Podcasts about Montego Bay

Trans Jamaica Highway just posted a 46% profit jump and the stock is up nearly 97% since its IPO offer price. But is the easy money already gone? Dr. Matthew Preston and Dr. Thaon Simms dig into the numbers behind TransJam's best quarter ever, what the $3.5 million May pen leg means for future revenues, and whether the Montego Bay perimeter road could be the catalyst that gets this stock to $20.Chapters:00:00 Introduction and TransJam's Big Quarter02:01 Breaking Down the 46% Profit Jump04:41 Warren Buffett and Infrastructure Stocks07:10 T-Tag Adoption and What It Means for Revenue16:30 From $3.60 to $7.10: Was the OFS Too Cheap?19:45 The Maypan to Williamsfield Leg Explained21:30 Montego Bay Perimeter Road: The Big Opportunity28:33 Could TransJam Win the MoBay Bid?37:15 The National Insurance Fund Connection39:49 Is TransJam Still a Buy at $7?

Send us a message!In this episode, we are joined by Paul Wohlford and Amanda Szubert of Call Center Solutions to talk about staffing, guest services, AI, and the growing need for reliable support in vacation rental operations.Paul and Amanda share how Call Center Solutions grew out of a real hospitality staffing challenge and how their nearshore team in Montego Bay, Jamaica now supports vacation rental and hotel companies with reservations, outbound calls, after-hours support, back-office work, and more.The conversation also explores why human connection still plays such an important role in hospitality, even as AI becomes a bigger part of guest communication. Paul and Amanda break down how operators can use technology to support their teams while still creating the kind of guest experience that builds trust, drives bookings, and keeps people coming back.We discuss:05:59 - How Call Center Solutions got its start in the hospitality space05:59 - Why staffing continues to be a challenge for reservation and guest service teams12:00 - How nearshore support can help operators improve consistency and coverage10:20 - The role of redundancy during storms, outages, and operational disruptions14:40 - Where AI fits into guest communication and agent support16:01 - Why human connection still matters in vacation rental hospitality13:20 - The importance of training, knowledge bases, and quality assurance44:41 - How support teams can help identify gaps in the booking experience28:21 - What operators should consider when outsourcing guest servicesConnect with CCS:Website Link: https://www.ccssuccess.com/LinkedIn Link: https://www.linkedin.com/company/my-call-center-solutions/Facebook Link: https://www.facebook.com/ccssuccessInstagram Link: https://www.instagram.com/call.center.solutions/Connect with Paul:Email: paulw@ccssuccess.comConnect with Amanda:LinkedIn: https://www.linkedin.com/in/amanda-szubert-8b26a033/ ✨ Exclusive Offer to Alex & Annie Listeners: Improve efficiency and customer engagement with Call Center Solutions.Get all setup and implementation fees waived when you let them know you heard about CCS from Alex & Annie.

durée : 00:58:33 - Cultures monde - par : Julie Gacon, Mélanie Chalandon - Depuis l'accord de cessez-le-feu du 8 avril 2026 avec les États-Unis, l'Iran a mis en place un péage pour les navires espérant traverser le détroit d'Ormuz. Une disposition qui contrevient au principe du libre passage commercial sur les mers consacré par la Convention de Montego Bay en 1982. - réalisation : Vivian Lecuivre, Fanny Richez, Sacha Mattei, Barthélémy Gaillard, Anouk Milliot, Pénélope Le Mauguen - invités : Paul Tourret directeur de l'ISEMAR, l'Institut Supérieur d'Économie Maritime, Xavier Carpentier-Tanguy Historien, directeur du laboratoire Géopolitique des mondes marins de l'Institut Jean Jaurès, enseignant en géopolitique des mondes marins à Sciences Po Paris , Margot François Docteure de l'Institut Français de Géopolitique, spécialiste de Cuba Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

On this episode, my guest is Dr. Devon Taylor, the President of the Jamaica Beach Birthright Environmental Movement (JaBBEM), an advocacy group founded in 2022 that fights for equitable beach access and environmental justice in Jamaica. He is a Biomedical Research Scientist and environmental and social justice advocate who leads efforts to repeal the colonial-era Beach Control Act of 1956, which he describes as discriminatory and a barrier to public access.JABBEM uses legal tools, including the Prescription Act of 1882, to establish long-standing community rights to beaches and rivers. The group is currently involved in multiple court cases, including those concerning Bob Marley Beach, Little Dunn's River, and Flanker/Providence Beach, to secure public access and prevent privatization by luxury resorts like Sandals.Dr. Taylor emphasizes that beach access is a fundamental human right and reparative justice issue, arguing that Jamaica's beaches—national treasures—should be accessible to all Jamaicans, not just tourists. He calls for government action to replace outdated laws with modern legislation that ensures constitutional protection for public access and sustainable management of coastal resources.Show Notes* The violence and displacement from which JaBBEM emerged* The Beach Control Act of 1956* Coastal colonialism / plantation tourism* Shoreline personhood and the birth of humanity* The medicinal space of the sea* Taking the fight to the courts in Jamaica* Pan-Caribbean solidarity and dilemmas* Critical mass: advice for guests/touristsHomeworkJabbem - Website - Instagram - Facebook - YouTubeStronger Caribbean TogetherTranscriptChris: [00:00:00] Welcome Dr. Taylor, to the End of Tourism Podcast. Thank you for being willing to join me today. And I'm wondering to start, if you could share with our listeners where you're sitting today and what the world looks like there for you where you are.Devon: Yeah. You know, funny enough, I'm sitting just outside of Washington, DC today.Chris: Oh.Devon: You know, I just got back from Jamaica. All right. And I'm just outside the capital of the “free world” today. Yeah, but Jamaica is home, so we just got back from some community service work, advocacy work. And I'm happy to engage the End of Tourism audience and share what the experience and the livity of the Jamaican people is like.Chris: Hmm. Thank you, Dr. Taylor. As far as I understand, you are the president of Jabbem, the Jamaica Beach Birthright [00:01:00] Environmental Movement, which was founded in 2022 as “a grassroots organization acutely aware of the adverse effects of misguided development and environmental injustices to beaches, beach property, and sensitive terrestrial ecosystems” And so I'd like to ask you, Devin, a bit about your story, about how and why Jabbem was created, if I can.Devon: Yeah. So my story is the story of my community - my community of Steer Town, a coastal community that I grew up in, but that's also the story of the descendants of enslaved Africans, really, and a former slave plantation known as Jamaica, right?There's a history that is rooted in displacement, disposition, and disempowerment of a people, you know. [00:02:00] So, Jabbem is a response to continued injustice, injustice not only to black bodies, you know what I mean? And the indigenous ones, the Tainos who were there first, right? But also the desecration of land, right?Land have a relationship with human beings and with indigenous people, and we have a relationship with land. But all that get disturbed, through this “development.” So, you know, myself, my community, experienced that displacement and disposition and disempowerment in 2019, at the heights of COVID.When our childhood beach that our community has been using for more than a hundred years, you know, we were displaced from it. And the displacement. It's around 29 acres of beachfront land that the community... as an extension of our community that we use for everything, everything that Jamaicans use the beach [00:03:00] for, right? You know, recreation, fishing, spirituality, I mean, courtship, artisan work, farming you know all that space that offers a multitude of opportunities, multitude of possibilities, right, which made it that node, that connectivity to the community of Steer Town, to the community of Chalky Hill, to the community of Epworth and Davis Town and, you know, parts of, and tourism mecca of Ocho Rios. You know what I mean? This is what this space represented. It was a community that birthed ideas and continual livity of our people.And we were displaced from it, displaced from it by force. You know, a force that was part of the state, the Jamaican police, private security, the political class. It was violent. It was a very [00:04:00] violent displacement. And so, if you have ever experienced disposition and displacement, it unsettles you. It arms you. You know, I mean, you are rattled, right?And so, we had to figure out how this happened and how we need to move, because we're a resilient people, we never give up. This is where we're able to survive 500 years of chattel slavery. So, it took us a minute to kinda understand what was happening and knowing that we have to move from the grassroots. We have to come together in solidarity and farm something that could push back at our displacement. So Jabbem was born through state-sponsored violence and private violence, the displacement of communities from beach ecosystems, from the sea, in that time.Chris: Thank you for that, Dr. Taylor. You know, you mentioned 2019 as a kind [00:05:00] of watershed moment for your community and for the creation of Jabbem. But of course most people have some understanding that the tourism industry has a long history on the island, in Jamaica. And there's something that arises quite a bit in the work of your organization and in the interviews and in the media that's come out, and specifically around a law that was created or enacted in 1956, The Beach Control Act in Jamaica. And so, I'm wondering if you would be willing to offer up a little bit about this law, why it's so infamous in your country and maybe a little something of what was happening in Jamaica before 2019 and perhaps since that act, that law was created in the fifties.Devon: Yeah. The struggle for beach rights, you know, access to the beaches use of the sea [00:06:00] is historical, right? There are giants before my time who stood in the fight. You know what I mean? We had Dr. Carolyn Cooper, you know what I mean, very instrumental. John Maxwell. We have Kabu Ma'at Kheru. We have Esther Figueroa and many other Jamaicans who lend their voice to a struggle, observing and seeing that, with every new hotel that's built, every new villa that's built, every new guest house that's built, is a loss of the Jamaican people to really continue to enjoy spaces that they have been doing since childhood. Right.You know, as you mentioned, there's a long history of tourism in Jamaica. Yes, there is. I mean, Jamaica is still a colony of England. The King Charles is still the king of Jamaica, right? With all that said, Jamaica does have its prime minister who runs the country, and the king don't really get in his way, so all the experiences of the Jamaican people now is [00:07:00] actually a product of the political class that is running the country.And the tourism model at one point was more integrated, right? There was more a blend of locals and visitors traversing in beaches and enjoying these spaces, walking around in the country, participating in other cultural activities that are not based along the beach, right? You would come into villages, enjoy villages. You know, that was true for, also, my community. My community was close to a couple of these hotels and guest houses at the time. Many members in our community work in these spaces. Some of those tourists would venture up into the village and enjoy all that we offer, you know, in the Jamaican life.I should point out that musical albums, between Keith Richards of the Rolling Stones was made with members of of the Steer Town community. “Wingless Angel” is the name of that album.So this was a time when it was more [00:08:00] of that kind of integration. But the colony that Jamaica is right, and just pre-independence, Jamaica became independent in 1962... a law was passed in 1956 just on the eve of independence, which you alluded to earlier - The Beach Control Act of 1956 - and we're still trying to fully grasp why there was a need to put a law in place that says that no Jamaicans have the right to the foreshore, or the floor of the sea and was translated by the head of the National Environment and Planning A gency (NEPA), that we do not have the right to swim, to bathe, to fish, to walk along the foreshore. All those rights are vested in the government, in what they basically call “the crown,” controls all that kind of things. And the thinking we are trying to understand, is that the [00:09:00] result is very clear, that it's stripped us of any inherent rights to the foreshore. Stripped us.And very important for accessing beaches is the rights, the land. So you cannot get to the beach or the sea without traversing land.Chris: Right.Devon: And so this legislation, really inherently, did not give us any land rights. And that is what you know happened post-emancipation. There was never any reparative justice around the rights of descendants of enslaved Africans to land, where compensation was given to the enslavers. They got millions and millions of dollars when slavery was abolished. There was no compensation to the descendants in any form. No rights to land, no distribution of land, nothing [00:10:00] that was constitutionally put in place, nothing for provisions were made. In fact, the secretary of the islands made sure that they put tariffs so high on government land that the descendants could not afford them.So it kept the Jamaican people, and for that case, most of the Caribbean Islands' peoples, landless, right? So we walk out of slavery as a homeless people, despite the many rebellions and revolutions that were fought by our ancestors to free our people. You know, the powers to be never gave us any of that rights to land.And so, the 1956 Beach Control Act is consistent with colonial logic of dispossession and disempowerment.Chris: Wow.Devon: And that's what that legislation has really done to us.Chris: Wow. Yeah. I mean some of the statistics that have [00:11:00] come up in Jabbem's research is that at least 35% of Jamaica's GDP is tourism, that 25% of all jobs on the island are tourism-based jobs, that 70% of tourism dollars go to foreign investors while only 10% goes to the community and 20% going to the government. Then finally, less than 1% and maybe less of Jamaica's shoreline is accessible to Jamaicans.You refer to this, I think as coastal colonialism. Is that right, Devin?Devon: Yeah, it is coastal colonialism. It's a kind of plantation tourism, right? And the numbers speak, for themselves. I mean, they're very consistent with colonial logic around ownership of land, possession of land, what land is used for, and who the [00:12:00] usage of land benefits. The resources of the land benefit the colonial master. Of course, in this case, it is the government of Jamaica with it's elite. You know, the elites are sometimes Jamaican. Sometimes they're multinational corporations. So all of these kind of things are linked to plantation tourism and the exploitation of labour. Now there's no way that you can have, in 2024, a tourism product made 4.3 billion US dollars, and more than 3 billion of it, did not stay in Jamaica. It may not even enter the country, because of the way all these transactions are done. You could book your tour from overseas, pay for your hotel from overseas, you pay for your flight, you pay all these things. So those dollars does not even enter the country.Even many of the Jamaican tours, their banking companies are in international spaces. Many of these entities are the owners of these hotel, these [00:13:00] corporations, also registered in other countries. You'll have some of them registered in other Caribbean islands, St. Lucia and other tax havens across the planet. So, I mean, all of these things are very similar to the way that the plantation work.And then of course the workers and the exploitations of the worker, being paid very low wages, wages that are not livable wages. I mean, they're overworked. And so, the whole thing is consistent just the way the plantation works, right? And so we have to call it what it is. And at the same time, you work at the hotel and you can't enjoy the beach, right? Not while you're working there. Neither can you go home and say, “I'm taking my family of five to where I work, and I'm gonna put my towel down on the beach and take a swim, or I'm going to go roll out, and I'm going to fish.So I mean, the whole model, as to how it's constructed right now is very [00:14:00] oppressive, and is a continuation of the systems of oppressions that were characteristic of the plantation. So it makes it a plantation tourism model that the Jamaican government is supporting. And it is the government of the country because as you mentioned, you know less than 1% of beaches in the country is accessible by the Jamaicans, right?The country, the island is 494 miles around right now. 150 miles of it is technically sandy, right? Most of it is are rocky terrain, but the rocky terrains are beautiful terrains. You know, these are terrains that we all meditations from. You know what I mean, we go fish at, you find your moment in these spaces and they're becoming far and few, and that is supported by just the way all the legislation is constructed, and no government in the history of [00:15:00] “independent Jamaica” from 62, right... The law will be on the book for 70 years, and none of them changed that law to empower the Jamaican people with inherent rights.Not just to... because I know sometimes the reasoning is that, “well, we just wanna go to the beach to swim.”Well, we are thinking about a new imagination of our relationship with the coastline that we have been having for many, many, many decades.It wasn't just swimming.You know? No, no, no. It's beyond that.So, they may project that that's all we need: is just to go into the water.Right? I mean, absolutely. That's part of it. Absolutely we need to go there where our deads were washed upon the shores from these slave ships, that many were thrown overboard, many jumped overboard.But livity along the coastline for fisher folks, for vendors, for those who harvest [00:16:00] seaweed, right? For those baptisms, for the artists who get their inspiration there, for farmers who farm there, all of these possibilities, that we used to use the space for.We are saying that we should be able to continue doing so. Right? And we are fighting for this kind of a justice in this space.Chris: Wow. I mean, this is a theme, a through line, that that comes up in so many of the conversations I have with people like yourself who are fighting for land and land rights in their homes, in their places.It seems there's so much in common. One of the strange things... I don't know how strange it is really, but I was reading recently on the history of what they call “the enclosure of the commons” in Britain from I think the 13th or 14th century on, and how slowly, little by little, the rich landowner started kind of carving away, the land from the peasants and forcing them into the [00:17:00] towns and cities to work for wages, essentially, and to undermine, not only their ancestral relationships with the land, the places where they're dead were buried for many, many centuries, but also the kind of lived spiritual relationship they have with it. Right.And so, this is something that I've seen on Jabbem's website regarding the organization's principle goals. And that one of them is “the promotion of environmental personhood to beaches, selected rivers and important land formations to protect nature for future generations and to safeguard the intrinsic value of nature by recognizing them [that's the beaches, the selected rivers, and land] as living entities.”Now, I think this is something that's a common understanding, if not something that ecologists and environmentalists today campaign for, which is giving waterways and [00:18:00] land rights, but also legal and judicial protections.And so I'm curious, how do you think giving legally-bound personhood to land and water could change the lives or the relationships that travellers and local people have to those places?You know, when we come to live our lives in the presence of rivers and beaches and land as alive and sentient and as having history, their own personal history, how do you think our relationships to places might change, either as tourists or locals.Devon: Yeah. I mean these ideas are not distant to the human consciousness, because it was like that in the beginning. If we look at the scientific history of earth, right? You know, the sea, oceans are the birthplace of humanity. We crawled out the [00:19:00] sea onto land, and where did we enter first? It was on the shoreline?So, historically, ancient shoreline is the birthplace of humanity. And we just imagine, what happened in that space was the beauty of evolution. Evolution, physically. Evolution, spiritually. Evolution, in all ways and form you could think of. That space was a space of a multitude of births and rebirths. A space of energy, that led to all that we know it right now - plants and animal life, running around and terra firma.So I mean, that recognizes that this space of a right to exist because without it, I mean, I and I would not be in existence in this present formation. So it's not really a kind of thinking that is outside of the grasp of humanity. [00:20:00] It's just that a version of humanity turned its back against nature, you know, to degrade it, to use it without recognizing the relationship that it had with us.And so to really raise these ideas, that the space has its own consciousness, has its own intrinsic value, has its own understanding of I and I, knowing what I needed within such time. Give it to I so that I could thrive and manifest. So it did its work and it continues to do its work. It's just that humanity, a version of humanity, is robbing the space of its ability to continue to serve as a crucible for next generation, even the protection of the planet Earth.And you will hear it all the while that the shoreline is very important to protect us against the fallout of climate change, in terms of [00:21:00] protecting land. You know, we hear those words, but we don't live those words. So I think the recognition of personhood status to these kinds of ecosystem will bring us back to our relationship with the land, whereas we are custodian of it and it is custodian of us. And so that kind of duality, between man and environment can reign again, so the environment can serve its role in the next phase of human consciousness, right? It's not just a space to degrade, but it offers many things. I'm sure you go to the beach and when you go to the beach, you're alive. And you feel more alive when you go to a beach that is rustic, that when you look around you, you hear the sounds of nature. You can feel the beauty of that sun under your foot, and the smell that you are smelling is smell of a natural coastal forest, a natural ocean. You're not smelling [00:22:00] chlorine or suntans, or you're not hearing the bustling of engine mechanizations. You know what I mean? All what we have created in these spaces, right?You're not seeing the beautiful crabs run, the crustaceans in the space. You're not seeing the vibrancy of all the creatures that live in the ocean at near shore, because you take out hectares of grass beds, which is necessary for replenishing life.You know, the ocean produce more oxygen than the land, because earth is more than 70% water. So the importance there of understanding personhood status is for us to understand our livity and our life is critically linked to this space. And that's what we're trying to say.Understand this space for what it meant for human evolution, what it means for our continued survival, [00:23:00] and allow it to do so, but we have to give it that kinda legal protection. We have to make generations coming on board understand what it is in terms of how critical it is for livity.My work is based in the gift economy. To receive new posts and support my work, consider becoming a free or paid subscriber.Chris: Wow. That's beautiful.Yeah. Thank you so much Dr. Taylor. When I think about all the times that I spent on beaches, I mean maybe not as many as other people, but I also think about how much, in our time, in the last few generations that so many people go to the beach to relax. And you know, as far as I know, this wasn't a very common thing around the world before the Industrial Revolution - to go to the beach to relax, at least en masse, at least with so many people. And it makes me wonder, what might be happening mythically or mythologically or mythopoetically, when people go to the beach, they lie down in front of the [00:24:00] sun and in front of the ocean, and in terms of what you were saying, I always wondered, this seems like a kind of devotion that people are almost, in a religious way, devoting their bodies to being in this place with the sun and the ocean.But also in this place, as you mentioned, just between the ocean and the land. Right. The shoreline. And while it seems like a kind of religious devotion, maybe the fact that it's kind of commodified and industrialized and manipulated in such a way so that people don't recognize the life or lives of the shoreline, of the rivers, of the beach, of the ocean, et cetera, that there's something in there that humans are longing to express, but it gets turned into this really, really strange and almost demented form of, you know, “oh, take my picture and let's put it on Instagram” and all that kind of thing, right?So yeah, thank you for that, Devin. It was really beautiful to [00:25:00] hear.And for our listeners who can see some of the work that Jabbem is doing on their website, there are many, many campaigns that your organization is involved in in Jamaica, and some of them involve court cases, but I'm curious if you'd be willing to comment, I guess, on how your organization, how your team has been dealing with the campaigns, what kind of successes or failures, what kind of learning has come your way. What can you tell us about the work that you've been doing with the people on the ground there and what, if any kind of successes you've had so far.Devon: Yeah. Yeah. So, so we have just been around like four years now. This is our fourth year. Right. You know, kinda listening to how you were kinda talking about the reverence when one goes into these spaces, because the sea is medicine. It's a medicine space. And I think that's why a lot of people gravitate towards it. And what we are trying to do [00:26:00] is saying that everyone should be able to experience their birthplace, which is the foreshore, right? And so our fight and our struggle is that, as the United Nation Convention and the Law of the Sea puts it, the sea is the common heritage of humankind. So what we are doing is consistent with what the United Nation goal, that this space, this sea, this ocean, these rivers are common edge heritage of humanity. And so, we must be able to access them, engage them, we must be able to experience them and they must remain protected for all generations.So, Jabbem's campaign on the ground are not campaigns that are just for the liberation of the communities, where these beaches are. But it's for the community of humanity, that when they come into our country, they will experience the ecological heritage of the country, not [00:27:00] restricted by how much money you have in your pocket, by how much you could pay to go to one of these all inclusive hotels. Or one of these high-end villas that are encroaching in the sea, or any of these hotels that they are now building in the sea, is that you could've travelled from another country to experience what the foreshore and the sea - which is your heritage, as a human - in Jamaica.So the campaign, we are fighting for liberation of the coastline, right? So we have five of these cases right now in the Jamaican court system, right? Yeah. We have the case fighting for Bob Marley Beach. I mean, I could speak uniquely to what these spaces symbolize, about what they have been for the Jamaican people. You know, that particular beach has been a space where Rastafari, who are oppressed in Jamaica as a black liberation movement, with its central spiritual nucleus being [00:28:00] Emperor Haile Selassie I. That beach was the cradle of where thoughts and ideas were born in versions of Rastafari, and we had to move into protect that space because ultra-luxury hotels is slated to be built here that was going to displace the community. And so, that fight continues, right?We have the fightof Mammee Bay, which is my childhood space. As we explained to you earlier, you know, more than a hundred years of usage within this space, an extension of our community. It's a space that provide livity for many, right?And we speak to Blue Lagoon, right? Very historical, very beautiful mix of salt and fresh water, which many underground springs being fed from the Blue Mountain, a space that was used by the indigenous Tainos and Africans used this space for spirituality, for food, for all that you could imagine beyond recreation. This space is being commandeered by elite private interests.We have that in the court. We're fighting [00:29:00] our own government for liberation of the Blue Lagoon, which is a national monument, which would means that, “oh, can a national monument be privatized?”But Jamaican laws allow for this to happen. And if we don't fight to protect the space for humanity, then you may not be able to see this majestic space.It is the same that is true for a Little Dunn's River. Again, the intersection of a beautiful waterfalls with the Caribbean Sea, that was occupied by Rastafari from in the fifties. This space is majestic. You know, the rush of the water, the sound that we hear in this space, just brings you to these meditative spaces. You know, feel the blend of sea water meeting fresh water and how that turns into the warmth. Right. It is just beautiful.We are fighting for that and we are fighting... you know, our newest case is in Providence/F lanker in Montego Bay. One of the tours in mecca, which, you know, the hotel [00:30:00] giant, Sandal Resort International, applied to the National Environmental Planning Agency for a permit to build hotel rooms in the sea and to build villas on this land.And so we are in the courts trying to defend that, because when we lose these spaces, right, it's not just Jamaicans lose. It's just not, you know, “we have been ripped from our culture.” I mean, it's that humankind loses. Humankind loses.You know, it's cultural desecration, right? It's exploitation. It's a form of capitalism that see the concentration of wealth in the hands of few people. And the exploitation of labour and, degradation of coastal forests.So we are fighting with communities, so the way we work, every community that we go into expresses their willingness to protect their spaces. I mean, most of the time they reach out, because we're grassroots. You know, we're not a NGO. We don't [00:31:00] operate and move like these spaces. We are truly community-run. You know, as members from the community that leads up those fights. And we collaborate and we build, because we are one people. And the struggle is led by these communities. You know, I mean, we are just networking the struggle across the island, just as the struggle for people across Earth is always finding brotherhood, sisterhood, and connection in the struggle for liberation.Chris: Amen. Amen, brother. I'm curious as well if that solidarity has reached beyond the island's shoreline, if you have any brothers and sisters that you've been working with in other Caribbean islands or other countries to forward the cause.Devon: Yeah, man. Yeah, man. We work very closely with Stronger Caribbean Together Network. It's a network with other Caribbean countries who are undergoing similar things, similar land struggles for coastal spaces all across the [00:32:00] Caribbean. You know, so while Jamaica has this Beach Control Act that gives us no inherent right to access the beaches and to use the sea, most of the other Caribbean islands, you can access the foreshore, and you can use the sea.All right. You know, Jamaica is one of the unique countries that does that. It's not withstanding though that the tourism product across the Caribbean is now where most Caribbean economies are moving towards in terms of investment. So, they are building out these hotels and these overwater bungalows across the Caribbean, which is impacting lives and livelihood as well, because yes, you can go on some of these beaches, but you can't truly enjoy them in their fullness. And they are building on these beaches, as well, which is also causing environmental issue.So, I mean, it's funny that the commonality among Caribbean Islands, since the time of enslavement was plantation [00:33:00] economy, based on sugar and cotton and rum and all these things. And that was not good for us. And the region now is moving towards a very similar tourism model, that doesn't pay its people as much. Seeing these lands, coastal lands, being owned by private interests, that is actually displacing the indigenous population, and the descendants of enslaved Africans from these spaces. So we're not really benefitting at scale to the kind of tourism that is coming into the Caribbean.I mean, I think you are in Mexico, you are seeing it in different parts of Mexico too. I mean, wealthy people come and buy coastal lands or, lease them, I guess in the case of Mexico, of a slightly different kind of law where you, I don't think you can own coastal lands. I mean, you have a right to beach, but there are barriers that are put in place that makes it difficult for you to sometimes traverse these spaces. And they're intentional. [00:34:00] All right. You know, I mean, we have experienced them in Puerto Rico as well. You know, we're seeing them emerging in places like Costa Rica and and in St. Lucia.In spaces, they're wide open, but in spaces you can see the creep is coming, Because there's a thing about capitalism where when it comes in, it takes everything. It swallows everything. It's not a good political economic model, that takes the environment into consideration as to what it gives back to humanity.So it takes, and it takes, and it takes, and that's not the sustainability that you will hear being preached on the planet. If we truly want to be sustainable, then the environment must have as much rights as a moving animal. It was here [00:35:00] before I and I. Earth existed before I and I. So, all I and I come, in the context of Earth, and treated Earth like it's a second class entity in existence. It must be afforded that right.I mean, it's only 3% of the planet that is water, fresh water. So, we know water is a very essential source for life. So we cannot allow this to be controlled. Access to the sea, access to the oceans, must not be controlled by no entity. We must freely move in these spaces. So Jabbem is at the view also that all coastal land must be public land. You know, must be public land.Chris: Yeah. I mean, I completely agree, you know, that offering rights in these regards can definitely change our understanding of how we are with land, of how we [00:36:00] are with other people. And I think that in order for the function of rights to work that we need to undertake a degree of responsibility for how we are with the land, with each other and the way we implement those rights.And you know, it's been a great pleasure to speak with you Dr. Taylor. I know we're just running out of time now. Before we finish off, I'd like to ask in regards to those responsibilities, you know, I'm sure this conversation or question has come up many times for you and your team, your people there on the island.If local people have a responsibility to their homes, to their places, to how they live and even host in those places, then what do you think the responsibilities are of the guest, of what we would otherwise call the tourists in our time? What do you think their responsibilities are when, either coming to your island or just even thinking of planning a vacation, because I've had many guests on the podcast who are [00:37:00] fighting similar fights as you and your people are.Some of them say, “please come, please come, and we'll figure it out.”And some of them say, “please don't come. This is not the time.”So I'm curious what those conversations like look like with Jabbem.Devon: Yeah. Yeah. No, it's a good question, because we know that there are some countries that too much tourists goes there, and it has a critical mass that it can't take anymore. And so there's need to kind of regulate the number of people.You know, Jamaica's not at that point right now. And myself and our team believe in freedom of movement. We see this as a world without borders, despite how politicians, and kings, have drawn artificial borders across the world to limit all your move, and requires visa to go in spaces and validation, that you can afford your stay within spaces. Yeah. We don't have that view still, you know. Those kind of views are colonial logic, because [00:38:00] if that unconsciousness was birthed in humanity, then the migration of I and I outside of Africa would never have happened, and would've never had the multitude of nations that make this planet a very beautiful space. So freedom of movement is something that we cherish. So come to Jamaica.What we would say is that you need to do your homework. You don't want to participate in injustice. You don't want to participate in discrimination. You don't want to participate in displacement and disempowerment of people, so do your homework. Before you come to Jamaica, look where you are staying. And check out whether or not these communities can freely access these beaches, use the sea, whether these fishing communities are thriving, as they were before, whether or not workers are compensated enough, whether the social health of the [00:39:00] community where this hotel is is good, whether or not the space that you are actually coming to is degraded. I think these are question for you to ask yourself.I would say you boycott those spaces, because I think one thing that the capitalists understand is that when his money is in danger, his behaviour changes. He first gets violent. He first gets violent and come after you, which would be we the people, but if we have the protection of the international community who is demanding a more equitable and just product interact with, a product that is fierce. So you can't be charging me $3000-$6,000 to stay in a hotel room or $500 to stay in a hotel room, but you're paying your people minimum wages that are, I think, $15,000 Jamaican dollar might be a hundred US dollars a week. You know, I mean, that is labour exploitation.“ Then I'm not going to go there. I'm gonna participate in some other products across the island.”[00:40:00] I know Airbnb have their own sets of issues, but though that's a growing space in Jamaica. Small mom-and-pop establishments that are there. So it might not be easy, but search them out, you know?And we are getting ready to actually help the international community by importing some of that resources on our page, so you could see places that you could stay. So we are saying, being responsible, be responsible in your travels.And when you come, venture out. You know, come amongst our people, come experience the real Jamaican culture. You know, those things are important because tourism is an educational thing, right? It's idea sharing, right? It is cultural exchange, right? It's getting to feel outside of your normal space and getting to a new mindset to understand how other people are living around the world, and what adjustment you can make in your life. What can you impart? What can you take back? And these things are important for the [00:41:00] growth of humanity, for us to understand each other. I think these things prevent wars and conflicts. But contrary, you know, I mean, what we see world leaders are doing is driving domination of particular cultures, domination of particular economic systems that are unjust.And Jamaica is still growing. We still have a lot to offer to the world. We provide real good, music to the world, but we are beyond music. You know what I mean? We are very creative people of just a lot of goodness and a lot of niceness. So come to Jamaica, but you know what I mean? Be responsible in your travel and seek out the spaces that are equitable and just, and help in our struggle, advocate on our behalf in the international community for the repeal and replacement of the Beach Control Act of 1956, for different tourism models to come into play.Chris: Mm mm mm Thank you, Dr. Taylor. Our listeners can find out more about [00:42:00] the actions and campaigns on the Jabbem website, jabbem.org, if I'm not mistaken.Devon: That's it.Chris: And I believe on Instagram as well.Devon: JabbemJabbem on Instagram. We are also on Facebook and on your Tiktoks, and all your other spaces. You know, I mean, and reach out to us. We have a GoFundMe page where we are trying to raise money for legal struggles.You know, we have many more cases that we need to push forward to protect communities. So if you want to help out, you know check us out on GoFundMe there.And when you come to Jamaica, just link us up and we'll bring it to couple of the spaces and in some of the communities then you'll get the real Jamaica, you know?Chris: So, I'll make sure that all those links are up on the End of Tourism website and Substack page when the episode launches. And on behalf of our listeners, Devin, I'd like to wish you an amazing, amazing day and to your team, to your organization. It seems like you're doing incredible work and with a really grounded and [00:43:00] equally political and spiritual basis or foundation for the way that you and your team walk in the world.I'm very, very grateful for that and for your time today. So, I wish you also the best of luck in the so-called, capital of the free world there, and all the best.Devon: Yeah, man. Give thanks. Give thanks, Chris, and give thanks to you and your team for having us. Give thanks.My work is based in the gift economy. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Chris Christou at chrischristou.substack.com/subscribe

In this energizing episode, host Infinite sits down with Brick for an in-depth conversation with reggae artist Tony Prophit, a Montego Bay native who now brings his roots to Ontario, CA. Tony Prophit isn't just an artist—he's a messenger of positive vibes, weaving uplifting vernacular and conscious rhythms that uplift the listener's spirit.From the very first note, the energy is unmistakable. Infinite calls this one his favorite interview to date, praising the raw authenticity and the palpable connection that unfolds when words meet music. The conversation dives into Tony's journey—how his Jamaican roots blend with his Canadian experiences, and how his message of positivity translates into every verse, cadence, and chorus.Brick shares a personal takeaway: a few new perspectives he learned just by listening, noting how Tony's approach to language, culture, and community resonates beyond the microphone. The camaraderie between Infinite and Brick shines through as they explore Tony's creative process, his mission to spread good vibes, and his belief in the power of reggae to unite and uplift.If you're chasing a conversation that fuses culture, rhythm, and inspiration, this episode is a must-listen. Tune in to hear the powerful connection between Infinite, Brick, and Tony Prophit—and feel the positive energy that travels from Montego Bay to Ontario, and straight into your headphones.We would LOVE to hear what you think. Please drop a line.Support the show

Today we're heading to the lush island nation of Jamaica. While the country is often associated with beaches and resorts, it's also a place with a deep and complex history, a strong sense of identity, and a rhythm of life that you feel the moment you arrive. Joining me today is Kenton Jones, Managing Director of The Tryall Club, a 2,200-acre private villa community just outside Montego Bay. It blends classic Jamaican hospitality with one of the most expansive and personalized resort experiences in the Caribbean. We discuss what makes Jamaica so culturally rich, how the island's geography shapes everything from lifestyle to cuisine, and what it's like to stay in a fully staffed private villa surrounded by golf, beach, and nature. Sit back, relax, and enjoy this episode of Luxury Travel Insider.   Looking to book a luxury hotel? Get special perks and support the podcast by booking here: https://www.virtuoso.com/advisor/sarahgroen/travel/luxury-hotels If you want our expert guidance and help planning a luxury trip with experiences you can't find online, tell us more here and we'll reach out: https://bellandblytravel.com/book-a-trip/   Learn more at www.luxtravelinsider.com   Connect with me on Social: Instagram LinkedIn

Le détroit d'Ormuz est bloqué. Et maintenant ? Dans ce débrief spécial, je reçois Loïc Guermeur (Cap hornier), expert en histoire navale, pour rentrer dans les détails techniques de cette crise qui impacte directement les marchés. Au programme : Pourquoi le détroit d'Ormuz est aussi critique (20% du pétrole mondial, ~150 navires/jour, ~3000 navires bloqués selon l'OMI) Le vide juridique autour de ce passage stratégique (convention de Montego Bay non signée par l'Iran et les USA) Comment le trafic maritime s'adapte en temps réel (déroutement par le Cap de Bonne Espérance, barges de ravitaillement, systèmes AIS) Les leçons de la guerre des pétroliers des années 80 et des attaques Houthis en mer Rouge L'idée d'un péage par Trump et pourquoi c'est plus compliqué que ça en a l'air L'impact sur le pétrole (Brent, WTI), les assurances maritimes et l'inflation à venir Infrastructures pétrolières endommagées : le vrai problème au delà du trafic Retrouvez Loïc ici sur sa chaine Youtube : https://www.youtube.com/@Cap-hornier Et sur X : https://x.com/CapHornier_ On fait aussi un point rapide sur les cours du pétrole, le dollar et les actifs risqués en ce moment. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us Fan MailFive deaths. Five completely different ways to go out. One very loud debate about which one is the most unhinged.Welcome back to Deaths of the Month — the segment where Brian, Thomas, and producer Corey dig into the strangest, most ironic, and most historically underappreciated deaths tied to a single calendar month. This is March edition, and the lineup does not disappoint.The hosts open with Bobby Bloom, the singer behind the 1970 hit "Montego Bay," whose death at 28 was ruled accidental — but whose insurance policy, suspicious circumstances, and a confession given 21 years later paint a much murkier picture. Then comes Brandon Lee, killed on the set of The Crow in 1993 in a firearms accident most people have heard about but few actually understand. The hosts walk through the full technical chain of events: a squib load, a bullet fragment lodged in a barrel, a blank round fired behind it  and why it was more a cascade of protocol failures than a single moment of negligence.From there, the conversation shifts to Enrique Granados, the Spanish composer who survived a German U-boat torpedo attack during World War One, only to drown trying to save his wife,  weighed down by a belt full of gold coins he refused to let go of. Then Jerome Rodale, the organic farming pioneer who coined the modern use of the word "organic," suffered a fatal heart attack live during a Dick Cavett Show interview immediately after announcing he planned to live to be a hundred.Rounding out the five is the bonus deep dive: a Ukrainian chess grandmaster found dead under circumstances that were officially ruled accidental but come loaded with enough unanswered questions to fuel the conversation well past the official verdict.The episode closes with an honorable mention, a Mississippi man killed when lightning struck his home  along with practical lightning safety tips the hosts drop in without losing the tone.This is the kind of history podcast that doesn't talk at you. It reads Wikipedia out loud, gets into arguments, ranks things incorrectly, and makes you want to look up every name mentioned. New episodes of The Days Grim drop weekly.TIMELINE:0:00 — Intro and cold open (whiskey store story, setting the vibe)~4:30 — Death #1: Bobby Bloom — Montego Bay singer, accidental shooting, suspicious insurance policy~14:00 — Death #2: Brandon Lee — The Crow, squib load, pioneering CGI aftermath~28:00 — Death #3: Enrique Granados — Spanish composer, WWI U-boat, gold belt, drowning~40:00 — Death #4: Jerome Rodale — organic farming pioneer, heart attack live on Dick Cavett Show~52:00 — Death #5: The Ukrainian chess grandmaster — nitrous oxide, Moscow apartment, unanswered questions~1:02:00 — Rankings debate and final order revealed~1:10:00 — Honorable mention: Mississippi lightning strike house fire~1:17:00 — Lightning safety tips, local house fire story, outro[The Days Grimm Podcast Links]- YouTube: https://www.youtube.com/c/TheDaysGrimm- Our link tree: linktr.ee/Thedaysgrimm- GoFundMe account for The Days Grimm: https://gofund.me/02527e7c [The Days Grimm is brought to you by]Sadness & ADHD (non-medicated)

Niurka Garcia Linton, director of sales for Riu Hotels & Resorts in Jamaica, talks with Alan Fine of Insider Travel Report about the company's seven properties in Montego Bay, Negril and Ocho Rios, including adults-only and family resorts. She also discusses how Riu reopened all seven hotels quickly after Hurricane Melissa, extended complimentary stays to stranded guests before reopening, and demonstrated strong leadership and staff resilience during recovery. For more information, visit www.ALGVacations.com  and www.algvacations.com/OneLoveJamaica.  All our Insider Travel Report video interviews are archived and available on our Youtube channel  (youtube.com/insidertravelreport), and as podcasts with the same title on: Spotify, Pandora, Stitcher, PlayerFM, Listen Notes, Podchaser, TuneIn + Alexa, Podbean,  iHeartRadio,  Google, Amazon Music/Audible, Deezer, Podcast Addict, and iTunes Apple Podcasts, which supports Overcast, Pocket Cast, Castro and Castbox. 

What does it mean to remain faithful to a calling when the church itself says no? In this episode, Martha Tatarnic is joined by Rose Hudson‑Wilkin, Bishop of Dover, for a wide-ranging conversation rooted in her memoir, The Girl from Montego Bay. Drawing on her journey from a childhood in Jamaica to episcopal leadership in the Church of England, Bishop Rose reflects on poverty, belonging, the discovery of God's love, and the clarity of call that sustained her through repeated rejection. She speaks candidly about racism in the church, the pressure of being “the first,” and the cost of leadership when institutions lag behind the Spirit. The conversation also explores motherhood and ministry, Scripture as a lived practice, faith in public life, and what Bishop Rose believes the church most urgently needs now: confident Christians who live their faith beyond the church door. This episode offers pastoral wisdom and spiritual encouragement for anyone discerning vocation, navigating institutional resistance, or seeking a faith marked by courage, joy, and love. Topics Include Discerning a call without visible role models Growing up poor without growing up diminished Scripture as a source of belonging and confidence Racism, representation, and leadership pressure Motherhood and ministry as shared vocation Why the church needs confident Christians now Faith lived publicly, not defensively   The Rt Revd Rose Hudson-Wilkin, CD, MBE was born and raised in Jamaica before coming to the UK to study. Ordained to the priesthood in 1994, in 2007 she was appointed as a Chaplain to Her Late Majesty the Queen and in 2010, became the first female appointed to the position of the 79th Chaplain to the Speaker of the House of Commons. In November 2019 she was consecrated as a Bishop in the Church of England and installed in Canterbury Cathedral. In May 2023, Bishop Rose was one of three female bishops to make history by playing a part in the coronation of King Charles lll. Her autobiography, ‘The Girl From Montego Bay' was published in January 2025. Bishop Rose is in wide demand as a preacher and speaker undertaking engagements both nationally and internationally, as well as making regular appearances in the media.     Mentioned Resources:

Ausflug gestrichen, ein 86-jähriger Reiseführer und ein beeindruckendes Weltwunder – so lief meine Reise durch Jamaika und Mexiko. Enttäuschungen, Überraschungen und ein echter Höhepunkt: Chichén Itzá! Hört rein für die ganze Story!

Andrés Cope, general manager of S Hotels Jamaica, talks with Jennifer Lutz of Insider Travel Report about visiting Jamaica today, the island's recovery after Hurricane Melissa, and how S Hotels has supported relief efforts while welcoming guests back to Montego Bay. Cope also discusses meaningful travel, ways visitors can give to local communities, and what makes the Jamaican-owned S Hotels special. For more information, visit www.shotelsjamaica.com.  All our Insider Travel Report video interviews are archived and available on our Youtube channel  (youtube.com/insidertravelreport), and as podcasts with the same title on: Spotify, Pandora, Stitcher, PlayerFM, Listen Notes, Podchaser, TuneIn + Alexa, Podbean,  iHeartRadio,  Google, Amazon Music/Audible, Deezer, Podcast Addict, and iTunes Apple Podcasts, which supports Overcast, Pocket Cast, Castro and Castbox. 

Is Jamaica Open? We Fly To Jamaica To Get You The Real Story. We flew to Jamaica for 4 days to Montego Bay and also to Ocho Rios to the Sandals Resorts that just reopened on Jamaica. This is our full Jamaica review and Sandals Dunns River review for 2025 as well as should you book a trip to Jamaica for 2026 and beyond.

Bishop Rose Hudson-Wilkin MBE is Bishop of Dover and Bishop in Canterbury. An utter trailblazer: she is the Church of England's first black female bishop, was the first female Chaplain to the Speaker to the House of Commons and a Chaplain to Queen Elizabeth II. She is also the author of her autobiography – The Girl from Montego Bay – in which she shares her story with raw and unflinching honesty.For 'The Girl From Montego Bay': https://amzn.eu/d/8igCgq4 If you found this conversation interesting, Seen & Unseen, the creators of Re-Enchanting, offers thousands of articles exploring how the Christian faith helps us understand the modern world. Discover more here: www.seenandunseen.com Generosity changes things — in us, in others and in the world.At Stewardship, we help Christians give well and see their generosity make a real difference.Find out how a Stewardship Giving Account can help you give, grow, and live generously every day.https://stwdshp.org/re-enchanting Hosted on Acast. See acast.com/privacy for more information.

Follow Amy Tango Charlie on X/Twitter: https://twitter.com/atoocpodcast  In this episode, A relief plane performing flight from Fort Lauderdale to Montego Bay. It was reported that it was carrying supplies for hurricane relief when it crashed in Coral Springs, Florida. Let's listen in.  

La mer Caspienne est un cas unique au monde : immense étendue d'eau fermée, elle est qualifiée de mer par son nom, mais de lac par sa géographie. Pourtant, d'un point de vue juridique international, elle n'est ni tout à fait l'un ni l'autre.Située entre la Russie, le Kazakhstan, le Turkménistan, l'Azerbaïdjan et l'Iran, la mer Caspienne est un bassin endoréique : elle n'a aucune communication naturelle avec les océans. Selon la géographie physique, c'est donc un lac salé, le plus grand du monde, avec une superficie de 370 000 km². Mais sa salinité (autour de 12 g/l) et son immense taille ont longtemps nourri l'ambiguïté : historiquement, les peuples riverains l'ont appelée “mer”, et les cartes l'ont toujours représentée ainsi.La vraie question, toutefois, est politico-juridique. Car si la Caspienne est une mer, elle relève du droit maritime international, notamment de la Convention des Nations unies sur le droit de la mer (dite de Montego Bay, 1982). Dans ce cas, chaque pays riverain aurait une zone économique exclusive et un plateau continental, avec des droits d'exploitation sur le pétrole et le gaz situés dans sa partie. Si, en revanche, on la considère comme un lac, il faut la partager selon des règles spécifiques de droit interne entre États, par des accords bilatéraux ou multilatéraux.Pendant des décennies, cette ambiguïté a provoqué des tensions diplomatiques. L'effondrement de l'URSS en 1991 a tout compliqué : de deux États riverains (URSS et Iran), on est passé à cinq. Chacun voulait défendre sa part des immenses gisements d'hydrocarbures sous le fond caspien. L'enjeu était colossal.Après des années de négociations, un compromis a été trouvé en 2018 avec la Convention d'Aktau, signée par les cinq pays. Elle a établi un statut hybride :La mer Caspienne n'est ni un océan ni un lac au sens strict.Son eau de surface est partagée comme celle d'une mer, ouverte à la navigation commune.Mais son fond marin (où se trouvent les ressources) est divisé entre les États, comme pour un lac.Ainsi, la Caspienne bénéficie d'un régime juridique sui generis, c'est-à-dire unique en son genre. Ce statut permet à chacun des pays riverains d'exploiter ses ressources tout en maintenant une souveraineté partagée sur l'ensemble. En somme, la mer Caspienne est juridiquement… un peu des deux : une mer par son nom et ses usages, un lac par sa nature, et un compromis diplomatique par nécessité. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

✈️ For Travel Quotes & Info:

Sandals Foundation Link to Support Hurricane Relief Efforts in Jamaica: https://sandalsfoundation.org/✈️ For Travel Quotes & Info:

TRENDING - Tourists in Montego Bay share harrowing stories of riding out Hurricane Melissa as windows shattered around them. Plus, an appeals court overturns a key decision in the high-profile Take Care of Maya case, FBI Director Kash Patel is accused of using a $60 million government jet for date nights, and new billboards across Florida call for the full release of Jeffrey Epstein files.

TRENDING - Tourists in Montego Bay share harrowing stories of riding out Hurricane Melissa as windows shattered around them. Plus, an appeals court overturns a key decision in the high-profile Take Care of Maya case, FBI Director Kash Patel is accused of using a $60 million government jet for date nights, and new billboards across Florida call for the full release of Jeffrey Epstein files.See omnystudio.com/listener for privacy information.

Hurricane Melissa: Concrete Kingston Spared, St. Catherine's Suffers Utter Devastation Guest: Reverend Bill Develin Reverend Bill Develin reports from Kingston, Jamaica, describing Hurricane Melissa as an "unbelievable storm" that surpasses others he has experienced. The Category 5 hurricane features incredible winds reaching 185 mph and torrential rainfall, creating a "toxic mix and meteorological disaster." Develin, located in Kingston on a hill in a concrete home, did not need to evacuate and notes that Kingston has "definitely been spared," though power has been out in his neighborhood for approximately 12 hours and half of New Kingston's business district remains in darkness. In stark contrast, St. Catherine's Parish, approximately 120 miles to the west, has experienced "utter and complete devastation." This underserved, rural, and impoverished area is largely constructed of wood structures with zinc metal roofs, making homes highly vulnerable to the storm, comparable to the poorest parts of New Orleans during previous hurricanes. St. Catherine's Parish was on a mandatory evacuation list of 25 areas; fortunately, though the state public hospital's roof was ripped off, all patients and staff had been evacuated the day before the storm. The government of Jamaica, including Prime Minister Andrew Holness and the Office of Disaster Preparedness, performed exceptionally, establishing 880 safe shelters across the island and maintaining overall preparedness. The Ministry of Transportation hopes the airport will reopen within 48 hours to allow relief flights carrying humanitarian aid from organizations like Samaritan's Purse, the International Red Cross, and the European Union Humanitarian Relief Effort. Despite these efforts, devastation across western Jamaica from May Pen to Montego Bay—where 25,000 tourists shelter—will require massive cleanup efforts lasting at least a year, constituting a "double whammy" for communities still recovering from Hurricane Barrel, which struck over a year prior with similar force. Hurricane Melissa is expected to travel north through Montego Bay, then turn obliquely eastward toward Cuba, barrel into western Haiti, pass near the Bahamas and Bermuda, and eventually dissipate into the Mid-Atlantic Ocean.

Today on America in the MorningMelissa Slams Jamaica Hurricane Melissa pulverized its way through Jamaica, making landfall south of Montego Bay, and already it is becoming clear that the powerful Category 5 storm has left behind catastrophic damage to the island's infrastructure.  Correspondent Julie Walker reports that one of those now trapped on the island of Jamaica is American tourist Christianne Box, who spoke with the Weather Channel, describing how she prepared in her hotel room for what became one of the two strongest-ever recorded hurricanes to make landfall in the Western Hemisphere.   Government Shutdown's SNAP Concerns As the government shutdown continues with no end in sight, nearly half of the nation's states are suing the Trump administration over food assistance that one-in-eight Americans depend on to survive.  Lisa Dwyer reports.   US Targets Suspected Drug Ships The United States has ramped up the campaign against suspected drug-carrying vessels, targeting four ships in the Pacific Ocean.  The details from correspondent Mike Hempen.   Court Orders On Job Cuts A judge has ruled against the Trump administration involving cuts to government jobs.  Correspondent Ed Donahue reports.   Changes At ICE The Trump administration is reassigning at least half the top leadership at Immigration and Customs Enforcement offices around the country in a major shake-up of the agency responsible for carrying out the president's vision for mass deportations.      Latest On Hurricane Melissa It will be quite a while before we know just how exactly how much destruction Hurricane Melissa brought to Jamaica, but what is clear is that one of the most powerful hurricanes that made landfall in the Western Hemisphere has caused unimaginable damage to Jamaica, and slams into Eastern Cuba today.  Correspondent Rich Johnson reports.   Government Shutdown's Blame Game Republican lawmakers are hammering Senate Democrats who once again voted down the House-passed continuing resolution that would re-open the government.  John Stolnis has the latest on the stalemate, from Washington.   Florida Execution A Florida man convicted of raping and killing his next-door neighbor was executed Tuesday evening, the state's 15th execution this year.   North Carolina Horror A tragedy unfolding in a quiet North Carolina neighborhood, where it appears a dad has killed four of his young children.  Joan Jones has the story.   More Job Losses Following Monday's news of the largest job cuts ever announced by Amazon, a number of other companies in the past week announced they are either cutting jobs or planning to.  America in the Morning's Jeff McKay reports for those losing work, the chances of finding a new one won't be easy.   Finally   Today marks the 96th anniversary of the stock market crash of 1929.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Reverend Bill Devlin Braves Category 5 Hurricane Melissa in Kingston, Jamaica Guest: Reverend Bill Devlin Host John Batchelor interviews Reverend Bill Devlin, who is in Kingston, Jamaica, facing Hurricane Melissa, described as a rare Category 5 storm. Melissa is the strongest storm on the planet this year, featuring winds of 150 mph with expected gusts up to 175 mph. The hurricane is anticipated to make landfall on Jamaica's southern coast, passing through May Pen toward Montego Bay. Devlin is sheltering on a balcony overlooking Kingston, which is experiencing torrential rains and gale winds. Despite local catastrophic flooding, Kingston appears well-prepared, as the overwhelming majority of homes are concrete structures with secured, tiled roofs. Devlin reports no catastrophic damage in the city thus far. All three Jamaican airports closed starting Sunday night, October 26, 2025, with all flights canceled until Friday, October 31st. Melissa has already caused fatalities in Haiti, Jamaica, and the Dominican Republic. The guest expresses particular concern for the middle and rural regions of the island, which are still recovering from Hurricane Barrel, which struck over a year ago. 1900 TYPHOON ON GUAM

Hyatt Zilara Rose Hall promises a luxury adults-only experience in Montego Bay, Jamaica—but does it deliver?In this YouTube bonus podcast episode, we share our real experience from a recent stay during a wedding celebration. From confusing Zilara vs Ziva boundaries and unexpected family vibes to the perks of a Globalist suite upgrade and the lifesaving Club Mobay VIP arrival service, we break down everything you need to know before you book.If you're looking for a balance of relaxation, entertainment, and real value, this deep dive will help you decide if Zilara is the right fit for your next trip.Key Highlights:Zilara vs Ziva Breakdown: Clear explanation of what's adults-only and what's notClub Mobay Tip: Why fast-track arrival is a must for Montego BayGlobalist Upgrade Experience: What we got, and how it changed the stayFood Favorites: The jerk shack is the real MVPResort Vibe Check: Party energy, family-friendly moments, and what it all means for youBooking Advice: Tips for choosing the right room, transport, and moreResources:Book Club Mobay VIP services hereHyatt Zilara Rose Hall Review blog postClub Mobay Review blog postHyatt Zilara Rose Hall Review YouTube videoBook a Free 30 minute points & miles consultationStart here to learn how to unlock nearly free travelSign up for our newsletter!BoldlyGo Travel With Points & Miles Facebook GroupConnect with DeAndre & Taryn: Instagram: BoldlyGo.worldTikTok: BoldlyGo.world Website: BoldlyGo.worldYouTube: BoldlyGoWorldYouTube: BoldlyGo.TravelsMentioned in this episode:Check out the new Smart Travel Podcast!This week's show is supported by the new Smart Travel Podcast. Travel smarter — and spend less — with help from NerdWallet. Check out Smart Travel at the Link below:Smart Travel...

In this special emergency episode of the Yes We Can Travel Podcast, host Chris Thomas, a professional travel advisor and founder of Yes We Can Travel, provides timely, factual, and compassionate updates about Hurricane Melissa and its impact on Jamaica and surrounding Caribbean islands.As the powerful Category 4 hurricane brings heavy rains, flooding, and dangerous winds to Jamaica, Chris breaks down what travelers, families, and resort staff need to know right now — with calm, clear, and accurate information drawn from official sources such as the Jamaica Meteorological Service, the Office of Disaster Preparedness and Emergency Management (ODPEM), and major resort partners.You'll hear: 

https://villasweetvilla.com/all-inclusive-villas-jamaica/Is there really a best month to visit Montego Bay? Travel experts debate whether March, November, or somewhere in between hits that perfect mix of sunshine, savings, and space to breathe.For more, visit https://villasweetvilla.com/all-inclusive-villas-jamaica/ Villa Sweet Villa City: Montego Bay Address: 40 Montrose Cresent Street Website: https://villasweetvilla.com/

Breeze Aviation CEO David Neeleman told Bloomberg's Matt Miller and Scarlet Fu that Breeze Airways is spreading its wings overseas. The US startup carrier, founded by JetBlue’s Neeleman, will launch its first international flights early next year—connecting cities like Norfolk, Charleston, and Raleigh-Durham to Cancun, Montego Bay, and Punta Cana. See omnystudio.com/listener for privacy information.

Hey Slaycaters, congratulations!  You've just won the Jamaican lottery! All you need to do to receive your winnings is pay a small fee (to cover customs charges and shipping costs). Never mind that you never entered the Jamaican lottery — you won!   Here is the untraceable way for you to send the fee…  Now obviously you're way too smart to ever fall for a scam like this — but believe it or not, hundreds of people do…including  Heidi Muth, a teacher from California.   Only, when she suspected she'd been scammed she hopped a plane to Montego Bay, Jamaica to confront the people she'd been talking to.  Bad idea.  As always, thanks for Slaycating with us, stay safe out there…and beware of obvious scams! Slaycation is Edited by Kelley Marcano It is recorded at the Brooklyn Podcasting Studio by Josh Wilcox MORE KIM!:  Subscribe to SLAYCATION PLUS and get weekly ‘More Kim' bonus episodes. SUBSCRIBE to SLAYCATION PLUS right in Apple Podcasts, or on our website: ⁠⁠https://plus.slaycation.wtf/supporters/pricing⁠⁠ SLAYCATERS ONLY:  Interact with the Hosts and get behind the scenes info, photos and more in our FACEBOOK GROUP: ⁠⁠https://www.facebook.com/groups/394778366758281⁠⁠ MERCH!  Top quality ‘Pack Your Body Bags" tote bags, as well as Slaycation T-shirts, towels, sandals, fanny packs, stickers and more available at:  ⁠⁠https://plus.slaycation.wtf/collections/all⁠⁠ MORE INFO:  to learn more about Slaycation, the Hosts go to: ⁠⁠www.slaycation.wtf⁠⁠ EMAIL:  ⁠⁠info@slaycation.wtf⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Kevin Smith seemed like your typical pastor. He was a respected member of his community in Montego Bay, preaching the Bible to hundreds of congregants each week. But he also preached conspiracy theories from his social media account. On October 17, 2021, Smith sent a message on Facebook instructing his followers to get to the church. He told them “the Flood is coming”. Members of his congregation packed their suitcases and rushed over. But when they arrived, that's when the real danger began. Three people were killed, two of them, witnesses allege, as part of a human sacrifice. This week on Crime Story, reporter Rachel Browne explains how a pastor's pandemic conspiracy theories turned a church into a cult and a crime scene.

What do you do when the man you want to be feels out of reach?

Your big & tall Best Friends are back - Honk Honk Honk ... Sounds like Bob is honking off a clown at his house - The 10 year anniversary or Mikey didn't make It - Does Bob have "cool" superman tattoo - Love Island finale Facebook comments - Dongs Dongs Dongs Dongs... Represent us proud Oneil Cruz - Rochester Wildcat news story is an all - timer - Airport sweaty crotch - Backstreet Boys at the Sphere - Drake brought out Vanessa Carlton - The Steel Curtain at Kennywood is down again... Flying foam... We read the Facebook comments - Send us talkback message... Listen on iHeartRadio click the little mic and leave us a messageSee omnystudio.com/listener for privacy information.

0:00 - Intro0:08 - NCB Capital Markets and Sagicor Investments have both adjusted their recommendation for Tropical Battery's secondary offer.1:00 - Flights between Kingston and Montego Bay are set to return on July 11. According to Sangster International Airport, regional airline LIAT will use the airport as its base and operate three flights weekly. 1:30 - Several business organisations have welcomed the government's announcement that it plans to end its existing licence with JPS once it expires in 2027.2:12 - The United States' newly signed budget includes some major changes that will directly affect Caribbean nationals.2:56 - France has hit fast-fashion giant Shein with a 40 million euro fine. The fine comes after a year-long investigation that found the online retailer guilty of deceptive commercial practices.

Josie tells Taylor about Annie Palmer, the legendary murderous vodou matron whose ghost is said to haunt her Montego Bay plantation—and how her story wrestles with the true spectre of slavery in Jamaica. Plus: learn about Lapu-Lapu, the hero of Philippine resistance who crushed Ferdinand Magellan's dreams of circumnavigating the globe.

Épisode 1. Ces trésors de la mer qu'on voit danser. Notre voyage commence au cœur des abysses, là où les scientifiques étudient et cartographient les trésors marins à des milliers de kilomètres des tables de négociation. Car toute politique de préservation commence par une question simple : que cherche-t-on concrètement à protéger ?  En 2025, l'océan reste largement inconnu : moins d'un quart de ses profondeurs sont cartographiées, et à peine 5 % véritablement explorées. Les premières découvertes éveillent déjà les convoitises, mais sans cadre clair, leur exploitation pourrait menacer des écosystèmes encore méconnus et fragiles. Plongez dans le récit de ceux qui ont arpenté les grands fonds, où chaque découverte réinvente ce que l'on croyait savoir sur le vivant.  Avec : Pierre-Antoine Dessandier, océanographe à l'Institut français de recherche pour l'exploitation de la mer (Ifremer), chef de la mission Eden ; Sébastien Ybert, coordinateur « France 2030 Grands fonds marins » à l'Ifremer ; Françoise Gaill, océanographe, conseillère scientifique au CNRS et vice-présidente de la Plateforme Océan & Climat ; Marina Lévy, océanographe, directrice de recherche au CNRS, conseillère Océan auprès de l'IRD (Institut de recherche pour le développement).   PRÉCISION: du discours d'Arvid Pardo, il n'existe qu'une archive écrite, aussi dans cet épisode, la lecture du texte a été réalisée à l'aide du logiciel d'intelligence artificielle, Eleven Labs   ARCHIVES & EXTRAITS : bandes-annonces des films « 20 000 lieux sous les mers » (1955) et « The Abyss » (1989) ; lecture du discours d'Arvid Pardo ; enregistrements réalisés par l'Ifremer sur l'Atalante lors de la mission Eden de novembre 2024 à janvier 2025 ;    POUR ALLER PLUS LOIN : Mission Eden : explorez les grands fonds à travers un retour en images de la mission Eden commenté par Pierre-Antoine Dessandier Discours d'Arvid Pardo aux Nations Unies : découvrez l'intégralité de son appel visionnaire, lancé en 1967, pour faire de l'océan un bien commun de l'humanité (en anglais uniquement). La Convention de Montego Bay : feuilletez cet accord historique, adopté en 1982, qui a posé les bases de la gouvernance internationale des océans    CRÉDITS : Voix, écriture, production et réalisation : Diane Jean Illustrations et identité visuelle : Julie Feydel Édition et aide à la production : Mariane Schlegel Communication : Kaled Maddi et Matthias Lugoy  Direction de production : Julie Godefroy Musique : Tripman, 2050 ; Levitator, Tamuz Dekel ; DKNW, sunwo0o ; March the Machine, Flint ; Deep Water, Adi Goldstein ; Everlasting flower, DaniHaDani ; 1983, Angel Salazar (Artlist) ------ À PROPOS : « Qui gouverne l'océan ? » est une série du podcast Sources diplomatiques. Réalisé par le ministère de l'Europe et des Affaires étrangères, ce podcast vous propose des documentaires, décryptages, récits intimes et conversations pour plonger dans les coulisses de la diplomatie française et comprendre les grands enjeux internationaux. Sources diplomatiques est à retrouver sur toutes les applications d'écoutes et de streaming audio.

Phil Kitchen is the Founder & Managing Director of Customer Contact Panel. He is based in Sheffield, UK. He recently attended the Outsource 2 Jamaica conference in Montego Bay, Jamaica. Peter Ryan caught up with him to discuss what Jamaica is offering to potential clients in locations such as the UK - outside their more traditional US nearshore market. https://www.linkedin.com/in/phil-kitchen-ccp/ https://customercontactpanel.com/ Phil's LinkedIn comments on Outsource2Jamaica 2025 https://www.linkedin.com/posts/phil-kitchen-ccp_outsource2jamaica-bpo-cx-activity-7318574026124058624-yQZd

Rose Hudson-Wilkin is the Church of England's first black woman bishop. Overcoming challenging beginnings in Jamaica and discrimination in the UK, she became one of the first women to be ordained priest in the Church of England, going on to be the first black female priest to be Chaplain both to the Queen and the Speaker of the House of Commons. She will reflect on ‘a wonderful life and a wonderful God'. Bishop Rose Hudson-Wilkin is the Bishop of Dover. Appointed MBE for services to young people and the church in 2020, her autobiography 'The Girl from Montego Bay' is published in 2025.

Originally Uploaded January 29th, reloaded March 29th For Media Business Episode 83: Tony Conley has a three-part conversation with Nicole Noll-Williams, the President and CEO of the Capital Region Airport Authority. In their conversation Tony covered several topics with Nicole: -Breeze Airways, American, Delta Apple Vacation flights. -TSA Pre-Check Enrollment -The next Aviation Technology Graduation Class -2025 new flying rules & regulations -Winter & Spring Travel Tips -New airport news Nicole brings over 25 years of experience in the aviation industry to her leadership role at CRAA, with a background that includes air service development, airline management, and contract management. She also served nearly three years as the Mid-Michigan Regional Director for U.S. Senator Gary C. Peters. In her previous role with the Airport Authority, she was the Director of Marketing and Passenger Development, where she spearheaded development, marketing, advertising, and public relations efforts. Her initiatives were instrumental in establishing direct flights to Washington D.C. and international destinations, including Cancun and Puerto Vallarta, Mexico, Punta Cana, Dominican Republic, and Montego Bay, Jamaica. Quick recap Tony and Nicole discussed various travel-related topics, including the addition of Breeze Airways and increased service by American Airlines, as well as the importance of the Real ID for air travel. They also touched on ongoing projects at the Lansing airport, including a road project, terminal redesign, and master plan for the airport's land, as well as a partnership with Beta Technologies for electric aircraft charging units. Lastly, they shared their experience with an electric plane simulator and discussed the potential benefits of electric aviation, with Nicole expressing her excitement about the Faa Reauthorization bill. • Nicole to schedule TSA precheck enrollment events for late spring and fall. • Airport authority to implement Real ID enforcement starting May 7, 2025. Travel Updates and TSA Requirements Tony and Nicole discussed various topics related to travel and the Lansing airport. They highlighted the addition of Breeze Airways, offering non-stop flights to Orlando and Fort Myers, and the upcoming flights to Cancun, Punta Cana, and Montego Bay by Apple Vacations. Lansing Airport Projects and Electric Planes Nicole discussed several ongoing projects at the Lansing airport, including a road project, a terminal redesign, and a master plan for the airport's 2,000 acres of land. She also mentioned the airport's partnership with Beta Technologies for the development of electric aircraft charging units, which will be installed at four Michigan airports, including Lansing. Electric Plane Simulator and Travel Tips Tony and Nicole discussed their experience with an electric plane simulator, highlighting its quiet operation and potential benefits for aviation. Nicole emphasized the importance of giving oneself extra time during winter and spring travel due to potential weather conditions and the need to check in online for baggage. Thank you to Benjamin Robinson and Motor City Skyline's music » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

Artists know how much of a grind it is to be an artist. So when we see artists exploring and evolving like today's guest Shanneil Clarke we can appreciate the amount of effort that goes into it. Shanneil is out in these art streets, doing shows and building an audience with paintings featuring his unique Black figures. We talk about the essence of his style, the neck pieces, the gold, etc. and the inspiration behind his work. Shanneil talks about his Jamaican roots, how he vibes with collectors and the collab project he did recently with your boy, JBarber. Great incite into a young artist you can get follow on his journey. Right here on the Noize! Listen, subscribe, and share!Episode 198 topics include:grinding in the art streetssymbolism of hairbreaking down Shanneil's style: neck pieces, gold, backgroundslife experiences living in Jamaicainfluence of Black cartoon characters in Shanneil's artcollaborative prints with JBarberexploring materialsconnecting with collectorsShanneil Clarke artist statement:Art has always been my ultimate form of self-expression, a passion that has fueled me throughout my life. Born in Montego Bay, Jamaica, I spent my youth there before migrating to Pennsylvania in 2000. It was in the vibrant artistic environment of Philadelphia that I found inspiration in street art and historical murals. My art journey began during my time at Springfield High School, where I explored multiple mediums and discovered the joy of creating through various projects. After a brief hiatus, I rediscovered my love for art in 2008, particularly using oil-based medium, which reignited my creative energy. Each body of my work draws inspiration from both history and everyday experiences, crafted to evoke subjective interpretations in the viewer. I firmly believe that art is universal and shaped by each individual's life journey. As an introspective figurative artist, I incorporate natural motifs and floral fabric patterns to express communication and determination in the figures' pursuit of a better life. Each stroke of paint exudes boldness, confidence, and strength, aiming to inspire those who encounter my art. I draw inspiration from a multitude of artists, including Dali, Kevin Williams, Charly Palmer, David Hockney, Basquiat, and Amy Sherald, while also embracing techniques from different eras, like gold leaf and textures. Since moving to Atlanta, Georgia, in 2018, I have become actively engaged in the local art community, showcasing my work in various galleries, such as Mint Gallery and Future Dead Artist Gallery. Notably, in 2022, I was featured in an Exhibition sponsored by Amazon Prime during Art Basel Miami. My ultimate goal is to touch hearts and minds with my art, leaving a lasting positive impression on fellow art enthusiasts and inspiring others to express their own passion and creativity. See more: Shanneil Clarke IG @artbys.clarkeFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Support our channel & Become a Partner ⇨  https://www.missiondelafe.org/   Listen on Podcast Spotify Podcast ⇨ https://spoti.fi/3RBKdq3Apple Podcast ⇨ https://apple.co/3evzCuuConnect with ushttps://www.facebook.com/delafetestimonieshttps://www.instagram.com/delafetestimonies/Connect with EJ: Facebook ⇨ https://www.facebook.com/elauristonYouTube ⇨ https://www.youtube.com/@ReverendThunderInstagram ⇨ https://www.instagram.com/reverendthunder2023/Books on Amazon:- Hiding in Plain Sight: The False Doctrines of Seventh-day Adventism Vol. 1: https://a.co/d/aj6GQjN- Hiding in Plain Sight: The False Doctrines of Seventh-day Adventism Vol. 2: https://a.co/d/bfiOF02- Hiding in Plain Sight: The False Doctrines of Seventh-day Adventism Vol. 3: https://a.co/d/fPNwYJd- Adventism Made Easy: Beliefs and Teachings of Seventh-day Adventists:https://a.co/d/atQwl8M- The Sabbath: What You Need To Know: https://a.co/d/hR2vz8YCredits:Testimony by Elcé Junior LauristonDirected by Eric Villatoro Interviewed by Eric VillatoroEdited By Joshua GayleAudio Mixed by Paul Nicholas Testimony Recorded in Montego Bay, JamaicaDelafé Testimonies is a global evangelistic project with the mission of creating the world's largest archive of Jesus testimonies until His return. Our vision is to save souls, build community, and set people free through the testimony of Jesus.Chapters00:00 Introduction and Growing Up in Haiti02:30 Joining My Family in the Bahamas06:40 Embracing Hip-Hop Culture, Following the Wrong Crowd10:00 Emptiness, Depression and Suicidal Thoughts12:25 Making a New Friend17:46 Going to Church, Starting to Read the Bible 22:19 Giving My Life to Jesus, Diving Deeper into the Bible 25:30 Diving into Church and Ministry28:09 Getting Enrolled in an Adventist University in Jamaica30:58 Becoming an Evangelist for the SDA Church34:53 Realizing the Faulty Doctrines of the SDA Church 40:37 Seventh Day Adventism vs Christianity50:10 Being Unsure of My Salvation as an SDA Evangelist53:18 Viewing Scripture Through Ellen White's Writings57:36 Leaving Everything Behind to Follow Jesus1:03:50 Feeling the Nearness of Jesus in the Midst of Persecution1:08:41 Why Speak Out Against Adventism1:17:44 Seeing God's Hand in How He Has Used My Gifts1:19:52 Is Seventh Day Adventism Preaching a False Gospel?1:22:37 Who is Jesus To You?1:26:40 Prayer1:29:55 Final WordsFORMER SEVENTH-DAY ADVENTIST LEADER SPEAKS OUT!

This week on the podcast, we share details about our port activities in Montego Bay, Jamaica, Amber Cove in the Dominican Republic, Grand Turk, Half Moon Cay and Nassau Bahamas. Download our shore day bag checklist and more cruise packing and planning checklists & videos by joining the CruiseTipsTV Academy at https://academy.cruisetipstv.com

Become a channel member: https://www.youtube.com/channel/UCELCl88w2kYtsRFeqD0nB9w/joinInstagram: https://www.instagram.com/throp/https://www.thropmedia.comThis session, presented by Mr. Bryson, Senior Director at the Airport Authority of Jamaica, was recorded live during the Throp-X 2024 Jamaica Investment Conference. If you're curious about Jamaica's future, tourism growth, and the transformative potential of this new airport, this is a must-watch!0:00 - Intro4:05 - Montego Bay's Growth Limitations6:10 - Feasibility Studies: Can the Current Aerodrome Work?8:29 - Little London Chosen as the Airport Site10:15 - Economic Growth and Job Creation Opportunities13:05 - Stakeholder Engagement and Local Concerns15:50 - Public-Private Partnership: A Proven Model20:24 - Construction Timeline: What to Expect26:50 - Vision for Negril's Future: Community and DevelopmentPower Point Presentation: https://forms.gle/xCCcPA4DZaSnCbJ58In this special presentation, we take an in-depth look at the proposed Negril International Airport, a monumental development poised to transform travel, tourism, and economic opportunities in western Jamaica.

Dive into the vibrant world of reggae with the Rebel Rockers podcast hosted by Native Wayne, featuring Roger Steffens, the world's leading authority on reggae and Bob Marley. With over 50 years of expertise, Steffens shares his unparalleled archive of reggae history, his personal encounters with Bob Marley, and his extensive global lectures on reggae's cultural impact. This episode unveils his plans to establish a permanent reggae museum in Montego Bay, Jamaica, and explores reggae's profound influence through rare stories and anecdotes. Tune in for an insider's perspective on reggae's legacy, its roots, and its evolution into a global movement. Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy New Year and Happy MLK Day, everyone! Join us for the first show of 2025, broadcasting live from the breathtaking Half Moon Resort in Montego Bay, Jamaica! In this episode, Trump prepares to take over America. The Bulldogs suffer a tough loss in the college football playoffs, while Armondi predicts the winner of the championship game in Atlanta. The guys preview their favorite comedy as it enters its final season on Netflix, and there's much more in store... guaranteed! Reggie and Armondi are back at it in 2025 for the New Year's Edition of Boomer and the Millennial. Don't miss out, and be sure to check out our website at boomerandthemillennial.com for archived programs and all the latest updates.  

„Das Onboarding für den Flug nach Montego Bay kann jetzt beginnen“, hieß es in der Durchsage. Ich war als Sprecher und Leiter einer Highschool-Gruppe auf einer Missionsreise nach Jamaika unterwegs. Ich griff in meinen Rucksack, um meine Bordkarte und meinen Reisepass rauszuholen – und geriet in Panik. Mein Pass war weg!

“We’re ready to board our flight to Montego Bay,” came the announcement. I was traveling as a speaker for and leader of a high school group on a missions trip to Jamaica. I reached into my backpack for my boarding pass and passport—and panic hit. My passport was gone! Our group boarded the plane without me, and I faced four days of frantic efforts trying to get a new passport. After hundreds of phone calls, a fruitless trip to Washington DC, a long drive back to Grand Rapids, Michigan, two days in a nearby city, and the help of our local congresswoman’s office—I finally got a new passport and could join my group in Jamaica. A passport. A simple little book—but my only guarantee to where I wanted to go. As hard as I worked to get that new document, its value pales in comparison to something that will determine our eternal destination: faith in Jesus, which is the only guarantee of receiving salvation from our sins and new life in Him. Scripture says, “Now is the day of salvation” (2 Corinthians 6:2). Paul was describing the reality that the dawn of salvation arrived in Christ. By belief in Him, we can experience God’s love and His redemptive, restoring work in all creation. Today, let’s make sure that we truly know what it means to “be made right with God through Christ” (5:21 nlt).

The Right Reverend Rose Hudson-Wilkin, the Bishop of Dover, is a trailblazer, who has been right at the heart of a changing nation for over 40 years. Despite discrimination due to her gender and ethnic minority background, Bishop Rose has never wavered from the call she received to enter ministry at the age of 14. She joined Nuala McGovern to discuss her memoir, The Girl from Montego Bay.A Royal College of Nursing report, On the Frontline of the UK's Corridor Care Crisis, which came out this week, found that the situation in A&E is the worst it has ever been and that a lack of hospital beds means corridor care has been "normalised". One nurse described caring for a 95-year-old woman dying with dementia who had spent eight hours lying on a trolley in a crowded corridor next to a drunk person who was vomiting and being abusive. Others describe women having a miscarriage in side rooms. Professor Nicola Ranger, Chief Executive of the Royal College of Nursing joined Anita Rani to discuss what is going on.Holly Bourne, bestselling author of How Do You Like Me Now? and the Spinster Club series, is back with So Thrilled For You, her most personal novel yet. It's a story about four friends navigating motherhood, career ambition, and societal pressures, all unfolding during a sweltering summer's day at a baby shower. Holly joined Nuala and explained what inspired this book. Can AI improve the success rates of women undergoing fertility treatment? Anita discusses the impact of AI on IVF with Dr Cristina Hickman, an embryologist, co-founder of Avenues, and Chair of the Global AI Fertility Society, and Dr Ali Abbara, a Clinician Scientist at Imperial College London, and Consultant in Reproductive Endocrinology at Imperial College Healthcare NHS Trust.Hermine Braunsteiner was the first person to be extradited from the US for Nazi war crimes. She was one of a few thousand women who had worked as a concentration camp guard and was nicknamed ‘the Mare' by prisoners because of her cruelty; she kicked people to death. In 1964, Hermine's past was unknown: She was living a quiet existence as an adoring suburban housewife in Queens, New York when she was tracked down by a reporter from The New York Times who exposed her past. Angharad Hampshire, a Research Fellow at York St John University, joined Nuala to talk about The Mare, her novel based on Hermine's life.The all-female, Welsh-language, post-punk trio Adwaith are the only band to have won the Welsh Music Prize twice, for their first two albums. They are about to release their third album, Solas, all about returning to their hometown in Carmarthen. Band members Hollie Singer, Gwenedd Owen and Gwen Anthony performed live in the studio. Presenter: Anita Rani Producer: Annette Wells Editor: Rebecca Myatt

The Right Reverend Rose Hudson-Wilkin is the Bishop of Dover and the Bishop in Canterbury - Britain's first black woman bishop. She's a trailblazer, who has been right at the heart of a changing nation for over 40 years. Despite discrimination due to her gender and ethnic minority background, Bishop Rose has never wavered from the call she received to enter ministry at the age of 14. She joins Nuala McGovern to discuss her memoir, The Girl from Montego Bay.The fast-fashion company Shein, whose customers in the UK are 80% women, may be listing on the London Stock Exchange soon. But questions remain over the company's supply chain and work practices amid allegations of forced labour and human rights abuses. Nuala speaks to sustainable fashion consultant Natalie Binns and Head of Money and Markets at Hargreaves Lansdown Susannah Streeter. We asked Shein for a comment, but they said they didn't want to provide a statement.Zoe Kornberg is a trainee doctor in Texas who says she left her obstetrician and gynaecology training programme because she felt that, under the strict abortion laws, she wasn't able to care for her patients safely. Nuala and reporter Melanie Abbott speak to women on both sides of the abortion debate in the US, as well as hearing from Zoe herself. If you've walked through Pounds Park in Sheffield recently, you might have seen a 25m-tall heron...it's a colourful mural by street artist Megan Russell, also known as Peachzz, who has been nominated for Street Art Cities' best mural in the world 2024. Megan joins Nuala to tell us more.Presenter: Nuala McGovern Producer: Lottie Garton

Writer and poet Safiya Sinclair describes her childhood growing up in a Rasta family in Montego Bay, Jamaica. In this live conversation, Kate and Safiya explore what it is like growing up in more fundamental families, with worldviews we didn't get to pick, and how—through it all—we become ourselves…somehow.  In this conversation, Kate and Safiya discuss: The intertwining of personal and national history The power of poetry as a means of self-discovery and resistance How Safiya broke free from familial and societal expectations If you liked this conversation, you'll also love:  Tara Westover on navigating complicated families Minka Kelly on learning to love your parents for who they are Support Guide for When Families are Complicated   Watch clips from this conversation, read the full transcript, and access discussion questions by clicking here or visiting katebowler.com/podcasts. Follow Kate on Instagram, Facebook, or X (formerly known as Twitter)—@katecbowler. Links to social pages and more available at linktr.ee/katecbowler.See omnystudio.com/listener for privacy information.

In this milestone 100th episode of the Surf Mastery Podcast, host Michael Frampton welcomes back the stylish surfer Devon Howard. Broadcasting from the Channel Islands office in Santa Barbara, Devon shares his insights on the elusive concept of style in surfing. The episode delves into the historical evolution of style, its significance in competitive surfing, and the subjective nature of defining style.Devon emphasizes the importance of making difficult maneuvers look effortless and how personal demeanor often mirrors one's surfing style. He contrasts the stylistic approaches of surfers like Joel Parkinson and Kelly Slater with the more explosive style of Adriano de Souza. Listeners are encouraged to focus on form over presentation, maintain a relaxed and efficient approach, and view style as a natural extension of personal expression.Episode Highlights:Introduction to Devon Howard: Recap of Devon's previous appearances on episodes 41, 77, and 86.Importance of Style in Surfing: Exploring the subjective nature of style and its impact on surfing performance and aesthetics.Origins of the Word 'Style': Michael provides a brief etymology of the word 'style' and its various meanings throughout history.Cultural Influence on Style: How different surf cultures and eras emphasize or de-emphasize style.Effortless Style: The concept of making difficult maneuvers look easy and the importance of being relaxed and calm.Influence of Personality on Style: How a surfer's personality often reflects in their surfing style.Contrived vs. Natural Style: The difference between genuinely stylish surfing and trying too hard to look stylish.Technical Aspects of Style: Tips for improving style through form, patience, and not rushing maneuvers.Style in Tube Riding: The inherent style in good tube riding and how it relates to other surfing maneuvers.Practical Advice: Devon's practical advice for surfers aiming to improve their style.Key Quotes:Devon Howard: “Style is oftentimes making the difficult look easy.”Michael Frampton: “You can be quick without being rushed.”Devon Howard: “Don't try to contrive it. Don't rush your surfing.”Follow Devon Howard Check out Devon's surfing and updates on his Instagram.Devon_howardLinkedin : https://www.linkedin.com/in/devon-howard-a4b2a613/.Connect with Surf Mastery:Surf Mastery Website: Download the free PDF with the top five tips from the Surf Mastery Podcast at surfmastery.com. Instagram: Surf MasteryFull Show Transcript:Devon Howard: When I. When I often think about style, there's always like there's two camps. There's the people that get it and and style is usually it's like you know it when you see it. I said, how do you know that something's pornographic versus art or beauty? And a lot of times the answer is, well, you know, when you see it, you know, something is gross or smut as opposed to art. Michael Frampton: Welcome back to the Surf Mastery Podcast. I am your host, Michael Frampton, and this is episode 100 of the podcast. A little bit of a milestone. Special guest for this episode. And we've also revamped the website Surf Mastery. Com and on the front page of that website is a free PDF listing the top five tips from the Surf Mastery Podcast. So go to Surf mastery.com and you can download that PDF for free. Today's guest. Well, I was looking back through all the stats on this podcast and the the most downloaded episodes have been from Devon Howard, so it made sense to have him on episode 100. And so you can go back and listen to. He first appeared on the show, uh, episode 41, discussing longboarding and nose riding. Then it was back in, uh, episode 77 zero. Uh, we talked about Mid-lengths in episode 86. It was Twin fins. And today in episode 100, Devin Howard joins us again to discuss style. Style is something that is in it's fundamental. It's paramount for every type of surfing that is done, from traditional longboarding all the way through to high performance, short boarding. All of the greats, all of the most memorable surfers have good style. They are stylish. From Joel Tudor in traditional longboarding through to Joel Parkinson as a high performance, competitive short boarder Tom Curren. Uh, mid lengths and twin fins. You got Torin Martin. Michael Frampton: And of course, Devon Howard himself is a very stylish surfer. He's very smooth, very graceful on a longboard, on a mid length and a twin fin. We've even seen some footage of him riding, uh, three thrusters out there on his Instagram. And his style, his technique, his gracefulness runs throughout his surfing. So a perfect topic for us to discuss in episode 100, so I would love to hear your feedback on the show in general. Last 100 episodes and of course this episode. Go ahead, send us an email Mike at Surf mastery.com. Or you can DM me on Instagram or leave a comment under the, uh, the visual for this episode. And of course, support Devin Howard, give his Instagram a follow. And of course, he's, uh, joining us from the Channel Islands office in Santa Barbara. Uh, Devin is currently working with Channel Islands, are working on some new surfboard models as well as he's you know, some of the most popular boards recently have been he's been a part of. So without further adieu, I shall fade in my conversation with Devon Howard. I actually see a lot of agreement between Brett and Chaz on this subject. Yeah, yeah, because there are there are thing right that you go to a Grateful Dead concert and you experience the show and the vibe, you don't really listen to them on Spotify. Devon Howard: Yeah. It's it's something to be enjoyed live. Michael Frampton: Yeah. There's a certain style and vibe to them I think that come across differently in person than it does. And also the audience they sort of draw in. Yeah. Rather to the music on Spotify right there. Devon Howard: There are two bands that I think are better live as well, which I think Radiohead is better live. I like Radiohead, I think a lot of their albums are great. I've been to a few of their shows that I think, no, this is 10 or 15 years ago. I don't know if that's still the case, but at the time when they were really peaking, they were insane live. And then I also saw James Brown live. Oh, wow. 25 years ago. And that was incredible. Mhm. I mean what a showman. Michael Frampton: Yes. Yeah I can imagine I mean there's the Radiohead live from the basement. Um unbelievable. Like gives you I can't remember what album it's they play in full from their studio basement studio and just makes you appreciate them on a whole nother level. Yeah. Just just by watching that on YouTube, not even being there. Well, yeah. Um, I remember seeing a gentleman called AMP Fiddler, another one of the best live acts I ever saw. Um, gave me a new appreciation of his music. He's sort of new, new age funk slash reggae. Um. Interesting music. Yeah. Catch a fire. Catch a fire. They're doing a tour through California at the moment. There are another unbelievable band live. Their live performance and sound is bigger than their their studio albums. I think they actually New Zealand band. You get a chance to see them. They often play in Santa Barbara. I forget the venue names, like a 500 capacity venue in Santa Barbara. They always play there. Devon Howard: Is that the ball? I'm not sure. Michael Frampton: Can't remember. Devon Howard: Anyway, a lot of venues there, but yeah. Michael Frampton: Style. Let's talk about style. Do you? Yeah. What would what do you know the origin of the word. Devon Howard: Um, I don't, but I'd imagine. Uh. Well, I hope you did some research on it. Is it, um, the Latin word is it is it is it Greek? Is it? Where does it come from? Michael Frampton: Let me sort of summarize from etymology online from the early 14th century started out as a writing instrument, pen or stylus, uh, a piece of a piece of written discourse or narrative, uh, characteristic. Characteristic, uh, rhetorical mode of an author, a manner or mode of expression. Uh, a way of life behavior. Uh, then the word sort of transformed, uh, the evolution of the word uh, from writing tool went into writing into manner of writing, into mode of expression, uh, in writing of a particular writer, writer or author. Um, and then it was in the 1500s. It was paired with the word substance, um, which basically meant back then, divine part of essence, sorry, divine part or essence, uh, and that, sort of, that sort of gave the word, uh, a deeper meaning, including finer parents or dashing character. Um, then it was the word then went into an artist's particular mode or form of skilled presentation that was later extended into athletics. Um, then by the 1800s it was distinctive or characteristic mode of dress. Obviously it was more in regards to fashion. Um, and so there's a, there's a little bit of a history of the word. So I think there's a lot of lot of depth to that. And it's certainly, um, it's very, uh, apt for, for surfing. A lot of those meanings, I think. Yes. Had tell me what you think about style and how important it is. Devon Howard: Well, style is um, from my personal experience growing up, it was a, it was a measure of good surfing and, um, it was a marker of, like, one's own presentation of their expression of surfing. Uh, I don't want to cheapen it by, I guess, using the word brand, like your brand of surfing, but, um, everyone has their own form of expression, and style is. Oftentimes I see style as making the difficult look easy and my own belief in, you know, just absorbing what was around me when I was a kid. You know, we're humans. We we sort of mimic and and imitate what's around us. I haven't innovated anything really at all. I've just looked what's around. And you take bits and pieces of first. You take it from your parents, of course. And then as you get out in the world, it's like what's going on around you. And in San Diego, where I grew up. And I think this was the same in many other served cities in not only the US but the world. Um, in the 80s, the older surfers, 10 to 20 years or year older than you, where style focused as opposed to this idea of, um, ripping or tearing something apart and in doing it with reckless abandon. Um, that was something that started getting more popular as I was a kid. So I was sort of born into this era where one thing was kind of falling out of favor. Um, and this other form of surfing was gaining popularity. And, uh, sorry, that was kind of a muddled answer, but it's it's I think it's one of the most difficult subjects in surfing to discuss or to describe because it's so subjective. Um, and it comes with the word style, comes with a lot of different ideas to people ranging from beauty to something that's very contrived and nonfunctional. Michael Frampton: Yeah. I mean, has the word style itself has, as you sort of addressed, has a lot of meanings, like everyone has their own unique style, you could say, but that doesn't necessarily mean that they are stylish. So when we think of when we think of stylish surfers, we do. We think of beauty and grace and flow. Um, so and I think it is related to, to that and it's related to efficiency, right? I mean, Rob Machado comes to mind. I think he's sort of an incredibly stylish surfer, but he's also fits in that modern category. Category of radical. Yeah, he encompasses both. And I mean, world champ Joel Parkinson obviously fit the criteria of of competition surfing but remained incredibly smooth and stylish. Devon Howard: Yeah. Well, um, you know, I think depending who where you grew up and what culture you came from or grew up in, um, style could also just not be that important. You know, if, if surfing to to you or just to any individual is about, um, really pushing as hard as they can with maneuvers and being as radical as they can and, you know, tearing apart a wave of, you know, like you think of the Brazilian storm. Guys there for years have been, you know, they're well deserved. They're incredible athletes. They are highly athletic. And it is explosive maneuvers. And they're acrobats in many ways. Um, for some reason, as that game has gained popularity, some aspects of the presentation and sort of fall into the wayside where, uh, in gymnastics, um, presentation and form is still really part of the whole thing was never really let like if you do a floor routine in gymnastics, um, or let's say dance or anything like that, they're doing really kind of athletic, powerful moves, but they also keep the form and I don't know quite the exact reason, but, uh, that sort of started falling out of favor in surfing, mostly because what drives our conversations oftentimes revolves around competition. Surfing, um, like competition surfing drives a lot of the media narratives, um, let's say, who are like, where do we get our information from? It's driven by the cell to, to whatever extent that is, stab in their audience. Devon Howard: Um, surf line kind of, sort of. But they're more focused on cameras and whatnot. And then the most of the magazines have gone out of business. But only ten years ago, a lot of the stories were driven by the the personalities and the folks that competed. And there was a mixed bag in there of surfers that had great style, like Joel Parkinson. He mentioned, um, I would say Kelly Slater has a good style. It's a different style. It's his own. Um, and then on the opposite end of that would be like an Adriano de Souza or somebody like that, where he's clearly just incredibly talented, but sort of putting his surfing together and like one seamless, fluid motion was not a focus of his. And so, um, it's been interesting to watch and the broader conversations of the mainstream, how that sort of played out, uh, in back to where I grew up. I grew up on the fringe of all that. Anyways, so I was riding longboards in the 80s and 90s that was as fringe as it got. And in that world, all through that time, um, style was still important, even when folks were trying to emulate Shortboard maneuvers on longboards, there was still an emphasis of style. Um, sorry. I'll shut up. I don't know where I'm going with that, but yeah. Michael Frampton: So I'm just wondering when you look at, I mean, I think that you mentioned the Brazilian storm. I think Gabriel Medina is quite stylish. Not all the time, but probably actually more so when you see him. Freeserve he sort of. He just seems to be more relaxed when he's not surfing in a competition. And I think that's maybe what separates the I think that's a big part of being stylish is you're very calm and you're relaxed. That doesn't necessarily mean you're going slower or that you're even putting less effort in. It's just maybe you referenced gymnastics. I think a gymnast could do the same routine. They get the same height, the same amount of power. But if one of their runs, they were purposely trying to keep the presentation of themselves relaxed and calm, it would be more visually appealing. Sort of making it look, look easy. Devon Howard: Yeah. That's the that's the thing. Making it difficult look easy. Mhm. In the 60s or 50s or whatever the boards weren't very maneuverable. So um clearly the market did. Surfing was just people who were stylish and could kind of keep it together. Um, hang on one second. Um, are you hearing a beeping on your end? What? I'm getting messages. Yeah. Michael Frampton: Is that your phone? Devon Howard: Yeah. I don't know how to turn off the iMessage on my, uh. Oh, it's on the computer. I'm trying to see how to undo this. Is this on. Michael Frampton: Your phone, a phone or your laptop or your iPad? Devon Howard: It's on my laptop. Oh, sorry. You're going to have to edit this out. That's all right. I'm just getting, like, every one of them. Don't fuck me up. The client. Claudia, um, do you have any idea how to get rid of iMessage off here? Preferences services? Michael Frampton: That's a good question. I don't I don't have my, um, I don't have my laptop linked to my phone, so. Yeah. Devon Howard: Don't do it. References. Let's say. Michael Frampton: I'd say I'd be under notifications, notifications and focus is like a bell symbol. Devon Howard: On, uh, on the computer itself or on the phone. Michael Frampton: I'm looking on my laptop. Devon Howard: Where did you find the notifications in System Preferences? Michael Frampton: Okay. Devon Howard: System preferences notifications. There they are. Look at that. Michael Frampton: And top top right there's a there's a button. Allow notifications so you can turn that off or on I'd say that's it. Devon Howard: Only five messages? There we go. Okay, I want to turn that off. Okay. Apologies for that. Okay. So, um. All right. Michael Frampton: So where were we? Let me throw out some some adjectives that I wrote down after thinking about style a little bit. Um, efficient. Graceful. Functional. Calm. Focused. Relaxed. Grounded. Present. Fearless. Or maybe, better put, courageous. Is there anything you would add to that or you think shouldn't be there? Devon Howard: Uh, no. I just think it's more about a calm and a gracefulness. It's mostly what it is. And it's just a it's just the form of your personal expression. I think a lot of the style, you'll see style of folks from a distance, and a lot of ways it matches up to their personality. Right? You'll see someone who's quite busy, a lot of a lot of kinetic, sort of frantic, uh, motions and, and not always the case, but sometimes, like, okay, this person's a little overcaffeinated in general, you know, they're really mellow, kind of quiet. People have this very quiet. Always meet a really quiet surfer with their style, and they're really loud and and obnoxious. There's exceptions to the rule, but if you think about it quickly, there's not often the case. And so, um, I think a lot of those adjectives actually work pretty well. Um, I don't what did you say? Courageous. Michael Frampton: Yeah. Devon Howard: I don't really know that that applies to it. Really. I don't think it's really much to do with courage other than. Well, I was. Michael Frampton: Thinking that I was just wondering if that was a better word than fearless. Devon Howard: Mhm. Michael Frampton: Because if you, if you look, if you look scared, that's not very stylish is it. Devon Howard: No, no it's very your tent style. And yeah I've said to people I don't do surf coaching, but if I've ever seen someone in the water and looks like they're struggling, if it's appropriate or sort of convenient, like they're just sort of right there. I'll say, do you do you mind if I offer some advice? It's usually well received. Um, a lot of times I've said, I think you just relax a little bit. Your body's too tense. Looks bad, but it also screws up the your ability to surf because now it's affected the form. Like you're sort of hunched over and bracing for, like, some sort of impact where you need to be more relaxed. The arms need to be relaxed, the shoulders should be relaxed. Surely you should be able to sort of slink back and into your knees and your hips and let those kind of bend and sort of sit into the board nicely. And so I think, um, what I, what I often think about style, there's always like there's two camps as the people that get it and, and style is usually it's like you know it when you see it. I said, how do you know that something's pornographic versus art or beauty? And the a lot of times the answer is, well, you know, when you see it, you know, something is gross or smut as opposed to art. Devon Howard: Like you go into an art gallery and there's naked, you know, images of a naked person. How is that not pornography? And it's like, well, you know, when you see it and it's like, style. You sort of know it when you see it, and then you have, um, the other end of that where people will feel style is just posing and looking cool, like you're putting your hands in the air to, to look like Alex Knost or Mickey Dora or Rob Machado, whoever the insert the surfer, you're trying to mimic their hand placement, and sometimes the hand placement provides no real function or value to the to the ride. Other than it. It might feel good, I guess, but it's not making you surf better. Um, where I like to, I often will. I will argue or believe that yes, there are people that pose and that does exist, I exist, grant you that. But good style also brings about, um, really good form. Or I would look at it a different way. Really good form pulls along the style into it. So if you have good form and whether that's in a barrel or a cutback, if your body is doing sort of the right things to make a beautiful, seamless ride easier. Devon Howard: Um, along with that usually comes a pretty good style if you don't have a good style. A lot of times the form is really working against your surfing. So for example, you got to do a cutback in your arm is up and back, um, front side. And let's say I'm turning this way. Front side cut back. Well, if my back arm is in the air waving behind me, I'm really struggling to get my body around and I'm actually having to work really hard for could potentially even injure yourself. Um, so that really hinders your surfing. But if I brought the arm in and drop it down and then have the arm kind of point toward where I want to go, the rest of my body goes. And it's actually quite easy to do the turn and consequently it looks much better. Doesn't look so awkward. Yeah. And and this could be said of your front arm. I've seen folks do cut backs with. I don't know why this happens, but sometimes their front arm is is sort of flailing and going behind them over here. Or they're extending and reaching too far. Um, so when there's this nice balance of the front and the back hand on the front side, cut back looks cool. Hey, that's great. If someone took a photo. Yeah, you probably put on the wall. Devon Howard: Looks pretty good. Looks like Michael Peterson or somebody or whatever. Joel Parkinson Ethan Ewing would be a really good contemporary example, I guess. And, um, but when it's all sort of like the form is there, it looks good, but now you're surfing better and the turn is faster and more complete. And also when you have nice form, you get the board in trim. What I mean by that is when when the boards in trim, it's sort of if you know anything about sailing, when everything's in alignment with the bow and the sail and the the boat is really hitting its top speed, there's nothing really hindering or dragging or fighting against um, that top trim speed. In surfing, you want to get to the top trim speed, because when you have speed, it's easier to complete maneuvers, it's less work. You go into the maneuvers with speed, you can do a lot better. It's like snowboarding. If anyone snowboarded you know that the first few days you're learning, the instructor will say, you just need to get going faster. You know what? We know that's scary. I don't want to go faster, but. Well, you're going so slow that that's why you're tumbling and you're catching an edge and you're getting stuck on the hill. Go faster. And then you see this light bulb moment with people like, my gosh, well, I should have just been going faster all along. Devon Howard: It's the same with surfing. You'll see people struggling to get trim speed because their form is so terrible. They're not understanding that the board is not even in trend. The board then noses out or they're waving their arms. They're there. They're there shaking their body like this, and they're trying to wiggle and do stuff. And you're watching the board underneath. And the board is just like on a gimbal, just like not getting any trim. It's just stop and go, stop and go. So it's this utter fail where if the person just relaxed a little bit, relax their arms, don't try to flop the body around and just get the idea of even going straight, which is hard to do on a chalkboard. Clearly, if you're a beginner, you probably shouldn't even be on the floor. Um, it's just going to be a struggle. Yet a board that's medium like a mid length or something, or a long board where you can kind of stand there and glide and trim, and then you can kind of get that form where your body is body's relaxed. And um, so a lot of times good style, I believe just comes with the right form, if that makes sense. Michael Frampton: I totally agree. Yeah. And that's what I think. That's what a surf coach, the surf coach's job is. And then it's once, once the person becomes at first the new, the better form will feel strange and maybe even, um, abnormal and uncomfortable. And it's only once that form becomes, uh, ingrained and you become comfortable with it, then it looks stylish. So it's it's maybe it's a precursor to style. Is is good form. Devon Howard: Yeah. Yeah, I think so. Um, another thing that I've thought about a lot in the last several years about style is, um, it, it sort of belies the, the technique or the difficulty of the maneuver. I think if it looks like someone's trying really super hard to do like a, let's say, a crazy air or just like the craziest turn where like, they blow, they like, blow the tail out and spin the board around and like, oh, whoa, that was insane. That was so difficult. But if you see somebody do a top speed cut back and they don't lose or drift the fins and they just go and mock 20 and just bam, come up fluid and seamless. You might say, man, that was really smooth. That was really stylish. But you don't often think that that was also really difficult. It's interesting. And, um, I'm not trying to get people to cheer more for the stylist, I guess, but I think it's worth sort of acknowledging that Mikey February or Torin Martin and some of those things they're doing, um, we're drawn to them because they're beautiful, which is undeniable. Um, but it's also interesting to think that these are the highest level people at the very upper echelon, at the top peak of, uh, you know, ability of sphere fame. And it something to be learned there, like to not just only acknowledge and only see the style which is great. Devon Howard: I love that I'll watch that stuff all day long, but to like hit the rewind button and look at what they're doing and how on rail that board is and how difficult it is to hold the line and not lose it. Because a lot of times, especially in performance, short boarding it, it's incredible what the surfers do. It's like it's a controlled failure of the surfing. So a lot of times when the fins release, it's a and I know this because I put a lot of thought into fins and foils and whatnot. A lot of the best high performance surfing maneuvers are, um, a controlled failure. Mhm. Um, they're pushing the limits of the board, and a lot of times the fins or the equipment can't really handle what these surfers are giving it. It's really interesting. Look at look at someone laying into a turn and their butt is sliding across the wave and the fins and the board and everything's sliding. Um, and then look at, like a mick Fanning or somebody who can hold that or Ethan Ewing and hold it all the way through. That's gnarly. That is just like peak form. But you're like, man, that was so smooth, but you're not ever saying that was so difficult to do. And I don't know what the point is I'm making. Devon Howard: I guess it comes back to, uh, like the kind of surfing I like to do. It's could be easily scoffed at as pretty easy, like, hey, mid-length surfing, you're just going straight. It's not really difficult. Um, but I don't know, man. At the highest levels. Like, I think what Torin Martin does, I think what February does if he's on a mid lake or other, you know, there's other surfers out there doing it and I cut a watch. Wow, look at that. 5/6 of the rail of that board is buried. And that's what I do myself. And that's to me that's the most thrilling thing is to bury that rail. How how far can I push this thing before it fails me? That's just really, really thrilling. You're just on the edge of disaster. You know, when you go on one of those seven foot boards, go to the bottom, slink, you know, and and coil up into the board and push it as hard as you can. Alex Moss does this really good as well. I can go on forever. People do a great job of this and they push all that board through. And then if you don't watch it, you know, if you're not too far forward or too much weight on your front foot, you'll slingshot up the face as this fast, free feeling, like a flying feeling that's highly addictive. Devon Howard: It's something that you just keep my people that are into those types of boards, they just keep chasing it. Um, and then down the line, do the same thing again. Now I'm going to bury a whole lot of rail on the cutback. How hard can I push it? And when I get down to the bottom of the wave, can I just keep going right back to the whitewater? Oh yes, I can. Damn. Just keep going. Sometimes it doesn't work out. Uh, and if you blow that, you're doing the split that's on the board. Now you've got a torn MCL. Um, but you're going full throttle. And that on that type of equipment. Um, the form is important so that you don't botch it because you really could get injured on some of these things. It probably someone who hears has got a laugh and think, this is a joke. Like, you're being really hyperbolic, bro. Come on. It's just a mid length and you're over water. Um, yeah. When you're pushing it really hard, it's it's it's thrilling and it's exciting and it is difficult to do and it's I think it's, um, it's really appealing to a lot of people. Um, and then they, you know, they go and try and do it and say, man, I, I wish I could surf like Rob Machado on this thing. Yeah. Michael Frampton: Well, all the surfers. Devon Howard: Take ten years. Michael Frampton: Yeah, if not longer. I think all the surfers you mention and the way you talk about their surfing is they're. Can they stay connected? You know, that as, as they're going through the, through the turns and in between turns, there's no there's no radical gain or loss of speed. Right. So that where they do the cutback isn't just a change of direction. It's in sync with that part of the wave. So they stay connected to the power source. So there's a certain it's a radical maneuver, but the speed doesn't waver too much, whereas some surfers might jump up to the top and bust the fins, and they might slow right down and then fall back down into the wave and go again. And it looks good in photos and maybe gets judged well in a competition. But it's not necessarily they're not as connected to the wave as other surfers. Devon Howard: Yeah. And again, that's debatable. I'm sure there's other people who will feel opposite of that. And that's great. You know, surfing's subjective. Yeah. And you know, in in just to bring it back a little bit to competition if that's okay. I know lots of people don't care about surf competition, but it is where a lot of the best surfing's happening. It's where the like the high bar is a lot of times um, and in the 60s and 70s style was just sort of, um, it wasn't like there was a style box that was ticked. It was it was sort of like this nice little cozy little wrapping around the surfing that was just a given, you know, so it didn't really need to be discussed. And then in the 80s, when in probably really the late 70s when the twin fin was really coming on with Mr. pushing that and Sean Thompson and other people chasing him. Um, they were packing in as many maneuvers as they possibly could into a ride to take away more points. And and this isn't my own thought or original idea. I've read these things elsewhere, and I agree with his take, which is somewhere along the way. The beauty just sort of eroded because the focus is now like we're getting really fixated on number of maneuvers. And this like real technical aspect of the difficulty of the maneuvers. Devon Howard: And surfing is already highly subjective. And you have this even more subjective thing, style. Um, and some of them may be, correct me if I'm wrong, maybe there was a style element at some point. I'm not aware of it, maybe there was. And um, so anyways, the 80s kind of moves on and there were clearly lots of stylish surfers. I mean, I grew up like many people my age, I'm 50, so I worshiped Tom Curren and I loved Tommy Carroll and a bunch of folks. There was lots of style, but there was also some people with some really hideous style, like Gary Elkerton and David and all these people. Nothing against them, man. Like, I think they're all incredible surfers, but there were some hideous styles and they crushed it in contests because they were just animals, like lacerating, tearing it up. And because the broader culture is being driven by whatever media is being consumed. And the media at the time was really sort of swiveling and craning and watching what's going on in competition, because that's like where the money's being plugged in. So those brands like, hey, we validate this thing we're doing, which is competition surfing. Um, and it just boiled down to what do you got to do to win this thing? And if making it look beautiful was not ever important, why would you spend time doing that? Tom Curran couldn't help himself. Devon Howard: He was stylish no matter what. But, um, lots, lots of other surfers weren't, and they did very well. Um, and so as the decade or two ensues, um, just the sort of broad mainstream viewpoint was, that style just wasn't important. However, the people that were in the sort of the underground, your locals, people that sort of stuck to the fringe and even the in people that short boarded as well, obviously still kind of kept style alive and in it. And the reason style always stayed alive is because the idea that human beings are drawn and attracted to beauty is as old as time, I think. I mean, who knows? When that began, I had a really nice chat with David Scales on, um, Surf Splendor, and we spoke about this there. So if you want to hear more about this, go check that out. I think it was a nice conversation, but I'll sort of reiterate some of the points there was. I read an article by Scott Hewlett in The Surfer's Journal, and he wrote quite a bit about style, and he illustrated a point that I'd never considered. And he sort of talking about this Greek artists. It was like 500 BC. I'm like, where is this thing going? Why are we talking about bronze sculptures? Um, but he made a really brilliant point, which is, okay, why does style matter? Why do we keep talking about it? Um, it's because beauty endures. Devon Howard: It is a common theme in human nature. Now, in recent times, I'd say beauty is being abandoned. If you look at modern architecture and just about any town, everything looks like shit. So I don't know what's going on there. We used to make beautiful buildings and now we're stopping doing it. Um, you we can't control that. But in surfing, we keep getting drawn back to this idea of beauty. Despite all those things that happen that we just talked about in the 80s and 90s competition, surfing and getting derailed. The broad culture still is always known instinctively that this is something that should, um, we should never stop cherishing. We should never stop celebrating. Um, and I think it's backed up by if you go to any Torin Martin video, go down to this thing below the screen that says views. A lot of Torin Martin videos have like a million plus views. Um, go over to Gabrielle Medina or anyone, and I'm not picking on these people. Just pick anybody. I'll bet you right now that Torin is is beating a lot of those surfers, 2 or 3 or 4 to 1 in terms of views. Now, you could argue that, well, there's more a lot more Gabriel Medina type surfers and there's not that many tour Martin's, I'll give you that. Devon Howard: But I, I think it's really because we are drawn to beauty. And so back to that Surfers Journal article, which is he he said, imagine taking those Greek statues and putting a surfboard underneath them. And when I was done reading the article, I went and I googled 500 BC Greek statue and I forget the artist's name, its Greek name, and I was instantly like, huh, look at that. You just put a surfboard under these statues. And some of the form and posture was a little bit silly, but a lot of it was pretty spot on. And then you go right over to Jerry Lopez, or you go to Mikey February or somebody else, and you can see that, um, there's a similarity to this idea of beauty. And then you go take it steps further, take it to, uh, any type of traditional dance. Have you ever seen ugly, poor form at any dance scenario where there's, like, serious people, whether it's ballroom or it's swing or it's foxtrot or it's tango or it's salsa, it's just incredibly beautiful. And it's this expression. The music is coming in. You're viewing and watching and feeling the music. There's that input, and the output is what these people are feeling. And so that our output in surfing is, is that form and that expression. Um, bullfighters. Same thing. Michael Frampton: Mhm. Devon Howard: Now the bullfighters have a little more of a pose at the end, the bulls coming in and the bull goes through the cape and they kind of hold it and they sort of like it's almost like a taunting of the bull. Like you didn't kill me. And look how calm I am right here. And a lot of the surfers in the 50s and 60s, they really admired the bullfighters as a great shot of Joey Cobell in Peru in the 60s. Guys never bullfight, but bull fought before, and he's down there and there's pictures of him in the bull ring with a Hawaiian print shirt on and doing the whole full Ole, you know. And so this idea of style really, um, is always going to matter and always be important to us. Um, so long as we don't ever abandon this, um, attraction of ours to beauty, you know, we're attracted to beautiful people. Clearly, that's a given, right? Um, but we're really drawn to beautiful, um, things art, architecture, wonderful garden, uh, an unmolested landscape. And so it I don't think people really care to give too much thought about style. Devon Howard: I think it's just sort of like I said, you know, when you see it, does it really need to be talked about? But I think in the context of a podcast like yours where people are trying to improve their surfing, um, having a real understanding that this isn't just for show style isn't just to look cool. It's not like putting on a cool outfit to look cool. Um, it's a real purpose driven thing. Certain articles of clothing look great, but they also have a purpose. Maybe it has SPF in it, maybe it's, um, built for a particular, um, activity to make it more comfortable. Um, for us, as I was saying in the very beginning, like the form, um, the style sort of follows the form. And if you, if you really think about your form and you're relaxed and you're sort of paying attention to the things that you talk about on your podcast or where people get their information, There's lots of different YouTube things, obviously. Um, you two could have nice style if you so desire. Michael Frampton: Yeah, I 100% agree. Surfing is first and foremost an art form. Mhm. It's only within competition that it becomes a sport. And then yes, sometimes we don't necessarily we sacrifice a bit of style for progression perhaps as well as what's happening in windsurfing is a sport. I still think the best of the best, the best of the best can buy. Like John John, he's number one at the moment for a reason. Not just because he's progressive, but because he he would do a progressive turn with calm style like no one else. Yeah, yeah. So I still have faith. I think there'll be the odd slip up. You know, Toledo's frantic aerial maneuver that goes higher than everyone else. The judges kind of. They can't not score it, you know. So, you know, there'll be blips in the system, glitches in the matrix, per se, until until the judges, you know, really start to consider style and and make that a point which hopefully, maybe one day they will. I think it would make, uh, I would make surfing more watchable. Devon Howard: Well, they have done so in longboard surfing. Yes. Longboard surfing has a much smaller audience, obviously. Um, but as I believe you and I talked about in the past, I think we did. I was at the WSL for a few years, and I worked on the longboard tour and built into the criteria is the word style also two other words flow and grace. Um, Style. Flow. Grace is in the criteria and it's hard, a little difficult to train the judges on it, you know? Um, it's highly subjective. It's something we could we could sit here for an hour, breaking down style, flow, grace. It will still feel like we barely scratched the surface. Um, because it's it is highly subjective. Just like art is just like music is just like food is just like, what kind of waves I like? Ah, it's just like that. It's just, um, really can be difficult to put your finger on it. But the way we did the training to help, um, these judges, if anyone cares to know this stuff is, um, have them really focus on somebody making something really difficult look easy, but also at the same time, dealt with sight of the positioning of the wave or the difficulty of the maneuver, because to the untrained eye, you could you could see someone doing a nose ride and maybe they're doing something really what you may think is beautiful on the nose. Devon Howard: Maybe their arms are held a certain way. It just looks kind of like cool. But if you pay close attention, they're like ten feet in front of the pocket and you're like, that's not that hard to do. Mhm. So the so what helps is in the other part of the criteria is um, the degree of difficulty that is part of it. So you have to, you're looking at the style of flow and grace but you're applying it to are these surfers in the pocket. Is the surfer using their rail or are they lifting the board out of the water? Because to lift the longboard out of the water and turn it as far easier than engaging the rail in the water and pushing it through a turn. That's much more difficult. And so it has been applied in longboard surfing. Let's see if we can. If anyone cares, we could try to do a campaign to get the Shortboard tour to break more. Michael Frampton: I'm with you. I'm with you. Ultimately, I do think it shines through and the cream always rises to the top. But it would be nice if it was literally in the criteria, and it was considered by each surfer to be a worthy consideration. Um, coming back to form, let me I'm going to share my screen with you. Let me. Hopefully this works. Oh, shit. Did that work? Can you see my screen? Devon Howard: I think so. Let me move my notes here a little bit. Oops. Too many things around here. I'm terrible at computer stuff, but second. So where it is now? Okay, I can see it now. Michael Frampton: So there's an example of a, you know, if that was placed on the nose of a longboard, it'd be quite cool. Devon Howard: Yeah, it's pretty close. Michael Frampton: But then also so here's you see on the left there is the way that a baby learns to stand now because the infant is so weak, there's only one way that they can learn to roll over and learn to stand up and hold themselves. Because their muscles are so weak, their bones have to be placed so accurately in order for them to be able to stand and move. And that's how we learn because of our our weakness and our slow progression into strength, we learn the most efficient way possible. Now it's the athletes that maintain that neurological efficiency that end up with the best form naturally, i.e. the way Kelly Slater's standing there in those barrels. Not only is he standing in a very similar way to the infant there, he's also very calm and relaxed in that position. Devon Howard: Yeah, I would definitely not be that calm in that way. Those waves. Michael Frampton: Exactly. So it does come back to to form. And it's also when when an athlete is standing with their joints in DNS, we call it joint centration and that the bones are stacked on top on top of each other in a very efficient way. It just looks right. Not only does it look right the way the forces are spread throughout the body, it doesn't feel hard. Anyone who's ever tried, if anyone, has ever tried to skate a vert ramp, for example, half pipe, it feels like, oh man, my legs aren't strong enough. How do people and then you watch a 12 year old just go up and down. They're not doing it because their legs are stronger than yours. They're not even doing it because they're stronger relative to their body weight. They're doing it because they're stacking themselves. Their bones and their joints are centered properly, and the force is being transferred throughout their entire body through the center of the bone and into the skateboard. Whereas someone who doesn't know what they're doing, they're trying to muscle their way through it. They only does it feel terrible. It looks terrible. Yeah. So I agree with that. Yeah. So it does come back to efficiency. And you said no good style is that you know it when you see it. My question to you is, do you know it when you feel it? Devon Howard: Yes. Um, I believe so. Um, I know, um, I've even had moments where I just didn't feel like I was in the right form. It just didn't the the turn didn't feel good or the particular move movement. Maybe it's a nose ride or something. Didn't feel great. And if you get a chance to be lucky enough to come across a video or a photo of that moment, you're like, mm, yeah, that that is actually backs it up. It looks a bit awkward. It looks a bit off. So and you definitely can feel good style because you like it, like it's all tethered to, to itself. Like it's it feels good. It looks good. Um, and it, it's sort of like carries on the ride. It's it's like when you get off the very beginning of the ride and the first bottom turn is successful and your feet are in the right place. It really sets up the rest of the ride. Um, if you botch that, let's say you screw it up getting to your feet or off the bottom. Then you get you. You screw up the pace of the wave. So, um, yeah, I've had times where my feet were too far forward or back or whatever. Um, or I hit a chop and my arms sort of waved a little bit, and then I got out of that rhythm. Um, and that didn't that definitely didn't feel good. And it certainly didn't, because it looked like I was rolling up the windows as opposed to my arms being sort of down and going the direction that I want to be headed. Devon Howard: A lot of times the front end, the back end oftentimes are going the direction you want to go. I find that to be very helpful, and that feels good to me because I feel really centered. I or you'd say stacked. You know, I never thought of it that way, but, um, so yeah, I would agree. I would say you definitely. You definitely feel it. Um, my own belief is I don't I don't do anything in the style that I feel is what's called contrived, where I'm trying to present before of some kind that it has a certain look. The form I have is, is really based off of function, and that's because I watched the generation two ahead of me at a waves like wind and sea and Cardiff Reef, and I watched the elders and what the I really watched closely what they were doing. How they were sinking down into the board. And I noticed that their hands, their fingers were never apart. Their, um, hand gestures were sort of always in the direction of where their board and body was heading. It was like this stacking or centering. He kind of like hunkered down, but they never looked stiff or scared or afraid of anything or timid. It was very, a very confident, almost like a martial artist, like a kung fu person or something that has confidence in the form of that particular move. Devon Howard: Um, the really good surfers, the real standout surfers. I, I identified that pretty young and I said, I want I need to learn how to do that. Um, so it was never a contrived thing, like, I need to look good and look cool. I just knew that that was good surfing. And as a consequence of learning going through that, it also felt really good. It was like a good golf swing. I don't golf at all, but I have friends who do and I can understand like how much work they put into that golf swing. And when they do that, clearly it looks good from a distance because they hit the ball and it goes right where they want it to go. So that's pretty awesome. But they'll tell you it feels good. It's like uh, or baseball. If you've ever played baseball, you know the feeling of a homerun. There's a sound of the bat and the feel through the bat into your hands, and you feel it. The follow through of the swing. You're like, that ball is out of here. It's pretty cool. Um, Mhm. A reward to not that it's work but there's sort of like this payoff and a reward to the dedication that it took to learn that, that art form. Mhm. Michael Frampton: But it always comes back to the feeling. Yeah. Devon Howard: It really does. Yeah I didn't I haven't put too much thought into the feeling piece of it. But um yeah. You know it's disgusting and really dumb and shallow. But I've, I've had moments where the way where the ride did it feel good, and I didn't even finish the wave. I was so not into the feeling. I just kicked out. I was like, I've botched this thing so bad that someone else just needs to finish it. I'm just. I just kick out and I go back up to the top and kind of regroup and go, what? What just went wrong there? And then, you know, like surfing. Everyone surfs for different reasons too. Like for some people, surfing is a couple times a month. It's an escape for them. They don't care if they surf. Well, that's not what they're there for. Michael Frampton: Like they're probably not listening to this, though. Devon Howard: Probably not. Um, and I like I've had people say, man, you look so serious when you're surfing. I'm like, I'm pretty serious about it. Like it? I'm to me, it's so strange. It's serious fun and and it's as I've gotten older, I haven't lost interest in it. It's like a it's like a hunt to me. It's really weird. No, and I don't I don't know if it's just some human thing of like the game and the chess moves and the everything involved with observing patterns. I've observed patterns for decades, and now I see the patterns, and the benefit for me is I know which wave to pick. I know where to beat. And by knowing that I've set up the ride and therefore I've sort of like predetermined this feeling that I'm after, which is, as I said, it's highly addicting. Surfing like you, you never satiated. Why is that? You always want another one. You always want more. Um. And but all through this process, the hunt, the enjoying, understanding the patterns, the chasing, the moment, the feeling. Um, there's a there's a tremendous sense of there's like a reward when all the elements have come together and you apply everything you've learned. It's a really cool feeling. I think you could say that about a lot of things in life, whatever your or your craft is. Devon Howard: And for me, surfing isn't just like some waste of time thing, like that's part of it. That's a bonus to me. Like, hey, I'm not doing chores or I'm not at work. That's fantastic. I will take that. But it's also like a craft. It's like a, it's a, it's it's a way I express myself. Some people do that through building things out of wood in their garage or a number of other things. Um, so the style piece of it, it's just sort of come along with it. It never was like, I'm going to really think about this super duper hard. Um, and you just, you learn through time that they the style and the and the form, they sort of, like, are tied together, you know, and you kind of look at it this way, and then you go back and look at it the other way, and they really come together nicely. And if you fight them, you're surfing. You're not going to surf as well. If you're not surfing as well, you're not going to feel it as right. You won't feel that thing we just talked about. Um, and then consequently, not that not that that many people care, but you're surfing is going to be kind of ugly. Michael Frampton: Thing is. Michael Frampton: It'll. Michael Frampton: Because when you are, when you're connected and you're efficient, it feels better. Simple as that. It feels better if you if you close your eyes and just imagine, like an image or a video section of someone who epitomizes style, are they? What are they feeling in the moment? Are they worried about what they look like? No, no. Are they are they are they scared? No. Are they putting in a ton of effort? Devon Howard: I would say no. Michael Frampton: It's in the. Devon Howard: Moment. Yeah. There's probably a small number of people who. It's contrived, like you could go to Byron Bay. Sorry. Sorry. Byron Bay. They pick on you right now. You could go to Malibu. Um, pick your spot. Ah, maybe Montego Bay. I don't know, uh, way inside there. There's going to be places where there are folks that, for whatever reason, this. Well, like, who cares? There's no, like, laws or rules. Like, I'm not mad about this. It's just they're just observations. That's it. They're really controlled. It's just so contrived. They're sort of putting the form or I'm sorry, let me back up. They're putting the presentation ahead of the form. You know, they're worried about all the bells and whistles and the dressing, but, like, at the core of all the ingredients going into making this beautiful thing, they've got it all wrong, you know? And so, um, you. Michael Frampton: Can always smell that though, I think. Devon Howard: And it's a missed opportunity for them. Uh, does it change my life or your life or anybody listening? You do. You, man. Like, I'm very libertarian in that way. I don't really care. But, um, we're on a podcast called Surf Mastery, so we're we're we're nerding out. And if you're here to get better, don't get caught up in the presentation. Get caught up in the form. The presentation is going to come along. And yeah, it's just like this beautiful byproduct. You don't have to really. You shouldn't have to try to have good style. You should you should try to be good at surfing. And then once you have that confidence, you know, if you see a photo or catch a surf line, rewind. If you can see that far and you happen to notice that your your hands are bent at the wrist and going in instead of out, or you happen to notice that your fingers are wide apart, you could pull them in and it looks better, but it also centers and stacks you. You start feeling more stacked over your board, and once you start doing that, it starts improving. Your style just starts improving. And, um, it's interesting that tube riding, this is what we talked about with David the other day, I think. Or maybe we didn't, I can't remember, but he someone I was talking to you about. It's interesting that almost all good tube writing has good style. Most of it you You rarely see someone with really hideous style getting as sick barrel. Yeah. Michael Frampton: So yeah, because the, the, the the wave will hit them in the butt with their post dance. They just don't they don't fit in their ugly. Devon Howard: Yeah I think it's true. He's a lesson there that can be applied to other maneuvers like but but it's not always true. That good tube style now equates to this beautiful style of the face. You'll see what doesn't fall apart. Um. Why is that? I don't know exactly. Maybe the. I think one thing that could help with style, um, from a technique standpoint, is, um, don't rush your surfing. I've noticed, like, folks that, remember we were talking earlier about breaking trim, um, and seeing people that are trying to wiggle. They're sort of swaying. A lot of times it's the upper body that's swaying when that's not really helping them in any way. It's not benefiting the the ride. It's causing the board to lift out of the water and side to side motion, typically. And now you're breaking the trip. Now in a short board. A short board needs to be side to side, but it's also got to be pushed so that it's it's building momentum in a forward fashion. The people that are not very good are kind of not going anywhere, because they don't understand that. They're just sort of wiggling their arms and breaking the trim. Devon Howard: Um, and I think if you just. Yeah, just like think about being a little bit more quiet, um, and, and being a little bit more quiet means you're not in a big hurry like you don't if you're not at a level where you need to try to get eight maneuvers in the wave, don't do it. Take take your time and get the two really nice maneuvers and those will feel really good. Be patient off the bottom when you're. Let's start from the beginning. You go and you paddle in. You go to do a bottom turn. Just be there in that moment with that bottom turn. Don't be thinking about the four moves you want to do down the line, because now it becomes this rut here. You're hurrying up the surfing, and now you're kind of like screwing up the pace of the ride. You're screwing up the pace of the wave. And when you do that, now you're out of sync. When you're out of sync, it doesn't feel or look good. So I think the best advice to like, how do I get good stop, start with the foreign and don't rush your surfing. Devon Howard: Don't try to contrive it. Don't try to Like I'm gonna have. Make sure my hands are up here and I'll go like this. And I'm looking backwards and going, okay, that's go. You do you. But you know, that's not helping you surf better. Michael Frampton: Yeah, yeah. You can you can be quick without being rushed. Devon Howard: Exactly. Michael Frampton: Like like a drummer that's drumming at 160 beats per minute. If they're ahead of the beat slightly. It sounds rushed, but if they're on the beat, it's in time. It's rhythm and they're nice and relaxed. They're still fast. They're just not rushed, utterly. And it's interesting you mentioned, like the hands curled and like this. If your hands are curled in like this, you will feel scared. Your physiology affects your emotions. That's a scared posture. That's a protective posture. So if you forcefully open up your hands, like Tony Robbins says, stand up tall and and straight and relaxed, you will feel better. But if you force yourself to smile, you will feel better inside. So I think that, you know, a bit of video analysis and analyzing your own style can actually and changing it can actually make surfing feel better as well. But, um, I love those tips. You just, um, said and it was a good summary and it's a great place to end. Devin, thank you so much. Devon Howard: All right. I hope we, uh, made some sense there. It's fun to talk about it, because I've felt this stuff for a long time, but I don't really ever talk about it. And it's only just in recent times. And, um, I gotta thank Scott Hulett from The Surfer's Journal for getting the gears going in my mind of how to think about this stuff. Um, it's fun to share it, so I hope people get some value out of this conversation. Michael Frampton: Yeah. Oh, definitely. Definitely. I mean, we can if you come up with more thoughts on it, let me know. We get you back on and we'll expand because it's an important topic. Devon Howard: Well, we're, um, we're in the middle of some fin placement on a mid lane, so I got to get back down there. So I also got this, um, dust down here. Michael Frampton: All right. Thanks, Devin. I'll let you write. You get back to it. Devon Howard: All right. Thank you. Michael. See you.Devon Howard On Surf Mastery Podcast Devon Howard On Surf Mastery Podcast

WE'RE BACK FROM MORG-TEGO BAY, BESTIES!!! Happy Freaking TTHHUURRSSDDAAYY!! Today, Morgan starts us off with the story of the White Witch at Rose Hall in Montego Bay, Jamaica (if this is a case you would prefer to skip due to the TW, fast forward to ~40 min mark)! Then, Tay wraps us up by giving us the DB Cooper-ish mystery of the Suspicious death of Alfred Loewenstein. This case is so interesting and filled with thousands of theories!! Sending you guys love and light! Talk to ya next week for DREAM CREEPY ACCOUNTS!!! LOVE YA!!