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Hosted by Robert Crawford
4 episodes with Robert Crawford
4 episodes with Robert Crawford
2 episodes with Robert Crawford
2 episodes with Robert Crawford
2 episodes with Robert Crawford
3 episodes with Robert Crawford
3 episodes with Robert Crawford
2 episodes with Robert Crawford
In this extended version of Nothing But The Poem Kevin Williamson interviews Donny O'Rourke, editor of Dream State - The New Scottish Poets which was published in 1994 and remains the gold standard of poetry anthologies, and, arguably, the most visionary poetry anthology ever published in Scotland. Dream State's contributors were all aged under 40 at the time and were assembled by fellow poet and broadcaster Donny O'Rourke. Only 6 of these poets - John Burnside, Carol Ann Duffy, Kathleen Jamie, Jackie Kay, W N Herbert and Robert Crawford had appeared in The New Poetry - Bloodaxe's high profile generational anthology - the year before. Donny O'Rourke had his finely tuned ear to the ground, and, as well as the 6 poets listed above, he brought together another 19 Scottish poets under the age of 40, all overlooked by the Bloodaxe anthology. These included Don Paterson, David Kinloch, Meg Bateman, Richard Price, Graham Fulton, Robert Alan Jamieson, Maud Sulter, Alan Riach, and a 28 yer old - and as yet bookless poet - Roddy Lumsden. Donny O'Rourke was no ordinary editor. He was a visionary with an agenda who not only hoped to achieve a "gathering of forces' but wanted an anthology with zero fillers and, crucially, for the anthology to be a vital energetic snapshot of all aspects of Scottish life at a time the country had entered a tumultuous phase in its history. Dream State's ambition was huge: poetry as "news that stays news" as Ezra Pound once wrote. Popular culture, street smart wit, political tensions, scientific discoveries and radical re-imaginings infuse every page. O'Rourke was no narrow nationalist, as is stated in the introduction, but drew upon Edwin Morgan as the anthology's outward looking internationalist and hyper curious guiding spirit. Dream State was egalitarian in its sense of purpose from the outset. From Alasdair Gray came the inclusive definition of Scots as anyone who lived in Scotland, or who was from Scotland and left. Dream State was relatively balanced gender-wise too (for the 1990s). 15 male poets and 10 female poets. The New Poetry, despite its vitality and excellence, on the other hand had just 17 women poets out of its 55 contributors. We also hear the words of many working class poets in Dream State, perhaps abandoned by much of the politics of the time, making their voices heard. In this podcast Donny O'Rourke sits down in the Scottish Poetry Library with Kevin Williamson (who was publishing and editing Rebel Inc magazine at the same time) to revisit the creative riot that was the early 1990s. They discuss Dream State and the time and place which gave birth to it. Dream State The New Scottish Books was published by Polygon.
In this episode of The Perry Pod, I look at Season 5 Episode 4: The Case of the Malicious Mariner. This episode includes: Law Library: The General Average Clause Plot: Episode plot Trivia: Textile mills, Robert Crawford, and Perry's parking citation The Theme: Youth The Perry Proverb: "There's a big difference..." The Water Cooler: Deleted scenes and last ep's Paul Prompt Plus listener letters! Contact me at theperrypod@gmail.com. Keep on walking that Park Avenue Beat!
250 years since he died, Robert Fergusson is still revered and respected by the Scottish literary community. Exploring his life and work in more detail, Kathleen Jamie and Ally Heather are joined by another Robert - Robert Crawford - to learn more about his life, and untimely death. To access poetry for free in person, via post, or online, please find details at the Scottish Poetry Library website here.The Lantern Scottish Poetry podcast is produced by Bespoken Media, and is supported by the National Lottery through Creative Scotland.
Welcome to the Instant Trivia podcast episode 1097, where we ask the best trivia on the Internet. Round 1. Category: Nebraska, New York Or North Dakota 1: The least populous. North Dakota. 2: Its name does not have a Native American origin. New York. 3: The Oregon Trail crossed it. Nebraska. 4: The largest in area. Nebraska. 5: Its cities include Minot, Jamestown and Grand Forks. North Dakota. Round 2. Category: Mattel-Ica 1: Can you identify this classic Mattel fortune-telling toy with an internal die that answers queries? Signs point to yes!. the Magic 8-Ball. 2: The Splittin' Image and the Peeping Bomb were among the models in this "fiery" Mattel toy car line introduced in 1968. Hot Wheels. 3: Mattel now makes this classic boxing game in which the Red Rocker and Blue Bomber try to knock each other's blocks off. Rock 'Em Sock 'Em Robots. 4: "Let's play house" and "Please change my dress" were 2 of the 11 phrases said by this talkative doll introduced in 1959. Chatty Cathy. 5: Back in the '60s, you needed a Thingmaker to cook up the insect toys with this alliterative 2-word name. Creepy Crawlers. Round 3. Category: Emperors And Empresses 1: He was a rear admiral in the Austrian navy before he became emperor of Mexico. Maximilian. 2: Carolus Magnus is the Latin name of this king of the Franks and emperor of the Romans. Charlemagne. 3: This "fiery" Roman emperor reportedly said, "I have only to...sing to have peace once more in Gaul". Nero. 4: This Ethiopian emperor's wife, Wayzaro Menen, was a great- granddaughter of Menelik II. Haile Selassie. 5: In 963 Nicephorus II was crowned Byzantine emperor in this most famous Byzantine church. Santa Sophia. Round 4. Category: Y. With Y in quotes 1: Part of an egg, or a natural grease exuded from sheep skin; now it's on you. yolk. 2: "Seinfeld" popularized this repeating term meaning "and so on". yada yada yada. 3: This "Y" word is in the title of Robert Crawford's 1939 Air Corps (now Air Force) song. yonder. 4: You could say it's the desire to acquire this Japanese currency. a yen. 5: A plant of the agave family, or a Nevada mountain that may or may not end up full of nuclear waste. Yucca. Round 5. Category: 6-Letter SYnonyms. With S in quotation marks 1: A child's teeter-totter. a seesaw. 2: Slang for a black eye. a shiner. 3: Candle bracket. a sconce. 4: An ape, or apelike. simian. 5: To envelop or to bandage. swathe. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
“The starting point is, and the research questions are all framed by: 'We know it's terrible to be fat, but how terrible is it?' Not: 'What would it take to give effective healthcare to fat people?'” says Aubrey Gordon, writer of the new book You Just need to Lose Weight and 19 Other Myths About Fat People, star of the documentary Your Fat Friend, and podcaster of Maintenance Phase. And it's not just healthcare where the alignment of 'fat' with 'unhealthy' - and 'thinner' with 'healthier' - becomes problematic and often very dangerous. "I really don't think people contend with the ways in which they are sending a message to everyone around them that there is a weight limit for people that they will love." Content note: this episode contains discussions of body size, body image, weight, anti-fatness, illness including cancer, diet culture, weight loss - intentional and un - and eating disorders. And there are some category A swears. This is the second of two episodes about the word ‘fat'. In Fatlusionist part 1, Aubrey and I discuss euphemisms for fat, why people avoid saying ‘fat', what else people mean when they say ‘fat' and how it would be quite good if people said ‘fat' as just a descriptive term for ‘fat'. Find out more about this episode and the topics therein at theallusionist.org/fat2, where there's also a transcript. Thanks so much to everyone who sent in their thoughts and feelings about the word 'fat'. The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin's own songs via PaleBirdMusic.com. The cast of The Flab is Felix Trench of Wooden Overcoats podcast, find more of his acting and writing work via FelixTrench.com. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams and watchalong parties, AND to hang out with your fellow Allusionauts in the delightful Allusioverse Discord community, sharing trinket pics, favourite podcasts, and awful portmanteaus. The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Kitsch, who make products to care for your hair and skin - shampoo and conditioner bars, soaps, sleep bonnets, heatless rollers, satin hoodies and pillowcases... Get a whopping 30% off your entire order at MyKitsch.com/allusionist.• Catan, the endlessly reconfigurable social board game. Shop at catanshop.com/allusionist and get 10% off the original base game CATAN by using the promo code ALLUSIONIST at checkout. • Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a beautifully designed website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.
Today's episode of The Skylark Bell was made in collaboration with The Haunted UK podcast. It is a little different than what you've become used to at The Skylark Bell; it is recorded in Audio Drama format as a phone call between two characters, and features an introduction and voice acting by the host of The Haunted UK podcast. Fair warning, this episode may also be slightly scarier than a typical episode of The Skylark Bell.Story and Script by The Haunted UKFind The Haunted UK podcast's 2021 Halloween Special here *We suggest listening to this FIRST*: https://open.spotify.com/episode/0bvnvqkUCIxmFA2DWuomp2?si=f4LImIeoTJ6zKeMJa6WUlgFind The Haunted UK podcast on Instagram: https://www.instagram.com/hauntedukpodcast/The Skylark Bell is brought to you by: Phaeton Starling Publishing and Things with Wings Productions.The Skylark Bell official website - http://www.theskylarkbell.comThe Skylark Bell on Instagram: @theskylarkbellAuthor/Producer: Melissa Oliveri - http://www.melissaoliveri.comJoin Melissa's Patreon for early access to podcast episodes, music downloads, and more: http://www.patreon.com/melissaoliveriMelissa on Mastodon: https://mastodon.social/@melissaoliveriAll music by Cannelle: http://www.cannellemusic.comCannelle on Instagram: @cannelle.musicOfficial Merch Shops: http://www.melissaoliveri.com/storeFULL TRANSCRIPT:Things with Wings productions presents – A Special episode of The Skylark Bell, in collaboration with The Haunted UK Podcast. I'm your host, Melissa Oliveri.Before you begin this episode, I strongly suggest you hit pause, and go visit The Haunted UK podcast's 2021 Halloween Special episode, the link is in the show notes. It is a fantastic episode retelling a story that will give you chills. Then, come back here for an epilogue of sorts... Now, today's episode of The Skylark Bell is a little different than what you're used to, as it is recorded in Audio Drama format as a phone call between two characters, and features an introduction and voice acting by the host of The Haunted UK. This episode may also be slightly scarier than a typical episode of The Skylark Bell.Alright, you've been warned! Now go grab a blanket and a warm drink, and let's get started.Halloween 2021 saw the Haunted UK Podcast publish a bonus episode which told the unbelievable story of an author and his terrifying experience with something completely out of the ordinary. Going by the name of Robert Crawford, this individual tried to gain some sort of normality back into his life...but those experiences on an isolated farm in England's Peak District would continue to haunt him every minute of every day.Little by little Robert's life began to fall apart because of the impact of what he'd witnessed, and also the fact that Gwen and Bernie knew where he lived. He had no idea what had happened to both of them after he left the farm on that final fateful night.... did they both get out of the tunnels under the barn... or did they die down there?? Every day was a waiting game.... would someone come looking for him to make sure that he never spoke of what he saw?Just how long had the existence of this bloodline of creatures been kept secret, and how many actually knew about what was going on at the farm. Maybe it was paranoia, but since the events witnessed by Robert Crawford had happened, he began to record his phone calls and document any events which he felt were strange.From his diary notes he mentioned a number of times that he felt that he was being followed, but never actually saw anyone. He also says that his house phone would ring a number of times every day, but nobody would speak... there would just be light breathing. Was this someone from the farm, or was it someone else entirely? Crawford would have his phone disconnected and would then rely completely on his iPhone, which few people had the number for.What you are about to hear is a telephone conversation which allegedly took place a few months ago. The audio file for this conversation was on a USB drive which had been posted in a padded envelope. We've taken the liberty of re-recording this conversation to protect those involved and to also keep the real name of the farm under wraps. There was also a written note enclosed which simply read "Seek out the Book of Aldaraia".After a little bit of digging regarding the book mentioned in the note, the Book of Aldaraia is also known as the Book of Soyga....or The Book That Kills. It's not known who actually wrote this book, but it was part of the extensive library of John Dee until his death in 1608. Legend has it that a medium by the name of Edward Kelley was used by John Dee to help translate the book, which was mostly in Latin, in 1582.Kelley offered John Dee the chance to speak to the Archangel Uriel to help him decode the most mysterious sections of the book, which are around 40,000 seemingly randomly distributed letters. Not satisfied with the secrets of magic, divination, spells, incantations, and details regarding demonology already discovered within the book, John Dee wanted the key to unlock the code within these characters. When he asked Kelley to instruct the Archangel Uriel to give up the code he refused, telling him that only the Archangel Michael could truly decode and translate the full potential of the book.... and that wasn't something that was going to happen. The contents were just too dangerous.So, what mysterious powers lay behind these layers of random letters? It's still unknown today, but John Dee devoted his entire life trying to crack this code and upon his death in 1608, the book went missing... until 1994. Where had it been? What was it used for, and what did it have to do with what went on at the farm? The book resides in the British Library to this day.Here is the phone conversation, make of it what you will...(iPhone rings and Robert Crawford answers.)Robert: Hello (short period of silence)...Hello...Laura: Is this Robert Crawford??Robert: Ermm..who's asking?Laura: My name is Laura Arden....I work at the Natural History Museum in London...in the Department of Medieval and Latter Antiquities...so sorry to call so late, but I was wondering if you could help me out with something?Robert: Sorry, but how did you get this number? Are you American??Laura: Canadian actually....ummm...well, a little research and access to some databases and I managed to find you. You're a really difficult guy to track down considering you're an author.Robert: Well, I prefer to keep as much of my life as private as possible. What is it you wanted again?Laura: I just needed to ask you a few questions about something that I think you may be able to help with......you can look me up online at the museum if you like....Robert: No, no,...there's no need for that. I just don't get many phone calls nowadays, that's all.Laura: So....do you think you could help me out??Robert: ..Sure, yes, I'll try my best....This isn't about a book signing is it??Laura: No, no, no....although I have read a couple of your books, but no....I was wondering if you'd be kind enough to help me get to the bottom of something that I found while I was on vacation...it may have something to do with you.Robert: I suppose so...but I'm not sure how much help I'm going to be, but fire awayLaura: Ok...bit of a strange question for starters, but do you have any interest in the occult...witchcraft...black magic...things like that?Robert: Well if you say you've read a few of my books then you'll know that I sometimes dabble in those topics....look, what's this about exactly, and how can this have anything to do with me??Laura: Well it's not just about something that I found, but more about the location it was found in....and I think you can give me some valuable information about this location.Robert: Ok, look it's late and I don't want to come across as being rude, but can you just get to the point please??Laura: Ok...fair enough.....Have you ever been to Manor Ridge Farm Mr Crawford??(a long silence)Laura: Hello??...Mr Crawford...Hello??...are you still there??Robert: Yeah..I'm still here....how do you know that name??Laura: Have you been there...or not Mr Crawford?Robert: Look, there's nothing I can help you with Laura...it's been lovely talking to you but I have things to...(Laura cuts in)Laura: (more forcefully now) HAVE YOU BEEN THERE OR NOT???Robert: ....yes...I was there around a year ago.Laura: Good...now we're getting somewhere. So what circumstance led you to Manor Ridge Farm??Robert: In all honesty...I had writers block while I was working my next book. I needed a change of scenery...something to snap me back in to focus. I found a cottage for rent on the farm and hired it. The different views, the atmosphere, the clean air...it was supposed to help but....well...it didn't.Laura: So what happened??Robert: Hold on...how do you even know I was there? Are you working with the police or something?Laura: Police???..no..it's..it's nothing like that. As I said..I was on vacation and found something.Robert: So why don't you enlighten me as to what you've found...and why were YOU up at that farm??Laura: I was on a week long hiking vacation in the Peak District. I planned to get as many of the trails under my belt as possible...same as you, take in the views, absorb the atmosphere...get away from the city. I'm not really someone who enjoys being in other people's back pockets if you know what I mean? I prefer my own company at times and this vacation was one that I was going to go on alone.Robert: So you came across the farm as a place to stay??Laura: Yes...but not because I'd organised it. Weather had turned bad, and it was getting late. I was literally in the middle of nowhere in the pouring rain and it was getting dark. I saw a farmhouse with lights on in the distance so I headed towards it. The owners told me that they didn't take in visitors...don't get me wrong, they weren't nasty...far from it, they were really helpful. They told me that Manor Ridge Farm had a cottage that they hired out, I should head there and see if they could help, so I did.Robert: So you make your way to the farm....then what?Laura: Well, I got to the main house and I saw a cottage opposite a barn further up the driveway, so, assuming that this was the place, I knocked on the door and was greeted by a woman...I'd say she was in her fifties...maybe sixties...had a patch covering one eye. She introduced herself as Gwen and seemed friendly enough. When I asked about the cottage she was more than happy to help, but something seemed off....I didn't know what it was at the time...but something just didn't seem right.Robert: Was there anyone else in the Farm House...a man maybe...or outside??Laura: I never saw anyone other than Gwen...anyway, she said that the cottage hadn't been let out for a while so was in a bit of a mess, but I was welcome to stay the night if I wanted. Well, there was no way that I was going to stay out in the rain overnight, so I jumped at the chance. She gave me the key and walked up to the cottage with me and quickly showed me around...that's when she started to make me feel uncomfortable.Robert: In what way? What did she do?Laura: She just suddenly said that she needed to go, and I was to stay in the cottage and not come out until morning. She said that many people had gone missing in the area because they didn't know the hills and the weather...it was just really creepy. Anyway, she just took off towards the barn and I thought that was strange because the weather was getting really bad...why not go back to the house?Robert: You didn't go back out there did you??Laura: No, not right away...I wanted to get out of my wet clothes, get changed and get warm. I had a few chocolate bars in my pack, but was really hungry so I started to hunt around to see if there were any cans of soup or something like that to eat...but there wasn't anything....so that's when I decided to go down to the farm house.Robert: I can't believe you went back out there...especially down to the house. If you've managed to track me down and link me to that place then surely you know something of what went on there...if not...why are you calling?Laura: I'm getting to that....so...I went down to the main house, and by this time it was dark, pouring with rain and the wind was really getting strong. As I got to the front door, I noticed it was wide open...so I stepped inside and called out for Gwen...but there was no answer...and then the smell hit me...a kind of blood-like metallic smell. I went into the kitchen and....well it looked like something had been torn to pieces. It was definitely an animal...but that was all I could make out. I began to feel sick and knew that I had to get out of there as quickly as possible...and that's when I saw the book on the floor.Robert: Book!!! What book?? You hung around because of a book??Laura: This wasn't any ordinary book Robert...from the markings on the front of the leather cover I knew it was old...so I grabbed it and ran for the front door. I took a look around, didn't see anyone so then ran for the cottage and locked myself inside.Robert: Why didn't you phone the police?? Why didn't you.....no signal....you didn't have a phone signal did you?Laura: No...my phone was the first thing I checked when I'd locked the front door. I was trapped there until the morning and there was no way that I was going back down to the main house after what I'd seen.Robert: Well at least you were safe for the time being...when I was there I wasn't so lucky. It was Bernie who came for me with a....well...that's in the past now. So what was so special about this book?Laura: At the Museum we have archives of extremely old, rare and precious books...bibles, authors first volumes, writings from kings and queens of the past...and books about the occult...the supernatural...black magic...witchcraft. Some of these books go back to at least the 1500's and their contents are still considered by some to be highly dangerous...but this book was more than just a book...it was a diary. A diary of generations of individuals who had been blessed by a specific bloodline.Robert: Blessed!!! I don't think you realise exactly what you were dealing with there Laura. What I saw at that farm challenged every single thing that I thought was pure and simple fiction...what I encountered, firsthand, wasn't something that was blessed...it was something that every man, woman and child should only encounter in their nightmares...but there it was...right in front of me...and it was being protected...coverted...aloud to exist.Laura: But yours was an accidental encounter Robert....if you hadn't discovered that cave system then none of this would have happened...(Robert cuts in)Robert: How do you know about the cave??? Who told you about that?? Is my name in that book??Laura: Yes, it is, everything that happened over the time period that you were at the farm was recorded, first by Bernie, then by Gwen. I'm assuming that you know what happened to Bernie after you left them both locked up in the tunnels under the barn?Robert: You make this sound like all of this was intentional...as if I wanted this to happen. Do you know what this whole experience did to me? It left me alone...I lost my partner...my publishing deal...my confidence...my life. I hardly leave the house, never socialise. I'll tell you what I think happened to Bernie shall I? Bernie was murdered by whatever that thing was that Gwen turned into...but if I say what I know it is...then it makes it real...and it can't be. It just can't be. When I was taken down into the tunnels by Bernie, at gunpoint might I add, I was never supposed to come back out...it was only down to chance and luck that I made it out alive....so...I ask you again...why do you need my help?Laura: I'm so sorry Robert....I never meant to make you feel that way. What you went through was horrific, but here we both are...armed with the experiences and facts that prove that what was only considered to be something from folklore...is in fact real...I can't quite believe that I'm actually saying this myself...but it's true. If I were to go to my head of department with this book and this story.... they'd have me committed...but you've seen these things...you're the only one who knows what Gwen really is....a Werewolf...a Lycanthrope...a shapeshifter.Robert: STOP!!! Stop....please....I can't help you....I've tried desperately for the last 12 months to try and forget what happened but it's impossible. If I had the chance I'd go back to the farm and simply kill Gwen and put an end to all of it....but I can't...I can't go back there.Laura: Listen...I get it...I really do, but there are far more people at risk now. As mad as all of this sounds it was Bernie that kept the lid on all of this by knowing when to take Gwen down to the tunnels to lock her away when the condition started to take over. Reading in the book, Bernie had documented that Gwen had escaped a number of times and attacked animals on the hills...she almost made it to the village one time....(Robert Interupts)Robert: I know!!!...Bernie explained all of this. He told me that it was him that used to take her down there to feed...to isolate her away from others...to protect her. But Bernie isn't there anymore...so who's locking her away now when she needs to feed...who's protecting her now?? Why haven't we had headlines in the newspapers of some rampant wild animal attacking people on the hills and in the villages?Laura: Because she's doing it herself. Gwen had written entries into the book stating that after she had woken from the last transformation in the caves, she found that she'd killed Bernie....ripped him apart. She managed to find her way out of the tunnels via the cave system that you found the entrance to up on the hillside. She had to wait until darkness to make her way back to the house where she cleaned herself up, opened the trap door in the barn, and took care of Bernie's body. Then she waited...waited to see if you, the police, or both would turn up...but nothing.Robert: Who was I supposed to tell? Who was going to believe a story like that...you?? It's only after you've read that book that you finally realise what's actually out there...but all you're basing your opinion on is my testimony and what's written down. All of this could be lie...you haven't actually seen it...have you?Laura: .....yes....I have.Robert: But you said that you locked yourself away in the cottage after you came from the house...did you go back out??Laura: Yes...I had to....Robert: What do you mean you had to??? What happened??Laura: I'd made sure that everything was locked up tight after what I'd seen in the farmhouse, and I'd bedded down in the living room on the couch. I grabbed the book I'd found and started to leaf through it.... I couldn't believe what I was reading, there were details of ancient ceremonies, symbols, potions and treatments that had been passed down from generation to generation over the span of hundreds and hundreds of years.... all with the same one goal: to rid the beast from within, to cure the condition. It seems that no one actually knows where this bloodline started, but in a passage from the late 1900's written by a man named Harold Thomas Anderson, he mentions a cave system in Romania where he was due to travel to find the "Primal". Whether this was a person or a creature isn't confirmed....and there are no other entries from this man in the book, but he was definitely part of the bloodline. Anyway, I'm getting ahead of myself. So, I'm lying on the couch when I begin to hear something moving from outside of the rear of the cottage, as if someone was bumping into stuff and knocking it over.Robert: Did you see what what it was??Laura: Not at first no. I ran upstairs and looked out of one of the rear bedroom windows, but I couldn't see anything. I initially put it down to the wind and rain, until I heard a loud screaming sound. This wasn't the sound a human would make, it sounded animalistic...guttural...as if something was in terrible pain. It sounded as if it was coming from outside the front of the cottage this time, so I ran across the landing and into the master bedroom and peered out of the window....and I saw it....it was Gwen....she was naked, crawling across the floor of the barn trying to get to an opening in the floor....but as I watched I could see hair growing, slowly covering her body...joints bending in ways that seemed impossible....more screams pierced the air as the process continued....then it happened.Robert: What happened??Laura: She saw me, she looked straight at me.Robert: Oh my god....what did you do??Laura: At first, I was completely frozen to the spot. Both of our stares fixed at one another; mine terrified, hers furious, full of rage. Her eyes looked black, and her face was... it was changing... changing right in front of me. She then rose herself up onto all fours and started to walk towards the cottage. I've never felt fear like that in my life, watching something like that slowly walking over to the place that you hope will keep you safe, but knowing that it will never be a match for it.Robert: Jesus Laura....I can remember knives being in the kitchen. Did you manage to get hold of something to try and defend yourself with?Laura: Yes...one of the knives. I figured that she was either going to try and get through the front or back door, so I ran downstairs and pushed the large wooden dresser across the back door to try and buy me some time...then I went to the front door and looked out of the window. I couldn't see her, she was out there somewhere but I couldn't see her. Then something hit the back door and I heard glass shatter. I quickly closed the living room door and pushed the couch up against it, not that it would have provided much resistance against her, but it went quiet again.I stood up against the front door with tears starting to stream down my face. I was mentally broken....I couldn't believe the situation that I'd found myself in, and I couldn't see how I was going to get myself out of it. I couldn't call my mom and dad to tell them that I loved them...to hear their voices...to have that comfort...I was going to die here...and there wasn't anything that anyone could do to help me.Suddenly there was a huge bang at the front door, so powerful that the door frame moved. I pushed back at the door screaming for her to go away. Another bang came and it was clear that the door wasn't going to last long. I pushed as hard as I could and gripped the knife, readying myself to use it if I had to. Then another huge blow came against the door and it finally buckled. An arm, covered in grey/black hair came around the door and grabbed my wrist and pulled my arm outside....then I felt searing pain as teeth pierced my skin and bit down hard into my arm. I screamed again louder, and pulled as hard as I could to get my arm back inside the door but it was no use....this thing was so strong. A clawed hand reached inside the door against the frame to try and push the door open. I immediately raised the knife using my other arm and plunged it into the hand.I pulled it back out to strike again but a huge scream came from her and she let go of my arm and the door closed with me falling against it and onto the floor. I sat there, back up against the door waiting for her to smash into it again and finish the job off...but there was nothing. I plucked up the courage to look out of the window but she'd vanished....I had no idea where she'd gone.Robert: How bad was your arm??Laura: There were four deep pucture wounds and a few shallower ones. It looked worse than it actually was with all of the blood, but I needed to clean it up. I waited for what seemed like hours, but when I was pretty sure that she wasn't coming back I got hold of my back pack and my first aid kit. I used a towel from the kitchen to take care of most of the blood and then pushed the sofa back against the door. It was just a matter of a couple of hours before daylight and then I'd be gone...or so I thought.Robert: What do you mean "so you thought"....she didn't come back did she??Laura: No...well...not exactly. I watched the sunlight fill the cottage as morning broke and I wasn't going to hang around, so I grabbed my stuff, packed my bag and got ready to get the hell out. I figured I'd go out the back way and get across the fields as quickly as I could and try to make it to a road. Hopefully I could hitchhike to a town or village from there.....but then there was a knock at the front door....it was Gwen. She asked me to open the door. She assured me that nothing would happen....but also that we needed to talk....urgently.Robert: What did you do?? Did you let her in??Laura: I didn't have a choice. What was I going to do....stay in the cottage for the rest of my life? I opened the door, slowly at first, then wider. She could see that I had the knife in my hand and I told her that I would use again if I had to. She said there was no need....she wouldn't harm me. She reached out her hand....it was bandaged up now...and she asked for the book back. I handed it over and that's when she began to speak. She explained that the book had details of potions which could delay the effects of the condition. When her husband was around she never needed them, because he would take care of her when the urges came.It was her dog that she had killed in the farmhouse when I found all of the blood in the kitchen with the book. The hunger, as she called it, became so overwhelming that she couldn't control it and the remedy that she'd mixed was in the tunnels under the barn...that's where she was trying to get to when we saw each other. For years her and Bernie searched for a cure to stop her condition, and while she never told me how she'd become infected, she did tell me that the bloodlines stretched around the world....and all of the infected are looking for that illusive cure....and now so am I.Robert: What do you mean?? Why would you be helping her find a cure after what she did to you??Laura: Because her bite has now infected me....and I now need to find that cure....and you're going to help me.....and Gwen....Robert: What....are you mad?? Why the hell am I going to put myself at risk yet again to help you or Gwen!! She almost killed me, and you're asking me to.....I'm sorry Laura, but even though none of what happened was your fault, you're both on your own... (silence)... Laura... Laura are you still there? Do you understand what I'm saying to you???Laura: It's a nice part of the world you live in Robert....not many houses around....nice and quiet....Robert: What are you talking about?? How do you know where I live....are you threatening me?? I can leave here right now and you'll never find me.Laura: I don't think so Mr Crawford....why don't you take a look outside your window....you see that silver car across your driveway? Well I've been here since this call began, and I'm not leaving until you make a decision...the right decision. And also, don't think about trying to leave using the backdoor....because there's someone you may well remember who'll be waiting for you in your garden. The hunger is getting strong Mr Crawford....and whilst Gwen and myself have a remedy that we can drink to delay the inevitable...we don't have to drink it...and you're the only one who knows what we are....and if we have to permanently silence you then we will.Robert: If you try to get in here I'll call the police.Laura: The Police!!! What will they do to help you? You'll be dead before they even arrive. So what it's to be Robert?? Are coming back to the farm to take care of us.....or are we coming into your house to take care of you?? You've got 2 minutes to decide...and if you hang up we'll be inside before you know it. All of your questions will be answered in time, and I give you my word that you'll be safe...but you need to make the right decision...so...tick-tock, tick-tock....time is running out....To be continued.....Thank you so much for listening. Join me next week for the last Skylark Special episode of the year, a touching story called Elliot Under Glass, and please be sure to subscribe to The Haunted UK podcast if you haven't already, the content and sound quality are unbeatable.If you enjoyed this story, please consider leaving a rating and a review, it's quick and free, and incredibly helpful in giving the podcast visibility so others can find and enjoy it.If you'd like to support my work, you can subscribe to Patreon or Ko-Fi for exclusive content and advance access to podcast episodes. You can also follow me on social media so we can stay in touch, all necessary links are in my bio.Once again, thank you for listening, On behalf of myself and The Haunted UK podcast, we wish you happy... or spooky if that's your thing... holidays.Support this podcast at — https://redcircle.com/theskylarkbell/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
A story out of Omaha, Nebraska about the sexual abuse of a child, has earned national media attention when it was reported that the girl's mother took her for an abortion and returned her to her abuser - the step father. We discuss how this case is typical of what we have seen and how our country's epidemic of child sexual abuse is being driven by the fact that that both Planned Parenthood and the National Abortion Federation knowingly conceal these crimes while aiding and abetting the sexual predators who commit them. We reveal shocking information which begs the question, when will authorities prosecute these clinics for failing to report? Links Mentioned:Woman Took Her Daughter for Abortion, Then Returned Her to Stepdad Who Raped Her Again - LifeNewsTexas man who impregnated 12-year-old child sentenced to life - True Crime DailyOur Child Predator InvestigationReport documents failure of clinics to report child sexual abuseRate & Review Our Podcast Have a topic you want to see discussed on the show? [Submit it here.]To learn more about what Life Dynamics does, visit: https://lifedynamics.com/about-us/Support Our Work Be Sure To Follow Life Dynamics:Our WebsiteFacebookTwitterInstagramYouTubeRumble
While the media and political pundits continue to dissect the elections and the failed “Red Wave,” we talk about the news the abortion industry doesn't want people talking about. This week on the Pro-Life America, we talk about the kids phone game encouraging donations to Planned Parenthood, the abortionist caught faking “health of mother” diagnosis to justify a late-term abortion, the pedophile discovered to have been assaulting children for decades after an abortion clinic failed to report, and a man arrested on charges of slipping abortion drug in wife's drinks. Topics Discussed:The new study saying 1 out of every 179 Americans will eventually be murderedA kids phone game encouraging donating to Planned Parenthood?!Abortionist caught faking “health of mother” diagnosis to justify abortionAnother abortion clinic discovered failing to report rape of minorMan arrested on charges of slipping abortion drug in wife's drinks Links Mentioned:Study: 1 out of every 179 Americans will eventually be murdered if the current crime rate trends continue - The BlazeLime 5 - By: Mark CrutcherAbortionist Admits Faking “Health” Reasons for Elective 6-Month Abortion - Secular Pro-LifeAbortion Testimonials From Clinic WorkersTexas man who impregnated 12-year-old child sentenced to life - True Crime DailyRead about how the abortion industry conceals statutory rape from parents and authoritiesTexas man accused of slipping abortion drug in wife's drinks - ABC NewsPro-Life America Podcast Episode 41: Birth Control - What They're Not Telling YouRate & Review Our Podcast Have a topic you want to see discussed on the show? [Submit it here.]To learn more about what Life Dynamics does, visit: https://lifedynamics.com/about-us/Support Our Work Be Sure To Follow Life Dynamics:Our WebsiteFacebookTwitterInstagramYouTubeRumble
In this episode Chris and Jane wander through Robert Crawford's 1980 paper 'Healthism and the medicalization of everyday life'
It is almost a century since the publication of his poem The Waste Land.
It is almost a century since the publication of his poem The Waste Land.
This one could also be called Freedom. Or possibly Fruit. Maybe even Living. Recommended and referenced resources include: Quotations: Bird by Bird (https://mbird.com/literature/anne-lamott-on-dropping-whiny-guilt-mongering-voices-into-mason-jars/) by Anne Lamott, Calvin and Hobbes (https://www.gocomics.com/calvinandhobbes/1992/05/21), "Ode to Failure" (https://mbird.com/poetry/ode-to-failure-excerpts-allen-ginsburg/) by Allen Ginsberg Books and Literature: Young Eliot (https://amzn.to/3PcuyeQ) by Robert Crawford, Show Your Work (https://amzn.to/3NOepuX) by Austin Kleon, Bird by Bird (https://amzn.to/3uyoYvD) by Anne Lamott, The Space Trilogy (https://amzn.to/3NRXtnk) by CS Lewis Movies and Podcasts: Get Back (2021) dir. Peter Jackson, The Well of Sound (https://podcasts.apple.com/us/podcast/the-well-of-sound/id1435720647) Songs: “Problem Child” by The Beach Boys, “Walking on Thin Ice” by Yoko Ono, “Underwater” by Harry Thuman, “I'm so Afraid” by Fleetwood Mac, “Tri-Tra-Trallula” by Joachim Will, “A Ist Wieder Da” by Robert Gorl, “Learn How to Fail” by The Replacements, “The Fear in My Heart” by Luc Van Acker, “Can You Picture That?” By Electric Mayhem, “Xanadu” by Olivia Newton-John, “Seven Nation Army” by The White Stripes, “Jazzburger” by Loukas Thanos, “Reader Meet Author” by Morrissey, “Deadlines and Commitments” by The Killers, “Manhattan Jungle” by Per Tjernberg, “Perfumed Garden” by Rah Band Click here (https://open.spotify.com/playlist/2ZEDD3kbdFeuBjrMIhWi1V?si=058bfc64dedc426d) to listen to a playlist of the available tracks on Spotify.
Keyed In - Greatest Hits! How do you become a better agent? A better team? Do not miss this episode highlighting some of our favorite clips from each of our wildly informative interviews. Our listeners gain instant access to some of real estate's top talent, from seasoned agents and brokers to viral social media influencers and designers. Compilation in order of episode release:Jeff Wilson, Yianni Konstantopolis, Koki Adasi, Meg Grymes, Robert Crawford & Tyler Jeffrey, Lindsay Reishman, Meredith & Shaw Mosthashari, Jonathan Taylor, David DeSantis, Mark Wellborn, Trish Yan, Kira Epstein Begal, Andrew Becker & Daniel MacDonald, Anne Savage & Nate Guggenheim, Jen & Tim Touchette, Leslie Backoff Snider, Jordan Stuart, Robert Sanders, and Daryl Judy.
Keyed In - Greatest Hits! How do you become a better agent? A better team? Do not miss this episode highlighting some of our favorite clips from each of our wildly informative interviews. Our listeners gain instant access to some of real estate's top talent, from seasoned agents and brokers to viral social media influencers and designers. Compilation in order of episode release: Jeff Wilson, Yianni Konstantopolis, Koki Adasi, Meg Grymes, Robert Crawford & Tyler Jeffrey, Lindsay Reishman, Meredith & Shaw Mosthashari, Jonathan Taylor, David DeSantis, Mark Wellborn, Trish Yan, Kira Epstein Begal, Andrew Becker & Daniel MacDonald, Anne Savage & Nate Guggenheim, Jen & Tim Touchette, Leslie Backoff Snider, Jordan Stuart, Robert Sanders, and Daryl Judy.
Director George Roy Hill, lyricist Hal David, associate producer Robert Crawford and cinematographer Conrad Hall
In 1999, 13 year-old Meghan McNamara was abducted from her home, her parents and younger brother brutally slain. The intense search for her would eventually dwindle down to a cold case and local legend and Meghan was presumed dead. Then five years later, an 18 year-old woman emerges from the Wisconsin woods, dazed, undernourished and announces she's Meghan and doesn't know what year it is. She tells the police where to find her captor. He is found and pleads guilty to the felonies.She's ostensibly the only survivor in the Fox River series of murders and is given the mystique of The One That Got Away. Meghan struggles to put her life together and reinsert herself back into a world that had left her for dead. Laboring under a psychiatric malady she calls “voice deafness,” she can hear and understand words but all voices are indistinct and sound alike.15 years later, she's a detective in the same small Wisconsin town in which she was raised and she's obsessed with the case that was supposedly solved when the alleged killer confessed. But when a single mother is murdered and her 12 year-old daughter goes missing, Meghan is more convinced than ever that the killer is still on the loose. And McNamara's efforts are getting resistance not just from the real killer but also her own department that had arrested him and the DA's office that may have put away an innocent man for life.Support this show http://supporter.acast.com/houseofmysteryradio. See acast.com/privacy for privacy and opt-out information.
David Speirs, Hero of the Week, Phil Coorey, Chris Reason, Jessica Braithwaite, John Blake, Lucy's Podium, Robert Crawford, Behind Closed Doors, Brenton Clarke and David's Headline See omnystudio.com/listener for privacy information.
Robert Crawford and Tyler Jeffrey's business partnership is a natural one. The two have worked together for nearly twelve years, previously on the same team where they sat side by side learning the industry from some of the best mentors and coaches around. As they built their individual businesses, what started as friendly competition quickly turned into mutual admiration and respect. Coming together as business partners was simply the next logical move in being able to serve each of their clients more completely. Robert and Tyler join us today to tell us more about healthy competition and the great things that come from it. Welcome, Robert and Tyler!
Robert Crawford and Tyler Jeffrey's business partnership is a natural one. The two have worked together for nearly twelve years, previously on the same team where they sat side by side learning the industry from some of the best mentors and coaches around. As they built their individual businesses, what started as friendly competition quickly turned into mutual admiration and respect. Coming together as business partners was simply the next logical move in being able to serve each of their clients more completely. Robert and Tyler join us today to tell us more about healthy competition and the great things that come from it. Welcome, Robert and Tyler!
| Anxiety | 02:36 | Malaya | Don't Stop | 04:03 | Robert Crawford | Trivialities | 03:56 | The Nombres | Time To Dance | 04:13 | Magoo | Let's Have A Boogie (feat. Heryo) (T-Groove Remix) | 04:35 | Magoo | I Can Tell | 04:33 | Dynasty | Applying Pressure (feat. Snoop Dogg) | 02:44 | YK Osiris | Body Love | 03:25 | Cashma | Juice (Gedi Edit) | 03:41 | Jamelle feat. LB199X | Rock Don't Stop (feat. Perri) | 03:25 | Taxie | Love Dream | 04:32 | Unity & The Downbeats | Whoa (The Realm SOS Mix) | 04:50 | Snoh Aalegra | You Can't Hide Your Love | 05:45 | Magoo | I Made It | 04:23 | Kinzmen | Dance | 03:43 | Rick Littleton | Lovergirl | 04:13 | Givhan | Woodward (Gina's Song) (Gedi Edit) | 04:08 | Givhan | Will You Love My Child | 02:37 | Anna Raye | Will You Love My Child | 03:32 | Thee Illusions | Shake Your Booty | 04:23 | Johnny Horton & Nature | Say No More (feat. Sons Of Funk) | 03:24 | Ty Juan | Diamond Life (The Realm Remix) | 04:27 | Mary J. Blige | That Girl (Gedi Edit) | 03:06 | DionRacii | Healing Hands | 03:42 | Sorry Drummer | Feels So Good | 04:36 | Bobby Harden & The Soulful Saints | Slowly | 03:04 | Demuren | Tongue Tied | 02:41 | Vanessa Hillman | Home | 02:50 | Norma Sole | 1Hundid | 03:15 | Capers | Nothing On You | 03:43 | Kenny Lattimore | Never Knew | 04:31 | Kenny Lattimore | Midsummer Dreamin' | 04:19 | Konstantin Klashtorni | Smokin' Out The Window (Gedi Edit) | 03:18 | Bruno Mars, Anderson .Paak, Silk Sonic | To The Beat | 02:27 | Bel Air | Whatever You On | 02:37 | Jane Handcock | How Many Times | 03:36 | Laura Yasmin | Fancy Free | 05:31 | Paul Randolph feat. Hubert Laws | Morning After | 03:14 | Thai Chi Rosè | Faith In Him | 03:06 | Ryylo | Slow Ryde | 03:22 | Kels | Coy (Gedi Edit) | 02:36 | Jaszy Shavers | A Little Lit (A Little Bit) | 03:00 | Tica Holiday | Tonight (Martinez Remix) | 03:12 | TJ Taotua | In My Bag | 02:24 | Thuy | Shoyu Rice | 04:12 | Taija Kerr | Neighbors | 04:05 | Jae Via | Nonsense Can Wait | 02:58 | Londxxn | In Time | 03:45 | Tarrey Torae | Overnight Stay | 03:26 | Dre Walker feat. J-Wonn | Found U | 02:32 | Cole G. | I'd Do Anything | 03:11 | Hassan Farrow | Ready For Love | 03:23 | Worrell | Unbreakable Habits | 03:06 | Yuphoric | Feels Like A War | 03:18 | Sola | 222 (Gedi Edit) | 04:07 | Takiyah feat. Sakorey | We Ought To Be Together | 02:49 | Tommy McGee | Missing Your Love | 02:53 | Honey Renee | I Believe In Love | 03:40 | Carlene Graham | Touchin Me | 02:51 | Yah Yah | Four Forty Four | 02:48 | Angelae Stone | Still In Love | 04:28 | Dynasty | Sure Shot | 03:27 | Bey Bright | More Than Friends | 03:58 | Bey Bright
When you think about the words "health" or "healthy", what comes to mind? Is it diet culture's version of health—a body ideal, superfoods, gallons of water, and the perfect exercise routine? On this episode, we're taking a hard look at what we think of when we hear the words health or healthy, and getting honest about how we've probably tried healthism on for size. Then, we take it back! We reclaim healthy from diet culture, and use four prompts to help you decide what it means TO YOU! Robert Crawford's paper: "Healthism and the medicalization of everyday life" PMID: 7419309 Anti-Diet RD Training & Supervision with Heather Caplan: https://heathercaplan.teachable.com/ NEW Client packages opening next month! The RD Real Talk question and/or topic request form! Reach out anytime: RDRealTalk at Gmail.com Leave a rating or review on Apple Podcasts! Your host: Heather Caplan RD , on IG @heatherdcRD RD Real Talk Podcast on IG @RDRealTalk
You can't talk about Scotland's history without talking about poet, icon and lover of dames and drink: Robert Burns. And if you're gonna talk about good ol' Rabbie, you should probably consult an expert. We're so lucky to have Dr. Moira Hansen from the Centre for Robert Burns Studies at the University of Glasgow to share some lesser known tales of The National Bard, his family, his collaborators, and the myths we've spun about him.Robert Burns, painted by Alexander NasmythFrances DunlopBurns' tours mapped outPage from Burns' Tour of the Higlands (Aug/Sept 1787)Robert Burns House in DumfriesBurns statue in Glasgow (by George Edwin Ewing, Francis Leslie and James Alexander Ewing)The Poet & His Muse - depiction of Burns and Coila by Albert Hemstock Hodge (loc. in Stirling)More on Dr. Moira HansenDr Moira Hansen is a post-doctoral researcher based in the Centre for Robert Burns Studies at the University of Glasgow. She completed her PhD in 2020 and now works on a range of projects exploring aspects of Scottish literary culture in the eighteenth century, as well as undergraduate teaching. This is possibly an upgrade on her previous life as a high school English teacher as she now doesn't have to do parents' evenings!Follow Moira @MoiraEHansen on TwitterSOURCES:Centre for Robert Burns Studies is at https://www.gla.ac.uk/schools/critical/research/researchcentresandnetworks/robertburnsstudies/'Editing Robert Burns for the 21st Century' (the Centre's current BIG project) is at https://burnsc21.glasgow.ac.uk/ www.robertburns.orgwww.rbwf.org.uk www.burnsscotland.com Robert Crawford's 2009 biography The Bard: Robert Burns, a biography, published by PimlicoSOCIALS: Follow Under The Kilt at @underthekiltpod on Twitter & Instagram SUPPORT: Our network, Arcade Audio, is on Patreon. Support them and gain access to loads of bonus content from Shared History and all other Arcade podcasts: patreon.com/arcadeaudio CREDITS:Original Theme: Tyler Collins aka “Two Metre Man”Additional Music: Garreth SpinnOriginal Art: Sarah CruzProducer: Kathleen Mueller MasonSPONSORS: Direct sponsorship inquiries and other questions to underthekiltpod@gmail.com
Hello and welcome to another audio version of Burnt Toast! This is a newsletter where we explore questions, and sometimes answers, on fatphobia, diet culture, parenting and health. I’m Virginia Sole-Smith. I’m a journalist who covers weight stigma and diet culture and the author of The Eating Instinct, and the forthcoming Fat Kid Phobia. I am so thrilled today to be chatting with Aubrey Gordon. Aubrey is the author of What We Don't Talk About When We Talk About Fat. She is @yrfatfriend everywhere on social media, and the co-host of the very beloved Maintenance Phase podcast. Aubrey, welcome.Aubrey Thanks so much for having me, it’s a delight to talk to you. As always. VirginiaI’m delighted, and I know my readers are going to be so delighted. So I’m bringing you on to talk about the concept of thin privilege, because I think, this is a concept that’s very hard for folks to wrap their brains around. Whenever I talk about it on social media, it inspires a lot of angry comments, a lot of defensiveness, and just a lot of feelings that come up around this concept. I’m hoping we can unpack that, and discuss how parents can explain thin privilege to our kids. Because part of the problem is that people haven’t heard of thin privilege, and now they’re grown up. So let’s start with the basics. What is thin privilege?AubreyI would say thin privilege is how folks benefit from a proximity to thinness. So whether or not you feel like you yourself qualify as “being really thin,” the closer you are to looking thin, the more thin privilege you get. Congratulations! And that includes many fat people, right? I have more thin privilege at about 350 pounds than someone who’s fatter than me does. The idea is that the closer that you get to thinness, the more you actually don’t have to think about your body or your size in terms of how other people relate to it and treat it. You may think about it quite a bit internally, but most of your struggles with your body relate to internal challenges and not to institutions rejecting you, or individuals treating you differently.So, someone with more thin privilege than me might not have to worry about strangers on the street shouting “hey, fatso” at them. Or they might not have to worry about whether or not a doctor will agree to treat them. Or they might not have to worry if they get on a plane, will they be allowed to stay on that plane, or will they be escorted off the plane without a refund and without recourse. It doesn’t mean that folks in smaller bodies don’t have challenges to work through with relationship to body image. I think it’s really important to note that thin privilege is about how other people treat you, not how you feel about your own body. So you can still have profound body image struggles, but that doesn’t change how other people treat you, even with body dysmorphia, even with eating disorders, even with whatever you’re working with. Other people still perceive you as a thinner person and treat you as a thinner person, regardless of how you perceive yourself.Virginia I think that distinction between your own emotions about your body versus how the world perceives your body is crucial. And that’s what makes it hard for folks who feel like, “I’m miserable in my body, so how can I have thin privilege?” But it’s all the things you just said, it’s that you can move through the world freely, even though you might be tormented in some way by your body.AubreyIt can be upsetting and call up defensiveness in the same way that talking about any kind of privilege can. As someone who has grown up white and middle class and remains white and middle class, I have been told consistently throughout my life that my accomplishments are my own. I haven’t really had to look at the ways in which the wind is at my back, right? And the ways in which structures are built to support me specifically as a white person and a middle class person. And I think this is a similar thing. It doesn’t mean that you’re less accomplished. It doesn’t mean that you don’t struggle with your body image, it doesn’t mean that anything inherent about you has changed. It just means becoming more aware of the ways in which the world receives your body.VirginiaSo I was reading some of your writing about this (and I’ll link in the transcript to all the many fantastic articles you’ve written on thin privilege [like this one and this one], and one statistic that really jumped out at me was that just under 50 percent of American adults tried to lose weight between 2013 and 2016, according to the CDC. And you noted that white people and people with higher incomes were the most likely to be engaged in weight loss efforts, meaning that those of us with particularly pronounced privileges are the ones most likely to be engaged in activities to try to reduce our size. Is thin privilege something that already privileged people are actively seeking out?Aubrey Absolutely. Part of that, to my mind—there’s less research on this, this is all just me spitballing—but, to my mind, that is tied to the very explicit history of racism broadly, and anti-Blackness in particular. It’s tied to how we think and talk about fatness and fat people. It’s also tied to our relationship between class and fatness. Overwhelmingly, we are met with these media caricatures of fat people as being poorer than thin people, we are met with caricatures of fat Black folks, particularly as being the most abrasive of fat people, right? And most domineering or least intelligent or whatever—it sort of supercharges any of our existing associations with a community. So, yes, thin privilege is something that we seek, and it’s something that we seek in order to escape the ways that we actually do see fat people being treated: frankly, significantly worse than thin people. So folks will feel defensive of and disconnected from a sense of their own privilege, while at the same time on some level, kind of consciously cashing in on it or trying to figure out how to gain more of that privilege.Virginia I was talking to Deb Burgard about this a few years ago, and she said, a lot of the body positivity movement is small fat women trying to get their white privilege back, trying to move themselves back up the ladder, in a way. The intersection of all of this is fascinating, and uncomfortable. It’s hard to look at how we’ve benefited from these systems.AubreyI also think the hard thing about bodies is that we do live and operate in a culture that makes absolutely all of us feel like garbage in our bodies. Like 100 percent of people. It’s set up so that all of us feel bad. And part of the challenge is that we conflate how we feel about our bodies and how we’ve been made to feel about our bodies, with how much privilege comes with being in that body. And we’ve got to do a better job of disentangling those things, which will allow us to actually honor both of them more.Virginia Let’s talk about thin privilege with kids. I see this coming up in a couple different ways. One example that I talked about recently on social was a friend shopping for softball pants for her 8-year-old daughter, and finding that her daughter can’t wear the same uniform that her peers are wearing.AubreyThat’s so—listeners cannot see my face. But it’s a sad, bummed face. VirginiaI was a thin kid. I never had to think about whether the uniform would fit me. Or how that becomes a barrier to participation. If you’re the kid wearing sweatpants when everyone else is wearing the uniform, you don’t feel like you can play the sport in the same way. What other ways do you see thin privilege show up for kids?AubreyI think a big one is the built environment. For me in middle school and high school, those desks with a chair attached were like a real special kind of hell. I couldn’t flip the desk down, I would just have to sort of like, sit in the chair with the desk flapped up, which was like a little flag waving like, “Hi, everybody. I’m the fat kid. Hello! Look over here.”So I would try and write on my knee. And my notes were kind of garbage. It just made things—not insurmountable, but it was more difficult than it should have been.It is rare that schools or teachers are outfitting schools—and the same can be true of parents at friend’s houses—with furniture, knowing the weight capacity and that sort of thing. I ended up opting out of a lot of playdates with friends and physical games. I remember going to laser tag, and there was a point at which I stopped going, because I thought the laser tag vest thing wasn’t going to fit me anymore. So I stopped going to friend’s birthday parties. There is sort of a social isolation element that comes with all of this stuff. And I think, you know, it never would have occurred to me at the time. But boy, oh, boy, like just a thimble full of awareness from anybody’s parents could have gone just miles and miles and miles.VirginiaWhat should that look like? A lot of my readers are parents. Some of them are parents of fat kids, a lot of them are parents of thinner kids or kids with degrees of thin privilege. How do we talk to our kids about this concept? How can we be more mindful of exactly what you’re saying: thinking through the logistics of the birthday party, thinking through the logistics of the sports team, or whatever it is to make environments more inclusive for kids?AubreySo I come to this conversation, not as a parent, but as a very proud and engaged aunt. So a grain of salt from a guy who’s not taking care of kids around the clock. But I do think that talking to your kids about, “Do you think everybody can do this? Do you think everybody would be comfortable doing this? Who do you want to have there? Oh, I’m not sure if this kid could do that.” I think this works around size, I think it works around disability, I think it works on a lot of stuff.I have, as you can imagine, been very open with my niece and nephew both about what I do and what I write about, and why it matters. And I felt nervous about it, because it feels sort of “controversial” or high stakes or something to talk to kids about body stuff. But as with talking to kids about trans issues, or race, or disability, or any sort of social issue, they are totally down. And it has opened up this vein of conversation that I don’t think I would have had with them. My niece, who’s now 14 will come to me and be like, “My friend is constantly telling me how fat she feels, and I’m actually fatter than her, so it feels really bad to me. But I don’t want to take away how she’s feeling, but also she calls her little brother ‘fat’ as an insult.” So we have these pretty rich conversations to unpack all of those competing things.Because when you just sit down with a kid and you’re like, “Listen, man, sometimes people are fatter than other people. And sometimes people are mean to people who are fatter than other people or think that they don’t deserve the same things. And so we’re going to do a little looking out for fat people. What do you say?” That’s pretty much it and I don’t actually know a kid who isn’t moved to be a helper. So just tapping into that goes a long, long way.VirginiaI’ve found that in talking to my own kids about body size, they can use the word fat in this very unaffected, natural way that is so beautiful to me, as someone who had to go through the process of reclaiming it. It’s like, this won’t be something you have to reclaim. This will just be a word for you. Oh!AubreyI feel like the conversations that I have with folks who are parents is with parents who are not fat, raising kids who are not fat, right? And they’re really nervous that they’re going to have the thin kid who’s calling everybody fat.The way that I’ve handled that is to just be like, “Hey, this is a totally neutral word. Some people get their feelings hurt by it. So check in with people about what words they’re okay with. And then if they're okay with it, you can use it, it’s fine.” Creating even a sliver of daylight between what the word itself means and how people experience that word, can help kids navigate that. We do this all the time with words related to your private parts. There are lots and lots of times that we’re sort of teaching kids about when and whether words are appropriate. And this is another one of those.Virginia I also think you can talk about bodies in a really positive, normal way, and also teach your kids that we don’t talk about the bodies of other people, just like we don't touch the bodies of other people without their consent. If your 5 year old yells it out in a grocery store, that’s a great opportunity to say, “Hey, you know, we don’t actually yell out people’s physical characteristics in public, because you just don’t know how that’s gonna land. But it doesn’t mean that their bodies are bad. It just means that we respect that people’s bodies belong to them.”AubreyI think a totally neutral parallel is: You don’t show up at a party unless you get an invitation to that party. It doesn’t have to be like loaded and heavy. You don’t take a book from the library, if you haven’t checked it out and made sure it’s available. There are lots and lots and lots of ways that we check on something first before we go ahead and do it.VirginiaThose are great examples. So steering away from kids for a little bit: You talk a lot about fat people having these different levels of thin privilege, and why it’s so important to articulate the difference between what I as a size 16 experiences versus what you experience. And that’s something that the body positive space, the Health At Every Size space, we haven’t always been great at doing that. The small fat ladies like myself have done a lot of damage, and we have some karma to work off. So I have a question from a reader that’s actually a little more about health privilege than thin privilege, but I think they’re very related and I would love to get your take on this.She writes: “I’d like there to be more conversation about fat people who do have chronic health issues that medical professionals insist are brought on by how we eat or how we move, particularly diabetes, which is the dirty word of our culture right now. So many people dealing with this health issue are given poorer care because of the fatphobia of their doctors. Having this disease is like an open invitation to be judged and demeaned. The discourse stressing that it’s possible and even likely to be perfectly healthy and fat, while true, leaves out those of us who aren’t ‘perfect’ or ‘healthy in this paradigm. This is more of a screed than a question.” AubreyThere’s so much to unpack and I’m so deeply glad that this person wrote in about this, because this is a thing that I feel extremely passionately about. When we’re trying to defend ourselves against anti-fat bias and anti-fat attitudes and behaviors, the thing that is most tempting and the easiest to do is to grab on to the closest other privilege that we have, and go: I might be fat, but I eat really healthy and I shop at the farmers market; or I might be fat, but I workout all the time, and I have a gym membership; or I might be fat, but I’m perfectly healthy, and my blood work is probably better than yours. All of which makes sense as a desire to defend ourselves.When we do that, what we’re saying is that fat people who are disabled and chronically ill are not deserving of the same things that we’re deserving of. That’s not necessarily our intention when we say those things, but that is the function. It sends a really clear exclusionary message, in the same way that when thin women tell me that body positivity is only for people who are happy and healthy, which is sort of code for, like, not fat, right? So, not you, everyone else can feel okay about their bodies, but not you, is sort of what we’re doing when we say that we’re perfectly healthy. And we’re reinforcing the idea that our perception of someone else’s health is acceptable data to use in deciding how to treat that person. And it is, I would argue, categorically not.I mean, what we know about diabetes is that it is—well, I should start out by saying, what we don’t know about diabetes is almost everything. Just to be real clear: Everybody everywhere is walking around out in the world, like, “Oh, you just have to not eat sugar and not get fat and you won't be diabetic.” Currently, the research is reckoning with, do you get fat because you’re diabetic, or are you diabetic because you’re fat. And there’s some data showing that your body might actually hang on to fat, as it becomes insulin resistant, pre-diabetic and diabetic, right? So we might actually be thinking of it in a completely backwards way. We also know that it’s linked to the stress of experiencing discrimination. So all of that judgment about being diabetic, or maybe becoming diabetic, is rooted in ableism. It’s rooted in these kinds of misconceptions. I’m starting to dive into that research now, and I’m realizing the degree to which that is all categorically false. We are all walking around with this weird false sense of superiority like we’ve all outsmarted diabetes. And anyone who has been forced to take that deep dive knows that that is not the case. We think of it as an earned fate, and we talk about it as something that fat folks should have thought about before they got fat and stayed fat.VirginiaIt all ties back to this belief that we have to dismantle that fat is a behavior. That this is all a choice, that it’s all an option that you checked off on a list of like, yes, I will take fat and I will take diabetes.But attaching moral virtue to things that have to do with your genetic and socioeconomic and other lotteries of life really just doesn’t make sense.AubreyThere’s a sociologist named Robert Crawford, who coined this term in the 1980s called healthism, which is about the ways in which we seek out these signifiers that we are people who are seeking health, so we can perform that for people. I would say we are in a real boom time of healthism. Like people are Instagramming their celery juice, they’re wearing athleisure clothes everywhere. People are opting for things like Peloton and Equinox, right? And all of these see-and-be-seen things are very class coded. They are not just a way of saying I’m healthy, but a way of saying I’m healthy and I have disposable income. So it’s worth thinking about creating a sliver of daylight between what is your actual current health status, and what are the things that you are either judging other people on or seeking to be judged on in a particular way, positive or negative? That feels really important for all of us, regardless of size, and regardless of ability.VirginiaThat leads me to my last question. Another reader wrote in and asks: What do I do as a thin person to be an ally in all of this? I think when we’re talking about thin privilege, that’s an important piece of it. But she also says, when I talk to my friends in bigger bodies, do I acknowledge my privilege? Or is that unnecessary? This question also comes up from people who want to post about, like some workout achievement, but the performative aspect of that makes it really icky. So I’m curious to hear your thoughts on some of that.AubreyI’m also curious to hear yours. I would say, in talking to friends, and folks that you have close social relationships with, ask them how they want to talk about it. And then do those things. Ask them what kind of support that they want and need and do those things. If they say, God, I’m getting ready for a doctor’s appointment, and I feel really nervous about it, you can say, what makes you feel nervous? Do you want me to go with you? Do you want moral support? Should we check in afterwards, and like get cocktails so you can decompress? What would be helpful? I think we put a lot of pressure on ourselves to already know what the right thing is, and to know how to read somebody else’s mind. And there’s enough difference in experience and desire here to be able to say, what’s helpful here? What are the words that you use to describe your body? What are the words you’d like me to use? Do you want to talk about this stuff? Do you never want to talk about stuff? You tell me. I think just opening up that conversation is a really great starting point.The other thing I would say—I’m in my office right now, Virginia can see it, there is a guest bed behind me. We just replaced the bed frame. I made weight capacity a priority for it. It’s our guest bed and I found a really inexpensive bed frame that is rated for up to 1000 pounds. So now I know, whoever comes to see us, they can stay in our guest bed. So thinking about stuff like that, like when you’re in the market for chairs, or for a bed or whatever, being mindful of like, does this chair have arms? How close together are they? Could somebody fit into these? What’s the weight capacity? Do I know who it’s built to fit? It will make it harder, but it’ll make it harder in a way that it’s already hard for fat people.VirginiaClothing is my other one on this. Something great that thin folks can do is support brands that are somewhat inclusive. I mean, it’s impossible to support brands that are fully inclusive, because they don’t exist, but to whatever extent that’s possible. I had an unpleasant interaction yesterday with a small fat woman who was asking for, oh, where should I look for summer dresses, and I suggested some plus size brands, and she was offended. She was like, “I mean, I’m not that big. I don’t need that.” And I thought, oh, I can’t talk to you about this anymore. I’m putting up a boundary, we’re done. Because, it’s okay, you can be at the smaller end of a clothing line just as much as you were otherwise at the upper end of the clothing line. Why is that somehow a problem for you?AubreyI think this actually gets us right back to thin privilege. That is someone who, in that moment, was like, “You are aligning me with fat people, I know how people think about and treat fat people, I will be over here with the thin people, thank you. How dare you.”VirginiaEven though I’m barely fitting into these clothes, and I’m complaining because I don’t have good options. But I’m going to be over here, you know, cramming into that size 14 or whatever.When it comes to talking about personal experiences, I do think there’s an argument for people not performing workouts on social media. And certainly not performing weight loss on social media, because you just don’t know who that’s going to be triggering for. And if you’re talking about your struggles, maybe don’t talk about it in the “I feel fat” way. Because that’s saying, I don’t want your body, and that’s really harmful to people.AubreyI also think asking for consent about that stuff is important, too. Like, “I’m having a bad body image day, are you up for talking about it?” Getting consent both for fat folks, for people with eating disorders, for all manner of folks, is a helpful thing. And doing that in a way that checks yourself in the process, not just for the person that you’re talking to, but also for your own perception. Like “I’m having a really hard time finding clothes that fit,” and “I know people who wear larger sizes than I do, and I can’t imagine what it’s like for them. This is so frustrating, right?” So at least you are in the process acknowledging the experience of either the person that you’re talking to or fat people more broadly. It broadens the conversation, even if you’re talking to another thin person, to reintroduce the awareness that you ideally have, but maybe don’t carry with you into those conversations. I will say there are, on a personal level, few things more frustrating to me than when a thin person sees me—a thin person who feels badly about their own body—and will go, “Look how fat she is, she must feel terrible, I gotta tell her all of my insecurities, and all of my bad feelings about my body.” Which then translates to me as, okay, this person hates their body and they must be absolutely repulsed by mine. So then it’s like, oh, great. Now everyone feels terrible. What have we accomplished here? Everyone feels worse? Cool.The other thing that I would say on the body image front is that there’s actually quite a bit of research into negative body talk. When we talk about our own bodies in a negative way, when we talk about other people’s bodies in a negative way, we think of that as being a thing that like, expels and gets rid of, and vents a lot of that.Virginia...and bonds us to other people...AubreyYeah, and bonds us to other people. The research actually shows the exact opposite, that it worsens our own mental state, it weakens our relationships, it leads to less sexual satisfaction, it leads to weaker friendships, it leads to all of these things, just when we talk about it, not how we feel to begin with. But when we give it more air time, it expands to fit the space that we give it. And it doesn’t only impact us when we talk about it, anyone within earshot experiences those negative outcomes. So I think it’s also worth thinking about body shaming as a pollutant. What’s the pollutant that you’re putting into the environment? Is it in a well ventilated area? Does everybody know that it’s being polluted? Like, how do you want to go about this? I also just think this is another one, sort of like the diabetes stuff, where we are pretty sure we know how this works. And the research shows us that it is in fact, you know, maybe the opposite.VirginiaThat thing you thought was so helpful is making everything worse.Aubrey For you and for people that you care about.VirginiaTo bring it back to parenting, that’s why the number one advice I give parents is please do not narrate your own body stuff to your kids, you are directly passing that baggage on to them at that point.AubreyAbsolutely. And I think it’s important for parents to note, there’s been a teeny tiny bit of research on this, you probably know it better than I do at this point, that it is actually just as powerful a negative force for kids to hear their parents talk negatively about their own bodies as it is to hear their parents talk negatively about their bodies. Your kid is not distinguishing between when you say that they are too fat versus when you say that you are too fat, or when you say that their thighs are hideous, or when you say that your thighs are hideous. Whatever the things are, right? Those have the same impact. That’s really tough to hear. It was really tough for me to learn. It feels so hard to be like people are honestly struggling, and the impacts are still tough.VirginiaOn the flip side, there is also a nice study (that I wrote about here), which showed that when parents who are struggling stopped talking, the kids did better. It’s nice to know there’s something you can do and that you can find a therapist or somebody else with whom you can have that conversation and your child is not that person in your life.AubreyOr a friend who consents, or whatever the framework needs to be, just like a consensual relationship that is about that thing. Totally take it there. It doesn’t mean you have to never talk about it. It just means being more mindful about when and whether and with whom?VirginiaWell, I could talk to you all day about this, but I know you have an appointment. Thanks so much for joining us!AubreyThank you for having me! This was a treat. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit virginiasolesmith.substack.com/subscribe
This episode I am excited to have Jason Finn on the podcast. Jason maybe known to our UK listeners from his years of trials stunt shows that saw him travel the UK and even all the way to Australia as part of the Top Gear live series. Jason has been requested by a number of our listeners as well as a number of our guests. Jason got a few mentions on the episode we did with Robert Crawford, back on episode 60. As you hear in this interview Jason didn't start trials until relatively late, coming from a freestlye BMX background. He is a multiple world record holder, including the longest bunny hop. He was one of the first to introduce back wheel hopping on a trials bike, which is now not just a trick, but a skills the top riders in the world now have mastered to add it to their toolkit when competing. As you will hear, Jason says that he fluked his career in trials by simply being one of the first to bring freestyle trials shows into the mainstream. I do however get the impression that there takes a large degree of drive and passion to do anything as successfully as Jason has and so as humble as he is, there is still hours of hard work that went in behind the scenes was not discussed. I hope you enjoy my chat with Jason Finn. Feedback: podcast@trials.com.au
This episode we continue our conversation with the Irish champion Robert Crawford. He and I had such a great chat I have decided to split it across two episodes rather than cut it back. In part 2 this week, we hear more details about Roberts career including some of the darker times when the passion for the sport evaporated. We continue to discuss the differences in trials between the early 90's and now, plus we also talk about Robert's move to Montessa, Aprilia, Yamaha and then back to the Beta he started on in his final year. This is also good opportunity to go back and listen to Episode 12 with Don Murray, who minded for Robert in his last year of competition. We also discuss the work he is doing on rc-live.net which is his training and tours business. Links are in the show notes. I hope you enjoy this chat with Robert Crawford. Links: https://www.rc-live.net/ Feedback: podcast@trials.com.au
Robert Crawford is a Partner at Goodwin Procter LLP. Listen to more at pillar.vc/playlist/
This episode we take a tour of trials from an Irish perspective. Robert Crawford is our guest this week; He and I had such a great chat I have decided to split it across two episodes rather than cut it back. Robert is from Northern Ireland and his career includes a number of significant highlights: 7th in the World Trial Championship (overall) 2nd in the British Championship Twice winner of the Scott Trial Twice 2nd in the Scottish 6 Days Trial Multi Irish Champion Finalist in the Madrid Indoor Trial Represented Great Britain (ACU) in the Trial Des Nations (World Team Trial) in 1990, 1991 & 1992 In these two episodes we take our time to reflect on the difference in trials between the early 90's and now, plus discuss his trials original story. He reflects on some of the challenges facing Trials as a sport that need to be worked out, including the economics of competing that differ. When Robert was riding there was one line and about 100 entrants in a world round. Now, there is significant fragmentation and multiple classes. This is also good opportunity to go back and listen to Episode 12 with Don Murray, who minded for Robert in his last year of competition. In Part 2 of this chat in the next episode we also have a very frank chat about Roberts reflection on his time in the sport and how he dealt with a period of his career where he lost the passion for the sport. We also discuss the work he is doing on rc-live.net which is his training and tours business. Links are in the show notes. I hope you enjoy this chat with Robert Crawford. Links: https://www.rc-live.net/ Feedback: podcast@trials.com.au
Robert Crawford is a Partner at Goodwin Procter LLP. Listen to more at pillar.vc/playlist/
In episode 149 UNP founder and curator Grant Scott is in his shed considering unrealistic expectations, visual fitness, being recorded on Zoom and 'remote' portrait photography. Plus this week photographer Norman McBeath takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Norman McBeath (pronounced McBeth) is a photographer and printmaker who lives in Edinburgh, Scotland. His creative collaborations with poets include Plan B with Paul Muldoon, The Beach with Kathleen Jamie and Simonides with Robert Crawford. Simonides was shortlisted for the Ted Hughes Award and exhibited at Yale and the Poetry Foundation in Chicago. McBeath's latest book Strath is a further collaboration with the poet Robert Crawford. His work has been shown as part of exhibitions at the Leica Gallery in New York, the National Portrait Gallery in London, the Scottish National Portrait Gallery in Edinburgh, the Royal Scottish Academy in Edinburgh and the Royal Academy of Arts in London. In 2015 he was awarded a Fellowship at the Ballinglen Arts Foundation, Co. Mayo and subsequently invited to show work from the Fellowship in the exhibition Between the Land and the Sea 2016 at the Keeper's House, Royal Academy, London. In 2019 the Scottish National Portrait Gallery held a major exhibition of The Long Look, a collaboration with the painter Audrey Grant. Collections which hold his work include; the British Library; the National Library of Scotland; the British Council; Harvard University and Yale Center for British Art. www.normanmcbeath.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021
Robert Crawford IG: @Rob_wealthy7 IG: @rwcproductions For highlight tapes: www.rwcproductions918.com --- Support this podcast: https://anchor.fm/julian-peters/support
Robert Crawford - Pro Basketball player, skills trainer, and business owner IG: @Rob_wealthy7 IG: @rwcproductions For highlight tapes: www.rwcproductions918.com --- Support this podcast: https://anchor.fm/julian-peters/support
Robert Crawford lives in the Hunter Region, north of Sydney and is member of the Christadelphian Church or ecclesia at Toronto. Two years ago Rob was about to spend the Australia Day long weekend with some friends when Rob had an accident. He was lucky to survive. In fact some would say it was a miracle he survived. Rob tells his story and shares some of the challenges he faced during his ongoing recovery.
November 22, 1888. Young cameraman Scott Carson fires two shots. A body falls into the Thames, ending Buffalo Bill’s team’s battle with Jack the Ripper. The ship sails to New York and no one says a word about the killing and everyone uneasily resumes their lives. Then on New Year’s Eve, 1899, Carson sees a ghost from his past- On the Brooklyn Bridge during a fireworks display, he photographs what is unmistakably Jack the Ripper. Terrified, he flees New York City, leaving all his family and friends behind.But the Ripper hasn’t forgotten Carson and his supposed treachery. And for the next 23 years, the infamous Whitechapel killer stalks Carson, slashing through any human obstacle standing in the way. Against a spectacular historical backdrop, HOLLYWOODLAND tracks the Ripper’s progress through the concrete canyons of New York City, Buffalo Bill’s legendary Irma Hotel, the fabled dream factory of Thomas Ince’s Inceville on the Malibu coast, to the battlefields of World War I France, ending with a heart-stopping finale at, yes, the original sign that once read HOLLYWOODLAND.Support this show http://supporter.acast.com/houseofmysteryradio. See acast.com/privacy for privacy and opt-out information.
Welcome to The Millennial Talks Podcast. Jarell Taylor founder of Taylor Made Speaking has partnered with Shardai Figgures and Robert Crawford to share different perspectives with the world. These perspectives strive to encourage our youth and enlighten our elders by helping individuals Be Aware, Grow, and Execute through life skill development. In this episode: In this episode, we have a dynamic panel discussion about "Building A Relationship With God" Podcast Link: https://anchor.fm/millennial-talks0 Instagram: https://www.instagram.com/millennial_talks/ Coaching: https://www.taylormadespeaking.com/ta... FREE chapter of the The Taylor Made Mindset: https://www.TaylorMadeSpeaking.com Want to help give socks to the homeless?: https://www.taylormadespeaking.com/socks-for-the-homeless --- Support this podcast: https://anchor.fm/millennial-talks0/support
Welcome to The Millennial Talks Podcast. Jarell Taylor founder of Taylor Made Speaking has partnered with Shardai Figgures and Robert Crawford to share different perspectives with the world. These perspectives strive to encourage our youth and enlighten our elders by helping individuals Be Aware, Grow, and Execute through life skill development. In this episode: We invite Lajoyce who is a graduate of Winthrop University, has her own non-profit, and travel YouTube channel. We discuss the topic of "Did you cancel 2020?" to see what was the good, bad, and ugly of the COVID filled year. Most importantly, what did we learn and how can we grow and execute. Anchor link: https://anchor.fm/millennial-talks0 ► Music Credit: LAKEY INSPIRED Track Name: "Blue Boi" Music By: LAKEY INSPIRED @ https://soundcloud.com/lakeyinspired Original upload HERE - https://www.youtube.com/watch?v=wAukv... Official "LAKEY INSPIRED" YouTube Channel HERE - https://www.youtube.com/channel/UCOmy... License for commercial use: Creative Commons Attribution 3.0 Unported "Share Alike" (CC BY-SA 3.0) License. Full License HERE - https://creativecommons.org/licenses/... Music promoted by NCM https://goo.gl/fh3rEJ --- Support this podcast: https://anchor.fm/millennial-talks0/support
Author Robert Crawford talks with Donna about his latest novel, The River Never Speaks. Prefer to watch the interview on YouTube? Subscribe to our Dead to Writes channel, and never miss an episode: https://www.youtube.com/channel/UCRXq0Coz2TJHb71Q5n7GwMg?view_as=subscriber Are you a published author? Would you like to be featured on our podcast? Email Donna at carrickpublishing@rogers.com – subject line: Schedule an Interview… Continue reading Dead to Writes: S4 E89, author Robert Crawford
In 2022 Cadbury will celebrate 100 years of operating in Australia. Professor Robert Crawford, Professor of Advertising at RMIT University is currently writing a history of Cadbury in Australia and is hoping to collect stories from chocoholics about their favourite memories – whether its sharing a block of Cadbury Dairy Milk with your best friend or hiding it from your brother, or just having Mum make you a warm cup of Bourneville cocoa before going to bed. In 1922 when Cadbury decided to expand internationally they chose Claremont in Tasmania as their factory site in 1922 due to its close proximity to the city of Hobart, good source of inexpensive hydro-electricity and plentiful supply of high-quality fresh milk. To share your memories of Cadbury you can contact Robert on Robert.crawford@rmit.edu.au See omnystudio.com/policies/listener for privacy information.
Anne McElvoy and guests discuss the 700th anniversary of the Declaration of Arbroath and Scottish politics today. She is joined by Kylie Murray, New Generation Thinker and Fellow in Early Scottish Literature at Cambridge University; Robert Crawford, poet and Professor of Modern Scottish Literature at the University of St Andrews; John Lloyd, journalist and author of new book, Should Auld Aquaintance Be Forgot -The Great Mistake of Scottish Independence; and by Richard Finlay, Professor of Scottish History at the University of Strathclyde. Producer: Emma Wallace
In this episode, we discuss the poetry of two distinct poets: T.S. Eliot and Robert Crawford. --- Send in a voice message: https://anchor.fm/poetryforthepeople/message
ABOUT THE AUTHOR An indie novelist out of central Massachusetts, Robert Crawford specializes in historical psychological thrillers, especially in 19th century Boston and New York. ABOUT THE BOOK "TATTERDEMALION" Manhattan, 1889. Scott Carson retreats to his parents' basement. After his final battle with Jack the Ripper, the reclusive photographer tries to reassemble his shattered psyche. Then Jacob Riis shows him a photograph sent by an NYPD detective of a dead girl sitting on the lap of an adult. Amazon author page- https://www.amazon.com/-/e/B008MMC2P4 Facebook author page- https://www.facebook.com/RobertCrawford59/ Scott Carson Facebook author page- https://www.facebook.com/Scott-Carsons-Literary-Emporium-472444296589792/?modal=admin_todo_tour
A version of a “concrete rose” type of story here. His grind, determination, and perseverance propelled him to and from the ranks of high school hoops to college(s), to semipro/pro in the USA and abroad! He’s still playing and has also found a new passion outside of playing. This is a treat!!
William Kamm has a 10pm curfew, and is not allowed to spend time with girls under the age of 17. He is prevented from entering the Shoalhaven district of New South Wales, and his movements and communications are monitored. These are conditions of his release after serving 9 years in jail for crimes he committed against two teenage girls – yet his followers still believe that he is the next true Pope, and that the Virgin Mary speaks to him on the 13th day of every month.Special Guest: Claire Ashman.CW: references to manipulative behaviours, and sexual assault of minors. A small amount of coarse language. Please consider whether you would like to listen on this basis. Content is not suitable for children.The opinions expressed in this podcast are not necessarily those of the makers of Let's Talk About Sects.Full research sources listed on each episode page at www.ltaspod.com.If you have been personally affected by involvement in a cult, or would like to support those who have been, you can find support or donate to Cult Information and Family Support if you’re in Australia (via www.cifs.org.au), and you can find resources outside of Australia with the International Cultic Studies Association (via www.icsahome.com).Links:Claire Ashman's website — where her book 'Lessons from a Cult Survivor' is available for pre-order.Lessons From A Cult Survivor — by Claire Ashman, 2018 – book pre-sale linkA WOLF Among the SHEEP: How God's Prophet the Little Pebble Became a Womanising, Millionaire Cult Leader — by Graeme Webber, KeyStone Press, 2008The Little Pebble: The Last Pope, A Man of Contradiction, Petrus Romanus, Sinner or Saint? — by William Costellia, self-published, 1999 (volume 1)Official website of The Little PebbleWilliam 'Little Pebble' Kamm's supervision to continue — AAP, The Illawarra Mercury, 8 January 2016DSM to Distinguish Paraphilias From Paraphilic Disorders — by Mark Moran, Psychiatric News, 3 May 2013South Coast cult leader William 'Little Pebble' Kamm fails to have supervision order lifted — by Angela Thompson, Illawarra Mercury, 14 August 2017The Republic Reform and Justice PartyLittle Pebble author 'surprised' by cult leader's impending release — ABC Illawarra, 12 November 2014Cult leader and convicted sex offender William Kamm to be freed within days — AAP, The Age, 11 November 2014Unrepentant Little Pebble talks about life behind bars — by Robert Crawford, South Coast Register, 2 July 2014
The detection of Gravitational Waves in 2015 was hailed as an astounding breakthrough in the world of physics and a triumph for the. LIGO project, the Laser Interferometer Gravitational-Wave Observatory. But the discovery was also a triumph for the men and women who had worked at LIGO during tumultuous times. DREVER, LIGO, is the poet Robert Crawford's meditation on the Scottish physicist Ronald Drever, and his role in the search for Gravitational Waves. Music by Jeremy Thurlow. Producer: David Stenhouse.
Episode 9 features Varsha Bajaj, author of the lyrical picture books How Many Kisses Do You Want Tonight? (illustrated by Ivan Bates), T is for Taj Mahal (illustrated by Robert Crawford), This is Our Baby, Born Today(illustrated by Eliza Wheeler), and the forthcoming Our Earth, Our Home(illustrated by Simona Mulazzani). Our Porchlight conversation with Varsha explores her path in the writing business, from feeling “invisible” to meeting mentor and friend Kathi Appelt, agent and poet Jill Corcoran, and her gentle and patient editor, Nancy Paulsen. We also discuss This is Our Baby, Born Today and its transformation from first to final draft, including the choice of a baby elephant as the main character and the ways that the matriarchal society of elephants has touched the diverse readership of the book. (We also discover Varsha’s celebratory rituals, which may or may not include a bag of Cape Cod Kettle Cooked 40% Reduced Fat Potato Chips!) Thank you for listening. Please share your comments and thoughts on the podcast with us. Rate us on iTunes, Google Play or Sticher—sharethe Porchlight with others. And remember to retreat, create and celebrate. Show Notes: Publishers Weekly Review of This is Our Baby, Born Today Illustrator Eliza Wheeler on the process of bringing This is Our Baby, Born Today to life Simona Mulazzani, illustrator of the forthcoming Our Earth, Our Home
Suzannah V. Evans met with Robert Crawford after his Centre Stage reading for StAnza poetry festival. They talked about the nature of place in poetry, the importance of writing economically, and the challenges of combining a day job with creative writing. Robert also read his poems St Andrews (at 15m38s) and Chorus (at 16m47s). Robert Crawford’s seventh full-length collection of poems is Testament (Cape, 2014), and his most recent biography is Young Eliot (Vintage, 2016). Co-editor of The Penguin Book of Scottish Verse, he has worked on several collaborative projects with the Edinburgh-based photographer Norman McBeath, including Chinese Makars (Easel Press, 2016). He has also collaborated with the Hamburg-based artist Caroline Saltzwedel, with whom he is due to launch Fire (Hirundo Press) in 2017. His awards include the Saltire Society’s Scottish Book of the Year Award. He is Professor of Modern Scottish Literature and Bishop Wardlaw Professor of Poetry at the University of St Andrews. Suzannah V. Evans was born in London and studied at the universities of St Andrews and York. She has worked in publishing and recently as a sound technician, translator, and interpreter for StAnza poetry festival in St Andrews. Her poetry and reviews have appeared or are forthcoming in Eborakon, The North, New Welsh Review, Tears in the Fence, and RAUM. Photo Credit: Eliana Berger
Generation X and Y are equally, if not more aggressive than baby boomers when investing in property. Chris Devers/Flickr, CC BY-NC-NDGenerations X and Y are becoming just as, or even more aggressive, than the baby boomers as investors. An example of this are the “rentvestors”, who still don’t live in their own home, but have an investment property. There’s been a change in culture over the generations when it comes to the property market, says researcher Ilan Wiesel from the University of Melbourne. “It’s the shift from housing as a home, as a right, to housing as a commodity,” he says. This is reflected in that 60% of household wealth is in people’s homes. But for younger people, like Generation Y, there are some who choose to move around for work so tying themselves to one location doesn’t have the same appeal. Looking at the baby boomers, there are two types of security that drive people’s feelings about property. One is a sense of financial security but another is tied to a sense of continuity, in knowing you have a home and how that affects your identity. If you look at the advertisements for properties through the generations, certain aspects of these changing ambitions are highlighted, says researcher Robert Crawford from the University of Technology Sydney. After the war and the great depression, people felt hard done by and that it was time for a reward, that reward was owning a home. “The advertisements really play on this, but it’s a dream,” says Crawford. In the advertisements of the 1980s this changed again as size and location of properties became more of a feature than just owning a home. “As more and more people begin to realise their dreams of home ownership, the next [point] is - owning a home isn’t as much of an achievement, so I'II have to own a particular size of home,” Crawford adds. The rental market is also changing with generations, as more renters have a high income and rent for longer, says Professor Kath Hulse from the Swinburne University of Technology. In comparing this to other countries, Hulse says there is a culture of treating tenants differently too. “Germany has a very stable rental system… there’s a lot more security of tenure and it’s very common if someone sells the house, to sell it with the tenant, they don’t have to get out.” “Whereas in our case it’s almost automatically assumed that if you buy a house with a tenant or if you want put your house on the market, the first thing you do is to ask the tenant to leave,” she says. Over time some policies, like the First Home Buyers Grant, have had some impact on changing the behaviour of people in relation to the property market but with the danger of a flow on rise in house prices. “Part of it is to make the rental sector a better place to live, with better more modern regulation and better quality of service… and then people might have a real choice as to what they want, rather than feeling like they have to move into home ownership,” Hulse says.
Today perhaps, Brand Britain is showing its age, but once upon a time it was nothing less than one of the most dynamic political projects in the world. In a Free Thinking Landmark on Walter Scott's Waverley, Rana Mitter reflects on the writer and the books which helped the British like the idea of Britain. Joining Rana in discussion: the writer, Jenni Calder who has recently adapted 'Waverley' for a modern audience; the poet and literary historian, Robert Crawford, who is interested in the originality and reception of Scott's writing and its affect on the imagination; and Andrew Lincoln, an English literature scholar, who has explored Scott as a forward-looking thinker, one who evoked patriotism in the Unionist cause. You can find more programmes in the BBC #LoveToRead campaign http://www.bbc.co.uk/programmes/p04b5zz8/members And hear more over the #LovetoRead weekend 5-6 November. As an acclaimed romantic poet, beloved of Byron, then a best-selling novelist, envied by Jane Austen, Sir Walter Scott wrote into existence many of the myths and legends we still re-tell and he used this past to examine and explore the political problems of his own day. Waverley' appeared in 1814 when the Napoleonic Wars had not yet drawn to a close -- and the events the novel describes, the 1745, (when Charles Edward Stuart and his army rocked the stability of a still youthful Anglo-Scottish political Union) were as close in time as the Second World War now is to us. In 'Waverley', 'Rob Roy', 'Red Gauntlet' and 'Ivanhoe', Scott conjured up heroic pasts - not just for Scotland, but for England too - romantic highlanders like Rob Roy on the one hand, the anglo-saxon Robin of the Greenwood on the other. The Waverley novels instilled in their readers a great sense of national pride along with the belief that the two countries, now politically mature, their internal struggles behind them, really could and would be stronger together. In the by-going he conjured up a portrait of the British as an effortlessly multicultural people with deep roots who were now uniquely qualified to take on the world. Presenter: Rana Mitter Guests: Robert Crawford: University of St Andrews, 'Bannockburns: Scottish Independence and the Literary Imagination 1314-2014' Jenni Calder: 'Sir Walter Scott's Waverley': Newly Adapted for the Modern Reader' Andrew Lincoln: Queen Mary, University of London, 'Walter Scott and Modernity' Producer: Jacqueline Smith
The Scottish poet Robert Crawford and fellow-TS Eliot biographer, Lyndall Gordon join Anne McElvoy to work out Eliot's enduring power and appeal while the winner of this year's TS Eliot prize, David Harsent also takes a bow. Allan Ropper a US neurologist, talks about the mixture of intuition and medical knowledge that every brain doctor needs. He is joined by Brian Hurwitz, Professor of Medicine and the Arts at King's College London to discuss the role of case histories over time and new importance being attached to narrative medicine.
This year marks the bicentenary of the birth of the Russian novelist and poet Mikhail Lermontov. A new book, After Lermontov, features a number of the Russian's poems translated into English. Many of the poets involved are Scottish because Lermontov traced his ancestry back to Scotland and was a great admirer of Ossian and Walter Scott. Our latest podcast looks at After Lermontov in the company of its editor and contributors: Peter France, Robert Crawford, Sasha Dugdale and Alexander Hutchison. We also take a look at the short, turbulent life of the poet, a controversial figure in his day who may have been the victim of a fatal conspiracy at the age of 27. Image: lino_Lermontov by Andrey under a Creative Commons licence
Zach Braff on the film Wish I was Here, which he directed, wrote and starred in, and which is the biggest original project funded by Kickstarter. Kirsty Lang talks to the French singer Charles Aznavour, whose hits include the classic She. Writer Tessa Hadley on her story Bad Dreams, which has been shortlisted for the BBC National Short Story Award, and which can be heard read by Carey Mulligan, here on BBC Radio 4 at 3.30 Monday 22 Sept. Following the result of the Scottish Independence Referendum, Scottish poet Robert Crawford selects and reads one of his poems, which - for him - sums up the mood of the moment. Plus the winner of the John Moores Prize for Painting is announced.
Robert Crawford' latest collection Testament (Jonathan Cape) tries out a number of unfashionale styles of poetry, chiefly political and religious, both of which the title alludes to. In our latest podcast, he talks about tackling the subject of Scottish indepedence in poetry, his friend and collaborator, the late Mick Imlah, and translating Cavafy into Scots.
Razia Iqbal talks to director Peter Greenaway about his film Goltzius And The Pelican Company, which tells the story of the 16th century Dutch painter Hendrik Goltzius. A new exhibition at the National Maritime Museum explores the race to determine longitude at sea. Scottish poet Robert Crawford discusses his latest collection, Testament. And Peter Murray, founding director of Yorkshire Sculpture Park, winner of the Art Fund Museum of the Year 2014.
Robert Crawford and Fiona Stafford discuss how the Romantic movement linked Beethoven with the poetry of Scottish writers such as Burns, James Macpherson and Walter Scott. Presented by Susan Hitch. Recorded in front of an audience at the Royal College of Music as part of this year's Proms Plus events.
Vi har besøk i studio av litteraturstudenten Kristi Langli, som er lidenskapelig opptatt av Sherlock Holmes. Ingrid har lest Det forsømte forår av Hans Scherfig, og Maren har lest inn et dikt på ti minutter ("En livseksamen" av Robert Crawford.) God stemning!
The third Scottish Poetry Library Podcast is full to bursting with the multitude of events which happen at the Scottish Poetry Library. Starting off with two interviews with young people in Edinburgh about the poems they love. The first is with the multitalented Ishbel McFarlane and her love of Burns and the second involves the up-and-coming poet Claire Askew discussing "Jabberwocky". We also include some snippets from our second noisy day and you'll have the chance to hear selected highlights from the event "Poems Chiefly in the Scottish Dialect" featuring Robyn Marsack, Robert Crawford and Douglas Dunn. Presented by Ryan van Winkle and produced by Colin Fraser.
Ian Rankin, Roddy Lumsden and others discuss the difference between music lyrics and poetry. Robert Crawford and Angus Peter Campbell give different perspectives on Scottish Poets of the Enlightenment. Roddy Lumsden reads from his new collection Third Wish Wasted. And we visit StAnza's Poetry Market to speak to Read This Magazine, Magma and chat to Colin Will about his Homecoming Haiku challenge. With thanks to musicians Ewen Maclean and Gill Bowman for their permission to use their music in this podcast. Produced and presented by Colin Fraser for StAnza
In our first full day podcast, we've got excerpts from this year's StAnza discussion, where Kate Clanchy, Thomas A Clark, David Mach, Peter McCarey and Stephen Scobie explore Scottish identity and Homecoming within the context of the national's poetic heritage. We've also got a reading from Stephen Scobie's new collection "Robert Louis Stevenson:From World's End" and a few kind words from poets Robert Crawford and Kate Clanchy about StAnza. Produced and presented by Colin Fraser.
In this interview, Robert Crawford, Poet and Professor of Modern Scottish Literature, University of St Andrews, discusses scholarship, the importance of digitized archives and inspiration from new technologies.
In a week of resignations and Scottish tennis triumph, ex Labour MSP Christine May, Scotsman writer Joyce McMillan and development guru, Robert Crawford joined Lesley to unpick the week's news.
Alex Neil joined Lesley Riddoch to talk about Scottish Enterprise. Alex has strong views and is put under some pressure as Robert Crawford former CEO of Scottish Enterprise and Allan Wilson former Enterprise Minister join the debate.
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