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On today's show, we chat with Melody Noel!For Melody Noel, music is a life force. Born into a family of mariachis spanning across seven generations — with the earliest musician dating back to the 1870s — Melody forged her own path as the first to create music outside the Mexican folk genre.  Melody began her journey in pop music as a member of teen girl group Runway MMC. This experience opened her eyes to the American music scene, working with the likes of Grammy nominated Alex Cantrall (“Leave (Get Out)” by JoJo) and Brandon Howard (“I Ain't Gotta Tell You” by Ne-Yo) for Runway MMC's debut EP “Forever Yours” (2008).  Melody pursued higher education at NYU's Clive Davis School of Recorded Music, graduating in 2014.  Her class project, an EP titled “The Living Room Sessions,” sparked the interest of music publisher Imagem Music; they signed her soon after in 2012.She continued her path as a songsmith in Los Angeles, toplining for songs such as “IDon't Wanna Love You” (Casablanca Records/UMG) by Prince Fox, “In My Head (feat.Georgia Ku)” (Mad Decent) by Party Favor, and “Paper Roses” (Spinnin' Records) by Kura.  In 2016, she co-wrote the single “Love Make the World Go Round” recorded by Jennifer Lopez and Lin Manuel Miranda. Released exclusively on iTunes, all proceeds were donated to those affected by the Pulse nightclub shooting in Orlando, FL. The song peaked at no. 72 on the US Billboard Hot 100 and no. 9 on the Digital Songs chart. After feeling the pull to write songs for something bigger than herself, Melody pivoted to the Christian music genre, establishing Influence Music in 2017. In 2018, Melody led the worship collective in creating iTunes no. 1 and Billboard no. 2 album “Touching Heaven.” Melody's single “Mistakes” made it on Billboard's Christian Airplay chart for 20weeks. She continues writing and performing songs that are utilized by churches globally.  To date, Melody's songs have been streamed 228 million times across DSPs. Whether writing music for pop icons, film and television or for local congregants, the banner Melody carries over it all is "Soli Deo gloria,” meaning “Glory to God alone.With the release of “Back to Praise” via Influence Music (distr. via Capitol Christian Music Group), Melody is stepping out in faith to accomplish such a mission. This EP consists of five pop-infused worship songs that remind believers that no matter what life brings, God is good, and our response is to keep coming “Back to Praise.” melodynoelmusic.com@melodynoelmusicchristianmusicguys.com@christianmusicguys

Every Picture Tells a Story is a great name for Rod Stewart's third solo studio album.  The songs consist of solid storytelling, using mixture of original  and cover tracks to paint a mosaic of life, love, and loss.  This album would mark the transition of Stewart from a solid rock vocalist to an A-list performer.  Every Picture Tells a Story hit the top of the album charts in both the US and the UK, and its blend of rock, blues, and folk music would have a staying power over the decades. Supposedly the album was compiled on a shoestring budget, and consists of a number of songs paired with extended jams.Stewart compiled this album during his tenure as front man for the Faces, and all five members of that group appear on the album.  Because of contractual obligations at the time, the personnel listing on each track is a bit vague, but it is possible that all five members were on the recording of "(I Know) I'm Losing You."  The first single released from the album was "Reason to Believe," which was a cover of Tim Hardin's 1966 song.  But the B-side of that album would be the one that would cause Rod Stewart to become a breakthrough success.  That song, written by Rod Stewart and Martin Quittenton, was "Maggie May."  The album would top the charts, and would be a noticeable success on the year-end charts of the Billboard 200 albums in 1971 (#35) and 1972 (#65), while taking the number 2 spot for the UK album charts in 1971.  Not bad for a soccer player who wasn't able to go pro!Rob brings us the bluesy album for this week's podcast. (I Know) I'm Losing YouThis Motown hit originally recorded by The Temptations in 1966 is a lament of a relationship going bad.  Stewart's cover went to number 24 on the Billboard Hot 100.  Motown rock group Rare Earth had a cover of this song a year earlier in 1970.  Rod Stewart has several members of the Faces playing on this track.That's Alright/Amazing GraceAnother outstanding cover, this one is of the debut single from Elvis Presley in 1954.  However, the original goes back to blues singer Arthur Crudup in 1946.  But even that long time period is dwarfed by the pairing of the traditional hymn "Amazing Grace" which dates back to 1772.  This deep cut shows some of the diversity of the album.  Every Picture Tells a StoryThe lead-off and title track to the album was an original co-written by Rod Stewart and Ronnie Wood.  The lyrics are told from the perspective of a musician on tour who finds adventure with women in multiple cities before returning home to think back on his travels.  The lyrics are more free-form in this song, not following a consistent pattern of rhymes. ENTERTAINMENT TRACK:Main theme from the television comedy "Green Acres"This sit-com featuring city dwellers who move to the country went off the air this month in 1971. STAFF PICKS:Don't Pull Your Love by Hamilton, Joe Frank & ReynoldsBruce starts out the staff picks with a song often attributed to Elvis Presley.  After performing with the T-Bones and having an instrumental hit with the song "No Matter What Shape (Your Stomach's In)" based on a popular jingle from an Alka-Seltzer TV commercial, this group went to number 4 on the Billboard Hot 100 with "Don't Pull Your Love."It's Too Late by Carole KingLynch brings us a song with music by Carole King and lyrics penned by songwriter Toni Stern.  This breakup song is considered to be a feminist song by many, given that the woman is breaking up with the man.  Stern completed the lyrics in a single day after her breakup with fellow singer songwriter James Taylor.  This track would top the Billboard Hot 100, and would win the Grammy for Record of the Year in 1972.Charity Ball by FannyWayne's staff pick is the single release and title track from Fanny's second studio album.  Fanny was one of the first all-female rock bands playing their own instruments, and the first to record an entire album.  They got their start in Sacramento after sisters June and Jean Millington (guitar and bass) moved there from the Philippines.  The group was completed with Nickey Barclay on keyboards and Alice de Buhr on drums.If Not for You by Olivia Newton JohnRob features a cover originally penned by Bob Dylan.  Olivia Newton John would make this her first international release and her breakthrough song.  Her cover closely follows George Harrison's cover, including prominent use of the slide guitar.  Olivia Newton John took this track to number 25 on the US Billboard Hot 100 chart and to number 7 on the UK singles chart. INSTRUMENTAL TRACK:Milky Way by Weather ReportThis Avant-garde jazz instrumental takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Story by: Gail NoblesKeyboardist: Gail NoblesPhoto: WBLS | Wikipedia  CC BY 3.0Today we're going to talk about the soulful sounds of "Angel of Mine,” a true R&B classic that has graced the ears of music lovers everywhere. Originally brought to life by the talented British girl group Eternal, this tune made its mark on their 1997 compilation, *Greatest Hits*. But folks, hold on to your hats, because the real magic happened when singer Monica took the reins in 1998 and turned this song into a chart-topping sensation!Monica's version soared to the pinnacle of the US Billboard Hot 100, reigning supreme for four glorious weeks. And let's not forget — it didn't just flirt with the charts; it strutted its stuff all the way to a platinum certification by the RIAA in '99. That's a whole lotta love!The lyrics—oh, they pull at the heartstrings! Starting with those mesmerizing lines, “When I first saw you, I already knew,” Monica captures that instant connection, that spark that ignites soul to soul. You can practically feel the electricity, can't ya? And her voice, smooth as silk, glides over the melodies, delivering a vibe that's equal parts sweet and sultry.And how about those sentiments? “The best things are free” — that's a universal truth, right there! The way she expresses pure, unfiltered love is reminiscent of a love letter written in melody. “You are so fine” — come on now, who wouldn't feel a little butterfly flutter when someone sings that just to you?So, whether you're enjoying Eternal's music or loving Monica's beautiful version of "Angel of Mine," this song is a classic celebration of love. It's proof of how powerful R&B can be, with every beat packed with emotion and every line telling a story. Take a partner, hit the dance floor, and let this amazing song take you on a journey!I'm Gail Nobles. Thank you for listening to the Cat Bear.

rWotD Episode 2879: Jessie J discography Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Saturday, 22 March 2025 is Jessie J discography.English singer Jessie J has released five studio albums, one extended play (which was also her first live album), nineteen singles (including four as a featured artist), twenty-one music videos, and five promotional singles.Jessie J released her debut single, "Do It like a Dude", in the United Kingdom in November 2010, where it peaked at number two on the UK Singles Chart. It also reached number eight in New Zealand. Her follow-up single, "Price Tag", which featured B.o. B, was released in late January 2011, spending two weeks at number-one in the UK; selling over a million copies as of January 2012. The single also reached number 23 on the Billboard Hot 100 in the United States and peaked at number-one in France, Ireland, New Zealand, while reaching the top three in Australia, Germany and the Netherlands. Her debut album, Who You Are, was released in February 2011 and reached number two on the UK Albums Chart. It also reached the top 10 in Australia, Canada, Ireland and New Zealand, and number 11 in the US. The album's third single, "Nobody's Perfect", peaked at number nine in the UK, while its fourth single, "Who's Laughing Now", peaked at 16. The fifth single from the album, "Who You Are", earned Jessie a fourth top-ten hit in December 2011, when it peaked at number eight. A non-album single, "Domino", was released in some territories, peaking at number three in New Zealand, number five in Australia and became her first top ten single on the US Billboard Hot 100; peaking at number six. The track was later included on the repackaged edition of Who You Are in the UK and was released as the sixth single and became her second number-one single in the UK in January 2012. A seventh single, "LaserLight" taken from the platinum edition of the album it was released in May 2012; reaching the top 10 in the UK and Ireland. As a result of this, Cornish became the first British female to have six top-ten singles from the same album.The campaign for the second studio album Alive was launched in May 2013, with the worldwide release of "Wild". Featuring rappers Big Sean and Dizzee Rascal, the track reached number five in the United Kingdom and number six in Australia. A second single—"It's My Party"—preceded the release of the album on 15 September. "Alive" was released on 20 September 2013. The third and final single, Thunder, was released on 8 December 2013, and reached 18 in the UK and Ireland.Jessie J also appeared as a guest vocalist on James Morrison's single "Up" in November 2011. The single, released from the album The Awakening, reached number 30 in the United Kingdom. In December 2012, Jessie J featured on singer Daley's single "Remember Me"; a track which went on to reach number 24 in the UK. She also featured in "Calling All Hearts" with Robin Thicke and DJ Cassidy in spring 2014.Jessie J started the promotion of her third album with "Bang Bang", a collaboration with Ariana Grande and Nicki Minaj. The song debuted at number one in the UK and reached number three in the US. The next single, "Burnin Up" was a minor hit, peaking at number 86 on the US Billboard Hot 100 and number 100 on the Canadian Hot 100. The single peaked at number 73 in the UK. On 13 October 2014, Sweet Talker was released worldwide.In 2018 Jessie J released her fourth album R. O. S. E. in four parts, available as four separate EPs, titled Realisations, Obsessions, Sex, and Empowerment. The titles create an acronym for Rose, her mother's name and her favorite flower. The four EPs were released on 22, 23, 24, and 25 May.This recording reflects the Wikipedia text as of 00:09 UTC on Saturday, 22 March 2025.For the full current version of the article, see Jessie J discography on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.

JR has drummed on over 200 US Billboard Hot 100 songs and 50 Grammy winning tunes. He was in Rufus w/ Chaka Khan in the late 70s/early 80s, has released two solo albums, written for soundtracks, produced other artists, and has led various combos over the years. He is currently promoting his auto-biography King of the Groove. We discuss "Gonna Be Alright" from The Bronx, USA soundtrack (2020), "Flight 81" from his first solo album, Funkshui (2004), and "You're Really Out of Line" by Rufus from Seal in Red (1983). End song: "Tal Shia" by SRT from Vanguards of Groove (2023). Intro: "Higher Love" by Steve Winwood (1986). More at johnjrrobinson.com. Hear more Nakedly Examined Music. Support us on Patreon.

Í hesum Temaplátutátti hoyra vit um amerikanska bólkin Heart og spæla løg frá 1985-útgávuni, Heart, ið sum tann fyrsta hjá bólkinum varð givin út í samstarvi við Capitol Records plátufelagið. Talan var um eitt come back, ið vildi nakað, tí hetta sjálvheitisalbum var tað fyrsta og einasta plettskotið hjá Heart á US Billlboard 200. Harafturat inniheldur albumið fyrstu Heart singleplátu-a-síðuna, sum tey fingu fult fyri á US Billboard Hot 100 popplistanum fyri stakløg. Fyrsta januar 2019 hevði Heart útgivið tilsamans 16 album við upprunatilfari, umframt konsert- og savnsútgávur, og sølan sigur góð 35 milliónir eintøk, harav fleiri enn 22 milliónir eru seld í USA. Plátubarrin 8.2.2025  

Steve is the bassist for The Vapors. They are a new wave and power pop band that initially existed between 1978 and 1981. They are known for their hit, Turning Japanese, which hit number 3 on the UK Singles chart in 1980 and number 36 on the US Billboard Hot 100.  They reformed in 2016 and are releasing their fourth album, Wasp In A Jar.

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz dives into the career and influence of Óscar René Maydon Mesa, known professionally as Óscar Maydon, a pivotal figure in the corridos tumbados genre. Born on September 20, 1999, in Mexicali, Baja California, Maydon has transformed traditional corridos by infusing them with elements of hip-hop, trap, and contemporary music, starting his music journey in 2020 with a unique storytelling style that has captivated a new generation.Analytic Dreamz explores the cultural significance of corridos tumbados, explaining how Maydon has played a leading role in this subgenre, which often explores themes of luxury, wealth, and the drug trade, but with a modern twist. His contributions have not only revitalized the corrido format but have also made it resonate with younger audiences through his cinematic narrative style.Key milestones in Maydon's career are covered, including his debut album 'GXLE

Bon Jovi took the rock world by storm with their massive third album, "Slippery When Wet."  A big tour followed, and afterwards the band was anxious to demonstrate that they were not a one (album) hit wonder.  They got into the studio at Vancouver, BC in May of 1988 and quickly recorded their fourth studio album entitled New Jersey.  Originally going under the working title "Sons of Beaches," the band would settle on their home state as the name of the album.  Bon Jovi wanted to make a double album, but the record label balked, fearing that the higher price tag of a double album would impact sales.  The album still clocked in at close to an hour of play length, not uncommon during a time when CD's were beginning to stretch the length of albums past the more common album play times.The result was a stellar success, debuting on the Billboard 200 albums chart at number 8, before moving to the top spot a week later, where it would remain for four weeks.  Jon Bon Jovi and Richie Sambora wrote most of the songs on the album, with some assistance from songwriter Desmond Child.  Five singles from the album went into the top 10 on the Billboard Hot 100 chart, with two topping that chart.Bon Jovi would go on to an unusual achievement - remaining one of rock music's A-listers for decades.  Bon Jovi would continue to sell out arenas, a feat limited to groups such as U2, Metallica, Elton John, and the Rolling Stones.  Friend of the show Julie Doran brings us this stellar album.  We are also joined by friend of the show Steve Hardin as we cover for the absence of both Wayne and Lynch this week. In addition, fan of the Show Christian joins us to help Rob bring his Staff Pick.  Bad MedicineJon Bon Jovi and Richie Sambora collaborate with Desmond Child in the writing of this song which went to number 1 on the US charts.  The lyrics are pretty straightforward, comparing love to a drug.  "There ain't no doctor that can cure my disease."  The video features hand-held cameras provided to fans at the concert providing their "point of view" at the concert.Living In SinThe fifth single from the album still broke into the top 10 on the US Billboard Hot 100.  This power ballad has lyrics that explore love being more powerful than the expectations of society.  Bon Jovi is singing about his high school sweetheart, whom he would marry in Las Vegas while on the New Jersey Syndicate tour.Born to Be My BabyThis single is another example for the collaboration with Desmond Child, and peaked at number 3 on the Billboard Hot 100.  The song has a lot of similarities with Springsteen, with lyrics about a couple of working class lovers facing the world together.  The video took the opposite direction from many highly produced videos of the time, opting for low budget black-and-white.I'll Be There For YouThe big hit from the album was this number 1 power ballad.  With a runtime of 5:43, this song is the longest song to hit number 1 on the charts in 1989.  The lyrics describe a guy desperately seeking to get his girl back, this time forever.   ENTERTAINMENT TRACK:Put a Little Love in Your Heart by Al Green and Annie Lennox (from the motion picture “Scrooged”)Bill Murray stars in this retelling of "A Christmas Carol." STAFF PICKS:Armageddon It by Def LeppardRob starts off the staff picks with the sixth single from the multi-platinum album, "Hysteria."  High School Student and Fan of the Show, Christian, assists with his thoughts on the band. By the time this song hit number 3 on the US charts, the album had been out for well over a year.  The lyrics are a play on words - “Hey, but are you gettin' it?  Armageddon it.”Desire by U2Julie's staff pick has a blues feel and a Bo Diddley beat.  The song is both a critique of the glitzy televangelist making money off his followers, and the ambition and glitz surrounding a successful rock band.  It won a Grammy for Best Rock Performance by a Duo or Group in 1989. I'm Sorry by Hothouse FlowersBruce features a long lost hit from a Dublin group that combines Irish music with an eclectic mix of soul, gospel, and rock influences.  You know, we all have times when we're "sitting back on our deep pile reclining chair" thinking about our lives and “looking over our misdemeanors, misgivings, misfortunes, and Miss Whatever her name is," and say "I'm sorry.”Never Tear Us Apart by INXSSteve closes out the staff picks this week.  INXS lead singer Michael Hutchence wrote the lyrics that describe a couple with an instant, almost karmic connection when they first meet.    This is the fourth single off the album "Kick" and went to number 7 on the Billboard Hot 100. COMEDY TRACK:Wild Thing by Sam KenisonThe sultry sounds of Sam Kenison take us out with this angry cover of the Troggs classic.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

fWotD Episode 2726: Takin' It Back Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Monday, 21 October 2024 is Takin' It Back.Takin' It Back is the fifth major-label studio album by American singer-songwriter Meghan Trainor. Epic Records released the album on October 21, 2022. Trainor worked with producers including Federico Vindver, Gian Stone, Kid Harpoon, and Tyler Johnson. Featured artists include Scott Hoying, Teddy Swims, Theron Theron, Natti Natasha, and Arturo Sandoval. It is a doo-wop and bubblegum pop album, which Trainor conceived as a return to the sound of her debut major-label studio album, Title (2015), after its title track went viral on TikTok. Takin' It Back's lyrical themes revolve around motherhood and self-acceptance.Trainor promoted Takin' It Back with public appearances and televised performances on programs such as The Today Show and The Tonight Show Starring Jimmy Fallon. The album was supported by the release of two singles, "Bad for Me" and "Made You Look". The latter peaked at number 11 on the US Billboard Hot 100, becoming Trainor's first song to enter its top 20 since 2016, and reached the top 10 in other countries. Reviewers thought the album effectively showcased Trainor's maturity and growth over her career as well as her musicality, but they were divided on whether it was a progression from her earlier work. Takin' It Back debuted at number 16 on the US Billboard 200 and reached the top 40 in Australia, Canada, Denmark, the Netherlands, and Norway. A deluxe edition of the album, supported by the single "Mother", was released on March 10, 2023.This recording reflects the Wikipedia text as of 12:44 UTC on Tuesday, 5 November 2024.For the full current version of the article, see Takin' It Back on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kajal.

pWotD Episode 2724: Liam Payne Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 2,439,358 views on Wednesday, 16 October 2024 our article of the day is Liam Payne.Liam James Payne (29 August 1993 – 16 October 2024) was an English singer who rose to fame as a member of the pop boy band One Direction. Payne made his debut as a singer in 2008 when he auditioned for the British television series The X Factor. After being eliminated in the competition, he auditioned again in 2010 and was put into a group with four other boys to form One Direction, which went on to become one of the best-selling boy bands of all time. Payne worked with other producers under the monikers "Big Payno" and "Payno", creating remixes for songs by his group and Cheryl.After One Direction went into hiatus in 2015, Payne signed a recording contract with Republic Records in North America. In May 2017, Payne released "Strip That Down" as the lead single from his debut solo studio album. It peaked at number three on the UK Singles Chart and number ten on the US Billboard Hot 100, being certified platinum in both countries. His debut studio album, LP1, was released in December 2019. He sold over 18 million singles in under three years after One Direction's hiatus, and accumulated over 3.9 billion career streams in that span. Payne died on 16 October 2024, after falling from a third-floor balcony of a hotel in the Palermo neighbourhood of Buenos Aires, Argentina, at the age of 31.This recording reflects the Wikipedia text as of 04:41 UTC on Thursday, 17 October 2024.For the full current version of the article, see Liam Payne on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.

October 14, 2024: On this very special edition of PSYCHOTIC BUMP SCHOOL, DJ ROME puts the spotlight on the upcoming election and VP Harris' major announcement targeting one of her most loyal voters.PART 1: After an homage to the now annual Indigenous Peoples Day, DJ ROME puts the spotlight on VP KAMALA HARRIS' big announcement of the rollout of her agenda for black male voters. On a recent media blitz both in and outside of legacy media, HARRIS stopped by THE ROLAND MARTIN UNFILTERED show to lay out her plan in the midst of a very competitive presidential race against former occupant of the white house Donald Trump.PART 2: Former President Barack Obama made headlines over the weekend for his pointed observations toward male voters and their somewhat lukewarm support of VP Harris. A clip from AUGUSTUS CORBETT of The Defiant Lawyers' youtube channel breaks down what some are referring to as displaced vitriol against a sometimes cautious demographic.Indigenous Peoples Day recognizes the contributions and legacy of those who lived here long before Christopher Columbus erroneously claimed to have discovered America. President Joe Biden formally recognized Indigenous Peoples Day in 2021 by signing a proclamation stating that federal policies "systematically sought to assimilate and displace Native people and eradicate Native cultures."Featuring music by Public Enemy and RedboneRedbone: is an American rock band formed in Los Angeles, California, in 1969 by brothers Pat and Lolly Vegas. All members during their commercial peak and success were of Mexican American and Native American heritage, which was heavily reflected in their songs, stage costumes, and album art.They reached the Top 5 on the US Billboard Hot 100 chart in 1974 with their hit single, "Come and Get Your Love". The single went certified Gold selling over a million copies. It also made Redbone the first Native American band to reach the top five on the US Billboard Hot 100, with the song reaching number 5.

October 14, 2024: On this very special edition of PSYCHOTIC BUMP SCHOOL, DJ ROME puts the spotlight on the upcoming election and VP Harris' major announcement targeting one of her most loyal voters.PART 1: After an homage to the now annual Indigenous Peoples Day, DJ ROME puts the spotlight on VP KAMALA HARRIS' big announcement of the rollout of her agenda for black male voters. On a recent media blitz both in and outside of legacy media, HARRIS stopped by THE ROLAND MARTIN UNFILTERED show to lay out her plan in the midst of a very competitive presidential race against former occupant of the white house Donald Trump.PART 2: Former President Barack Obama made headlines over the weekend for his pointed observations toward male voters and their somewhat lukewarm support of VP Harris. A clip from AUGUSTUS CORBETT of The Defiant Lawyers' youtube channel breaks down what some are referring to as displaced vitriol against a sometimes cautious demographic.Indigenous Peoples Day recognizes the contributions and legacy of those who lived here long before Christopher Columbus erroneously claimed to have discovered America. President Joe Biden formally recognized Indigenous Peoples Day in 2021 by signing a proclamation stating that federal policies "systematically sought to assimilate and displace Native people and eradicate Native cultures."Featuring music by Public Enemy and RedboneRedbone: is an American rock band formed in Los Angeles, California, in 1969 by brothers Pat and Lolly Vegas. All members during their commercial peak and success were of Mexican American and Native American heritage, which was heavily reflected in their songs, stage costumes, and album art.They reached the Top 5 on the US Billboard Hot 100 chart in 1974 with their hit single, "Come and Get Your Love". The single went certified Gold selling over a million copies. It also made Redbone the first Native American band to reach the top five on the US Billboard Hot 100, with the song reaching number 5.

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

While Devo is known as an early 80's new wave synth pop band, their history goes back to 1973.  The classic lineup of Mark Mothersbaugh, Bob Mothersbaugh, Gerald Casale, Bob Casale, and Alan Myers developed the name Devo from "De-evolution," the idea that mankind is regressing to a herd mentality.  This was a bit of a joke idea that Gerald Casale and co-founder Bob Lewis formed while at Kent State University.  The band gained some local fame in 1976, and were signed to Warner Brothers in 1978 with recommendations from David Bowie and Iggy Pop.Freedom of Choice is Devo's third studio album and their breakout commercial success.  While their first two albums had generated some following, the commercial success was not at the level Warner Brothers sought, and the third album was considered a "make or break," one with the studio ready to drop the group.  Success did follow this album, with Devo exploiting the upcoming popularity of new wave while drifting a little bit towards R&B and funk sensibilities within their synth-pop framework.The album was recorded and mixed in six weeks, with bass, guitars, and drums being recorded together live, and with synthesizers and vocals being overdubbed later.   The album peaked at number 22 on the Billboard 200, and the big single, "Whip It," reached number 14 on the Billboard Hot 100 singles chart.Rob brings us this synthisizer-driven new wave album for this week's foray into the early 80's.Freedom of ChoiceThie post-punk title song initially sounds like it is about freedom of choice.  However, it is really about people not really having freedom of choice.  Consumerism - choosing between green sneakers and blue sneakers for example - isn't really choice at all.  "Freedom of choice is what you got.  Freedom from choice is what you want."Whip ItEveryone knows this signature Devo song.  Mark Mothersbaugh has stated that the song was written as a subtle Dale Carnegie-esque message to Jimmy Carter, saying "you can do it."  The song benefitted greatly from airplay on the fledgling cable channel MTV, where their strange video involving a guy knocking the clothes off a girl with a bullwhip received continual play.Gates of SteelThe lead song from side 2 is a bit of a commentary on the mechanization of humanity.  No matter how much we believe mankind has accomplished, we're not far removed from the ape.  "A man is real, not made of steel."Girl U WantThis was the first single released from the album, though it did not chart well.  The song was supposedly inspired by The Knack, though the track reminds us more of The Cars.  "She's just the girl, she's just the girl, the girl you want." ENTERTAINMENT TRACK:Fame by Irene Cara (from the motion picture “Fame”)Irene Cara sings the theme song and stars in this teen musical drama about students auditioning to study at the High School of Performing Arts. STAFF PICKS:Crazy Little Thing Called Love by QueenLynch's staff pick is a song inspired by Elvis Presley.  Freddie Mercury wrote the song lyrics in about 10 minutes, and the band created the song in about 30 minutes.  Mercury played lead guitar for the original stuido recording.  It was the first number 1 hit that Queen had on the US Billboard Hot 100 singles chart.  Cars by Gary NumanWayne brings us the signature song from Gary Numan.  It was inspired by an incident of road rage Numan experienced in London, where he had to lock his doors and drive on the sidewalk to avoid getting attacked.  He was safe in his car, and inspired to write a song in about 30 minutes.  It is a signature song of the New Wave genre, and there are no guitars in this track.Two Headed Dog (Red Temple Prayer) by Roky EricksonBruce features a strange hard rock song with lyrics inspired by Soviet scientist Vladimir Demikhov.  Demikhov's research focusted on organ transplants, and he conducted dog head transplants in the 1950's.  This song is off Erickson's debut album with his band the Aliens, and is considered a cult classic.  Call Me by Blondie Rob finishes the staff picks with a hit that feaured in the film "American Gigolo."  It went to number 1 on the Billboard Hot 100 for six weeks, the biggest hit of Blondie's career.  Lead vocalist Debbie Harry wrote the lyrics from the perspective of the main character in the film, a male prostitute.   INSTRUMENTAL TRACK:Airlane by Gary NumanWe close out with a double dip on new wave synth artist Gary Numan this week. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This week we are delving into one of the greats of Southern Rock.  Well, they are southern rock if you count southern California.  Little Feat took its name from a comment Frank Zappa made to his band member Lowell George regarding his having little feet. George would become a founder and driving force behind Little Feat, providing guitar and vocals.  Other members were Paul Barrere on guitar and vocals, Sam Clayton on percussion and vocals, Kenny Gradney on bass, Richie Hayward on drums and vocals, and Bill Payne on keyboards and vocals.Feats Don't Fail Me Now is the band's fourth studio album, and it went to number 36 on the US Top LP's chart.  It is hard to go wrong when, in addition to the regular band members you have the Tower of Power on horns, and backing vocals from Emmylou Harris and Bonnie Raitt.  The album was recorded at Blue Seas Recording Studio in Maryland, and it provided two advantages.  First, it had just opened and needed a band for their "shakedown cruise," letting Little Feat record on the cheap.  Second, it was far away from their home base in Los Angeles, which kept Lowell George away from many familiar temptions of drugs and women.While Lowell George would soon begin to deteriorate in health (he died of a heart attack in 1979), this album shows him and his band at the height of their artistic prowess.  The surviving members of Little Feat would regroup in 1987, and the band continues to perform today.Wayne takes us through this little feat of southen rock for this week's podcast. Feats Don't Fail Me NowThe title track received significant airplay on FM radio and it leads off side two of the album.  That driving bass line and funky drumbeat is sometimes called Country Funk Boogie.  The message of the song is one of perseverance and determination to get back the girl the singer loves.Oh AtlantaIf you were living in the metro-Atlanta area in the 70's or 80's, you definitely are familiar with this song.  Billy Payne takes lead vocal duties on this track, and it features Bonnie Raitt and Emmylou Harris on backing vocals.  "Well, you can drop me off on Peachtree, I got to feel that Georgia sun.  And the women there in Atlanta, they make you awfully glad you come."Spanish MoonThis track was written by Lowell George and features the Tower of Power horn section.  This is a deeper cut, but it has a latin groove while maintaining both a bluesy and funky sound.  The origin of the song is a dream George had of a dangerous nightclub in New Orleans called the Spanish Moon.Rock and Roll DoctorThe song considered the hit off the album is an anthem to the healing power of music.  "Two degress in bebop, a PhD in swing, he's a master of rhythm, he's a rock and roll king."   ENTERTAINMENT TRACK:Main theme from the motion picture “Together Brothers”The Love Unlimited Orchestra provided this title track to STAFF PICKS:Radar Love by Golden EarringLynch's starts our staff picks this week with a Dutch rock band originally formed in 1961.  Lead vocalist Barry Hay and guitarist George Kooymans wrote this single that reached number 13 on the US Billboard Hot 100 chart.  The lyrics describe a man driving a long way to be with his love, and communicating with her through a mystical bond he calls "radar love."Keep on Smilin' by Wet WillieBruce features the title track from Wet Willie's third studio album.  It is their biggest hit, reaching number 10 on the Billboard Hot 100.  The song itself is rather stoic, encouraging the listener to keep smiling through the difficulties and pain of life.The Night Chicago Died by Paper LaceRob's staff pick is a story telling song that topped the US chart for one week in 1974.  The lyrics describe a shoot-out between the Chicago Police and Al Capone's gangsters, and worries from the wife of a police officer that her husband wouldn't make it home.  The song ends on a positive note when her husband walks through the door.Beach Baby by The First ClassWayne brings us a British band made up of all session players.  They call themselves "the first class" because they considered themselves to be a kind of supergroup of the UK music session set.  This song would be a one-hit wonder, reaching number 4 in the US, but other singles would not see the same level of success. NOVELTY TRACK:Rub It In by Billy "Crash" CraddockThis novelty song hit the top of the country charts.  It may be more familiar as the jingle from Glade air fresheners, where they sing, "plug it in." Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Keyboardist: Gail NoblesThe New Radical sent us a positive message.The New Radicals was an American alternative rock band formed in 1997 in Los Angeles.  They recorded a song entitled You Get What You Give.  It was the first and most successful single from their only studio album, Maybe You've Been Brainwashed Too (1998). Released on November 3, 1998, it reached number 36 on the US Billboard Hot 100 and number eight on the Billboard Modern Rock Tracks chart.In 2006, Ice-T was asked on Late Night with Conan O'Brien about what he has heard, besides rap music, in the last few years that really grabbed him and his only reply was "You Get What You Give". In a Time interview, U2 lead guitarist the Edge is quoted saying "You Get What You Give" is the song he is "most jealous of. I really would love to have written that." Something about the song hit me too when I heard it. I was in the middle of a sad thought. It made me forget that thought. The song makes you want to do something. The song plants a seed of life. Those are the kind of songs we need that makes us want to go on living. ‘Songs like Get What You Give' by the New Radicals I'm Gail Nobles. Thank you for listening to the Cat Bear.

Keyboardist: Gail NoblesStory by: Gail NoblesPhoto: John Mathew SmithUsage: Wikimedia CC BY-SA 2.0MC Hammer believed in feeding people positive things through his music to help souls. He once said in an interview with Revolt: ‘that he grew up in a very negative and violent environment. He viewed music as a way to escape. He did not need to take his music and the same tension that was already happening around the house and in the street. So when he created songs, he wanted it to be a way to escape to places you never been to see things in your mind like pictures, positivity, romance, and love, and things that inspire you to do more. He wanted that in his music and to take you away from the negative things.' I knew I always liked him and his music for some reason. I thought the world of him when he made the rap song “Pray”. It was the truth. We got to pray just to make it today. It was a song released in August 1990, and even then there were negative things like violence going on. Hammer was encouraging people and telling the world how he worked hard to make it and on his knees every night to pray. Nothing happened until he prayed. Thank you Mr. MC Hammer for helping us to see something positive in your music. Thank you for encouraging us to keep on moving forward. Pray became Miss MC Hammer biggest hit on the US BillBoard Hot 100 where it peaked at number two. The track also became a top 40 hit in multiple countries. The song was certified gold in the US on November 26, 1990.

Swamp rock afficianados, this is your podcast!Despite forming in California, Creedence Clearwater Revival was known for their Louisiana sound often described as "swamp rock" or later as roots rock.  They tended towards an earlier rock sound during a time when much of their fellow performers were moving in a more psychedelic direction.  But CCR (as the band was known, or Creedence) would find prolific success in the time from 1969 to 1971 when they would produce 14 consecutive top 10 singles and five consecutive top 10 albums.The band featuring front man and multi instrumentalist John Fogerty, brother Tom Fogerty on rhythm guitar and backing vocals, Stu Cook on bass, and Doug Clifford on percussion got their start as a band playing rock standards and instrumentals in 1959 under the name "The Blue Velvets."  They changed their name to "the Golliwogs" in 1964, then became CCR in 1967.  The name Creedence Clearwater Revival comes from three sources - John Fogerty's friend Credence Newball, a beer commercial touting "clear water," and the word "revival" depicting the members' re-commitment to the band.Cosmo's Factory is the band's fifth studio album takes its title from the warehouse in Berkeley where the band practiced in early days.  Doug "Cosmo" Clifford called it "The Factory" because they practiced there almost daily.  This album went to number 1 on the Billboard 200 charts and remained there for nine weeks.  It is one of those albums that appears to be a "greatest hits" album rather than a studio release because of the number of very familiar songs originating on it.The group would be prolific, but short-lived.  Tom Fogerty left the group at the end of 1971 and the rest had an acrimonious falling out shortly thereafter.  But for a few years, CCR produced a gigantic body of work, despite never having a number 1 hit.Wayne takes us through this classic album of swamp rock for this week's podcast. Who'll Stop the RainOften considered a Viet Nam protest song, the inspiration for this track is actually Woodstock, where multitudes of music fans congregated in the rain to hear the music of the age.  It was released as a double A single along with "Travelin' Band," and went to number 2 on the American charts.Run Through the JungleAnother song mistakenly considered to be a Viet Nam protest (and often used that way in films), Fogerty wrote this about the proliferation of guns in the United States, comparing city streets to a jungle.  This was another double A single release, paired with "Up Around the Bend."  It has appeared in multiple films including "Air America," "Rudy," and "Tropic Thunder."Up Around the BendThis track is a more straightforward invitation to a gathering that is, as you might guess, up around the bend.  It went to number 4 on the Billboard Hot 100 charts and number 3 on the UK singles charts.  John Fogerty wrote this song, as he did most of the original CCR tracks.Travelin' BandThis song draws its inspiration from 1950's rock songs, particularly paying homage to the style of Little Richard.  The lyrics talk about a band on the road.  It's reference to "737 coming out of the sky" - a new passenger plane at the time the song was written - put the song on a list of inappropriate tracks in a post-9/11 memo by Clear Channel. ENTERTAINMENT TRACK:Main theme from the television series “Dark Shadows”A feature length horro film entitled "House of Dark Shadows" was released in 1970 based on the vampire soap opera.  STAFF PICKS:Tears of a Clown by Smokey Robinson & the MiraclesLynch's staff pick has upbeat music that belies the sad lyrics depicting a man who has to put on a happy front despite facing the loss of his love.  The track was originally recorded in 1966, but not released until 1970.  It topped both the UK charts and the US Billboard Hot 100.  Long Long Time by Linda RonstadtRob's staff pick may not be a rock song in the traditional sense, but it shows off the vocal capabilities of one of the leading female rock figures prior to her breakthrough as a soloist.  The song about a woman's undying love for a guy who will never be hers went to number 25 on the Billboard Hot 100.Ain't No Mountain High Enough by Diana RossBruce features a song written by Ashford and Simpson in 1966, and originally a hit for Marvin Gaye and Tammi Terrell who took it to number 19 on the Billboard Hot 100 in 1967.  Diana Ross released this as a solo song with a reworked sound incorporating gospel elements with strings and horns.  It went to number 1 making it Ross's first number 1 solo hit.Vehicle by The Ides of MarchWayne presents a one-hit wonder out of Chicago with a funky sound and a great horns section.  The vocalist and guitarist for The Ides of March would later become a founding member of Survivor.  General Motors used this song extensively in national advertising, and it will tend to get you driving faster! NOVELTY TRACK:Chicken Strut by the MetersThis novelty song inspired a short-lived dance, and wraps up this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

fWotD Episode 2564: Thank You (Meghan Trainor album) Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Sunday, 12 May 2024 is Thank You (Meghan Trainor album).Thank You is the second major-label studio album by American singer-songwriter Meghan Trainor. Epic Records released it on May 13, 2016, after a week of exclusive streaming on Apple Music. Trainor wrote most of its material with songwriter Jacob Kasher Hindlin and the album's producer Ricky Reed. Influenced by various genres including dance, hip hop, funk, and Caribbean music, Trainor conceived the album to showcase her versatility. It features guest appearances by Yo Gotti, LunchMoney Lewis, Trainor's mother, and R. City.Thank You is a pop, dance-pop, and R&B record which explores themes such as self-acceptance, empowerment, and Trainor's experiences with fame. She promoted the album with public appearances and televised performances. After its release, Trainor embarked on the Untouchable Tour (2016). Thank You included three singles: "No" and "Me Too", which respectively peaked at numbers three and thirteen on the US Billboard Hot 100, and "Better".Reviewers were divided about Thank You; a few thought its production was an improvement from Trainor's debut major-label studio album, Title (2015), while others believed it lacked artistic identity and criticized the lyrical themes. In the US, the album debuted at number three on the Billboard 200 with first week sales of 107,000 album-equivalent units. It peaked within the top five in Australia, Canada, New Zealand, Scotland, and the United Kingdom and received Platinum certifications in the US and Canada.This recording reflects the Wikipedia text as of 04:53 UTC on Friday, 17 May 2024.For the full current version of the article, see Thank You (Meghan Trainor album) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Kevin Neural.

This is the second of the three main Rat Pack members we will hear from here in season four of this show. This crooner is the one we DIDN'T get to see in concert with the other two back in March of 1988 at the Richfield Coliseum. He's a singer, actor, and comedian. One of the most popular entertainers of the mid-20th century, he was nicknamed "The King of Cool". And his music is still among the most streamed today. So, get ready to hear the voice that had just as many teenage girls swooning as Old Blue Eyes did in Volume 173: Dean's Swingin'. More information about this album, see the Discogs webpage for it.  Promised Links: Dean Martin's IMDB listing Dean Martin's official website About page.  Credits and copyrights Dean Martin Orchestra Conducted By Nelson Riddle – This Time I'm Swingin' Label: Capitol Records – T1442 Format: Vinyl, LP, Album, Mono, Los Angeles Pressing Released: Oct 3, 1960 Genre: Jazz Style: Easy Listening, Vocal, Swing It was recorded during three sessions in May of 1960. We will hear 7 of the 12 songs on the album. I Can't Believe That You're In Love With Me Written-By – Clarence Gaskill and Jimmy McHugh You're Nobody 'Til Somebody Loves You (the 1964 re-release reached number 25 on the US Billboard Hot 100 chart in 1964 and number 1 on the Billboard Easy Listening chart.) Written-By – James Cavanaugh, Larry Stock, and Russ Morgan Imagination Written-By – Jimmy Van Heusen and Johnny Burke Until The Real Thing Comes Along Written-By – Alberta Nichols, L.E. Freeman, Mann Holiner, Sammy Cahn and Saul Chaplin Please Don't Talk About Me When I'm Gone Written-By – Sam Stept and Sidney Clare Someday Written-By – Jimmie Hodges Just In Time Written-By – Adoph Green, Betty Comden and Jule Styne I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Because all of us presenters live in Georgia it is hard for us to believe that Cosmic Thing, the fifth studio album from The B-52's was the international breakthrough album.  We had been listening to “Rock Lobster” and “Private Idaho” for about a decade before this album came out.  But much of the B-52's discography was confined to college radio stations outside of their home state.  Cosmic Thing would really put the group on the map nationally and internationally.This album was also a comeback for the group.  The original group consisted of Fred Schneider on vocals, Kate Pierson on vocals and keyboard, Cindy Wilson on vocals and tambourine, Ricky Wilson on guitars, and Keith Strickland on percussion.  Ricky Wilson died of AIDS in October 1985, and hadn't told the band other than Keith Strickland that he had the then-terminal disease because he didn't want anyone worrying or fussing over him.  His death devastated the group, particularly his sister, Cindy Wilson.  The band did not tour to promote their 1985 album release “Bouncing off the Satellites,” nor did they put out any new music until 1989.When they got back together they decided to remain a foursome.  Keith Strickland moved to guitar and they brought in session drummers to fill in.  It took about a year to compose the songs from this album, with the group spending a lot of time working through their grief in the loss of Ricky Wilson.  The resulting album, however, was a tremendous success, with two songs breaking into the top 10 on the US Billboard Hot 100, the first songs of the group to do so.Bruce brings us this comeback album in this week's podcast. Love ShackThis has become the B-52's signature song.  It went to number 3 on the Billboard Hot 100 - the group's first top 40 hit.  The inspiration for this song was partly an African American club outside Athens, Georgia, called the “Hawaiian Ha-Le.”  It was a place that looked like a shack from the outside, but hosted a great selection of bands.Cosmic ThingThe title track and lead-off song to the album preceded the album by a few months.  It was released on the soundtrack to the film “Earth Girls Are Easy.”  It is also known as “(Shake That) Cosmic Thing.”Channel ZA deeper cut , this track has a little more political feel.  It discusses the changes happening in the world, along with pollution, radiation, and other concerns.  “Space junk, laser bombs, ozone holes, better put up my umbrella!”  The band never lost their dance connection, with songs leaning more towards party and less towards politics.RoamThe second big hit leads off side 2, and also went to number 3 on the Billboard Hot 100.  Kate Pierson and Cindy Wilson duet on this song, making it the only vocal track on the album in which Fred Schneider doesn't have a vocal.  It was the second and final US top-10 hit for the group. ENTERTAINMENT TRACK:It Had to Be You by Harry Connick, Jr. (from the motion picture “When Harry Met Sally”)Billy Crystal and Meg Ryan star in this romantic comedy, with Harry Connick, Jr. providing most of the soundtrack. STAFF PICKS:I'll Be You by the ReplacementsWayne features a Minnesota band which got their start in the punk genre before moving to alternative rock.  This song plays in the bachelor party in the 1996 comedy “Jerry Maguire.”  The replacements formed in 1979, and it would be 10 years before this song would be their sole entry into the top 100, peaking at number 51.Free Fallin' by Tom PettyLynch's staff pick is a big hit off Petty's solo album “Full Moon Fever.”  This song documents the feelings that a guy has after breaking up with his girl.  Petty has ELO founder and fellow Traveling Wilburys member Jeff Lynne joining him on this single, providing synthesizer, bass, acoustic guitar, and backing vocals.Lay Your Hands On Me  by Bon JoviRob brings us an epic rock song from Jon Bon Jovi off the album “New Jersey.” This one hit number 7 on the Billboard Hot 100, the fourth single from the album to break into the top 10 on the pop charts.  Dolly Parton covered this single in 2014, rearranged as a gospel song.If Dirt Were Dollars by Don HenleyBruce closes out the staff picks with a deeper cut off Henley's massive album “End of the Innocence.” Never one to shy away from politics and culture, Henley rails in this track against materialism, hypocrisy, false patriotism, and hubris.  “These days the buck stops nowhere, no one takes the blame.  But evil is still evil in anybody's name.” INSTRUMENTAL TRACK:It Had to Be You by Harry Connick, Jr.We double dip on the Entertainment track to end this week's podcast, as Connick did a vocal and instrumental version of this classic song.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

rWotD Episode 2504: Devils Haircut Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Tuesday, 12 March 2024 is Devils Haircut."Devils Haircut" is a song by the American musician Beck, released in December 1996 by DGC Records as the second single from his fifth album, Odelay (1996). Both co-written and co-produced by Beck, the song peaked at number 94 on the US Billboard Hot 100, number 23 on the Billboard Modern Rock Tracks chart and number 22 on the UK Singles Chart. Its music video was directed by Mark Romanek and filmed in New York City. Q Magazine included "Devil's Haircut" in their list of the "1001 Best Songs Ever" in 2003.This recording reflects the Wikipedia text as of 00:54 UTC on Tuesday, 12 March 2024.For the full current version of the article, see Devils Haircut on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Salli Standard.

Dunstan is a British musician and filmmaker who is perhaps best known for his work with Leeds based anarcho-punk band Chumbawamba of which he was a founding member.  At the beginning of 1982, he joined Chumbawamba and was the lead singer of the band's biggest hit single, Tubthumping. (It peaked at number six on the US Billboard Hot 100.) He left the band at the end of 2004. He is the lead singer of Interrobang?!, an agitprop post-punk band he formed in 2012 with ex-Chumbawamba drummer Harry Hamer and ex-Regular Fries guitarist Stephen Griffin. They released a critically acclaimed eponymous album in 2018. He also has been directing documentaries, his latest was about his former band and titled, "I Get Knocked Down."

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The Electric Light Orchestra, also known as E.L.O., was formed in Birmingham in 1970 by multi-instrumentalists Jeff Lynne and Roy Wood, and by percussionist Bev Bevan.  Wood was in a band called the Move in 1968 and had the idea of a new band which would feature classical instruments more prominently than the guitars, hoping to "pick up where the Beatles left off."  He recruited Lynne to the cause in 1970.  Wood would leave the band in 1972 at which point Lynne would be the leader of the band, producing and arranging all the albums and writing most of the songs.Face the Music was ELO's fifth studio album, and the one which would be their real worldwide breakthrough.  The album moved away from the large-scale orchestral pieces and contained more single-friendly material.  It would be the first ELO album to go Platinum.   The band at the time consisted of multi-instrumentalist and creative heart Jeff Lynne, Bev Bevan on percussion, Richard Tandy on keyboard, Kelly Groucutt on bass and vocals, Mik Kaminski on violin, Hugh McDowell on cello, and Melvyn Gale on cello.  Louis Clark was the conductor of the orchestra and did some of the orchestral and choral arrangements along with Lynne and Tandy.We're catching ELO on their way up with this album.  The band would hit the pinnacle of their success with 1977's double album "Out of the Blue."  In 1986 Lynne would leave the group to pursue other projects, while Bevan would form the group "ELO, part II," eventually renamed "The Orchestra."  Lynne would reform the group as Jeff Lynne's ELO  along with Richard Tandy in 2014.Bruce presents this symphonic rock album in this week's podcast. Fire On HighThe opening track is a largely instrumental piece.  Drummer Bev Bevan is vocalizing the backward lyrics, "The music is reversible but time is not.  Turn back, turn back, turn back, turn back!"  Lynne had received criticism from some fundamentalist groups about backward masking on the El Dorado album, and this is his joking response.  The song's mix of symphony with rock and roll was played at home games for the Atlanta Thrashers hockey team.Strange MagicThis was the second single from the album and features keyboardist Richard Tandy playing the guitar part while Lynne plays a 12-string acoustic fed through a phase shifter.  It went to number 14 on the Billboard Hot 100.NightriderWhile this is a deeper cut, it actually was released as a single and just didn't chart.  Bassist Kelly Groucutt takes turns with Jeff Lynne to provide lead vocals on this song.  The title was also the title of Lynne's first major band prior to forming ELO. Evil WomanThis song about a bad woman is the first single and the big hit off the album.  As seems common with many hit singles, it was originally written as a filler track to give the album a longer runtime with no thought to its being a hit.  Lynne wrote it in about 30 minutes.  It went to number 10 on both the US Billboard Hot 100 and the UK singles charts. ENTERTAINMENT TRACK:Theme from Mahogany (Do You Know Where You're Going To) (from the motion picture "Mahogany")Diana Ross stars in this film about a woman torn between a life in Rome as a fashion designer and life in Chicago with the man she loves.  Ross sane the theme as well. STAFF PICKS:Fool for the City by FoghatWayne launches the staff picks with this rocking tribute to the city from the Platinum-selling album of the same name.  "I'm ready for the city, air pollution, here I come."  The album cover features the drummer fishing in a manhole in New York City.  New York City policemen on patrol stopped at the scene and jokingly asked if they had a fishing license.  Foghat came out of the remnants of a group called Savoy Brown. They Just Can't Stop It (Games People Play)  by The SpinnersRob features a crossover success that hit the number 1 spot on the US Hot Soul Singles chart and number 5 on the Billboard Hot 100.  The song was recorded at Philadelphia's Signa Sound Studios, and the female vocals are provided by the studio backing vocal group called Sweethearts of Sigma - Carla Benson, Evette Benton, and Barbara Ingram.  Evette Benton is the lead female voice on the song.Lyin' Eyes by the EaglesCalifornia country is the focus of Lynch's staff pick.  Lyin' Eyes appeared on the Eagles' 1975 album "One of These Nights," and was written by Henley and Frey.  Don Henley took lead vocal duties on this one.  It went to number 2 on the Billboard Hot 100 and won a Grammy for Best Pop Performance by a Duo or Group with Vocals.  The origin of the song was observing young attractive women in Hollywood dating older rich guys.Bad Blood by Neil SedakaBruce brings us a lost number 1 hit.  Sedaka was better known for his work in the 1950's and early 60's, but had a revival during the mid-70's.  This song about a woman who is trouble also features an uncredited vocal by Elton John.  Sedaka sings and plays piano on this song, while David Foster provides the keyboard work. INSTRUMENTAL TRACK:Will o' the Wisp by Leon RussellWe finish off with a brief piano instrumental from singer-songwriter Leon Russell's album of the same name. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

fWotD Episode 2462: Treat Myself Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Wednesday, 31 January 2024 is Treat Myself.Treat Myself is the third major-label studio album by the American singer-songwriter Meghan Trainor. Epic Records released it on January 31, 2020, after delaying it for over a year from its originally scheduled release date. Trainor worked with producers including Mike Sabath, Tyler Johnson, Ojivolta, and Andrew Wells. Initially inspired by pop artists and her experiences with panic disorder, Trainor rewrote the album to adapt to changing trends in the music industry and the rising popularity of hip-hop. It features guest appearances by Sabath, Nicki Minaj, Lennon Stella, Sasha Sloan, the Pussycat Dolls, and AJ Mitchell.Treat Myself is a pop, doo-wop, funk, and R&B album with hip-hop influences which explores themes such as female duality, body image, self-esteem issues, and relationships. Trainor promoted the album with public appearances and televised performances. Several tracks released in 2018 were scrapped from it after the delay. Treat Myself includes three singles: "No Excuses" (2018) and "Nice to Meet Ya" (2020), which respectively peaked at numbers 46 and 89 on the US Billboard Hot 100, and "Wave" (2019).Some reviewers thought the quality of Treat Myself was worth being awaited and effectively showcased Trainor's artistic range, while others commented on its production choices and criticized its lyrical themes. In the US, the album debuted at number 25 on the Billboard 200. It peaked within the top 40 in Australia, Canada, New Zealand, Scotland, Spain, and Switzerland.This recording reflects the Wikipedia text as of 00:03 UTC on Wednesday, 31 January 2024.For the full current version of the article, see Treat Myself on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Joanna Neural.

Dr. Hook & the Medicine Show was an American rock band formed in New Jersey in 1968. They enjoyed huge commercial success in the 1970s with hit singles including "Sylvia's Mother", "The Cover of 'Rolling Stone'", "Only Sixteen" and "A Little Bit More." Dr. Hook and the Medicine Show owes much of their success to poet Shel Silverstein. The band had 8 years of regular chart hits. Their music spanned several genres, mostly novelty songs and acoustic ballads in the early years but then with their later material that consisted of disco-influenced soft rock. The band was then known as Dr. Hook. Founded by Southerners, George Cummings, Ray Sawyer and Billy Francis, Dennis Locorriere joined the band as vocalist. The "Hook" in their name was inspired by Sawyer's eyepatch and a reference to Captain Hook of the Peter Pan fairy tale. Ray Sawyer had lost his right eye in a car crash in 1967, and thereafter always wore an eyepatch. For a while the group found it difficult to crack the bigtime. Luckily, in 1970 a musical director on an upcoming movie heard their tapes. Cartoonist, poet/songwriter Shel Silverstein decided Dr. Hook was the ideal group for the soundtrack. That movie helped Dr. Hook secure their first recording contract. Clive Davis signed the band and they went on to international success. Silverstein wrote all the songs for their 1972 debut album. The single "Sylvia's Mother" flopped on first release, but eventually became the band's first million-seller. Silverstein continued to write songs for Dr. Hook, including their entire second album, Sloppy Seconds.The band's second single, Silverstein's "The Cover of 'Rolling Stone'" (1972), was another million-selling disc, poking fun at the idea that a musician had "made it" if they had been pictured on the cover of Rolling Stone. In the United Kingdom, the BBC Radio network refused to play "The Cover of 'Rolling Stone'", because it considered doing so would be advertising a trademark name, which was against the BBC's policy (previously, the Kinks had to change "Coca-Cola" to "Cherry Cola" in their song "Lola" to get around the rule). Dr. Hook became just as famed for their crazed stage antics, which ranged from surreal banter to impersonating their own opening acts, but it was the group's nonchalance about business matters that led to bankruptcy. The group's line-up changed a few times over the years.  And in 1975 the band shortened its name to Dr. Hook. They signed with Capitol Records in 1975 and released a reworked version of Sam Cooke's "Only Sixteen" which revitalised their career and charted in the top ten the following year. When they released a song called "A Little Bit More" soon after, it charted at number 11 on the US Billboard Hot 100 and spent two weeks at number nine on the Cash Box Top 100. It also reached number two on the UK Singles Chart and became Dr. Hook's joint second-best UK chart placing, matching "Sylvia's Mother". Follow-ups to "A Little Bit More" included "Sharing the Night Together", "When You're in Love with a Beautiful Woman", "Better Love Next Time", and "Sexy Eyes" which featured prominent female backup singers. Each single became a certified million-seller. Ray Sawyer left the band in 1983 to pursue a solo career, while the band continued to tour successfully for another couple of years, ending with Dr. Hook's One and Only Farewell Tour in 1985, with Locorriere as the sole front man. Dennis retained ownership of the Dr. Hook name and continued to tour and release his own solo albums. Ray Sawyer did not perform publicly after his last tour in 2015. Sawyer died in 2018. This week Dennis Locorriere is our special guest. During our chat he speaks openly and honestly about his career and his affection for Ray Sawyer as well as his admiration for Shel Silverstein, without whom he'd still be playing the New Jersey club scene. For more information about Dennis Locorrierre https://www.dennislocorriere.com/  

John Waite was in The Babys, out front of two pop hits that both peaked at No. 13 on the Billboard Hot 100, ("Isn't It Time" and "Everytime I Think of You") His solo career started with a really good but forgotten 1982 debut album Ignition, which produced the single "Change". It didn't chart on Billboard's Hot 100 during its initial release (June 1982) but was #16 rock track on AOR radio stations and was produced by the great Bob Clearmountain.  And Patty Smyth sings background vocals on "Change" But it was the album No Brakes that gave him his career a real path to moving forward. "Missing You" went to No. 1 on the US Billboard Hot 100 singles chart and the album was a top 10 record. We spend our time digging into his often-overlooked career. A guy with a distinctive voice that rocks. “Perched perfectly between anthemic mainstream rock and sleek post-new wave pop, it was a minor miracle -- a flawlessly written, classicist pop song, delivered with a stylish, MTV-ready flair. It deservedly became not just a number one hit, but one of those records that everybody knows”  -- Stephen Thomas Erlwine  / allmusic.com Waite had two more singles from No Brakes, including "Tears" which was a #8 hit on the Billboard Mainstream Rock chart and #37 top 40. His next album had a single, "Every Step of the Way" that got radio play (#4 rock charts and  #25 top 40 and would be his last top 40 hit. He did join former Babys bandmates Jonathan Cain and Ricky Phillips, along with Neal Schon and drummer Deen Castronovo from Journey, to form Bad English and the 1989 ballad "When I See You Smile" went to No. 1 on Billboard's Hot 100 and the album sold nearly two million copies.  I didn't love that band, but I've always had a spot for John Waite in my rocker heart. He kept going after the band broke up. But he keeps going. Waite is not always the first thought as a terrific rock band frontman - but he was - and is. He is still on the road.  A singer who fronts a band like someone who wants to be there.  Who has been there.  He's 72 years old.  He's on tour as I recorded this, with dates booked well into 2024.  One who is worth mentioning if you talk about great rock and roll frontmen of the past, for like 50 years. He's a rock and roll lifer still working.  There is honor in that.   *** Read Rob's current and archived writing at rockforwardmusic.com WEBSITE: rockpopandroll.com EMAIL: rockpoprollpodcast@gmail.com SUBSCRIBE: Apple Podcasts Spotify Google Podcasts

Andy McCluskey is a founding member and lead vocalist of OMD (aka Orchestral Manoeuvres In The Dark). His band has sold over 40 million records worldwide. They are electronic synth pioneers and one of Britains' best-loved pop groups. OMD conquered the United States with their 1986 hit, "If You Leave" from the Pretty In Pink soundtrack. They have also achieved 12 top 20 hits on the UK Singles Chart and three top 20 hits on the US Billboard Hot 100.   Following the celebration of their 40th anniversary last year, OMD have released their first new studio album since the 2017 release of The Punishment Of Luxury, a record entitled Bauhaus Staircase. The new album dropped on October 27th, 2023. The press release says Bauhaus Staircase is OMD's most explicitly political record; however Andy tells me that art and politics have always been at the forefront of their songwriting themes.   Like many artists, Andy rediscovered his creativity, thanks to the boredom of lockdown. We talk about this, plus their new album, the band's stunning new music videos, memories of the first OMD gig, art, politics, OMD's participation in the forthcoming Dark Waves Festival, Liverpool F.C., and the longevity of his voice.   It was a great pleasure speaking with Andy. Our time went too fast, but what can we do. He's very busy with interviews, concerts and various media projects.    Find the new album and all things OMD at omd.uk.com. Please enjoy my conversation with Andy McCluskey of OMD. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. This episode was powered by Music Marketing Method, a program for independent musicians looking to grow their music career. Music Marketing Method was created by my good friend Lynz Crichton. I'm in the program and I'm learning tons! I'm growing my fan base and learning about many ways that I'll be earning money in the new year. It's also helping me grow this podcast. How cool is that? To lean more and find out if Music Marketing Method can help your music career, visit UnstarvingMusician.com/MusicMarketing. This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com. It's free and you can unsubscribe at anytime. Mentions and Related Episodes OMD.UK.com Darker Wave Festival Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com to sign up for Liner Notes to learn what I'm learning from the best indie musicians and music industry professionals. Stay in touch! @RobonzoDrummer on Twitter  and  Instagram @UnstarvingMusician on Facebook  and  YouTube 

"Sounds of '91: Jerry Garcia Band Live and Marijuana News Unveiled"Larry Mishkin  focuses on Jerry Garcia music and breaking stories related to marijuana. He introduces a Jerry Garcia Band performance from November 15, 1991, at Madison Square Garden and delves into the details of the songs performed, particularly highlighting "How Sweet It Is To Be Loved By You" and a cover of Bob Dylan's "Simple Twist of Fate." Amidst the music commentary, Larry also addresses significant marijuana-related news, emphasizing recent studies suggesting a potential connection between marijuana use and heart issues. He, however, points out limitations in the studies and emphasizes the need for a more comprehensive examination of the subject..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast   Jerry Garcia BandNovember 15, 1991MSGNY, NYJerry Garcia Band 1991-11-15 FOB Schoeps Brotman Metchick Anon Noel t-flac1648 : Joe Noel : Free Download, Borrow, and Streaming : Internet Archive  INTRO:               How Sweet It Is To Be Loved By You                           Track No. 2                           0:00 – 1:30 How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"  Released on Nov. 4, 1964 with Forever on the B-side. Cash Box described it as "a medium-paced, rollicking chorus-backed ode about a fella who's on top of the world since he met up with Miss Right."[4]AllMusic critic Jason Ankeny described the song as a "radiant pop confection," noting that it was unusual for Gaye in being a "straightforward love song" that doesn't reflect Gaye's usual demons.[5] Ankeny commented on the soulfulness of the song, and particularly noted the piano riff. James Taylor released his version of "How Sweet It Is (To Be Loved by You)" as the lead single from his album Gorilla (1975).[11]Taylor's 1975 single has been the most successful remake of the song to date, hitting number one on the Easy Listening chart and number five on the US Billboard Hot 100 chart. Long a staple of the JGB's set lists, First played on September 18, 1975 a Sophie's in Palo AltoLast played on April 23, 1995 at the Warfield Theater in S.F.Total played 373 times, by far the JGB's most played tune (Midnight Moonlight is 2d at 344) Usually a show opener.   There are three Dead shows on Nov. 13 and six JGB shows.  Of those six, none are available on Archivd.org.  So I am dong a JGB show two days later on Nov. 15, 1991 from MSG.  The standard JGB lineup for that time: Jerry Garcia; guitar, vocals- John Kahn; bass- Melvin Seals; keyboards- David Kemper; drums- Jaclyn LaBranch; backing vocals- Gloria Jones; backing vocals Great musicians, great vocals, its 1991, but Jerry is rocking. A fun night with Blues Traveler as the opening act. This show was released as Garcia Live Vol. 16 SHOW #1:                        Simple Twist of Fate                                         Track No. 5                                         3:00 – 4:40               In 1975, Bob Dylan released his album Blood on the Tracks, which included the song “Simple Twist of Fate.” The song is a haunting ballad about a failed relationship, and many fans have speculated about who Dylan wrote it about. While Dylan has never confirmed the identity of the song's subject, many believe that he wrote it about his former girlfriend, Joan Baez. Bob Dylan's message is one of hope and change. He speaks of a world that is better than the one we currently live in and urges people to work together to make it a reality. He also advocates for peace and love, and has said that these are the only things that can truly change the world. Always a big fan of Dylan, Garcia played this song 217 times, the first on July 4, 1976 at the Great American Music Hall in S.F. and the last on April 23, 1995 at the Warfield in S.F.  If you are wondering why that April 23, 1995 dates keeps popping up, that was the last JGB show. SHOW #2:                        Lay Down Sally                                         Track No. 6                                         1:40 – 3:15 "Lay Down Sally" is a song performed by Eric Clapton, and written by Clapton, Marcy Levy, and George Terry. It appeared on his November 1977 album Slowhand, and reached No. 3 on the BillboardHot 100 chart.  It was released as a single with Cocaine on the B-side, quite the heavy hitting release.  It was the song of the summer of 1978 and always one of Slow Hand's favorite songs. "Lay Down Sally" is a country blues song performed in the style of J. J. Cale. Clapton explained, "It's as close as I can get, being English, but the band being a Tulsa band, they play like that naturally. You couldn't get them to do an English rock sound, no way. Their idea of a driving beat isn't being loud or anything. It's subtle."Billboard magazine described Clapton's vocal as "low key but earthy" and also praised Marcy Levy's backing vocals.[5]Cash Box praised Clapton's "guitar finesse."JGB covered the tune 54 timesFirst: November 20, 1990 Warfield, SFLast: March 4, 1995 Warfield, SF Gets a great crowd reaction and Jerry loves jamming on Clapton tunes. Link to picture of Garcia and Clapton from back in the day:  Jerry Garcia & Eric Clapton Pose | Grateful Dead Clapton interviewed on the Dead in 1968:Have you heard the Grateful Dead record?A:  “Yeah, it's great.” Peter Townshend said he saw the Dead at the Pop Festival, and called them “one of the original ropeys.” A:   “Ropey! That means a drag. I don't think the quality of their music is as high as a lot of other good recording bands. People are more concerned with live music, maybe, than with recording. I'm not sure of that. I'm guessing. If the Grateful Dead are one of the best, they're not doing a very good job on record.”What do you think of the guitar playing? Jerry Garcia's synthesis of blues, jazz and country and western, with a little jug band thrown in?A:   “It's very good, and very tight, but it's not really my bag.” SHOW #3:       Deal                        Track No. 9                        2:46 – 4:15 Finally, a Garcia tune!  And one of his best.One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel”. It's also worth noting that the classic folk song, “Don't Let Your Deal Go Down”, first recorded in 1925 by Charlie Poole and the North Carolina Ramblers contains many similarities to the Grateful Dead song. Hunter was known to pull references from a wide variety of sources in his songwriting, and it is highly likely he was familiar with the tune. JGB played it 291 times in concert.  First on March 4, 1978 at the Keystone in Palo Alto, CALast time on April 23, 1995 at the Warfield Grateful Dead played it 422 timesFirst on Feb. 19, 1971 at the Capitol Theater in Port Chester, NYLast on June 18, 1995 at Giant's Stadium in East Rutherford, NJ.Longest absence from the rotation was 29 shows from Oct. 2, 1988 at Shoreline in lovely Mountain View, CA and then not again until April 11, 1989 at the Rosemont Horizon in Rosemont, IL You had to be trying really hard, or just be really unlucky to never catch this tune during those days.  I still say it is the best Garcia tune, great music, great tempo, Jerry loved to jam on this tune and his voice really made the song.  Almost always a first set closer.  SHOW #4:               Ain't No Bread In The Breadbox                                Track No. 14                                1:22 – 3:02 Written by Phillip Jackson (September 28, 1951[1] – October 30, 2009),[2] best known as Norton Buffalo, was an American singer-songwriter, countryand blues harmonica player, record producer, bandleader and recording artist who was a versatile proponent of the harmonica, including chromatic[3] and diatonic. In early 1976 Buffalo joined the "farewell" European tour of Commander Cody and His Lost Planet Airmen, and was recorded on the band's final live album We've Got a Live One Here!,[5] which included Buffalo's song "Eighteen Wheels." After the tour, Buffalo returned to California, briefly played with a number of local bands, and later in 1976 he joined the Steve Miller Band's Fly Like an Eagle Tour. He also played harmonica on the band's hit follow-up album Book of Dreams, released in May 1977. Buffalo appeared on the tracks "Winter Time" and "The Stake." By the late 1970s Buffalo had formed his own band, The Stampede, and recorded two Capitol Records albums: Lovin' in the Valley of the Moon and Desert Horizon. In 1977 his harmonica work appeared on Bonnie Raitt's Sweet Forgiveness and The Doobie Brothers' Livin' on the Fault Line albums. He was a member of the Mickey Hart band High Noon in the late 70s and early 80s with Merl Saunders, Mike Hinton, Jim McPhearson, Vicki Randle, and Bobby Vega, and played with Saunders on the Rainforest Band album It's in the Air in 1993. Ain't No Bread In The Breadbox was performed 65 times by the Jerry Garcia Band.First time on Nov. 6, 1991at the Cap Center in Landover, MD (just 9 days earlier but this was already the band's 7th performance of the tune.  Jerry really liked it. The song was played by Phil Lesh with Norton Buffalo, Boz Scaggs and others in 2004. The song was also played by Billy & The Kids in 2021.                        OUTRO:                  What A Wonderful World                                Track No. 19                                1:55 – 3:37 "What a Wonderful World" is a song written by Bob Thiele (as "George Douglas") and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single. In April 1968, it topped the pop chart in the United Kingdom,[2] but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100.[3] Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In Graham Nash's book Off the Record: Songwriters on Songwriting, George Weiss says he wrote the song specifically for Louis Armstrong, as he was inspired by Armstrong's ability to bring together people of different races. JGB played the song 12 times in concertFirst was on Nov. 6. 1991 at the Cap Centre in Maryland (again, just 9 days before this show, this was the band's 4th performance of the tuneLast Oct. 31, 1992 at Oakland Alameda County Colisium.Just in the rotation for one year.But who can't love Jerry channeling his inner Louis Armstrong and harmonizing the Jackie and Gloria.  A great way to end a show and send everyone home with a smile and warm fuzzy feeling.A perfect night with Jerry.  Mishkin Law, LLC500 Skokie Blvd.Suite 325Northbrook, IL  60062Cell: (847) 812-1298Office Direct: (847) 504-1480lmishkin@mishkin.law

On this episode Shawn interviews Shawn Mims better known as Mims (for Music Is My Savior), is an American rapper from New York City, New York. He is perhaps best known for his commercial debut single "This Is Why I'm Hot", which peaked at number one on the US Billboard Hot 100 chart. Following the release of his hit single, Mims' debut album, Music Is My Savior, was released in March 2007.He will discuss the following:What's it like to have the #1 song in the country Best advice to inspiring artist Being a black tech entrepreneur To learn more about Mims follow him on Instagram: https://www.instagram.com/mimslifeSONW Resources:Signup for PodProMax: https://podpromax.com/Signup for my new pocdasting course:https://schoolsovernowwhat.thinkific.com/courses/podcast-secrets-revealed-the-course Download my ebook "Podcast Secrets Revealed":https://shawnanthony.lpages.co/podcast-secrets-revealed-ebook/ Support SONW with Patreon and get exclusive content:https://www.patreon.com/schoolsovernowwhatJoin the SONW Academy for 1-1 Coaching from Shawn:https://www.schoolsovernowwhat.com/academyAbout School's Over...Now What?Join Shawn Anthony as he talks to fearless business leaders who've shattered conventional wisdom to achieve massive success. In each weekly episode, our guests share jaw-dropping stories of overcoming seemingly insurmountable obstacles. Most importantly, they've answered the question we've all asked “School's Over…Now What?” Get inspired and access cutting-edge strategies that'll transform your business and life. New episodes every Friday on YouTube, Spotify, Apple Podcasts and all major podcast platforms. Contact InfoInstagram: https://www.instagram.com/shawnranthony_/ Website: https://www.schoolsovernowwhat.com/YouTube: https://www.youtube.com/channel/UCIwYX2OncZFiq6Vv8EYKceA/Twitter: https://twitter.com/shawnranthony_ Press/Interview Requests: fenton@schoolsovernowwhat.com

PBS, ABCLarry Chance ( 1940-2023)A Year Ago, I Had the Pleasure of Speaking with Larry Chance about his Long Successful Career, He Transitioned a week ago. He was Touring & Recording New Music till The End. Here is a Tribute to one of the Best Vocalists in Doo Wop, Many Genre's of Music & Wonderful Gentleman!I LOVE  Music History, I Get to go Back BEFORE my Time!Larry Chance was the driving force behind the group's formation and success. Chance grew up in Philadelphia and attended high school with Chubby Checker, Frankie Avalon, and Danny Rapp of Danny & the Juniors. But it was not until 1957 that he moved with his parents to the Bronx after high school, that his musical career took off.Chance formed a group at the Tecumsa Social Club, known as the Hi-Hatters. The group was Chance, Bob Del Din, Eddie Harder, Larry Palombo and John Wray. Later, in 1961, the Earls lost their original member Larry Palombo in an army skydiving accident. In 1961, Rome released the Earls' first record – "Life is But a Dream" (Rome 101 – 1961)  The group then performed with Murray the K and on Dick Clark's American Bandstand show. In 1962, the group hooked up with Stan Vincent and recorded "Remember Then" for Old Town Records (Old Town 1130). It was a hit, peaking at #24 on the US Billboard Hot 100 chart in 1963. Chance co-wrote the group's next single The group scored another hit in 1963 on Old Town with "Eyes" (Old Town 1141). Later, a demo "I Believe" was released (Old Town 1149–1963) .I Believe" became a much bigger record from the 1970s onward as it received heavy airplay on NYC oldies radio.In 1989, they were on Broadway performing in the original production of A Bronx Tale, a one man play by Chazz Palminteri.A Bronx Tale. They received a BMI Award of Recognition of a Musical Work. LarryChanceandtheEarls.com© 2023 Building Abundant Success!! All Rights ReservedJoin Me  ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me  Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Hard Candy is the 11th studio album by American singer-songwriter Madonna. It was released on April 19, 2008 by Warner Bros. The first single from the album, "4 Minutes" has Justin Timberlake and Timbaland singing in it. It went on to top charts around the world and reached number three on the US Billboard Hot 100. The second single, "Give It 2 Me", has vocals from Pharrell Williams of The Neptunes. It reached the top ten in Canada and the UK. Hard Candy was number one in several countries. Madonna did The Sticky and Sweet Tour to promote the album. Hard Candy has sold over four million copies around the world. It was certified Gold in the United States for shipments of over 500,000 copies

Jay Jenkins, known by his stage name Jeezy (or Young Jeezy), is an American rapper who signed to Def Jam Records in 2004 and has never shied away from talking about his life in his music. But for this Grammy-nominated, BET Award-winning, platinum-selling hip-hop artist, this next project might be his most personal. With the release of his new book, 'Adversity for Sale: Ya Gotta Believe" - Jeezy reveals his difficult path from the Atlanta streets to the top of the Billboard charts to help other up & comers succeed despite all odds. Jeezy is an iconic rapper with raw lyrical talent and unwavering discipline. He is credited, along with fellow Georgia-based rappers T.I. and Gucci Mane, for helping to pioneer and popularize trap music for a mainstream audience. Hailing from Atlanta, Georgia, he emerged as a prominent figure in the hip hop scene, captivating audiences with his unique storytelling and street smarts. His major label debut, Let's Get It: Thug Motivation 101, was released the following year and debuted at #2 on the Billboard 200, selling 172,000 copies in its first week and receiving platinum certification by the Recording Industry Association of America (RIAA). In 1998, he launched the label imprint CTE World (then known as Corporate Thugz Entertainment). Aside from his solo career, Jeezy is the de facto leader of the southern hip hop group United Streets Dopeboyz of America (U.S.D.A), and is a former member of the Bad Boy Records' rap group Boyz n da Hood.  @jeezyofficial  began his music career in 2001 as Lil J with the release of Thuggin' Under the Influence (T.U.I.) but has since has released TEN studio albums which contained numerous successful singles, including the top five hit "Soul Survivor" (featuring Akon), as well as the top 40 hits "I Luv It", "Go Getta" (featuring R. Kelly), and "Put On" (featuring Kanye West). In addition, Jeezy has also been featured on numerous hip hop and R&B hit singles, including "Say I" by Christina Milian, "I'm So Paid" by Akon, "Hard" by Rihanna and "Love in This Club" by Usher, with the latter reaching number one on the US Billboard Hot 100 in 2008. With chart-topping albums like "Let's Get It: Thug Motivation 101" and "The Recession," Jeezy remains an influential force in the music and hip hop industry. Beyond his music, his philanthropy and entrepreneurial ventures reflect a commitment to inspiring positive change in his community. -- Like this episode? Watch more like it

Kevin Rowland is the lead singer for Dexys Midnight Runners. (Now called Dexys.) They are an English pop rock band from Birmingham, with soul influences, who achieved major commercial success in the early to mid-1980s. They are best known in the UK for their songs Come on Eileen and Geno, both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. Come On Eileen also topped the US Billboard Hot 100, and with extensive airplay on MTV they are associated with the second British Invasion.

Welcome to Season 2 of You Are Beautiful with Lawrence Zarian. In this episode, LZ sits down with the beloved American idol, Kelly Clarkson.Join us as Kelly and LZ delve into the behind-the-scenes realities of The Kelly Clarkson Show, the Emmy-winning talk show where LZ frequently appears as the show's Lifestyle & Fashion expert. Discover the insider details of being part of the show and listen as they candidly discuss the challenges of living in the spotlight.Kelly Clarkson is a multi-talented American singer, songwriter, author, and television personality. She gained fame by winning the inaugural season of American Idol in 2002, which led to a record deal with RCA. Her debut single, "A Moment Like This," soared to the top of the US Billboard Hot 100, becoming the best-selling single of 2002. It was featured on her first studio album, Thankful (2003), which debutedat number one on the Billboard 200.With over 25 million albums and 45 million singles sold worldwide, Clarkson has achieved remarkable success. She boasts eleven top-ten singles in the US and nine in the UK, Canada, and Australia. Clarkson made history by reaching the number one spot on Billboard's pop, adult contemporary, adult pop, country, and dance charts—a feat unmatched by any other artist. Additionally, she has served as a coach on The Voice from its fourteenth to twenty-first season and returned for the twenty-third season. Since 2019, Clarkson has hosted her own talk show, The Kelly Clarkson Show.Clarkson's remarkable career has garnered her numerous accolades, including three MTV Video Music Awards, three Grammy Awards, four American Music Awards, two Academy of Country Music Awards, five Daytime Emmy Awards, and a star on the Hollywood Walk of Fame.Kelly drops her new album Chemistry on June 23rd. 

Pleasure Muse: Donna Summer    Tantalizing Trivia   Born to a working class family in Boston - her father was a butcher and her mother was a schoolteacher - her voice soared when she started singing solos in the AME church at 11 years old.  She dropped out of high school to move to New York City to join a blues rock band.   She landed a career-altering role in the musical Hair which debuted in Germany, where she lived and learned to speak fluent German.  She married an Austrian man and they had a daughter name Mimi.  She became known as the "Queen of Disco" with 32 chart singles on the US Billboard Hot 100 and forever changed the face of music and her upbeat music ushered in a new dance called disco.    Mirror Work Look at yourself today and play “Love to Love You Baby” or “Hot Stuff” Make deep eye-contact with your finest self. Dance the entire song and try and break a sweat.    Affirmation With every step, I sway and play.    Dance Daily: A Playlist   Self-Care Shopping List Roller Skates: vintage roller skates are a great way to dance and exercise - and let's face it, everyone likes a little wind in her hair.    If I can't dance, I don't want to be part of your revolution.” -Emma Goldman

There's never a dull moment when we get the immortal David Daskal back in his element aka GoodList Studios. David is in LA to see 3 Phish concerts, and to also drop by our place for a quick pod about his favorite subject - the US Billboard Hot 100! This week we're taking a skewed look at the most bizarre, most unusual, and most wild songs to ever storm out of left field to crack the US Top 40. Part 1 features picks 10-6 and the appropriate amount of mirth that our boy Daskal always brings to the show.Get yourself some No Joke Radio! David Daskal's signature internet radio station plays all the Daskaliest hits ever made, and that literally could mean anything. Get it here:https://www.radionojoke.comWe never stop putting out stuff for your ears to chew on. Help us! Help finance the showiness of this show by doing the Patreon thing. We make it worth your while with monthly bonus episodes and offer this ridiculous service for the low price of $2 a month. Go here:https://www.patreon.com/alltimetopten 

Butterfly singing Shifty Shellshock aka Seth Binzer gets into a fight with bandmate Bobby Reeves and gets Crazy Town kicked off Hed PE's Nu Metal Tour. FRUMESS is POWERED by ⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠ GET 1000 STICKERS FOR $79  RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Right Said Fred's novelty single ‘I'm Too Sexy' reached number one on the US Billboard Hot 100 on 8th February, 1992. The playful earworm, which had been rejected by all major record labels, topped the charts in 32 countries. The success of the song propelled Richard and Fred Fairbrass, two bald brothers from East Grinstead who had worked as session musicians for a number of years, into the limelight - along with their bulging muscles and string vests. In this episode, Arion, Rebecca and Olly explain how the lyrics anticipated George Michael's ‘Too Funky' and have been sampled by Beyonce and Drake; reveal how the trio had a close shave with the estate of Jimi Hendrix; and consider whether the camp appeal of the video was a parody of gay culture, or an anthemic celebration of it…  Further Reading: • ‘‘I'm Too Sexy': Oral History of Right Said Fred's Hit Song' (Rolling Stone, 2017): https://www.rollingstone.com/music/music-features/im-too-sexy-the-oral-history-of-right-said-freds-snarky-dance-pop-smash-122921/ ‘How we made Right Said Fred's I'm Too Sexy' (The Guardian, 2017): https://www.theguardian.com/music/2017/apr/04/how-we-made-right-said-fred-im-too-sexy-interview • 'Right Said Fred - I'm Too Sexy' (Gut Records, 1991): https://www.youtube.com/watch?v=P5mtclwloEQ #90s #music #LGBT #funny Love the show? Join 

1968 was a year of disappointments for the Monkees.  During this year their television series was cancelled, their first motion picture effort failed at the box office, and band member Peter Tork would leave the group at the end of the year.  Despite all this they would still find success in their fifth studio album, The Birds, The Bees & the Monkees.  This album would chart at number 3 in the United States and would sell over a million copies.Members Mickey Dolenz, Davy Jones, Michael Nesmith, and Peter Tork had gained artistic control and the right to play their own instruments by 1967, and all band members were credited as producers for the songs on this album.  However, much of the music on this album was created by members going their own separate ways and working with session musicians to create the tracks, with few collaborative efforts represented on the album.  Nevertheless, the album shows a diverse range of styles from broadway pop, to country & western, to psychedelia.  Songs from Mickey Dolenz, Davy Jones, and Michael Nesmith are represented on the album, and only Peter Tork is excluded.  Tork would contribute piano work to the song “Daydream Believer,” but little else on the album.Friend of the show Mike Fernandez brings us this album in Wayne's absence.  Daydream BelieverJohn Stewart of the Kingston Trio wrote this song, and it was originally performed by the Monkees with Davy Jones singing lead.  It hit number 1 on the US charts.  The original lyrics were “and now you know how funky I can be,” but “funky” was changed to “happy” due to concerns that funky might have drug or other unsavory references.Auntie's Municipal Court Mickey Dolenz sings lead on this track composed by  Michael Nesmith and Keith Allison.  We feel it has a “jangle pop country feel.”  The title doesn't appear in the lyrics, and writer Michael Nesmith has no recollection why it was named as it was.  It was not the only song whose title was not referenced in the song.  Valleri  Tommy  Boyce and Bobby Hart wrote this song with Davy Jones on lead.  It reached number 3 on the US charts and would be the last top 10 showing for the Monkees.  Guitar work is done by Louie Shelton, a session guitarist with the Wrecking Crew.Zor and Zam Bill and John Chadwick penned this track, sung by Mickey Dolenz.  It is an unusual anti-war song in the Monkee's catalogue.  The lyrics describe preparation for a war between two kingdoms, but no one shows up when the war is supposed to happen.  This psychedelic track closes the album. ENTERTAINMENT TRACK:Main theme from the television series “The Andy Griffith Show”This long running series on the life and time of Sheriff Andy Taylor of Mayberry, North Carolina ended its run in this month.  STAFF PICKS:Kiss Me Goodbye by Petula ClarkBrian's leads off the staff picks with a Les Reed and Barry Mason composition.  This song would reach number 15 on the US Billboard Hot 100, and would be the last time Petula Clark reached into the top 30 on that chart.  Just Dropped In (To See What Condition My Condition Was In) by The First Edition Bruce brings us a psychedelic rock song recorded by the First Edition as their second single, and the first to feature Kenny Rogers on lead vocals.  It peaked at number 5 on the Billboard Charts and was Rogers' first top 10 hit.  The solo is played by Glen Campbell with heavy compression and tremolo to get the psychedelic feel.  The lyrics are a warning about the dangers of LSD.Lady Madonna by the Beatles Rob's staff pick is a well-known tune.  This was written by Paul McCartney, and marked a change into a more rock sound from the psychedelic sound they had previously explored.  It talks about a working class mother who has something to do every day of the week.  A Beautiful Morning by the RascalsMike features a very optimistic tune from a prolific group.  This easy breezy song was written by Rascals members Felix Cavaliere and Eddie Brigati, Jr. in Honolulu, Hawaii, where beautiful mornings are a common occurrence. INSTRUMENTAL TRACK:2001:  A Space Odyssey (Also Sprach Zarathustra by Ricard Strauss)Stanley Kubrick would make this Richard Strauss theme famous in his epic science fiction movie based on the Arthur C. Clarke book. The film as released this month in 1968....and we couldn't pronounce it either!!

B. Cox and J. Owe review reggae superstar Sean Paul's classic sophomore album Dutty Rock as it turns 20. After a fairly successful debut album Stage One two years prior, Paul sought to capitalize on what was a burgeoning and receptive dancehall market in the United States since the turn of the new millennium. Working with an all-star cast of producers including legendary duos in Steely & Clevie and the Neptunes, Sly Dunbar, Lloyd "King Jammys" James, Delly Ranks, Mark Ronson and Scott Storch and toasting with his trademark basso voice over a slew of riddims that would become staples over the next couple of years, the album captured the attention of dancehall lovers and of newcomers into the genre in U.S. and worldwide.The album featured five very successful singles: "Gimme Tha Light", "Like Glue", "Get Busy", "Baby Boy" featuring Beyonce and "I'm Still In Love With You" featuring Sasha. Each single was wildly successful on the dancehall charts an also had crossover success in the US Billboard Hot 100 charts. It has been certified platinum and is credited with making dancehall reggae a mainstay in radio, dance floors and clubs and also for inspiring a style that helped to influence reggae music and its offspring for the next decade.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comSupport The Vault Classic Music Review on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodShow NotesJamaica Observer: Two Decades of Dutty Rock https://www.jamaicaobserver.com/entertainment/two-decades-of-dutty-rock/KS 95: "Get Busy" Celebrating the 20th Anniversary of Sean Paul "Dutty Rock" https://www.ks95.com/get-busy-celebrating-the-20th-anniversary-of-sean-pauls-dutty-rock/Billboard: The Dancehall Album Heard Round the World https://www.billboard.com/music/features/sean-paul-dutty-rock-interview-1235047662/ThisIsDig: 'Dutty Rock' How Sean Paul Took Dancehall to the Mainstreamhttps://www.thisisdig.com/feature/dutty-rock-sean-paul-album/Support this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is what l learned from going to the amazing Harry Styles concert. Harry Styles had 30,000 people cheering,crying and hanging on his every word. We all have the possibility to connect and change the world. Like Harry.is an English singer, songwriter, and actor. His musical career began in 2010 as a solo contestant on the British music competition series The X Factor. Following his elimination, he was brought back to join the boy band One Direction, which went on to become one of the best-selling boy groups of all time before going on an indefinite hiatus in 2016.Styles released his self-titled debut solo album through Columbia Records in 2017. It debuted at number one in the UK and the US and was one of the world's top-ten best-selling albums of the year, while its lead single, "Sign of the Times", topped the UK Singles Chart. Styles' second album, Fine Line (2019), debuted atop the US Billboard 200 with the biggest ever first-week sales by an English male artist, and was the most recent album to be included in Rolling Stone's "500 Greatest Albums of All Time" in 2020. Its fourth single, "Watermelon Sugar", topped the US Billboard Hot 100. Featuring the chart-topping single "As It Was", Styles' third album, Harry's House (2022), was widely acclaimed and broke several records.Styles has received various accolades, including two Brit Awards, a Grammy Award, an Ivor Novello Award, and an American Music Award. His film roles include Dunkirk (2017), Don't Worry Darling, and My Policeman (both 2022). Aside from music and acting, Styles is known for his flamboyant fashion. He is the first man to appear solo on the cover of Vogue.Get Obsessed with us. Collectively we are a nutritionist, a master certified life coach, an attorney, and a self-esteem expert. We dive into topics that uncover the essence of the human experience. Our stories are one of kicking fear in the face and taking a leap of faith. We are equally obsessed with the works of Brene Brown and are inspired to study and understand the 30 core emotions. Each week we will explore another emotion, talk to experts in their field and inspire you to live the life you are meant to be living. We are Julie Lokun, JD, Tia Morell Walden, Certified Holistic Nutritionist, and Mika Altidor, Certified Life Coach. Join us for the conversation, and more importantly be a part of the conversation. Reach out with a question or comment about an episode or suggest a personal development topic you are obsessed with. After all, the Obsessed Podcast is for you and about you. Learn More About Your Hosts: HereFor More About Julie Lokun Check Her Out: Here

PBS, ABCI LOVE History of Vocals n Music, Rock & Roll/Soul & Today I Get to go Back BEFORE my Time on Earth in the Rock & Soul Chart Dial to an AWESOME vocalist in the Music Era. And with New Music From The Heart & a Single "After You". Larry also as a  New Jazz Album & a Single with Billy Vera.. And He's Got More Music, Concerts & TV Appearances Too.Larry Chance was the driving force behind the group's formation and success. Chance grew up in Philadelphia and attended high school with Chubby Checker, Frankie Avalon, and Danny Rapp of Danny & the Juniors. But it was not until 1957 that he moved with his parents to the Bronx after high school, that his musical career took off.Chance formed a group at the Tecumsa Social Club, known as the Hi-Hatters. The group was Chance, Bob Del Din, Eddie Harder, Larry Palombo and John Wray. Later, in 1961, the Earls lost their original member Larry Palombo in an army skydiving accident. In 1961, Rome released the Earls' first record – "Life is But a Dream" (Rome 101 – 1961)[2] b/w "It's You" (and in the late 1970s released with "Whoever You Are" as the B-side). The group then performed with Murray the K and on Dick Clark's American Bandstand show. They released another record that year, "Looking For My Baby" (Rome 102) b/w "Cross My Heart".In 1962, the group hooked up with Stan Vincent and recorded "Remember Then" for Old Town Records (Old Town 1130) b/w "Let's Waddle".[2] It was a hit, peaking at #24 on the US Billboard Hot 100 chart in 1963. Chance co-wrote the group's next single "Never" b/w "I Keep A-Tellin You" (Old Town 1133–1963). The group scored another hit in 1963 on Old Town with "Eyes" b/w "Look My Way" (Old Town 1141). Later, a demo "I Believe" was released (Old Town 1149–1963) b/w "Don't Forget".[2] "I Believe" became a much bigger record from the 1970s onward as it received heavy airplay on NYC oldies radio.Chance later had a brief solo career, recording "Let Them Talk". He returned to the Earls who, at that time, had two new members – Bob Moricco and Ronnie Calabrese. The group started playing their own instruments and, in 1967, recorded "If I Could Do It Over" b/w "Papa" (Mr. G 801 – 1967), and a track for ABC Records, "Its Been a Long Time Coming" b/w "In My Lonely Room" (ABC 11109–1967).The group continued performing into the 1970s and, in 1977, they released a disco version of The Velvets' "Tonight (Could Be the Night)." By 1983, the group's personnel were Chance, Ronnie Calabrese, Colon Rello, Bobby Tribuzio and Tony Obert, and they recorded Larry Chance and the Earls – Today.From 1989-1993, the group consisted of: Larry Chance, Bobby Tribuzzio, Bob Coleman, Art Loria (formerly of The Belmonts) and T.J. Barbella. This roster continued a busy performance schedule and studio works. In 1989, they were on Broadway performing in the original production of A Bronx Tale, a one man play by Chazz Palminteri. They recorded the theme song of the production "Streets of the Bronx", which was slated to appear on the soundtrack of the motion picture A Bronx Tale, however a different version of the song was eventually chosen. Two albums were released: Larry Chance and the Earls (Live!) and Earl Change. Another single released in 1989 was "Elvis:He's Alive", which was warmly received by critics and received a BMI Award of Recognition of a Musical Work. They were nominated as "Best Musical Act" in Atlantic City for their eight week run at The Claridge Hotel, starring with Sal Richards.LarryChanceandtheEarls.com© 2022 Building Abundant Success!!2022 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

John Illsley is the bass guitarist of the band Dire Straits. He has received multiple BRIT and Grammy Awards, and a Heritage Award. As one of the founding band members, with guitarist brothers Mark and David Knopfler, and drummer Pick Withers, Illsley played a role in the development of Dire Straits' sound. By the time the group disbanded in 1995 changes in personnel meant that Illsley and lead singer Mark Knopfler were the only two original band members remaining. Illsley was inducted into the Rock and Roll Hall of Fame as a member of Dire Straits in 2018. In this episode, John speaks with Jack about his thoughts on The Beatles, their influence on him and Dire Straits, Paul McCartney's bass playing, whether or not there will be a biopic about Dire Straits, and his favorite Dire Straits record. Check out John's recent solo album, VIII: https://open.spotify.com/album/4VVX7O3Jc8yJ0wJih8jTXf?si=qlKyeTrARSaN2RoXTbB0Hw You can also buy John's book, "My Life in Dire Straits", here: https://www.amazon.com/My-Life-Dire-Straits-Biggest-ebook/dp/B08WBXZCQ1 If you like this episode, be sure to follow this podcast! Follow us also on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth ------------------------------- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide.[4][5] They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the US Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people. Dire Straits were a British rock band formed in London in 1977 by Mark Knopfler (lead vocals and lead guitar), David Knopfler (rhythm guitar and backing vocals), John Illsley (bass guitar and backing vocals) and Pick Withers (drums and percussion). They were active from 1977 to 1988 and again from 1990 to 1995. Their first single, "Sultans of Swing", from their 1978 self-titled debut album, reached the top ten in the UK and US charts. It was followed by hit singles including "Romeo and Juliet" (1981), "Private Investigations" (1982), "Twisting by the Pool" (1983), "Money for Nothing" (1985), and "Walk of Life" (1985). Their most commercially successful album, Brothers in Arms (1985), has sold more than 30 million copies; it was the first album to sell a million copies on compact disc[4][5] and is the eighth-bestselling album in UK history. According to the Guinness Book of British Hit Albums, Dire Straits have spent over 1,100 weeks on the UK albums chart, the fifth most of all time. Dire Straits' sound draws from various influences, including country, folk, the blues rock of J. J. Cale, and jazz.[7] Their stripped-down sound contrasted with punk rock and demonstrated a roots rock influence that emerged from pub rock. There were several changes in personnel, with Mark Knopfler and Illsley being the only members who lasted from the beginning of the band's existence to the end. After their first breakup in 1988, Knopfler told Rolling Stone: "A lot of press reports were saying we were the biggest band in the world. There's not an accent then on the music, there's an accent on popularity. I needed a rest." They disbanded for good in 1995, after which Knopfler launched a solo career full-time. He has since declined numerous reunion offers. Dire Straits were called "the biggest British rock band of the 80s" by Classic Rock magazine; their 1985–1986 world tour, which included a performance at Live Aid in July 1985, set a record in Australasia. Their final world tour from 1991 to 1992 sold 7.1 million tickets. Dire Straits won four Grammy Awards, three Brit Awards (Best British Group twice), two MTV Video Music Awards, and various other awards. They were inducted into the Rock and Roll Hall of Fame in 2018. Dire Straits have sold over 120 million units worldwide, including 51.4 million certified units, making them one of the best-selling music artists. Brothers Mark and David Knopfler, from Newcastle in northeast England, and friends John Illsley and Pick Withers, from Leicester in the east midlands, formed Dire Straits in London in 1977. Withers was already a 10-year music business veteran, having been a session drummer for Dave Edmunds, Gerry Rafferty, Magna Carta and others through the 1970s; he was part of the group Spring, which recorded an album for RCA in 1971. At the time of the band's formation, Mark was working as an English teacher, Illsley was studying at Goldsmiths' College, and David was a social worker. Mark and Withers had both been part of the pub rock group Brewers Droop at different points in and around 1973. The band was initially known as the Café Racers. The name Dire Straits was coined by a musician flatmate of Withers, allegedly thought up while they were rehearsing in the kitchen of a friend, Simon Cowe, of Lindisfarne. In 1977, the group recorded a five-song demo tape which included their future hit single, "Sultans of Swing", as well as "Water of Love" and "Down to the Waterline".[18][19] After a performance at the Rock Garden in 1977, they took a demo tape to MCA in Soho but were turned down. They then went to DJ Charlie Gillett, presenter of Honky Tonk on BBC Radio London.[20] The band simply wanted advice, but Gillett liked the music so much that he played "Sultans of Swing" on his show. Two months later, Dire Straits signed a recording contract with the Vertigo division of Phonogram Inc. In October 1977, the band recorded demo tapes of "Southbound Again", "In the Gallery" and "Six Blade Knife" for BBC Radio London; in November, demo tapes were made of "Setting Me Up", "Eastbound Train" and "Real Girl". The original Dire Straits line-up in Hamburg, Germany (1978); L to R: John Illsley, Mark Knopfler, Pick Withers and David Knopfler The group's first album, Dire Straits, was recorded at Basing Street studios in Notting Hill, London in February 1978, at a cost of £12,500. Produced by Muff Winwood, it was first released in the United Kingdom on Vertigo Records, then a division of Phonogram Inc. It came to the attention of A&R representative Karin Berg, working at Warner Bros. Records in New York City. She felt that it was the kind of music audiences were hungry for, but only one person in her department agreed at first. Many of the songs on the album reflected Mark Knopfler's experiences in Newcastle, Leeds and London. "Down to the Waterline" recalled images of life in Newcastle; "In the Gallery" is a tribute to Leeds sculptor/artist Harry Phillips (father of Steve Phillips); "Wild West End" and "Lions" were drawn from Knopfler's early days in the capital. That year, Dire Straits began a tour as opening band for Talking Heads, after the re-released "Sultans of Swing" finally started to climb the UK charts. This led to a United States recording contract with Warner Bros. Records; before the end of 1978, Dire Straits had released their self-titled debut worldwide. They received more attention in the US, but also arrived at the top of the charts in Canada, Australia and New Zealand. Dire Straits eventually went top 10 in every European country. The following year, Dire Straits embarked on their first North American tour. They played 51 sold-out concerts over a 38-day period. "Sultans of Swing" scaled the charts to No. 4 in the United States and No. 8 in the United Kingdom.[24][26] The song was one of Dire Straits' biggest hits and became a fixture in the band's live performances. Bob Dylan, who had seen the band play in Los Angeles, was so impressed that he invited Mark Knopfler and drummer Pick Withers to play on his next album, Slow Train Coming. Recording sessions for the group's second album, Communiqué, took place in December 1978 at Compass Point Studios in Nassau, Bahamas. Released in June 1979, Communiqué was produced by Jerry Wexler and Barry Beckett and went to No. 1 on the German album charts, with the debut album Dire Straits simultaneously at No. 3. In the United Kingdom, the album peaked at No. 5 in the album charts. Featuring the single "Lady Writer", the second album continued in a similar vein to the first and displayed the expanding scope of Knopfler's lyricism on the opening track, "Once Upon a Time in the West".[28] In the coming year, however, this approach began to change, along with the group's line-up.

Nirvana, Nevermind Welcome to The Guys Review, where we review media, products and experiences.  **READ APPLE REVIEWS/Fan Mail**Mention Twitter DM group - like pinned tweet @The_GuysReviewRead emails theguysreviewpod@gmail.com Nirvana Nevermind​ Produced by Butch Vig. Kurt CobainKrist NovoselicDave GrohlReleased September 24, 1991 Budget $65,000 ($141,394.57 in 2022) Rating: google users: 96% RYM 3.95/5. ON spotify Nirvana has around 24M listerner a month. On Youtube Nevermind album has 4,9M views  Nevermind is the second studio album by the american grunge band Nirvana, released on September 24, 1991 by DGC Records. It was Nirvana's first release on a major label and the first to feature drummer Dave Grohl.Produced by Butch Vig, Nevermind features a more polished, radio-friendly sound then the band's prior work. Recording took place at Sound city studio in Van Nuys, California, and smart studios in Madison Wisconsin in May and June -91, with mastering being completed in August of that year st The Mastering Lab, California.Written primarily by frontman Kurt Cobain, the album is noted for channeling a range of emotions, being noted as dark, humorous, and disturbing. Thematically, it includes anti-establishment views, anti-sexism, Frustration, alienation and troubled love inspired by Cobain's broken relationship with Bikini kill's Toby Vail. Contrary to the popular hedonistic themes of drugs and sex at the time, writers have observed that Nevermind re-invigorated sensitivity to mainstream rock. According to Cobain, the sound of the album was influenced by bands such as Pixies, R.E.M, The Smithereens, and the Melvins. While the album is considered a cornerstone of the grunge genre, it is noted for its musical diversity, which includes acoustic ballads ("Polly" and "´Something in the way") and Punk-inspired Hard Rock("Territorial Pissings" and "Stay Away"). Nevermind became an unexpected critical and commercial success, charting highly on charts across the world. By January 1992, it reached number one on the US Billboard 200 and was selling approximately 300,000 copies a week. The lead single "Smells like teen spirit" reached the top 10 of the US Billboard Hot 100 and went on to be inducted into the Grammy hall of fame. Its video was also heavily rotated on MTV. Three other successful singles were released: "Come as you Are", "Lithium", and "In Bloom". The album was voted the best album of the year in Pass & Jop critics' poll, while "Smells Like Teen Spirit" also topped the single of the year and video of the year polls. The album also garnered the band three Grammy Award nominations in total across the 34th and 35th Grammy Awards, including Best Alternative music album. AwardsHere cometh thine shiny awards Sire. My Lord Tucker the Wanker second Earl of Wessex. Lord of the Furries. Heir of Lord baldy the one eyed snake wrestler. Protector of Freedom units. Step Sibling with funny feelings down stairs. Entertainer of uncles. Jailor of innocent. Spanker of innocent milk maids and stable boys. Nirvana has 1 win and 6 Nominations NominationsBest Alternative Music AlbumNevermind (Album)Wins Best Alternative Music PerformanceMTV Unplugged In New York  Tracks1) "Smells Like Teen Spirit" Written by: Kurt Cobain, Krist Novoselic, Dave Grohl 5:01 Released September 10, 1991 as the lead single for the album.-One of the catchiest intro hooks of all time.-Very nonsensical and def full of contradictions; but it give the feeling of angst its supposed to.-Cobain said it was an attempt to write a song in the style of the Pixies, a band he admired:"I was trying to write the ultimate pop song. I was basically trying to rip off the Pixies. I have to admit it. When I heard the Pixies for the first time, I connected with that band so heavily that I should have been in that band—or at least a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard."When Cobain presented the song to his bandmates, it comprised just the main guitar riff and the chorus vocal melody. Cobain said the riff was "clichéd", similar to a riff by Boston or the Richard Berry song "Louie Louie". Bassist Krist Novoselic dismissed it as "ridiculous"; in response, Cobain made the band play it for an hour and a half. Eventually, Novoselic began playing it more slowly, inspiring drummer Dave Grohl to create the drum beat, which drew from disco artists like The Gap Band. As a result, it is the only song on Nevermind to credit all three band members as writers. 2) "In Bloom" Written by Kurt Cobain 4:14 Released November 30, 1992 "In Bloom" was released as the album's fourth and final single in November 1992-The lyrics are just making fun of listeners who don't understand what Cobain is talking about. Never realized that.-I like to visualization and juxtaposition of the clean cut 50's style band to them wearing dresses and tearing everything up.-According to the 1993 Nirvana biography Come As You Are by Michael Azerrad, "In Bloom" was originally written about "the jocks and shallow mainstream types" of the underground music scene the band began to find in their audience after the release of their 1989 debut album, Bleach. In his biography of Cobain, Heavier Than Heaven, Charles R. Cross asserted that the song was a "thinly disguised portrait" of Cobain's friend Dylan Carlson. 3) "Come As You Are" Written by Kurt Cobain 3:38 Released March 2, 1992 as the second single from Nevermind.-Great song, all of the intros are very catchy and pull you in.-Interesting visuals in the music video... Lots of sperm swimming around and flowing water.-The origin of the song's title is unclear, but Charles R. Cross speculated the song may have been named after a motto used by the Morck Hotel in Cobain's hometown of Aberdeen, Washington. The Morck was one of many places Cobain stayed in after leaving home for a time while he was seventeen years old 4) "Breed" written by Kurt Cobain 3:03 Released September 24, 1991-Much heavier sound than the previous tracks. High energy and poppy.-Reading the lyrics, it is a bunch of just nonsense.-Lyrically, the song addresses themes of teenage apathy and fear within the American middle-class. Stevie Chick of Kerrang wrote that lyrics such as "We can plant a house, we can build a tree" displayed Cobain's "gift for crafting witty, purposeful nonsense. 5) "Lithium" written Kurt Cobain 4:16 Released July 13, 1992 as the third single from Nevermind.-Very chilled vibe from the previous tracks-It's still got a LOT of energy in the YEAH parts that gets hard.-As Cobain explained, "In the song, a guy's lost his girl and his friends and he's brooding. He's decided to find God before he kills himself. It's hard for me to understand the need for a vice like [religion] but I can appreciate it too. People need vices.” 6) "Polly" written by Kurt Cobain 2:57 Released September 24, 1991-Very downtrodden song. considering the content, not surprising.-This is a really dark song. Jesus.-Cobain wrote "Polly" about an incident in Tacoma, Washington involving the abduction and rape of a 14-year-old girl in August 1987. Gerald Arthur Friend kidnapped the girl while she was leaving a rock concert, suspended her upside down from a pulley in his mobile home and raped and tortured her with a blow torch. She managed to escape by jumping from his truck at a gas station, attracting attention from surrounding people. Arthur was later arrested and convicted for his crimes. Cobain's addition to the story was to have the victim fool the kidnapper into thinking she was enjoying what he was doing to her, causing him to let his guard down long enough for her to escape.-In his Nirvana biography Come As You Are, journalist Michael Azerrad noted that rape seemed to be a consistent theme in Cobain's songs and interviews, as if Cobain was "apologizing for his entire gender." However, Cobain explained, "I don't feel bad about being a man at all. There are all kinds of men that are on the side of the woman and support them and help influence other men. In fact, a man using himself as an example toward other men can probably make more impact than a woman can". 7) "Territorial Pissings" written by Kurt Cobain and Chet Powers. 2:22-Very punk and heavy.-I have no idea how Kurt would be able to perform this song live... It hurts my voice hearing his guttural screams.-this song is a two-and-a-half-minute punk lambasting of the typical "Macho Man." In addition to being about sexism, the song is also about the way Kurt Cobain saw Native Americans treated around his home town of Aberdeen, Washington. 8) "Drain You" written by Kurt Cobain 3:43 Released September 24, 1991 as a promotional single-
Good song, musically in the same category as the more popular Nirvana tracks. Heavy, but simple and poppy.-The strangest "love" song I've ever heard.-In the 1993 Nirvana biography Come As You Are: The Story of Nirvana, Michael Azerrad described "Drain You" as "a love song, or rather a song about love," in which the babies in the lyrics "represent two people reduced to a state of perfect innocence by their love." Cobain told Azerrad that the lyrics made him think of "two brat kids who are in the same hospital bed." The song's imagery predicted the medical themes that would feature heavily in the lyrics of Nirvana's following album, In Utero.-According to the 2001 Cobain biography Heavier Than Heaven by Charles Cross, "Drain You" was one of "a half dozen...memorable songs" Cobain wrote following his break-up with American musician, Tobi Vail, in November 1990. Cross described the lyric, "It is now my duty to completely drain you," as "both an acknowledgement of the power [Vail] had over [Cobain] and an indictment." 9) "Lounge Act" written by Kurt Cobain 2:36-Super bass heavy.-It reminds me of Offspring sound-This is a song about heartache in a relationship.-The title comes from the fact that Nirvana thought that the bass intro sounded like something a cheesy lounge band would use.-This is the only song Kurt Cobain admitted was about his much maligned ex-girlfriend, Tobi Vail. 10) "Stay Away" written by Kurt Cobain 3:32-Very punk inspired-Pretty simple and to the point; confusion and agitation, easier to push people away than try to explain things to them.-Again, no idea how he would be able to sing anything else after this song. Dang.-Originally titled Pay To Play, this song appears to be about many things, including annoyance ("stay away"), lack of popularity ("I'd rather be dead than cool"), and predictability in people ("every line ends in a rhyme"). 11) "On a Plain" written by Kurt Cobain 3:16. Released on the album in September 1991, released as a promotional single in 1992.-Very much in the vein of the other tracks. Again, somewhat nonsensical, but still angsty and full of energy-Good track, I remember the single.-In a July 1993 interview in New York City, Cobain told English journalist Jon Savage that "On a Plain" was about "classic alienation, I guess," although he then noted he had to change his explanation every time he was asked about the meaning to his songs, saying that his lyrics were largely taken from "pieces of poetry thrown together," and that his poetry was "not usually thematic at all." 12) "Something in the Way" written by Kurt Cobain 3:52-Very downtrodden and depressing-Very heavy and moody-Doesn't have the explosive energy the other tracks did. But it's still solid and full of feeling.-Never released as a single and never a consistent part of the band's live setlist, "Something in the Way" charted for the first time in August 2020, after appearing in the first trailer for the 2022 superhero film, The Batman. The song peaked at number two on Billboard's US Rock Digital Songs Sales chart, and number five on their US Alternative Digital Songs Sales charts.[2] It also reached the top 20 in both Amazon Music's and iTunes' digital music charts-Cobain himself suggested that the song was not necessarily autobiographical, telling Nirvana biographer Michael Azerrad that the lyrics were "like if I was living under the bridge and I was dying of AIDS, if I was sick and I couldn't move and I was a total street person. That was kind of the fantasy of it". 13) "Endless, Nameless" written by Kurt Cobain-Very heavy and chaotic-I honestly don't know if I've ever heard this one before, but I'm not a fan of it... I don't like jam bandy type music. Sounds like they're just making noise.-According to Come As You Are, Cobain himself was unsure of what he was singing during the performance, but believed the lyrics included the lines, "I think I can, I know I can."-According to author Chuck Crisafulli, the song's placement on Nevermind was in part inspired by the use of hidden tracks by the Beatles, such as "Her Majesty" on their 1969 album, Abbey Road. **TRIPLE LINDY AWARD** **REVIEW AND RATING** TOP 5Stephen:1 Breakfast club2 T23 Sandlot4color out of space5 Mail order brides Chris:1. sandlots2. T23. trick r treat4. rocky horror picture show5. hubie halloween Trey:1) Boondocks Saints2) Mail Order Brides3) Tombstone4) Very bad things5) She out of my league  Tucker:1. T22: Tombstone4: My Cousin Vinny5: John WickNational treasure WHAT ARE WE DOING NEXT WEEK? Web: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTW: @The_GuysReview - Twitter DM groupFB: https://facebook.com/TheGuysReviewPod/YouTube: https://www.youtube.com/channel/UCYKXJhq9LbQ2VfR4K33kT9Q Please, Subscribe, rate and review us wherever you get your podcasts from!! Thank you,-The Guys

The California band Cracker would have its greatest success with its second studio album, Kerosene Hat.  Cracker is David Lowery on lead vocals and guitar, Johnny Hickman on lead guitar and vocals, Davey Faragher on bass and vocals, and Michael Urbano on drums.  The name of the album comes from a time when Lowery and Hickman lived together in an old run-down house whose only heat source was a pair of kerosene heaters.  They had to walk to a nearby gas station to buy more kerosene and would bundle up with a wool cap that came to be known as the kerosene hat.  While the group considered themselves more drawn to roots rock or country, the album went platinum during the days of grunge as an alternative rock sound.  It definitely does not follow the over produced "hair band" sound that was beginning to wane in the early 90's.  Much of the album was recorded in an abandoned sound stage in Pioneertown, California, in a location so run down that the group had to round up old mattresses from junk yards to provide insulation on colder days. The band holds a music festival there each year. Wayne leads this expedition into the early 90's rock scene. LowThis single only reached number 64 on the US Billboard Hot 100, but it was number 3 on the Billboard Modern Rock Tracks.  Lowery claimed that the song was not about drugs, and that the lyric is not "like being stoned," but "like being stone."  Other lyrics like "a million poppies gonna make me sleep" make this claim seem a bit more dubious.Get Off ThisThe second single from the album is a response to former fans who accused Cracker of selling out to make more mainstream music.  The response is obvious from the chorus:  "So let's get off this, and get on with it.  If you wanna change the world, shut your mouth and start to spin it."Lets Go for a Ride This deeper track is well described by the title - it is a driving song.  "So, drive real fast through the underpass, and if we die or if we crash, well, I'd be flattered to be buried right next to you." Euro-Trash Girl This is a bit of a "hidden track" on the CD (coming in at #69), and is a favorite of serious Cracker fans.  It was originally released on the EP "Tucson"  It tells the story of a lonely guy in Europe who suffers through a series of break-ups.  The band wrote this as a group, partly based on things the members had experienced, and some made up situations. ENTERTAINMENT TRACK:I Can See Clearly Now by Jimmy Cliff (from the motion picture “Cool Runnings”)The appearance of the Jamaican national team in the bobsled event for the 1988 Winter Olympics inspired this movie staring John Candy. STAFF PICKS:Sober by TOOLRob brings us a grunge song from the Los Angeles band Tool.  The song is off their debut album, but it was most known for its creepy stop-action video.  Similarities to Led Zeppelin's "Kashmir" have prompted a number of mash-ups.  The lyrics were inspired by a friend of the band whose creativity only came out when he was under the influence.Hey Jealousy by Gin BlossomsThe song Brian features was written by guitarist Doug Hopkins about his former girlfriend.  Hopkins was fired for unreliability associated with his heavy drinking, but the song propelled the Gin Blossoms to success.  Hopkins became depressed and committed suicide in December 1993. Perfectly Good Guitar by John HiattBruce's staff pick is a minor key blues number from a singer-songwriter who has worked with a tremendous amount of artists.  This song from his eleventh studio album laments the way that rock stars get attention by smashing up perfectly good guitars.Bad Thing by Cry of LoveWayne's staff pick is a deeper cut.  Cry of Love is out of Raleigh, North Carolina, and has a sound reminiscent of Bad Company.  It was a throwback to solid 70's rock during a time when that genre of music was out of favor.  Band members would go on to perform with other groups including the Black Crowes and Lynyrd Skynyrd. INSTRUMENTAL TRACK:Leave That Thing Alone by RushThis instrumental from the Counterpoints album is a bit of a continuation of the "Where's My Thing" instrumental from Rush's previous album.

From time to time, a new album comes along and becomes so popular that it almost forces itself into the culture whether they like it or not. It's almost like it becomes part of our air supply and no matter where you turn, hearing it, is unavoidable. I know a million and one albums probably come to mind when thinking about it, and this particular album is no different.Some Nights is the second full album offered up by American pop rock group Fun. After freshly landing a new record deal with Fueled By Ramen, the band began the nine-month process of recording "Some Nights". Initially met with critical reception, and mixed reviews but that didn't stop the singles from the album from ending up everywhere. Picked up and covered by the wildly popular television show Glee, "We Are Young" would start a trail of fire that wouldn't fizzle out for quite some time."We Are Young" would then find its way into a brand new Chevrolet commercial that aired for the first time during Super Bowl XLVI, which lead to a level of exposure only a few musical acts ever get to witness for themselves. The song would also be performed at the MTV Movie Awards on June 4, 2012.Not only is "Some Nights" brilliantly written, but it's also brilliantly performed. Lead Singer Nate Ruess very much has become synonymous with the sound that "Fun." has, and the band itself wouldn't be the same without him. Whether or not the type of music they make is "your thing", you simply cannot deny the power that this album wields. At one point, you couldn't turn on your local radio station without hearing three or four songs off of this album."We Are Young" topped the US Billboard Hot 100 for six weeks and Alternative Songs for two weeks, with over six million digital downloads. The title track was commissioned as the second single and has reached No. 3 on the Billboard Hot 100 chart, selling 6.8 million digital downloads as well as becoming their second No. 1 on Alternative Songs. The band later would go on to win the Grammy Award for Best New Artist, and "We Are Young" won the Grammy Award for Song of the Year. Fun received four other Grammy nominations: two for "We Are Young" and two for the album itself. To say that this album was a commercial success would be putting it lightly. Join us as we again take a gander at an album many of you may not have ever listened to all the way through, but by the time we're done there is going to be a good chance that you'll want to. It's season 5, episode 10 of Nate Reuss' pet spider monkey's exercise coach's favorite music podcast. LET'S GO!!! Keep up with all of the music we talk about in each episode by listening to the Infectious Groove Podcast Companion Songs playlist, exclusively on Spotify. Infectious Groove Podcast, part of the OddPods Media Network.

Scottish-born musician, singer, songwriter, and actor Colin Hay first came to prominence as the lead vocalist of the Australian rock band Men at Work, which won the Best New Artist Grammy in 1983. Their big break came in August 1982, when Men at Work toured Canada and the US to promote their first LP Business as Usual, supporting Fleetwood Mac. That October, their song, "Who Can It Be Now?" reached No. 1 on the US Billboard Hot 100. In January 1983, they became the first Australian artists to have a simultaneous No. 1 album and No. 1 single on the United States Billboard charts with Business as Usual and the song "Down Under" (1981), respectively. As a solo artist, Hay's music has been used frequently by actor and director Zach Braff in his work, which helped establish a career rebirth for the musician in the mid-2000s. Hay has also been a recurring member of Ringo Starr & His All-Starr Band. In this conversation with host Ken Womack, Hay talks about his musical childhood and the work behind the band's seemingly "overnight success," his Beatles influences, playing with Ringo, and what the Beatles documentary "Get Back" reveals about the realities of being in a band. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/everythingfabfour/support