Podcasts about clevie

That's what the Jamaican production duo Steely & Clevie are trying to do, with an ongoing lawsuit claiming ownership of the so-called "dembow" riddim – the basis for reggaeton worldwide. It's one of the most significant music copyright cases of the last decades, with significant and widespread implications for both the mainstream music world and underground dance music. To discuss the questions and possibilities that the lawsuit raises, Kikelomo and Otto Kent are joined by Oscar Atanga, a resident of the African Acid is the Future collective and Refuge Worldwide Berlin.Electronic Beats Weekly is a production by Telekom Electronic Beats and ACB Stories.Host: OttO Kent & KikelomoWriters:: Aaron Gonsher & Merle VenzkeProducer: Aaron GonsherEdit and Sound Design: Marc ÜbelLead Producer: Isabel Woop Hosted on Acast. See acast.com/privacy for more information.

Con Vito War parliamo di Steely e Clevie che hanno portato in tribunale tutta la scena Reggaeton per il plagio del pattern ritmico della loro "Fish Market", Chawki Senouci ci introduce ai La Femme partendo dal loro ultimo disco Rock Machine, con Andrea Di Quarto parliamo della rassegna di film hip hop che inizia lunedi al cinema Anteo City Life

Salut tout le monde ! Cette semaine, je vous raconte l'histoire d'un procès en cours entre deux producteurs et tout un genre musical.Bonne écoute ! Les sources : https://www.courthousenews.com/reggaeton-stars-fail-to-get-massive-fish-market-copyright-case-thrown-out/https://www.digitalmusicnews.com/2024/05/31/reggaeton-copyright-lawsuit-dismissal-motion-ruling/https://variety.com/2024/music/news/reggaeton-copyright-infringement-fish-market-lawsuit-moves-forward-1236020269/ Les recos : https://www.slate.fr/story/267017/artistes-classe-moyenne-musiciens-ni-stars-ni-anonymes-industrie-musicale-bouleversee-streaming-concerts-businesshttps://www.kubweb.media/page/festival-elixir-clash-woodstock-breton-pont-brehier/https://www.courrierinternational.com/article/societe-de-la-musique-classique-pour-eloigner-les-jeunes-des-plages-finlandaises Les extraits : https://www.youtube.com/watch?v=fw31EJUB-tw Fish Market - Steely & Cleviehttps://www.youtube.com/watch?v=VQqwea8ZSbk Dem Bow - Shabba RanksLe son du générique (Hell N Back - Bakar)Les autres sons sont faits maison.Rejoignez nous sur Instagram ou notre salon Discord, (ou encore Threads, BlueSky, Facebook) pour discuter de l'épisode et du podcast !Et si voulez soutenir la production de tartines, retrouvez-nous sur Patreon ! Get bonus content on Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Forensic Musicologist Brian McBrearty says he believes the copyright lawsuit filed by Steely and Clevie against the reggaeton community is silly and has no basis. The riddim making duo submitted a copyright documents for the 1990s dancehall hit song “Dem Bow” by Shabba Ranks in a Los Angeles Court, but Brian, speaking exclusively with WMV says that will not be enough to stake claim over and entire genre even if the riddim is similar to "Dem Bow" genre songs. A California judges set to decide if the case will go to jury on Thursday September 22 based on evidence presented by the plaintiffs and the dismissal request by lawyers the defendants which include Pitbull, Drake, Justin Timberlake, Karol G, Bad Bunny, Daddy Yankee and more. If the case goes to trial, a forensic musicologist like Brian will be called in to determine whether or not there is a common thread between 1800 reggaeton songs and Steely and Clevie's 1989 riddim 'Fish Market'. The San Fransisco native admits he is not acquainted with reggae and dancehall culture and only became interested upon hearing about the Steely and Clevie Case. He also says he has been hired by record labels and advertising companies to ensure there is not infringement in songs they may use. More on worldmusicviews.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/worldmusicviews/message Support this podcast: https://podcasters.spotify.com/pod/show/worldmusicviews/support

Intellectual property attorney Joshua Hartman stops by Talkin' Reggae to discuss the ins and outs of the Steely and Clevie lawsuit filed against reggaeton artists, producers, and labels. PLUS these old friends and former musical partners dive into the past and potential future of copyright law and how artificial intelligence could affect creative works. A must-listen episode for young artists! --- Support this podcast: https://podcasters.spotify.com/pod/show/talkinreggae/support

This week, the crew talks Minister Marion Hall's Groovin in the Park performance, dancehall taking the stage at the BET Awards, Jahshii's mom speaking out and Steely & Clevie's lawsuit against reggaeton. Buss Di Utes songs of the week: Ari: Tamo J - Manifest: https://bit.ly/3rfaoKr Javi: Nhance - Planet Hurt: https://bit.ly/437HVU8 Naro: Jayden - Stay Suh???: https://bit.ly/44IY7wD Jervis: Prince Levy - Roots & Banner: https://bit.ly/44rUxXc

Ed Sheeran and reggaeton might have more in common than you know: the artist and the genre have been the subject of battles over whether you can copyright a groove or a rhythm.In our last episode before summer break, we unravel the recent Ed Sheeran copyright trial with our New York City reporter, Josh Russell, including Sheeran's snarky cross-examination, his courtroom concert and Van Morrison's unexpected blessing.We also explore reggaeton's history and the legal dispute between Jamaican reggae production duo Steely & Clevie and several reggaeton musicians and producers over whether or not you can copyright dembow, heard in songs popularized by Bad Bunny and Daddy Yankee.This episode was produced by Kirk McDaniel. Intro music by The Dead Pens. Editorial staff is Bill Dotinga, Sean Duffy and Jamie Ross.

JoAnn Squillace and Stephen Drummond join WMV to talk about a list of reggaeton songs that have been brought into evidence to support the ongoing copyright infringement case against several latin artists, producers, publishing companies and record labels filed by Dancehall producer pioneers Steely and Clevie. Since this conversation over 1000 new songs were added to the lawsuit. The tracks which are alleged to have infringed upon the 80s dancehall riddim “Fish Market” produced by the duo are presented into evidence on the basis that they sample copies of the composition or simply copied the composition without permission. Reggaeton King Daddy Yankee alone is accused of copying the Fish Market composition on over 43 songs including his 41x Latin Platinum hit Con Calma with Snow which interpolates Snow's dancehall hit Informa. Brazilian singer Annita, who was just released from Warner Music after she ranted on social media about wanting to leave the label has 14 songs on the evidence list named Exhibit A. So far 107 summonses have been served to defendants this year alone as the trial is set to get under way but in a motion filed on Friday attorneys Jean G. Vidal-Font and Bradley J. Mullins who are reprenting latin superstar Juan Luis Morera Luna p/k/a Wisin and Drake real name Aubrey Graham, applied to dismiss requests for the artists to come to court to answer to the infringements on the grounds that they were not served at their right addresses. Bad Bunny and Drake‘s MÍA which has 1.4 billion YouTube views has been named as one of the songs that copied the Fish Market riddim. Read more on World Music Views Subscribe to our YouTube channel : World Music Views --- Send in a voice message: https://podcasters.spotify.com/pod/show/worldmusicviews/message Support this podcast: https://podcasters.spotify.com/pod/show/worldmusicviews/support

B. Cox and J. Owe review reggae superstar Sean Paul's classic sophomore album Dutty Rock as it turns 20. After a fairly successful debut album Stage One two years prior, Paul sought to capitalize on what was a burgeoning and receptive dancehall market in the United States since the turn of the new millennium. Working with an all-star cast of producers including legendary duos in Steely & Clevie and the Neptunes, Sly Dunbar, Lloyd "King Jammys" James, Delly Ranks, Mark Ronson and Scott Storch and toasting with his trademark basso voice over a slew of riddims that would become staples over the next couple of years, the album captured the attention of dancehall lovers and of newcomers into the genre in U.S. and worldwide.The album featured five very successful singles: "Gimme Tha Light", "Like Glue", "Get Busy", "Baby Boy" featuring Beyonce and "I'm Still In Love With You" featuring Sasha. Each single was wildly successful on the dancehall charts an also had crossover success in the US Billboard Hot 100 charts. It has been certified platinum and is credited with making dancehall reggae a mainstay in radio, dance floors and clubs and also for inspiring a style that helped to influence reggae music and its offspring for the next decade.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comSupport The Vault Classic Music Review on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodShow NotesJamaica Observer: Two Decades of Dutty Rock https://www.jamaicaobserver.com/entertainment/two-decades-of-dutty-rock/KS 95: "Get Busy" Celebrating the 20th Anniversary of Sean Paul "Dutty Rock" https://www.ks95.com/get-busy-celebrating-the-20th-anniversary-of-sean-pauls-dutty-rock/Billboard: The Dancehall Album Heard Round the World https://www.billboard.com/music/features/sean-paul-dutty-rock-interview-1235047662/ThisIsDig: 'Dutty Rock' How Sean Paul Took Dancehall to the Mainstreamhttps://www.thisisdig.com/feature/dutty-rock-sean-paul-album/Support this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

B. Cox is joined by Kahlil Wonda of the Reggae Lover Podcast (and Highlanda Sound System) to review dancehall deejay Super Cat's major label debut album Don Dada as it turns 30. After mixing it up in Jamaica in the sound system scene and growing "dancehall" scene in the mid-to-late 80s, Super Cat traveled to New York to sign a deal with Columbia Records, becoming one of the first reggae dancehall acts to sign with a major US label.A key artist and influencer in a scene that was growing in popularity in the United States, the artist also known as "Wild Apache" flexed his keen lyrical prowess, smooth flow and unique voice while assisted by producers the like of the reggae duo Steely and Clevie and featured artist such as hip-hop artist Heavy D and reggae singer Frankie Paul.The album features many dancehall classic singles such as "Ghetto Red Hot", "Dolly My Baby" and "Nuff Man Ah Dead" as well a host of other lesser known dancehall hits. Due to his major label status and standing among reggae tastemakers in Jamaica and the United States, this lead to a number of collaborations with hip-hop acts like Mary J. Blige, Puff Daddy and the Notorious B.I.G.; primarily remixes to "Ghetto Red Hot" and "Dolly My Baby" which catered to the American crowd. After this album, Super Cat would continue recording music and eventually landed a mega crossover hit with rock band Sugar Ray in "Fly" in 1997.This album is credited with helping to raise the profile of dancehall reggae to a mostly American black popular music audience in the early 90s and helped make it a viable genre commercially in the United States.Visit the Reggae Lover Podcast's websitewww.reggaelover.comVisit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comLearn More About the "Podcast GPS" BootCamp Course!www.vaultclassicpod.com/podcastgpsSupport The Vault Classic Music Review on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodShow NotesAllMusic: Super Cat: Don Dada (1992) Album Credits and Reviewhttps://www.allmusic.com/album/don-dada-mw0000071371Highlanda Sound: Super Cat Take Center Stage (Super Cat Mix) https://highlanda.net/2014/09/08/super-cats-career-highlighted-in-new-mix/Support this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A former student at Kingston's (now defunct) Fox Drama School, Mr. Lexx is an actor who has appeared in several plays and earned a Best Actor award in 1992. Mr. Lexx also joined the popular dance troupe Squad One but for the past seven years he has pursued a career as a deejay whose stage performances are enhanced by his experience in dance and theater.[3]Mr. Lexx first displayed his deejaying skills in 1992 at the popular Sunday night dances held in Kingston's Harbor View area, featuring the Super Dee sound system. Representatives from The New York-based label Natural Bridge Records heard Lexx's impressive lyrical flow and brought him to Kingston's Mixing Lab recording studios where the 16-year-old recorded his first single, "Own A Home", his tribute to women who aren't dependent on men for financial support. Subsequent single releases including "Unification" and "Ghetto Man Slam" yielded little fanfare for the aspiring deejay but he persevered and in 1997 his efforts were rewarded with three hit singles, "Runaway Train" (X-Rated label), "Fade Away" (2-Hard Records) and "Boogie Woogie" for producers Steely & Clevie.Lexx's popularity lagged in Jamaica due to the time he spent abroad so he returned home in 1998 and reestablished himself through a series of stage shows, utilizing is acting and dancing capabilities to support his microphone skills at Kingston's largest annual dancehall concert, Sting in December 1998 and the event marked a turning point in Mr. Lexx's career. Many of the unknown songs Mr. Lexx performed at Sting became Jamaican radio hits while his performance in August 1999 during Montego Bay's Reggae Sumfest Dancehall Night has amplified the Mr. Lexx buzz to a near deafening decibel! Attired in an outrageous leather outfit, Mr. Lexx energetically delivered a hit filled set which included his first #1 single "Get Wid It", produced by King Jammy, "Yu Nah", another #1 and his current smash "Cook" which humorously urges women to brush up on their culinary skills to keep their men happy; both tracks were produced by Steely and Clevie.

The final instalment of our engaging chat with Cleveland Brownie 

Renowned artist Cleveland "Clevie" Brownie from the production team Steelie and Clevie, talks about his outstanding career as a musician, music producer and entrepreneur

Clevie continues his musical and entrepreneurial journey 

Music producer Clevie Brownie talks about his outstanding career as a musician, music producer and entrepreneur

Sean Paul Gave Credit To Persons He Says Helped With Making Dancehall What It Is Today, Sly & Robbie, Steely & Clevie, Tony & Dave Kelly Just To Name A Few.

Carlton Errington Grant (born 30 May 1969), better known as Spragga Benz, is a Jamaican dancehall deejay. He began his career around 1991. Once known to his friends as "Spaghetti" (tall and slim), but this was later shortened to Spragga. The Benz in his name comes from the sound system for which he used to work for, L.A. Benz, and it is through this that he found his way into the music industry at a Dubplate recording session with Buju Banton. The famed elder DJ was slated to do four tracks for L.A. Benz but only voiced two and suggested that Spragga do the other two. Since he was new to recording, he freestyled a couple of lines of what would then become, "Love Mi Gun", a popular tune.He soon became an in-demand performer for numerous producers, including Bobby Digital, and hits followed with "Could a Deal" (produced by Winston Riley) and "Girls Hooray" (Steely & Clevie). A series of well-received singles followed, many included on his debut album, Jack It Up (1994). This success led to a deal with Capitol Records, who issued his second album, Uncommonly Smooth, in 1995, featuring duets with Chevelle Franklyn ("A-1 Lover") and "Spanish Harlem" (with Ben E. King). The album didn't sell well enough for Capitol, who dropped him, after which he spent a few years releasing further singles in Jamaica, also collaborating with the likes of Wyclef Jean and KRS-One. In 1999, he recorded a 'clash' album with Beenie Man, Two Badd DJs, and had a number one Jamaican hit single with "She Nuh Ready Yet (Hype Up)", which was also included on his third album, Fully Loaded (2000). This album featured duets with Lady Saw (on "Backshot") and Foxy Brown (on "Too Stoosh"), and was co-produced by house music legend Todd Terry. In the same year, Benz made his film acting debut in Brooklyn Babylon, and the following year played a leading role in the gangster film Shottas.[1] 2002 saw the release of his fourth album, Thug Nature.In 2003, Benz recorded a number of duets, with the likes of Carly Simon, Kevin Lyttle and Shannon, with the aim of breaking into the US market. In the late 1990s, Benz founded the Stay In School program which provided help for needy students in his hometown of Franklin Town.[6]Carlton "Carlyle" Grant Jr., his 17-year-old son who had played a younger version of Benz's character in the film Shottas, was shot and killed by local police in Kingston, Jamaica, on 23 August 2008. Police say they stopped two men on a bicycle in the Kingston 8 area, and when they approached them, one of the men began firing at them. The police said they returned fire and the men fled. When they searched the area they found Grant Jr. suffering from gunshot wounds and in possession of a .45 semi-automatic pistol. Grant Jr. was rushed to hospital where he was pronounced dead.Following his son's death, Benz founded the Carlisle Foundation, with the aim of helping local youths.[2] In July 2007, Benz co-hosted the Urban Music Awards in New York with Foxy Brown.[3] Benz was nominated for three awards at the first Caribbean Urban Music Awards, held in Jamaica in April 2008.[4] On 31 August 2010 Spragga Benz released his sixth solo album Shotta Culture See acast.com/privacy for privacy and opt-out information.

By the mid 80's the sound of reggae was to change forever. Computers brought in a new vibe that was to turn the music "digital" and a new style, Dancehall, was born. See acast.com/privacy for privacy and opt-out information.

How Djs started a new and radical innovation in 60's Jamaica. This is the story of how toasting and rapping began, a phenomena that swept the world. See acast.com/privacy for privacy and opt-out information.

DUB ASHER - Hour 1 (Reggae/Dancehall) 1) Bob Marley........................................."Natural Mystic"(Lee Perry Version).. 2) Gappy Ranks..........................................................."Heaven In Her Eyes".. 3) Delly Ranks/Johnny Osborne........................................."Ice Cream Love".. 4) Johnny Osbourne.........................................................."Ice Cream Love".. 5) Clint Eastwood/General Saint............................................"Young Lover'.. 6) Toyan............."Children, Children"..7) Jay-Z..............."Lucifer"(yard mix).. 8) Laden............................."In a Life"..9) Jah Vinci.........."Wipe Those Tears". 10)Sean Paul/Keri Hilson..............................."Hold My Hand (I'll Be There)".. 11)Marcia Griffiths/Busy Signal........................................"Automatic"(rmx).. 12)Movado...................................................................."Neva Believe You".. 13)Demarco................................................."Excellent Hole"(SL Pro remix).. 14)Vybz Kartel.................."Get Wild"..15)Busy Signal.................."Tic, Toc".. 16)Busy Signal......"Praise & Worship"..17)Steely & Clevie........"Night Crawler".. TRAVIS BICKLE - (Latin) 1)Quantic/Nicodemus/Tempo/Candela Allstars......................"Mi Swing Is Tropical" (Zeb's Reggae remix).............................................................................................. 2)Fania Allstars.............................................."The Click"(Kashmeer Brothers remix) 3)Bronx River Parkway/Candela Allstars..............................................."El Resbalon" 4)Antibalas Afro Beat Orchestra........................................................"Che,Che,Cole" 5)Very Be Careful................................................................................."San Pedrito" 6)Dj Panic........................................................................................"Te Ves Bueno" 7)Uproot Andy......................................................................................"El Botellon" 8)Quantic & His Combo Barbaro/Nidia Gongora....................."Un Canto A Mi Tierra" 9)Quantic/Nicodemus/Sammy Ayala/Candela Allstars............................"Con Migo" 10)Hector Lavoe...................................................."Mi Gente"(Louie Vega Eol remix) 11)Cosmic Force..............................................................................."Ghetto Down"

Super Cat is a deejay who achieved widespread popularity during the late 1980s and early 1990s dancehall movement. His nickname, "Wild Apache", was given to him by his mentor Early B. He is the elder brother of reggae artist Junior Cat and is considered one of the greatest deejays within the Jamaican dance-hall scene to date. This is not a commercial mix so if your'e looking for collabos with Kriss Kross, Biggie Smalls, and 112 recorded after Cat was signed to Columbia Records, you are in the wrong place. This mix goes back to the roots in the Cockburn Pen / Seaview Gardens section of Kingston and tours through recordings produced by Steely & Clevie, King Jammy's, and his own Wild Apache Productions label. About an hour in length, here is the #ReggaeLover tribute to Super Cat, a major figure in the positive-consciousness dancehall movement.Support this podcast at — https://redcircle.com/reggae-lover/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.

The episode commences with the Sly and Robbie produced version of the Randy Newman song, "Baltimore" from 1979 sung by The Tamlins. Courtney Melody and Dennis Brown follow with big tunes on the Baltimore Riddim before the hit from mighty King Jammys catalog, Dennis Brown's "The Exit.” Wayne Fire’s “Sexy Body” (1991) and “Come Down” by Super Cat from 1988 on the Wild Apache label launch the mix into the late 1980s. Listen for a Kenneth Hoo Kim produced version of the Hypocrite riddim released in 1984, and then almost every song after that point involves producers Bobby Digital, Steely and Clevie, and/or King Jammys. The highlight is the Duck aka Duck Dance riddim from 1988. This was a time when Jammy’s label usually had 10 out of the top 20 songs on Jamaica’s charts and Admiral Bailey was the dominant artist in dancehall and on stage shows. Tracklist 1 The Tamlins - Baltimore 2 Courtney Melody - In The Streets 3 Dennis Brown - The More I Excel 4 Dennis Brown - The Exit 5 Wayne Fire - Sexy Body 6 Super Cat - Come Down 7 Wayne Smith - Karma Chameleon 8 Tony Tuff - Gone Clear 9 Don Angelo - Settlement 10 Earl Sixteen - Come A Long Way 11 Midnight Rider - Hypocrite 12 Pad Anthony - Rub A Dub A Play 13 Johnny Osbourne - Gentle Is The Sound 14 Derrick Parker - My Heart Is Gone 15 Singing Melody - Hurry Back Home 16 Shabba Ranks - Gal Yuh Good 17 Shabba Ranks - Pay Down Pon It 18 Little Twitch - Watch Your Friends Them 19 Anthony Malvo - Run For Your Life 20 Josey Wales - Stamp Out 21 Tiger - The Dam Thing 22 Ninja Man - More Reality 23 Admiral Bailey - Them Have Fe Wait 24 Papa San - Style and Fashion 25 Chaka Demus - Bad Bad Shaka 26 Flourgon - Bounce 27 Red Dragon - Duck Dance 28 Singing Melody and Johnny P - Say You Love Me Baby 29 Bunny General - Must Get Defeat 30 Johnny P - Sound A Sound 31 Cocoa Tea and Charlie Chaplin - Lets Give Thanks 32 John Mouse - Me A Me 33 Chevell Franklyn - No One In The World 34 Lady Venus - Best Friend A Gi You Bun 35 Clement Irie - Loving 36 Johnny P - Cut Up 37 Lady Patra - Gun Inna Panty 38 Ninja Man - Heartical Don Support this podcast at — https://redcircle.com/reggae-lover/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.

Hear some of my favorite tracks from Bushman’s catalog on episode 95 of the reggae lover podcast. Bushman has released nine full-length albums to date. Born in Prospect Beach which is in the parish of St Thomas, Jamaica, he was raised as a Rastafarian. Singing in school and church choirs led to singing dubplates for local sound systems. Bushman actually worked as a selector under the name Junior Melody for black star line sound system.  He took part in singing competitions and talent searches in and around St. Thomas. His popularity grew as more people heard him sing. Bushman decided to pursue his music career. He went to Kingston where he ended up working with Steely and Clevie at Studio 2000. His first tracks were “Grow Your Natty” and “Call the Hearse” which was his first major hit. Bushman moved on to work with King Jammy who produced his next two albums. He later teamed up with Bobby Digital, the UK-based Stingray team, and other producers. I respect Bushman for being a down-to-earth, authentic person who stays true to the values in his music. He still lives with his wife and children in St. Thomas enjoying nature and an "Ital" lifestyle. Bushman is a living legend with a vocal range encompassing tonality reminiscent of Luciano and Peter Tosh. I want to highlight the “Bushman sings the bush doctor” album released in 2011 on VP records which is a fantastic Peter Tosh tribute. Also look out for “Conquering Lion” which is a 2018 released album from Bushman. There are few better examples of authentic Roots reggae music than Bushman. Indeed on that tip please look out for the annual Health and Wellness Reggae Music Festival at the Wren's Nest in the West End area of Atlanta. Taking place on Saturday, July 14th, this festival is an open-air, family-friendly, daytime event where I will play music alongside the Lion of Judah sound. There will be live bands and many performers. There will be Health practitioners, vendors, and lots of information. If you are vegan, vegetarian, or have an interest in learning more about healthy living, this event is for you. If you love reggae music, its an event for you. Get your tickets online. Thank you to all my listeners around the world. Special big ups to Ras Jamal in Savannah, GA, Collin Cameron out in New Jersey, and James out in Kenya. You guys are not only listening, but I appreciate that you take the time to send feedback and suggestions. Because of you, this podcast is a collaborative effort and it's a beautiful thing. Big ups to Ali Carter for granting me that dope interview released earlier this week. Look out for more interviews and mixes. Please visit reggaelover.com to read my show notes. You can also download and subscribe to the podcast. This show is dedicated to all reggae lovers. Thank you so much for listening. Give thanks. Until next time, one love. Apple Podcast (iTunes) link: https://itunes.apple.com/us/podcast/reggae-lover/id1126663530?mt=2&app=podcast&at=11l6hT iHeartRadio link: https://www.iheart.com/podcast/269-Reggae-Lover-29076656/ Stitcher Radio link: http://www.stitcher.com/podcast/reggae-lover/the-reggae-lover-podast Google Play link: https://play.google.com/music/m/Ixihhi6rfw26zi6333hocwv6diq?t=Reggae_Lover TuneIn Radio link: https://tunein.com/radio/Reggae-Lover-p1033580/Support this podcast at — https://redcircle.com/reggae-lover/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.