping up because we decided to lose the building? Andrew Farrer: It was kind of, it became a bit more of a focus, but really about the fixed space. Taking a step back for a moment while we really thought about what we wanted. And then we got the amazing opportunity that I'm sure we'll be talking about in a sec with the Science park and Trinity College, which brought that having a fixed space back up on par with the Science Centre without a building. And those two are still. They've always been, they were and they are continuing to be in parallel. And we're just about ready to open up one of our new pop up sign centres. That would be a space out in New England which is going to run there for the future as well, which will run in parallel to this fixed space. Andrew Farrer: So it's not a new question for us, it will never be an old question for us. It is what Cambridge Science Homeset is brilliant. Paul Marden: And during that period where you were without a fixed home, what really worked well for you, what was effective about that outreach programme and that was a became the sole focus for a period of time?Andrew Farrer: I mean were building on what was what we've been learning and what had been working well for that point I guess the last nine years. Yeah. So we knew that our exhibits, our hands on exhibits where you can, you don't just see a phenomenon, you can experience that moment, you've been affected, they're all possible. And so we could take them out. And we'd done that before with setting up sort of science engagement zones in banks and leisure centres. The corner of ASDA one time I think and we evolved that during just after Covid into these pop up science into these fully fledged kind of spaces that were on sort of par with the fixed space. Andrew Farrer: And we really lent into that, created these full, effectively full science centres with those exhibits, with the shows, with the activities, with the science communicators who could have the conversations with people and engage with the kids and answer questions and have a bit of fun and have a laugh, all that kind of stuff. In spaces that were underused in the community. We could take over empty shop units. We were in balance of rural museums. We've been all over the place and we are in those communities. We become part of the communities in the spaces. They already know it. Yeah. And that sort of eases that sort of barrier. Oh, I've got to go to the science place. Because suddenly the place part of that is their place. Yeah. And we're all about making the science. Andrew Farrer: It's as open and fun as possible and building up with whatever level anyone walks in with. So that was, it really was really kind of having the opportunity to hone that ability to create the proper full science centre spaces. And in getting that honed that raised our level on well, what is the fixed science centre? If you can have a fixed thing, what can you do bigger and better there? Which in Eintrum Nadia will want to speak to later. Because some of the new exhibits are phenomenal and they come out of the learning we've had from being on the road and being able to engage people in their spaces and give them a reason now to come to this space. Paul Marden: I'm guessing that when you go out into their space rather than making them come to you get to meet and see very different people. You know, the barrier that exists in somebody having to come to your building means there's a lot of people, there's a lot of young people, there's A lot of families for whom a great day out is not automatically thought of, you know, when they're thinking about what they're going to do at the weekend, they might not necessarily think of a science centre because it's just not what they consider to be fun. But if you go out to them, into their spaces where they are familiar, in the corner of Asda, in the Rural Museum or whatever, you're. You're getting closer to the people that don't normally walk into a science centre. Andrew Farrer: Absolutely, yeah. It's all about. Every single person has some form of barrier that they have to deal with. And, you know, many people have many more barriers than others. No matter what we do, there are still barriers to overcome, but it's about dropping those as low as you can and thinking about getting people across them and supporting them and getting them across them. So, I mean, absolutely, if you say if you're in their space, you remove the whole suite of barriers that exist into travelling to a fixed science centre, which is something we're thinking about and trying to then reduce those. For the fixed science centre. There are other barriers that apply. Andrew Farrer: Even though you're in their space and you've still got to do a lot of thinking and a lot of work to make sure it's an inviting space that they feel they're able to come into, that they can then get comfortable in, and then they can start asking questions and playing with things and break that kind of, oh, it's not for me bubble. Because it definitely is for everyone. You want each other play. Paul Marden: Yeah. Even so, making it an inviting space and making them want to take that step over the threshold into wherever the space is that you are. I've watched kids I'm thinking of a year ago, I was at the London Transport Museum and they had a big exhibition all around sustainability in their exhibition space, which is, I don't know, ⅓ or 3/4 of the way around the museum. And you could just see these kids just stood at the edge watching because they didn't feel confident that they could step into the space and immerse themselves into what was happening in that space. And you've just got to. You've got to make it easy for them to take that step over the threshold, haven't you? Andrew Farrer: Absolutely, yeah. And it's the reason that we have so many different ways of engaging, that the exhibits are there with the activities are there, that the shows are there, that the communicators are there, because people will do that in different ways. What they're comfortable starting to approach, you know, is different from the depth you can give them later. And people will do it in very different ways. But one of the early pop up science centres we had a day where we had, we partnered with a group from the University of Cambridge called Chaos with a student science engagement team. Paul Marden: Right. Andrew Farrer: And their name is apt, but they're brilliant. They're brilliant. And they were all around the earth and all of these different activities and it was really interesting because we noted that, you know, almost to a Percy, everyone walked in, every kid, every adult and they went straight to our exhibits. Not because Chaos wasn't inviting, not because they didn't have cool things, not because they were pushing people away in any way. But it was exactly as you say it was that moment to be like, I don't know, this space, here's a thing that's non threatening, it's not going to ask me a question. But the Chaos were asking kind of questions that were going to, you know, they were going to get at someone for. But you don't know that when you're first walking. Andrew Farrer: No, you play with the exhibit, you start to, you know, that's the safe thing, you start to see what it's doing and then you receive. People build up the confidence, exactly as you say, and then they kind of wander over and suddenly they were just doing laps of the space were in. Just like repeat visiting every one of these activities. Brilliant. You know, and that's a mini version of the journey we want to take people on across their lives. Paul Marden: Yeah. Okay, so question for all three of you then. What was the motivation then really behind returning to a fixed building? Was it an aspiration that you always had, that you wanted to return to a fixed centre or what was the driver for that? Rebecca Porter: We've absolutely always had an aspiration to have a fixed venue in Cambridge. Obviously the clue is in the name Cambridge Science Centre. And we knew that we needed that nucleus, that hub that we could operate all of our other engagements from. And certainly from a supporting organisation perspective, it's very useful for us when we're having those conversations with external stakeholders about the opportunities to get involved with a physical space as well as our outreach programme. So certainly from that point of view, we had an objective to find one. Interestingly, we'd done a piece of work with a group, there's a network in the city called Cambridge Ahead and as part of Cambridge Ahead they have a young advisory committee and we'd done a scoping exercise with the young advisory committee Thinking about that positioning, where we wanted to be. Rebecca Porter: And the key takeaway from their research was that we needed a sort of peripheral location, so an edge of city location that was accessible, that could work for, work well for schools, but would also still allow us to have that public engagement. And for us as an organisation, we really wanted to deepen our relationship with some of the communities that were existing a bit on the margins of the city, particularly those in the north that do suffer from varying levels of deprivation. And Cambridge is a very interesting place because despite the fact that it's got this really illustrious heritage and it's seen as being very affluent, actually it's the most unequal city in the uk, or certainly in England. Paul Marden: Oh, is it really? Rebecca Porter: Yeah. And so we wanted to be able to have our physical space closer to those communities that need more access, need more support, more guidance, so that we could bridge a gap between them and between the Cambridge Science park, which is our new home, but not just the science park, the wider ecosystem and the other research and innovation parks. So, yes, absolutely. We always had an objective to get another physical space operating. Paul Marden: Lovely. So, Becca, I'm guessing this doesn't all come for free and that somebody's got to fund the work to get the centre together. And that's your job really, isn't it, to find people to help you do that, say, how'd you go about doing that? Rebecca Porter: So absolutely everything that we do is completely reliant on the support of like minded organisations and individuals. So we go about in lots of different ways. We have a wonderful board of trustees who are very engaged with the work that we do and they help to make introductions to us in their networks. But it really is a case of going out and doing a lot of footwork, understanding what organisations are operating in our space and what their objectives are in terms of community engagement and how do we align with that. So there's a lot of research that goes on in the background to figure out who we should be talking to. Rebecca Porter: It's wonderful being in a city like Cambridge because 9 times out of 10, most of the companies we talk to do have some objective to do something around STEM engagement in particular. And they're also very supportive of our own objective, which is to widen participation and increase diversity. So they understand that the work that we're doing with those children from the most underserved communities is absolutely vital. So that makes it quite an easy story, quite a compelling story to tell. But we are, we're hugely lucky to have the supporters that we do. And I think key supporters for us are obviously the Cambridge Science park team who enabled the transition into our new venue. Because it was, it all seemed to just line up perfectly really that our own internal discussions around where we wanted to position ourselves. Rebecca Porter: We knew we wanted to deepen our own relationships with these various communities. We knew we needed some kind of peripheral centre space. Unbeknownst to us at the time, but happening in parallel, the Science park team were also considering their relationship with their neighbouring communities and how they can enhance that and do more. Because the Science park is actually, it's a very porous space. So not all of the research and innovation parks are quite the same. But Cambridge Science park absolutely wants to be open to its local communities. It wants them to come in, spend time in the green spaces there and understanding a bit about the different companies that are working within the park. And the Science park as well as the main land owner, which is Trinity College University of Cambridge, again are very keen to support STEM engagement where they can. Rebecca Porter: So it felt like they, our objectives at the time as well as the Science Park's objectives just meshed together beautifully and that resulted in us having this transformational opportunity to be inside the heart of the Science park and alongside that in wider discussions with some of the stakeholders of the park. Specifically were introduced to some of the property development companies that are operating in there who again were very supportive of what we're trying to achieve, but also had the vision to understand that not only are we supporting the local communities, but we're offering a conduit for supporting their tenants. So how can we help them to realise their tenants ambitions? And so they've been very supportive as well. Rebecca Porter: And we're also incredibly lucky to have a suite of organisations that we refer to as our Executive Council, who are our corporate partners that are the lifeblood of our organisation. Their funding and their support underpins everything that we do. So I want to just recognise our Executive Council members in particular, but also the key stakeholders for us with the new centre are the Science Park, Trinity College, Brockton Everlast, an organisation called LifeArc and ARM the microprocessing chip company. So yes, they're all major stakeholders and we're very lucky to have them. Paul Marden: That's amazing. So the Executive Council, that's quite interesting. What do they have some influence over the work that you do and the direction that you take? It's more than just them handing over sponsorship money, it's actually an engagement in what you do. Rebecca Porter: Absolutely. Nothing that we do is transactional, so we don't ever take anyone's money and run. We always try to offer reciprocal programme opportunities, staff engagement opportunities, and with our executive council members, they really do help shape and influence the trajectory of the organisation. So we have regular meetings with them, we talk to them about what our plans are, where they think there may be opportunities that we aren't perhaps looking at, that we could be exploring or should be exploring. And they certainly do have that. That level of influence over the direction of the organisation in general. Paul Marden: And then I suppose the choice of the location is partly driven by those relationships that you built with Trinity College and the Science park. And I guess it was collaborative, the choice of the location itself. Yeah, you didn't go looking for a building with some shortlist. There was. You built a partnership with these people and together you found the space that worked for all of you. Rebecca Porter: Yeah, absolutely. In fact, the space that we're currently occupying is a pre existing building, so it's called the Trinity Centre and it actually was a conferencing space with a catering facility on site as well as the park barbers, interestingly. And so through the relationship with Trinity College and through the discussions with the team in the park, we recognise that actually the space could be working a bit harder, not just for the science park, but for the wider community. And so we essentially repurposed one half of the ground floor of that existing building and Mandy's done a fabulous job turning that space into what is now our new Science Centre. So, yes, I mean, personally, I think having been in that space a lot, if you didn't know it was a conference centre before we took it over, I don't think you'd ever guess that. Rebecca Porter: So, yeah, it's been really wonderful. Paul Marden: You just cued me up perfectly to turn to Mandy. How do you go about filling a space with all the amazing exhibits to make it from a conference venue into this exciting and inviting science centre? How did you even go about doing that? Did somebody give you a blank sheet of paper and tell you off you go, just do whatever you like? Mandy Curtis: Well, pretty much it was a blank slate to work with. But then of course, we've got all our experience from the years leading up to this. So we've got a suite of exhibits that we know work and we know which ones we wanted to take forward, which ones we wanted to build on and expand on. So although in some ways it was a blank slate, it was very much a guided blank slate. So it's still a. For a Science centre. It's still a relatively small space, so we made the decision early on that we wouldn't have themed areas. So we're not big enough to have a space corner and a biology corner. So we've gone for an experiential centre. So you come in for the experience, you come in for one of the most. The thing for me is intergenerational play and learning. Mandy Curtis: So families coming in together, there's something for everyone. So that led the thinking and the decision making with exhibits and I reached out to lots of different people, existing standing exhibit makers, and some people have never made anything like this before. So we've got a real mix here. But what was important was that it's not somewhere where you walk, where the kids walk in, press a button and walk away. It was about prolonged active engagement. So each exhibit has layers of interaction. So you can come in, do one thing, come back another time and do something different or within the same visit, you can build on what you're doing. So, yeah, it's very much about the experience. Paul Marden: So is there an aspiration for the kids and the families to revisit to you? Do you want to create this space where they want to return several times over the space of a year or even as they grow up? You're supporting them through different things that interest them? Mandy Curtis: Absolutely. That's. That's very much what it's about. We have a membership where you want to create the feeling of belonging, of being. This is a place to come with annual membership, you can come as many times as you like. Lots of the exhibits will be the same, but because of the way we've made them and we've prepared them, there's always something different to do with them. And also we have a programme of shows and lab activities that constantly change, so there's always something different and new to do in the space. Paul Marden: Have you got particular audiences in mind that you want to appeal, make the space appealing to? Mandy Curtis: Yeah, we have a very specific audience and I call that everybody. That everything here can be reached by anybody. That's. Yeah, I don't exclude or include anybody. That's why. That's part of the layering. So younger kids, less able kids, older people, there's something here for everyone. I mean, obviously we have an age range for children that is most suitable, but there are also things for younger kids. There's. I mean, quite often we get families coming in and the adults are saying, well, this is way too good for just kids. And that's exactly how I feel about it as well. It's. It's a family place, it's for pretty much any age group, any. Any abilities. Yeah. Paul Marden: So how do you make that. If you're appealing to everyone, how do you make it more inclusive to kids with challenges? Kids with send difficulties, for example? How do you provide something that can enrich everybody's understanding of science? Mandy Curtis: It's really about having some familiar things here in two different ways. So there's familiarity in that. We've got some of our classic exhibits on site, so if people have ever been to one of our previous sites, there'll be things that they recognise from there, but also bringing in things from the outside world, from their world at home. So one of the exhibits is a paper plane launcher. I mean, who hasn't made a paper plane? So it's stuff that they're familiar with, but come here and do it and it just brings out a whole new level. So we talk about ways you can build a better paper plane, ways you can adjust your paper plane, and then, of course, just putting it through the launcher is just incredible fun. So it's taking stuff that people know about and can relate to and that's really important. Mandy Curtis: So some of the, some concepts that we want to get across are potentially outside of people's experiences completely. But if we can present it in a way that starts at level that they're familiar with, they can relate to and engage with, then there's a progression through and we're able to get concepts across that you might, if you went straight in at the top level, you just, it just wouldn't engage them in the same way. Rebecca Porter: To add to that, I just wanted to say that our magic pixie dust, if you will, that brings everything to life, really are our team of science communicators. So that also, you know, that's what, you know, brings every experience in the Science Centre to life is our wonderful team. Paul Marden: Yeah, I mean, that's this, that. That's like every good attraction, isn't it? It's never about the physical space, it's about the feelings that you get and it's the people that are there that help you build that feeling, isn't it? That's why it's a magical place that makes people want to come back, isn't it? How do you also serve that very local community? Have you found that by locating yourselves on the science park, where you are close to those areas of multiple deprivation within the city? Have you found that just mere locality is enough to encourage people in or are you actively doing things to bring that local audience to you? Rebecca Porter: Absolutely both. So we're already doing a lot with one particular community. There's a part of the city called King's Hedges and we see a group of children there once a week for an after school club and have just started transitioning that club from their own space. We've been operating it in their community centre but now they are coming to us, which is fabulous. And one thing that I've really loved since we've opened the new venue is our proximity to those particular communities. An example of how much more accessible we are is that we did a soft launch before we did our major public opening in the summer with some local schools, one of which was King's Hedges Primary School, and the teachers were able to just walk the children to us and that's never been possible before. Rebecca Porter: And we've got much bigger plans to expand the community focused piece to other parts of the city because we would really love to have at least four days a week where we're running an after school club of some description for groups around the city that face additional barriers. So, yeah, we are all over that. Paul Marden: That's amazing. It sounds so exciting. I run a coding club for kids at my daughter's school. A lot of it is about the engagement that the kids have. They don't get that enrichment outside in those STEM technology. So for you guys to be reaching out to that local community and offering that after school provision for them to be engaged in science, then there's a group of kids that just must lap that up. They must love it. Rebecca Porter: Absolutely. And I think Andrew's always said that for us, we obviously there's lots of extracurricular clubs. You've got drama clubs and dance clubs and acting clubs, but very rarely do you come across anything science focused. And what we would love to see moving forward is that's normalised that actually you can go to an after school club, that it's all about science and it's just part of the everyday offering that's available to children, particularly those local to us. Paul Marden: And have you found, I mean, it's probably too early to tell, but have you found that it's beginning to blur the lines of the science park into the community? Because there's something about Cambridge, isn't there? And the whole he's a world leading hub of science and driving science forward and making science commercially valuable happens at that point where the university meets the rest of the community around it. Are you seeing that you bringing the kids into the space is beginning to open their eyes to what is possible for them on their own doorstep. In terms of science. Andrew Farrer: Yeah, I think we are seeing the first steps of that, you know, in your previous questions and what Mandy and Becca have said, I think they've, you know, referenced and alluded to the layers. We're talking about the new centre as if, you know, it's open and therefore it's done. It's not done, we're not done, you know, and yes, getting those exhibits in there and all of the work that Mandy put into making them so generalist enough in the sense that, you know, these age ranges, these ability ranges, these, you know, whatever range you want to talk about can access them. But then it is, what's the programming? We only really launched, the soft launch was end of June. The big launch was, you know, end of July. Really. Andrew Farrer: That only covers 2 of the audiences that we're on, which is the schools and the sort of public inverted commas. There's the everyone this half term we've started that work with the North Cambridge Community Partnership Club that has been moved in that Becca was talking about. But that is very much step one next year is all about filling those four afternoon slots with such a variety that work in such a different way. It's about bringing in the schools throughout the days, throughout the week. It's about flexing those weekends. As Mandy said, it's about finding what all of these different organises, local and more further afield want, need, what their questions are, things like that. Andrew Farrer: We're here to respond so we can create sessions that the generalist concept of the centre might support those in the send community, but we can create a session where it's okay. This will be the quieter session. This will be where we'll have timings on the exhibits that allow will change the lighting. And we're still sort of exploring and thinking about how we do that. Right. So that the experiences is just as good, just as strong, just as inspiring and isn't affected by the fact that something might have been slightly altered. And there's a flip side to that. There are people who are much better at engaging when there's a lot going on. It's almost like there's a hyper sensitivity. There's things to think about on that side as well. Andrew Farrer: So this is a project that 2025 will see a lot of work on, but really is a never ending process. As long as there are people and as long as there are individuals which can help deliverance, then we are there to make sure. That everyone gets the access and that means using all of the physical kit, we've got all of these physical spaces and our team to respond as, you know, as much as we can. So. Paul Marden: So is there much for you? Did your team of science communicators have to do much to get themselves ready to return to the physical space? Or did they walk in the door and it just felt like home straight away? And they were delivering what they've been delivering for 11 good years? Andrew Farrer: Yeah, there was an element of coming home and there's an element of this is what we do. Because as I said, the outreach and the permeable space are singing in harmony, as it were. But this new space does have. It's new and it's bigger and better and more accessible than anything we've been able to do for. And that has brought things that we haven't experienced before. So we, you know, we made ourselves as kind of theoretically ready as we could. There have been challenges both from a practical running an event venue to how do we. How do we do silent science communication when we are constantly learning? We've changed things already, you know, we're flexing and responding and they affect the things that we wanted to bring in the future that I was referencing before they change each plan. Andrew Farrer: And we have a lovely timeline, it's very exciting, very big map, lots of post its that shows where we want things to start happening, but each of those responds to that. So there's no one single ready. And again, even when you are as close to ready as might exist, just like the programmes that we offer, that readiness evolves as well. You keep learning. Paul Marden: Of course. So what were those challenges then? What can we share with listeners? What were some of the things that if you had another swing at it, you'd do differently through this process that you've gone through this transition? Andrew Farrer: That links back to your, what was your biggest mistake? We only knew we learned because we tried something that didn't in theory worked, you know. Yeah, I mean, there's just some sort of like general practical thinking. You implement a system and then only when it's actually put through its paces you realise, oh, hang on, there's this like scenario tangent that we haven't thought about. There's, you know, there's a few things on that front about practically running the. Running the space. As Becca said, that the science park is porous, but we are one of the big things that is now bringing the public in. So there's, you know, murmuring is in that as well because that porosity has been used in the way it hasn't been previously. And we've been thinking about when are people coming during the day, when are they. Andrew Farrer: Their repeat visits happening? Which means when do we cycle the lab activities in the show? Talking about, you know, we can do a different show every day but you know, that's probably overkill because people aren't going to come quite every day. But actually what cycle are they coming on so that we can make sure that we, you know, we're providing sort of an awe inspiring moment and a set of curiosity experiences on a wide variety of different topics so that we can find that thing that sparks everyone. Mandy Curtis: Just to add to what Andrew said, I think it would be hard to label anything we've done as a mistake because we wouldn't be where we are now if we hadn't gone through the process we did. So even stuff, very few things that didn't quite work out well, we've learned from and we've moved on and we've built on. So everything has, I feel everything we've done and has been a positive experience. It's all been, you know, it's all been good. Paul Marden: It's a very philosophical approach to it, isn't it? The idea that it's never done, the project isn't over, it just continually, you know, it needs continual tweaking and continual improvement. Andrew Farrer: It's a scientific approach, if anything.Mandy Curtis: Much as I promised I would be laying down in a dark room by now, I'm not and I won't be. And we're still, you know, there's, we're planning, we're moving forward and looking to next year at the programmes and what we can offer. So yeah, there's always something more to do. Paul Marden: Once again, you're queuing me up for my next question, which was really what do the goals look like for the future? You've done this massive project, returning to a physical space and getting it ready and opening it up and welcoming people in. Where do you go now? What are the aspirations for the next couple of years? Mandy Curtis: It's more of the same, better, more different, looking at different approaches at different audiences. We're going to be. I'm already planning and writing the STEM Tots programme for next year. So that's the younger kids, the preschoolers, so there's new audiences all the time to move into. There's school holidays, you know, kids have been over here over the summer for the next school holiday, they're going to want something different. So we're thinking about that, how we can encourage people to come back, what we can offer, what different things, different collaborations. However many companies on the science park. I don't know, Becca probably does. There's people we haven't even spoken to yet. So there's just opportunities everywhere still. Rebecca Porter: For us, I would say that we are, it's definitely a programmes expansion piece next year. So we need to really solidify what we've got now with our new venue and start building out those different audiences and what the different programmes for each audience will look like. And then it's also making sure that our Popup science centre in Wisbeach continues to go from strength to strength. And so certainly, although we've got this fabulous new venue, we don't lose focus on the outreach work that we're doing as well as building up, building momentum around our support. And Andrew's doing a really wonderful job putting some work into our logic model and our theory of change. And so again it's mapping that out and then how we can link that to, to our, to the work that we're doing. Rebecca Porter: The supporting organisations, what role can they play in pushing forward our logic model? In particular, we talk a lot about emotions, skills and actions as being what underpins our logic model and it's how can our different partners lean into those things? Are there organisations that want to support the emotions piece? Can we do a skills focused programme with another organisation? So there's still lots of mapping to be done, but hugely exciting stuff. Andrew Farrer: Opening the doors to the centre was really only the beginning. Now it's making the absolute amount, squeezing every bit of juice out of this amazing fruit that we've been lucky enough to be supported to build for ourselves. Paul Marden: Stretching your analogy just a little bit there, but it's a very good point. Andrew Farrer: What analogy if you can't stretch it to its unfathomable limits? Paul Marden: Andrew, one last question because I think a couple of you have mentioned the Popup Science Centre. Tell me a little bit about what is that and what's the plan for the future? Andrew Farrer: Yeah, so our Popup science centres are fully fledged science centres. They appear in community spaces. So the ones that I mentioned earlier and they feature our hands on exhibits, they feature our shows, they feature our activities and we are in November moving into a empty well, it's currently empty, but we're about to fill it chalk unit right in the heart of Wisbeach in the Fenland area. So the Fenland region which is on the north of Cambridge, one of these areas that if transport around the area is difficult, sort of deprivation in that area. But there are some great pieces of science, technology, engineering and maths, you know, organisations working in those areas as well. Andrew Farrer: But it's one of those places where for all of the efforts we put into breaking down the barriers to come into the fixed space, that's one of the areas that we're really struggling. So we're going to that there'll be a fully fledged science centre which will be open to schools and the public on those points through the year to go in, to explore, to have these workshops, to have these shows, to engage, to chat. We are kind of, this is coming off the back of, one of these 18 months long project where we've had these pop up science centres sort of around Fenland. This is kind of where we're settling in and really sort of digging our heels in a little bit. So sort of phase two will start to become much more co development with the community. Andrew Farrer: We've been able to spend 18 months getting to know the people of this area and then importantly getting to know us. It's now exactly back to what I was talking about earlier. It's been sort of equivalent of the kids walking in and seeing the exhibits and having a play. Now we're ready, both of us and them to have this conversation about well what should a time centre be for you specifically? And honestly we don't know what that will be. But next summer Cambridge Centre and Wis beach will become this whole new thing where there might be forensic escape rooms happening. There could be some giant chain reactions going on with balls and bean bags flying everywhere. People could be building cardboard cities. Andrew Farrer: I've got no idea because it's actually not down to us, it's down to the people who want to answer the questions that are part of their lives. Paul Marden: Wowzers. It's just amazing. I'm so excited for you. I'm so pleased because it's been a project that I've been watching from the sidelines growing. I'm so pleased that the project's not over and that there's an aspiration to really push this thing and squeeze it for all it's worth. Andrew Farrer: Just like my analogies. Paul Marden: Absolutely. Lastly, we always ask for a book recommendation and you're going to bankrupt me because I've invited three of you on here. So I'm going to get three book recommendations. So what are your recommendations, Becca? Rebecca Porter:  First, first for you, I would say I'm actually a huge fan of an author called Philippa Gregory. And so my favourite book would be The White Queen by Philippa, which is all about Elizabeth Woodville. And Shima was married to I believe Edward IV during the Plantagenet era. So I love a bit of historical fiction. So that's my one. Paul Marden: Aha. Okay. So my colleague and co host Oz, big into historical reenactment. I'm sure that would be a book that would appeal to him. Andrew, what about you mate? What's your recommendation? Andrew Farrer: I have a book this is about I've had for years. I mean it's a kid's book really. It's a book called Aquila by someone called Andrew Norris and it's one of these books that it's about a short book. I keep revisiting it every now and again. It's just a story I've always engaged with. But it's funny, looking at it now, it almost seems very relevant. So it's about two young high school lads who on a school field trip get passed away from the rest of their class and end up falling into a cave and discovering a Roman centurion skeleton and by him what turns out to be an alien spaceship. So the navy spaceship have been on earth for some 2,000 years. Andrew Farrer: And the rest of the book is they don't want to just tell everyone else that the spaceship is here and it's them figuring out okay, well we can't take it home now because we're on a feeder trip so we've got to figure out a way to come back and get it home without anyone seeing it. And then they've got to learn how it works. And it turns out that it's kind of got AI function I guess and it can talk but because it was previously used by Roman, it taught in Latin. So they have to learn Latin. It turns out it's run by water. They figure out how much water. And it's a really brilliant story about these kids solving all of these problems around having quite that fun Canadian spaceship. Andrew Farrer: But at the same time their teachers are aware that these two kids who've classically not engaged at school at all are suddenly asking all of these really weird non class related questions. And yeah, they figure out the whole spaceship thing but think it's story they've made up for themselves. And so I give them the actual support and engagement they need in school to learn better than they were. But everyone misses that the spaceship is totally real, that these kids are flying off like Mount Everest on the weekend. So I love that. Paul Marden: Excellent. That sounds really good. That sounds like one I need to read to my daughter. Mandy, last but not least, what's your recommendation? Mandy Curtis: Just to say Andrew's book was made into a kids' TV series that I remember watching. Yeah, I've just. The most recent book I've read was one from way back. Not fiction. It was Life on Earth, David Attenborough and I reread read it often. It was the series that really sent me on my way to where I am now when I. I was doing unusually a zoology A level and my teacher played us the videos of Life on Earth and yeah, I've never got, never moved away from it. So yeah, that's the book I've read most recently and would recommend. Paul Marden: What, what a recommendation as well. That's a lovely one. So, dear listeners, as you know, if you go over to X and retweet the show, tweet and say I want Becca or Andrew or Mandy's book and the first person that does that will get that book sent to them. And I think as we got through recommendations, three of you could choose any one of those and we'll make an exception and bankrupt the marketing budget. Guys, it has been absolutely lovely talking to you and finding out a little bit more about the story of the journey that you've been on recently. And I think we should get back together again soon and find out how the pop up is going and what's actually filling that vacant shop because I think that's a really exciting proposition. But thank you for joining me today. Paul Marden: It's been absolutely marvellous. Mandy Curtis: Thank you. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! Help the entire sector:Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsFill in your data now (opens in new tab)

Amelia Kaiser is the Outreach Coordinator of the Mississippi Headwaters Audobon Society and she's in to discuss the chapter and its headquarters, a 500 acre gem called the Neilson Spearhead Center hidden south of Bemidji and west of Plantagenet. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Amelia Kaiser is the Outreach Coordinator of the Mississippi Headwaters Audobon Society and she's in to discuss the chapter and its headquarters, a 500 acre gem called the Neilson Spearhead Center hidden south of Bemidji and west of Plantagenet. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fan TC Con 4 Q&A Special; in case you didn't know, Adam is show runner of Fan TC Con - The Isle of Wight's Own Comic Con. The event was held on Saturday 19th October 2024 and the Q&A sessions were hosted by 'Daddy of the podcast', Paul Wilson. This bumper episode features full interviews with Star Wars actor, Ross Sambridge, Star Trek actor, Rosalyn Landor, the movie Barbara, Jennie Linden, Zoe Heriot actress Wendy Padbury, local comic publishers Caulkhead Comics, Peri from Doctor Who, Nicola Bryant, Plantagenet from Frontios, Jeff Rawle (better known as Amos Diggory from Harry Potter and the Goblet of Fire), Sophia Myles, Lady Penelope in Jonathan Frakes' version of Thunderbirds, Darcy in Transformers: Age of Extinction, Madame de Pompadour in Doctor Who, The Girl in the Fireplace, and the ever entertaining Sylvester McCoy. Adam and Debbie also make a brief appearance on stage before the winner of the Best Doctor Who Cosplay is announced.

In this episode of the Homo Ludens podcast, we bring you a collective review of Plantagenet, the latest game in Volko Ruhnke's Levy & Campaign Series, designed by Francisco Gradaille and published by GMT Games. Our Discord server members—supporters of the show—learned and played this intricate medieval wargame and now share their thoughts on the strategies, historical depth, and gameplay experience. Set during the Wars of the Roses, Plantagenet adds layers of political intrigue and shifting loyalties to the familiar Levy & Campaign system. To join future game reviews and support the show, head over to our Ko-Fi page: https://ko-fi.com/homoludens1871. A special thanks to GMT Games for providing a review copy of the game!

Dan is joined by his friend and mentor, the renowned historian and author of The Eagle and The Hart, Dr Helen Castor, for a rundown of the wildest rivalry in Plantagenet history. Richard is a king, with the ego to match, but none of the political or interpersonal skills that would help in the role. Henry, however, has all the qualities you'd want in a monarch, except the right to rule, and soon they face off in an epic clash. A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted by Dan Jones and Helen Castor Producer - Georgia Mills Executive Producer - Louisa Field Production Manager - Eric Ryan and Jen Mistri Marketing - Kieran Lancini Mixing - Gulliver Lawrence-Tickell and Mattias Torres Sole Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tarazona es una ciudad de frontera en la que su posición estratégica le llevó a ser protagonista en eventos fundamentales de la Historia como la Guerra de los dos Pedros o la boda de Leonor de Plantagenet y Alfonso VIII. La nueva ruta de la Fundación Tarazona Monumental ayuda a comprender esta época.

For a special run of episodes, Dan Jones is joined by world-class historians and authors. Find out about the sordid history of the Catholic Church, and the erotic musings of mystics with Diarmaid MacCulloch. Hear about the bloody Plantagenet rivalry to end all others with Dan's old University supervisor, Helen Castor. Plus, in our first ever live show: what kind of man was Goeffrey Chaucer, and what on earth is he wearing? A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Written and hosted by Dan Jones Producer - Georgia Mills Executive Producer - Louisa Field Production Manager - Eric Ryan Marketing - Kieran Lancini Sound Design and Mixing - Gulliver Lawrence-Tickell Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Plantagenets pt 1. Today we go back in time, way back. Come listen to Andy tell Zach how cool the middle ages were.. And how uncool they were too. We kick things off with origin story of the first Plantagenet king, Henry II.

“From the devil they came, to the devil they will go.” – St. Bernard of ClairvauxAs far as origin stories go, we'd say the Counts of Anjou have arguably the best (sorry Batman).From a lower Nobel family in 10th century France to a 300 year long dynasty in England, the Angevin Counts were notorious for their tempers, red hair and military prowess, so where did it all come from?The legend has then Count of Anjou, Geoffrey Greymantle (c.938-987) marrying a mysterious women named Melusine of unknown origins of unbelievable beauty but who was less than enthusiastic in her dealings with the church. Was she a witch? A demon? Or worse….having an affair?!The descendants of Geoffrey and Melusine would go on to spread the story of their demonic past and gleefully spread fear around court but was it all just hot air? Or did the Angevin court have reason to fear? There's only one way to find out, give the episode a listen and let us know what you think!Join our Patreon for extra content!You can purchase Spill the Mead merchandise SpilltheMeadPodcast - EtsyMusic is composed by Nicholas Leigh nicholasleighmusic.comFind us on Instagram, and Facebook @spillthemeadpodcastFind Madi @myladygervais on InstagramFind Chris @chrisrileyhistory on Instagram

Arise, England: Six Kings and the Making of the English State (Faber & Faber, 2024) offers a lively, new and sweeping history of the rise of the state in Plantagenet England. Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting - including civil war, deposition, the murder of kings and the ruthless execution of rebel lords - as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history. Arise, England uses the six Plantagenet kings who ruled during these two centuries to explore England's emergent statehood. Drawing on original accounts and arresting new research, it draws resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now. Colourful and complicated, and by turns impressive and hateful, the six kings stride through the story; but arguably the greatest character is the emerging English state itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Arise, England: Six Kings and the Making of the English State (Faber & Faber, 2024) offers a lively, new and sweeping history of the rise of the state in Plantagenet England. Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting - including civil war, deposition, the murder of kings and the ruthless execution of rebel lords - as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history. Arise, England uses the six Plantagenet kings who ruled during these two centuries to explore England's emergent statehood. Drawing on original accounts and arresting new research, it draws resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now. Colourful and complicated, and by turns impressive and hateful, the six kings stride through the story; but arguably the greatest character is the emerging English state itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Arise, England: Six Kings and the Making of the English State (Faber & Faber, 2024) offers a lively, new and sweeping history of the rise of the state in Plantagenet England. Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting - including civil war, deposition, the murder of kings and the ruthless execution of rebel lords - as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history. Arise, England uses the six Plantagenet kings who ruled during these two centuries to explore England's emergent statehood. Drawing on original accounts and arresting new research, it draws resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now. Colourful and complicated, and by turns impressive and hateful, the six kings stride through the story; but arguably the greatest character is the emerging English state itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Arise, England: Six Kings and the Making of the English State (Faber & Faber, 2024) offers a lively, new and sweeping history of the rise of the state in Plantagenet England. Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting - including civil war, deposition, the murder of kings and the ruthless execution of rebel lords - as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history. Arise, England uses the six Plantagenet kings who ruled during these two centuries to explore England's emergent statehood. Drawing on original accounts and arresting new research, it draws resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now. Colourful and complicated, and by turns impressive and hateful, the six kings stride through the story; but arguably the greatest character is the emerging English state itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arise, England: Six Kings and the Making of the English State (Faber & Faber, 2024) offers a lively, new and sweeping history of the rise of the state in Plantagenet England. Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting - including civil war, deposition, the murder of kings and the ruthless execution of rebel lords - as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history. Arise, England uses the six Plantagenet kings who ruled during these two centuries to explore England's emergent statehood. Drawing on original accounts and arresting new research, it draws resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now. Colourful and complicated, and by turns impressive and hateful, the six kings stride through the story; but arguably the greatest character is the emerging English state itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Ben and Paul talk about recent plays of Windmill Valley, Blades in the Dark, and Fields of Arle.  Plus, a gaming weekend in Palm Springs leads to hot takes on Things in Rings, Wilmot's Warehouse, Hollywood 1947, Forrest Shuffle, and Plantagenet, among others.  Oh, and Covid too, but that's a minor wrinkle.00:07:31 - Windmill Valley00:21:36 - Fields of Arle00:29:56 - Blades in the Dark00:43:45 - Plantagenet00:49:09 - Pagan00:55:54 - Gest of Robin Hood00:56:26 - Orienenburger Kanal00:59:10 - 21Moon01:10:56 - Things in Rings01:17:54 - Wilmot's Warehouse01:28:02 - Calimala01:35:08 - Forest Shuffle01:49:36 - Seers Catalogue01:53:58 - Railways of the Lost Atlas02:06:24 - Hollywood 194702:20:26 - Indonesia

Episode 131: Richard 3rd: ‘And Thus I Clothe My Naked Villainy.'Shakespeare dramatises the life of the last Plantagenet king and create one of theatre's most spectacular villains. The dating of the playThe quarto editions of the playWhen is a history play a tragedy, or not?The sources of the playThe influence of SenecaOther contemporary versions of the Richard 3rd story.The centrality of the character of RichardA brief plot summaryThe boldness of Richard's actionsRichard as prologue and then guide in the playLady Anne and her reaction to Richard's proposalThe influence of Marlowe on Richard 3rdThe role of the female characters in the playHow should we view the presence of Margaret in the play?The curses and prophecy of MargaretHow deformity and old age can be seen to link Richard and MargaretRichard afflicted by guiltThe theatricality of the playDoes our liking for Richard affect the morality of the playWhat the lay can tell us about players and changes in Tudor societySupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Send us a Text Message.Have you ever wondered how your DNA connects you to ancient civilizations and far-off lands? Join us as we chat with Sal Provino from Australia, who shares his incredible journey of tracing his Italian roots. From his father's courageous migration from Sicily to Australia in the 1950s to escape post-World War II hardships to his mother's origins in Calabria, Sal paints a vivid picture of his family's resilience and the cultural nuances that shape their identity. This episode promises an enriching exploration of family history that started long before the internet made genealogical research easier.Sal opens up about the surprising twists and turns in his genealogical quest, including captivating personal stories and the rich tapestry of ancestral DNA diversity in Italy. Discover how genetic influences from regions like Greece, the Middle East, and the Byzantine and Ottoman Empires have left their mark on family traits and historical roots. We touch upon the fascinating intermingling of cultures in places like Calabria and Sicily, offering a fresh perspective on ancient migrations and conquests. Through Sal's anecdotes, you'll get a sense of the shared human family and the diverse connections found through genetic testing.We also uncover the Norman influence in Sicilian history, where surnames tell amusing and poignant stories about their origins. Hear about Sal's great-great-great-grandfather's successful restaurant in Palermo and the dramatic shift in family fortunes due to a card game. Learn about the deep historical ties between the Kingdom of Sicily and the Plantagenet family, alongside the transformation of mosques into cathedrals in Palermo and Naples. From wartime survival stories to the post-World War II migration struggles of Italian immigrants, this episode captures the essence of preserving cultural heritage and the emotional ties that bind us to our roots.Turnkey. The only thing you'll lift are your spirits.Farmers and NoblesRead about my research story and how to begin your family research.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the Show.Purchase my book "Farmers and Nobles" here or at Amazon.

Between 1199 and 1399, English politics was packed full of high drama, as the Plantagenet monarchs reacted - and adapted - to plague, warfare, uprisings and economic crises. But, according to medieval historians Caroline Burt and Richard Partington in their new book //Arise, England//, the Plantagenet age is also one that shines a light on England's emerging statehood. Speaking to Emily Briffett, and drawing on some listener questions, Caroline and Richard consider how the reigns of six Plantagenet kings altered the face of English governance. (Ad) Caroline Burt and Richard Partington is the author of Arise, England: Six Kings and the Making of the English State (Faber & Faber, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Arise-England-Kings-Making-English/dp/0571311989/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode we're headed back to Kent, and Martin is telling a spooky story based on the life of a sinister historic Archbishop of Canterbury... We start off discussing St Nectan, his errant cows, and headless commute back home, after which we venture to Kent!In addition to chatting about Dover Castle, the oldest boat in the world, and the eerie landscape of Romney Marsh, we chew over a tonne of delicious Kent foodstuffs before assembling a tasty-sounding "Dredgerman's Breakfast!"After some folkloric chat about topics including the lost heir to the Plantagenet throne, a hidden alchemist's tower in the heart of Canterbury, and a pagan shrine buried deep in a Roman villa, plus some excerpts from this week's Local Legends interview with Kent resident and host of the Real Life Ghost Stories podcast Emma Ozenbrook, it's onto the main event: Martin's story "The Stain of Vice."Speak to you again on Thursday for our new Magic and Medicines bonus episode all about Cunning Folk!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Merriam-Webster's Word of the Day for May 30, 2024 is: dynasty • DYE-nuh-stee • noun Dynasty refers to a group (such as a team, family, etc.) that is very powerful or successful for a long period of time. It is also often used for a family of rulers who rule over a country for a long period of time, as well as the period of time when a particular dynasty is in power. // The team's draft picks reflected the ownership's strategy of building a long-term football dynasty. See the entry > Examples: “The Vanderberg dynasty was in steel, railroads and textiles as well as munitions. Their money was so old that it underlay the United States like geology. Before there had been a United States, in fact, there had been Vanderbergs and they had already been rich.” — Francis Spufford, Cahokia Jazz: A Novel, 2024 Did you know? Dynasty has had quite the run in English. For over 600 years it's been used to refer to a ruling family that maintains power generation after generation. At the time dynasty was first used in English, for example, England was in the midst of rule by the Plantagenet dynasty, whose line of succession provided 14 kings, from Henry II to Richard III. Around the beginning of the 19th century, the word developed the figurative sense “a group or family that dominates a particular field for generations.” Nowadays, this sense of dynasty is often applied to sports franchises that have prolonged runs of successful seasons, divine right not required. Technically, any team is capable of becoming this type of dynasty, including not only Kings and Royals, but also Ducks.

Jacquetta of Luxembourg, known more commonly as Jacquetta Woodville was a prominent, though often overlooked, figure in the Wars of the Roses as the mother of the first Yorkist queen, Elizabeth Woodville. Jacquetta's story is fascinating in its own right, and she would become a central player in the period we now call the wars of the roses. Soon however, Jacquetta would be fighting for her life, when accusations of witchcraft were levied against her by those who wished to oust her from a position of influence, but how did it come to this in the first place? What was Jacquetta's early life like, and why is her story one all but overlooked by history?

Philip the Fair begins his reign with a strange, robot-like attitude and a fevered dedication to restoring the glory of France. As naval skirmishes in the channel escalate with the most unusual war tactics, Philip is faced with his first real challenge as leader: a showdown with Plantagenet bully, King Edward I.     A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices.  Visit megaphone.fm/adchoices  Written and hosted by Danièle Cybulskie Producer - Georgia Mills   Executive Producer - Louisa Field Production Manager - Jen Mistri  Marketing - Kieran Lancini Sound Design and Mixing - Chris O'Shaughnessy Learn more about your ad choices. Visit podcastchoices.com/adchoices

Edward I is forced to spend his old age fighting multiple political crises. He desperately needs the aid of his barons if he's going to have any chance of returning Gascony to Plantagenet hands. But time is of the essence, as while his back is turned from Scotland, a noble named William Wallace is on the march. A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices. Visit megaphone.fm/adchoices  Written and presented by Dan Jones Producer and Story Editor - Georgia Mills Executive Producer - Louisa Field Production Manager - Jen Mistri  Composer -  Matt Acheson  Sound Design and Mixing - Chris O'Shaughnessy Learn more about your ad choices. Visit podcastchoices.com/adchoices

Edward I is the new king of England, but he has ambitions far beyond that. He wants to be like his idol, the legendary King Arthur, and that means uniting all of Britain under the Plantagenet banner. His first target is Wales, but the people there have no intention of bending to Edward's will.  A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices.  Visit megaphone.fm/adchoices  Learn more about your ad choices. Visit podcastchoices.com/adchoices Written and presented by Dan Jones Producer and Story Editor - Georgia Mills Executive Producer - Louisa Field Production Manager - Jen Mistri  Composer -  Matt Acheson  Sound Design and Mixing - Chris O'Shaughnessy Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Queen Eleanor makes a move to restore Plantagenet power, the barons launch into all out war. Simon de Montfort assembles a small but powerful army to take on Henry and his family on a hillside in Southern England. The future of the entire Plantagenet dynasty hangs in the balance.  A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices.  Visit megaphone.fm/adchoices  Learn more about your ad choices. Visit podcastchoices.com/adchoices  Written and presented by Dan Jones Producer and Story Editor - Georgia Mills Executive Producer - Louisa Field Production Manager - Jen Mistri Composer -  Matt Acheson Sound Design and Mixing - Chris O'Shaughnessy  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Henry III decides to reclaim the lost Plantagenet lands in France. He, his brother Richard and Simon de Montfort head out on an ill-fated campaign against the powerful French King, Louis IX. What goes down between Simon and Henry in France will set them, and all of England, hurtling towards war, death and destruction.  A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices.  Visit megaphone.fm/adchoices  Learn more about your ad choices. Visit podcastchoices.com/adchoices Written and presented by Dan Jones Producer and Story Editor - Georgia Mills Executive Producer - Louisa Field Production Manager - Jen Mistri  Composer -  Matt Acheson  Sound Design and Mixing - Chris O'Shaughnessy Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of A Brief History, I discuss another daughter of Edward IV and Elizabeth Woodville - Katherine or York. Like the rest of her siblings, Katherine's life was eventful and dramatic. Born a Plantagenet princess with potential husbands in Spain and Scotland, she married a descendant of King Edward I instead. Tiverton Castle  Looking for a commercial-free experience? Head over to Patreon! -- Credits: Hosted by: Rebecca Larson --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support

What happens when you make a nine-year-old boy king of England? It turns out, it's a recipe for unscrupulous advisers and a king unlike any the nation has ever known. Henry III is the opposite of his cruel father: he is compassionate and pious, but he's also indecisive and easily manipulated. When trouble brews in Plantagenet lands in France, Henry's brother, the wily and calculating Richard, is sent to assert the Plantagenet authority. It's a decision that Henry and his advisors will come to sorely regret. .  A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices.  Visit megaphone.fm/adchoices  Learn more about your ad choices. Visit podcastchoices.com/adchoices Written and presented by Dan Jones Producer and Story Editor - Georgia Mills Executive  Producer - Louisa Field Production Manager - Jen Mistri  Composer -  Matt Acheson  Sound Design and Mixing - Chris O'Shaughnessy  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The new season of This is History will be landing on your feeds on February 20th. In the meantime, you can listen to hours of bonus content over on This is History Plus, where Dan has been interviewing the great and good of history about all things Plantagenet. In this free taster episode, Dan has a conversation with Mediaevalist Danièle Cybulskie about personal lessons we can take from the monks of the Middle Ages.  To get access to part two, and much more, go to Apple Podcasts and click ‘try free', or visit thisishistorypod.com.  This is History is a Sony Music Entertainment production.    Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Written and presented by Dan Jones Producer - Georgia Mills Executive  Producer - Louisa Field Production Manager - Jen Mistri Engineer - Matias Torres Sole  Learn more about your ad choices. Visit podcastchoices.com/adchoices