Podcasts about rastafarian

The Life and Legacy of Haile Selassie: From Emperor to God

Remembering Gen. "Mad" Anthony Wayne and the Battle of Stony Point THE INTERVIEW Former Cro-Mags and Bad Brains singer John Joseph emerged from an abusive childhood in a foster home to serve in the Navy and then forge his punk rock career. Joseph rose through the ranks, along with others in the early 1980s scene including Henry Rollins, the Beastie Boys and others to become a successful singer. Now he inspires others as a vegan triathlete. SCUTTLEBUTT Reddit Rabbit Hole: Best posters seen during a triathalon Army bringing in big tech executives as lieutenant colonels American airmen in Japan test AI tool to streamline flight scheduling Special Guest: John Joseph.

Alex Ashe's story doesn't begin behind a camera. It begins with a battered lighting technician's manual clutched between takes, with sweat on his brow and questions on his tongue. From long nights rigging lights to quiet hours studying lenses, Ashe's climb through the grip and electric department shaped the sensibility he brings to the frame today. Now a cinematographer and director, his images carry that hard-earned precision and a belief that light is never neutral. In this episode, Ashe discusses the layered politics of light and shadow, from his work on Nosferasta, an anti-colonial Rastafarian vampire epic, to The Ballad of Suzanne Césaire, shot almost entirely on 16mm in the relentless Florida sun. His collaborations with artists like Madeleine Hunt-Ehrlich and Ira Sachs open a conversation about the deep trust between director and DP, where every decision—from pulling the exposure to choosing glass—is both a technical and philosophical one. But this is also the story of a filmmaker who questions images even as he makes them. Ashe grew up in the age of Netflix DVDs and arrived at cinema through theory, through The Battle of Algiers, through late-night rewinds. His education in Modern Culture and Media and Africana Studies taught him to interrogate the frame—and that mindset infuses all his work, whether shooting the surreal aftermath of a police shooting or chasing natural light in a cramped apartment. Visual Intonation is a show about how we see, and in this conversation, Ashe shows us how cinema can still be both a document and a dream. We talk risk, reverence, and the beauty of shooting on film. No gimmicks. Just a love for the image and the meaning inside it. Alex Ashe's Website: https://alexmashe.com/Alex Ashe's IMDB: https://www.imdb.com/name/nm5737742/Alex Ashe's Instagram: https://www.instagram.com/alexmashe/?hl=enSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Wadada Leo Smith: Tradition & TransitionComposer and trumpet player Wadada Leo Smith in commentary and concert excerpts recorded at Roulette including a duo with keyboardist Amina Claudine Myers (Central Park Mosaics, 2024), passages from his Pulitzer-nominated Ten Freedom Summers (Golden Quartet and the Pacifica Coral Reef Ensemble, 2013), and a Rastafarian ceremonial ritual with vocalist Jeanne Lee (1989) An early member and proponent of the AACM and the Chicago "creative music" paradigm, Wadada taught for years at Cal Arts and has an enduring connection with Wesleyan University. Over the years his bands and collaborators have included Leroy Jenkins, Anthony Braxton, Henry Threadgill, Anthony Davis, Oliver Lake, Derek Bailey, and many more. Photo credit: Michael Jackson.https://roulette.org/

The Rehearsal, a devout Rastafarian at the Supreme Court, and a Florida Man breaking-and-entering to avoid his wife. Watch Greg's special, “You Know Me” and subscribe on YouTube!Email caption submissions to ⁠⁠FitzdogRadio@gmail.com⁠⁠ subject line: “Comic Contest”Get the Sunday Papers coozie: Venmo: @gibbonstime $10 In the Venmo notes, put your name and address Get in touch (or send logos/songs): ⁠⁠fitzdogradio@gmail.com⁠⁠Find Mike on Venmo here: ⁠⁠https://venmo.com/u/GibbonsTime⁠⁠Make sure to follow Greg and Mike on Instagram:Greg Fitzsimmons: @GregFitzsimmonsMike Gibbons: @GibbonsTime Learn more about your ad choices. Visit megaphone.fm/adchoices

Composer and trumpet player Wadada Leo Smith in commentary and concert excerpts recorded at Roulette including a duo with keyboardist Amina Claudine Myers (Central Park Mosaics, 2024), passages from his Pulitzer-nominated Ten Freedom Summers (Golden Quartet and the Pacifica Coral Reef Ensemble, 2013), and a Rastafarian ceremonial ritual with vocalist Jeanne Lee (1989) An early member and proponent of the AACM and the Chicago “creative music” paradigm, Wadada taught for years at  Cal Arts and has an enduring connection with Wesleyan University. Over the years his bands and collaborators have included Leroy Jenkins, Anthony Braxton, Henry Threadgill, Anthony Davis, Oliver Lake,  Derek Bailey, and many more.

I captured from WHUR 96.3FM Sunday Broadcast of Rankin Memorial Chapel's Guest Paster to share the Word she preached. Enjoy Pastor Amelia Rastafarian's Word on Desperation and Divine Intervention from Bible Chapter 1 Kings 17.

"Beat Down Babylon" is a touching tribute to singer Junior Byles, whose recent passing on May 15, has deeply touched the Rootsland Family. This unscheduled episode unfolds with an emotional recollection of a moment in the mid-1990s, where Host Henry K, alongside veteran reggae artist Eddie Fitzroy, encountered Junior Byles, who had once been a titan in the reggae scene but was now a mere shadow of his former self. The stark transformation from celebrated artist to a figure grappling with the harsh realities of life is a testament to the indifference of an industry that often discards its heroes. The discussion traces the roots of Junior's artistry and the societal challenges faced by Rastafarians in Jamaica during the 1970s. His song 'Curly Locks' emerges as a powerful metaphor for the broader societal rejection experienced by those who embrace the Rastafarian faith, encapsulating themes of love, acceptance, and resistance against prejudice. As we journey through Junior's life, we are compelled to confront the dichotomy between artistic success and personal struggle, underscoring the emotional weight carried by those who create art that transcends the superficial metrics of commercial success. Produced by Henry K in association with Voice Boxx Studios Kingston, JamaicaHelp Keep Rootsland Ad Free by Supporting the Teamhttps://rootsland.captivate.fm/supportThe Petition to Reopen the Peter Tosh Murder Casehttps://www.change.org/p/justice-denied-reopen-the-peter-tosh-murder-case-nowLegends of Reggae | Facebook

The development of the popular Jamaican style is audible in this fun-packed, loosely chronological selection of tunes, moving from a US-style shuffle to ska to rock steady, toasting, dub, and Rastafarian reggae. Programmed by and using the record collection of reggae connoisseur and KPFK radio host Chuck Foster. Produced by Ned Sublette. Consulting scholar and guest programmer: Chuck Foster, who is still on the air 33 years later!

Rosa Hunt talks to Phillip Henry, a Rastafarian Beekeeper in Cardiff, about religion and biodiversity. Nestled on a rooftop overlooking Cardiff Bay, Sankofa scientist, Phillip Henry, is helping to create biodiversity corridors for pollinators - bees. Rosa Hunt met with Philip to talk about his background, Rastafarian beliefs, beekeeping, and restorative justice. In this wide ranging discussion, they look at the Bible, from Genesis to Revelation, the history of mining in Wales, and slavery. Phillip Henry also chooses some songs that represent his journey and beliefs.

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm honored to introduce you all to: ritual abuse and mind control survivor, overcomer and thriver, Bob Marley's biological daughter, loving mother, content creator, serial entrepreneur, artist and visionary, writer and author, Grammy Award Winning songwriter, podcaster, educator and avid learner, sound bowl lover and healer, and a woman on a mission to blind the darkness with her light: Zara MarleyZara's early life, shrouded in the complexities of her claimed and proven Marley lineage, was marked by trauma that began in childhood. She was thrust into a sinister world of organized abuse, orchestrated by sadistic abusers embedded within the music industry and others in close proximity to her. She's experienced sadistic and satanic ritual abuse firsthand, a harrowing reality that included secret tunnels, coercive initiations, and the exploitation of vulnerable souls. These experiences, which link to high-profile figures and systemic corruption, were designed to break her spirit and silence her voice. Yet, even in the face of such darkness, Zara's inner light - a spark she attributes to her father's legacy of resilience and Rastafarian faith - refused to be extinguished.As the biological daughter of beloved reggae legend Bob Marley, Zara carries the weight of a legacy steeped in music, love, and revolution, yet her journey diverges into a darker, lesser-known path - one of survival, healing, and fearless whistleblowing. As a survivor of satanic and sadistic ritual abuse, Zara has transformed her pain into purpose, emerging as a warrior for truth, a protector of the vulnerable, and an inspiration to countless survivors. Through her upcoming book, ‘Reclaim Your Soul', and her candid interviews, she shines a searing light on the underbelly of power and corruption, all while embodying the unyielding spirit of her father's call for justice and liberation.Zara's journey to healing began when she confronted the fragmented memories of her past, a process that required immense courage and spiritual fortitude. Drawing on the principles of unity and resistance that her father championed, she embarked on a path of self-discovery, piecing together the truths of her experiences. This journey led her to author Reclaim Your Soul, a book that promises to expose the music industry's darkest secrets while offering hope and guidance to survivors and victims of abuse. Through her writing and numerous other projects aimed at helping elevate humanity, Zara transforms her trauma into a beacon of empowerment and hope, encouraging others to reclaim their agency on a soul level, and break free from the chains of oppression.As a whistleblower, Zara's voice is both profound and provocative. She has spoken candidly about her encounters with industry giants, including discussions with Sean “P Diddy” Combs, about the spiritual toll of his initiation into elite circles. Her revelations about secret tunnels and their nefarious purposes have sparked intense discussion, challenging listeners to confront uncomfortable realities about power and control. Yet, Zara's mission extends beyond exposure; she is deeply committed to helping survivors heal, offering them a lifeline through her advocacy and support.Zara's connection to her father's legacy is not just familial but spiritual. While her father's music uplifted the disenfranchised through reggae's rhythmic rebellion, Zara's activism takes aim at the systemic forces that perpetuate abuse, making her a modern-day warrior in the Marley tradition. Her courage to speak out, despite the risks, mirrors Bob's own defiance in the face of political violence and oppression, as seSupport the show

On Today’s Show: News Highlights: Listener Calls: Haley’s Comet drops a very problematic voicemail. Kickstart addictions, Cactus Cooler cravings, and a potential 20th Anniversary Roast of Tim? (Spoiler: Tim roasts YOU instead.) 00:00:00  Introduction 02:41:15  Unocvering New Material From Viral Favorites / The Unsavory Chef 07:01:05  The Return Of John Dakers / Woody Woodpecker 11:56:05 […] The post A  Big Dick Rastafarian Making My Coconuts Clap first appeared on Distorted View Daily.

It's that time of year again! And for this rare holiday equinox which sees Easter, Passover, and 4/20 overlapping, we endeavor to cover some weed-tacular winter holiday songs with more of a religious connection than in previous years. We find great joy in the sincere silliness of "Little Dealer Boy" performed by Willie Nelson and Stephen Colbert. Then, unfortunately, we really fucked up by listening to "Angels We Have Heard on High" by a band that we're not even going to mention by name here because we don't need that kind of heat. Suffice to say, they are definitey, definitely not Rastafarian, even if their t-shirt that says "Not a Rasta" in green, yellow, and red letters with a big lion winking on it is raising a lot of questions answered by the shirt. (Note: there's also another artist featured on the song who we confused for a member of the band because she isn't credited well on the youtube video, so we're just going to go ahead and leave her out of this too.) We would like to formally apologize for our failure. We promise next year to properly blaze it and keep the vibes chill and tight. The ranking music in this episode is "Peace on Earth/Little Drummer Boy" performed by Bing Crosby and David Bowie.

Hey there, Team LITeratti and welcome to SEASON SIX of LIT Society!!! ("noises of celebration") We're so happy to be back with you and discussing AMAZING books and stories. We begin this episode by catching up and letting you all know what we've been doing with our time away (00:00). Then we discuss "Who is Haile Selassie?"—our theme of the week (07:00). We give a brief overview of the author (11:58). Then we begin a deep dive and discussion into How to Say Babylon, the celebrated memoir by Safiya Sinclair (20:50).   Under the thumb of a strict Rastafarian upbringing, a young girl carves a path to freedom through resilience and the power of poetry. The girl: Safiya Sinclair The book: How to Say Babylon Let's get LIT! Links & Resources: Join our Patreon: https://www.patreon.com/litsocietypod Grab your Digital Reading Journal here: ETSY or Patreon Want more bookish fun? Check out our archive of episodes! (www.LITSocietyPod.com) Find Alexis and Kari online:  Instagram — www.instagram.com/litsocietypod Bluesky — https://bsky.app/profile/litsocietypod.bsky.social Our website — www.LitSocietyPod.com. Subscribe to emails and get free stuff: http://eepurl.com/gDtWCr.

The Comeback Code by Jake Bailey. Jake came to national prominence when, only a few days before he was due to make the end of year speech as Head Boy at Christchurch Boys' High, he was diagnosed with a deadly aggressive cancer – and made the speech anyway. This is his second book – after living through such adversity he then had a lot of questions and studied psychology to look for answers – and in this book he shares his experience and knowledge, providing insights and mechanisms for other people facing major setbacks to help them through it. How to Say Babylon by Safiyah Sinclair. She was the daughter of a radical Rastafarian in Jamaica, who was obsessed with keeping his girls away from the “unclean” world, which they referred to as Babylon. He was a brutal, difficult father and she had a tough childhood, but she also had the soul of a poet which is what she wanted to become (and eventually did). This is an extraordinary memoir about those early years and then finally being able to find her voice and the courage she needed to break free from her father. I think fans of Tara Westover's Educated will love this as much as I did. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Interview with Vernon Francois:Vernon Francois is a world-renowned celebrity hairstylist, as well as an artist and educator on the Ulta Beauty Pro Team. He is also the owner of haircare brand, VERNON FRANCOIS Haircare, an award-winning vegan and certified cruelty-free product line. The brand's design elements are centered around ‘intuitive color coding and visual icons' to simplify the navigation process for consumers, an idea that stemmed from Vernon's journey with dyslexia. Since childhood Vernon has always had a passion for hair and today he specializes in all textures and types. Throughout his career, Vernon has emphasized the importance of embracing your hair texture and has shown this in all of his high-fashion, celebrity red-carpet looks. His passion began while growing up in a Rastafarian family where hair was a symbolic part of his childhood and relationship with his mother. This passion and the lack of inclusion for different hair textures in the UK at the time inspired Vernon to start his brand. Vernon has a wide clientele and has achieved global publicity for a few of his looks, for example, his work with Serena Williams on the cover of Vanity Fair. Although he is a celebrity stylist, Vernon's influence has reached people at home too. His attention to all hair textures has helped individuals feel seen and gives people all over the world a sense of confidence, something that was hard to achieve before you could see someone on the red carpet who had similar features as you. In 2023, Vernon won the Hollywood Beauty Award. Today, Vernon is the newest Global Ambassador for OLAPLEX. Like all of his other projects, Vernon will use this partnership to continue to empower individuals with coily, curly, wavy, or straight hair, and give them tips to style with ease. Links:https://www.instagram.com/vernonfrancois/ https://www.vernonfrancois.com/ https://www.thevisionariesagency.com/hair-stylists/vernon-fran-ois/bio News from TheTease.com: https://www.thetease.com/sally-beauty-debuts-second-annual-rooted-in-success-event-series-for-hbcu-students-along-with-new-textured-hair-expert/https://www.thetease.com/sport-clips-launches-2025-battle-of-the-hair-student-competition-heres-how-to-enter/ Rate The Look: Doechii: https://www.instagram.com/p/DFl8XhktqKP/. https://www.instagram.com/p/DFmTos4xu83/?img_index=1 Miley: https://www.instagram.com/p/DFmL6D6Rwvd/?img_index=1 Raye:

Natty is a musician who pulls inspiration from his Rastafarian faith, his world travels, his deeply seeking soul and natural healing abilities. His new album, The Divine Trinity, speaks to each Chakra, bringing together the I, the 3rd eye and the natural world into beautiful harmony. In this interview for the Chakra Way Podcast we discuss his roots, his inspiration, and his methods in music creation. You can reach Natty at https://natty.digital/

The ladies discuss annexing Greenland, congestion pricing, and grooming gangs. Plus, Dasha recaps her trip to Trinidad.

Happy New Year, everyone! I hope you all had a pleasant way of ringing in the New Year with your family and friends. It feels good to be back in the saddle again and to bring you more interviews of your favorites in the horror community. I sat down with Director Richard Elfman and Actress Anastasia Elfman and we spoke about their awesome movie, "Bloody Bridget" (2004). I have one word for this movie: "PHENOMENAL" and that is the truth! Richard gave us the insight and inspiration behind the movie along with some factual history regarding Rastafarians. If you are a history buff like me, you will want to listen to that segment of the interview closely and carefully. Overall, a fantastic interview and two very talented individuals that I would love to have back on my shows! Such a fun and vibrant couple... Be sure to follow them on social media and support all of their movies and projects. Again, congratulations to Richard and Anastasia for being part of the festival tour and circuit!

So you'd like to know if any of the Wailers played with Bob Marley? What happened to the Wailers after Bob's death?How many songs did the group have? And what was Bob Marley's biggest hit? We answer all of these questions and more in this episode. Bob Marley was born in 1945, in Saint Ann, Jamaica. His father was a Jamaican of English descent. His mother was a black teenager. Bob started his career with the Wailers, a group he formed with Peter Tosh and Bunny Livingston in 1963. Marley married Rita Marley in 1966, and it was she who introduced him to Rastafarianism. By '69 Bob, Tosh and Livingston had fully embraced Rastafarianism, which greatly influenced not only Marley's music but reggae music in general. It didn't take long for Bob Marley's music to come to the attention of Chris Blackwell, the owner of Island Records. Chris immediately signed the Wailers and produced their first album, "Catch a Fire". This was followed by "Burnin'", featuring tracks as "Get Up Stand Up" and "I Shot the Sheriff." Eric Clapton's cover of that song reached #1 in the US. In 1974 Tosh and Livingston left the Wailers to start solo careers. Marley later formed the band "Bob Marley and the Wailers", with his wife Rita as one of three backup singers called the I-Trees. This period saw the release of some groundbreaking albums, such as "Natty Dread" and "Rastaman Vibration".In 1976, during a period of spiraling political violence in Jamaica, an attempt was made on Marley's life. Marley left for England, where he lived in self-exile for two years. In England "Exodus" was produced, and it remained on the British charts for 56 straight weeks. This was followed by another successful album, "Kaya." These successes introduced reggae music to the western world for the first time, and established the beginning of Marley's international status.In 1977 Marley consulted with a doctor when a wound in his big toe would not heal. More tests revealed malignant melanoma. He refused to have his toe amputated as his doctors recommended, claiming it contradicted his Rastafarian beliefs. Others, however, claim that the main reason behind his refusal was the possible negative impact on his dancing skills. The cancer was kept secret from the general public while Bob continued working.Returning to Jamaica in 78, he continued work and released "Survival" in 1979 which was followed by a successful European tour. In 1980 he was the only foreign artist to participated in the independence ceremony of Zimbabwe. It was a time of great success for Marley, and he started an American tour to reach blacks in the US. He played two shows at Madison Square Garden, but collapsed while jogging in NYC's Central Park in 1980. The cancer diagnosed earlier had spread to his brain, lungs and stomach. Bob Marley died in a Miami hospital on May 11, 1981. He was 36 years old. This week we are joined by one of the original Wailers, Al Anderson - an American guitarist who became Bob's closest and most trusted friend. Bob had asked Al to make sure that his beloved music transcended his death and Al has obliged him all these years. Today, Al Anderson leads the group called The Original Wailers and their constant touring ensures that audiences everywhere still know and enjoy the incredible music of Bob Marley. For more information about Bob and the Wailers head to the website https://www.bobmarley.com/ I really hope you enjoy the story of Reggae's founder - Bob Marley. If there's someone you'd like to hear interviewed, please send me a message through my website

Somehow we offended a Rastafarian at Casino El Camino on 6th Street.

In this episode we sat down with artist, Chris Clark, for an incredible conversation. We discussed everything from AI art to the Rastafarian lifestyle and so much more. Chris tells us tons of mind blowing stories about the effects of artists making controversial pieces and crooked collectors in New York. He even brought his pet snake with him to hang out during the episode. Lots of free game and funny moments in this one that you don't want to miss. Follow Chris's journey on social media @cooli_ras_art PATREON LINK: patreon.com/ogsessions FOLLOW US Instagram: @ogsessionspod X: @ogsessionspod TikTok: @ogsessions

Safiya Sinclair grew up in Jamaica with an oppressive Rastafarian father who thought women's highest virtue was their obedience. She escaped this limited world through her mother's gift of books, poetry, and education. Her memoir is “How to Say Babylon”

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In this episode of our business anniversary series, I shine a light on Culture Community, a Saturday school for children aged 8 to 16 that focuses on black history, culture, and traditions. Culture Community provides a safe space for children to discuss their feelings. offers lessons on black leaders and inspirational figures, along with engaging activities and games. I sit down with the Founder, Precious Graham, to discuss her inspiration for starting the school, the challenges they've faced, and their many accomplishments. Precious also shares why they "keep it moving" despite obstacles, her vision for the future of Culture Community, and the partnership between Culture Community and BAnC Services. Precious explains Kwanzaa (one of their planned activities) the way she has experienced it, as the celebration of Christmas by Rastafarians, though google explains it as an African American celebration.Tune in to learn more about this vibrant Black Saturday School and the enriching experiences it offers for your child.KEY TAKEAWAYSAnyone that wants to learn about black history is able to come along.BEST MOMENTS“… there may be days when you create something and two people turn up, no matter how many people turn up. You always have to show up, you always have to give them the best experience…”“… our team is ready to go. Like, we're always ready to pounce, We're not scared of any challenges. We're just ready to roar, let's say that..”.… you have to always think, in order for this to work, you need to still have finances coming in and then you're able to give out more…”."A lot of the children always say to us, we love Culture Community because we feel like we're being listened to. It's not like typical school..."EPISODE RESOURCESFind out more: https://www.culturecommunity.co.uk/Connect: https://www.instagram.com/culturecommunitycic/?hl=enFollow: https://www.facebook.com/CultureCommunity21/ABOUT YOUR HOSTAishat operates her own bookkeeping and accounting services practice – BAnC Services which focuses primarily on serving non-profits. Before founding her practice, she dedicated over two decades to the non-profit sector.With her podcast, Aishat shares practical insights and expertise to streamline financial management for non-profits; and shines a light on the often unseen & unheard efforts that uphold the delivery of a non-profit's mission.Beyond her professional endeavours with non-profits, Aishat is deeply committed to supporting single mothers with navigating financial management challenges and is the author of "Money Solutions for Single Mums". She also champions financial literacy among young black adults and thrives in discussions about money management.Work with Aishat: www.bancservices.co.ukCONNECTInstagramTikTok

Introducing SznLuv, a dynamic force emerging from the vibrant streets of Brooklyn, NYC. This multifaceted artist wears many hats as an entrepreneur, entertainer, artist, editor, cinematographer, filmmaker, director, and actor. With a visionary spirit, SznLuv sees herself as a planetary cosmic being, channeling her essence into every project she undertakes, creating art that resonates with clarity and authenticity.
At the helm of her creative empire is “Get Baked,” a unique venture that embodies her Rastafarian and Jamaican roots from her mother's side. With a flair for the unconventional, SznLuv crafts experiences that blend her love for community and creativity. Whether she's building her own tribe of creators or dazzling guests with her signature weed-infused cupcakes at events, she honors the power of herbs and the artistry of natural living. In SznLuv world, everything is about elevating the experience—no artificial anything!
Her background in musical theater infuses her performances with a theatrical flair, captivating audiences with her vibrant stage presence. With her recent short film “Magic,” she's not just telling stories; she's weaving spells that connect with the soul. Each frame she directs is a reflection of her unique vision and commitment to authenticity.
But the magic doesn't stop there! SznLuv also hosts her own podcast, diving into a variety of topics that challenge conventions and spark inspiration. Her candid conversations and infectious energy invite listeners into her world, where creativity knows no bounds.
Prepare to be mesmerized by the radiant spirit of SznLuv as she takes the stage on Aura-Genz. Her passion for artistry, community, and genuine expression promises an unforgettable experience that uplifts and inspires. Join her on this cosmic journey, and witness how she transforms every moment into an explosion of creativity, love, and connection. Get ready to celebrate the essence of SznLuv—where the universe meets the stage!

In this episode, Murs breaks down the track "Dreadlocks" which was recorded for but excluded from the Murs For President album eventually being released as a part of the Madden NFL 2008 video game soundtrack. He breaks down the cultural significance of Dreadlocks in the Rastafarian community and the parallels of his own experiences of people's perceptions and assumptions. Support the podcast and get exclusive episodes and BRILA merch here:https://www.patreon.com/Murs316Follow us on IG:https://www.instagram.com/brilapod/Tune into Mondaze with Murs on Twitch:https://www.twitch.tv/3point5 Hosted on Acast. See acast.com/privacy for more information.

To connect with Rekhit Kajara Nia Yaa Nebthet:https://www.rasekhihealing.comRekhit Kajara Nia Yaa Nebthet is the Author of many books including Ra Sekhi Kemetic Reiki Level 1 & Kemetic Reiki Level 2, Sekhmet Rising, the newest addition Healing Ritual Magic & many more. She has also written articles for three other books: Sistah Vegan, Natural Dread of Atlanta, and Magical Calabash. Rekhit Kajara is a Heal Thyself Ambassador of Wellness, Medicine Woman, Priestess, Community Activist, Afrikan Holistic Health Consultant, Spiritual Warrior, Sacred Woman, Educator, Mother, Tree hugger and Nature lover who has dedicated her life to promote health, wellness and natural living to our community. Rekhit Kajara has been practicing and teaching womb wellness and energy healing for over 15 years. She is a natural healer as well as a teacher of all ages for over 20 years sharing lessons in health, wellness, women's health, black history, yoga, and metaphysical sciences. She is also an artist and entrepreneur, who has traveled the US sharing her handmade jewels for over 20 years. Mut Kajara Nebthet was raised in Chicago. She healed herself intuitively at the age of 16 using a technique which is called reiki. She received a Bachelor of Social Science from Florida State in 1993. During her time in college she committed herself in working to uplift Black people. She started her own business Nia Designs, in 1991, for which she made and sold jewelry at festivals and to stores on the East Coast and Midwest. She taught in African centered schools between 1993 and 2000. During this time she taught a variety of subjects including health, physical education, black history, Swahili, entrepreneurship, math, science, yoga, as well as arts and crafts to children of all ages. Mut Kajara was attuned as a Reiki master in 2000 and was initiated as a general initiate into the mysteries of the Akan in 2000. She also began to facilitate Sacred Woman gateway in 2000. She trained over 100 women in Sacred Woman circles and retreats between (the years of)2000 and 2012. She became the Heal Thyself Ambassador of Wellness as well as a certified fasting and detoxing therapist in 2006. She received certification as a Wholistic health practitioner from Dr. Llaila Afrika in 2006. In 2007 she was assigned to teach energy healing to our community and begin teaching Kemetic Reiki classes in Chicago. This journey led to Ra Sekhi Arts Temple being founded in 2007.  She was initiated as a priestess of Sango, Yemaya and Oya in 2008. She has worshipped with Christians, Jehovah's Witness, Hebrews, Muslims, Rastafarians, Buddhists, Wiccans, Native Americans, Akan, Yoruba, Vodun, and NGE and has come to one conclusion. All spiritual systems teach people to live right, the names serve to divide us.  Ra Sekhi classes are open to those of African descent no matter what spiritual system they follow.

To connect with Rekhit Kajara Nia Yaa Nebthet:https://www.rasekhihealing.comRekhit Kajara Nia Yaa Nebthet is the Author of many books including Ra Sekhi Kemetic Reiki Level 1 & Kemetic Reiki Level 2, Sekhmet Rising, the newest addition Healing Ritual Magic & many more. She has also written articles for three other books: Sistah Vegan, Natural Dread of Atlanta, and Magical Calabash. Rekhit Kajara is a Heal Thyself Ambassador of Wellness, Medicine Woman, Priestess, Community Activist, Afrikan Holistic Health Consultant, Spiritual Warrior, Sacred Woman, Educator, Mother, Tree hugger and Nature lover who has dedicated her life to promote health, wellness and natural living to our community. Rekhit Kajara has been practicing and teaching womb wellness and energy healing for over 15 years. She is a natural healer as well as a teacher of all ages for over 20 years sharing lessons in health, wellness, women's health, black history, yoga, and metaphysical sciences. She is also an artist and entrepreneur, who has traveled the US sharing her handmade jewels for over 20 years. Mut Kajara Nebthet was raised in Chicago. She healed herself intuitively at the age of 16 using a technique which is called reiki. She received a Bachelor of Social Science from Florida State in 1993. During her time in college she committed herself in working to uplift Black people. She started her own business Nia Designs, in 1991, for which she made and sold jewelry at festivals and to stores on the East Coast and Midwest. She taught in African centered schools between 1993 and 2000. During this time she taught a variety of subjects including health, physical education, black history, Swahili, entrepreneurship, math, science, yoga, as well as arts and crafts to children of all ages. Mut Kajara was attuned as a Reiki master in 2000 and was initiated as a general initiate into the mysteries of the Akan in 2000. She also began to facilitate Sacred Woman gateway in 2000. She trained over 100 women in Sacred Woman circles and retreats between (the years of)2000 and 2012. She became the Heal Thyself Ambassador of Wellness as well as a certified fasting and detoxing therapist in 2006. She received certification as a Wholistic health practitioner from Dr. Llaila Afrika in 2006. In 2007 she was assigned to teach energy healing to our community and begin teaching Kemetic Reiki classes in Chicago. This journey led to Ra Sekhi Arts Temple being founded in 2007.  She was initiated as a priestess of Sango, Yemaya and Oya in 2008. She has worshipped with Christians, Jehovah's Witness, Hebrews, Muslims, Rastafarians, Buddhists, Wiccans, Native Americans, Akan, Yoruba, Vodun, and NGE and has come to one conclusion. All spiritual systems teach people to live right, the names serve to divide us.  Ra Sekhi classes are open to those of African descent no matter what spiritual system they follow.

 In this episode of the Stories to Create Podcast, host Cornell Bunting chats with Zale Young, an up-and-coming reggae artist based in California, striving to break into the music industry with his unique and diverse style. Zale shares his journey of growing up in Kingston with his mother, surrounded by the Rastafarian community in the early 2000s. He discusses the challenges of adjusting to life with a stepfather he never fully connected with, seeing his biological father only occasionally, and his determination to excel in school as a path to a better future. Zale talks about moving to the United States for college after high school in Jamaica, taking a break to pursue his music career, joining a band that gave him a chance to perform at various shows, and ultimately realizing the importance of finishing his education while finding ways to support his goal of becoming a solo artist. The conversation also discusses current topics, social justice issues, and more. Tune in to hear this compelling discussion unfold.  Support the Show.Thank you for tuning in with EHAS CLUB - Stories to Create Podcast

In this adventurous episode, join us as we hop on the Culture Train for another adventure to the lush, vibrant island of Jamaica. Once again, we meet with Dr. Horace Alexander and Ms. Dorothy McCloud from the Jamaica Cultural Alliance to dive deeper into the captivating culture of this beautiful Caribbean destination. As the journey unfolds, you will be introduced to Jamaica's national fruit, ackee. Ms. Dorothy paints a vivid picture of this unique fruit, explaining how it transforms from a closed, apple-like shape to a beautiful, flower-like structure when ripe. She also shares the crucial safety tip of waiting for ackee to naturally open before consuming it, as eating it prematurely can be dangerous. Dr. Horace then takes us on a culinary journey through the history of Jamaican jerk seasoning. He reveals the ingenious methods used by the Maroons, the brave people who escaped to the mountains for freedom, to cook meat underground without revealing their location through smoke. This fascinating technique gave birth to the rich, smoky flavor of jerk seasoning, a staple in Jamaican cuisine. You will also discover delightful Jamaican desserts, many of which are made from coconut. Ms. Dorothy describes the colorful and chewy treats, including "grater cake" and the intriguingly named "Bustamante's backbone," a tough candy that pays homage to a revered Jamaican Prime Minister. The episode further explores the symbolism of the Jamaican flag, with its unique combination of black, green, and gold, representing the island's challenges, lush landscape, and sunny optimism. Dr. Horace shares the positive outlook embodied by the Jamaican people and explains the cultural significance of the colors often associated with the Rastafarian community.

Há muitos mitos e tabus acerca da famosa Cannabis, essa plantinha cujo uso acontece há milhares de anos. Mas, afinal, o que a ciência já sabe sobre a maconha? Tinha que ser em duas partes! Aqui, a parte 2 de 2.Confira a segunda (e última) parte do papo entre o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.> OUÇA (46min 36s)*Naruhodo! é o podcast pra quem tem fome de aprender. Ciência, senso comum, curiosidades, desafios e muito mais. Com o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.Edição: Reginaldo Cursino.http://naruhodo.b9.com.br*REFERÊNCIASThe relationship between cannabis use, schizophrenia, and bipolar disorder: a genetically informed studyhttps://www.thelancet.com/journals/lanpsy/article/PIIS2215-0366(23)00143-8/abstractDoes a history of cannabis use influence onset and course of schizophrenia?https://onlinelibrary.wiley.com/doi/full/10.1111/acps.13562Cannabis and schizophrenia: A complex relationshiphttps://cdn.mdedge.com/files/s3fs-public/CP02212043.pdfCannabis use in Attention – Deficit/Hyperactivity Disorder (ADHD): A scoping reviewhttps://www.sciencedirect.com/science/article/pii/S0022395622006549?casa_token=sBTLU5vfSxkAAAAA:ilKFmuKH2GQG9ylQZoK0WVi9qdlaWwSZl3L4n4o4VUpSZFtzdpPHt3loJJBzwVl3XKEaSyYVOgPrenatal cannabis use and the risk of attention deficit hyperactivity disorder and autism spectrum disorder in offspring: A systematic review and meta-analysishttps://www.sciencedirect.com/science/article/pii/S0022395624000591Exploring the Link between ADHD and Cannabis Use in Swedish Ninth Graders: The Role of Conduct Problems and Sensation-Seekinghttps://www.tandfonline.com/doi/full/10.1080/10826084.2022.2155478UK Medical Cannabis Registry: An analysis of clinical outcomes of medicinal cannabis therapy for attention-deficit/hyperactivity disorderhttps://onlinelibrary.wiley.com/doi/full/10.1002/npr2.12400Associations of cannabis use, use frequency, and cannabis use disorder with violent behavior among young adults in the United Stateshttps://www.sciencedirect.com/science/article/pii/S0955395924001166?casa_token=ODtslt9jke0AAAAA:-uxBbGJnqrra1ax1jysPu6ki-EiFxh-ZvU9tVT0YFSwwnhmmpUNrh5snI5al-CUBUA8xDBEBoAAssociation Between Cannabis and Violence in Community-Dwelling Patients With Severe Mental DisordersA Cross-sectional Study Using Machine Learninghttps://journals.lww.com/jonmd/abstract/2023/02000/association_between_cannabis_and_violence_in.2.aspx?context=latestarticlesEdible Cannabis Legalization and Cannabis Poisonings in Older Adultshttps://jamanetwork.com/journals/jamainternalmedicine/fullarticle/2818635Plantations Beyond Monocrops: Cannabis Ecologies From Colonial Angola to São Toméhttps://journals.sagepub.com/doi/full/10.1177/02780771231222335Cannabidiol (CBD) and its analogs: a review of their effects on inflammationhttps://nida.nih.gov/publications/drugfacts/cannabis-marijuana“Do You Need Someone to Share With?”: Exchange and Demand Sharing in Social Cannabis Supplyhttps://journals.sagepub.com/doi/full/10.1177/00914509221146794Consuming unregulated “diet weed”: The social context of motivations and risk among users of Delta-8 THChttps://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1111/napa.12211Examining the effect of cannabis cues on cannabis demand in sleep, driving, and typical drug-use contextshttps://www.sciencedirect.com/science/article/pii/S0376871623012954?casa_token=XiUEz9zkGV8AAAAA:aDWrpxsa5V7hO3RKEmbIO_V-7nSihgxXgOgJIRGfepldc2kRY3aYNtHs0RbqIdYdVmZmBe8cqwCritical chemsex studies: Interrogating cultures of sexualized drug use beyond the risk paradigmhttps://journals.sagepub.com/doi/full/10.1177/13634607211026223Culturally tailored substance use interventions for Indigenous people of North America: a systematic reviewhttps://www.emerald.com/insight/content/doi/10.1108/JMHTEP-07-2021-0088/full/htmlDevelopment of a rational scale to assess the harm of drugs of potential misusehttps://www.thelancet.com/journals/lancet/article/PIIS0140-6736(07)60464-4/abstractAdverse effects of medical cannabinoids: a systematic reviewhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC2413308/Gut microbiome and metabolomic profiles reveal the antiatherosclerotic effect of indole-3-carbinol in high-choline-fed ApoE-/- micehttps://www.sciencedirect.com/science/article/pii/S0944711324002800?via%3Dihub#bib0028Table 3 Anti-tumor activities of I3C and DIM compoundshttps://cancerci.biomedcentral.com/articles/10.1186/s12935-023-03031-4/tables/3Cannabinoids in medicine: A review of their therapeutic potentialhttps://web.archive.org/web/20100524141419/http://www.doctordeluca.com/Library/WOD/WPS3-MedMj/CannabinoidsMedMetaAnalysis06.pdfDread : the Rastafarians of Jamaicahttps://archive.org/details/dreadrastafarian00owenNaruhodo #371 - Qual o impacto do alcoolismo nos dias de hoje? - Parte 1 de 2https://www.youtube.com/watch?v=JAIjJ6E8ZHkNaruhodo #372 - Qual o impacto do alcoolismo nos dias de hoje? - Parte 2 de 2https://www.youtube.com/watch?v=ZRwC2GQevIoNaruhodo #49 - O que causa o vício?https://www.youtube.com/watch?v=--Z_ylPXIWcNaruhodo #207 - Vape e cigarro eletrônico são seguros?https://www.youtube.com/watch?v=Raa9CUrIFbsNaruhodo #85 - Por que é tão difícil parar de fumar?https://www.youtube.com/watch?v=SPkIT0ehoisNaruhodo #267 - O que é dissonância cognitiva? - Parte 1 de 2https://www.youtube.com/watch?v=1xJwqmir5UwNaruhodo #268 - O que é dissonância cognitiva? - Parte 2 de 2https://www.youtube.com/watch?v=--OHlHmOQTM*APOIE O NARUHODO PELA PLATAFORMA ORELO!O podcast Naruhodo está no Orelo: bit.ly/naruhodo-no-oreloE é por meio dessa plataforma de apoio aos criadores de conteúdo que você ajuda o Naruhodo a se manter no ar.Você escolhe um valor de contribuição mensal e tem acesso a conteúdos exclusivos, conteúdos antecipados e vantagens especiais.Além disso, você pode ter acesso ao nosso grupo fechado no Telegram, e conversar comigo, com o Altay e com outros apoiadores.E não é só isso: toda vez que você ouvir ou fizer download de um episódio pelo Orelo, vai também estar pingando uns trocadinhos para o nosso projeto.Então, baixe agora mesmo o app Orelo no endereço Orelo.CC ou na sua loja de aplicativos e ajude a fortalecer o conhecimento científico.bit.ly/naruhodo-no-orelo

What if a trip to your homeland could redefine your understanding of self-worth and purpose? Join me as I share the transformative experiences from my recent journey to Antigua after an unexpected three-week hiatus. From reconnecting with my roots and feeling the intense tropical heat to the bittersweet moments of remembering my late grandmother, this trip brought immense peace and clarity. I'll walk you through the lush landscapes, the vibrant culture, and the poignant reflections that grounded me and renewed my appreciation for my culture.But that's not all. Tune in as I recount the heartwarming Scrub Life Cares 'Grow With The Flo' event, filled with community spirit and invaluable lessons on gratitude and connection. Learn about my empowering participation at the Small Island Developing States Conference, where I gained new perspectives and forged significant bonds to further our mission. Plus, hear about my visits with local CSOs, an immersive experience in a Rastafarian community, and impactful health education initiatives. Let this episode inspire you to seek experiences that reconnect you with your core and challenge your perspectives, all while making a meaningful difference.Support the Show.Thank you for listening to Tea With Tanya. Please feel free to rate and leave a review of the show. To join the conversation on social media, use the hashtag and tag us on Instagram #teawithtanya #Teawithtanyapodcast visit the website at tanyakambrose.comFollow us on IG @teawithtanyapodcast, @tanyakambroseSign up for our Tea Talk newsletter Support the podcast by buying a cup of tea.

Há muitos mitos e tabus acerca da famosa Cannabis, essa plantinha cujo uso acontece há milhares de anos. Mas, afinal, o que a ciência já sabe sobre a maconha? Tinha que ser em duas partes! Aqui, a parte 1 de 2.Confira a primeira parte (de duas) do papo entre o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.> OUÇA (53min 20s)*Naruhodo! é o podcast pra quem tem fome de aprender. Ciência, senso comum, curiosidades, desafios e muito mais. Com o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.Edição: Reginaldo Cursino.http://naruhodo.b9.com.br*REFERÊNCIASThe relationship between cannabis use, schizophrenia, and bipolar disorder: a genetically informed studyhttps://www.thelancet.com/journals/lanpsy/article/PIIS2215-0366(23)00143-8/abstractDoes a history of cannabis use influence onset and course of schizophrenia?https://onlinelibrary.wiley.com/doi/full/10.1111/acps.13562Cannabis and schizophrenia: A complex relationshiphttps://cdn.mdedge.com/files/s3fs-public/CP02212043.pdfCannabis use in Attention – Deficit/Hyperactivity Disorder (ADHD): A scoping reviewhttps://www.sciencedirect.com/science/article/pii/S0022395622006549?casa_token=sBTLU5vfSxkAAAAA:ilKFmuKH2GQG9ylQZoK0WVi9qdlaWwSZl3L4n4o4VUpSZFtzdpPHt3loJJBzwVl3XKEaSyYVOgPrenatal cannabis use and the risk of attention deficit hyperactivity disorder and autism spectrum disorder in offspring: A systematic review and meta-analysishttps://www.sciencedirect.com/science/article/pii/S0022395624000591Exploring the Link between ADHD and Cannabis Use in Swedish Ninth Graders: The Role of Conduct Problems and Sensation-Seekinghttps://www.tandfonline.com/doi/full/10.1080/10826084.2022.2155478UK Medical Cannabis Registry: An analysis of clinical outcomes of medicinal cannabis therapy for attention-deficit/hyperactivity disorderhttps://onlinelibrary.wiley.com/doi/full/10.1002/npr2.12400Associations of cannabis use, use frequency, and cannabis use disorder with violent behavior among young adults in the United Stateshttps://www.sciencedirect.com/science/article/pii/S0955395924001166?casa_token=ODtslt9jke0AAAAA:-uxBbGJnqrra1ax1jysPu6ki-EiFxh-ZvU9tVT0YFSwwnhmmpUNrh5snI5al-CUBUA8xDBEBoAAssociation Between Cannabis and Violence in Community-Dwelling Patients With Severe Mental DisordersA Cross-sectional Study Using Machine Learninghttps://journals.lww.com/jonmd/abstract/2023/02000/association_between_cannabis_and_violence_in.2.aspx?context=latestarticlesEdible Cannabis Legalization and Cannabis Poisonings in Older Adultshttps://jamanetwork.com/journals/jamainternalmedicine/fullarticle/2818635Plantations Beyond Monocrops: Cannabis Ecologies From Colonial Angola to São Toméhttps://journals.sagepub.com/doi/full/10.1177/02780771231222335Cannabidiol (CBD) and its analogs: a review of their effects on inflammationhttps://nida.nih.gov/publications/drugfacts/cannabis-marijuana“Do You Need Someone to Share With?”: Exchange and Demand Sharing in Social Cannabis Supplyhttps://journals.sagepub.com/doi/full/10.1177/00914509221146794Consuming unregulated “diet weed”: The social context of motivations and risk among users of Delta-8 THChttps://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1111/napa.12211Examining the effect of cannabis cues on cannabis demand in sleep, driving, and typical drug-use contextshttps://www.sciencedirect.com/science/article/pii/S0376871623012954?casa_token=XiUEz9zkGV8AAAAA:aDWrpxsa5V7hO3RKEmbIO_V-7nSihgxXgOgJIRGfepldc2kRY3aYNtHs0RbqIdYdVmZmBe8cqwCritical chemsex studies: Interrogating cultures of sexualized drug use beyond the risk paradigmhttps://journals.sagepub.com/doi/full/10.1177/13634607211026223Culturally tailored substance use interventions for Indigenous people of North America: a systematic reviewhttps://www.emerald.com/insight/content/doi/10.1108/JMHTEP-07-2021-0088/full/htmlDevelopment of a rational scale to assess the harm of drugs of potential misusehttps://www.thelancet.com/journals/lancet/article/PIIS0140-6736(07)60464-4/abstractAdverse effects of medical cannabinoids: a systematic reviewhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC2413308/Gut microbiome and metabolomic profiles reveal the antiatherosclerotic effect of indole-3-carbinol in high-choline-fed ApoE-/- micehttps://www.sciencedirect.com/science/article/pii/S0944711324002800?via%3Dihub#bib0028Table 3 Anti-tumor activities of I3C and DIM compoundshttps://cancerci.biomedcentral.com/articles/10.1186/s12935-023-03031-4/tables/3Cannabinoids in medicine: A review of their therapeutic potentialhttps://web.archive.org/web/20100524141419/http://www.doctordeluca.com/Library/WOD/WPS3-MedMj/CannabinoidsMedMetaAnalysis06.pdfDread : the Rastafarians of Jamaicahttps://archive.org/details/dreadrastafarian00owenNaruhodo #371 - Qual o impacto do alcoolismo nos dias de hoje? - Parte 1 de 2https://www.youtube.com/watch?v=JAIjJ6E8ZHkNaruhodo #372 - Qual o impacto do alcoolismo nos dias de hoje? - Parte 2 de 2https://www.youtube.com/watch?v=ZRwC2GQevIoNaruhodo #49 - O que causa o vício?https://www.youtube.com/watch?v=--Z_ylPXIWcNaruhodo #207 - Vape e cigarro eletrônico são seguros?https://www.youtube.com/watch?v=Raa9CUrIFbsNaruhodo #85 - Por que é tão difícil parar de fumar?https://www.youtube.com/watch?v=SPkIT0ehoisNaruhodo #267 - O que é dissonância cognitiva? - Parte 1 de 2https://www.youtube.com/watch?v=1xJwqmir5UwNaruhodo #268 - O que é dissonância cognitiva? - Parte 2 de 2https://www.youtube.com/watch?v=--OHlHmOQTM*APOIE O NARUHODO PELA PLATAFORMA ORELO!O podcast Naruhodo está no Orelo: bit.ly/naruhodo-no-oreloE é por meio dessa plataforma de apoio aos criadores de conteúdo que você ajuda o Naruhodo a se manter no ar.Você escolhe um valor de contribuição mensal e tem acesso a conteúdos exclusivos, conteúdos antecipados e vantagens especiais.Além disso, você pode ter acesso ao nosso grupo fechado no Telegram, e conversar comigo, com o Altay e com outros apoiadores.E não é só isso: toda vez que você ouvir ou fizer download de um episódio pelo Orelo, vai também estar pingando uns trocadinhos para o nosso projeto.Então, baixe agora mesmo o app Orelo no endereço Orelo.CC ou na sua loja de aplicativos e ajude a fortalecer o conhecimento científico.bit.ly/naruhodo-no-orelo

Texas megachurch really wants a new traffic light, Vatican museum staff sues Vatican, imprisoned Rastafarian appeals to Supreme Court over cut hair, Chicago high school's quiet time crosses the line, Billy Graham statue headed to US Capitol, free books at Louisiana school, and Madonna's free concert in Brazil stokes new Satanic Panic.

The funeral for Jamaican reggae star Bob Marley was half religious ceremony, half rock concert on 21st May, 1981. An estimated 100,000 people are believed to have seen Marley's body lying in state, and the announcement of Jamaica's national budget was postponed by several days to accommodate his funeral. The casket contained his red Gibson Les Paul guitar, a Bible opened at Psalm 23, and a stalk of ganja placed there by his widow, Rita. In this episode, The Retrospectors uncover the Rastafarian tensions underlying Prime Minister Edward Seaga's eulogy; explain why this moment of national commemoration also meant coming to terms with some national guilt; and consider how the Marley family subsequently used Bob's image on everything from earphones to cannabis… Further Reading: ‘Bob Marley's funeral, 21 May 1981: a day of Jamaican history' (The Guardian, 2011): https://www.theguardian.com/music/2011/apr/24/bob-marley-funeral-richard-williams ‘In Short - 'I was there': Bob Marley's death, 1981' (BBC Radio 5 Live, 2017): https://www.bbc.co.uk/programmes/articles/2xyVnT65ltGwggk3zrc8yyG/i-was-there-bob-marleys-death-1981 ‘Excerpt from “Marley” (Universal Pictures, 2012): https://www.youtube.com/watch?v=XTx868LW--8 Love the show? Support us!  Join 

Sarah and David start things off with a discussion of Trump's trials and how he might respond to the outcome of the election. Are David's concerns overblown? The Agenda: —Trump's New York trial —Chilling speech over anti-Israel protests and one law school dean's private dinner party —Mocking Michael Cohen —Civil forfeiture SCOTUS ruling —AYER ruling —When prison guards shave a Rastafarian's dreads —Firing gay teachers Show Notes: —Trial of Ted Stevens Learn more about your ad choices. Visit megaphone.fm/adchoices

Comedian Paul F. Tompkins chats about his improv comedy podcast The Neighborhood Listen, where he and fellow comedians re-enact posts from the app Nextdoor; poet Safiya Sinclair discusses her memoir How to Say Babylon, in which she recounts growing up Rastafarian in Jamaica under the strict patriarchy of her father; and singer-songwriter Isabeau Waia'u Walker performs her song "All My Friends Think I'm Okay." Plus, host Luke Burbank and announcer Elena Passarello share some unhinged behavior from the neighbors of our listeners.

The story of Ghanaian dancehall begins with the rise of reggae music in the late 1970s. Inspired by the powerful voices of Jamaican icons like Bob Marley (Bob Marley's wife, Rita Marley, has spent more than 20 years residing in Ghana. In the 1990s, she relocated to Ghana with Bob Marley's family ) and Peter Tosh, Ghanaians found a deep resonance with reggae, seeing parallels between the Jamaican experience and their own history of colonialism and struggle. The local Rastafarian communities played a pivotal role in nurturing this bond, and soon, youth from the Zongos began to champion this emerging genre. Much like in Jamaica, these young artists expressed their socio-cultural challenges and political dissent through their music. Abeejah O'Mint, better known as Jupitar or Jupitar General, has swiftly ascended as a standout in the spheres of Reggae, Dancehall, and Afrobeats within Ghana. Emerging in 2011, Jupitar has left an indelible mark on Africa's dancehall canvas, characterized by his genuine tunes and mesmerizing performances. His initial breakout track, "Nah Touch Again" in 2010, catapulted him into the spotlight, prompting many to marvel at his distinctly African origin. 2013 was a rewarding year for him; he clinched the "Discovery of the Year" titles at both the Reggae/Dancehall BASS Awards and the MTN 4Syte Music Video Awards. By 2017, he garnered a nomination at the Vodafone Ghana Music Awards, enthralling fans with a riveting live band show. Between 2015-16, his hit single "Enemies," featuring Sarkodie, resonated not just within Ghana but also far beyond its borders. This achievement led him to several nominations and eventually a win for "Best Collaboration of the Year" at the Ghana Music Awards UK (GMAUK). Jupitar's collaboration with one of Nigeria's dancehall heavyweights, PatoRanking, on "Whine" garnered vast online attention. In 2017, he clinched the title of Best African Artist at the Urban Music Awards U.K, competing with notable names like Wizkid, Mr. Eazi, and Tiwa Savage, among others. 2018 saw him being recognized as the top Dancehall act at the NELAs Award in the U.K., outshining peers like Shatta Wale and Burna Boy. He's also marked as a performer for JA Sting 2023. This was a great interview! Ghana to THE WORLD! --- Send in a voice message: https://podcasters.spotify.com/pod/show/theafricanexcellistpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/theafricanexcellistpodcast/support

Watch the video interview on YouTube: https://www.youtube.com/channel/UCijzViDaoVljjDXyEPTIwyQ?sub_confirmation=1 This week's guest is Bukkha. This conversation covers a wide range of topics related to dub music culture, including the origins and meaning behind terms like "Babylon," the role of sound systems, vinyl collecting, and the distinction between DJs and selectors in the dub scene. Bukkha shares his personal journey into the world of dub, starting with his early influences like jungle and intelligent dance music. He discusses discovering the infamous "BBC Radio Dubstep Wars" mix, which sparked his passion for the deep, dubby side of the genre. The interview delves into the cultural significance of dub music, its roots in Jamaican reggae, and the Rastafarian philosophies that shape its conscious messages. Throughout the discussion, Bukkha emphasizes the importance of gratitude and staying true to one's artistic vision, rather than seeking validation from big names in the industry. He also touches on the vinyl collecting craze, limited edition releases, and the allure of exclusivity in the physical music market. The conversation also explores Bukkha's experiences playing at various venues and festivals across Europe, highlighting the vibrant dub scene and the unique atmosphere of all-night parties. Additionally, Bukkha discusses his own record label endeavors, collaborations, and the process of pressing and releasing vinyl records. Overall, the podcast offers a rich exploration of dub music culture, providing insights into its history, philosophies, and the dedicated community of artists, selectors, and enthusiasts who keep the sound system tradition alive. Support Us by Buying a Hat ;) https://poducer.bigcartel.com/product/poducer-green-corduroy-ball-cap Sponsorships: QUAKE Dub Muffs V2 l Buy now! Use code "POD15" at checkout to save 15% https://www.dubmufs.com/products/dub-mufs-v2 Affiliates: https://www.lalal.ai/?fp_ref=poducer Follow: Bukkha Spotify - https://open.spotify.com/artist/7ADHSBDZKBUoay9s2qXfBA?si=5AkOk9HrQgmrFfIBOLQ0GA&nd=1&dlsi=9d7a931bb5234ca9 Instagram - https://www.instagram.com/bukkhagram/ Soundcloud - https://soundcloud.com/bukkhaspace?ref=clipboard&p=i&c=1 Bandcamp - https://bukkha.bandcamp.com/music Follow Poducer: Spotify - https://open.spotify.com/show/28RTvQMv5fMfF2ozxO2zdw?si=e76566f2c7a246c4&nd=1 Apple Podcast - https://podcasts.apple.com/us/podcast/poducer/id1327594929 Instagram - https://www.instagram.com/poducer_podcast/ YouTube - https://www.youtube.com/channel/UCijzViDaoVljjDXyEPTIwyQ Soundcloud - https://soundcloud.com/poducer Facebook - https://www.facebook.com/PoducerPodcast/ Discord - https://discord.com/invite/TRNMsja

Well I hope you're up for a laugh, cos this Take 5 is a special one. As comedy festival season kicks it around Australia, I've dug into the Take 5 archives and pulled out some of my favourite chats with comedians. Unsurprisingly, they're great storytellers. And as we know from almost 20 years of Taking 5, everyone has a connection to music.There's another throughline to these tales too, they all speak to adventure; to shifting to a new place for a new perspective, and often a whole new beginning.You'll hear Celia Pacquola remember her early shows making it big in Edinburgh, Fred Armisen talk about his transition from music to comedy, Rose Matafeo's Rastafarian parents, how Steph Tisdell was gonna be a lawyer before hopping on a plane to the UK, and Simon Amstell's tip into teenage years onstage.Belle & Sebastian – Step Into My Office, BabySleater-Kinney - Start TogetherStormzy – Cigarettes & Cush (Ft. Kehlani & Lily Allen)Kelis – Millionaire (Ft. Andre 3000)Patrick Wolf – The City

Eteri Chkadua- From Soviet Control to a Life of Freedom and Art Making: Ep. 67 S3 (published 3/21/2024) Eteri studied at the Academy of Arts in Tbilisi, Georgia where her professors taught her to avoid Soviet style Social Realism, with an embrace of abstract and impressionist styles, as a reaction against the oppressive state. Before she finished her time there she made a painting that contained figurative realism to bust the chops of her professors that surprised them so much that it propelled her into the art scene of her home country. She came to America in 1988 with an American Linguist who was studying the Georgian language and helped her leave a place where no one was allowed to leave. Since then, she has become known around the world as a figurative painter who explores serious topics with a sense of humor. Her paintings explore the content of her new life in America (from Rastafarians to new relationships) alongside references to her life back in Georgia or the weapons of war that oppress people around the world. Enjoy this conversation that taps into topics of her creative art-making to Russian control that still threatens today. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thestolenhourspodcast/message

In Chapter 3 of "Crucifixion of the Ghetto" Hungry Town, a chance encounter at the Studio with a Grammy Nominated Songwriter is just the right ingredient the Bigga Staar project needs to get off the ground. Henry K and Bigga travel into Hungry Town, one of Kingston's garrisons to check rising Rastafarian singer Turbulence about a feature on a song. Rootsland Returns on 3/19 with the Second Half of Season 7 Produced by Henry K in association with Voice Boxx Studio Red Hills, JamaicaGuest vocals by Patrick "Curly Loxx" Gaynor, Steve "Bigga Staar" Briskman Intro by Michelle "Kim" Yamaguchi Home | ROOTSLAND Reggae Music, Podcast & Merchandise "Wear Your Culture" Rootsland is proud to partner with Osiris Media "the leading storyteller in music." Welcome to Osiris Media - Osiris - The leading storyteller in music. Rootsland is proud to be sponsored by Age Verification - Sunset Lake CBD Brian Jahn Brian Jahn (@brianjahnphoto) • Instagram photos and videosfeatured songs: "Hungry Town Skank" Jacob Miller & Augustus Pablo "Gimme di MIc" Bigga Staar feat. Turbulence Photo Bigga Staar & Turbulence January 2004

Guest: Mike Marinacci, author of Psychedelic Cults and Outlaw Churches: LSD, Cannabis, and Spiritual Sacraments in Underground AmericaMike is an independent expert on psychedelic spiritual groups and nontraditional American religious sects. He is also the author of California Jesus and Mysterious California, and coauthor of the bestselling Weird California. And he lives in the San Francisco Bay Area in California, USA.In this very engaging conversation, Mike starts by talking about what inspired him to write this book, and then we jump into discussing several of the major psychedelic groups he discusses in his book. A few highlights of our interview: The Native American Church and their struggle to receive legal permission from the United States government to use peyote in their rituals; how non-indigenous people also tried to gain this legal permission for their own churches; the highly eventful life of Timothy Leary and his engagement with LSD, and his later League for Spiritual Discovery; the forerunner to satirical groups such as the Church of the Flying Spaghetti Monster, the Neo-American Church; the introduction of ‘crisis response' help with the use of LSD by the Church of Naturalism; the switch to the use of legal drugs by the Church of the Tree of Life; the success of the Ethiopian Zion Coptic Church with the Rastafarians, and the downfall of the Church after the group became too highly involved in drug trafficking; and the complicated efforts to profit commercially from the use of entheogens by the present-day Ayahuasca Healings group.PROGRAM NOTESWorks by/ co-authored by Mike Mariancci:Psychedelic Cults and Outlaw Churches: LSD, Cannabis, and Spiritual Sacraments in Underground America: Marinacci, Mike: 9781644117071: Amazon.com: BooksEerie California: Strange Places and Odd Phenomena in the Golden State: Marinacci, Mike: 9781579512514: Amazon.com: BooksCalifornia Jesus: A (Slightly) Irreverent Guide to the Golden State's Christian Sects, Evangelists and Latter-Day Prophets - Kindle edition by Marinacci, Mike. Religion & Spirituality Kindle eBooks @ Amazon.com.Weird California: You Travel Guide to California's Local Legends and Best Kept Secrets (Volume 7): Bishop, Greg, Oesterle, Joe, Marinacci, Mike, Moran, Mark, Sceurman, Mark, Sceurman, Mark: 9781402766831: Amazon.com: BooksEmail Mike Marinacci: psychedelic.cults@gmail.comInstagram: Mike Marinacci (@psychedeliccults) • Instagram-foto's en -video'sOTHER LINKSGod on High: Religion, Cannabis, and the Quest for Legitimacy: Cozad, Laurie: 9781498504041: Amazon.com: BooksPsychedelic Intersections: Cross-cultural Manifestations of the Sacred Conference 2024, February 17, 2024 | Center for the Study of World Religions (harvard.edu)YouTube Channel: (12) HDS Center for the Study of World Religions - YouTubeTheme Music: Daniel P. SheaOther Music: Stephanie Shea 

The movie, One Love, the Bob Marley biopic, just came out which has people looking closer at the Rastafari culture. Putting the culture into the spotlight, many have noticed the undeniable ties between their religion and Jewish themes. Jewish organizations have jumped onto the trend of asking, and even claiming, that Bob Marley was Jewish. Whether or not this is true is trivial. What's more valuable is the discovery of Jewish and Jamaican ties and how oppression brought them together. As a full-time Jewish advocate, Tyler Samuels sheds light on the little-known history of Jamaican Jews and the isolating experience of being a black Jew. From the secret crypto Jews of the Spanish Inquisition to the influences on Rastafari culture and the intriguing story of a Jewish pirate, Samuels offers an exciting exploration of Jamaican Jewish history. Don't miss out on this eye-opening episode that will challenge preconceptions and celebrate the diversity within Jewish culture. Timeline: 00:00 Introduction to Tyler Samuels 03:45 The Spanish Inquisition 07:07 Colonies and the spread of oppression 09:25 Pirates 15:23 Jewish persecution in Iberia and colonies. 16:18 Defining Genocide 21:21 Rastafarian culture is influenced by Jewish symbols. 24:35 Personal experiences 26:39 Conclusion About Tyler Samuels: Tyler Samuels is the creator of the social media account BluntBlackJew. He was the Campus Development Lead at Hillel BC Society. Tyler was also a fellow for the Union of Reform Judaism's Jews of Color Leadership Fellowship and a Jewish Federation of North America Changemakers Fellow for Aspiring Leaders. Through Twitter, Instagram, and TikTok, Tyler teaches Jews and non-Jews Caribbean Jewish & general Jewish history and life as a Black Jew. Connect with Tori Greene IG: @bluntblackjew Connect with Bad Jew: BadJew.co https://linktr.ee/badjew BadJewPod@gmail.com Ig @BadJewPod TikTok @BadJewPod

We're joined by return guest Princess O'Nika Auguste, here to share the story of The Queen of Sheba. Princess explains this Queen's connection to Ethiopian, Rastafarian, Yemeni, Islamic, Jewish, Christian, and Black history. Follow Princess's podcast Badass Women of History Support Princess on Patreon All other ways to follow and support Princess online ---- Get 15% off all the gorgeous jewellery and accessories at common.era.com/vulgar or go to commonera.com and use code VULGAR at checkout -- Get Vulgar History merch at vulgarhistory.com/store (best for US shipping) and vulgarhistory.redbubble.com (better for international shipping) -- Support Vulgar History on Patreon  -- Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. Use this link to shop there and support Vulgar History. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ken and Charley talk about the Caribbean island nation of Jamaica. Endemic bird and Rastafarian capital of the Caribbean! Rufous-throated Solitaire recording courtesy of Simon Elliott, https://xeno-canto.org/589885. License: Creative Commons Attribution-NonCommercial-NoDerivs 4.0 If you wish to support this podcast, please visit our Patreon page at: https://www.patreon.com/naturallyadventurous?fan_landing=true Feel free to contact us at: cfchesse@gmail.com or ken.behrens@gmail.com Naturally Adventurous Podcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/ken-behrens/message

Eric Newman and Kate Wolf speak with writer Alicia Kennedy about No Meat Required: The Cultural History and Culinary Future of Plant-Based Eating. The book unpacks the ethical, spiritual, environmental, economic, and political dimensions of vegetarianism and veganism. It traces the emergence of meatless eating in the US, from 19th century religious groups to various subcultures—including commune-dwellers, Rastafarians, Buddhists, punks, ecofeminists and Black Nationalists—to the watershed moment of Frances Moore Lappé's book, Diet for a Small Planet, published in 1971. Kennedy also interrogates more recent trends like wellness culture and meatless Big Macs, considering how the radical origins of not eating meat are becoming obscured as veganism hits the mainstream. A rejoinder to questions about the efficacy of personal choices in the fight against climate change and social injustice, No Meat Required argues for the critical importance of biodiversity, local agriculture, and local economies, and offers a holistic vision of food consumption and production for both the present and future. Also, Blake Butler, author of Molly, returns to recommend Last Words from Montmartre by Qiu Miaojin.

Author/narrator Safiya Sinclair emphasizes the poetry of her words as she narrates her memoir. Host Jo Reed and AudioFile's Kendra Winchester discuss this powerful memoir. Sinclair begins by defining “Babylon,” the term that Rastafarians coined to refer to the corrupting influences of Western culture—white oppression, in particular. Her father, a musician, became a strict Rastafarian, and when Sinclair reaches puberty, her rageful father turns on her and rains down abuse. The memoir's throughlines are Sinclair's depictions of her mother's gentle love, her siblings' tenderness, her own determination, and the poetry that grew within her. Read the full review of the audiobook on AudioFile's website. Published by Simon & Schuster Audio. Find more audiobook recommendations at audiofilemagazine.com This episode of Behind the Mic is brought to you by Brilliance Publishing. From the author of The Last Mona Lisa comes a thrilling story of masterpieces, masterminds, and mystery. Alternating between a perilous search and the history of stolen art and lives, listen at audible.com/TheLostVanGogh Learn more about your ad choices. Visit megaphone.fm/adchoices

Comedian Paul F. Tompkins chats about his improv comedy podcast The Neighborhood Listen, where he and fellow comedians re-enact posts from the app Nextdoor; poet Safiya Sinclair discusses her memoir How to Say Babylon, in which she recounts growing up Rastafarian in Jamaica under the strict patriarchy of her father; and singer-songwriter Isabeau Waia'u Walker performs her song "All My Friends Think I'm Okay." Plus, host Luke Burbank and announcer Elena Passarello share some unhinged behavior from the neighbors of our listeners.