Podcasts about bourneville

In this episode, we explore food places beginning with 'B.' Neil uncovers the buttery—not the hearty Scottish roll, but the traditional place where wine is stored. Allie dives into the origins and charm of the bistro, with its revolutionary roots where food and culture come together in cosy, intimate spaces. Meanwhile, Sam unwraps the story of Bourneville, where chocolate and community collide. Useful links and things mentioned in the episodeGood Food by Ambrose Heath (1932)What the butler saw : two hundred and fifty years of the servant problem by E. S. Turner (2001) Cooking & Dining in Tudor & Early Stuart England by Peter Brears (2015)Cooking & Dining in Medieval England by Peter Brears (2012)What's in a Name?: Buttery by Neil Buttery (2016) British Food: A History blogThe Invention of the Restaurant: Paris and Modern Gastronomic Culture by Rebecca L Spang (2000)A Bite Sized History of France: Gastronomic Tales of Revolution, War and Enlightenment by Stéphane Henaut and Jeni Mittchell (2018)The Bistro: French Food and the Culture of Place by Bertrand Auboyneau and François Simon (2018)French Provincial Cooking by Elizabeth David (1960)What is Olla Podrida? A Siege of Paris ‘Menu' Cadbury WorldBournville Village TrustBournville Village Heritage TourA Brief History of Birmingham You can visit some examples of the city's Back-to-Backs run by the

The factories of Victorian England were dark places. Fatalities were high, and workers often lived in poverty. “How can the working man cultivate ideals,” George Cadbury asked, “when his home is a slum?” And so he built a new kind of factory for his expanding chocolate business, one that benefited his workers. The result was Bourneville, a village of more than three hundred homes with sports fields, playgrounds, schools, and churches for Cadbury’s workers and their families. They were paid good wages and offered medical care, all because of Cadbury’s faith in Christ. Jesus teaches us to pray for God’s will to be done “on earth as it is in heaven” (Matthew 6:10). This prayer can help us imagine, as Cadbury did, what our workplaces would be like under God’s rule, where our “daily bread” is earned and our “debtors” forgiven (vv. 11–12). As employees, it means working with “all your heart . . . for the Lord” (Colossians 3:23). As employers, it means giving staff what’s “right and fair” (4:1). Whatever our role, whether paid or voluntary, it means tending to the well-being of those we serve with. Like George Cadbury, let’s imagine how things could be different if God were in charge of our neighborhoods and workplaces. Because when He is, people flourish.

I'm continuing to take you behind the scenes of the new series of Canal Boat Diaries, which is now available to watch on Yesterday and stream on UKTV Play.In this episode, between my nostalgic journey from Yardley Wood to Netherton Tunnel, I explore the sights of Bourneville, Dudley Tunnel, and the serene beauty of Bumblehole Nature Reserve while getting into the nitty-gritty of boat maintenance, which leads to not one but two costly mishaps.Robbie Cumming's Canal Boat Podcast is produced and managed by Urban Podcasts.

It's not every day you get to hear from someone who's lived for a century, but that's not the only thing that makes this episode special. It's special for Mike because his son, Walker, joins the podcast today to interview his great-grandmother, Alice Litter. She's about to turn 101 tomorrow (Jan. 17) and she's lived her entire life in Ross County - in Bourneville. She's seen a lot and anyone who knows her knows how special of a person she is - and we're happy to share their conversation. The Davey Award winning  Feels Like Home Podcast is powered by Horizon,  Greater Things are Coming! Bringing fiber to the home service in Chillicothe, Circleville, and more new cities coming soon! Call Horizon today to get the fastest, most reliable, and the only 100% fiber-optic Internet service in the area. As always, thanks for listening to Feels Like Home. Send us feedback at feelslikehomepod@gmail.com. Hit that subscribe or follow button on your favorite podcast site and give us a review! Check us out on Linktree for all our socials and other cool things we're doing.Let your friends and fellow podcast listeners about us. Special thanks to Buzzsprout, our podcast hosting service. Feels Like Home theme song is provided by our great friend, Cory Breth.  Check out his music and merchandise here: https://www.corybrethofficial.comPowered by Horizon The fastest, most reliable, and the only 100% fiber optic Internet service in the area. 

The conversation: In this 'double interview' Michaela Gerussi and Alice Gale-Feeny (both initiators of the podcast) ask questions about each others' artistic practices, trace some of the ideas which inform them, and unpack different perspectives between their (respective) backgrounds in fine art and contemporary dance. The conversation departs from a place of friendship and familiarity, whereas Alice and Michaela have been working closely since 2019 as peers on the 'MFA Creative Practice: Dance Professional Practice' course with Trinity Laban and Independent Dance.They discuss:-Dialogue; facilitated or 'choreographed' conversations as frames (i.e. Quaker meetings; 'fishbowl conversations', Bohmian Dialogue)-Authorship and collaboration-Notions of ‘material' in both dance and fine art/performance contexts-Fine art training (the changing idea of the art history canon) -States of attention in artistic practice (i.e. distractions as generative)-Objects and written/spoken voice/language as material in physical practice; as extensions of the body; [“The post- in the human suggests not that we come afterways as prosthetic newcomers, but that we were always already embodied in excess of our organs.” (Erin Manning, Politics of touch : sense, movement, sovereignty. University of Minnesota Press, 2007. P. 157)]-Karen Barad, feminist science-Fascia studies-Choreographer and dance researcher Kevin O'Connor -Practice as Research; a perspective which values the tacit knowledge which is present in practice-Performance practice(s) vs dance-making practice(s)-Manchester-based dance-artist and researcher Amy Voris-Making a work vs its performance; witnessing. Where do we locate and emphasize the work?-The Solo performance; implications/optics of that as starting point, where attention is placed, possibilities of subtlety, detail, etc.Interviewee/interviewer: Michaela Gerrusi is a dance artist researching the complexities of how we sense ourselves. Informed by her studies in Craniosacral Biodynamics, her practice is concerned with the intersection of the nervous system, self-regulation, affect and dance-making. michaelagerussi.com Interviewer/interviewee: Alice Gale-Feeny is currently developing a performance practice that investigates the emergent potentials of speaking aloud and being with objects as a way to occupy a middle ground between self/selves and other(s). alicegale-feeny.com 
Read more (links):Bohm, D., & Nichol, L. (2004). On dialogue (Routledge classics). London ; New York: Routledge. (https://www.routledge.com/On-Dialogue/Bohm/p/book/9780415336413)The Cadbury's Bourneville model village (https://www.bvt.org.uk/our-business/the-bournville-story/)Alice Gale-Feeny, Fishbowl Conversations (https://alicegale-feeny.com/incirclesaroundtables)Karen Barad, (2007). Meeting the universe halfway : Quantum physics and the entanglement of matter and meaning. Durham and London: Duke University Press. https://www.dukeupress.edu/meeting-the-universe-halfway Rasmus Olme on magnets, from a SKH Dance Podcast conversation with Eleanor Bauer (https://www.spreaker.com/user/10974845/episode-4-rasmus-o-lme?utm_medium=widget&utm_source=user%3A10974845&utm_term=episode_title)Kevin O'Connor (https://www.ecologicalbodying.com/)Artist Placement Group: (http://flattimeho.org.uk/apg/)Amy Voris (https://www.amyvoris.com)Authentic Movement (https://www.authenticmovementinstitute.com/authenticmovement)The term double interview, and the approach taken for this podcast episode is inspired by a double interview between Mette Edvarsen and Mette Ingvarsten published in February 2016: http://www.metteingvartsen.net/wp-content/uploads/2016/12/2016--double-interview--mette-edvardsen-and-mette-ingvartsen.pdf Keywords:Dance Making; Performance Making; Practice as Research; Contemporary Art Practice; The Nervous System; Language; Writing; Fishbowl Conversation; Dialogue; Somatic Practice; Embodied Knowledge/Research; Post Humanism; Feminist Science.

durée : 00:40:39 - On cuisine ensemble France Bleu Normandie (Rouen) - Cathy, La tourelle Gourmande à Bourneville

Dans cet épisode nous allons parler de la perte d'un enfant. Le sujet est sensible, douloureux et terriblement tabou.C'est pour briser ce tabou que Betty se bat au quotidien pour que l'on n'oublie pas Nathan, son fils décédé il y a un an, le 10 décembre 2019.Betty est maman de 3 enfants, Nathan, Mélina & Loane.Quand Nathan meurt, elle est encore dans son postpartum. Sa dernière n'a que 3 mois. Pour survivre, Betty et Flo, sont très rapidement entourés de leurs amis et leur famille. Un véritable village se crée pour leur permettre de vivre leur deuil dans des conditions décentes et d'enclencher une procédure judiciaire difficile. Certaines allaitent Loane, quand Betty n'est plus disponible psychiquement pour son bébé. D'autres préparent à manger. Et vous le comprendrez dans cet épisode, leur rôle a été prépondérant.Dans cet épisode, nous parlons de Nathan, ce petit garçon au rire incroyable, nous parlons de sa maladie génétique, la sclérose tubéreuse de Bourneville, de la gestion de ses crises d'épilepsie, de ce fameux soir de décembre où Nathan n'a pas survécu à une crise d'épilepsie.A travers le récit de Betty, on comprend surtout que vivre après la perte d'un enfant n'a plus la même saveur, que le mode pilote automatique s'enclenche souvent, qu'avoir d'autres enfants permet de continuer à voir la lumière, mais que plus rien ne sera comme avant.Alors comment Betty et sa famille font vivre Nathan au quotidien dans leur vie? Comment Betty parle de lui à ses soeurs ? Quels impacts sur le couple?Beaucoup d'amour dans cet épisode.Merci sincèrement Betty pour ta confiance.Je vous souhaite une très bonne écoute, et si vous êtes sensibles des oreilles, ne soyez pas surpris, on entend à plusieurs reprises, les petits cris de Loane.C'était Betty Van Aken, maman de Nathan, Mélina et LoaneJe suis Clémentine Sarlat votre hôte.Si vous avez aimé ce podcast, n'hésitez pas à le partager sur les réseaux sociaux @lamatrescence, à laisser un commentaire et à mettre 5 étoiles.

Stwardnienie guzowate (zespół Bourneville'a) to schorzenie rzadkie i nietypowe. Charakteryzuje się bowiem szeregiem niespecyficznych, wielonarządowych objawów, które bardzo często mogą być mylone z symptomami innych schorzeń! O tym, czym jest stwardnienie guzowate, jak je właściwie rozpoznawać i jakie możliwości leczenia oferuje współczesna medycyna, rozmawiamy z dr n. med. Magdaleną Bosak- neurologiem ze Szpitala Uniwersyteckiego w Krakowie. Zapraszamy również do zapoznania się z artykułem: https://radioklinika.pl/stwardnienie-guzowate-choroba-rzadka-i-nietypowa/

In 2022 Cadbury will celebrate 100 years of operating in Australia. Professor Robert Crawford, Professor of Advertising at RMIT University is currently writing a history of Cadbury in Australia and is hoping to collect stories from chocoholics about their favourite memories – whether its sharing a block of Cadbury Dairy Milk with your best friend or hiding it from your brother, or just having Mum make you a warm cup of Bourneville cocoa before going to bed. In 1922 when Cadbury decided to expand internationally they chose Claremont in Tasmania as their factory site in 1922 due to its close proximity to the city of Hobart, good source of inexpensive hydro-electricity and plentiful supply of high-quality fresh milk. To share your memories of Cadbury you can contact Robert on Robert.crawford@rmit.edu.au See omnystudio.com/policies/listener for privacy information.

As they scuttle precariously down through Mount Eidel on a moped, Dick Pheasant is embroiled in helping out Ponkin, to discover just what Shameless Hagan the courier is doing with Ponkin's girlfriend Egritte Manbender. Later, Dick becomes the centre of attention at Falconhorst Chemical. Part 3 of Mount Pheasant II - an original feature-length audio adventure comedy by Amplevoicepod. Podcasting done right and done the hard way, well because someone must. Dick: Ponkin! Ponkin! Stop fingering the gears and drive it will ya? Ponkin: Shhhuddup with the hailer. Scooter takes gettin’ used to again. Dick: On the metallers! Look at us! Weeee! Ponkin: Dick, stop announcin’ our arrival. We’re on a mission. (Loudhailer off) Dick: ‘Ere, any sounds on this hape a junk? Ponkin: Just to warn ya, front light is a bit dodgy. Dick: We may need it now it’s dark! Ponkin: Ah come on ya bitch! Work… Dick: Rehearsin’ the lines for Egritte hah? Ahhhh! It’s gone dark! We’re flyin’ blind! Ponkin: Curse a fuc- oh, there, she’s back. Dick: Saw me life flash before me there Ponkin! Ponkin: Ah don’t say that Dick. There’s treatment these days- Dick: Can’t treat what I have! Ponkin: You sir, are a splendid sicklad. Dick: Hahaaaa! Drive fuk outta ‘er Ponks! Ponkin: House is here up the left, just park ‘er in here. Dick: Alright, but now, I can’t be out late with you staking out women’s houses. I’ve to start me new job tomorrow at the factory. Ponkin: All I want to do is just see, and your my witness. Dick: To stop you killin’ her. Although… heheheh. Ponkin: Your colours haven’t faded much Dick, you look good in them. Dick: Yeah? The old love hunter back patch’s great innit? Like Ready N’ Willin’s a better album but- Ponkin: It’s good to see you enjoyin’ yourself in spite of everything. Dick: Well I wasn’t unemployed for a day, don’t you worry about me. Ponkin: You’re a brave fighter. Dick: Yeah fightin’ the world! Manowar forever! Not many liked ‘em but I did. Ponkin: Alright, see the window, lights on. Dick: So, what have we got here then? Ponkin: She’s got a big white bucket. Dick: A wha? Ponkin: That’s what Shameless gave her earlier. Dick: Heh, oh yeah? Ponkin: She’s opening it. It’s like a big tub of- Dick: Of? Ponkin, of what? Ponkin: Fuck me… Egritte! Dick: Move! Move! What’s she at? Gis a gander! Ponkin: No, you’re not allowed. Dick: Get outta that! I’m helpin’ you out. Ponkin: Stop pushin’ me. Dick: Awhaaaa! She’s rubbin’ cream all over herself in the front room! Would ya look! Ponkin: I’m sorry you had to see this. Dick: Little fried eggs on her. Ponkin: This is fuckin’ Shamless Hagan’s doin’. Dick: Don’t be sorry, no, no, don’t be, I know I shouldn’t but, this is… good stuff! Ponkin: He’s given ‘er that. That lubricant, he gave her that. I’m going to kill him. Dick: Not just yet my man, till I- Oh she’s gone down on the flange! Ahaha! Aw fuck sake. Ponkin: He’s probably upstairs waitin’, all twenty stone of him, laid out on the mattress. Dick: Go on… Over your little chest bullets, go on Egritte… hey, what? Where ya goin’ Ponkin, you can’t go in there! Ponkin! Ponkin: I’m not goin’ in there. I just want- (Loudhailer on) Ponkin: This. Dick: Woah woah, no! Stall it. Don’t do tha- Ponkin: Egritte Manbender! Ya WHORE! Dick: Give me that ya bollocks! Y’ll get us both- (Scooter revs up, departs) Dick: ‘Ere, what? No! NO! Where the fuck are yis goin’. Oi! Ya can’t leave me- Ponkin! Don’t- (Door opens) Dick: Ah shit... Mount Pheasant returns! Oh yes! In this second offering; the unemployable Richard Pheasant is still sick. But just how sick? And how unemployable? Join us now as we unleash some of that 'Dick Iodine...' Amplevoicepod makes immersive HD audio ear-film adventure comedies. We like to throw the whole lot in the mixer and pour out some banzai audio. We've over 100 hours wrapped up in 40+ different radio shows and madcap adventures, showcasing the 50+ voices of Adrian Byrne and Michael Taylor. Strapped into the studio chair is me, Tony Wilson, spitting blood at the screen while recording, editing, sequencing, scoring and mastering this original podcasting fare. With the Starsky cardigan on and only mugs of coffee and Bourneville dark chocolate to sustain me, each hour of Amplevoicepod product has 70+ hours of me putting me back into it. So listen to the tales of Richard Pheasant, Aubrey Holmes, Accursis Byrne, Tomathy Wilson, Tom Kendall, Bert Kavanagh, Floyd Frisbane, Norman Tash, Tucker Peacock, The Timefiddler, Keith Chiselton, Wubba O'Toole, Brian Waterbury, Baldy Kendall, Ned Busher, Arlee Davidson, Jagger Jordan, Mauldy, Payter Farrar, Itchy Kraut and many more. Adventuring through science fiction, period dramedy and modern day farce to myself and DJ Adgeen Byrne on our eternal moshfest 'The Friday Rock Show' delivering the best rock music alongside a mountain of listener tales read out on air. We live in splendid isolation to most events yet surround ourselves with plenty of inspiration to inform our range of strange individuals and even stranger stories. We are Amplevoicepod and we are The Voice of Pod.

Learn more about the little known story of Beatrice Cadbury who was born in 1884 and heiress to the Cadbury fortune.  She grew up with all the privileges that money could buy, but her life was shaped by her families Quaker beliefs and philosophy.  She was an anti-war campaigner and Christian Socialist who believed that war was a symptom of the problems inherent in the Capitalist system, but as the daughter of a Capitalist she was inextricably bound up within this system.  In 1920 Beatrice decided to give all of her inherited shares to the Cadbury workers, not everyone held her high ideals but Beatrice pursued her vision of a fairer and more equal society. Keywords: Cadbury, Beatrice Cadbury, Bourneville, Birmingham, Christian Socialism, Quaker, Capitalism

French neurologist Jean-Martin Charcot is perhaps most well known today from the images of his “hysterical” female patients featured in Bourneville’s Iconographie Photographique de la Salpêtrière. While not diminishing the epistemological and aesthetic importance of “the image” to Charcot, Jonathan W. Marshall argues in Performing Neurology: The Dramaturgy of Dr. Jean-Martin Charcot (Palgrave Macmillan, 2016) that the work of the French neurologist is best understood through the lens of dramaturgy. He demonstrates the spatial and temporal implications of Charcot’s neurological practice as steeped in neo-classical aesthetics and deeply attuned to scenography, showmanship, and stage production. Using convincing evidence drawn from critiques of Charcot, Marshall demonstrates in Performing Neurology that the power and danger of mixing medicine and theatrics was not lost on Charcot’s contemporaries. Learn more about your ad choices. Visit megaphone.fm/adchoices

French neurologist Jean-Martin Charcot is perhaps most well known today from the images of his “hysterical” female patients featured in Bourneville’s Iconographie Photographique de la Salpêtrière. While not diminishing the epistemological and aesthetic importance of “the image” to Charcot, Jonathan W. Marshall argues in Performing Neurology: The Dramaturgy of Dr.... Learn more about your ad choices. Visit megaphone.fm/adchoices

French neurologist Jean-Martin Charcot is perhaps most well known today from the images of his “hysterical” female patients featured in Bourneville's Iconographie Photographique de la Salpêtrière. While not diminishing the epistemological and aesthetic importance of “the image” to Charcot, Jonathan W. Marshall argues in Performing Neurology: The Dramaturgy of Dr. Jean-Martin Charcot (Palgrave Macmillan, 2016) that the work of the French neurologist is best understood through the lens of dramaturgy. He demonstrates the spatial and temporal implications of Charcot's neurological practice as steeped in neo-classical aesthetics and deeply attuned to scenography, showmanship, and stage production. Using convincing evidence drawn from critiques of Charcot, Marshall demonstrates in Performing Neurology that the power and danger of mixing medicine and theatrics was not lost on Charcot's contemporaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

French neurologist Jean-Martin Charcot is perhaps most well known today from the images of his “hysterical” female patients featured in Bourneville's Iconographie Photographique de la Salpêtrière. While not diminishing the epistemological and aesthetic importance of “the image” to Charcot, Jonathan W. Marshall argues in Performing Neurology: The Dramaturgy of Dr. Jean-Martin Charcot (Palgrave Macmillan, 2016) that the work of the French neurologist is best understood through the lens of dramaturgy. He demonstrates the spatial and temporal implications of Charcot's neurological practice as steeped in neo-classical aesthetics and deeply attuned to scenography, showmanship, and stage production. Using convincing evidence drawn from critiques of Charcot, Marshall demonstrates in Performing Neurology that the power and danger of mixing medicine and theatrics was not lost on Charcot's contemporaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

French neurologist Jean-Martin Charcot is perhaps most well known today from the images of his “hysterical” female patients featured in Bourneville’s Iconographie Photographique de la Salpêtrière. While not diminishing the epistemological and aesthetic importance of “the image” to Charcot, Jonathan W. Marshall argues in Performing Neurology: The Dramaturgy of Dr. Jean-Martin Charcot (Palgrave Macmillan, 2016) that the work of the French neurologist is best understood through the lens of dramaturgy. He demonstrates the spatial and temporal implications of Charcot’s neurological practice as steeped in neo-classical aesthetics and deeply attuned to scenography, showmanship, and stage production. Using convincing evidence drawn from critiques of Charcot, Marshall demonstrates in Performing Neurology that the power and danger of mixing medicine and theatrics was not lost on Charcot’s contemporaries. Learn more about your ad choices. Visit megaphone.fm/adchoices

French neurologist Jean-Martin Charcot is perhaps most well known today from the images of his “hysterical” female patients featured in Bourneville’s Iconographie Photographique de la Salpêtrière. While not diminishing the epistemological and aesthetic importance of “the image” to Charcot, Jonathan W. Marshall argues in Performing Neurology: The Dramaturgy of Dr. Jean-Martin Charcot (Palgrave Macmillan, 2016) that the work of the French neurologist is best understood through the lens of dramaturgy. He demonstrates the spatial and temporal implications of Charcot’s neurological practice as steeped in neo-classical aesthetics and deeply attuned to scenography, showmanship, and stage production. Using convincing evidence drawn from critiques of Charcot, Marshall demonstrates in Performing Neurology that the power and danger of mixing medicine and theatrics was not lost on Charcot’s contemporaries. Learn more about your ad choices. Visit megaphone.fm/adchoices

A beautiful 'there-and-backer' along the canal from Birmingham to Bourneville - also by the railway, which might explain the strange and slightly sinister background noise. Featuring Dad comedy vs Comedian comedy, lost gloves, university memories, Ultra plans, synonyms, synagogue gigs and cinema visits, and a veritable kaleidoscope of accents. Support this show http://supporter.acast.com/runningcommentary. See acast.com/privacy for privacy and opt-out information.

In this Episode, Blindboy tackles death and gowls See acast.com/privacy for privacy and opt-out information.

Historian and author, Carl Chinn reaches back into the early history of Cadburys – an iconic name which is synonymous with Birmingham. Carl reveals that the company originated not in the leafy suburb of Bourneville, but in the very heart of the rapidly expanding industrial town. The story is one of significant challenges and near-disaster as well as perseverance and innovation. But the family’s devotion to quality products which were “absolutely pure” combined with their entrepreneurial skills, saw them succeed. KEYWORDS: Cadbury's, Bournville, Birmingham, Chocolate, Philanthropy, Women, Quakers, Carl Chinn, Walks, Books